DOCSLIB.ORG

29 Sep 02 Oct 2016 at a GLANCE Music Drama Visual Thursday 22 September Venue Time Page Artbynorthwest Exhibition Opening Devenish Gallery 7Pm 21

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
29 Sep 02 Oct 2016 at a GLANCE Music Drama Visual Thursday 22 September Venue Time Page Artbynorthwest Exhibition Opening Devenish Gallery 7Pm 21 Music Drama Visual The Fermanagh Live Festival 29 Sep 02 Oct 2016 AT A GLANCE Music Drama Visual Thursday 22 September Venue Time Page ArtbyNorthWest exhibition opening Devenish Gallery 7pm 21 Fermanagh Arts Festival Ltd Thursday 29 September Venue Time Page Registered in Northern Ireland NI066336 Helen Cathcart in conversation with Terry McCartney South West College 4pm 17 Western Virtuosi Brass educational workshops Registered Charity NIC100689 St. Michael’s College All day 4 with Steve and Misa Meade Steve and Misa Meade in concert with the Ardhowen Theatre 8pm 4 INTRODUCTION Youth Western Virtuosi Brass Friday 30 September Venue Time Page Welcome to Fermanagh’s only Arts Festival - now in its 8th year. NykkÖ Mickaël Grègoire organ workshop St Macartin’s Cathedral 3pm 5 Fermanagh Landscapes - an exhibition of Enniskillen Castle 6pm 18 Running even a small festival takes a mammoth amount of time and effort. So why do I and prints and paintings by Michael Brown my team of helpers bother? The answer, which is well known, is that festivals are good for Fermanagh Film Club presents ‘Carol’ Regal Cinema 7pm 10 you!! They are your mental “five-a-day” - or should that be Flive-a-day! NykkÖ Mickaël Grègoire organ concert St. Macartin’s Cathedral 7.30pm 5 Kila Westville Hotel 9pm 6 It is also a fact that societies with a rich cultural life are better to live in. Many have realised this which is why festivals like Edinburgh, Galway, Sligo and Belfast continue to grow year on Saturday 1 October Venue Time Page year. So here’s your opportunity to enjoy, locally, a range of live, artistic experiences that aim Wilhelmina Geddes stained glass artist; A Inishmacsaint and Devenish 10am 19 to bring people together socially for their collective enjoyment. Talk by Dr Nicola Gordon Bowe Parish Churches Nicholas Watts, Chair, Fermanagh Arts Festival It’s Showtime, FLive Children’s Event The Buttermarket 1-5pm 8 FLive Cultural Boat Tour Round ‘O’ 2-5pm 8 NI Screen presents Digital Film Archive with Phil Hessian, Regal Cinema 2-30pm 9 and songs from Gabie McArdle and Rosie Stewart Poetry Slam – Ulster Final Blake’s, Level 7 5pm 15 Fermanagh Film Club presents ‘Atlantic’ Regal Cinema 6.30pm 10 Melisma Methodist Church 8pm 6 Sunday 2 October Venue Time Page Lord Belmore Art Tour Castlecoole 11am 18 Splódar Theatre Company presents Young Stephen, adapted Blakes, Level 7 2-3pm 9 from Portrait of an Artist as a Young Man by James Joyce. Murley Band & David Robertson St. Macartin’s Cathedral 4pm 7 WORDS FROM OUR SPONSORS Fermanagh Film Club presents … ‘Louder Than Bombs’ Regal Cinema 6pm 10 Evelyn Hassard of Crannog Antiques says, ‘I am delighted to give my support to music events Naughty Nancie’s Franco’s 7pm 15 at the Fermanagh Live Arts Festival because I love Classical music and want to help bring as Other Events - Thursday 6 October Venue Time Page much as possible to as many people as possible’. Dawn to Dusk : Celebrating National Poetry Day Various (to be announced) 8am-8pm 16 CavanaghKelly are delighted to sponsor Fermanagh Live Arts Festival. The Festival of Live Entertainment and Visuals Arts is a great opportunity for the local community to get a taste Visual Arts Venue Dates Page of our home-grown artists through this programme of innovative, vibrant and contemporary Enniskillen Visual Arts Open See programme details 16 Sept-17 Oct 11-14 events.” Fermanagh County Museum permanent Art Collection Enniskillen Castle On-going 20 Fuels & Lubricants are happy to be associated with the Fermanagh Live Arts Festival in William Scott, The early