WEST of JAPAN Ice? in This Day and Age? JAPAN 'I Don't Really Like II"

Total Page:16

File Type:pdf, Size:1020Kb

WEST of JAPAN Ice? in This Day and Age? JAPAN 'I Don't Really Like II 24 Record Mirror, Jahuary 5.1980 / JAPAN's David Sylvian: "I don't like dry Ice." WEST OF JAPAN ice? In this day and age? JAPAN 'I don't really like II". Sylvian told me later "I didn't Ryerson Theatre, know we were going to use it again, and we won't from Toronto now on. We had it when we played in Los Angeles and no-one saw us for the !UM three numbers Bul l like the DECEMBER HIFI FOR PLEASURE JAPAN Is not a rock 'n' roll band. You can't dance to smoke, we use it to emphasise the lights " music, sing to their songs. They their you can't along I asked Min it the band weren't making things dif- are not the kind of band you could work up a sweat ficult for themselves by using effects like that - and listening to So how come 1400 people In this the make up which out with the end of glam rock. polytechnic roared, applauded and stamped their feet - "I don't see It at a 1974 image," in appreciation of Japan's performance? answered David "I the tact that they're popular here is in no doubt The don't think we're glare rock. I'd wear make up anyway I'd be if I 11 fact that they're extremely popular in Japan (the coun. compromising didn't wear now. because I m £2,000 I try) Is hardly surprising. Japanese girls love the trail -doing what think I should do have strong principles and I looking bands, the boys who look as II all won't change them for anybody There's no point they spend in their daylight hours under a rock They aren't at all pre- being successful unless you are on your own terms 01 judlced (as we and the Americans are) in their view of "A tol what we do Is tongue In cheek There's a lot wear of men who make up offstage as well as on humour in what I write Sonie things lust aren't worth of Agfa But Canadians, the lumberjacks of the northern meant to be taken seriously " hemisphere. the mounties who always gel their men? I'd thought that their There's nothing appearance-and the name effeminate about them. So it can't be a itsell- was a deliberate marketing exorcise, to reach cultural preference for fey young men It had to be the the vast Japanese audiences. They've music The knew cashed in with audience all the songs and met each some success marketing a number of with recognition and items with their approval and ultimately gave the name on, which tourists to Japan have been buying, band a Standing ovation. While I enjoyed Cassettes some of the under the impression they're taking away a memento songs, the rest of the time I as felt if everyone else was of their holidays. A bit like calling your group Marks hearing something that I Couldn't. and Spencer really This would have remained a mystery to I me if hadn't "It was just the first name we thought of," said bass made a small tour of the earlier In the city day and player Mick Karn "We were going to change it, in discovered that not only was Toronto very much but into the end left it as It was I admit I new wave and probably wouldn't think won! the (oddly termed) Industrial music Com- much of a that to be band called itself ing out of the UK. but they England." saw Japan as being in that I asked them why they thought find out what's new in the category Japan Is a cult band in Canada they hadn't had as Enter our very special Xmas competition, That's pro. much success In the UK as they d had bably why their new album 'Quiet has elsewhere world of cartridges, on test amps from 7 leading manufacturers - Life' been "In Britain, a lot of it Is based on airplay we released there a couple of months and JVC, Mitsubishi, Philips, Pioneer, Sansui, Sony and Trio, a look at before any other haven't had that And then people see us and Country Already it's shifting copies like candles in they're metal tapes is this the shape of things to come? a not sure what to make of us, so they don't bother to - power strike listen," said David. It Could also be the reason that Japan latest hifi of reviews, letters, advice and so much went all the In fact, the Japanese heard the albums-'Adolescent The news, pages way to Canada to play just one gig-their first in six the you deserve from Sex' and 'Obscure Alternatives'-before they saw the more to make sure you get sort of pleasure months. Hall a year off the road