Stephen Belber’s plays have been produced on Broadway and in over 25 countries. They include Match, Tape, Don’t Go Gentle, Dusk Rings a THE LARAMIE PROJECT Bell, McReele, Finally, Geometry of Fire, Fault Lines, Carol Mulroney, A Small, Melodramatic Story, One Million Butterflies, The Power of Duff and The Muscles In by Moisés Kaufman Our Toes. Theaters where he has been produced include Roundabout, Atlantic, MCC, Primary Stages, Naked Angels, Labyrinth, Rattlestick, The Huntington and and the Members of Tectonic Theater Project The Geffen. He was an Associate Writer on The Laramie Project, and co-writer on The Laramie Project: Ten Years Later. Movies include Tape (directed by HEAD WRITER Richard Linklater), The Laramie Project(Associate Writer), Drifting Elegant, Management, starring Jennifer Aniston, and Match, starring Patrick Leigh Fondakowski Stewart, the last two of which he also directed. Television credits include Rescue Me, Law & Order SVU, and pilots for F/X, Amazon, The History Channel, FTVS and ASSOCIATE WRITERS HBO. Upcoming films include O.G., starring Jeffrey Wright. Stephen Belber, Greg Pierotti, Stephen Wangh Greg Pierotti joined Tectonic Theater Project as an actor in Gross Indecency: The Three Trials of Oscar Wilde in 1996. He was an actor and an associate writer DRAMATURGS on The Laramie Project. He was co-writer of the HBO teleplay The Laramie Amanda Gronich, Sarah Lambert, John McAdams, Project, for which he and fellow company members share a Humanitas Prize and Maude Mitchell, Andy Paris, Barbara Pitts, Kelli Simpkins an Emmy nomination. He was a co-writer on Laramie: Ten Years Later. As a writer and actor with Tectonic he has performed and developed original work at La The US West World Premiere was produced by The Denver Jolla Playhouse, Denver Center, Minetta Lane, Union Square Theater, Alice Tully Hall, Brooklyn Academy of Music, Arena Stage, The Magic, The Atlantic Theatre Center Theatre Company, Donovan Marley, Artistic Director Company, Sundance Theater Lab, and NYTW’s lab at Dartmouth. He has been a in association with Tectonic Theater Project, Moisés Kaufman, master teacher of Moment Work since 2004. He was head writer on Leigh Artistic Director. Fondakowski’s The People’s Temple. He has developed his plays Apology and B More at Berkeley Repertory’s Ground Floor, The Orchard Project, The University of Originally produced in New York City at the Union Square California–Davis, and at Maison Dora Maar in Ménerbes, France, where he was a Theatre by Roy Gabay and Tectonic Theater Project in Brown Fellow. He is a nominee for the Alpert Award in the arts in the category of association with Gayle Francis and the Araca Group Associate theater. His latest research explores cross-pollinations between theater and Producers: Mara Isaacs and Hart Sharp Entertainment. anthropology. He uses theatrical devising techniques to help ethnographic writers create performance or to re-engage the empirical data they have The Laramie Project was developed in part with the support of collected in field research as they write. He is an assistant professor in the MFA of The Sundance Theatre Laboratory. generative dramaturgy at the University of Arizona. Stephen Wangh, has been a playwright, director, and teacher of acting. He is the author of An Acrobat of the Heart, a physical approach to acting inspired by the work of Jerzy Grotowski (Vintage, Random House, 2000) and of The Heart of Teaching: Empowering Students in the Performing Arts (Routledge, The Laramie Project will be performed with one ten-minute 2012). He is the author of 15 plays and was one of the writers of The People’s intermission. Temple (Glickman award: Best play in the Bay Area, 2005). He was Associate Writer for The Laramie Project (Emmy nomination 2002), and dramaturg of Time: 1998-1999 Moisés Kaufman’s Gross Indecency, the three trials of Oscar Wilde (1997). For 20 years Steve taught acting in the Experimental Theatre Wing at NYU. Then, Setting: Laramie, Wyoming for seven years he was Guest Faculty at the MFA Theater: Contemporary Performance program at Naropa University where he taught physical acting and pedagogy. THE AUTHOR’S ss is a Tony and mmy nominated director and playwriht. His by Moisés Kaufman play