Audio Modeling for Mobile

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!! Audio Modeling for Mobile Geo Shred Power Stomp moForte Guitar Modeled Guitar and Beyond Modeled Rig Modeled Guitar for In Partnership with Accompaniment ! moForte.com Wizdom Music http://www.moforte.com http://www.wizdommusic.com Geo Shred Modeled Guitar and Beyond in Partnership with Wizdom Music PowerStomp Modeled Rig All Effects for One Price NO Nickel-and-Diming with in-app purchases! moForte Guitar Modeled Guitar for Accompaniment Just enter your chords and hit play, it strums itself! Includes a built in selection of strums to chose from. Performance Schedule Jordan Rudess Jordan Rudess is the legendary keyboardist of progressive metal band, Dream Theater. Jordan is also the President of Wizdom Music which is dedicated to pushing the boundaries of technology to create expressive and exciting tools for making music. Marco Parisi Multi instrumentalist and producer, Marco's projects ranging from prog (Jordan Rudess) to electro-pop (Heymen, Tayone, Daddy's Groove). Eyal Amir and Or Lubianiker of Project RnL • Due to their unique approach to music, production and implementation of new technologies, both Eyal and Or gained their distinction by producing videos on YouTube which accumulated millions of views, Their most renowned collaboration is titled "Project RnL", a Video-song based band that fuses progressive rock with elements of pop, electronic music and even jazz. • Eyal and Or have worked with luminaries such as: Jordan Rudess, Pomplamoose, Noa, Ruslan Sirota, Tammy Scheffer, Marty Friedman, Gus G, Michael Angelo Batio, Ron "Bumblefoot" Thal, Yossi Sassi, Dave Lombardo and many others..

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Mike Mangini
/.%/&4(2%% 02):%3&2/- -".#0'(0%4$)3*4"%-&34&55*/(4*()54 7). 9!-!(!$25-3 VALUED ATOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 0/5)& '0$64)*)"5 "$)*&7&5)&$-"44*$ 48*/(406/% "35#-",&: 5)&.&/503 50%%46$)&3."/ 45:-&"/%"/"-:4*4 $2%!-4(%!4%23 Ê / Ê" Ê," Ê/"Ê"6 , /Ê-1 -- (3&(03:)65$)*/40/ 8)&3&+";;41"45"/%'6563&.&&5 #6*-%:06308/ .6-5*1&%"-4&561 -ODERN$RUMMERCOM 3&7*&8&% 5"."4*-7&345"33&.0108&34530,&130-6%8*("5-"4130)"3%8"3&3*.4)05-0$."55/0-"/$:.#"-4 Volume 36, Number 3 • Cover photo by Paul La Raia CONTENTS Paul La Raia Courtesy of Mapex 40 SETTING SIGHTS: CHRIS ADLER Lamb of God’s tireless sticksman embraces his natural lefty tendencies. by Ken Micallef Timothy Saccenti 54 MIKE MANGINI By creating layers of complex rhythms that complement Dream Theater’s epic arrangements, “the new guy” is ushering in a bold and exciting era for the band, its fans, and progressive rock music itself. by Mike Haid 44 GREGORY HUTCHINSON Hutch might just be the jazz drummer’s jazz drummer— historically astute and futuristically minded, with the kind 12 UPDATE of technique, soul, and sophistication that today’s most important artists treasure. • Manraze’s PAUL COOK by Ken Micallef • Jazz Vet JOEL TAYLOR • NRBQ’s CONRAD CHOUCROUN • Rebel Rocker HANK WILLIAMS III Chuck Parker 32 SHOP TALK Create a Stable Multi-Pedal Setup 36 PORTRAITS NYC Pocket Master TONY MASON 98 WHAT DO YOU KNOW ABOUT...? Faust’s WERNER “ZAPPI” DIERMAIER One of Three Incredible 70 INFLUENCES: ART BLAKEY Prizes From Yamaha Drums Enter to Win We all know those iconic black-and-white images: Blakey at the Valued $ kit, sweat beads on his forehead, a flash in the eyes, and that at Over 5,700 pg 85 mouth agape—sometimes with the tongue flat out—in pure elation.