years exhibition Enniskillen Castle 22 Sept 20 sponsoring Melisma in this year’s festival. It is a positive way of encouraging the promotion of Michael Brown exhibition Enniskillen Castle 1-8 October 21 local talent and enabling local audiences to see arts that they might not get the opportunity ArtbyNorthWest Devenish Gallery 22 Sept-6 Oct 21 to see otherwise. The Buttermarket Artists’ studios The Buttermarket On-going - 2 Book tickets:www.FLive.org.uk or 028 6632 5440 Fermanaghlive Book tickets:www.FLive.org.uk or 028 6632 5440 Fermanaghlive 3 Music Music Steve and Misa Mead in concert with NykkÖ Mickaël Grégoire organ workshop the Youth Western Virtuosi Brass Date | Friday 30 September Date | Thursday 29 September Venue | St. Macartin’s Cathedral Venue | The Ardhowen Theatre Time | 3pm Time | 8pm Tickets | £10 (Limited places so book early) Tickets | £12 (£8 Conc) The workshop is aimed at introducing the organ in more detail to musicians who want to explore the instrument in all its glory. We are particularly keen for young keyboard players to come and try it out. It does not matter what level you play at, please come along and join us. Participants will get the opportunity to play the organ and learn more about its incredibile colour and versatility. You will find NykkÖ Mickaël Grégoire a fun and lively tutor who has great experience in working with beginners. NykkÖ Mickaël Grégoire organ concert Sponsored by Date | Friday 30 September Venue | St. Macartin’s Cathedral When word reached FLive about the Time | 7.30pm exceptional talents of French organist Tickets | £10 NykkÖ Grégoire, now based in the UK, no time was lost in engaging him to FLive are predicting euphonium euphoria when the husband and wife team Steve and appear at this year’s festival. Born in 1979 Misa Mead, tuba players both, arrive in Enniskillen to conduct workshops for Western the charismatic multi-instrumentalist/ Virtuosi Brass and to perform with their pupils at a special evening concert. composer studied organ, harpsichord and ondes Martenot at the music conservatory Born in the southern Japanese city of Kumamoto, Misa Akahoshi graduated with honours in Bordeaux. He also plays cello, duduk from the Tokyo College of Music then studied composition and orchestration in Paris. A (Armenian wind instrument) and Bawu Gold medallist in a young soloist’s competition in Luxembourg she went on to perform (Chinese flute). As well as a full calendar of at international festivals such as Tubamania in Thailand and the Tuba Euphonium tour dates in Europe, South East Asia and Conference in California. In July 2013 Misa moved to the UK where she married fellow America, NykkȌ works with various choirs tuba player Steven Mead who is well known to brass enthusiasts around the world. He and theatre ensembles. At the organ in tours constantly as a solo artist performing with symphony orchestras and leading military St. Macartin’s cathedral he will present a bands including the Band of the Garde Republicaine (Paris, France) The Central Band varied and entertaining programme of Bach of the RAF (London, UK) The Italian Police Band (Rome, Italy), The Dutch Marine Band and Vivaldi, Cesar Franck and Jeremiah (Rotterdam,Netherlands) and The US Army Band (Washington DC, USA). Steven has over 70 Clarke, Klezmer music and arrangements of CDs to his credit and is a professor at the Royal Northern College of Music, in Manchester. popular European and British folk songs. 4 Book tickets:www.FLive.org.uk or 028 6632 5440 Fermanaghlive Book tickets:www.FLive.org.uk or 028 6632 5440 Fermanaghlive 5 Music Music Kila Murley Band & David Robertson Date | Friday 30 September Date | Sunday 2 October Venue | Westville Hotel Venue | St. Macartin’s Cathedral Time | 9pm Time | 4pm Tickets | £15 Tickets | £10 (£8 Conc) ‘Softly spoken off stage and complete lunatics Fivemiletown’s own Murley Silver Band just go on on it, Kila have torn up the rulebook with their winning prizes. Led by their musical director Wiliam Hill, wantonly eclectic mix of styles, Brilliant!’ they have been Brass in the Valley overall Champions, - Hot Press Best March and Soloist band and NIBA Champion Band of Northern Ireland. They have represented Northern Get ready for a rip-roaring, roof-raising Ireland at the European Championships in Norway, session from Ireland’s leading fusion band. Belgium and France and have appeared at the Belfast Tattoo. The band members, who Natural heirs to Planxty and Horslips, the eight members of Kila, including brothers are drawn from well-known musical families and from all sections of the community Colm, Ronan and Rossa O’Snodaigh have evolved their own unique mix of folk, rock and support their activities through membership subscriptions and concert revenues. world music. Kila, who formed up in Dublin in 1987, have performed in over 30 countries around the globe at prestigious venues and festival events such as the Montreux Jazz Bass-baritone David Robertson also grew up in a musical household in Fivemiletown. In festival, Glastonbury, Womadelaide and the Stockholm Water festival. Their latest album 1995 he showed his promise as a singer by winning the prestigious Elisabeth Schumann Suas Sios has been described as ‘magical and memorable’ words that will no doubt define Competition for Lieder. Having completed his degree at Trinity College of Music, London, their concert at the Westville hotel. he moved to Italy to study with internationally renowned bass Enrico Fissore and soprano Sylvia Rhy-Thomas. David will also perform with NorthWestOpera in the autumn in the role of Falke in Die Fledermaus and in Spring 2017 looks forward to performing in Melisma Mozart’s Figaro. Date | Saturday 1 October Sponsored by Venue | Methodist Church Time | 8pm Tickets | £10 (£8 Conc) Sponsored by You’ll have heard them on Radio Ulster or seen them on Songs of Praise but now is your chance to experience the Belfast-based, eight-voice choir live in a perfect setting - Enniskillen’s Methodist church. Well known throughout Ireland and beyond, Melisma have performed at English cathedrals including Ripon, Winchester, Gloucester.
Load more

Recommended publications
  • Moving Ahead with the Stevens Competition
    the WORSHIPFUL COMPANY of GLAZIER S & PAINTERS OF GLASS Issue Number 63 Spring 20 21 the 2020 competition or do it differently. Then came lockdown two! No problem, Moving ahead We chose the latter. we have been here before. We reintroduced Firstly, we delayed the entry date by four the Design Only category and sat back. with the Stevens months in the hope that lockdown would be Inevitably, lockdown three arrived, so the eased in time for participants to complete entry date has been delayed to July and Competition their work. This worked. Secondly, we Prizegiving until October. Judging will be introduced a new type of entry, Design Only, virtual again and we have a panel of judges BRIAN GREEN reports: Organising the which allowed competitors to submit their who are looking forward to the challenge. Stevens Competition in 2020 and 2021 has design but removed the need to produce a The delay has been used to widen the been quite a game! So far, the Glaziers are sample panel. This worked; roughly 40% of potential field of entry; translations of the in the lead and we intend to keep it that way. the entries fell into this category. Thirdly, the brief have been circulated in Spanish, French The original game plan for Stevens 2020 decision was taken to judge the competition and German. had to be abandoned when the country online. This worked surprisingly well. We hope Stevens 2022 will be more went into the first lockdown in March 2020 At the end of the day the Prizegiving was straightforward.
    [Show full text]
  • The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
    Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages.
