DOCSLIB.ORG

2015 Arrowmont Catalog.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2015 Arrowmont Catalog.Pdf “It is only with the heart that one can see rightly; what is essential is invisible to the eye.” IMPORTANT DATES AT A - Antoine de Saint-Exupery GLANCE This may seem a strange quote to use as I ask you to consider coming to a workshop ARTISTS-IN-RESIDENCE at Arrowmont. We provide instruction which explores materials and celebrates the APPLICATION DEADLINE created object. But I also know that time spent at Arrowmont offers opportunities for February 1, 2015 exploration, discovery and growth that engage not only the head and hand, but the heart. The skills and techniques learned in a workshop represent personal accomplishment, but EARLY REGISTRATION DEADLINE there is satisfaction in immersing oneself in a shared experience in the company of others February 1, 2015 who understand both your interest and your passion. It is the sharing among students Registration fee of $50 is waived and instructors which makes the experience rich in unexpected ways. for early registration In 2014 Arrowmont completed a major accomplishment. In purchasing our campus we preserved a legacy of education extending over a hundred years into the past and made EDUCATIONAL ASSISTANCE PROGRAM it possible to set our sights on what can be accomplished in the next hundred years. APPLICATION DEADLINE We protected six buildings on the National Register of Historic Places and secured our March 1, 2015 beautiful historic campus. Our thanks go out to the tens of thousands of students and instructors ‐ and the more than one hundred Artists‐In‐Residence ‐ who have left their SCHOLARSHIP APPLICATION DEADLINE BILL MAY marks during their time here. This is an organization guided by a mission of enriching March 1, 2015 for most EXECUTIVE DIRECTOR lives through art, but our success is measured by the experience of each individual that Check the website as some scholarships spends time as part of our community. have a rolling deadline If you have been to Arrowmont before, I know you understand exactly what I am attempting to describe. Everyone here looks forward to welcoming you back in 2015. If you are contemplating coming to Arrowmont for the first time ‐ or even enrolling in your first workshop ‐ know that you will be welcomed and encouraged regardless of your previous experience, your age or your educational background. We are proud of the quality of our facilities and studios, and we value our instructors and the talent and experience they bring to the workshops, but our conviction is that people bring out the best in each other when they are seeing rightly with their hearts. Whether you are finishing an MFA, or exploring and satisfying an interest you have long anticipated, Arrowmont welcomes you to join in shared exploration and discovery. Whether walking through gallery exhibitions on the way to your studio, sharing meals, conversation and laughter, struggling to refine an idea, discovering new materials and techniques, or collaborating with others, I believe you will be inspired by the time spent here. Please join us in this special place. 2 TABLE OF CONTENTS WELCOME .................................................... 2 OTHER PROGRAMS ..................................... 50 LEGACY WEEKEND ....................................... 4 REGISTRATION AND WORKSHOP FEES ....... 51 MASTER WEEKEND ...................................... 5 SCHEDULE AT A GLANCE ............................ 52 2015 WORKSHOPS HOUSING AND MEALS ............................... 54 STONE/MIXED MEDIA/ SPECIAL TOPICS ........................................... 6 SCHOLARSHIPS .......................................... 55 WOOD .......................................................... 8 EDUCATIONAL ASSISTANCE ....................... 