Obesity: a Lesson from the Venus of Willendorf Donald E

Total Page:16

File Type:pdf, Size:1020Kb

Obesity: a Lesson from the Venus of Willendorf Donald E University of Kentucky UKnowledge Pediatrics Faculty Publications Pediatrics 2008 Obesity: A Lesson from the Venus of Willendorf Donald E. Greydanus Michigan State University Dilip R. Patel Michigan State University Hatim A. Omar University of Kentucky, [email protected] Joav Merrick University of Kentucky Right click to open a feedback form in a new tab to let us know how this document benefits oy u. Follow this and additional works at: https://uknowledge.uky.edu/pediatrics_facpub Part of the Family, Life Course, and Society Commons, and the Pediatrics Commons Repository Citation Greydanus, Donald E.; Patel, Dilip R.; Omar, Hatim A.; and Merrick, Joav, "Obesity: A Lesson from the Venus of Willendorf" (2008). Pediatrics Faculty Publications. 256. https://uknowledge.uky.edu/pediatrics_facpub/256 This Article is brought to you for free and open access by the Pediatrics at UKnowledge. It has been accepted for inclusion in Pediatrics Faculty Publications by an authorized administrator of UKnowledge. For more information, please contact [email protected]. Obesity: A Lesson from the Venus of Willendorf Notes/Citation Information Published in International Journal of Child Health and Human Development, v. 1, issue 4, p. 331-333. © 2009 Nova Science Publishers, Inc. The opc yright holder has granted permission for posting the article here. This article is available at UKnowledge: https://uknowledge.uky.edu/pediatrics_facpub/256 International Journal of Child Health and Human Development ISSN: 1939-5965 Volume 1, Issue 4 (Special Issue) © 2009 Nova Science Publishers, Inc. Obesity: A Lesson from the Venus of Willendorf Professor Donald E Greydanus, MD Obesity is often linked to the development of so- Pediatrics and Human Development, Michigan State called "thrifty" genes that allowed some humans to University College of Human Medicine, survive for millions of years in the face of the Kalamazoo, Michigan, United States. constant threat of starvation due to persistent lack of E-mail: [email protected] available food. This adaptive response was important to the survival of homo sapiens, because it allowed Professor Dilip R Patel, MD the development of heightened ability to store Pediatrics and Human Development, Michigan State precious and limited calories in the form of fat University College of Human Medicine, Kalamazoo, deposits in the body. One of the earliest art figures of Michigan, United States. E-mail: [email protected] the human figure is the Venus of Willendorf, a small (4 and 3/8 inch or 11.1 cm) Paleolithic figure housed Professor Hatim Omar, MD, FAAP in the Naturhistorisches Museum in Vienna, Austria Adolescent Medicine and Young Parent programs, (1). The Venus or Woman of Willendorf was Department of Pediatrics, Kentucky Children's Hospital, discovered by the Jewish archeologist, Josef University of Kentucky College of Medicine, Lexington, Szombathy (1853-1943), in 1908. It depicts a United States. E-mail: [email protected] pregnant woman with no face (typical of the Paleolithic era), who is also obese and dates back to Professor Joav Merrick, MD, MMedSci, 22,000 to 24,000 BCE. This Nude Woman of DMSc Willendorf suggests that obesity was a normal, National Institute of Child Health and Human desirable, and even idealized feature of being human Development, Office of the Medical Director, Division and/or being a female. for Mental Retardation, Ministry of Social Affairs, This idea of the desirability of obesity is repeated Jerusalem and Kentucky Children's Hospital, University in society throughout the existence of homo sapiens of Kentucky, Lexington, United States. for thousands of years, until the 20th century. E-Mail: [email protected]. Paintings, for example, by the Flemish artist, Peter Paul Rubens (1577-1640) are consistent with the positive notion of being overweight or obese (2). The famous 1625 Rubens painting "Arrival of Marie de' Medici at Marseilles, France" at the Louve Museum in Paris clearly depicts the wealthy of the 17th century as being overweight. Likewise, his "Allegory of the outbreak of war" in 1638 depicts the theme of chronic war in Europe, which can be seen at the Pitti Gallory of Florence, Italy and reveals that healthy supernatural and human beings are obese. Negative reactions to obesity are found in the 20th and now the 21st century after countless centuries of positive reactions to those who had enough food to be overweight or obese. Scientific literature of the past generation are repleat with 