London and New York in the 21St Century
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STORM KING ART CENTER ORAL HISTORY PROGRAM DAVID COLLENS January 23, 2018 July 18, 2018 July 31, 2018 August 13, 2018 August 22, 2018 Interviewed by Sarah Dziedzic Storm King Oral History 007 © 2018 Storm King Art Center Use of Oral Histories in the Storm King Art Center Archives The Storm King Art Center Archives welcomes non-commercial use of the Oral History Program Special Collection in accordance with the Storm King Archives Use and Reproduction Policy [provide link.] The following transcript is the result of a recorded oral history interview. The recording is transcribed, lightly edited for continuity and clarity, and reviewed by the person interviewed and the interviewer. The reader is asked to bear in mind that this is a transcript of the spoken word, rather than written prose. The Archives requires that researchers give proper credit when citing oral histories, including Oral history interview with ___________ (date of interview), pages _____, Oral History Program, Storm King Art Center Archives. Only the transcript may be used for citations. The recordings associated with this interview may be made available upon request. Timestamps corresponding with original audio files are included in the transcript at one-minute intervals. For commercial use of any sort, including reproduction, quotation, publication, and broadcast in any medium, distribution, derivative works, public performance, and public display, prior written permission must be obtained from the Storm King Art Center Archives. Permission will comply with any agreements made with the person interviewed and the interviewer and may be withheld in Storm King’s sole determination. Please contact the Storm King Art Center Archives with any questions or requests at [email protected] Thank you! Support for Storm King Art Center’s Oral History Program and Archival Program is made possible by generous lead support from the Henry Luce Foundation. -
M^Jwaww* Department of Parks ^ City of New York Trtf Arsenal, Central Park I VI
524 3/21/68 Plans for St. Janes Golden Age Center Revealed 525 3/21/68 Press Memorandum: Park Department Heroes Set Awards from Heckscher 526 3/22/68 Dyefcman House Closed for Refurbishing 527 3/25/68 Heoksoher Gives Awards to Park Department Heroes 528 3/26/68 Diane Wolkstein Storytelling 529 3/26/68 City Golf Course Opens Saturday 530 3/26/68 Schedule of Speoial Danoe Performances for Pre-Sohool Children and Parents 531 3/27/68 Soap Box Entrants to Visit the International Auto Show 532 3/28/68 Circus Comes to Central Park 533 3/28/68 Press Memrandum: Lindsay, Heoksoher Open New Playground 534 3/28/68 Buffalo Bill born to Mary and Louie Buffalo 535 4/5/68 Third Annual Brooklyn Kite Plying Contest 536 3/28/68 First Bike Train Heads for Southampton on May 5th 537 3/29/68 Danoe Classes to be Held 538 3/29/68 Award Contract to Install Portable Swimming Pools 539 3/29/68 Bioyole Demonstration 540 4/1/68 Lindsay, Heoksoher Open Jointly Operated Playground P$£tbb 541 4/8/68 Egg Rolling Contest } 542 4/11/68 Commissioner Heoksoher Leads Hike through Indian Territory on April 20th 543 4/11/68 Wave Hill Nature Walks 544 4/11/68 Parks Department Initiates Jogging Programs 545 4/12/68 Alfred E. Smith Creative Arts Workshop to Hold Exhibit 546 4/12/68 Three Baby Raccoons at Central Park Zoo 547 548 4/17/68 Commissioner Heoksoher Leads Hike through Indian Territory on April 20th (AMENDED) 549 550 4/22/68 New Sculpture to be Installed at 59th Street and Fifth Avenue M^jwaww* Department of Parks ^ City of New York TrtF Arsenal, Central Park I VI UPON RECEIPT PLANS FOR ST. -
Minimal Art and Body Politics in New York City, 1961-1975 By
Minimal Art and Body Politics in New York City, 1961-1975 by Christopher M. Ketcham M.A. Art History, Tufts University, 2009 B.A. Art History, The George Washington University, 1998 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ARCHITECTURE: HISTORY AND THEORY OF ART AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER 2018 © 2018 Christopher M. Ketcham. