From Dependents to Interdependence: the Army Wife Ideal and the Making of Army Family Policy, 1942-1983
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Doc Mcstuffins
www.usc.edu/hhs What's New Follow HH&S What a difference a year makes! We launched our new website, and supplemented that with Facebook and Twit- The Numbers ter pages, which are also new. We pioneered our StoryBus Tours, helping writers find inspiration on the streets of East Los Angeles. Farther from home, I took writers on fact-finding trips to Mumbai and South Africa—and held follow-up panel discussions at the Writers Guild of America, West (WGAW). We continued our global outreach by organizing a trip with 200 HH&S-assisted storylines Chris Keyser, president of the WGAW, and three writers and producers to the 5th International Entertainment Education Conference in Delhi, India, which was co-sponsored by Holly- events wood, Health & Society, and moderated a panel on youth en- held trepreneurship and media at the Unesco Youth Forum in Paris. Because HH&S maintains long-standing, far-reaching ties with 9 members of both the entertainment and public health com- munities—contacts that continue to grow—we remain well- positioned to continue to lead as CDC’s primary partner in the field of entertainment education. director, Hollywood, Health & Society 887links on TV/ film websites Trips to EE5, India & South Africa 600% increase in TV episodes tackling key global health topics since It was a year for stretching our HH&S outreach began in 2008 wings. In November, four writers and producers were joined by HH&S Director Sandra de Castro tipsheets on priority Buffington at the 5th Interna- health topics tion Entertainment Education Conference in Delhi, participat- 35 ing in storytelling workshops Mumbai panel discussion and panel talks. -
WORST COOKS in AMERICA: CELEBRITY EDITION Contestant Bios
Press Contact: Lauren Sklar Phone: 646-336-3745; Email: [email protected] WORST COOKS IN AMERICA: CELEBRITY EDITION Contestant Bios MINDY COHN Mindy Cohn made her acting debut as the witty, precious Eastland Academy student Natalie Green in the hit comedy series The Facts of Life. She was discovered while attending Westlake School for Girls in Bel Air, California, when actress Charlotte Rae and producer Norman Lear came to the school to authenticate scripts for their new show. Ms. Rae was so taken with the vivacious eighth grader she convinced producers to create a role for her. Mindy remained on the show for all nine seasons, also traveling to Paris and Australia with her co-stars to produce two successful television movies based on the series. Concurrently, with her role in Facts, Mindy played “Rose Jenko” in Fox’s 21 Jump Street. Other notable television appearances included Diff’rent Strokes, Double Trouble, Charles in Charge, Dream On and Suddenly Susan. In 1983, Mindy appeared in her first professional stage performance in Table Settings, written and directed by James Lapine and filmed for HBO Television. The illustrious cast included Eileen Heckart, Stockard Channing, Robert Klein, Peter Riegart, and Dinah Manoff. She went on to make her feature film debut in The Boy Who Could Fly, which co-starred Colleen Dewhurst, Fred Gwynne and Fred Savage. Mindy took a hiatus from her career to attend university, where she earned a Bachelor’s degree in Cultural Anthropology and a Masters in Education. During this time, she studied improvisation and scene work with Gary Austin and Larry Moss. -
Lt. Dan Rocks Out
HIGH DESERT WARRIOR Volume 6, Number 11 www.irwin.army.mil March 18, 2010 Published in the interest of the National Training Center and Fort Irwin community Change of Responsibility 916th Support Brigade will hold a Bri- gade Command Sergeant Major Change of Responsibility ceremony. The ceremony will take place on Monday, 4 p.m., at Jack Rabbit Park. Legal Assistance Hours Fort Irwin Legal Assistance Office hours have changed. The new schedule is as follows: Monday, Tuesday, Wednesday, and Friday: 8 a.m.-4:30 p.m.; Thursday: 8 a.m.-3 p.m. Notary Services: 8 a.m.