56 METALS/ENAMELS/JEWELRY .................... 16 ARROWMONT & YOU ................................ 57 FIBERS/TEXTILES/BASKETS ........................ 21 WORKSHOP BASICS ................................... 58 PAPER/BOOKS ............................................ 31 REGISTRATION FORM ................................. 59 GLASS ........................................................ 34 PAINTING/DRAWING/ PRINTMAKING/PHOTOGRAPHY .................. 36 CLAY ........................................................... 42 ARROWMONT SCHOOL OF ARTS AND CRAFTS is a place for people who seek meaningful and energizing art experiences. It is a place for people of all ability levels, ages, and backgrounds. It is a place where ideas and skills, seeing and creating come together in myriad ways. 3 LEGACY WEEKEND MARK ST. LEGER • WOOD Rocking Weekend—Turned Boxes, LEGACY WEEKEND • APRIL 9 — 12, 2015 Now in its second year, Legacy pg. 9 Weekend will focus even more in depth on Arrowmont’s rich history, Appalachian culture and heritage and its setting in and ties to the beautiful JOHN PHILLIPS • WOOD natural setting of the Great Smoky Mountains. Re-discovering the Appalachian Banjo, pg. 9 Partnering again this year with Weekend offers ample opportunity FRANCES FOX • WEAVING the Friends of the Smokies, Legacy to catch up with old friends, interact Traditional Mountain Weaving/ Weekend encourages Friends of with the local community, the artists Heritage Weaving, pg. 21 Arrowmont and Friends of the and performers, and get to know the JEANNE BRADY • TEXTILES/SURFACE Smokies to participate in an campus community. DESIGN outstanding educational and cultural Personal Memories on Cloth, pg. 22 experience. Don’t miss the annual exhibition of Arrowmont’s Artists-in-Residence. MARY W. THOMPSON • BASKETS Legacy Weekend offers new and Meet the artists at the opening Cherokee White Oak and River Cane Baskets, expanded interdisciplinary reception. The local community, pg. 22 programming integrating workshops, students, instructors and guests are BOBBIE CREWS • PAINTING guest speakers and storytellers, music, invited to the opening reception on Reflections, Light and Magic, pg. 36 social gatherings, gallery openings Friday, April 10, 2015, 7:00 pm to and hikes in the Smokies. Legacy 9:00 pm. JOHN DIGIACOMO • PHOTOGRAPHY Moving Beyond Your Creative Comfort Zone, pg. 36 BRIAN NETTLES • CLAY Turning and Burning: Wheel Thrown Pottery, pg. 43 LENTON WILLIAMS • TRADITIONAL BROOMS Traditional Appalachian Style Broom- making, pg. 6 JOEL G. ZACHRY • NATURE STUDIES Spring’s Natural Wonders, pg. 6 4 MASTER WEEKEND MASTER WORKSHOP WEEKEND · OCTOBER 15 — 18, 2015 Working with master artists is a centuries-old practice that provides advanced students an environment in which to hone skills both technically and conceptually. Master teachers contribute inspiration, insight, guidance and challenge, in addition to instruction. Arrowmont has designed a Master Workshop Weekend session in October of eight classes taught by carefully selected instructors with many years teaching, exhibition, and publication achievements. These classes are open to experienced students only and are for those seeking intense studio time, meaningful discussions, critiques, questions and risk taking. With a focus on developing one’s personal voice, the weekend workshop activities include: related readings, some drawing, modeling, discussion and investigation of individual imagery and design elements. The weekend will also feature a moderated panel discussion among the master instructors. STONEY LAMAR & DAN ESSIG • WOOD GYÖNGY LAKY • FIBER Scratching the Surface, pg. 8 Architectural Textiles: Thinking and Building in 3-D, pg. 30 NORM SARTORIUS • WOOD Wooden Spoons—To Stir the Soul not the Soup, JO STEALEY • PAPER/BOOKS pg. 16 3D Calisthenics, pg. 33 CHARLES LEWTON-BRAIN • DON LAKE • PAINTING METALS/ENAMEL/JEWELRY New Perspectives on Painting: Wait! What Foldforming Introduction, pg. 20 Was That Again?, pg. 42 GRETCHEN GOSS • ENAMEL MICHAEL SHERRILL • CLAY The Vitreous Image, pg. 21 For the Love of Material: Finding the Human in Material, pg. 49 5 STONE APRIL 9 — 12 • WEEKEND APRIL 9 — 12 • WEEKEND MIXED MEDIA SPECIAL TOPICS JOEL G. ZACHRY SPRING’S NATURAL WONDERS LEGACY WEEKEND CLASS What better season than spring to enjoy LENTON WILLIAMS the wonders of landscape, plant life and TRADITIONAL APPALACHIAN STYLE animal activity in the Smokies? Your biology BROOMMAKING instructor will share many “show and tell” examples of nature’s treasures and participants LEGACY WEEKEND CLASS will take short informative hikes in the neighboring national park. You will take home During this class students will be making a new-found knowledge of emerging flowers several small hand tied brooms and brushes and leafing trees and useful skills for detecting in the Appalachian style including small cob animal inhabitants. Students will gain web brooms, hearth or RV brooms and several confidence in avoiding and handling wildlife types of practical whisk brooms, as time encounters, and perhaps most importantly, allows. You will use natural broom corn and leave with new friends. Open to all skill levels. natural handles provided by the instructor. COURSE FEES: $340 Students will also learn to make a beautiful shaker style dustpan; a necessary item for every Joel Zachry is a retired biology professor and kitchen and shop. Students can work at a pace completed the 2,175 miles of the Appalachian commensurate with the number of brooms Trail in 2005. He is the owner of Great Outdoors desired. Students will experience some fun Adventure! Travel and has guided small groups along the way and leave the course with the to Alaska since 1988. He is an instructor and equipment necessary to start making brooms at director of the UTK/NPS Smoky Mountain Field home. Open to all skill levels.
Load more

Recommended publications
  • The Textiles of the Han Dynasty & Their Relationship with Society
    The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33
    [Show full text]
  • Gold and Metamorphosis a Conference in New York City
    Initiatives in Art and Culture Mentors, Milestones, GOLD and Metamorphosis a conference in New York City THURSDAY, APRIL 28 – FRIDAY, APRIL 29, 2016 Photo: The Goldsmiths’ Company Assay Office. Gold Chains Being Hallmarked by Press. Alexandra Hart, Golden Sunburst Necklace, hammer formed and fabricated solid reclaimed 18 kt. gold with disappearing clasp, 12 x 12 x 1.5 in. Photo: Robert Weldon. Charles Lewton-Brain, Pin, Swoop Series, moonstone, 24 kt., 18 kt. doublée, sterling, scored and bent. © Lise Remón. Artisanal miners returning the empty wagons to returning Artisanal miners (Queen of Gold) mine in Santander, Reina de Oro Colombia. THE GRADUATE CENTER, THE CITY UNIVERSITY OF NEW YORK Mentors, Milestones, GOLD and Metamorphosis THURSDAY, APRIL 28 – FRIDAY, APRIL 29, 2016 Initiatives in Art and Culture takes a wide-ranging look at gold in its sixth conference devoted to this extraordinary metal. Jewelry is the lens through which we focus our examination. The emotional power of jewelry incorporating gold is due as much to the metal itself as to the artistry of the piece. The quality of the metal and its value has long been assured by a specialized professional community, one aspect of our inquiry. More recently, the notion of "value" has expanded to reflect Kimberly McDonald, One-of-a-Kind the costs of mining, and, we consider as well the journey Signature Geode Cuff set in 18 kt. Yellow toward universal adoption of ethical sourcing and Gold with Brown Rose Cut Diamonds. transparency. We then look to how leading retailers of gold jewelry and other objects work their magic.