332 Donald E Greydanus, Di lip R Patel, Hatim Omar and Joav Merrick articles bemoaning the high prevalence of obesity in want them in the first place (4). Measures employed the American and the world's population-including by clinicians willing to "help" their obese patients are children, adolescents, and adults. Various methods are often unproven, unhelpful, and potentially harmful to used to identify obesity, including body mass index their patients. (BMI), triceps skinfold thickness (TST), bioelectrical Indeed, what are the ethics of obesity impedance analysis, dual x-ray absorptiometry and management for the health care professionals of others. Many studies using these various methods today? (4 ). Perhaps proper obesity management suggest a prevalence of obesity of over 20% in the begins with an examination of why obesity was United States, Europe, Asia, China, India, and many desired for so many centuries, an acceptance that other countries (3). obesity is not the patient's fault, that many The result is that millions of obese children, overweight/obese individuals are happy as well as adolescents, and adults are seeking to lose weight healthy, and that the economics of current obesity using methods that are often unsuccessful in the short "treatment" must be reexamined and reconfigured or long run. In 2003, the US Surgeon General noted (4,6). As we debate various diets and the role of food that "Obesity is the terror within ... as real as weapons intake in obesity management, the role of physical of mass destruction .... " (4). Governement, insurance, exercise for all homo sapiens must be remembered and medical officials complain about the high medical and emphasized (7-10). costs incurred in the United States because of obesity. The weight loss industry has become a multi-billion dollar endeavor that employs a large number of References individuals to help many unsuccessfully lose weight, sell costly "weight-loss" products, and support l. McDermott L. Self-representation in upper hospitals developing expensive bariatric programs. Paleolithic female figurines. Curr Anthropol Weight loss programs have sprung up in the United I 996;37(2):227-75. States and elsewhere making millions of dollars 2. Belkin KL. Reubens: Art and ideas. New York: despite no research evidence for significant weight Phaidon, 1998. loss in the long run. 3. Rowlett JR. Obesity in the adolescent. In: A mantra has developed in the late 20th century Greydanus DE, Patel DR, Pratt HD, eds Essential and early 21st century that has an underlying bias adolescent medicine. New York: McGraw-Hill again overweight and obese individuals, who are Med Pub], 2006:651-65. blamed for their "disease" and told by society to lose 4. Fleck LM, Petersmarck KA. Ethical weight or suffer the consequences. Art was used from considerations related to obesity intervention" In: 22,000 BC through the 19th century to glorify Fitzgerald HE, Mousouli V, eds. Obesity in obesity, while art of the current era vilifies or mocks childhood and adolescence. Westport, CT: obesity. Fernando Botero ( 1932-)(5) is a well-known Praeger, 2008:271-303. artist born in Medellin, Columbia, South America, 5. Sullivan EL, Tapest J. Fernando Botero: A who has become famous for his drawings using obese monograph and catalog at Raisonne painting. and morbidly obese subjects as a way of providing Lausanne, Switzerland: Acatos Pub!, 2000. satirical commentaries on contemporary life. 6. Burgard D. Blinded by BMI. Health at Every Size Considerable discrimination awaits the obese 2005; 19:45-53. child, adolescent, or adult in current society, whether 7. Phelan S. Diet: Obesity. In: Hillard PJA, ed. The in the form of bullying in school, limited social life, 5-m inute obstetrics and gynecology consult. or job refusal. Concern over obesity leads many youth Philadelphia, PA: Wolters Kluwer/Lippincott to unhealthy diet practices that involve starvation Williams Wilkins, 2008:274-5. and/or bulimic features. Some health care providers 8. Gardner CD. Comparison of the Atkins, Zone, admit to being repulsed by dealing with obese Ornish, and LEaRN diets for change in weight patients, who may be shuffled between various and related risk factors among overweight primary care clinicians and specialists who may not premenopausal women. JAMA 2007;297:969-77. A Lesson from the Venus of Willendorf 333 9. Greydanus DE, Bhave S. Obesity in the I 0. Greydanus DE, Bricker LA, Patel DR. The adolescent. Indian Pediatrics 2004;41(6):545-50. benefits of sports participation in childhood and adolescence to prevent obesity in adolescents and adults. Asian J Paediatr Pract 2006;9(4):l-7. .
