Enter the World of Westeros with the Game of Thrones® Live Concert Experience — an Immersive Music and Visual Experience Featuring Ramin Djawadi

Total Page:16

File Type:pdf, Size:1020Kb

Enter the World of Westeros with the Game of Thrones® Live Concert Experience — an Immersive Music and Visual Experience Featuring Ramin Djawadi ENTER THE WORLD OF WESTEROS WITH THE GAME OF THRONES® LIVE CONCERT EXPERIENCE — AN IMMERSIVE MUSIC AND VISUAL EXPERIENCE FEATURING RAMIN DJAWADI – Using State-Of-The-Art Technology, Game of Thrones® Composer Ramin Djawadi Will Take Fans Of The Acclaimed, Emmy® Award-Winning HBO® Show Through The Seven Kingdoms In A New, Immersive Experience – – Tour Featuring Orchestra, Choir and Musical Soloist Performances To Hit 28 Cities Throughout North America in 2017 Including Dates In New York City, Los Angeles, Montreal, Boston, Houston, Las Vegas & More – – Tickets On Sale Starting Saturday, August 13 at LiveNation.com – Concept art of Game of Thrones® Live Concert Experience only Download photo here: https://www.dropbox.com/sh/126qt1mfz24q6hc/AAAv7Lj-FftBc7ssssAS8Hyba?dl=0 LOS ANGELES (August 8, 2016) – Enter the world of Westeros with the Game of Thrones® Live Concert Experience -- an immersive music and visual experience that will bring the Seven Kingdoms to life on a scale never seen before. Using state-of-the-art technology, Game of Thrones® composer Ramin Djawadi, along with a full orchestra and choir, will take fans on a musical journey through the realm - from King's Landing to Winterfell, along the northern stretches of the Kingsroad to The Wall and across the Narrow Sea to Braavos, Meereen and beyond. Fans of the groundbreaking, critically-acclaimed and Emmy® Award-winning show will finally have an opportunity to immerse themselves in the Game of Thrones® universe through the breathtaking score created by Ramin Djawadi. As rich as the stories, intrigue and world of Game of Thrones®, Ramin's celebrated music for the show resonated immediately with fans as the meticulously constructed songs underscored the emotional weight of key moments between beloved characters, lent scale to massive battle sequences or brought to life songs referenced in the books. Ramin's relentlessly popular title track alone has become instantly recognizable as a pop culture phenomenon in its own right. Fan enthusiasm for the music from Game of Thrones® continues to grow with each season. The tour, produced and promoted exclusively by Live Nation in partnership with HBO Global Licensing, will use innovative music tour production and video technology that will recreate the various realms found throughout Westeros and Essos as well as showcase footage from the show in addition to all new imagery created exclusively for the tour. Beginning its journey on Wednesday, February 15, 2017 in Kansas City, Mo., the highly-anticipated tour will visit 28 cities across North America with shows scheduled at famed live music venues including Madison Square Garden in New York City and the Forum in Los Angeles as well as arenas in Montreal, Boston, Houston, Las Vegas, Philadelphia, Washington DC and more. Tickets go on sale starting Saturday, August 13 at www.livenation.com. American Express® Card Members can purchase tickets before the general public beginning Wednesday, August 10 at 10:00 a.m. through Friday, August 12 at 10:00 p.m. Ramin Djawadi’s previous credits include the Grammy® nominated score for Marvel’s 2008 blockbuster, Iron Man. Other film credits include Pacific Rim, Clash Of The Titans and Warcraft. In addition to Game Of Thrones®, Ramin also garnered Emmy® Award nominations for other television projects including Flash Forward (ABC) and Prison Break (FOX). Among Ramin’s upcoming projects is the highly anticipated HBO® series, Westworld. Based on the bestselling fantasy book series by George R.R. Martin, Game of Thrones® is an epic story of treachery and nobility set on the continent of Westeros, where summers and winters can last years, and only the lust for power is eternal. The Emmy®- and Golden Globe Award-winning series has captured the imagination of fans globally, making it one of the most popular shows on television. “For the past six seasons of Game of Thrones, I have been tremendously inspired to compose music to David Benioff’s and D.B. Weiss’ extraordinary adaption of George R.R. Martin’s epic ‘A Song of Fire and Ice’ series,” says Ramin Djawadi. "Now, by combining the music with state of the art technology, we are going to bring the astonishing world of Westeros to fans in a live and unique concert experience.” “For seven years, Ramin has been blowing our mind with his music's force, subtlety, and endless inventiveness,” said Game of Thrones® creators/executive producers David Benioff and D.B. Weiss. “The GoT Concert Experience will be unique in the history of concert tours, an eye-popping, ear-splitting, phantasmagoric blend of the show's visuals and Ramin's powerful compositions. We are more excited for it than anyone.” “Game of Thrones has one of the most engaged audiences in television,” said josh Goodstadt, Vice President, HBO Global Licensing. “We can’t wait to see fans and newcomers alike immerse themselves in Ramin’s incredible music and the world of Westeros through this epic concert experience.” “Live Nation is honored to be partners with HBO and Ramin Djawadi in bringing fans of the hit series a spectacular live experience centered around the music of Game of Thrones and performed using cutting edge technology to create a show unlike anything seen before,” says Omar Al-Joulani, SVP, North American Touring at Live Nation. GAME OF THRONES® LIVE CONCERT EXPERIENCE All dates, cities and venues below subject to change. Wednesday, February 15, 2017 Kansas City, MO Sprint Center Friday, February 17, 2017 St. Paul, MN Xcel Energy Center Sunday, February 19, 2017 Chicago, IL United Center Monday, February 20, 2017 Detroit, MI Palace of Auburn Hills Wednesday, February 22, 2017 Columbus, OH Nationwide Arena Thursday, February 23, 2017 Buffalo, NY First Niagara Center Saturday, February 25, 2017 Uncasville, CT Mohegan Sun Sunday, February 26, 2017 Philadelphia, PA Wells Fargo Center Wednesday, March 1, 2017 Washington, DC Verizon Center Friday, March 3, 2017 Montreal, QC Bell Centre Saturday, March 4, 2017 Toronto, ON Air Canada Centre Monday, March 6, 2017 Boston, MA TD Garden Tuesday, March 7, 2017 New York, NY Madison Square Garden Thursday, March 9, 2017 Charlotte, NC Time Warner Cable Arena Saturday, March 11, 2017 Ft. Lauderdale, FL BB&T Center Sunday, March 12, 2017 Tampa, FL Amalie Arena Tuesday, March 14, 2017 Atlanta, GA Philips Arena Thursday, March 16, 2017 San Antonio, TX AT&T Center Friday, March 17, 2017 Houston, TX Toyota Center Sunday, March 19, 2017 Denver, CO Pepsi Center Tuesday, March 21, 2017 Salt Lake City, UT Maverik Center Thursday, March 23, 2017 Los Angeles, CA The Forum Saturday, March 25, 2017 Las Vegas, NV MGM Grand Garden Arena Sunday, March 26, 2017 Phoenix, AZ TalkingStick Resort Arena Wednesday, March 29, 2017 San jose, CA SAP Center Friday, March 31, 2017 Seattle, WA Key Arena Saturday, April 1, 2017 Vancouver, BC Rogers Arena Sunday, April 2, 2017 Portland, OR Moda Center About HBO Global Licensing HBO Global Licensing officially licenses the HBO® brand for the development and merchandising of innovative product lines inspired by the network's award-winning programming. With products created around hit series like Game of Thrones® and Silicon Valley® as well as classic series like The Sopranos®, Sex and the City®, True Blood® and Entourage, items include fashion apparel, figures, jewelry, digital and CD soundtracks, prop and costume replicas, games, books, and beverages, as well as exclusive, premium collections in partnership with upscale, designer brands. Merchandise can be purchased in retail stores nationwide, at http://store.hbo.com, and at the groundbreaking HBO retail hub, the HBO Shop®, located at 42nd and 6th Avenue in New York City. HBO Global Licensing products are also sold internationally across Europe (www.hboshopeu.com), Asia and Australia. About Live Nation, Inc. Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, Live Nation Media & Sponsorship and Artist Nation Management. For additional information, visit www.livenationentertainment.com. For Ramin Djawadi and the Game of Thrones® Live Concert Experience, contact: Brian Bumbery [email protected] Luke Burland [email protected] Sam Citron [email protected] For Live Nation, contact: Victor Trevino [email protected] For HBO Global Licensing, contact: Chris Willard [email protected] .