    [Show full text]
  • The Ancient Art of Spinning a Yarn[I]
    The ancient art of spinning a yarn[i] By Sam Kerr Through the ages, in the ancient ‘Classical World’, the exquisite work of hand spinning of animal fur fiber was excelled in, with finesse, principally by women. A delicate art process, the single or double ply yarn was produced by a fine twisting together of the fibers employing deft finger movements.[ii] The hand spinning of yarn from wool fleece (both in Iran and on the Subcontinent) has been continued for millennia by Zarathushtis, mainly for the weaving of their sacred thread, the ‘Kusti / Kushti / Koshti’ [The Avestan word ‘Aiwi-yaaonghana’ (‘aiwi’ is around / surrounding; ‘yaaonghana’ is protection) means ‘surrounding protection / girdle of protection’]. Such was the emphasis given to this domestic art that among the basic household talents expected of an Iranian lady it was placed in very high esteem. As a child I had noted my paternal aunt in Surat always assumed a certain posture when she made preparations for the hand spinning. Sitting upright at the edge of a couch or bed she would cross her right leg at right angle under her left thigh. Watching her carefully I had noticed she would tie the leader and secure the end onto the hook of the spindle. Being right handed she always held the wool fleece in the right hand. Leaving the fibers at the end of the leader loose she would let the spindle hang precariously beneath her right hand suspended by the leader. Swiftly, with the fingers of her left hand, she would then spin the drop-spindle from the shaft in a clockwise direction making the spindle rotate rapidly.
    [Show full text]
  • The Textile Machinery Collection at the American Textile History Museum a Historic Mechanical Engineering Heritage Collection
    THE TEXTILE MACHINERY COLLECTION AT THE AMERICAN TEXTILE HISTORY MUSEUM A HISTORIC MECHANICAL ENGINEERING HERITAGE COLLECTION Textiles are an important part of our everyday lives. They clothe and comfort us, protect our first-responders, Introduction filter the air in our automobiles, and form the core of the fuselage in our newest aircraft. We enjoy their bright colors, wrap up in their warmth, and seldom give a second thought to how they make bicycles stronger and lighter or how they might be used to repair our vital organs. As textiles have changed from the first simple twisted fibers to high-tech smart fabrics, the tools and machinery used to make them have evolved as well. Drop spindles and spinning wheels have given way to long lines of spinning frames. And looms now use puffs of air instead of the human hand to insert the weft thread in a growing length of fabric. During the eighteenth and nineteenth centuries, textile manufacture was the catalyst for the Industrial Revolution in America. It was the leading edge in the transformation from an agricultural to a manufacturing economy and started the move of significant numbers of people from rural areas to urban centers. With industrialization came a change in the way people worked. No longer controlled by natural rhythms, the workday demanded a life governed by the factory bell. On the consumer side, industrialization transformed textiles from one of a person’s most valuable possessions to a product widely available at incredibly low prices. For more than a century, textile mills in Great Britain and the United States dominated textile production and led the industrial revolution in both Europe and North America.
    [Show full text]
  • The Old Creamery Quilt Shop
    The Old Creamery Quilt Shop Open Monday – Friday 10-5 Saturday 9-4 (320) 749-2420 Website - www.oldcreameryquiltshop.com Follow us on Facebook – 120 Superior Street the old creamery quilt shop Randall, Mn 56475 2017 October 2017 It is the end of September and in Minnesota the fall colors are in peak form, soon to be replaced by falling leaves. Pumpkins are on doorsteps, Halloween is on display in stores. With much cooler temperatures looming on the horizon, it’s time once again to dust off the sewing machine. Fall is a great time to cozy up to your machine and spend some time crafting on chilly autumn days! Find fabrics that are rich in color and patterns with autumn motifs, and you will have a sensational time sewing projects perfect for the fall season. We have continued to improve our new classroom by purchasing new sewing machines available for your use. If you are taking a class and wish to use one of our machines, please call to reserve one to ensure there are enough machines set up. Creamery Classes… Please see the website for supplies needed for each class Knitting Block of the Month 2nd Monday of every month The Great American Aran Afghan Fee: $12.50 for the book “Fly The Coop” Quilt, 57” x 57”, Oct. 12 and 26 from 10:00 to 1:00, Nov. 4 from 9:30 to 2:30, Fee: $45 plus kit This is a three session class using the “Fly The Coop” kit featuring fabrics. The first two sessions will feature instructions on the two main blocks in this quilt and the last session will instruct you on the border blocks and will include plenty of sewing time.
