Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design Spring 5-3-2017 Pushing the Bounds of Typology: Jewish Carnality and the Eucharist in Jörg Ratgeb's Herrenberg Altarpiece Genevieve D. Milliken Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Milliken, Genevieve D., "Pushing the Bounds of Typology: Jewish Carnality and the Eucharist in Jörg Ratgeb's Herrenberg Altarpiece." Thesis, Georgia State University, 2017. https://scholarworks.gsu.edu/art_design_theses/219 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact
[email protected]. PUSHING THE BOUNDS OF TYPOLOGY: JEWISH CARNALITY AND THE EUCHARIST IN JÖRG RATGEB’S HERRENBERG ALTARPIECE by GENEVIEVE D. MILLIKEN Under the Direction of John R. Decker, PhD ABSTRACT Jörg Ratgeb’s Herrenberg Altarpiece (1518-1519) depicts well-established examples of Christian iconography, but appears to reconfigure and intensify traditional subjects and subject matter through the inclusion of overt anti-Judaic references. In this paper, my focus is the strong anti-Judaic subject matter of the Herrenberg Altarpiece and the local context in which, and for which, it was created. The anti-Jewish representations are investigated by exploring Christian perceptions of biblical and contemporary Jews, identifying social tensions in Swabia that may have influenced how Jews were depicted, and recognizing the ways in which the trope of Jewish wantonness may have served a politico-religious agenda in the region.