Red Cavalry Commanders and the Second World War
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Communists and the Red Cavalry: the Political Education of the Konarmiia in the Russian Civil War, 1918-20
Communists and the Red Cavalry: The Political Education of the Konarmiia in the Russian Civil War, 1918-20 Author(s): Stephen Brown Source: The Slavonic and East European Review, Vol. 73, No. 1 (Jan., 1995), pp. 82-99 Published by: the Modern Humanities Research Association and University College London, School of Slavonic and East European Studies Stable URL: http://www.jstor.org/stable/4211715 . Accessed: 15/11/2013 18:58 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Modern Humanities Research Association and University College London, School of Slavonic and East European Studies are collaborating with JSTOR to digitize, preserve and extend access to The Slavonic and East European Review. http://www.jstor.org This content downloaded from 128.197.26.12 on Fri, 15 Nov 2013 18:58:17 PM All use subject to JSTOR Terms and Conditions SEER, Vol.73, No. i, January1995 Communists and the Red Cavalry: the Political Education of the Konarmiia in the Russian Civil War, I9 I 8-20 STEPHEN BROWN SOVIET writers long maintained that the political education of the Red Army was one of the great success stories of the Russian Civil War of I9 I 8-20. -
Babel' in Context a Study in Cultural Identity B O R D E R L I N E S : R U S S I a N А N D E a S T E U R O P E a N J E W I S H S T U D I E S
Babel' in Context A Study in Cultural Identity B o r d e r l i n e s : r u s s i a n а n d e a s t e u r o p e a n J e w i s h s t u d i e s Series Editor: Harriet Murav—University of Illinois, Urbana-Champaign Editorial board: Mikhail KrutiKov—University of Michigan alice NakhiMovsKy—Colgate University David Shneer—University of Colorado, Boulder anna ShterNsHis—University of Toronto Babel' in Context A Study in Cultural Identity Ef r a i m Sic hEr BOSTON / 2012 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2012 Academic Studies Press All rights reserved Effective July 29, 2016, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. ISBN 978-1-936235-95-7 Cloth ISBN 978-1-61811-145-6 Electronic Book design by Ivan Grave Published by Academic Studies Press in 2012 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com C o n t e n t s Note on References and Translations 8 Acknowledgments 9 Introduction 11 1 / Isaak Babelʹ: A Brief Life 29 2 / Reference and Interference 85 3 / Babelʹ, Bialik, and Others 108 4 / Midrash and History: A Key to the Babelesque Imagination 129 5 / A Russian Maupassant 151 6 / Babelʹ’s Civil War 170 7 / A Voyeur on a Collective Farm 208 Bibliography of Works by Babelʹ and Recommended Reading 228 Notes 252 Index 289 Illustrations Babelʹ with his father, Nikolaev 1904 32 Babelʹ with his schoolmates 33 Benia Krik (still from the film, Benia Krik, 1926) 37 S. -
The Russian Civil War
Reds! RULEBOOK © 200 Rodger MacGowan TheREDS! Russian Civil War, 98-92 Table of Contents . Introduction ................................................ 2 3. City, Sea and Resource Control ................. 13 2. Components ................................................ 2 4. Reinforcements and Replacements ............ 14 3. Game Set-up ............................................... 3 5 Poland ......................................................... 14 4. How to Win ................................................ 4 6. The Makhno Partisans ................................ 15 5. Sequence of Play ........................................ 4 7. Nationalist Garrisons .................................. 15 6. Initiative and Random Events .................... 5 8. Allied Withdrawal ....................................... 16 7. Activation and the Action Phase ................ 5 9. Winter ......................................................... 16 8. Zones of Control ........................................ 6 20. Special Units and Markers .......................... 16 9. Stacking ...................................................... 7 Strategy Notes ................................................... 19 0. Movement .................................................. 8 Design Notes ..................................................... 20 11. Combat ....................................................... 10 Historical Overview .......................................... 2 2 Supply and Rally ........................................ 12 Expanded -
Stalin Saves the World — Stalin and the Evolution of the Warrior and Saviour Archetypes