    [Show full text]
  • Bible Word List and Reading Plan
    A Bible Word List Daily Reading & Plan A list of words in the Authorised (King James) Version describing terms no longer in everyday use, or now used with a different meaning. Also, a course for reading through the whole Bible once in two years, the Psalms and the New Testament twice. B IBLE W ORD L IST AND D AILY R EADING P LAN Trinitarian Bible Society William Tyndale House, 29 Deer Park Road London SW19 3NN, England Bible Word List and Daily Reading Plan Product Code: BWL2 ISBN 978 1 86228 148 6 © 1993, 2016 Trinitarian Bible Society William Tyndale House, 29 Deer Park Road London SW19 3NN, England Registered Charity Number: 233082 (England) SC038379 (Scotland) 10M/12/16 A BIBLE W ORD L IST HIS list gives brief explanations of words in the Authorised Version describing unfamiliar Tobjects, animals and plants, weights, measures and money, and words no longer in every- day use, or now used with a different meaning. If the English word is used in more than one sense, or stands for more than one Hebrew or Greek word, the list refers to passages where the word is used with each meaning. In most cases the list gives all the places where the word is found. An asterisk * means that the word is used in other passages with its normal mean- ing, or with one of the meanings given. This is not a complete list of unfamiliar or archaic words. We would recommend that the reader use a good English language dictionary to aid in understanding words which this list does not define.
    [Show full text]
  • Moondance Tickets on Sale Aug 1
    ART EDUCATION GALLERIES EVENTS NEWS MOONDANCE TICKETS ON SALE AUG 1 EDUCATION EXHIBITION EVENTS ART EDUCATION GALLERIES EVENTS NEWS 1 The MISSION of BAYarts is to provide a welcoming lakeside environment to STIMULATE, ENCOURAGE and SUPPORT professional and aspiring artists of all ages through COLLABORATION, EDUCATION & EXHIBITION. seasonal produce BAYarts meat cheese FARM +MARKET ART bread CONTINUES THRU teas SEPTEMBER scents EVERY THUR 5-8 garden needs *Open in September from 4-7 pm ARToberfest NOW Friday, Oct 20 BOOKING 7-11 pm on BAYarts Campus Hearty Seasonal Fare, Libations, Bonfires holiday parties 21 & Over Limited ADVANCE Tickets only AT BAYARTS on sale September 11th www.bayarts.net ARTmarkoberfest your calendar BAYarts Fuller House Gallery is the perfect place to host your holiday party. Groups of up to 75. Also booking larger events for Summer 2018. Event Professionals will take care of all the details [email protected] ART EDUCATION GALLERIES EVENTS NEWS 2 moondance SAT SEP 9 6:30-10:30 PM LOCAL EATERIES & LIBATIONS 87 WEST BONFIRES, WINE PULL, AND SILENT AUCTION BEARDEN’S under the stars on Bayarts Cleveland Metroparks Campus BOMBA TACOS & RUM CABIN CLUB CARRABBA’S ITALIAN GRILLE CLEVELAND VEGAN MUSIC:FIRESIDE GITTA’S TABLE & WINE SHOP PREPARE TO DANCE! IRONWOOD CAFÉ facebook.com/FireSideLakewood KERNAL’S BY CHRISSIE LEVY RESTAURANTS MARIGOLD CATERING MICHAEL SYMON’S B SPOT MOJO’S COFFEE & MORE HONOREE: MICHAEL GILL PEARL OF THE ORIENT ARTIST, ADVOCATE, WRITER, EXECUTIVE DIRECTOR AND CO-FOUNDER PIER W OF CAN, NORTHEAST OHIO’S VISUAL ROSEWOOD GRILLE ARTS JOURNAL TAKI’S GREEK KITCHEN SUPERIOR BEVERAGE …AND MORE EXCLUSIVE RECEPTION FOR MOONDANCE SPONSORS FEATURING FOOD FROM TAKI’S GREEK KITCHEN, PRIVATE BAR & PREFERRED PARKING BEGINNING AT 5:30 PM ADVANCED LIMITED TICKETS ON SALE AUG 1ST BAYARTS.NET this event ALWAYS sells out VIVID DIAMOND & DESIGNS $1000 RAFFLE BAY PEDIATRIC DENTISTRY .
