DOCSLIB.ORG

Nothing Compares 2 U Original Key Oboe Sheet Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nothing Compares 2 U Original Key Oboe Sheet Music Nothing Compares 2 U Original Key Oboe Sheet Music Download nothing compares 2 u original key oboe sheet music pdf now available in our library. We give you 1 pages partial preview of nothing compares 2 u original key oboe sheet music that you can try for free. This music notes has been read 2773 times and last read at 2021-09-29 10:22:13. In order to continue read the entire sheet music of nothing compares 2 u original key oboe you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Oboe Solo Ensemble: Mixed Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Nothing Compares 2 U Original Key Cello Nothing Compares 2 U Original Key Cello sheet music has been read 2773 times. Nothing compares 2 u original key cello arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-25 18:31:29. [ Read More ] Nothing Compares 2 U Original Key Bari Sax Nothing Compares 2 U Original Key Bari Sax sheet music has been read 2652 times. Nothing compares 2 u original key bari sax arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 12:28:55. [ Read More ] Nothing Compares 2 U Easy Key Of C Oboe Nothing Compares 2 U Easy Key Of C Oboe sheet music has been read 2553 times. Nothing compares 2 u easy key of c oboe arrangement is for Beginning level. The music notes has 1 preview and last read at 2021-09-29 16:46:01. [ Read More ] Nothing Compares 2 U W Lyrics Oboe Nothing Compares 2 U W Lyrics Oboe sheet music has been read 2465 times. Nothing compares 2 u w lyrics oboe arrangement is for Early Intermediate level. The music notes has 1 preview and last read at 2021-09-29 02:32:58. [ Read More ] Nothing Compares 2 U Original Key Soprano Sax Nothing Compares 2 U Original Key Soprano Sax sheet music has been read 2377 times. Nothing compares 2 u original key soprano sax arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-28 13:02:47. [ Read More ] Nothing Compares 2 U Original Key Horn In F Nothing Compares 2 U Original Key Horn In F sheet music has been read 2586 times. Nothing compares 2 u original key horn in f arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 15:22:20. [ Read More ] Nothing Compares 2 U Original Key Trombone Nothing Compares 2 U Original Key Trombone sheet music has been read 2509 times. Nothing compares 2 u original key trombone arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 14:04:25. [ Read More ] Nothing Compares 2 U Original Key Trumpet Nothing Compares 2 U Original Key Trumpet sheet music has been read 4247 times. Nothing compares 2 u original key trumpet arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-29 19:29:39. [ Read More ] Nothing Compares 2 U Original Key Viola Nothing Compares 2 U Original Key Viola sheet music has been read 2366 times. Nothing compares 2 u original key viola arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 12:55:23. [ Read More ] Nothing Compares 2 U Original Key Tenor Sax Nothing Compares 2 U Original Key Tenor Sax sheet music has been read 3708 times. Nothing compares 2 u original key tenor sax arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 00:57:40. [ Read More ] Nothing Compares 2 U Original Key Alto Sax Nothing Compares 2 U Original Key Alto Sax sheet music has been read 2476 times. Nothing compares 2 u original key alto sax arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 07:22:21. [ Read More ] Nothing Compares 2 U Original Key Bassoon Nothing Compares 2 U Original Key Bassoon sheet music has been read 2498 times. Nothing compares 2 u original key bassoon arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 05:50:01. [ Read More ] Nothing Compares 2 U Original Key Clarinet Nothing Compares 2 U Original Key Clarinet sheet music has been read 2443 times. Nothing compares 2 u original key clarinet arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 07:41:27. [ Read More ] Nothing Compares 2 U Original Key Violin Nothing Compares 2 U Original Key Violin sheet music has been read 2377 times. Nothing compares 2 u original key violin arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 13:58:33. [ Read More ] Nothing Compares 2 U Original Key Euphonium Nothing Compares 2 U Original Key Euphonium sheet music has been read 3015 times. Nothing compares 2 u original key euphonium arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 07:28:12. [ Read More ] Nothing Compares 2 U Original Key Flute Nothing Compares 2 U Original Key Flute sheet music has been read 3004 times. Nothing compares 2 u original key flute arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 09:43:43. [ Read More ] Nothing Compares 2 U Original Key Tuba Nothing Compares 2 U Original Key Tuba sheet music has been read 2949 times. Nothing compares 2 u original key tuba arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 13:42:10. [ Read More ] Nothing