    [Show full text]
  • Stained Glass in Ireland
    Stained Glass in Ireland By Coral - Daphne – Sofie – Uta Participant teachers in English Matters’ Programme Dublin, Ireland What? • art form • coloured glass • mosaic stained glass art can be: • Classic • Modern • Smooth • Painted • Rough • … A little bit of history… • Real origins of stained glass are lost • Egyptians and the Romans • 7th century churches and monasteries in Britain • Medieval times: western churches & mosques • 19th-20th century: revival Stained Glass in Ireland St Theresa’s, Dublin National Library, Dublin (Harry Clarke) Bewley’s Café, (Harry Clarke) Grafton Str., Dublin The An Túr Gloine ("Tower of Glass") cooperative studio • 1901 throughout the first half of the 20th century. • artists included Michael Healy, Evie Hone, Beatrice Elvery, Wilhelmina Geddes and founder Sarah Purser. • hoped to provide an alternative to the commercial stained glass imported from England and Germany • "perhaps the most noteworthy example of the newly- awakened desire to foster Irish genius" • Influences: Arts and Crafts Movement, Irish revivalism and the artistic tradition of Celtic manuscript illumination. Influences Design for Trellis Wallpaper, William Morris, 1862 Proserpine, Dante Gabriel Rossetti Harry Clarke (1889-1931) • studied at Belvedere College and the Dublin Metropolitan School of art. • commissions even outside Ireland (Australia, US) • also an illustrator • fine detail of his drawing use of rich colours (especially deep blues) an innovative integration of the window leading • influenced by the Art Nouveau and Art Deco movements the French Symbolist movement the Arts and Crafts movement and the Pre-Raphaelites in Britain the revival of the Celtic tradition Medieval as well as Gothic art Clarke’s Famous Works The Geneva Window St.
    [Show full text]
  • Arts & Crafts Stained Glass
    Event Review: Summer lecture Friday 19 June : ‘Exploring Arts & Crafts Stained Glass: a 40-year adventure in light and colour – an illustrated lecture’ by Peter Cormack he lecture was an introduction to some of the main themes Tof the speaker’s newly-published book, Arts & Crafts Stained Glass (Yale University Press for the Paul Mellon Centre for Studies in British Art). He began by saying that his discovery of this rich field of research had begun when he was a student at Cambridge in the 1970s, and had developed particularly during his thirty years working as a curator at the William Morris Gallery in London. He paid tribute to the work of other scholars in the field, especially Martin Harrison’s V ictorian Stained Glass , Birkin Haward’s two books on 19th-century glass in Norfolk and Suffolk and Nicola Gordon Bowe’s studies of Irish stained glass. He also emphasized the critical importance of ‘field-work’ – actually going to the places where windows are located to see them in their architectural context. He felt that the internet, with its wealth of images, could sometimes deter people from studying stained glass properly. This was why the BSMGP’s conferences, with their focussed study-visits to churches and other sites, were such a valuable exercise. He then took us through the main narrative of his book, beginning with the pioneers who, from the late 1870s onwards, had championed stained glass as a modern and expressive art form, instead of the formulaic and imitative productions of firms like C. E. Kempe. Henry Holiday was one of the most effective campaigners against commercialism and historicism: his windows Christopher Whall: detail of window in Gloucester Cathedral Lady Chapel, 1901 feature superb figure-drawing combined with a real knowledge of his craft.
    [Show full text]
  • Download Our 2021 Catalogue
    Contents Customer Service Information 2 Medieval Studies 3–11 Trinity Medieval Ireland Series 6–7 Dublin City Council Series 12 Early Modern Studies 12, 14 Local History 15 Modern Studies 13–23 Irish Legal History Society Series 8, 14, 20 20th-Century Studies 24–31 Media Studies 28 Science 29 The Making of Dublin City Series 31 Music 32 Folklore 33 National University of Ireland Publications 33 Select Backlist 34–5 Order Form 36 2 7 Malpas Street Dublin 8, D08 YD81 Four Courts Press Four Courts Ireland Tel.: International + 353-1-4534668 Web: www.fourcourtspress.ie Four Courts Press Email: [email protected] Well our 50th anniversary year (2020) didn’t go exactly to plan . and for a myriad of covid reasons our schedule of publications fell somewhat behind. So as we head out into a new year, with a little more hope now perhaps, some of our ‘friends’ from last year are to be found among an exciting new list of books for 2021. We embark on our journey this year in the company of Adomnán and Columba, and meet along the way William Marshal, Prior John de Pembridge and the swashbuckling Captain Cuéllar. After a sojourn along the streets of medieval Dublin we visit the Elizabethan Quadrangle at Trinity College, before surveying the final stand of the rebels on Vinegar Hill. We chart the rise and fall of the Orange Order during the Great Famine, examine the lavish contents of country houses, and chronicle the remarkable career of Teresa Ball, founder of the Loreto schools. Along the way we review the changing fortunes of Henrietta Street in Dublin, the politics and political culture of the long eighteenth century in Ireland, a new history of the city and county of Limerick, and we hear harp music from around the world.