    [Show full text]
  • Master Spinner Handbook Content in This Document Is Current As of Time of Printing
    Master Spinner Handbook Content in this document is current as of time of printing. Check the Master Spinner website for any recent changes Table of Contents Website:www.oldscollege.ca/programs/continuing-education/fibre-arts Administrative Information 1. Master Spinners Program Introduction and Policies ....................................................................... 1 2. Frequently Asked Questions .......................................................................................................... 6 3. APA Format (Formatting and Style Guide Summary) ................................................................. ..9 4. Level 6 In-Depth Study Policy ................................................................................................... .11 5. In-Depth Study Permission and License…………………………………………………………...16 6. In-Depth Study Proposal Submission Form ................................................................................ ..17 7. In-Depth Study Guidelines…………………………………………………………………….…...19 8. Levels 1-6 Competency Profiles .................................................................................................. 21 Technical Information 8. Twist Per Inch ............................................................................................................................ 29 9. Count ......................................................................................................................................... 33 10. Review of Spinning Techniques ................................................................................................
    [Show full text]
  • Spinning Daily Presents Alternative Fibers: the Spinner's Guide To
    presents Alternative Fibers: The Spinner’s Guide to Vegan, Natural, and Wool-Free Yarns ©F+W Media, Inc. ■ All rights reserved ■ F+W Media grants permission for any or all pages in this issue to be copied for personal use Spin.Off ■ spinningdaily.com ■ 1 pinners have worked with wool for thousands of years, and with good reason: it dyes easily, wears well, and Scomes from cute sheep. But it’s not the only option available nowadays. We can spin fiber produced from other animals, from plants, or from manufacturing processes. Bam- boo, soy, and corn can all be made into yarn. So can wood pulp and seaweed: if you’ve never heard of Seacell, Modal, or Lyocell, read on. Do all of these spinnable fibers qualify as natural? Are they vegan (i.e., animal-friendly) or at least animal- neutral? How sustainable are the different production methods? It depends on your personal definitions and choices. Some people might see rayon, extruded from wood pulp, as too far removed from Nature, while others might prefer rayon to water-intensive hemp retting. You’ll read about protein and cellulose fibers in the first article, then find others on plant-based fibers, either directly from the plant or processed in some way. If you want to spin something other than wool, you can find the perfect substitute here. Happy spinning, Anne Merrow [email protected] ©F+W Media, Inc. ■ All rights reserved ■ F+W Media grants permission for any or all pages in this issue to be copied for personal use Spin.Off ■ spinningdaily.com ■ 2 What are natural fi bers? BY A MY C LARKE M OORE atural fi bers occur naturally in na- not usually included in the natural fi ber catego- a Nture, naturally.
    [Show full text]
  • Printable Intro (PDF)
    spinning what is it? It’s creating yarn from fibre; it could be fleece straight from a sheep, or fibre that you’ve bought, dyed or undyed. As well as sheep’s wool, the fibre could be silk, alpaca, mohair, cotton, flax, ramie (nettle fibre), hemp – anything that can be spun. The yarn can then be used in a range of ways (depending on how it’s spun): gossamer lace for a shawl; novelty or chunky yarns for knitting, crochet or weaving; or rope from flax or hemp. Hand spindles Spinning has been around forever, in all parts of the world. All ancient cultures used some sort of hand spindle for creating yarns. A hand spindle is basically a stick with a disc attached. The disc makes the stick spin for longer. In prehistory, discs would be made of stone. They could be taken off and attached to another stick. The Navajo spindle has a 3ft wooden shaft, one end of Using a hand spindle. which is rested on the floor, and the other end on the user’s leg. It is then spun by rolling along the threads. Gandhi used a charkha – a good wheel thigh. At the other extreme, there is a tiny hand for spinning very fine yarns like cotton. In Britain spindle made of brass, called a takhi. they used the great wheel, which worked in a You use a spindle by twisting a bit of fibre around similar way, but was much bigger than the tiny it, then holding the fibre and spinning the spindle charkha.
