Annual Building Awards Gala 2019
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Where Stars Are Born and Legends Are Made™
Where Stars are Born and Legends are Made™ The Apollo Theater Study Guide is published by the Education Program of the Apollo Theater in New York, NY | Volume 2, Issue 1, November 2010 If the Apollo Theater could talk, imagine the stories it could tell. It The has witnessed a lot of history, and seen a century’s worth of excitement. The theater itself has stood proudly on 125th Street since 1914, when it started life as a burlesque house for whites only, Hurtig & Seamon’s New Burlesque Theater. Dancers in skimpy costumes stripped down to flesh-colored leotards, and comics told bawdy jokes – that is, until then New York City Mayor Fiorello H. LaGuardia made the decision to close down burlesque houses all over the city. When the doors of the burlesque theaters were padlocked, the building was sold. By S ul the time it reopened in 1934, a new name proclaimed itself from the marquee: the 125th Street Apollo Theatre. From the start, the Apollo was beloved by Harlemites, and immediately of became an integral part of Harlem life. When the Apollo first opened, Harlem boasted a lot of theaters and clubs. But many didn’t admit black audiences. Though the musicians who played in the clubs were black, the audiences were often white; the country still had a lot to American learn about integration. But the Apollo didn’t play primarily to whites. As soon as it opened its doors, black residents of Harlem streamed in themselves to enjoy the show. In the early years, the Apollo presented acts in a revue format, with a variety of acts on each bill. -
Borough Hall Skyscraper Historic District Designation Report
Cover Photograph: Court Street looking south along Skyscraper Row towards Brooklyn City Hall, now Brooklyn Borough Hall (1845-48, Gamaliel King) and the Brooklyn Municipal Building (1923-26, McKenzie, Voorhees & Gmelin). Christopher D. Brazee, 2011 Borough Hall Skyscraper Historic District Designation Report Prepared by Christopher D. Brazee Edited by Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Jennifer L. Most Technical Assistance by Lauren Miller Commissioners Robert B. Tierney, Chair Pablo E. Vengoechea, Vice-Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT MAP ................... FACING PAGE 1 TESTIMONY AT THE PUBLIC HEARING ................................................................................ 1 BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT BOUNDARIES ............................. 1 SUMMARY .................................................................................................................................... 3 THE HISTORICAL AND ARCHITECTURAL DEVELOPMENT OF THE BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT ........................................................................................ 5 Early History and Development of Brooklyn‟s Civic Center ................................................... 5 Mid 19th Century Development -
LPC Designation Report for South Village Historic District
South Village Historic District Designation Report December 17, 2013 Cover Photographs: 200 and 202 Bleecker Street (c. 1825-26); streetscape along LaGuardia Place with 510 LaGuardia Place in the foreground (1871-72, Henry Fernbach); 149 Bleecker Street (c. 1831); Mills House No. 1, 156 Bleecker Street (1896-97, Ernest Flagg); 508 LaGuardia Place (1891, Brunner & Tryon); 177 to 171 Bleecker Street (1887-88, Alexander I. Finkle); 500 LaGuardia Place (1870, Samuel Lynch). Christopher D. Brazee, December 2013 South Village Historic District Designation Report Essay prepared by Christopher D. Brazee, Cynthia Danza, Gale Harris, Virginia Kurshan. Jennifer L. Most, Theresa C. Noonan, Matthew A. Postal, Donald G. Presa, and Jay Shockley Architects’ and Builders’ Appendix prepared by Marianne S. Percival Building Profiles prepared by Christopher D. Brazee, Jennifer L. Most, and Marianne S. Percival, with additional research by Jay Shockley Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Jennifer L. Most Commissioners Robert B. Tierney, Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS SOUTH VILLAGE HISTORIC DISTRICT MAP .............................................. FACING PAGE 1 TESTIMONY AT THE PUBLIC HEARING ................................................................................ 1 SOUTH -
District Lines Winter 2009