Recommended publications
  • A Female Figurine from the Basal Aurignacian of Hohle Fels Cave in Southwestern Germany
    Vol 459 | 14 May 2009 | doi:10.1038/nature07995 LETTERS A female figurine from the basal Aurignacian of Hohle Fels Cave in southwestern Germany Nicholas J. Conard1 Despite well over 100 years of research and debate, the origins of art dimensions. Four fragments were recovered in connection with water remain contentious1–3. In recent years, abstract depictions have screening and can be localized to a 10-l volume corresponding to a ,3- been documented at southern African sites dating to 75 kyr before cm-thick portion of a quarter metre.The pieces of the figurine lay about present (BP)4,5, and the earliest figurative art, which is often seen as 3 m below the current surface of the cave in an area about 20 m from the an important proxy for advanced symbolic communication, has cave’s entrance. All of the finds come from the southwest quadrant of a been documented in Europe as dating to between 30 and single square metre and were recovered from within 12 cm in the 40 kyr BP2. Here I report the discovery of a female mammoth-ivory vertical dimension (Fig. 2). Although, owing to their fragility and com- figurine in the basal Aurignacian deposit at Hohle Fels Cave in the plex depositional histories, many of the ivory artworks from the Swabian Jura of southwestern Germany during excavations in Swabian Jura are highly fragmentary, the Venus from Hohle Fels is 2008. This figurine was produced at least 35,000 calendar years nearly complete; only the left arm and shoulder are missing. The excel- ago, making it one of the oldest known examples of figurative art.
    [Show full text]
  • Survey of Paleoanthropological Discoveries in German-Speaking Nations
    Anderson 1 Dylan Anderson Carol Pannocione German 30 September 2019 Behold, der Mann: Survey of Paleoanthropological Discoveries in German-Speaking Nations 1. Introduction The German world, with its turbulent and important history from almost 600,000 years ago to this day, is immensely important to the study of humankind; from then and now. Fossils allow us a glimpse at the early inhabitants of Europe and Germany; tools allow us to see how our ancestors would have survived; and art allows us to see the symbolic capabilities of our ancestors. 2. Fossils and Tools Understanding and researching human prehistory is difficult due to the sheer volume of information. Moreover, there are few tools to examine said prehistory, with dental, isotopic, and mitochondrial analysis being some of the more recent tools. Early tools to examine prehistory would have been fossil analysis, stratigraphy, and comparative anatomy. 2.1. Neandertal 1 Neandertal 1 are a set of bones belonging to an extinct species of hominins now known as Homo sapiens neandertalensis. This was not the first Neandertal found, nor the first Neandertal discovered in the German world, but it was the first fossil to be named as Neandertal. After being discovered in 1856, the fossil was promptly given to local German teacher and naturalist Johann Carl Fuhlrott. Fuhlrott, along with German anatomist Hermann Schaaffhausen, published a joint Anderson 2 paper in 1857 in a German society for natural history posited that the skull belonged to a new species related to humans (Schaaffhausen, 1857). Their views were the subject of intense scholarly debate. At the time, the biological sciences were dominated by German cellular biologist Rudolf Virchow, who despised the theory of evolution and claimed Neandertal 1 was a human with a serious deformation (Glick, 1988).
    [Show full text]
  • Upper Paleolithic Art: a Creative Teaching Tool Ginger L
    Regis University ePublications at Regis University All Regis University Theses Summer 2010 Upper Paleolithic Art: a Creative Teaching tool Ginger L. Trovik Regis University Follow this and additional works at: https://epublications.regis.edu/theses Part of the Arts and Humanities Commons Recommended Citation Trovik, Ginger L., "Upper Paleolithic Art: a Creative Teaching tool" (2010). All Regis University Theses. 461. https://epublications.regis.edu/theses/461 This Thesis - Open Access is brought to you for free and open access by ePublications at Regis University. It has been accepted for inclusion in All Regis University Theses by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. Regis University College for Professional Studies Graduate Programs Final Project/Thesis Disclaimer Use of the materials available in the Regis University Thesis Collection (“Collection”) is limited and restricted to those users who agree to comply with the following terms of use. Regis University reserves the right to deny access to the Collection to any person who violates these terms of use or who seeks to or does alter, avoid or supersede the functional conditions, restrictions and limitations of the Collection. The site may be used only for lawful purposes. The user is solely responsible for knowing and adhering to any and all applicable laws, rules, and regulations relating or pertaining to use of the Collection. All content in this Collection is owned by and subject to the exclusive control of Regis University and the authors of the materials. It is available only for research purposes and may not be used in violation of copyright laws or for unlawful purposes.