-3 p.m., Everyday, walk-in basis. Appointment calendars open: Fridays at 1 p.m. Audie Murphy Club Members of the Sgt. Audie Murphy Club will hold its monthly meeting at the SAMC Hall, located at the NTC Museum, Bldg. 587, Room 11, 12-1 p.m., March 30. For more information, contact Sgt. 1st Class Catherine Harris at 380-8386. Battle Staff Graduation Fort Irwin community is invited to at- tend the graduation ceremony of noncom- Actor Gary Sinese, performs with the Lt. Dan Band at Fort Irwin’s Army Field, March 12. The Lt. Dan Band performed a free missioned officers who will graduate from concert for the Fort Irwin community as part of his 41st USO tour. See more photos on Pages 10 and 11. Battle Staff Class 14-10 at the Post Theater, at 9 a.m., March 26. For more information, call 380-3880. Lt. Dan rocks out NTC STORY AND PHOTOS mate message to troops and their families is that was cut short because he got injured and lost Puerto Rican Birth Certificates BY SGT. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Artistry of the Guard
Family Magazine, Fall 2008 Artistry of the Guard Fall 2008 STANHOPE S. SPEARS MAJOR GENERAL THE ADJUTANT GENERAL From the Desk of The Adjutant General I recently had the honor of presenting Mr. Craig Melvin with The Palmetto Patriot Award for his demonstrated commitment to telling the S.C. National Guard story. Many of you in the Midlands are familiar with his fair and balanced ational reporting as an anchor here in Columbia with N WIS-TV. Craig’s been a leader in reporting on all aspects of our Citizen-Soldiers and Airmen, their families and employers throughout our nation’s Global War on Terrorism. Even though Craig istorian recently left his anchor position at WIS for a H new position in Washington, D.C., he was quick hoto by Maj. Scott Bell, S.C. to tell me he will never forget the Soldiers and P Guard families of the S.C. National Guard. I feel Craig’s sentiment was sincere. Our Citizen-Soldiers are the best this nation has to give and I hope he will continue telling his audiences about the selfless, patriotic character of our Soldiers and Airmen in the National Guard. Concerning your selflessness, my wife Dot and I thank you from the bottom of our hearts for the tremendous outpouring of love, support and prayers you have shared with us following the loss of our son Stan, Jr. to a heart attack. We appreciate your kindness more than you know. As this year’s hurricane season starts to heat up, I hope everyone will take the time to review the Family Emergency Kit information on page four of this magazine. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Grizzly Si Plifies Complex Obstacles Gets More Time to Gather Facts
_ II~ range: TA 250 instructors help them- Volume 9 Number 10 Published in the interest of the personnel at Fort Leonard Wood, Missouri Thursday, March 7, 1996 Home on the - ------------------ selves to a new shelter. See page 3A ----------------- -- BRAC on track Luncheon features Ann Crossley Q Maneuver Support struction facilities, NCO academy The Officers and Civilians Center transformation accommodations, range modifica- Women's Club luncheon fea- tions and housing conversions. turing Ann Crossley, author of proceeding smoothly "We're adequately funded for the 'Army Wives Handbook," the design of all projects and have is on March 21, 11:30 a.m., By Jacqueline Guthrie been approved for construction," not March 12 as previously pub- ESSAYONS Staff he added. Contractors will start lished. See complete story on breaking ground early next year. page lB. Fort Leonard Wood is well on "We also have a very solid start- its way to becoming the Maneuver up on the environmental impact Joint Endeavor troops Support Center as the Base Re- statement," Johnson said. This get tax extension alignment and Closure statement is part of the legal re- The Internal Revenue Ser- Commission transition office here quirements of the National vice has granted an automatic celebrate its one-year anniversary. Environmental Policy Act of 1969 extension to Dec. 15 to file The BRAC team has the job of that requires all federal agencies 1995 Federal Income Tax Re- moving of the Military Police and to complete one for activities that turns to soldiers serving in Chemical Schools from Fort could affect the environment. Operation Joint Endeavor on McClellan, Ala., to Fort Leonard Officials began preparing the in- or after March 15. -
Patrolling the Homefront: the Emotional Labor of Army Wives Volunteering in Family Readiness Groups