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author:__________________________________________________ Department of Architecture August 10, 2018 Certified by:________________________________________________________ Caroline A. Jones Professor of the History of Art Thesis Supervisor Accepted by:_______________________________________________________ Professor Sheila Kennedy Chair of the Committee on Graduate Students Department of Architecture 2 Dissertation Committee: Caroline A. Jones, PhD Professor of the History of Art Massachusetts Institute of Technology Chair Mark Jarzombek, PhD Professor of the History and Theory of Architecture Massachusetts Institute of Technology Tom McDonough, PhD Associate Professor of Art History Binghamton University 3 4 Minimal Art and Body Politics in New York City, 1961-1975 by Christopher M. Ketcham Submitted to the Department of Architecture on August 10, 2018 in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Architecture: History and Theory of Art ABSTRACT In the mid-1960s, the artists who would come to occupy the center of minimal art’s canon were engaged with the city as a site and source of work. -
42671968 Press Releases Part4.Pdf
1743 Large Sculpture Exhibited at 60th Street and Fifth Ave, 744 Halloween Stilt Walk on Central Park Mall 10/l6/68 745 lee Hookey Clinics at the Lastor Hink 10/2l/68 746 Paseo de Sanoos en el Parque Central 10/22/68 747 Baby Llama born on October 17th 10/22/68 748 Closing of Children's Zoo in Central Park 10/23/68 749 David Vasques - Olympic Contender 10/24/68 750 Inergeney Meeting Of Cultural Institutions 10/25/68 Schedule 7S0A Cultural Institutions Waive Fees and/special Programs H/4/68 751 Celebration Of 29th Street Mural H/4/68 752 Giant Tinker Toys in Central Park 753 Publio and Private Cultural Institutions Expand Programs 11/8/68 During School Crisie Department of Cultural Affairs CityofNewYork Administration of Parks, Recreation and Cultural Affairs Arsenal, Central Park 10021 UPON RECEIPT LARGE SCULPTURE TO BE EXHIBITED AT 60TH STREET AND FIFTH AVE. "NEW YORK I", a large abstract sculpture by Anthony Padovano, will be installed at 60th Street and Fifth Avenue on Thursday, October 17th at 11:00 a. m, announced August Heckscher, Administrator of Parks, Recreation and Cultural Affairs. Made of plywood, epoxy resin and enamel, the work measures 12* X 201 X 10' and is painted ultra-marine blue. Sculptor Padovano was born in New York City in 1933. He is represented by the Bertha Schaefer Gallery where he had a one-man show in 1967. Currently, he is exhibiting with the painter, Paul Georges, at the Galerie Simonne Stern, New Orleans. Mr. Padovano has works in the Whitney Museum of American Art and many other important public and private collections. -
402 403 404 405 406 408 409 418 425 426 Press Memorandum
400 8/22/67 Press Memorandum, artiole by Arthur Rosenblatt 401 8/22/67 .Riverside Festival 402 8/23/67 U.S. Military Academy Band to appear at Central Park 403 8/23/67 Balloon Event in Sheep Meadow 404 8/25/67 Soccer Game Rescheduled 405 406 8/25/67 Groundbreaking for Coney Island Skating Rink 8/28/67 Fact Sheet 407 8/20/67 Carnival for Senior Citizens 408 8/29/67 Rain Dates for Special Programs 409 410 8/29/67 Miss Harlem Festival Rescheduled 411 8/31/67 Skating Starts in September 412 8/31/67 6th Annual Model Sailboat Regatta 413 9/1/67 Operation High Hopes Dance Group to perform in Parks 414 9/7/67 Commissioner Heckscher to tour Scandinavian Parks 415 9/7/67 Beach and Outdoor Pools closed for Winter 416 9/11/67 Registration open for Chalk Carpet of Color Contest 417 9/11/67 "A Night of Magic Under the Stars" 418 9/11/67 Locations for City's Outdoor Sculpture Show 419/ 0/12/67 Neon Sculptress illuminates sculpture show 420 9/13/67 U.S.H.A. Handball Tourney scheduled 421 422 p/18/67 Staten Island Family Day 423 9/18/67 Senior Citizens Carnival 424 o/l8/67 The Gospel Sound comes to Central Park 425 0/19/67 Greek Drama at Delacorte Theatre 426 9/21/67 Hootenany in Central Park for Hospital Patients 427 P/22/67 Ancient Potsherds & Biblical Animals: Israeli Traditions come to Central Park 428 9/28/67 Rock and Roll Talent Shows to be continued through October 429 430 9/28/67 Hula Hoop Contest 431 9/26/67 Have Tambourine, will travel 432 9/27/67 Stilt-walking Event in Central Park 433 9/28/67 Two-hand Touch Football Tournament Revived 434 9/29/67 -
The Outdoor Murals of Richard Haas: History, Challenges and Strategies for Preservation