    [Show full text]
  • Irish Glass Biennale 2019
    Kevin Killen: LUX, 2018, neon installation, photo: Brendan Bell and Luca Piffaretti Irish Glass Biennale 2019 Was fällt Ihnen spontan ein, wenn Sie an irisches Glas What immediately comes to mind when you think of denken? Einige sehen vor ihrem geistigen Auge sofort Irish glass? For some it’s still the image of tableware in Festtafeln in feudalen georgianischen Salons oder splendid Georgian drawing rooms or the ecclesiastical die von führenden Vertretern der irischen Arts-and- stained glass created by leading exponents of the Crafts-Bewegung wie Harry Clarke und Wilhelmina Irish Arts & Crafts movement such as Harry Clarke and Geddes geschaffenen Kirchenfenster. Andere denken Wilhelmina Geddes. For others it might be Ireland’s vielleicht an Irlands Geschichte der Glasproduktion history of production glass in the twentieth century, in im 20. Jahrhundert und dabei insbesondere an die particular Waterford Crystal’s dominance as a global Dominanz von Waterford Crystal als Marktführer. brand. elche Zeit auch immer, es scheint, dass, hatever the period, it seems that Ireland’s past sprechen wir von Glas, Irlands Vergangen- is still very much present when we talk about W heit allgegenwärtig ist. „Unsere Geschichte W glass. ‘Our history is still on the mindset of a lot steckt noch immer in den Köpfen vieler Leute“, bestä- of people’, suggests Dr Audrey Whitty, Head of Collections tigt Dr. Audrey Whitty, Leiterin der Abteilung Samm- and Learning at the National Museum of Ireland. But lungen und Kunstvermittlung am National Museum of she also believes that modern and contemporary glass Ireland. Dennoch ist sie überzeugt, dass auch Irlands practice in Ireland is well respected internationally, 18 NEUES GLAS – NEW GLASS: art & architecture mentioning artists such as Debbie Dawson and Peadar Lamb, who have successfully developed new audiences for stained glass, and Northern Ireland artist Alison Lowry who uses glass as a medium to explore serious societal issues such as child abuse and domestic violence.
    [Show full text]
  • Irish Studies Burns Library Bc-Ireland Irish Studies Burns Visiting Scholar, Spring 2016 Semester
    center for irish programs irish studies burns library bc-ireland irish studies Burns Visiting Scholar, Spring 2016 Semester and Devotion in Medieval Ireland (with Salvador Ryan and Rachel Moss, Dublin: Four Courts Press, 2006), and, most recently, Soldiers of Christ: The Knights Templar and Knights Hospitaller in Medieval Ireland (with Martin Browne, Dublin: Four Courts Press, 2015). His monograph The Friars in Ireland, 1224–1500 (Dublin: Four Courts Press, 2012) was awarded the 2013 National University of Ireland Prize for Irish Historical Research. Apart from these book-length publications, Ó Clabaigh has contributed articles, reviews, and editions of documents to numerous Irish and international journals. He has lectured and taught courses for institutions and organizations in Ireland, Great Britain, Italy, and Nigeria and comes to Boston College having completed a semester as visiting professor at the School of Theology, St. John’s University, Collegeville, Minnesota. His current research focuses on popular religion in Medieval Ireland and, while serving as the Burns Visiting Colmán Ó Clabaigh Scholar in Irish Studies, he will teach a course on religion and society in Ireland, c. 1215 to 1526, in the Colmán Ó Clabaigh is a Benedictine monk of Boston College Department of History. Glenstal Abbey, Co. Limerick, and a medievalist specializing in the history of monasticism and religion in Late Medieval Ireland. He was awarded a B.A. in 1989 at NUI Galway, and after undertaking research in Italy, Belgium, and Oxford, received his A Time of Transition ... doctorate in 1998 from the National University of If you would like to continue to receive Ireland.