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Progressive Traits in the Music of Dream Theater Thesis Written for the Bachelor of Musicology University of Utrecht Supervised by Professor Karl Kügle June 2013 1
2013 W. B. van Dijk 3196372 PROGRESSIVE TRAITS IN THE MUSIC OF DREAM THEATER THESIS WRITTEN FOR THE BACHELOR OF MUSICOLOGY UNIVERSITY OF UTRECHT SUPERVISED BY PROFESSOR KARL KÜGLE JUNE 2013 1 Table of Contents Chapter 1 – Foreword .......................................................................................................................... 2 Chapter 2: A definition of progressiveness ......................................................................................... 3 2.1 – Problematization ..................................................................................................................... 3 2.2 - A brief history of progressive rock ......................................................................................... 4 2.3 – Progressive rock in the classic age: 1968-1978 ...................................................................... 5 2.4 - A selective list of progressive traits ........................................................................................ 6 Chapter 3: Progressive Rock and Dream Theater ............................................................................... 9 3.1 – A short biography of the band Dream Theater ....................................................................... 9 3.2 - Progressive traits in Scenes from a Memory ......................................................................... 10 3.3 - Progressive traits in ‗The Dance of Eternity‘ ........................................................................ 12 Chapter 4: Discussion &
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Don Airey …………………………………………………………… 40 - 44
1 Los teclistas del rock Indice 1.- Rick Wakeman ………………………………………………………… 2 - 4 2.- Keith Emerson ………………………………………………………… 5 - 8 3.- Jon Lord …………………………………………………………………. 9 - 12 4.- Peter Bardens ………………………………………………………… 13 - 15 5.- Tony Banks ……………………………………………………………. 16 - 20 6.- Richard Wright ………………………………………………………. 21 - 24 7.- Dave Greenslade …………………………………………………… 25 - 31 8.- Thijs Van Leer ……………………………………………………….. 32 - 35 9.- Ray Manzarek ………………………………………………………. 36 - 39 10.- Don Airey …………………………………………………………… 40 - 44 11.- Jordan Rudess ……………………………………………………. 45 - 49 12.- Patrick Moraz …………………………………………………….. 50 - 53 13.- Eddie Jobson ……………………………………………………… 54 - 58 2 Rick Wakeman Cuando Ángel me propuso colaborar con este excelente blog no tenía muy claro sobre que podía basarse mi participación en ZRS. Estuve meditando durante un tiempo hasta que la iluminación llego a mi mente y recordé cuales fueron mis orígenes en la música. Hace ya mucho tiempo, cuando era un adolescente, entre en el mundo del rock de la mano de lo que en aquella época se llamaba “rock sinfónico”. Mi fascinación por este género era total y el instrumento que me imaginaba tocando eran los teclados, con el tiempo comprendí que no tenía capacidad para asumir semejante tarea. Hablar de sintetizadores, órganos, mellotrones, etc, para mí sería un placer pero entiendo que para la mayoría de los mortales podría suponer un gran dolor de cabeza. Por todo ello creo que mi colaboración puede versar sobre los teclistas del rock. RICK WAKEMAN No pretendo contar exhaustivamente la obra y milagros de este genio, eso sería muy largo y tedioso, simplemente daré unas pinceladas sobre su trayectoria basándome en mi experiencia. Rick Wakeman nació en 1,949 en Perivale, Londres, y como era de esperar estudio diversos instrumentos entre ellos el piano, pero el bueno de Rick era un inconformista y no se regía por los cánones clásicos por lo cual fue expulsado del Royal College Music.