ariations, starrin ane Fonda, was nominated for five Tony awards The Laramie Project was written throuh a uniue includin one for Ms. Fonda. Before that, Mr. Kaufman directed the Puliter and Tony awardwinnin play I m My Own Wife, earnin him an Obie award collaboration by Tectonic Theater Project. Durin the yearand for his direction as well as Tony, Drama Desk, Outer Critics Circle, and Lucille ahalf development of the play, members of the company and Lortel nominations. His plays Gross Indecency The Three Trials of Oscar I traveled to Laramie si times to conduct interviews with the Wilde and The Laramie Project have been amon the most performed plays people of the town. We transcribed and edited the interviews, in merica over the last decade. Mr. Kaufman also directed the film then conducted several workshops in which the members of the adaptation of The Laramie Project for HBO, which was the openin niht company presented material and acted as dramaturs in the selection at the Sundance Film Festival and won the National Board of creation of the play. Review ward, the Humanitas Prie, and a Special Mention for Best First Film at the Berlin Film Festival. The film also earned Mr. Kaufman two mmy ward s the volume of material rew with each additional trip to nominations for Best Director and Best Writer. He is the rtistic Director of Laramie, a small writers roup from within the company bean Tectonic Theater Project and a Guenheim Fellow in Playwritin. Other credits include Benal Tier at the Bahdad oo Mark Taper to work closely with me to further oranie and edit the material, Forum Macbeth with Liev Schreiber Public Theater This Is How It con duct additional research in Laramie, and collaborate on Goes Donmar Warehouse One rm by Tennessee Williams Steppenwolf the writin of the play. This roup was led by Leih Fondakowski Theater Company Master Class with Rita Moreno Berkeley Repertory as Head Writer, with Stephen Belber and Gre Pierotti as Theater and Lady Windermere’s Fan Williamstown Theater Festival. ssociate Writers. e s was the head writer on The Laramie Project, a cowriter of The Laramie Project Ten Years Later, and an mmynominated co s we ot closer to the plays first production in Denver, the screenwriter for the HBO adaptation of The Laramie Project. She has been a actors, includin Stephen Belber and Gre Pierotti, turned their member of Tectonic since . Her oriinal works as playwrihtdirector focus to performance, while Leih Fondakowski continued to include SPILL Swine Palace, TimeLine Theater, nsemble Studio Theatre, work with me on drafts of the play, as did Stephen Wanh, who Kilroy List The People’s Temple Berkeley Repertory Theatre, merican Theater by then had joined us as an ssociate Writer and bench coach.” Company, the Guthrie Theater, Glickman ward for Best New Play in the Bay rea and I Think I Like Girls ncore Theater, Bay rea Critics Circle nomination for Best Production, voted one of the top ten plays of by the ’ dvocate. Leih was a recipient of the NTCG Theatre Residency Proram for Playwrihts, a MacDowell Colony Fellow, and a By essica Gaffney Distinuished isitin Chair at the University of Minnesota, where she lectured and developed Casa Cushman, a workinproress about nineteenthcentury I feel a reat deal of pride for the students who worked so merican actress Charlotte Cushman. s director, she headed the national hard to brin this production to you. This play ave us the tour of The Laramie Project and Laramie Ten Years Later and codirected The opportunity to see an event throuh different lenses and Laramie Cycle with Moisés Kaufman at the Brooklyn cademy of Music. She has directed and developed plays with playwrihts nne Marie Cummins, throuh eyes other than our own. Workin on this production Colman Domino, Laura ason, ulia ordan, Deb Marolin, Lisa Ramire, llen opened dialoue and helped the students learn to have Gordon Reeves, and Bennett Siner. In , she released her first nonfiction empathy for people with fundamentally different opinions than book, “Stories from Jonestown,” and she is currently adapting it for film. Leigh is their own. This is one of the reat powers of the theatre. a teachin artist at New Orleans Center for Creative rts and Naropa University. Thank you for bein here.