has been very band- which up -ends frustrating for my theory somewhat, but once your hilt. the band, but has obviously helped them they did see the group, the result to re -assess their performance and was assured How their music- The Could these avid followers of Western fashion resist It's all in the December issue of HiFi for Pleasure amount of work they've done and the changes they've the willowy Sylvian, who looks as though a small gust been through was apparent to me. having seen them at would knock him over? the London Lyceum a year ago While I couldn't claim In the UK Japan's recordings have been belle( than to understand a lot of their ideas. I did enjoy watching their live work and they admit them this lime they are still trying to work out the best format for their concerts Al the mo- They've added a sax player-Jane Shorter-which ment. Sylvian plays guitar for fills out their structured keyboards several numbers in the based sound and set and to me. it seemed to sit awkwardly with his . sharpens their similarity to Roxy Music They won't svelte image He doesn't like playing rt either but feels N,l,rrf like the comparison, but there you go Singer David it's necessary to the sound and they don't want to add ?r° Sylvian is a definite Bryan David hybrid _ Ferryf Bowie again to their present line up With that going for them, they should be huge The on- Sax player Jane loured only recently ly thing that I can see that'll hold them back is the com- "Jane's just like us," said Mick "We're hard to get plexity of their music; I don't think it has a universal ap- on with-not in an arrogant way, just personalitywise J REVELATION peal We're hard to gel close to. but she's lilted in right from METNxTAtE The one song they do that I think breaks that barrier the start." ITII is the Giorgio Moroder produced 'Life in Tokyo'. The Getting close to Japan Could be quite a problem, as song was announced by Sylvian who said "A lot of Me unapproachability of their ice cool music definitely P people have criticised us for making this" fit was sets up a barrier stage and XMASGirT between audience. released as a single) but I think it's by far one of the However, they have the appeal o, the touch-me-not best songs they do. The criticism must surely have Gary Numan and are decideiy better looking, If that T come from the more esoteric of their fans The other sort ís has of thing important to you And as human outstanding song is Lou Reed's 'All Tomorrows Par- done spectacularly well. there's no reason to suppose ties' Both of these songs make it easy to relate to the that Japan can't do the same band in rock terms, while the others, based around The Ryerson audience loved the complicated, Richard Barbieri's intricate keyboards and syn- sometimes doomy, structure of Japan's music and the J thesisers lilt the music to more temporal levels. concert was a success. I left, keeling that although I'd I'd always imagined the Canadians ,to be a fairly missed Out on the spark that everyone else Caught, if pragmatic bunch, 'but Japan has struck a gurvermg was my problem. I'll know for sure when you're had chord, They sat through the long intro-'Despair'-and the chance to hear their new album and vote with your ON SALE NOW -loved the billowing clouds of smoke and dry ice Dry Xmas record tokens. ROSALIND RUSSELL .
Recommended publications
  • Live Among the White Trash: a History of Nono----Manman on Stage
    Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain.
    [Show full text]
  • A Student Study Abroad Survival Guide University of Rhode Island Japanese International Engineering Program
    A Student Study Abroad Survival Guide University of Rhode Island Japanese International Engineering Program Table of Contents Pre-Departure Preparation……………………………………………………………2-6 Academic Year …………………………………………………………………. 2 Course Requirements………………………………………………………….. 2 Timeline for Preparing for your Year Abroad ……………………………… 2 Scholarships ………………………………………………………………….... 2 Additional Japanese Language Study Opportunities………..……………… 3 Visa Process……………………………………………….…………………….3 Summer ………………………………………………………………………...4 Travel……………….………………………………………………….. 4 Packing ………………………………………………………………… 5 Banking and Money ………………………………………………….. 6 Year Abroad …………………………………………………………………………... 7 Things to do upon arrival …………………………………………………….. 7 Leaving the Airport ………………………………………………….. 