THE OUTDOOR MURALS OF RICHARD HAAS: HISTORY, CHALLENGES AND STRATEGIES FOR PRESERVATION Kenisha R. Thomas Submitted in partial fulfillment of the requirement for the degree Master of Science in Historic Preservation Graduate School of Architecture, Planning and Preservation Columbia University February 2013 Table of Contents Abstract ....................................................................................................................................................... iv Illustration Index .......................................................................................................................................... v Acknowledgements ..................................................................................................................................... vi Introduction .................................................................................................................................................. 7 Chapter One: Richard Haas A. Artist History ..................................................................................................................................... 12 B. New York and the Historic Preservation Movement ........................................................................ 19 C. What Made Haas’ Murals Possible? ................................................................................................. 24 D. His Works ......................................................................................................................................... -
Oral History Interview with Richard Haas, 2009 Jan. 13 and Mar. 16
Oral history interview with Richard Haas, 2009 Jan. 13 and Mar. 16 Funding for this interview was provided by the U.S. General Services Administration, Design Excellence and the Arts. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Richard Haas on January 13, January25, March 5, and March 16, 2009. The interview took place at the studio of Richard Haas in NY, and was conducted by Avis Berman for the Archives of American Art, Smithsonian Institution. This interview is part of the U.S. General Services Administration, Design Excellence and the Arts project. Richard Haas and Avis Berman have reviewed the transcript and have made corrections and emendations. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview AVIS BERMAN: This is Avis Berman interviewing Richard Haas for the GSA [General Services Administration], Archives of American Art Oral History Project, on January 13, 2009, in his studio on West 36th Street. Would you please state your full name and date of birth? RICHARD HAAS: Richard John Haas. Born August 29, 1936, in Spring Green, Wisconsin. AVIS BERMAN: Allright. Spring Green, Wisconsin, of course, is very famous because of Frank Lloyd Wright. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Appropriating Abandonment: DIY Urbanism, Real Estate, and Community Gardening in New York City A Dissertation Presented by Adam Charboneau to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Stony Brook University August 2016 Copyright by Adam Charboneau 2016 Stony Brook University The Graduate School Adam Charboneau We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Wilbur R. Miller – Dissertation Advisor Professor of History, Department of History Christopher Sellers - Chairperson of Defense Professor of History, Department of History Nancy Tomes Distinguished Professor of History, Department of History Themis Chronopoulos Lecturer in American Studies, University of East Anglia, UK This dissertation is accepted by the Graduate School Nancy Goroff Interim Dean of the Graduate School ii Abstract of the Dissertation Appropriating Abandonment: DIY Urbanism, Real Estate, and Community Gardening in New York City by Adam Charboneau Doctor of Philosophy in History Stony Brook University 2016 Do-It-Yourself urbanism, a catchall phrase for bottom-up city-building, is theorized as a set of movements—from guerrilla gardening and urban homesteading to pop-up skateboard parks and critical mass cycling—that allow everyday individuals to reimagine the city as an oeuvre—a work. -
Interviews with the Former Chairs of Nyc's