    [Show full text]
  • FROM ARTIFACT to ICON: an Analysis of the Venus Figurines in Archaeological Literature and Contemporary Culture
    Durham E-Theses From artifact to icon: an analysis of the Venus gurines in archaeological literature and contemporary culture Lander, Louise Muriel How to cite: Lander, Louise Muriel (2005) From artifact to icon: an analysis of the Venus gurines in archaeological literature and contemporary culture, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3027/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 FROM ARTIFACT TO ICON: An Analysis of the Venus Figurines in Archaeological Literature and Contemporary Culture Volume 5 of5 Louise Muriel Lander A Thesis Submitted for the Degree of Doctor of Philosophy University of Durham Department of Archaeology 2004 A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged.
    [Show full text]
  • From Artifact to Icon: an Analysis of the Venus Gurines in Archaeological
    Durham E-Theses From artifact to icon: an analysis of the Venus gurines in archaeological literature and contemporary culture Lander, Louise Muriel How to cite: Lander, Louise Muriel (2005) From artifact to icon: an analysis of the Venus gurines in archaeological literature and contemporary culture, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3027/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 FROM ARTIFACT TO IT CON: An Analysis of the Vem.11s Figurines in Archaeological Literature and! Contemporary Cudture ABSTRACT This thesis examines the body of material known as the Venus figurines, which date from the European Upper Palaeolithic period. The argument proceeds in two stages: the first examines this material through a detailed textual analysis of the archaeological literature that has discussed these figurines since their initial discovery at the end of the 19 111 century to the present day; the second investigates the utilisation of particular Venus figurines in the contemporary medium ofthe World Wide Web.
    [Show full text]
  • Prehistoric Venuses and Puberty Rites
    Prehistoric Venuses and Puberty Rites Since their discovery, the pre-historic Venus figurines had been subjected to much scrutiny and the theories to explain their existence abound. Present article is an attempt to provide another viewpoint that cannot be easily ignored. The idea reintroduced here is that these figurines are the representations of personage or personages related to the girls at puberty. The supporting arguments are provided from various angles including ethnographic studies. Introduction A remarkably true statement about deep history is ' the voyage of discovery that takes us back to the remote periods of human development soon brings us back to the realities of human existence today' (Renfrew 2007: viii). A reason for this is that similar to what has been stated with regard to evolution, the soft tissues and behaviours don't leave any remains for us to determine why and when they ‘evolved’ (Clark 2002: 45). It doesn't matter which school of archaeology one belongs to, the interpretation of the past would always be shaded by our understanding of the present. In this article the authour is trying to view the evidence from prehistory in the light of recorded anthropological understanding from the past even though such comparisons are always wrought with danger of misinterpretation. Paleolithic Venus figurines which were uncovered by the archaeologists since the late nineteenth century had been the subject of many studies and interpretations. However, none of them seem to explain several key features of these Venus figurines across various geographies and periods. The author of this article argues using various anthropological studies to establish that the origins of these figurines are related to the female puberty rituals.