    [Show full text]
  • Ebook > Wilhelmina Geddes: Life and Work (Hardback) » Read
    FTHJAX7J3B > Wilhelmina Geddes: Life and Work (Hardback) // eBook Wilhelmina Geddes: Life and Work (Hardback) By Nicola Gordon Bowe Four Courts Press Ltd, Ireland, 2015. Hardback. Condition: New. Language: English . Brand New Book. When she died in 1955, the Belfast-born Wilhelmina Geddes was described as the greatest stained glass artist of our time whose monumental directness of treatment (whatever the scale) constituted a revival of the mediaeval genius. Yet, a full appreciation of her powerful figurative art was limited to a relative few. Her work can still be viewed in a variety of locations across Ireland, from Dublin s Hugh Lane Gallery and St. Anne s Church to buildings in Fermanagh, Belfast, Loughrea, and Larne, as well as internationally in Canada, Belgium, New Zealand, and England. Although critics praised the deeply spiritual and uncompromising skill of her craftsmanship - Nowhere in modern glass is there a more striking example of a courageous adventure in the medium (her 1919 Duke of Connaught War Memorial in Ottawa), her power of simplifying without loss of meaning (her great Wallsend Crucifixion window of 1922), and the fine sensibility and deep intelligence of her majestic 64-light Te Deum rose window to the king of the Belgians (1934-388) - her often out-of-the-way windows need to be seen in situ. Battling with ill health, like... READ ONLINE [ 6.66 MB ] Reviews Comprehensive information for book lovers. This is for all who statte that there had not been a worth studying. Its been printed in an remarkably simple way which is simply following i finished reading through this pdf where actually modified me, change the way i think.
    [Show full text]
  • Newton Country Day School Chapel
    Newton Country Day School Chapel In 1925, the Religious of the Sacred Heart transferred their Boston school for girls to the former Tudor-Revival style estate of Loren D. Towle in Newton, Massachusetts. The Boston architectural firm of Maginnis and Walsh (founded in 1898 as Maginnis, Walsh, and Sullivan) built the chapel and a four-story school wing between 1926 and 1928. The senior partner was Charles D. Maginnis (1867-1955), an immigrant from Londonderry, Ireland by way of Toronto, Canada. Maginnis’ leadership revolutionized the architecture of Roman Catholic institutions in America. In 1909, the firm won the competition to design Boston College and in the 1920s would build the library, chapel, and dining hall for the College of the Holy Cross, Worcester. The firm had then become highly honored; Boston College’s Devlin Hall had received the J. Harleston Parker Gold Medal in 1925 and the Carmelite Convent in Carmel, California (1925) and Trinity College Chapel in Washington, DC (1927) both won the American Institute of Architects’ Gold Medal. Maginnis was an admirer of the American Eclectic movement (1880s-1930s) which made use of a variety of historic expressions. The Newton Country Day School Chapel is English 15th- century Gothic. Its style shows an admirably simple practicality, yet evokes warmth through the use of wood for side paneling and roof. In the center, for the students, the seats face the front and the altar. The outer seating, used by the Religious for community prayer, is set in a choir-stall structure, aligned with the sides of the chapel and equipped with seats that fold up when they are not being used.