LEADING THE COMMISSION: INTERVIEWS WITH THE FORMER CHAIRS OF NYC'S LANDMARKS PRESERVATION COMMISSION The Reminiscences of Laurie Beckelman © 2011 New York Preservation Archive Project PREFACE The following oral history is the result of a recorded interview with Laurie Beckelman conducted by Interviewer Liz McEnaney in 2011. This interview is part of the Leading the Commission: Interviews with the Former Chairs of NYC's Landmarks Preservation Commission oral history project. The reader is asked to bear in mind that s/he is reading a verbatim transcript of the spoken word, rather than written prose. The views expressed in this oral history interview do not necessarily reflect the views of the New York Preservation Archive Project. Laurie Beckelman first became involved in preservation while working for Kent Barwick at the Municipal Art Society. She continued her career of advocacy, as the executive director of New York Landmarks Conservancy before being appointed to chair the Landmarks Preservation Commission [LPC] in 1990. She speaks about the challenges facing the LPC at this time, such as maintaining itself as a separate agency. When setting her agenda as LPC chair, she emphasized designating Modernism, raising public awareness of preservation, and preserving areas and neighborhoods that had previously been overlooked, such as the Jackson Heights neighborhood in Queens. She also describes the change to working with the New York City Council, after the New York City Board of Estimate was dissolved, and the new issues it raised. She involved the LPC in several high profile cases, including Dvorak House, the African Burial Ground, and the Trans World Airlines Terminal. -
40 Years of Public Art in New York City Parks
e e h h T Outdoor Gallery T Outdoor Gallery Years of Public Art Years of Public Art 40in New York City Parks 40in New York City Parks Exhibition: September 13 – November 23, 2007 The Arsenal Gallery, Arsenal, Central Park Fifth Avenue at East 64th Street, 3rd Floor Curated by Jonathan Kuhn Gallery Hours: Monday – Friday, 9:00 A.M. – 5:00 P.M. Closed holidays For information: call 311 or visit www.nyc.gov/parks City of New York Parks & Recreation Michael R. Bloomberg, Mayor Patricia E. Harris, Deputy Mayor Adrian Benepe, Commissioner, Parks & Recreation Kate Levin, Commissioner, Cultural Affairs The Outdoor Gallery Years of Public Art 40in New York City Parks City of New York Parks & Recreation Michael R. Bloomberg, Mayor Patricia E. Harris, First Deputy Mayor Adrian Benepe, Commissioner, Parks & Recreation Kate Levin, Commissioner, Cultural Affairs New York City is known for its unsurpassed creative energy, as well as its beautiful parks and green spaces. In 1967 the New York City Parks Department combined these two quintessentially New York characteristics when it debuted its first major outdoor group exhibition of contemporary sculpture, entitled Sculpture in Environment, organized by Doris C. Freedman. Since then, the Parks Department has hosted over 1,000 September 2007 The City of New York Office of the Mayor temporary exhibitions in the city’s open spaces, from Henry Moore in the Parks to The Gates. The range of New York, N.Y. 10007 work on display has been vibrant and stunningly democratic, embracing the world’s most revered artists – as Dear Friends: well as its most trail-blazing newcomers. -
2020 Complete Resume/Map Copy
D o n a l d L i p s k i Education 1970 BA, University of Wisconsin, Madison; American History 1973 MFA, Cranbrook Academy of Art, Michigan Awards 2015 -Scholastic Art & Writing Awards’ Alumni Achievement Award 2013 -Distinguished Alumni Award -Cranbrook Academy of Art, 2000 -The Rome Prize, American Academy in Rome 1993 -Academy Award, American Academy of Arts and Letters 1990 -National Endowment For the Arts (Sculpture) 1988 -Guggenheim Fellowship 1984 -National Endowment For the Arts (Sculpture) -New York Foundation on the Arts Fellowship -Awards in the Visual Arts 1978 -National Endowment For the Arts (Conceptual Art) 1965 -Scholastic Art Award Public Commissions Public Commissions 2019 -The Aviator, Phoenix Sky Harbor Airport, Terminal 3 -The Three Clans, Penn Treaty Park, Philadelphia, PA 2018 -Spot, NYU-Langone Hassenfeld Children’s Hospital, New York -The Nest, Seton Recreational Facility, Calgary, Alberta -The Canoes, Lesner Bridge, Virginia Beach, VA 2016 -Down Periscope, Buffalo Bayou Park, Houston, TX -The Cloud, El Paso, TX 2013 -The Ship of Pearl, St Paul’s Cathedral, Boston -Candy Box, Pinnacle Bank Arena, Lincoln, NE -Hiding My Candy, New Central Library, San Diego, CA 2012 -rebiLace, Hartsfield-Jackson Atlanta International Airport, GA -Time Piece, LA Metro Terminal, El Monte, California 2011 -Acorn Steam, Sacramento International Airport, CA 2010 -Psyche, Auraria Campus, Denver, CO -Jackson, Reno, Nevada Regional Bus Terminal 2009 -The Ziz, Goodyear Ball Park, Goodyear, AZ -F.I.S.H., The River Walk, San Antonio, TX 2008