Compares 2 U Nothing Compares 2 U sheet music has been read 3917 times. Nothing compares 2 u arrangement is for Early Intermediate level. The music notes has 1 preview and last read at 2021-09-29 22:07:55. [ Read More ] Nothing Compares 2 U W Lyrics Cello Nothing Compares 2 U W Lyrics Cello sheet music has been read 3147 times. Nothing compares 2 u w lyrics cello arrangement is for Early Intermediate level. The music notes has 1 preview and last read at 2021-09-30 14:49:19. [ Read More ] Nothing Compares 2 U Easy Key Of C Cello Nothing Compares 2 U Easy Key Of C Cello sheet music has been read 6568 times. Nothing compares 2 u easy key of c cello arrangement is for Beginning level. The music notes has 1 preview and last read at 2021-09-30 14:14:50. [ Read More ] Nothing Compares Anthem Orchestration Nothing Compares Anthem Orchestration sheet music has been read 3004 times. Nothing compares anthem orchestration arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-30 10:29:16. [ Read More ] Nothing Compares 2 U W Lyrics Bari Sax Nothing Compares 2 U W Lyrics Bari Sax sheet music has been read 2828 times. Nothing compares 2 u w lyrics bari sax arrangement is for Early Intermediate level. The music notes has 1 preview and last read at 2021-09-28 09:47:24. [ Read More ] Nothing Compares 2 U Bari Sax Solo Nothing Compares 2 U Bari Sax Solo sheet music has been read 2773 times. Nothing compares 2 u bari sax solo arrangement is for Advanced level. The music notes has 1 preview and last read at 2021-09-30 13:03:31. [ Read More ] Nothing Compares 2 U Easy Key Of C Bari Sax Nothing Compares 2 U Easy Key Of C Bari Sax sheet music has been read 2619 times. Nothing compares 2 u easy key of c bari sax arrangement is for Beginning level. The music notes has 1 preview and last read at 2021-09-30 08:31:43. [ Read More ] Nothing Compares Anthem Vocal Score Nothing Compares Anthem Vocal Score sheet music has been read 2971 times. Nothing compares anthem vocal score arrangement is for Intermediate level. The music notes has 3 preview and last read at 2021-09-30 08:58:03. [ Read More ] How Deep Is Your Love Saturday Night Fever Original Key Oboe How Deep Is Your Love Saturday Night Fever Original Key Oboe sheet music has been read 3620 times. How deep is your love saturday night fever original key oboe arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 04:19:50. [ Read More ] Oboe Dreams 12 Original Compositions Oboe Dreams 12 Original Compositions sheet music has been read 3400 times. Oboe dreams 12 original compositions arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-29 19:30:48. [ Read More ] The Christmas Song Chestnuts Roasting On An Open Fire Original Key Oboe The Christmas Song Chestnuts Roasting On An Open Fire Original Key Oboe sheet music has been read 3642 times. The christmas song chestnuts roasting on an open fire original key oboe arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 09:08:04. [ Read More ] Its So Hard To Say Goodbye To Yesterday Original Key Oboe Its So Hard To Say Goodbye To Yesterday Original Key Oboe sheet music has been read 3323 times.
Load more

Recommended publications
  • Recommended Solos and Ensembles Tenor Trombone Solos Sång Till
    Recommended Solos and Ensembles Tenor Trombone Solos Sång till Lotta, Jan Sandström. Edition Tarrodi: Stockholm, Sweden, 1991. Trombone and piano. Requires modest range (F – g flat1), well-developed lyricism, and musicianship. There are two versions of this piece, this and another that is scored a minor third higher. Written dynamics are minimal. Although phrases and slurs are not indicated, it is a SONG…encourage legato tonguing! Stephan Schulz, bass trombonist of the Berlin Philharmonic, gives a great performance of this work on YouTube - http://www.youtube.com/watch?v=Mn8569oTBg8. A Winter’s Night, Kevin McKee, 2011. Available from the composer, www.kevinmckeemusic.com. Trombone and piano. Explores the relative minor of three keys, easy rhythms, keys, range (A – g1, ossia to b flat1). There is a fine recording of this work on his web site. Trombone Sonata, Gordon Jacob. Emerson Edition: Yorkshire, England, 1979. Trombone and piano. There are no real difficult rhythms or technical considerations in this work, which lasts about 7 minutes. There is tenor clef used throughout the second movement, and it switches between bass and tenor in the last movement. Range is F – b flat1. Recorded by Dr. Ron Babcock on his CD Trombone Treasures, and available at Hickey’s Music, www.hickeys.com. Divertimento, Edward Gregson. Chappell Music: London, 1968. Trombone and piano. Three movements, range is modest (G-g#1, ossia a1), bass clef throughout. Some mixed meter. Requires a mute, glissandi, and ad. lib. flutter tonguing. Recorded by Brett Baker on his CD The World of Trombone, volume 1, and can be purchased at http://www.brettbaker.co.uk/downloads/product=download-world-of-the- trombone-volume-1-brett-baker.