PATROLLING THE HOMEFRONT: THE EMOTIONAL LABOR OF ARMY WIVES VOLUNTEERING IN FAMILY READINESS GROUPS By Copyright 2010a Jaime Nicole Noble Gassmann B.A., Southern Methodist University, 2002 M.A., University of Kansas, 2004 Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chairperson: _________________________________ Brian Donovan Committee Members: _________________________________ Norman R. Yetman _________________________________ Robert J. Antonio _________________________________ Joane Nagel _________________________________ Ben Chappell Date Defended: 30 August 2010 The Dissertation Committee for Jaime Nicole Noble Gassmann certifies that this is the approved version of the following dissertation: PATROLLING THE HOMEFRONT: THE EMOTIONAL LABOR OF ARMY WIVES VOLUNTEERING IN FAMILY READINESS GROUPS By Jaime Nicole Noble Gassmann Chairperson: _________________________________ Brian Donovan Committee Members: _________________________________ Norman R. Yetman _________________________________ Robert J. Antonio _________________________________ Joane Nagel _________________________________ Ben Chappell Date Approved: 30 August 2010 ii ABSTRACT This dissertation examines the emotional labor of Army wives as they volunteer in Army-mandated family-member support groups in each unit called Family Readiness Groups (FRGs). Since its inception, the Army has relied unofficially on soldiers’ wives’ contributions to the success of their husbands’ careers in a two-for-one career pattern—two workers for one paycheck. The Army made such expectations official when in 1988 it began to require volunteer labor to run each unit’s FRG. The Army tasks FRGs with connecting members to resources and relaying official information to soldiers’ family members. These support groups also serve a vital socializing function, though not all soldiers’ spouses participate in the information-dispensing and community-building groups. -
88 the Uprising of POW/MIA Wives
Journal of Leadership Education DOI: 10.12806/V13/I4/C10 Special 2014 The Uprising of POW/MIA Wives: How Determined Women Forced America, Hanoi, and the World to Change Steven L. Smith Wayland Baptist University Abstract In the fall of 1966, a small and informal group of wives whose husbands were classified as Prisoner of War (POW) or Missing in Action (MIA) formed a small and informal group. By December 12, 1969, this group of women had gained such power, influence, and a multitude of disparate followers that twenty-six met with President and Mrs. Pat Nixon at the White House. In part, the POW/MIA story is about a small group of women taking a decisive role to change the United States POW/MIA policy, accentuate the plight of the prisoners, and demand humane treatment by Hanoi—all in a national and global arena. Introduction The war in Vietnam was tremendously divisive not only among American citizens, but also among other democratic and communists nations. Demonstrations against the war, both peaceful and violent, were part of the American fabric in the late 1960s. Military personnel were subject to public scorn and viewed by the citizenry with contempt for their service in Vietnam. To use the trite phrase that the war in Vietnam was not a "popular war" fails to convey the seething national hostility and unrest of the era. However, by the late 1960s, the POW/MIA issue had become a national unifying cause that culminated in Operation Homecoming in February- March of 1973. At the time, the United States Department of State was responsible for handling all POW/MIA matters, not the Department of Defense (Davis, 2000; Rochester & Kiley, 1998). -
REPRESENTATION of LATINAS1 AS MAIDS on DEVIOUS MAIDS (2013) Fitria Afrianty Sudirman
42 Paradigma, Jurnal Kajian Budaya Representation of Latinas as Maids on Devious Maids, Fitria Afrianty Sudirman 43 REPRESENTATION OF LATINAS1 AS MAIDS ON DEVIOUS MAIDS (2013) Fitria Afrianty Sudirman Abstract This article aims to analyze the representation of Latinas as maids by examining the first season of US television drama comedy, Devious Maids. The show has been a controversy inside and outside Latina community since it presents the lives of five Latinas working as maids in Beverly Hills that appears to reinforce the negative stereotypes of Latinas. However, a close reading on scenes by using character analysis on two Latina characters shows that the characters break stereotypes in various ways. The show gives visibility to the Latinas by putting them as main characters and portraying them as progressive and independent women who also