7 Establish Residency …………………………………………………… 8 Housing............………………………………………………………… 8 Communication and Cell Phones ……………………………………. 8 Banking ………………………………………………………………... 8 Orientation …………………………………………………………………….. 9 Life in Tokyo ………………………………………………………………….. 9 Transportation ……………………………………………………….. 10 Groceries ……………………………………………………………… 10 Nightlife ………………………………………………………………. 11 Day Trips ……………………………………………………………… 11 Cultural Integration ………………………………………………… 11 Health and Safety Tips…………………………………………... …………...12 Academics ……………………………………………………………………... 12 Internships ...…………………………………………………………………... 13 After Returning ……………………………………………………………………….. 14 Sharing Your Experiences! …………………………………………………... 14 Pre-departure Preparation This Survival Guide has been developed and maintained by students
    [Show full text]
  • Japan Tin Drum Japan Edition 19812008 FLAC EMI Mus
    Japan - Tin Drum (Japan Edition) (1981,2008) [FLAC] {EMI Mus Japan - Tin Drum (Japan Edition) (1981,2008) [FLAC] {EMI Mus 1 / 2 Japan - Tin Drum (Japan edition) (1981,2008) [FLAC] {EMI Mus. Join the campaign and make a difference.. Title: Japan - Tin Drum (Japan Edition) (1981,2008) [FLAC] {EMI Mus, Author: molamere, Name: Japan - Tin Drum (Japan Edition) (1981,2008) .... ... gestionnaire de menu" mais j'ai vu dans un post que la nouvelle version de prestashop 1 . ... Japan - Tin Drum (Japan edition) (1981,2008) [FLAC] {EMI Mus. Mp3 is a compressed version of the original recorded CD. ... registration key Japan - Tin Drum (Japan edition) (1981,2008) [FLAC] {EMI Mus Fifa15 Data1 Bin.. The Art Of Parties (re-recorded version); Talking Drum; Ghosts; Canton; Still Life In ... Japanese 1987 re-issue LP Virgin/Toshiba-EMI 25VB-1014; Japanese 1987 ... The same obi design is used for the 2008 Japanese mini LP CD remaster. Tin .... JAPAN - Tin Drum - Amazon.com Music. ... Amazon's Choice for "japan tin drum" ... Complete your purchase to save the MP3 version to your music library. ... Digitally remastered reissue, in standard jewel case, of their ground breaking 1981 .... ... Previous Message ] Date Posted: 21:01:59 02/25/14 Tue Author: folkmamb. Subject: Japan - Tin Drum (Japan Edition) (1981,2008) [FLAC] {EMI Mus. > .... Genre: Electronic, Pop. Style: New Wave, Synth-pop. Year: 1981 .... Japan tin drum japan edition 1981 2008 flac emi mus zip. Thus with the literary references for singer, David Sylvian), Tin Drum remains Japan' s most Eastern- .... Released 1981. ... Tin Drum has no flashy waste or needless bombast, just evocative skill that remains..
    [Show full text]
  • The Claudia Quintet September
    HotThe Box Critics John McDonough John Corbett Jim Macnie Paul de Barros René Marie I Wanna Be Evil Swing Fever ½ ½ Grand Masters Of Jazz The Claudia Quintet September Randy Brecker ½ ½ Brecker Brothers Band Reunion Critics’ Comments René Marie, I Wanna Be Evil: With Love To Eartha Kitt Swinging, soulful vocalist René Marie has great control and range but has had difficulty defining her territory. Oddly, this tribute album to Eartha Kitt has sparked some originality. Her clever, funky arrangement (in three) of “Let’s Do It,” a sexy “Santa Baby” and her daringly transgressive original “Weekend” add punch. The earnest Marie is more seduced by Kitt’s theatrical “earthiness” than by her winking kitsch. —Paul de Barros The Eartha Kitt songbook gives this excellent singer a superb array of material (from Dave Frishberg to Cole Porter) in which to show her winking, sinewy stuff. The East Side cleverness and sophistication tilt toward cabaret, but Wycliffe Gordon bridges the gap with humor and a few strange sounds. —John McDonough Successful transfusion of Eartha Kitt’s red-blooded, raw sex and exotica, purred and snarled as a steely story of determination and triumph. Marie throws a few of her own curves into the mix, but plays it rather close to the source. —John Corbett Swing Fever, Grand Masters Of Jazz Obviously prepared with love and admiration for the swing-pins. Memorable flashes from Clark Terry and Jackie Ryan, and DeFranco’s got such a huge presence, but much of the disc and two freebie DVDs falls short of being extraordinary. —John Corbett Love the idea of the locals hosting the heroes, especially when the locals kick it with so much verve.
    [Show full text]
  • The Complete Stories
    The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York.