    [Show full text]
  • TANGLEWOOD MUSIC CENTER FELLOWS GEORGE BENJAMIN, Conductor
    Monday, August 12, 8 p.m. Florence Gould Auditorium, Seiji Ozawa Hall TANGLEWOOD MUSIC CENTER FELLOWS GEORGE BENJAMIN, conductor GEORGE BENJAMIN Written on Skin (2009-12; U.S. premiere) Opera in Three Parts after the anonymous 13th century razo “Guillem de Cabestanh—Le Coeur Mangé” Text by Martin Crimp Concert performance Agnès.......................LAURENSNOUFFER,soprano Protector . .EVAN HUGHES, bass-baritone* Angel 1/Boy . .AUGUSTINE MERCANTE, countertenor Angel 2/Marie . .TAMMY COIL, mezzo-soprano Angel3/John...........................ISAIAHBELL,tenor Opera activities at Tanglewood are supported by a grant from the Geoffrey C. Hughes Foundation and the Tanglewood Music Center Opera Fund. *Guest artist George Benjamin (b.1960) Written on Skin, Opera in Three Parts (2009-12) SYNOPSIS by Martin Crimp Part One I. Chorus of Angels “Erase the Saturday car-park from the market place—fade out the living—snap back the dead to life.” A Chorus of Angels takes us back 800 years, to a time when every book is a precious object “written on skin”. They bring to life two of the story’s protagonists: the Protector, a wealthy and intelligent landowner “addicted to purity and violence,” and his obedient wife—his “property” —Agnès. One of the angels then transforms into the third protagonist— “the Boy”—an illuminator of manuscripts. II. The Protector, Agnès and the Boy In front of his wife, the Protector asks the Boy to celebrate his life and good deeds in an illuminated book. It should show his enemies in Hell, and his own family in Paradise. As proof of his skill the Boy shows the Protector a flattering miniature of a rich and merciful man.
    [Show full text]
  • Bass Drum Journal May 2018 of the Harvard University B and Vol
    the bAss Drum JournAl May 2018 of the hArvArD university b AnD Vol. 98 No. 1 three Cheers for 100 yeArs ne of the really special things to me about the band is our Ohistory and the traditions that have emerged from it. When I was interviewing everyone running for junior staff, I asked each of them what their favorite silly band tradition was. I originally intended this to reduce tension and allow any nervous freshmen to relax with an easy frst question, but the responses I received highlighted many of the wonderful aspects of band. My most shocking takeaway from that question was that no two people had the same answer. All 24 people who were interviewed each had The Band caroling in downTown BosTon To spread The holiday spiriT a unique favorite tradition. While many we lead the band into its 100th year, answers were the ones I would expect: as many playing the bottle cheer. Looking maintaining its history and adding to it march down, flower/flour, confetti, forward, planning for the 100th Reunion is while we go. I’ve loved working with verse 2, cuts, and Bagpipes, there well underway. The reunion will take place on you all these past six months, and I were also many traditions the weekend of October 12th, 2019 when our have no doubts that you will all be great I had never even thought football team takes on Cornell. We’d love going forward and make the band even of, such as the trumpets to have as many crusts as possible, and I better.
    [Show full text]
  • TC 1-19.30 Percussion Techniques
    TC 1-19.30 Percussion Techniques JULY 2018 DISTRIBUTION RESTRICTION: Approved for public release: distribution is unlimited. Headquarters, Department of the Army This publication is available at the Army Publishing Directorate site (https://armypubs.army.mil), and the Central Army Registry site (https://atiam.train.army.mil/catalog/dashboard) *TC 1-19.30 (TC 12-43) Training Circular Headquarters No. 1-19.30 Department of the Army Washington, DC, 25 July 2018 Percussion Techniques Contents Page PREFACE................................................................................................................... vii INTRODUCTION ......................................................................................................... xi Chapter 1 BASIC PRINCIPLES OF PERCUSSION PLAYING ................................................. 1-1 History ........................................................................................................................ 1-1 Definitions .................................................................................................................. 1-1 Total Percussionist .................................................................................................... 1-1 General Rules for Percussion Performance .............................................................. 1-2 Chapter 2 SNARE DRUM .......................................................................................................... 2-1 Snare Drum: Physical Composition and Construction .............................................