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John Myung, Dream Theater
022 BASS GUITAR MAGAZINE BASSISTS JOHN MYUNG, DREAM THEATER my my myung JOHN MYUNG OF DREAM THEATER, PERHAPS THE MOST TECHNICALLY GIFTED BASSIST ON THE PLANET, LOOKS BACK AT HIGH POINTS OF HIS CAREER WITH tHe HeLP OF BGM’s eLLen O’reiLLY PICS: TINA K BASS GUITAR MAGAZINE 023 hen it comes to technical chops and inventive bass-lines, Dream Theater live it works against you because you have to bring low-ender John Myung is the king. As a founding member of one of everything up a notch. One of the best ways to do that the most successful progressive metal bands in the world, Myung has is to raise your action, because it gives the strings more become renowned for the jaw-dropping techniques he employs in his room to vibrate, so the instrument naturally becomes band, complemented by the incredible skills of his fellow musicians louder. Being able to play and practise with a bit of a James Labrie (vocals) John Petrucci (guitar), Jordan Rudess (keyboards) higher action than you’re normally accustomed to, that’s Wand Mike Mangini (drums). If there’s anything that Myung doesn’t know when you really have to work at something.” about bass, we’d like to hear it... Hailing from Chicago, Myung formed Dream Theater with Petrucci and former 2 The Ytse Jam drummer Mike Portnoy while studying at the world-renowned Berklee College of (from When Dream And Day Unite, 1989) Music in Boston. His bass-lines are incredibly challenging, while also demonstrating Arguably one of Dream Theater’s most iconic his keen sense of time, groove and harmony.
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S = Signing, P = Performance/Product Demonstration, PC = Press Conference
S = Signing, P = Performance/Product Demonstration, PC = Press Conference Thursday January 24th Time Booth Name Booth # Hall Artist Type 9.30 AM Sabian 3254 D Mike Portnoy PC 10.00 AM Samson 4590 C Kiko Loureiro P Jordan Rudess 10.30 AM MOTU 6514 A [Dream Theater] P Marco Mendoza 10.30 AM Samson 4590 C [Thin Lizzy] P Jordan Rudess 11.00 AM Synthogy 6724 A [Dream Theater] P Yamaha 100MA, 125th Anniversary 11.00 AM Yamaha 102MA Marriott Press Event PC NAMM Media Orange Amps 11.00 AM Room Keynote Speech PC Dean Markley 12.00 PM Strings 5710 B Lita Ford S 2.30 PM Korg USA 6440 A Derek Sherinian P 3.00 PM TC Electronic 5932 B Press Meeting PC Geezer Butler 3.30 PM Samson 4590 C [Black Sabbath] S Frank Bello [Anthrax] Billy Sheehan [Mr. Big] JD DeServio [Black Label Society] Eddie Jackson [Queensryche] Marco Mendoza [Thin Lizzy] Steve Morse 4.00 PM TC Electronic 5932 B [Deep Purple] S Guthrie Govan [The Aristocrats] 4.30 PM Samson 4590 C Richie Kotzen P Friday January 25th Time Booth Name Booth Number Hall Artist Type 100 MA, 102 9.30 AM Yamaha MA Marriott Tommy Aldridge PC Matt Halpern [Periphery] Jordan Rudess 10.30 AM MOTU 6514 A [Dream Theater] P Zakk Wylde 11.00 AM EMG Pickups 4782 C [Black Label Society] S/PC Richie Faulkner [Judas Priest] Andy James [Sacred Mother Tongue] 11.00 AM Samson 4590 C Richie Kotzen P Jeff Kendrick 11.30 AM Korg USA 6440 A [DevilDriver] P Mike Spreitzer [DevilDriver] Rex Brown 12.00 PM Ampeg 209 A/B Level 2 [Pantera, Kill Devil Hill] S Mike Inez [Alice In Chains] Juan Alderete Dean Markley 12.00 PM Strings 5710 B Orianthi [Alice Cooper] S 12.00 PM Korg USA 6440 A Gus G [Ozzy, Firewind] S Jeff Kendrick [DevilDriver] Mike Spreitzer [DevilDriver] 12.00 PM Samson 4590 C Gary Holt [Exodus] S Mike Portnoy Scott Ian [Anthrax] Charlie Benante [Anthrax] Frank Bello [Anthrax] Dave Lombardo [Slayer, Philm] Kerry King [Slayer] David Ellefson [Megadeth] Billy Sheehan [Mr.