DISTRICT LINES news and views of the Historic Districts Council winter 2009 vol. xxii no. 3 CIVIC ENGAGEMENT AND NEIGHBORHOOD PRESERVATION INTERSECT AT ANNUAL CONFERENCE ANYONE WHO HAS LAUNCHED a commu- nity-based campaign knows that politi- cal support is a vital component for its success. Efforts opposed by elected of- fi cials face an uphill battle that, while not impossible to overcome, can be quite diffi cult to maneuver. To ensure the victory of their cause, advocates must facilitate working relationships with their elected representatives and local municipal agencies, as well as de- velop a comprehensive knowledge of the laws and regulations that will affect their efforts. Each spring the Historic Districts Council hosts its annual preservation conference, the only preservation event of its kind in New York City. Now in its 15th year, the 2009 Conference, March 6-8, “Communities & Cornices: Preser- vation in a Political World,” will address Chris Kreussling (Flatbush Gardener) the intersection of civic engagement and neighborhood preservation. Attendees of HDC’s 2007 Conference on a walking tour of Red Hook, Brooklyn. The 2009 conference will highlight professionals that includes, preserva- broadening the conversation, backyard the important confluence of public tionists, planners, historians, public boundaries disappear and preservation and governmental interests, framing it policy and legal experts, representatives gains a greater voice. within the context of the approach- from government agencies, and elected The 2009 “Communities & ing municipal elections this November. offi cials who will help guide attendees Cornices” Conference is just one of When effectively crafted and publi- on how better to engage in the politi- the Historic Districts Council’s many cized, these partnerships help foster a cal process. -
WEST 71St STREET HISTORIC DISTRICT DESIGNATION REPORT
/ WEST 71st STREET HISTORIC DISTRICT DESIGNATION REPORT LANDMARKS PRESERVATION COMMISSION WEST 71st STREET HISTORIC DISTRICT DESIGNATION REPORT 1989 City of New York Edward I. Koch, Mayor Landmarks Preservation Commission David F. M. Todd, Chairman Elliot Willensky, Vice-chairman Commissioners Thomas Evans Adolf Placzek Sarah Bradford Landau Mildred Schmertz George S. Lewis Gaston Silva Gene A. Norman Lee Weintraub The following members of the staff of the Landmarks Preservation Commission contributed to the production of this report: Research and writing by: Virginia Rurshan, Research Department Editing by: Jay Shockley, Deputy Director of Research Marjorie Pearson, Director of Research Graphics by: David M. Breiner, Research Department Photographs by: Carl Forster, LPC staff photographer WEST 71st STREET HISTORIC DISTRICT Designated August 29, 1989 >* r LU JU1J1- 3 Jinjui Z LU > < Q WEST 71st STREET Z o LU en o o I- CO CO (/) N 1 111 LU cn iJiJiAlr- * --^^ 5 LANDMARKS PRESERVATION COMMISSION Landmarks Preservation Commission August 29, 1989, Designation List 220 LP-1611 WEST 71st SHEET HISTORIC DISTRICT, Borough of Manhattan BOUNDARIES: The West 71st Street Historic District consists of the property bounded by a line beginning at the southeast corner of 310 West 71st Street, westerly along the southern property lines of 310 through 340 West.71st Street, northerly along the western property line of 340 West 71st Street, northerly across West 71st Street, westerly along the northern curbline of West 71st Street, northerly along the western property line of 351 West 71st Street, easterly along the northern property lines of 351 through 305 West 71st Street, southerly along the eastern property line of 305 West 71st Street, westerly along the northern curbline of West 71st Street, southerly across West 71st Street, southerly along the eastern property line of 310 West 71st Street to the point of beginning. -
Hugo F. Huber, 1869-1934
© 2010 HOLLI E. LIMBACH ALL RIGHTS RESERVED HUGO F. HUBER, 1869-1934 INTERIOR DECORATOR STAN HYWET MANOR, AKRON, OHIO A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Holli E. Limbach May 2010 HUGO F. HUBER, 1869-1934 INTERIOR DECORATOR STAN HYWET MANOR, AKRON, OHIO Holli E. Limbach Thesis Approved: Accepted: _____________________________ ________________________ Advisor Interim School Director Dr. Virginia Gunn Mrs. Sue Rasor-Greenhalgh ______________________________ ________________________ Faculty Reader Interim Dean of the College Dr. Teena Jennings-Rentenaar Dr. James Lynn ______________________________ ________________________ Faculty Reader Dean of the Graduate School Mr. John Vollmer Dr. George Newkome ________________________ Date ii ABSTRACT In the late-nineteenth century notable interior decorators gradually emerged to help make interior decoration a serious, individualized, and worthwhile discipline. This study traces H. F. Huber & Co., one of New York’s first American interior decorating firms to successfully design, execute, and install complete high-end commercial, hospitality, and residential interiors in close conjunction with the project architect. Despite significant commercial contracts Hugo F. Huber’s career was built on a range of residential work for wealthy clients, often German-American like Huber. Two residences, each with fine archival resources and well-preserved interiors, provided the author with great insight into Huber’s design philosophy, expertise, and work ethic. The Christian Heurich Mansion interiors (1892-1894), Washington, DC, provided an example of Huber’s immense talent during his early-career, and Stan Hywet Manor (1911- 1917), Akron, Ohio, provided an example of Huber’s artistic genius during the peak of his career. -