ST TST STFF irectorJessica affney ssistant irectorara artin Stephen Belber, Doc O’connor,Jamie Lane att alloway, ill cinney, Stage anagerJordan iely ndrew ome, Fred Phelps, nsemble Scenic esignerenamin WeinertLishner

manda ronich, arge urray, le effer ostume esigner Wes atchelder Trish Steger, Shadow, Sherry Johnson, Stephan ead Johnson, nsemble Sound esignerannah Schneider Lighting esignerannah Schneider eggie Flutty, ebecca illiker, ,mma osenstein aptist inister, Waitress, Props asterJordan iely aptist inisters Wife, nsemble ssistant Stage anagerJade aric oiss aufman, Phillip ubios,Troy ais cting oachJamie Lane urdock ooper, Jon Peacock, ennis Shepherd, nsemble Poster esignadden octot atie Soliniski

ndy Paris, Jedidiah Schult, oug Laws,Tyler oenig Liestream irector atie Soliniski

r, antway, att ickelson, ussel enderson, aron cinney, arry Woods, nsemble TL W reg Pierotti, Sgt. ing, ulon Stacey,ais leeland Technical SuperisorKristen O’Neil Father oger Schmidt, ob ebree, Jonas Slonaker, nsemble Scenery onstructionSterling Powers Jata ampbell arbara Pitts, atherine onolly,Dorey O’Connor Jade aric ubaida la, Sherry anenson, Lucy Thompson, mma hryst Priest, ileen ngen, nsemble icholas eeks rilyn lson Leigh Fondakowski, aron reifels,adden octot annah Schneider omaine Patterson, Tiffany dwards, ackie Salmon lison ears, nsemble Front of ouseo ffice

oments, arrator, ewsperson,ara artin uest perience oordinator athleen rton nsemble irector of Ticketinghristy rantham ST TST STFF irectorJessica affney ssistant irectorara artin Stephen Belber, Doc O’connor,Jamie Lane att alloway, ill cinney, Stage anagerJordan iely ndrew ome, Fred Phelps, nsemble Scenic esignerenamin WeinertLishner

manda ronich, arge urray, le effer ostume esigner Wes atchelder Trish Steger, Shadow, Sherry Johnson, Stephan ead Johnson, nsemble Sound esignerannah Schneider Lighting esignerannah Schneider eggie Flutty, ebecca illiker, ,mma osenstein aptist inister, Waitress, Props asterJordan iely aptist inisters Wife, nsemble ssistant Stage anagerJade aric oiss aufman, Phillip ubios,Troy ais cting oachJamie Lane urdock ooper, Jon Peacock, ennis Shepherd, nsemble Poster esignadden octot atie Soliniski

ndy Paris, Jedidiah Schult, oug Laws,Tyler oenig Liestream irector atie Soliniski

r, antway, att ickelson, ussel enderson, aron cinney, arry Woods, nsemble TL W reg Pierotti, Sgt. ing, ulon Stacey,ais leeland Technical SuperisorKristen O’Neil Father oger Schmidt, ob ebree, Jonas Slonaker, nsemble Scenery onstructionSterling Powers Jata ampbell arbara Pitts, atherine onolly,Dorey O’Connor Jade aric ubaida la, Sherry anenson, Lucy Thompson, mma hryst Priest, ileen ngen, nsemble icholas eeks rilyn lson Leigh Fondakowski, aron reifels,adden octot annah Schneider omaine Patterson, Tiffany dwards, ackie Salmon lison ears, nsemble Front of ouseo ffice