    [Show full text]
  • • What Sorts of Behaviors Are First Seen Among the Archaic Humans
    Archaic behavior • What sorts of behaviors are first seen among the archaic humans, including the Neandertals? • What sorts of tools were they making? • How were they hunting? • What was special about their behavior? • What do these mean about the human adaptation at this time? Sunday, May 8, 2011 Modern Humans • What are Anatomically Modern Homo sapiens? • Why are they so hard to define? • What features are used to define anatomic modernity? • When and where do these features first appear? Sunday, May 8, 2011 Spread of Modern Humans • When and where do modern humans first appear? • When do they appear elsewhere in the world? • Do all modern humans across the world show the same morphologies? • Where is the last place that we find modern humans? Sunday, May 8, 2011 Modern features • high, rounded cranium (greatest breadth high on the parietals) • less suprastructure development • tall, nearly vertical frontal bone • face larger under the cranium Sunday, May 8, 2011 Modern features • mean cc 1350 (range 1000-2000) • small teeth • CHIN • early ones show more primitive technologies, later share technologies with Neandertals Sunday, May 8, 2011 Modern variety Sunday, May 8, 2011 Herto Bouri Ethiopia 160,000-154,000 Sunday, May 8, 2011 Laetoli 18 129,000-108,000 Sunday, May 8, 2011 Omo 130,000 - 60,000 Sunday, May 8, 2011 Omo 2 Sunday, May 8, 2011 Klasies River Mouth 118,000-60,000 Sunday, May 8, 2011 Jebel Irhoud 127,000 - 87,000 Sunday, May 8, 2011 Florisbad 100,000 Sunday, May 8, 2011 African Moderns • Earlier than elsewhere in the World • 100,000-160,000
    [Show full text]
  • Female Figurines of the Upper Paleolithic
    Female Figurines of the Upper Paleolithic HONORS THESIS Presented to the Honors Committee of Texas State University-San Marcos In Partial Fulfillment of the Requirements For Graduation in the University Honors Program By Karen Diane Jennett San Marcos, Texas May 2008 Abstract Those depictions of the human female figure found in association with Upper Paleolithic cultures commonly called “Venus figurines” are an extremely varied class of artifacts. Hundreds of these figurines have been found across the Eurasian continent from France to Siberia and have been dated to around 25,000 B.C.E. Generally the Venus figurines are thought to be small, stone sculptures of nude women with pronounced sexual characteristics who are either voluptuous or pregnant with no face, arms, or legs. Although some of the figurines can be stereotyped this way, there are numerous overlooked examples with drastically different features. The overwhelming variety and diversity among the figurines themselves is reflected in the theories that have developed about them. Since the late nineteenth century, the meaning and purpose of these Venus figurines have been interpreted over and over again. Some of the theories directly reflect the biased thoughts of their time, some are religious and symbolic, and still others have a narrowed scientific focus and rely upon detailed technological analysis. The variety of both the figurines themselves and their interpretations has been overlooked as an important part of understanding these very old and widespread carvings of women.
    [Show full text]
  • Prehistory - Our Connection to the History of Humankind Before Text
    East Tennessee State University Digital Commons @ East Tennessee State University Art Appreciation Open Educational Resource 2020 Lesson 03: Prehistory - Our Connection to the History of Humankind Before Text Marie Porterfield Barry East Tennessee State University, [email protected] Follow this and additional works at: https://dc.etsu.edu/art-appreciation-oer Part of the Art and Design Commons, and the History of Art, Architecture, and Archaeology Commons Editable versions are available for this document and other Art Appreciation lessons at https://dc.etsu.edu/art-appreciation-oer. Recommended Citation Barry, Marie Porterfield, "Lesson 03: Prehistory - Our Connection to the History of Humankind Before Text" (2020). Art Appreciation Open Educational Resource. East Tennessee State University: Johnson City. https://dc.etsu.edu/art-appreciation-oer/4 This Book Contribution is brought to you for free and open access by Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Art Appreciation Open Educational Resource by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. “Prehistory – Our Connection to the History of Humankind Before Text” is part of the ART APPRECIATION Open Educational Resource by Marie Porterfield Barry East Tennessee State University, 2020 Introduction This course explores the world’s visual arts, focusing on the development of visual awareness, assessment, and appreciation by examining a variety of styles from various periods and cultures while emphasizing the development of a common visual language. The materials are meant to foster a broader understanding of the role of visual art in human culture and experience from the prehistoric through the contemporary.