    [Show full text]
  • T19i EVOLUTION of the ROLE of the SOLO TROMBONE in THE
    t19I A/o.80 EVOLUTION OF THE ROLE OF THE SOLO TROMBONE IN THE NINETEENTH AND TWENTIETH CENTURIES DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS By Karl G. Hinterbichler, B.M., M.M. Denton, Texas May, 1974 Hinterbichler, Karl G., Evolution of the Role of the Solo Trombone in the Nineteenth and Twentieth Centuries.: A Lecture Recital, Together with Three Recitals of Selected Works of Frescobaldi, White, Druckman, Jones, Baecher, Ott and Others. Doctor of Musical Arts, May, 1974, 43 pp., 18 illustrations, b bliography, 67 titles. The evolution of the role of the trombone as a solo instrument in the nineteenth and twentieth centuries can be traced most effectively through four schools of playing, with the music of today's avant-garde being a logical historical culmination of these four schools. It will be demons t rated that the avant-garde's use of the solo trombone has merely continued the evolutionary process started in the early nineteenth century. The contribution of the early nineteenth-century virtuosi was the establishment of the idea that the trombone could compete on its own terms with other instruments as a solo instrument. In addition to expanding the technical capabilities, they also left a basic solo repertoir. With the death of the virtuosi the trombone as a solo instrument went into a decline. For the remainder of the nineteenth century and well into the twentieth century the Paris Conservatoire was influential. Standards of solo performance were )rou ht to new heights by exclecnt study material and contest solos.
    [Show full text]
  • How to Purchase Concert Percussion Accessories Cymbals
    How To Purchase Concert Percussion Accessories by Neil W. Grover A more accurate title for this piece should be, “Concert Percussion Accessories; What To Purchase?” Buying is the easy part, deciding what to purchase is the task at hand. Acquiring a viable array of instruments for a student percussionist is an important, yet often neglected, part of a music educator’s core responsibilities. All too often, I encounter band rooms where quality percussion accessories are lacking, and unacceptable substitutes are used. For some reason, percussion accessories seem to be relegated to bottom of a music educator’s line item budget. Excuses like “my percussionists just don’t take care of the accessories” or “we already have a (rock) tambourine” breed an atmosphere whereby students are forced to play on inadequate instruments which would make even a pro like me sound unmusical! Playing musically is difficult enough with a good quality triangle, no less a cheap piece of junk! It’s important to realize that quality should not come at the expense of quantity. While being sensitive to budget restrictions is more important than ever, it is possible for the average music department to identify, and (over time), purchase an array of quality percussion accessories, which when cared for, provide many years of trouble free service. Percussion accessories run the gamut from whip to flexatone: triangle to log drum. For the purpose of this article, I will concentrate on those instruments which are most critical and basic to the educational percussion program. Cymbals Cymbals are instruments of great artistic expression. Just listen to a recording of Tchaikovsky’s “Romeo & Juliet Overture”, or Debussy’s tone poem “La Mer.” Ah, those glorious overtones, which can only be produced by a good set of cymbals.