oments, arrator, ewsperson,ara artin uest perience oordinator athleen rton nsemble irector of Ticketinghristy rantham THE AUTHOR’S ss is a Tony and mmy nominated director and playwriht. His by Moisés Kaufman play ariations, starrin ane Fonda, was nominated for five Tony awards The Laramie Project was written throuh a uniue includin one for Ms. Fonda. Before that, Mr. Kaufman directed the Puliter and Tony awardwinnin play I m My Own Wife, earnin him an Obie award collaboration by Tectonic Theater Project. Durin the yearand for his direction as well as Tony, Drama Desk, Outer Critics Circle, and Lucille ahalf development of the play, members of the company and Lortel nominations. His plays Gross Indecency The Three Trials of Oscar I traveled to Laramie si times to conduct interviews with the Wilde and The Laramie Project have been amon the most performed plays people of the town. We transcribed and edited the interviews, in merica over the last decade. Mr. Kaufman also directed the film then conducted several workshops in which the members of the adaptation of The Laramie Project for HBO, which was the openin niht company presented material and acted as dramaturs in the selection at the Sundance Film Festival and won the National Board of creation of the play. Review ward, the Humanitas Prie, and a Special Mention for Best First Film at the Berlin Film Festival. The film also earned Mr. Kaufman two mmy ward s the volume of material rew with each additional trip to nominations for Best Director and Best Writer. He is the rtistic Director of Laramie, a small writers roup from within the company bean Tectonic Theater Project and a Guenheim Fellow in Playwritin. Other credits include Benal Tier at the Bahdad oo Mark Taper to work closely with me to further oranie and edit the material, Forum Macbeth with Liev Schreiber Public Theater This Is How It con duct additional research in Laramie, and collaborate on Goes Donmar Warehouse One rm by Tennessee Williams Steppenwolf the writin of the play. This roup was led by Leih Fondakowski Theater Company Master Class with Rita Moreno Berkeley Repertory as Head Writer, with Stephen Belber and Gre Pierotti as Theater and Lady Windermere’s Fan Williamstown Theater Festival. ssociate Writers. e s was the head writer on The Laramie Project, a cowriter of The Laramie Project Ten Years Later, and an mmynominated co s we ot closer to the plays first production in Denver, the screenwriter for the HBO adaptation of The Laramie Project. She has been a actors, includin Stephen Belber and Gre Pierotti, turned their member of Tectonic since . Her oriinal works as playwrihtdirector focus to performance, while Leih Fondakowski continued to include SPILL Swine Palace, TimeLine Theater, nsemble Studio Theatre, work with me on drafts of the play, as did Stephen Wanh, who Kilroy List The People’s Temple Berkeley Repertory Theatre, merican Theater by then had joined us as an ssociate Writer and bench coach.” Company, the Guthrie Theater, Glickman ward for Best New Play in the Bay rea and I Think I Like Girls ncore Theater, Bay rea Critics Circle nomination for Best Production, voted one of the top ten plays of by the ’ dvocate. Leih was a recipient of the NTCG Theatre Residency Proram for Playwrihts, a MacDowell Colony Fellow, and a By essica Gaffney Distinuished isitin Chair at the University of Minnesota, where she lectured and developed Casa Cushman, a workinproress about nineteenthcentury I feel a reat deal of pride for the students who worked so merican actress Charlotte Cushman. s director, she headed the national hard to brin this production to you. This play ave us the tour of The Laramie Project and Laramie Ten Years Later and codirected The opportunity to see an event throuh different lenses and Laramie Cycle with Moisés Kaufman at the Brooklyn cademy of Music. She has directed and developed plays with playwrihts nne Marie Cummins, throuh eyes other than our own. Workin on this production Colman Domino, Laura ason, ulia ordan, Deb Marolin, Lisa Ramire, llen opened dialoue and helped the students learn to have Gordon Reeves, and Bennett Siner. In , she released her first nonfiction empathy for people with fundamentally different opinions than book, “Stories from Jonestown,” and she is currently adapting it for film. Leigh is their own. This is one of the reat powers of the theatre. a teachin artist at New Orleans Center for Creative rts and Naropa University. Thank you for bein here.