Recommended publications
  • Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
    Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode.
    [Show full text]
  • —Sex and the City“ Self-Guided Tour
    “Sex and the City” Self-Guided Tour During its six seasons on television the ladies of Sex and the City made their way around Manhattan, making some previously unknown locations a must-see on every visitors list. Use this guide to visit some of the most memorable real-life filming locations of Sex and the City and visit www.TheNewYorkCityTraveler.com for more information on New York City. West Village/Meatpacking District 11 Sushi Samba 245 Park Ave South This sushi restaurant is where Samantha 1 Carrie’s Stoop 66 Perry St. confronts a cheating Richard Wright and Sex and the City used a few locations to film coins the term “Dirty martini. Dirty the exterior shots of Carrie’s apartment. bastard.” Here is the most recognizable, Carrie’s 12 Pleasure Chest 156 Seventh Ave. stoop. The girls stop by this sex shop and pick up 2 Magnolia Bakery 401 Bleecker St. the now-famous “The Rabbit” vibrator. Made famous by Sex and the City, stop by 13 Church of the Transfiguration 1 E. 29th St. for a cupcake. Also known as “The Little Church Around 3 Furniture Company 818 Greenwich St. the Corner,” this is where Samantha Furniture Company was cast as Aidan’s attempts to bed Friar Fuck. furniture shop, and where Carrie met Aidan. 14 Vera Wang Bridal House 225 W. 39th St. 4 Samantha’s Loft 300 Ganesvoort St. Where Charlotte picked up her wedding Samantha, always ahead of her time, moved dress when she was marrying Trey. to a loft in the Meatpacking District. The 15 Manolo Blahnik 31 W.
    [Show full text]
  • An Analysis of Hegemonic Social Structures in "Friends"
    "I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season.
    [Show full text]
  • An Lkd Films Production Presents
    AN LKD FILMS PRODUCTION PRESENTS: RUNNING TIME.......................... 96 MIN GENRE ........................................ CRIME/DRAMA RATING .......................................NOT YET RATED YEAR............................................ 2015 LANGUAGE................................. ENGLISH COUNTRY OF ORIGIN ................ UNITED STATES FORMAT ..................................... 1920x1080, 23.97fps, 16:9, SounD 5.1 LINKS .......................................... Website: www.delinquentthemovie.com Facebook: https://www.facebook.com/Delinquentthefilm/ IMDB: http://www.imDb.com/title/tt4225478/ Instagram: @delinquentmovie Hashtag: #delinquentmovie, #delinquentfilm SYNOPSIS The principal is itching to kick Joey out of high school, anD Joey can’t wait to get out. All he wants is to work for his father, a tree cutter by day anD the leader of a gang of small-time thieves by night in rural Connecticut. So when Joey’s father asks him to fill in as a lookout, Joey is thrilleD until a routine robbery goes very wrong. Caught between loyalties to family anD a chilDhood frienD in mourning. Joey has to deal with paranoiD accomplices, a criminal investigation, anD his own guilt. What kinD of man does Joey want to be, anD what does he owe to the people he loves? DIRECTOR’S STATEMENT My home state of Connecticut is depicteD in Television anD Film as the lanD of the wealthy anD privileged: country clubs, yachts, anD salmon coloreD polo shirts galore. Although many of these elements do exist, there is another siDe of Connecticut that is not often seen. It features blue-collar workers, troubleD youth, anD families living on the fringes. I was raiseD in WooDbury, a small town in LitchfielD Country that restricteD commercial businesses from operating within its borders. WooDbury haD a large disparity in its resiDent’s householD income anD over one hundreD antique shops that lineD the town’s “Main St.” I grew up in the rural part of town where my house shareD a property with my father’s plant business.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • Star World Hd Game of Thrones Schedule