refuse the notion of white supremacy. Keywords Latina, stereotypes, television, Devious Maids. INTRODUCTION Latin Americans have grown to be the largest minority group in the United States (US). According to the 2010 US Census, those identifying themselves as Hispanic/Latino Americans increased by 43% from the 2000 US Census, comprising 16% of the U.S total population. The bureau even expected that by 2050, the Hispanic/Latino population in the U.S. will be 132.8 million or 30% of the total population, which means one out of three Americans is a Hispanic/Latino. However, the increasing number of Latin Americans does not seem to go along with the portrayal of them in the US television. Research shows that they remain significantly under-represented on TV, only 1%-3% of the primetime TV population (Mastro-Morawitz, 2005). -
Challenging Stereotypes
Challenging Stereotypes How the stereotypical portrayals of Muslims and Islam are challenged through the enemies in Homeland Gunhild-Marie Høie A Thesis Presented to the Departure of Literature, Area Studies and European Languages in partial fulfillment of the Requirements for the MA degree University of Oslo Spring 2014 I II Challenging Stereotypes How the stereotypical portrayals of Muslims and Islam are challenged through the enemies in Homeland Gunhild-Marie Høie A Thesis Presented to the Departure of Literature, Area Studies and European Languages in partial fulfillment of the Requirements for the MA degree University of Oslo Spring 2014 III © Gunhild-Marie Høie 2014 Challenging Stereotypes: How the stereotypical portrayals of Muslims and Islam are challenged in Homeland. http://www.duo.uio.no Print: Reprosentralen, University of Oslo IV V Abstract Following the terrorist attack on 9/11, actions and practices of the United States government, as well as the dominant media discourse and non-profit media advertising, contributed to create a post-9/11 climate in which Muslims and Arabs were viewed as non-American. This established a binary paradigm between Americans and Muslims, where Americans represented “us” whereas Muslims represented “them.” Through a qualitative analysis of the main characters in the post-9/11 terrorism-show, Homeland, season one (2011), as well as an analysis of the opening sequence and the overall narrative in the show, this thesis argues that this binary system of “us” and “them” is no longer black and white, but blurred, and hard to define. My analysis indicates that several of the enemies in the show break with the stereotypical portrayal of Muslims as crude, violent fanatics. -
2015 Pilot Production Report
Each year between January and April, Los Angeles residents observe a marked increase in local on-location filming. New television pilots, produced in anticipation of May screenings for television advertisers, join continuing TV series, feature films and commercial projects in competition for talent, crews, stage 6255 W. Sunset Blvd. CREDITS: space and sought-after locations. 12th Floor Research Analysts: Hollywood, CA 90028 Adrian McDonald However, Los Angeles isn’t the only place in North America Corina Sandru hosting pilot production. Other jurisdictions, most notably New Graphic Design: York and the Canadian city of Vancouver have established http://www.filmla.com/ Shane Hirschman themselves as strong competitors for this lucrative part of @FilmLA Hollywood’s business tradition. Below these top competitors is FilmLA Photography: a second-tier of somewhat smaller players in Georgia, Louisiana Shutterstock and Ontario, Canada— home to Toronto. FilmL.A.’s official count shows that 202 broadcast, cable and digital pilots (111 Dramas, 91 Comedies) were produced during the 2014-15 development cycle, one less than the prior year, TABLE OF CONTENTS which was the most productive on record by a large margin. Out of those 202 pilots, a total of 91 projects (21 Dramas, 70 WHAT’S A PILOT? 3 Comedies) were filmed in the Los Angeles region. NETWORK, CABLE, AND DIGITAL 4 FilmL.A. defines a development cycle as the period leading up to GROWTH OF DIGITAL PILOTS 4 the earliest possible date that new pilots would air, post-pickup. DRAMA PILOTS 5 Thus, the 2013-14 development cycle includes production COMEDY PILOTS 5 activity that starts in 2013 and continues into 2014 for show THE MAINSTREAMING OF “STRAIGHT-TO-SERIES” PRODUCTION 6 starts at any time in 2014 (or later).