Stephen Belber’s plays have been produced on Broadway and in over 25 countries. They include Match, Tape, Don’t Go Gentle, Dusk Rings a THE LARAMIE PROJECT Bell, McReele, Finally, Geometry of Fire, Fault Lines, Carol Mulroney, A Small, Melodramatic Story, One Million Butterflies, The Power of Duff and The Muscles In by Moisés Kaufman Our Toes. Theaters where he has been produced include Roundabout, Atlantic, MCC, Primary Stages, Naked Angels, Labyrinth, Rattlestick, The Huntington and and the Members of Tectonic Theater Project The Geffen. He was an Associate Writer on The Laramie Project, and co-writer on The Laramie Project: Ten Years Later. Movies include Tape (directed by HEAD WRITER Richard Linklater), The Laramie Project(Associate Writer), Drifting Elegant, Management, starring Jennifer Aniston, and Match, starring Patrick Leigh Fondakowski Stewart, the last two of which he also directed. Television credits include Rescue Me, Law & Order SVU, and pilots for F/X, Amazon, The History Channel, FTVS and ASSOCIATE WRITERS HBO. Upcoming films include O.G., starring Jeffrey Wright. Stephen Belber, Greg Pierotti, Stephen Wangh Greg Pierotti joined Tectonic Theater Project as an actor in Gross Indecency: The Three Trials of Oscar Wilde in 1996. He was an actor and an associate writer DRAMATURGS on The Laramie Project. He was co-writer of the HBO teleplay The Laramie Amanda Gronich, Sarah Lambert, John McAdams, Project, for which he and fellow company members share a Humanitas Prize and Maude Mitchell, Andy Paris, Barbara Pitts, Kelli Simpkins an Emmy nomination. He was a co-writer on Laramie: Ten Years Later. As a writer and actor with Tectonic he has performed and developed original work at La The US West World Premiere was produced by The Denver Jolla Playhouse, Denver Center, Minetta Lane, Union Square Theater, Alice Tully Hall, Brooklyn Academy of Music, Arena Stage, The Magic, The Atlantic Theatre Center Theatre Company, Donovan Marley, Artistic Director Company, Sundance Theater Lab, and NYTW’s lab at Dartmouth. He has been a in association with Tectonic Theater Project, Moisés Kaufman, master teacher of Moment Work since 2004. He was head writer on Leigh Artistic Director. Fondakowski’s The People’s Temple. He has developed his plays Apology and B More at Berkeley Repertory’s Ground Floor, The Orchard Project, The University of Originally produced in New York City at the Union Square California–Davis, and at Maison Dora Maar in Ménerbes, France, where he was a Theatre by Roy Gabay and Tectonic Theater Project in Brown Fellow. He is a nominee for the Alpert Award in the arts in the category of association with Gayle Francis and the Araca Group Associate theater. His latest research explores cross-pollinations between theater and Producers: Mara Isaacs and Hart Sharp Entertainment. anthropology. He uses theatrical devising techniques to help ethnographic writers create performance or to re-engage the empirical data they have The Laramie Project was developed in part with the support of collected in field research as they write. He is an assistant professor in the MFA of The Sundance Theatre Laboratory. generative dramaturgy at the University of Arizona. Stephen Wangh, has been a playwright, director, and teacher of acting. He is the author of An Acrobat of the Heart, a physical approach to acting inspired by the work of Jerzy Grotowski (Vintage, Random House, 2000) and of The Heart of Teaching: Empowering Students in the Performing Arts (Routledge, The Laramie Project will be performed with one ten-minute 2012). He is the author of 15 plays and was one of the writers of The People’s intermission. Temple (Glickman award: Best play in the Bay Area, 2005). He was Associate Writer for The Laramie Project (Emmy nomination 2002), and dramaturg of Time: 1998-1999 Moisés Kaufman’s Gross Indecency, the three trials of Oscar Wilde (1997). For 20 years Steve taught acting in the Experimental Theatre Wing at NYU. Then, Setting: Laramie, Wyoming for seven years he was Guest Faculty at the MFA Theater: Contemporary Performance program at Naropa University where he taught physical acting and pedagogy.

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