Apollo Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission June 28, 1981 Designation List 166 LP-1300 ABOLLO THEATER (originally Hurtig & Seamon's New (Burlesque) Theater), first floor interior consisting of main lobby, the auditorium including the staircases leading to the first balcony level boxes, and the orchestra pit; the first balcony floor interior consisting of the upper part of the auditorium and the boxes; the second balcony floor interior consisting of the upper part of the auditorium and ceiling, and the boxes; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling su~faces, doors, murals, panels and railing~ 253West 125th Street, Borough of Manhattan. Built 1913-14; architect George Keister. Landmark Site: Borough of Manhattan Tax Map Block 1931, Lot 10. On April 13, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as an Interior Landmark of the Apollo Theater and the proposed designation of the related Landmark Site (Item No. 27). The hearing was continued to June 8, 1982 (Item No. 9). Both hearings had been duly advertised in accordance with the provisions of law. Six witnesses spoke in favor of designation. There was one speaker in opposition to designation. A petition was submitted bearing 1185 signa tures in favor of designation. Eleven letterswere received in support of designation. DESCRIPTION AND ANALYSIS The Apollo Theater, built in 1913-14 as Hurtig & Seamon's New (Burlesque) Theater and designed by architect George Keister, spanned the two eras of Harlem's entertain ment history. Its construction reflected the popularity of vaudeville and burlesque in the Harlem of the 1910s. -
Bleasco Theater
Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1317 BELASCO THEATER, 111-121 West 44th Street, Manhattan. Built 1906-1907; architect George Keister. Landmark Site: Borough of Manhattan Tax Map Block 997, Lot 23. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Belasco Theater and the proposed designation of the related Landmark Site (Item No. 13). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indica ted that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Belasco Theater (originally Belasco's Stuyvesant) was built in 1906-07 as the ideal playhouse of David Belasco. Actor, dramatist, manager and director , he was one of the most important personalities in the history of American stage. Belasco was a pioneer in the development of the American 1 itt le theater movement where dramatic experience depended on close contact between actors and audience. He conceived of his house as a "living room" and consciously attempted its domestication with a facade in the neo-Georgian style. Home of all Belasco's theatrical operations (and after 1909 his personal home as well), it was executed by some of the finest talents of the day. -
APOLLO THEATER (Originally Hurtig & Seamon's New (Burlesque) Theater), 253 \-Jest L25th Street, Borough of Nanhattan
L.:1ndm:.trks l' rescrva tion Col!iiT.ission June 28, 1983, Designation List 166 LP-1299 APOLLO THEATER (originally Hurtig & Seamon's New (Burlesque) Theater), 253 \-Jest l25th Street, Borough of Nanhattan. Built 1913-14; Architect George Keister. Landmark Site: Borough of Hanhattan Tax Xap Block 1931, Lot 10. On April 13, 1982, the Landn~rks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Apollo Theater and the proposed designation of the related Landmark Site (Item No . 26). The hearing was continued to June 8, 1982 (Item No. 8) . Both hearings had been duly advertised in accordance with the provisions of law. Six l<litnesses spoke in favor of designation. There wa s one speaker in opposition to designation. A P•=tltlon was submitted bearing 1185 signatures in favor of designation. Eleven letters were received in support of designation. DESCRIPTION A~D ANALYSIS The Apollo Theater, built in 1913-14 as Hurtig & Seamon's New (Burlesque) Theater, spanned 1:he two eras of Harlem's entertainment history. The design by architect George Keister displays elements of the neo-classical style. The con struction of the Apollo reflected the popularity of vaudeville and burlesque in the Harlem of the 1910s. \-lith the growth of Harlem's black population, the Apollo Theater, from the 1930s through the 1970s , became one of the nation's leading cen ters for the display of major black American performing talent. Harlem During much of the nineteenth century , Harlem was a fashionable suburb for wealthy and upper-middle class '-'hite Hanhattan residents. -