4 Stalin saves the world — Stalin and the evolution of the Warrior and Saviour archetypes Now arise, you renowned painters of the champion’s brave deeds, who by your exalted art make images of the general. My praise of the crowned champion is dull compared with the wisdom that inspires your brush with its radiant colours. I will refrain from writing further of the martyr’s valour, for you have crowned him and I rejoice today at the victory won by your power. St Basil the Great1 The icon is a hymn of triumph, a manifestation, a memorial inscribed for those who have fought and conquered, humbling the demons and putting them to flight. St John of Damascus2 The people need a hero, a saint — General Skobelev, Feodor Kuzmich, Ivan the Terrible — they are all alike to them. And the more remote, the more vague, the less accessible the hero, the more freedom for the 1 St Basil, ‘Sermon on the blessed martyr Barlaam’, quoted in Robin Edward Hutt, ‘Symbolism in religion, with special reference to Orthodox worship and its relevance for the free church tradition’, 1985, Masters thesis, Durham University; available at Durham E-Theses Online: etheses.dur.ac.uk/7637/. 2 ‘St. John of Damascus: apologia against those who decry holy images’ quoted in Barasch, Moshe. Icon: studies in the history of an idea, New York and London, NYU Press, 1995, p. 247. 291 THE PERSONALITY CUlt OF StaliN IN SOVIET POSTERS, 1929–1953 imagination … There must be a ‘Once upon a time there lived’ about it — something of the fairy tale. -
Reconstituted Masculinities in Jewish-Russian Literature (1903 – 1925)
New Men for a New World: Reconstituted Masculinities in Jewish-Russian Literature (1903 – 1925) by Ethan Calof B.A., Dalhousie University, 2013 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Germanic and Slavic Studies © Ethan Calof, 2019 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii New Men for a New World: Reconstituted Masculinities in Jewish-Russian Literature (1903 – 1925) by Ethan Calof B.A., Dalhousie University, 2013 SUPERVISORY COMMITTEE Dr. Serhy Yekelchyk, Supervisor Department of Germanic and Slavic Studies Dr. Helga Thorson, Department Member Department of Germanic and Slavic Studies iii ABSTRACT This Master’s thesis explores Jewish masculinity and identity within early twentieth-century literature (1903-1925), using texts written by Jewish authors in late imperial Russia and the early Soviet Union. This was a period of change for Russia’s Jewish community, involving increased secularization and reform, massive pogroms such as in Kishinev in 1903, newfound leadership within the 1905 and 1917 Revolutions, and a rise in both Zionist and Revolutionary ideology. Subsequently, Jewish literary masculinity experienced a significant shift in characterization. Historically, a praised Jewish man had been portrayed as gentle, scholarly, and faithful, yet early twentieth century Jewish male literary figures were asked to be physically strong, hypermasculine, and secular. This thesis first uses H.N. Bialik’s “In the City of Slaughter” (1903) and Sholem Aleichem’s “Tevye Goes to Palestine” (1914) to introduce a concept of “Jewish shame,” or a sentiment that historical Jewish masculinity was insufficient for a contemporary Russian world. -
The Poetics of Violence in Isaac Babel's Red Cavalry
Bard College Bard Digital Commons Senior Projects Spring 2016 Bard Undergraduate Senior Projects Spring 2016 See No Evil, Hear No Evil, Speak No Evil: The Poetics of Violence in Isaac Babel's Red Cavalry Benjamin Julius Dranoff Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2016 Part of the Jewish Studies Commons, and the Russian Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Dranoff, Benjamin Julius, "See No Evil, Hear No Evil, Speak No Evil: The Poetics of Violence in Isaac Babel's Red Cavalry" (2016). Senior Projects Spring 2016. 133. https://digitalcommons.bard.edu/senproj_s2016/133 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. See No Evil, Hear No Evil, Speak No Evil: The Poetics of Violence in Isaac Babel’s Red Cavalry Senior Project Submitted to The Division of Languages and Literature of Bard College by Benjamin J. Dranoff Annandale-on-Hudson, New York May 2016 Table of Contents Introduction Fictionalized Realities: Isaac Babel and Autobiography 1 Chapter 1 Articulating Violence: Babel’s Visual Dramas 10 Chapter 2 Seeing the Unheard: Voice and Silence in the Red Cavalry Cycle 29 Chapter 3 Distancing the Self: Babel’s Narrator as a Witness 51 Conclusion Red Cavalry, Nuance, and Closure 72 Works Cited 75 1 Introduction Fictionalized Realities: Isaac Babel and Autobiography He was arrested in 1939, his papers seized, his family given no information. -
Soviet Transformation and Jewish Images in 1920S Russian Literature