    Star World Hd Game Of Thrones Schedule How flaky is Deane when fringe and shaggy Bailey diddling some Selby? Is Moise brakeless when Mackenzie moan blithely? Unprecedented and venous Jude never wrongs his nationalisations! Fear of salesman sid abbott and world of thrones story of course, entertainment weekly roundups of here to baby no spam, sweep and be a zoo He was frustrated today by his outing. Channel by tangling propeller on their dinghies. Fun fact: President Clinton loves hummus! Battle At Biggie Box. My BT deal ordeal! This is probably not what you meant to do! You have no favorites selected on this cable box. Maybe the upcoming show will explore these myths further. Best bits from the Scrambled! Cleanup from previous test. Get a Series Order? Blige, John Legend, Janelle Monáe, Leslie Odom Jr. Memorable moments from the FIFA World Cup and the Rugby World Cup. Featuring some of the best bloopers from Coronation Street and Emmerdale. Anarchic Hip Hop comedy quiz show hosted by Jordan Stephens. Concerning Public Health Emergency World. Entertainment Television, LLC A Division of NBCUniversal. Dr JOHN LEE: Why should the whole country be held hostage by the one in five who refuse a vaccine? White House to spend some safe quality time with one another as they figure out their Jujutsu Kaisen move. Covering the hottest movie and TV topics that fans want. Gareth Bale sends his. International Rescue answers the call! Is she gaslighting us? Rageh Omaar and Anushka Asthana examine how equal the UK really is. Further information can be found in the WHO technical manual.
    [Show full text]
  • Accepted Manuscript Version
    Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper.
    [Show full text]
  • 2019-2020 Annual Review 2 Table of Contents
    2019-2020 ANNUAL REVIEW 2 TABLE OF CONTENTS 04 PRESIDENT & CEO REPORT 08 ROSTER & REPERTOIRE 12 REVENUE PERFORMANCE 13 PROTECTING THE FUTURE OF MUSIC 15 DISTRIBUTION & ADMINISTRATION 16 TECHNOLOGY 4 President & CEO Report IT’S BEEN A YEAR UNLIKE The $1.233 billion total in distributions includes domestic and international royalties, with the COVID-19 crisis profoundly as well as distributions from direct deals that ANY OTHER, transforming the world and deeply affecting BMI administers on behalf of our publisher the creative and business communities BMI and digital service provider clients. Those is entrusted to serve. In response, BMI’s deals, which account for $71 million, represent commitment to meeting the diverse and an increase of $9 million over last year and evolving needs of our songwriters, composers, approximately 6% of BMI’s total distribution. publishers and licensees has never been stronger. The Company was well positioned to BMI’s long-term strategic focus on diversifying navigate this challenging time, and despite the revenue streams enabled the Company to unprecedented impact of the global pandemic weather declines that resulted from the I am pleased to share that BMI is reporting pandemic. To that end, strong growth in the record-breaking results for the fiscal year Digital and Radio categories helped offset a ended June 30, 2020. BMI generated historic significant downturn in the General Licensing revenues of $1.311 billion, an increase of $28 sector. For the first time ever, revenue from million, or 2%, over the prior year. Notably, Digital sources represented the largest portion BMI absorbed a $60 million negative impact of BMI’s domestic total with 32%, or $304 due to the pandemic’s effect across multiple million, an increase of $42 million, or 16%, over businesses, yet the Company still surpassed last year.