    [Show full text]
  • A Quilt Mystery: Searching for the Cherry Tree and Birds Quilt by LENNA DEMARCO
    Issue 144 Summer 2020 News Publication of the American Quilt Study Group v IN THIS ISSUE A Quilt Mystery: Searching for the Cherry Tree and Birds Quilt BY LENNA DEMARCO 7 A LONG AND WINDING ROAD 10 WEATHEriNG THE STORM 14 HIDDEN TREASURES, PT. 3 Figure 1: Cherry Tree Medallion Quilt from the estate of Queenie Smith (1898-1978), a film dancer and actress in the 1930s, and was found in Redlands, California. Collection of the author. Photo by Lynn Miller. number of years ago while pieced and applique patterns but one quilt Arummaging through an estate resale in particular caught my eye (Fig. 1). It was shop in Redlands, CA I came upon a in a medallion format and consisted of a 17 stack of quilts listed as from the estate of single cherry or apple tree in the center, STUDY GROUP Queenie Smith, a 1930s stage and film bearing oversized fruit and flanked by two actress and dancer. Having been a oversized birds at the base. Above and professional dancer all my life, I was below were two pots of whimsical immediately intrigued. Nothing indicated flowers while two stalks of unidentifiable Smith as the maker but dancers typically buds were placed along the right and left do some sort of hand work to fill up the sides of the quilt. A border of appliqued CALENDAR long hours of waiting at rehearsals, classes grape leaves, grape pods, and fat yellow ON PAGE 23 and performance so perhaps she did make birds encircled the entire quilt. The Nile them. Most of the quilts were typical 1930s Continued on page 4 Call for Papers The American Quilt Study Group (AQSG) seeks original, previously unpublished research pertaining to the history of quilts, quiltmakers, quiltmaking, associated textiles, and related subjects for inclusion in the annual volume of Uncoverings, a peer-reviewed interdisciplinary journal.
    [Show full text]
  • Spinning Wool Into Gold
    HOLIDAY 2019 || HEIFER.ORG PAGE 27 - THE MOST IMPORTANT CHRISTMAS CATALOG IN THE WORLD HEIFER ECUADOR Spinning Wool Into PLUS Glutinous Rice Balls, Dehydrated Fish & KFC: Gold Holiday Feasts Around the World EMMY-WINNER UZO 12 ADUBA GIVES BACK 38 MEN AT WORK IN RWANDA WHY WE NEED MORE FEMALE JOURNALISTS AT 46 THE U.S.-MEXICO BORDER Heifer Marketplace offers the ultimate one-stop shopping solution. Find great gifts that make a big impact. FREE SHIPPING WWW.HEIFER.ORG/MARKETPLACE CHECK YOUR EMPLOYEE MATCHING GIFT PROGRAM TO DO YOU MATCH? DOUBLE YOUR DONATION Your company may match your gifts to Heifer International. Use our handy checklist below and complete the easy steps today: ❑ Give to Heifer. Thank you for your recent gift! ❑ Visit www.heifer.org/matching and find your employee matching gift program to double your recent gift. ❑ Once you submit your matching gift claim, call or email us and we’ll send you a matching gift canvas backpack! 888.5HUNGER (888.548.6437) | [email protected] | WWW.HEIFER.ORG/MATCHING horizons Dear Determined Humanitarians, s we stand at the cusp of a new decade, I am struck that we have just A 10 years to achieve our goal of ending hunger for good. And while we have evolved our work over the past 75 years with that purpose in mind, there is more urgency now than ever to expand the work to bring true, systemic change to the most marginalized families. Despite the shifts in our approach, the way we’ve told the story of the true effect of our work has not changed much.
    [Show full text]