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Nightlife Albums
THURSDAY, JULY 12, 2007 19 [email protected] comedy music film on line radio pop culture live downloads television DIVE DIVE DIVE: Sam Walsh, foreground, and Adam McKay nightlife captains of The Yellow Submarine. PICTURE: Bruce Mercer waikato Hannah Curwood and Simon Comber at La Commune. TONIGHT Ric Rush and Kellyn with a new The Big Pay Back at Sekure, with monthly event at The Loft Kellyn and Ric Rush. showcasing new and old house grooves, electro-funk and assorted Rubix Cuba (Australia), Dynamo beats. Go plus guests at Yellow Submarine (see main story). out of town TOMORROW (internationals) Evil, the new project from The 3Ds’ David Mitchell, at Ward SUNDAY Lane. Local support from Skelitor Bobby Brown, American R&B and Yokel Ono, door charge $15. singer, Energy Events Centre, Yellow Submarine Benefit Show Rotorua, tickets from Ticketek. (see main story). Kimbra solo acoustic show at La WEDNESDAY Commune. Regina Spektor, Russian-born Sophie serving up house classics, singer-songwriter, Bruce Mason rolling beats and funk at Sekure. Centre, Takapuna. Tickets from Ticketek. SATURDAY Unearth, Boston metalcore The Bleeders at Yellow Submarine exponents, The Studio. Tickets (see main story). from Ticketek. Paul Orion (Auckland) lashing Bobby Brown, TelstraClear Events out house, breaks and electro- Centre, Manukau. Tickets from styled tunes at Sekure. Ticket Direct. Email event info to [email protected] The submarine surfaces The Mole Music chaps are making a new stand for The Yellow Submarine. make it a nice environment to be in.” local music. “The scene relies on people coming to shows — even With a maximum capacity of more than 300 people Sam Walsh and Adam McKay, the 23-year-olds who when there is not 150 or 200 people there, even when — the bunker-like bar is deceptively large once you formed Hamilton’s fledgling Mole Music label, have it’s quite small,” says McKay.
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1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 the Time Machine 2004
#'s 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 The Time Machine 2004 1349 Beyond the Apocalypse 2004 Norway Hellfire 2005 Active Liberation 2003 Revelations of the Black Flame 2009 36 Crazyfists A Snow Capped Romance 2004 Alaska Bitterness the Star 2002 Active Collisions and Castaways 27/07/2010 Rest Inside the Flames 2006 The Tide and It's Takers 2008 65DaysofStati The Destruction of Small 2007 c Ideals England The Fall of Man 2004 Active One Time for All Time 2008 We Were Exploding Anyway 04/2010 8-bit Operators The Music of Kraftwerk 2007 Collaborative Inactive Music Page 1 A A Forest of Stars The Corpse of Rebirth 2008 United Kingdom Opportunistic Thieves of Spring 2010 Active A Life Once Lost A Great Artist 2003 U.S.A Hunter 2005 Active Iron Gag 2007 Open Your Mouth For the Speechless...In Case of Those 2000 Appointed to Die A Perfect Circle eMOTIVe 2004 U.S.A Mer De Noms 2000 Active Thirteenth Step 2003 Abigail Williams In the Absence of Light 28/09/2010 U.S.A In the Shadow of A Thousand Suns 2008 Active Abigor Channeling the Quintessence of Satan 1999 Austria Fractal Possession 2007 Active Nachthymnen (From the Twilight Kingdom) 1995 Opus IV 1996 Satanized 2001 Supreme Immortal Art 1998 Time Is the Sulphur in the Veins of the Saint... Jan 2010 Verwüstung/Invoke the Dark Age 1994 Aborted The Archaic Abattoir 2005 Belgium Engineering the Dead 2001 Active Goremageddon 2003 The Purity of Perversion 1999 Slaughter & Apparatus: A Methodical Overture 2007 Strychnine.213 2008 Aborym
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Over 100 Opera Makers
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Norsk Dream Theater Fanklubb GRATIS! Oslo 30/9