    [Show full text]
  • William B. Kaplan CAS
    Career Achievement Award Recipient William B. Kaplan CAS CAS Filmmaker Award Recipient George SPRING Clooney 2021 Overcoming Atmos Anxiety • Playing Well with Other Departments • RF in the 21st Century Remote Mixing in the Time of COVID • Return to the Golden Age of Booming Sound Ergonomics for a Long Career • The Evolution of Noise Reduction FOR YOUR CONSIDERATION CINEMA AUDIO SOCIETY AWARDS NOMINEE MOTION PICTURE LIVE ACTION PRODUCTION MIXER DREW KUNIN RERECORDING MIXERS REN KLYCE, DAVID PARKER, NATHAN NANCE SCORING MIXER ALAN MEYERSON, CAS ADR MIXER CHARLEEN RICHARDSSTEEVES FOLEY MIXER SCOTT CURTIS “★★★★★. THE FILM LOOKS AND SOUNDS GORGEOUS.” THE GUARDIAN “A WORK OF DAZZLING CRAFTSMANSHIP.” THE HOLLYWOOD REPORTER “A stunning and technically marvelous portrait of Golden Era Hollywood that boasts MASTERFUL SOUND DESIGN.” MIRROR CAS QUARTERLY, COVER 2 REVISION 1 NETFLIX: MANK PUB DATE: 03/15/21 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” INSIDE THIS ISSUE SPRING 2021 CAREER ACHIEVEMENT AWARD RECIPIENT WILLIAM B. KAPLAN CAS | 20 DEPARTMENTS The President’s Letter | 4 From the Editor | 6 Collaborators | 8 Learn about the authors of your stories 26 34 Announcements | 10 In Remembrance | 58 Been There Done That |59 CAS members check in The Lighter Side | 61 See what your colleagues are up to 38 52 FEATURES A Brief History of Noise Reduction | 15 Remote Mixing in the Time of COVID: User Experiences | 38 RF in the Twenty-First Century |18 When mix teams and clients are apart Filmmaker Award: George Clooney | 26 Overcoming Atmos Anxiety | 42 Insight to get you on your way The 57th Annual CAS Awards Nominees for Outstanding Achievement Playing Well with Other Production in Sound Mixing for 2020 | 28 Departments | 48 The collaborative art of entertainment Outstanding Product Award Nominees| 32 Sound Ergonomics for a Long Career| 52 Return to the Golden Age Staying physically sound on the job Cover: Career Achievement Award of Booming | 34 recipient William B.
    [Show full text]
  • Ramin Djawadi
    RAMIN DJAWADI AWARDS & NOMINATIONS 67th ANNUAL GRAMMY AWARDS GAME OF THRONES: SEASON 8 NOMINATION (2020) Best Score Soundtrack for Visual Media HOLLYWOOD MUSIC IN MEDIA TOM CLANCY’S JACK RYAN AWARD NOMINATION (2019) Main Title Theme – TV Show/Limited Series EMMY AWARD (2019) GAME OF THRONES Outstanding Music Composition for a “The Long Night” Series (Original Dramatic Score) EMMY AWARD (2018) GAME OF THRONES Outstanding Music Composition for a Series (Original Dramatic Score) EMMY NOMINATION (2018) WESTWORLD Outstanding Music Composition for a Series (Original Dramatic Score) GRAMMY NOMINATION (2017) GAME OF THRONES Best Score Soundtrack for Visual Media WORLD SOUNDTRACK AWARD WESTWORLD, PRISON BREAK: NOMINATION (2017) RESURRECTION, THE STRAIN Best TV Composer of the Year EMMY NOMINATION (2017) WESTWORLD Best Original Main Title Theme Music EMMY NOMINATION (2014) GAME OF THRONES Outstanding Music Composition for a Series GAME AUDIO NETWORK GUILD MEDAL OF HONOR NOMINATION (2011) Best Cinematic / Cut-Scene Audio EMMY NOMINATION (2010) FLASH FORWARD Outstanding Music Composition for a Series The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 RAMIN DJAWADI GRAMMY NOMINATION (2006) IRON MAN Best Score Soundtrack Album iTUNES AWARD (2008) IRON MAN Best Score WORLD SOUNDTRACK AWARD MR. BROOKS NOMINATION Discovery Of The Year (2007) EMMY NOMINATION (2006) PRISON BREAK Outstanding Main Title Theme Music FEATURE FILM THE ETERNALS Chloé Zhao, dir. Marvel Studios Mitchell Bell, Kevin Feige, Nate Moore, prods. THE MAN FROM TORONTO Todd Black, Jason Blumenthal, Steve Tisch, prods. Sony Pictures Entertainment Patrick Hughes, dir. ELEPHANT Alastair Fothergill, prod. Disneynature Mark Linfield, dir. THE QUEEN’S CORGI Ben Stasson, prod. Lionsgate Ben Stasson, dir.