Sullivan-Thompson Historic District Designation Report December 13, 2016
Sullivan-Thompson Historic District Designation Report December 13, 2016 Cover Photograph: 131-133 Thompson Street, built 1899, 135-137 Thompson Street built 1875 and 139 Thompson Street built 1875 Photo: Sarah Moses, 2016 Sullivan-Thompson Historic District Designation Report Essay Researched and Written by Jessica Baldwin, Corinne Engelbert, Sarah Moses and Barrett Reiter Building Profiles Prepared by Jessica Baldwin, Corinne Engelbert, Sarah Moses and Barrett Reiter Architects’ Appendix Researched and Written by Theresa Noonan Edited by Michael Caratzas Photographs by Sarah Moses Map by Daniel Heinz Watts Commissioners Meenakshi Srinivasan, Chair Frederick Bland Michael Goldblum Diana Chapin John Gustafsson Wellington Chen Jeanne Lutfy Michael Devonshire Adi Shamir-Baron Kim Vauss Sarah Carroll, Executive Director Lisa Kersavage, Director of Special Projects and Strategic Planning Mark Silberman, Counsel Jared Knowles, Director of Preservation TABLE OF CONTENTS SULLIVAN-THOMPSON HISTORIC DISTRICT MAP .......................... After Contents TESTIMONY AT THE PUBLIC HEARING .....................................................................1 SULLIVAN-THOMPSON DISTRICT BOUNDARY DESCRIPTION.............................1 SUMMARY .........................................................................................................................3 THE HISTORICAL AND ARCHITECTURAL DEVELOPMENT OF THE SULLIVAN-THOMPSON HISTORIC DISTRICT Early History and Development ............................................................................5 -
South Village Historic District Designation Report December 17, 2013
South Village Historic District Designation Report December 17, 2013 Cover Photographs: 200 and 202 Bleecker Street (c. 1825-26); streetscape along LaGuardia Place with 510 LaGuardia Place in the foreground (1871-72, Henry Fernbach); 149 Bleecker Street (c. 1831); Mills House No. 1, 156 Bleecker Street (1896-97, Ernest Flagg); 508 LaGuardia Place (1891, Brunner & Tryon); 177 to 171 Bleecker Street (1887-88, Alexander I. Finkle); 500 LaGuardia Place (1870, Samuel Lynch). Christopher D. Brazee, December 2013 South Village Historic District Designation Report Essay prepared by Christopher D. Brazee, Cynthia Danza, Gale Harris, Virginia Kurshan. Jennifer L. Most, Theresa C. Noonan, Matthew A. Postal, Donald G. Presa, and Jay Shockley Architects’ and Builders’ Appendix prepared by Marianne S. Percival Building Profiles prepared by Christopher D. Brazee, Jennifer L. Most, and Marianne S. Percival, with additional research by Jay Shockley Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Jennifer L. Most Commissioners Robert B. Tierney, Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS SOUTH VILLAGE HISTORIC DISTRICT MAP .............................................. FACING PAGE 1 TESTIMONY AT THE PUBLIC HEARING ................................................................................ 1 SOUTH -
Riverside Drive – West End Historic District Extension I
Cover Photograph: 330 to 346 West 84th Street (Joseph H. Taft, 1888-89) Christopher D. Brazee, 2012 RIVERSIDE-WEST END HISTORIC DISTRICT EXTENSION I Designation Report Essay researched and written by Marianne S. Percival Building Profiles and Architects’ Appendix by Theresa C. Noonan and Marianne S. Percival Additional Research Jay Shockley Edited by Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Jennifer L. Most Commissioners Robert B. Tierney, chair Pablo E. Vengoechea, Vice-Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS RIVERSIDE-WEST END HISTORIC DISTRICT EXTENSION I MAP ................. facing page 1 TESTIMONY AT THE PUBLIC HEARING .................................................................................1 RIVERSIDE-WEST END HISTORIC DISTRICT EXTENSION I BOUNDARY .......................1 SUMMARY .....................................................................................................................................3 HISTORIC AND DEVELOPMENT OF RIVERSIDE-WEST END HISTORIC DISTRICT EXTENSION I .................................................................................................................................4 Early History of the Upper West Side .................................................................................4 Late 19th Century Development