    [Show full text]
  • Written on Skin
    WRITTEN ON SKIN 10. NOVEMBER 2018 ELBPHILHARMONIE GROSSER SAAL Sa, 10. November 2018 | 20 Uhr | Elbphilharmonie Großer Saal Elbphilharmonie für Kenner 1 | 2. Konzert 19 Uhr | Einführungsgespräch mit Martin Crimp und Johannes Blum im Großen Saal MULTIVERSUM GEORGE BENJAMIN MAHLER CHAMBER ORCHESTRA GEORGIA JARMAN AGNÈS EVAN HUGHES PROTECTOR BEJUN MEHTA ANGEL 1 / THE BOY VICTORIA SIMMONDS ANGEL 2 / MARIE ROBERT MURRAY ANGEL 3 / JOHN MARTIN CRIMP TEXT BENJAMIN DAVIS REGIE DIRIGENT SIR GEORGE BENJAMIN George Benjamin Written on Skin (2012) Semiszenische Aufführung in englischer Sprache Keine Pause / Ende gegen 21:45 Uhr Gefördert durch die 7797 BMW 8er HH Elbphil 148x210 Programmheft 2018.indd 1 08.08.18 10:45 WILLKOMMEN Nicht vielen Neukompositionen ist es vergönnt, sogleich Teil des Kanons zu werden. George L U X Benjamin gelang das Kunststück mit seiner 2012 uraufgeführten Oper »Written on Skin«, die seit­ her gut hundertmal in aller Welt gespielt wurde. AETERNA Darin geht es um eine unglückliche Affäre, den EIN MUSIKFEST FÜR DIE SEELE Weg einer Frau zu sich selbst und ein »auf Haut geschriebenes« Buch, das seinem Schöpfer am DIE TANZENDEN DERWISCHE AUS DAMASKUS, Ende den Tod bringt. Zum Auftakt von George NDR ELBPHILHARMONIE ORCHESTER, INGO METZMACHER, ENSEMBLE RESONANZ, PEKKA KUUSISTO, HOURIA AÏCHI, Benjamins aktueller, groß angelegter Residenz IVETA APKALNA, ANNA LUCIA RICHTER, GEORG NIGL, an der Elbphilharmonie kommen neben dem DUO NAQSH, ROKIA TRAORÉ, CRAIG TABORN dirigierenden Komponisten selbst viele Mitwir­ kende der Uraufführung nach Hamburg, darun­ ter der Countertenor Bejun Mehta und das ful­ 3. 27. FEBRUAR 2019 ELBPHILHARMONIE, LAEISZHALLE, minante Mahler Chamber Orchestra. ST. KATHARINEN, PLANETARIUM, ST.
    [Show full text]
  • Vocal Philologies: Written on Skin and the Troubadours
    Vocal Philologies: Written on Skin and the Downloaded from https://academic.oup.com/oq/article/33/3-4/207/4801221 by University of California, Irvine user on 14 September 2020 Troubadours emma dillon king’s college london Parchment or slate were precious materials to the medieval scholar—or com- poser—and they were used repeatedly for successive sketching. Today, many cen- turies later, surviving manuscripts appear chaotic, with a surface complexity almost resembling organic growth, although their straight lines reveal they are man-made. In deciphering these mysterious objects one can unravel the sequence of layers and trace back to the initial text. —George Benjamin, program note to Palimpsests for Orchestra (1998À2002)1 Protector: What is it that you are looking at? Boy: Nothing, says the Boy, thumbing the knife. Protector: Thinking about? Boy: I’m thinking that when this wood and this light are cut through by eight lanes of poured concrete, I’m thinking that the two of us and everyone we love will have been dead for a thousand years. Protector: The future’s easy: tell me about now. —George Benjamin, Written on Skin, text for music by Martin Crimp (Part II, scene 9)2 Parchment is an unexpected vocal source to bring to a special issue on the voice in contemporary opera studies. In a field such as medieval studies, my more familiar scholarly habitat, parchment is the common currency of the voice: the ultimate proxy for vocal acts that are long since gone. Voice in the context of parchment is synonymous with the philological activity required to decipher information about song-acts as they were transmitted, reworked, and sometimes corrupted in the me- dium of ink, notation, and skin.
    [Show full text]
  • The Role of Turkish Percussion in the History and Development of the Orchestral Percussion Section
    Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2003 The oler of Turkish percussion in the history and development of the orchestral percussion section D. Doran Bugg Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation Bugg, D. Doran, "The or le of Turkish percussion in the history and development of the orchestral percussion section" (2003). LSU Major Papers. 27. https://digitalcommons.lsu.edu/gradschool_majorpapers/27 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE ROLE OF TURKISH PERCUSSION IN THE HISTORY AND DEVELOPMENT OF THE ORCHESTRAL PERCUSSION SECTION A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the Requirements for the degree of Doctor of Musical Arts In The School of Music The College of Music and Dramatic Arts by D. Doran Bugg B.M.E., University of Mississippi, 1988 M.M., Baylor University, 1990 December 2003 ACKNOWLEDGMENTS I would like to express my sincere appreciation to the many persons who so generously contributed their time, knowledge, and support during the preparation and completion of this monograph. Special thanks are extended to Professor James Byo, Professor Larry Campbell, Professor Michael Kingan, Professor Patricia Lawrence, Professor John Raush, Professor Joseph Skillen, and Professor James West, members of my doctoral committee.