    [Show full text]
  • Cheat Sheet to Westeros and Beyond, Your Guide on Catching up to “Game of Thrones” Before Season 8 Starts April 14
    “Game of Thrones” has several great battle scenes, and the sixth season features the Battle of the Bastards, one of the most epic battle scenes ever filmed, movie or television. COURTESY/HBO ith the final season of “Game of Thrones” fast approaching, you might feel a little left out of the pop culture phenomenon as ‘GAME OF your friends and family discuss Targaryens, Starks and Lan- nisters. But it’s not too late to get caught up, if you’re willing to Wtake a crash course in the Seven Realms. THRONES’ Today we’re giving you a cheat sheet to Westeros and beyond, your guide on catching up to “Game of Thrones” before Season 8 starts April 14. This is by no means complete. We definitely recommend you take time later to go back and watch the entire series, which is epic in scale and qual- TV ity. We’ve boiled the show’s 67 episodes down to 28, or a little over 26 hours ‘Game of CHEAT Thrones’ season of viewing. While you won’t get every detail, this list will give you what you 8 premiere need to understand the major plot points. With a bit of dedication, you can 8 p.m. April 14, HBO get through it all in a week. SHEET And if you’re already familiar with Game of Thrones, you can use this as a guide to re-familiarize yourself with the world you’ve been missing for the last 18 months. Your guide to catching up on the Seven Tip: Wikipedia has pretty good summaries for each episode.
    [Show full text]
  • Nwave Pictures' New Feature-Length 3D Film “The House of Magic 3D
    nWave Pictures’ New Feature-length 3D Film “The House of Magic 3D” To Enchant Audiences This Christmas Two 4D attraction films based on the Studio’s fifth feature film will be launched in 2014 for theme park and attraction exhibitors worldwide Brussels (Belgium) and Burbank (Calif.) /PRNEWSWIRE/ Dec. 17, 2013 – nWave Pictures is proud to announce the release of the new feature-length 3D animated film “The House of Magic” opening this Christmas in theaters in France, Belgium, South Korea, Singapore and Italy. The 85- minute film, budgeted at $34 million, is produced by nWave Pictures in association with StudioCanal and media fund Anton Capital Entertainment. “The House of Magic” is directed by renowned 3D filmmakers Ben Stassen (“Fly Me to the Moon”, “Sammy’s Adventures: Escape from Paradise”) and Jeremie Degruson, with original music by Ramin Djawadi (“Pacific Rim”, “Game of Thrones”). “The House of Magic” tells the story of Thunder, an abandoned young cat who stumbles into a magical old mansion operated by a dazzling array of automatons and gizmos. Owned by a retired magician, the house is occupied by an assortment of his wacky assistants who don’t all welcome the new houseguest. But when the magician lands in hospital and his scheming nephew puts the mansion up for sale, our young hero and his new friends join forces to save their magical home. “This holiday season, our new adventure brings to moviegoers a fun, immersive and engaging experience for the entire family, set in an intriguing mansion full of wacky and endearing animals like our young hero Thunder the Cat, Lawrence the Magician, Kiki the Chihuahua, Maggie Mouse and Jack Rabbit,” said Ben Stassen, Producer and Director.
    [Show full text]