Soviet Transformation and Jewish Images in 1920s Russian Literature By Joshua Robert Mikutis Submitted to Professor Linda Gerstein In partial fulfillment of the requirements of History 400: Senior Thesis Seminar 04/23/10 Table of Contents Abstract 1 Acknowledgements 3 Introduction 4 1. The Soviet Future 12 The New Soviet Man 15 The Soviet Nationalities Policy 18 Determined or Malleable Humans? 20 2. The Jewish Past 23 Lyutov and Jewish Identity 26 Russian Jews in an Anti-Religious Russia 28 A New Jewishness 33 3. The Jewish Jew 39 Isaac Babel and the Jewish Body 42 Ilya Ehrenburg and the Jewish Mind 49 Contentless Jewishness 55 4. The Soviet Jew 58 Aleksandr Fadeyev and the Soviet Jew as Leader 61 Mikhail Sholokhov and the Soviet Jew as Learner 66 Permanent Jewishness 70 Conclusion 72 Works Cited 75 ABSTRACT My thesis explores the portrayals of Jews in four Russian novels written in the 1920s. I argue that the Jewish characters in Isaac Babel's Red Cavalry Stories, Ilya Ehrenburg's The Stormy Life of Lasik Roitschwantz, Alexsandr Fadeyev's The Rout, and Mikhail Sholokhov's And Quiet Flows the Don correspond to period discussions about how Bolshevik ideology and policy could alter the individual and ethno-national group. Nationalities experts devised the Soviet Nationalities Policy, which appealed to the national sentiments of the many minority groups living in the Soviet state in order to gain their allegiance; and Bolsheviks conceived of the New Soviet Man who would tirelessly and selflessly dedicate himself to the state. Both required a faith in human malleability and a belief that previous human habits were not innate but circumstantial products. -
The Red Army and the Terror
The Red Army and the Terror Peter James Whitewood Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds, School of History Submitted July 2012 1 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2012 The University of Leeds and Peter James Whitewood 2 Acknowledgements In completing this thesis I owe a very large debt to Dr James Harris for his continual support and insightful criticism throughout. This PhD first developed from my MA at the University of Leeds when I took James’s module on the Great Terror, and finishing the thesis would have been impossible without his careful supervision. From the Leeds School of History I also owe large thanks to Dr Mark Smith for his always helpful advice on completing the PhD itself, working in the Russian archives and on other peculiarities in studying Soviet history. The advice and comments from Dr Steven Main, Dr Stephen Brown and Professor Roger Reese have been invaluable, and made the thesis much stronger in its final stages. A special thank you goes to Steven Main for sending me so much material that I had not previously considered. I should also thank Dr Matthew Rendle who first sparked my interest in Russian history at Newcastle University where I did my undergraduate degree. -
Isaac Babel's Maria at Stanford
Department of Drama production staff The Stanford Department of Drama 2003–2004 Presents: Director of Production Michael Ramsaur Technical Director Ross Williams Production Stage Manager Alison Duxbury Shops Supervisor Paul Strayer MARIA Costume Designer Connie Strayer Scenic Designer Mark Guirguis by Isaac Babel Costume Shop Supervisor Birgit Pfeffer Technical Supervisor Kenny McMullen translation by peter constantine Publicity Coordinator Mandy Khoshnevisan adapted for the stanford stage by Prop Master Christina Chao Gregory Freidin Set Shop Crew Michele Cash, Mollie Chapman, directed by Joseph Frega, Melisa Hill, Carl Weber Chienlan Hsu, Chris Junge, Margaret Lee, Becca Thal, Alexei Syssoyev, John White Costume Technicians Mindy Lieu, Katie Furuyama Costume Crew Jennifer Beichman, DeMara Cabrera, Megan Cohen, Kristen Del Rio, Anna Kerrigan, Emily Livadary, Alida Payson, Linda Serrato special thanks Davey Hubay, Larissa Rhyzhik, Toby Holtzman, Galina Leytes, Stanford University, Department of Slavic Languages & Literatures, Center for Russian, East-European, & Eurasian Studies, Taube Center for Jewish Studies, Division of Literatures, Cultures, & Languages, Hoover Institution Library and Archives, Institute for International Studies, Stanford Humanities Center, Irwin T. & Shirley Holtzman, The Leytes Foundation. upcoming from the department of drama... The Metamorphosis, by Franz Kafka, directed by Matthew Daube Mar. 3–6 at 8pm, Mar. 5 at 10:30pm & Mar. 7 at 2pm. Nitery Theater, Old Union To receive emails about future productions, send an email to [email protected] and write “subscribe performance-announce.” There will be There will be Maria Photography smoking gunshots February 19–21 and 26–28 at 8pm will run and onstage onstage February 29 at 5pm without an Videotaping during the during the intermission.