    [Show full text]
  • View Document (PDF)
    THE STAINED GLASS MUSEUM Developing a national centre for the discovery, appreciation and preservation of stained glass THE STAINED GLASS MUSEUM Patron: HRH The Prince of Wales Registered Charity No. 1169842 Arts Council Accredited Museum No. 574 A MESSAGE FROM FOREWORD LOYD GROSSMAN OUR CHAIRMAN For centuries stained glass has captivated set up to rescue windows from redundant After almost 40 years of running a successful people with its dazzling beauty, revealing churches. In saving this beautiful and fragile museum, trustees are now looking firmly images in coloured light. In the 21st century part of our architectural heritage the museum to the future of the Stained Glass Museum it remains a symbol of hope, and a valuable has been a leading light in introducing people with a view to enable its continued growth. part of our architectural heritage. Visitors to and encouraging the appreciation of stained This document provides an overview of the to The Stained Glass Museum are fortunate glass. It has since gone from strength to museum’s past achievements, outlines its to experience over 150 examples of this strength as an organisation, with increased current activities and sets out our aims and precious heritage - illuminated in full glory. visitors and a growing and renowned ambitions for the future. The publication of This heritage includes images of saints from collection. I am delighted to present this this document marks an exciting and inspiring medieval Britain and France, post-reformation prospectus, which highlights the museum’s moment in our mission to keep alight the portraits of kings and queens, Pre-Raphaelite- key successes and its ambitions to play an inspiration and appreciation of stained glass inspired biblical and allegorical scenes, and even greater role in the heritage sector as in the 21st century.
    [Show full text]
  • Nicola Gordon Bowe Obituary
    THE JOURNAL OF STAINED GLASS ~ VOL . XLII Dr Nicola Gordon Bowe Hon FMGP (1948 -2018 ) he sudden and unexpected death of Nicola Gordon Bowe on 4 January 2018 plate vi Twas an incalculable loss to the world of art history, particularly in the fields of (overleaf) : Colin Stokes, post-medieval stained glass and the arts and crafts revival of her adopted country, cloister of Ireland. An Honorary Fellow of the BSMGP (to whose members she frequently Archbank concert hall, Moffat. lectured over the years) and a member of the Editorial Advisory Committee of the Journal of Stained Glass , Nikki made a resplendent and lasting contribution to her chosen areas of research. Nikki was born in Stafford and was educated at St Albans High School for Girls, followed by A-levels at the English School in Rome. Her undergraduate and graduate studies were undertaken at Trinity College, Dublin, where she studied for her doctorate (completed in 1982 ) under the distinguished art historian Anne Crookshank, who encouraged her interest in Ireland’s 20 th-century stained glass revival. One of her earliest publications was the catalogue of an exhibition ( 1979 ) of Harry Clarke’s work that she curated at Trinity College’s Douglas Hyde Gallery. This and subsequent research in the field rapidly established her as the pre-eminent authority on Irish stained glass and, indeed, the Irish Arts & Crafts Movement as a whole. Keenly aware of the wider milieu of the Celtic Revival in literature, theatre, etc., Nikki brought to her writing and lectures her own deep cultural knowledge and experience, which was truly global in its scope.
    [Show full text]
  • Harry Clarke (1889-1931) Teacher’S Notes
    Harry Clarke (1889-1931) Teacher’s Notes Harry Clarke was born in Dublin in 1889. He worked from an early age in his father’s design studio, and later studied at night at the Dublin Metropolitan School of Art. In 1914, Clarke won a scholarship that enabled him to study medieval glass in England and Paris; he visited Chartres Cathedral and aspired to its greatness. The following year he was commissioned to create the windows for the Honan Chapel in Cork, this work established his reputation and many other commissions, both religious and secular followed. There were a number of elements which set Clarke apart as a stained glass artist: his use of rich colours was unique, he mixed bright greens and rich reds with blues, purples and pinks to create sparkling contrasts. His absolute attention to detail; he was known to fire a single piece of glass over and over again until he got the colour and quality just right. His skill as a draughtsman also set his stained glass apart, his beautifully-modelled, elongated figures in elaborately decorated settings were unusually detailed and expressive in such a precise and technical craft. An An Túr Gloine - The Tower of Glass, was a studio set up in Dublin by artist Sarah Purser and Edward Martyn, one of the founders of the Abbey Theatre. It followed the same idealistic principles as the British Arts and Crafts Movement. A. E Child managed it and he employed such talents as Evie Hone, Wilhelmina Geddes and Michael Healy. Under the instruction of Child, Harry Clarke’s talent flourished.
    [Show full text]