    [Show full text]
  • Upper Palaeolithic Female Representations: an Eye Tracking Study
    Upper Palaeolithic female representations: an eye tracking study. Samuel Jonathan Harvey Hirst A thesis submitted in partial fulfilment of the requirement for Masters by Research in Archaeology. September 2018 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. 2 Upper Palaeolithic female representations: an eye tracking study Samuel Jonathan Harvey Hirst Abstract The Venus Figurine tradition of the Upper Palaeolithic has sparked significant academic interest over the last century. Past studies of these sculptures have produced an array of theories relating to their function, ranging from being symbols of fertility and attractiveness, to self-representations and signifiers of identity, as well as evidence of communication networks. Although many differing theories have put forward in the past, much of this work does not consider the morphological differences exhibited by the Venus Figurines. From the existing literature, it is apparent that the inclusiveness of the current method of grouping these sculptures is detrimental to their study. Therefore, the subdivision of this prehistoric art into three distinct categories is proposed. Through the application of eye tracking, a well-established psychological technique, the ways in which each of these categories are subconsciously visually interacted with has been measured. The varying levels of attention that each of the areas within each sculpture gain is indicative of their importance. The findings of this study show that each category of Venus Figurine receives a different viewing pattern, supporting the notion that they should be treated as separate aspects within the tradition of Upper Palaeolithic female representations.
    [Show full text]
  • The Experts Tend to Fall Into Two Camps: Those Who Can't Resist Advancing A
    “The experts tend to fall into two camps: those who can’t resist advancing a theory about the art, and those who believe that there isn’t, and never will be, enough evidence to support one.” Judith Thurman “First Impressions” Upper paleolithic c. 40,000 BP-12000 BP (contra J. Thurman) Neanderthals became extinct c. 40,000BP Evidence for interbreeding with humans exists (contra J. Thurman) Neanderthal “Art” “Venus” of Willendorf Oolithic limestone c. 30,000-20,000 BP c. 30,000-20,000 BP c. 11,000 BP c. 30,000-20,000 BP c. 11,000 BP c. 5,200 BP = 3,200BC What’s with the name? “Venus pudenda” “Venus impudica” Abri de Laugerie-Basse, France 17, 000 to 12,000 BP “Venus impudica” “Venus pudenda” 17, 000 to 12,000 BP Greek and Roman sculpture type “Venus of Willendorf” “Venus impudica” Limestone Ivory 11 cm. c. 8 cm “Venus pudenda” Marble Lifesize What is it? Who made it and why? Did its makers consider it valuable? Should we? Woman of Hohle Fels Mammoth Tusk 30-40,000 BP “A mirror but no self reflection” Is art a mirror? A mirror of what? Video c. 200 Upper paleolithic “Venus” figurines Czech Republic “Venus” of Dolní Věstonice 31,000- 27,000 BP Ceramic! “Venus” à la pèlerine Dressed in a cape? Vénus de Laussel (54 ₒ 36 cm) c. 23,000 BP Vénus de Laussel (54 ₒ 36 cm) c. 23,000 BP PAU L BAH N Video Lascaux Cave, France c. 20,000 BP “Aurochs” Lascaux Cave, France c.
    [Show full text]
  • XI WHERE DOES the VENUS COME FROM? Silberkuppe at Wiensowski and Harbord Kaucyila Brooke / Dr
    XI WHERE DOES THE VENUS COME FROM? Silberkuppe at Wiensowski and Harbord Kaucyila Brooke / Dr. Julia Savage Kaucyila Brooke Dr. Julia Savage presents: ‘Where Does the Venus Come From?’ 2009 Hello, I am Dr. Julia Savage and welcome to my world. LECTURE NOTES Today I want to entertain some questions about the origin Museum, I was seduced and entranced by the patterned floors, of the prehistoric figurine that is known – both commonly and by the decorated ceilings and ship models sailing overhead, and as I the state institution that keeps it within its collection – as the ‘Ve- ascended the first tier of the grand entrance staircase I came upon nus von Willendorf’. You know, it is really quite extraordinary that two very excited young women. I wondered what had captured so many artistic theories, scientific truths, devotion and cultural their curiosity… I entered the upper floors, and again following art objects have been inspired by this one ancient object. I think it the repeated tile patterns on the floor and the illuminated vitrines is useful for further thinking about where we are today to consider of dinosaur remains – reconstructed – I found myself wandering why this particular figurine has achieved a status and become a through the shadow lands of prehistory. But what actually is pre- focus in our collective memory and others have not. The object history? The term itself was first used in French in the 1830s to has been called: The Venus of Willendorf, The Woman of describe the time before writing, and the word ‘prehistoric’ was Willendorf, The Goddess of Willendorf, The Great Mother of Wil- introduced into English by Daniel Wilson in 1851.
    [Show full text]