    [Show full text]
  • The Physics of Musical Instruments
    The Physics of Musical Instruments Neville H. Fletcher Thomas D. Rossing The Physics of Musical Instruments With 408 Illustrations Springer-Verlag New York Berlin Heidelberg London Paris Tokyo Hong Kong Barcelona Budapest Neville H. Fletcher Thomas D. Rossing CSIRO Australia Department of Physics Research School of Physical Sciences Northern Illinois University Australian National University De Kalb, IL 60115 Canberra, A.c.T. 2601 USA Australia Library of Congress Cataloging-in-Publication Data Fletcher, Neville H. (Neville Horner) The physics of musical instruments/Neville H. Fletcher, Thomas D. Rossing. p. cm. Includes bibliographical references and indexes. ISBN-13:978-0-387 -94151-6 I. Music-Acoustics and physics. 2. Musical instruments- Construction. l. Rossing, Thomas D., 1929- II. Title. ML3805.F58 1993 784.19'OI'53-dc20 93-27442 Printed on acid-free paper. © 1991 by Springer-Verlag New York Inc. All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer-Verlag, 175 Fifth Avenue, New York, NY 10010, U.S.A.), except for brief excerpts in connection with reviews or scholarly analysis. Use in con­ nection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use of general descriptive names, trade names, trademarks, etc., in this publication, even if the former are not especially identified, is not to be taken as a sign that such names, as understood by the Trade Marks and Merchandise Marks Act, may accordingly be used freely by anyone.
    [Show full text]
  • Opera Today : Written on Skin at Lincoln Center
    Opera Today : Written on Skin at Lincoln Center HOME COMMENTARY FEATURED OPERAS NEWS Aïda at Aspen Most opera professionals, including the individuals REPERTOIRE who do the casting for major houses, despair of REVIEWS finding performers who can match historical ABOUT standards of singing in operas such as Aïda. Yet a CONTACT concert performance in Aspen gives a glimmer of LINKS hope. It was led by four younger singers who may SEARCH SITE be part of the future of Verdi singing in America and the world. Prom 53: Shostakovich — Orango One might have been forgiven for thinking that both biology and chronology had gone askew at the Royal Albert Hall yesterday evening. Written on Skin at Lincoln Center Three years ago I made what may have been my single worst decision in a half century of attending Subscribe to opera. I wasn’t paying close attention when some Opera Today 28 Aug 2015 Receive articles and conference organizers in Aix-en-Provence offered news via RSS feeds or me two tickets to the premiere of a new opera. I email subscription. opted instead for what seemed like a sure thing: Written on Skin at Lincoln Center Feature Articles William Christie conducting some Charpentier. La Púrpura de la Rosa Advertised in the program as the first opera written Three years ago I made what may have been my single in the New World, La Púrpura de la Rosa (PR) was worst decision in a half century of attending opera. I premiered in 1701 in Lima (Peru), but more than the historical feat, true or not, accounts for the wasn’t paying close attention when some conference piece’s interest.
    [Show full text]
  • MUSICAL INSTRUMENTS a Fine Art Underwriting Primer
    MUSICAL INSTRUMENTS A Fine Art Underwriting Primer Prepared by IMUA’s Arts & Records Committee Copyright 2015 Inland Marine Underwriters Association The Inland Marine Underwriters Association [IMUA] is a not-for-profit national trade association primarily focused on the commercial inland marine line of business. IMUA was organized in 1930 as a national trade association and rating bureau for all inland marine classes. In 1948, the rating bureau activities of the IMUA were transferred to the Inland Marine Insurance Bureau (now defunct) due to the 1944 US Supreme Court decision in the South-Eastern Underwriters Association case. Today, IMUA is comprised of -- Members - insurance and reinsurance companies that underwrite a significant portion of the commercial inland marine insurance in the U.S. Associate Members – companies or organizations that provide products and/or services to the insurance industry. IMUA is committed to advancing the educational, governmental, regulatory and technical interests of the commercial inland marine insurance industry. One of the services IMUA provides its members is the publishing of information for use by underwriters, loss control and claims specialists, and other interested parties. The topics covered by IMUA Reports, Bulletins and News Articles are intended to provide an overall awareness of the issues, hazards and exposures associated with a specific industry or inland marine class of business. Volunteer members of a technical committee of the IMUA or IMUA staff have produced this information. Committee members abide by antitrust restrictions while compiling information. It is generally not possible to treat any one subject in an exhaustive manner, nor is it IMUA’s intent to do so.
    [Show full text]