    [Show full text]
  • Price Record Store Day 2019 Releases Price Follow Us on Twitter
    Follow us on twitter @PiccadillyRecs for Follow us on twitter @PiccadillyRecs for Price ✓ Record Store Day 2019 Releases Price ✓ Price ✓ Record Store Day 2019 Releases Price ✓ updates on items selling out etc. updates on items selling out etc. 7" SINGLES 7" 14.99 Queen : Bohemian Rhapsody/I'm In Love With My Car 12" 22.99 John Grant : Remixes Are Also Magic 12" 9.99 Lonnie Liston Smith : Space Princess 7" 12.99 Anderson .Paak : Bubblin' 7" 13.99 Sharon Ridley : Where Did You Learn To Make Love The 12" Way You 11.99Do Hipnotic : Are You Lonely? 12" 10.99 Soul Mekanik : Go Upstairs/Echo Beach (feat. Isabelle Antena) 7" 16.99 Azymuth : Demos 1973-75: Castelo (Version 1)/Juntos Mais 7" Uma Vez9.99 Saint Etienne : Saturday Boy 12" 9.99 Honeyblood : The Third Degree/She's A Nightmare 12" 11.99 Spirit : Spirit - Original Mix/Zaf & Phil Asher Edit 7" 10.99 Bad Religion : My Sanity/Chaos From Within 7" 12.99 Shit Girlfriend : Dress Like Cher/Socks On The Beach 12" 13.99 Hot 8 Brass Band : Working Together E.P. 12" 9.99 Stalawa : In East Africa 7" 9.99 Erykah Badu & Jame Poyser : Tempted 7" 10.99 Smiles/Astronauts, etc : Just A Star 12" 9.99 Freddie Hubbard : Little Sunflower 12" 10.99 Joe Strummer : The Rockfield Studio Tracks 7" 6.99 Julien Baker : Red Door 7" 15.99 The Specials : 10 Commandments/You're Wondering Now 12" 15.99 iDKHOW : 1981 Extended Play EP 12" 19.99 Suicide : Dream Baby Dream 7" 6.99 Bang Bang Romeo : Cemetry/Creep 7" 10.99 Vivian Stanshall & Gargantuan Chums (John Entwistle & Keith12" Moon)14.99 : SuspicionIdles : Meat EP/Meta EP 10" 13.99 Supergrass : Pumping On Your Stereo/Mary 7" 12.99 Darrell Banks : Open The Door To Your Heart (Vocal & Instrumental) 7" 8.99 The Straight Arrows : Another Day In The City 10" 15.99 Japan : Life In Tokyo/Quiet Life 12" 17.99 Swervedriver : Reflections/Think I'm Gonna Feel Better 7" 8.99 Big Stick : Drag Racing 7" 10.99 Tindersticks : Willow (Feat.
    [Show full text]
  • A Life Adrift
    A Lf A A Life Adrift, the memoir of balladeer-political activist Soeda Azembō (1872- 1944), chronicles his life as one of Japan’s Þ rst modern mass entertainers and imparts an understanding of how ordinary people experienced and accommodated the tumult of life in prewar Japan. Azembō created enka songs sung by tenant farmers in rural hinterlands and factory hands in Tokyo and Osaka. Although his work is still largely unknown outside Japan, his poems and lyrics were so well known at his career’s peak that a single verse served as shorthand expressing popular attitudes about political corruption, sex scandals, spiralling prices, war, and love of motherland. As these categories attest, he embedded in his songs contemporary views on class conß ict, gender relations, and racial attitudes toward international rivals. Ordinary people valued Azembō’s music because it was of them and for them. They also appreciated it for being distinctively modern and home-grown, qualities rare among the cultural innovations that ß ooded into Japan from the mid- nineteenth century. A Life Adrift stands out as the only memoir of its kind, one written Þ rst-hand by a leader in the world of enka singing. The Author Michael Lewis is Professor of History at Michigan State University. 0001a-prelims-Life01a-prelims-Life AAdrift.indddrift.indd i 117/10/087/10/08 11:36:21:36:21 ppmm Routledge Contemporary Japan Series A Japanese Company in Crisis Political Reform in Japan Ideology, strategy, and narrative Leadership looming large Fiona Graham Alisa Gaunder Japan’s Foreign Aid Civil Society and the Internet in Japan Old continuities and new directions Isa Ducke Edited by David Arase Japan’s Contested War Memories Japanese Apologies for World War II The ‘memory rifts’ in historical A rhetorical study consciousness of World War II Jane W.