Utgave 17 - Tour Edition 2005 Norsk Dream TheAtER Fanklubb D T N o GRATIS! Oslo 30/9 - 2005 r w a y DTNorway - Offisiell Norsk Dream Theater Fanklubb NFORMASJON OM Lederen taler: IFANKLUBBEN en norske Dream Theater Hei folkens Dfanklubben DTNorway (“Dream Theater Norge”) består av ca 200 nor- Hei alle medlemmer og nye lesere. Dette num- ske fans som vil ha et felles samlings- meret er et gratis nummer i forbindelse med punkt for informasjon o.l. i Norge an- Dream Theaters konsert i Oslo Spektrum gående Dream Theater. Klubben har 30.sept. Dette bladet inneholder informasjon eksistert siden tidlig 2000 og har et om Dream Theater,D deres biografi og diskogra- medlemsmagasin som heter “Echo’s fi. Samtidig reklamerer vi med dette for fanklubben. Hill”. Fanzinen blir utgitt et par gan- Som medlem avT DTNorway vil du kunne nyte flere goder. ger i året, når nok stoff for å fylle opp Egen fanklubbavis, egne internettsider og mye mer. et blad er anskaffet. Vi er blant de få DTNorway har et medlemsantall på ca 250 medlemmer. Vi Dream Theater fanklubbene i verden har vært aktiv sidenN 1998 og har i den tiden hatt mange fine som fortsatt gir ut fanziner. DTNorway øyeblikk i Dream Theater verden. Dream Theater har nylig er en offisiell gren av de Internasjonale gitt ut Octavarium,o deres 8 studio album og jeg er sikker på Fanklubbene. Klubben drives non- at konserten i Oslo Spektrum vil være nok et flott øyeblikk profit. og en bra opplevelse.r Til dere medlemmer; Giroer for fornyelse av medlemskap vil TNorway ble opprettet i 1999, og bli sendt ut med neste fanzine som kommer mot jul.
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Dream Theater the Heaviest Album Mike Is Very Intuitive, and That’S the Way He the Band Has Made? Responds to Things—He’S Very Spontaneous
ISSUE #31 MMUSICMAG.COM ISSUE #31 MMUSICMAG.COM Q&A the floor and influencing or being inspired 1994. Two weeks later I’m singing in Tokyo, coming through your microphone into the by whatever someone else is doing. and I had EMTs telling me I shouldn’t have headphones. I always used an AKG C12 been singing for six months. But Dream when I was doing the sensual and soft-sung Was there a lot of spontaneity? Theater was there with the Awake album sections and then flipped to an AKG 414 for Yes, where we’d be sitting there and and we didn’t have that luxury of missing when I was belting out. The thing with the somebody would start grooving, whether it the show. I went through a dark period there Blueberry is I can sing soft and quiet, and was Mike on a beat or John or Rudess coming but came through it. It was around 2003 then in the next verse be screaming my head in with a riff. That would set things in motion. that everything started to come back online. off, and it’s still there. Through a lot of dedication, I was able to What’s Mike brought to the music? bring it back around. Is Dream Theater the heaviest album Mike is very intuitive, and that’s the way he the band has made? responds to things—he’s very spontaneous. How’s your voice today? It’s one of our most powerful albums, for There’s a lot of drum parts right off the floor.
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AUDIO + VIDEO 9/13/11 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
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Dream Theatre – Octavarium
Metal may be one of the most experimented with music genres. Different types of metal have been tried and loved by many, but none have the style and artistic value that symphonic/orchestral metal has. This style of metal uses the sounds of an orchestra to create almost psychedelic music. Many bands have done this form of metal before, but honestly not many have been known for it as much as Dream Theater. Dream Theater was formed in the mid-eighties by John Petrucci, John Myung and Mike Portnoy while they were attending the Berklee College of Music. They were originally known as Majesty, because Mike Portnoy commented that the Rush song “Bastille Day” sounded “Majestic”. In 1986 the name Dream Theater was suggested by Mike Portnoy’s father. Dream Theater consisted (at the time) of John Petrucci, Mike Portnoy, Charlie Dominici, Kevin Moore, and John Myung and in 1988, they signed their first record contract with Mechanic. In 1989, Charlie Dominici was let go and in 1991 replaced with James LaBrie as vocalist. In 1994 Keyboardist Kevin Moore quit Dream Theater to concentrate on his own musical interests and he was replaced with Jordan Rudess. This was the band they had until 2010 when Mike Portnoy left the band and was replaced with Mike Mangini on drums. They reached gold record certification in the USA and platinum in Japan for the album Images and Words (1992) and in 2005 they became the last group to use the Hit Factory Studios which closed on April 1st of that same year.
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