    [Show full text]
  • Dining at Andaz Tokyo Man with a Mission
    NOVEMBER 2015 Japan’s number one English language magazine OKINAWA Island Life and Local Color MAN WITH A MISSION Hungry Like the Wolf DINING AT ANDAZ TOKYO Haute Cuisine atop Toranomon ALSO: Revisiting the Heroic Return of Apollo 13, Fall Foliage Guide, Artistic Tokyo, People, Parties, and Places,www.tokyoweekender.com and Much NOVEMBERMore... 2015 ZP_IPTL_Pub_A4_151029_FIX_vcs6 copy.pdf 1 29/10/2015 15:36 C M Y CM MY CY CMY K NOVEMBER 2015 www.tokyoweekender.com ZP_IPTL_Pub_A4_151029_FIX_vcs6 copy.pdf 1 29/10/2015 15:36 NOVEMBER 2015 CONTENTS 26 C OKINAWA SPECIAL M Windows into the world under the waves, Y island cuisine, and music beyond eisa CM MY 16 24 32 CY CMY K DINING AT ANDAZ TOKYO FALL FOLIAGE GUIDE MAN WITH A MISSION A celebration of seasonal food—and Get out and see the autumn leaves before Bow wow wow yippee yo yippee yay: flowers—served at the highest level they make like a tree and... This wolfpack band is on the prowl 6 The Guide 12 Tokyo Motor Show 22 Dominique Ansel Fashion for the encroaching autumn chill These are a few of the concept cars that He brought the cronut to the foodie world, and the perfect cocktail for fall got our engines running but the French chef has more in store 8 Gallery Guide 14 Omega in Orbit 34 Noh Workshops Takashi Murakami brings the massive Apollo 13 Commander James Lovell believes Stepping into Japanese culture through a “500 Arhats” to the Mori Museum mankind should keep its eyes on the stars centuries-old theatrical tradition 10 Kashima Arts 20 RRR Bistro 38 People, Parties, Places For
    [Show full text]
  • David Sylvian As a Philosopher Free Download
    DAVID SYLVIAN AS A PHILOSOPHER FREE DOWNLOAD Leonardo Vittorio Arena | 66 pages | 28 Feb 2016 | Mimesis International | 9788869770029 | English | MI, Italy ISBN 13: 9788869770029 It would be another six months before the Nine Horses album would surface. But ours is a way of life. Secrets of the Beehive made greater use of acoustic instruments and was musically oriented towards sombre, emotive ballads laced with string arrangements by Ryuichi Sakamoto and Brian Gascoigne. Sylvian and Fripp's final collaboration was the installation Redemption — Approaching Silence. The two artists lived in New Hampshire where they had two children. For me, that David Sylvian as a Philosopher an exploration of intuitive states via meditation and other related disciplines which, the more I witnessed free-improv players at work, appeared to be crucially important to enable a being there in the moment, a sustained alertness and receptivity. Keep me signed in. Lyrics by David Sylvian. Forgot your details? By Stephen Holden, 16 December David Sylvian. Venice by Christian Fennesz Recording 3 editions published in in Undetermined and English and held by 26 WorldCat member libraries worldwide. Martin Power. Following Dead BeesSylvian released a pair of compilation albums through Virgin, a two-disc retrospective, Everything and Nothingand an instrumental collection, Camphor. He has said about his process, "With Blemish I started each day in the studio with a very simple improvisation David Sylvian as a Philosopher guitar. His father Bernard was a plasterer by trade, his mother Sheila a housewife. Home Learning. Never one to conform to commercial expectations, Sylvian then collaborated with Holger Czukay.
    [Show full text]
  • Ryuichi SAKAMOTO: from Bach to Rock to Pop
    Volume 4 | Issue 12 | Article ID 2284 | Dec 02, 2006 The Asia-Pacific Journal | Japan Focus Ryuichi SAKAMOTO: From Bach to Rock to Pop . and the Fate of the Corporate Earth David McNeill Ryuichi SAKAMOTO: From Bach to Rock to Pop . and the Fate of the Corporate Earth Interviewed by David McNeill Japan's expat rebel with many causes blends music and a wider world view Former Japanese pop heart-throb and musical pioneer Ryuichi Sakamoto talks to David McNeill about music, the state of the planet -- and why he still reluctantly lives in New York City. What a long, strange journey it has been for Ryuichi Sakamoto. A revolutionary firebrand in the 1960s, he morphed into a '70s techno-pop pioneer with the seminal band Yellow Magic Orchestra, which he co-founded with Hosono Haruomi and Takahashi Yukihiro. YMO became one of Japan's biggest-selling bands ever -- and even posted a late-'70s Top 20 hit in Britain with "Firecracker." The band was also a key influence on the techno and house movements that swept Western pop culture a decade later. Multi-talented Ryuichi Sakamoto pictured during his recent interview in Tokyo. Jeremy Sutton-Hibbert Photo After a brief stint as a movie star in the early 1980s, including his role in Oshima Nagisa 's 1983 standout "Merry Christmas Mr. Lawrence" -- for which he also wrote the soundtrack -- Sakamoto co-wrote (with Talking Heads' singer David Byrne and Cong Su) the 1987 Oscar-winning soundtrack for Bernardo Bertolucci's "The Last Emperor" -- still the best known of the many soundtracks he has written 1 4 | 12 | 0 APJ | JF -- of which 2002's "Femme Fatale" is among his latest.
    [Show full text]
  • Ryuichi Sakamoto: Async Remodels
    Ryuichi Sakamoto: async remodels spectrumculture.com/2018/03/04/ryuichi-sakamoto-async-remodels-review Daniel Bromfield March 4, 2018 Ryuichi Sakamoto is sort of a Paul McCartney or Stevie Wonder for experimental electronic music, a happy-go-lucky, slightly-batty great-uncle whose work is essentially harmless even at its most esoteric. When faced with a prickly collaborator like Alva Noto or Christian Fennesz, his instinctive reaction is to offset their noise with placid piano. It’s interesting to see how the tracks on last year’s async fare in the hands of a cast of acolytes whose work largely adheres to the postmodern hellscape aesthetic prevalent in left-field electronic music. async remodels is as much a gritty reboot as a remix album, and though it’s alluringly prickly, it sacrifices a lot of what makes async special, like its innocence and its bittersweet awareness of the transience of life. Most of the 11 remixes—many of the same songs—add rather than subtract, demonstrating how a few small alterations can change a piece for better or worse. The remix most in line with Sakamoto’s vision is Daniel Lopatin’s take on “andata,” which is more or less identical to the original until he puckishly turns up the reverb on a single piano note and lets his trademark sine-wave swell out of the depths of the mix. Not many producers are better at mechanized melancholy than Lopatin, and his hangdog synths work wonderfully with “andata”’s painfully plaintive piano motif. His strategy isn’t dissimilar to Cornelius’, whose “ZURE” remix augments the original with foley sound effects but feels too cartoonish to work with Sakamoto’s sad synths.
    [Show full text]
  • The Shoah on Screen – Representing Crimes Against Humanity Big Screen, Film-Makers Generally Have to Address the Key Question of Realism
    Mémoi In attempting to portray the Holocaust and crimes against humanity on the The Shoah on screen – representing crimes against humanity big screen, film-makers generally have to address the key question of realism. This is both an ethical and an artistic issue. The full range of approaches has emember been adopted, covering documentaries and fiction, historical reconstructions such as Steven Spielberg’s Schindler’s List, depicting reality in all its details, and more symbolic films such as Roberto Benigni’s Life is beautiful. Some films have been very controversial, and it is important to understand why. Is cinema the best way of informing the younger generations about what moire took place, or should this perhaps be left, for example, to CD-Roms, videos Memoi or archive collections? What is the difference between these and the cinema as an art form? Is it possible to inform and appeal to the emotions without being explicit? Is emotion itself, though often very intense, not ambivalent? These are the questions addressed by this book which sets out to show that the cinema, a major art form today, cannot merely depict the horrors of concentration camps but must also nurture greater sensitivity among increas- Mémoire ingly younger audiences, inured by the many images of violence conveyed in the media. ireRemem moireRem The Shoah on screen – www.coe.int Representing crimes The Council of Europe has 47 member states, covering virtually the entire continent of Europe. It seeks to develop common democratic and legal princi- against humanity ples based on the European Convention on Human Rights and other reference texts on the protection of individuals.
    [Show full text]