Oak Openings
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James Fenimore Cooper and the Invention of the Passing Novel
Geoffrey James Fenimore Cooper and the Sanborn Invention of the Passing Novel The trouble with racism, for James Fenimore Cooper, is that it is too subtle. “We will not enter upon any subtle deductions which involve national character, or national enterprise and aptitude for sea- service,” he writes in an 1821 essay. “We leave such nice dis- tinctions for greater ingenuity than we can pretend to.”1 In opposition to “theorists” who insist on “the inferiority of all . who [are] not white,” he declares that there is no such thing as “general national superiority.”2 In opposition to metaphysicians who “reason as subtly as they can about the races and colors,” he argues that the “moral tone” of one’s behavior “depend[s] more on the conventional feel- ing . got up through moral agencies, than on birth-place, origin, or colour.”3 In the case of whites and Indians in the trans- Mississippi West, he writes in The Prairie (1827), it would take a “curious investi- gation” to identify the “points of difference” by which they were “still to be distinguished . now that the two, in the revolutions of the world, were approximating in their habits, their residence and not a little in their characters.”4 But racism is, Cooper recognizes, subtle in another way as well. Thanks to the power of “self- love,” an “unquiet spirit which haunts us to the last,” no one is immune to “the vulgar prejudice of national superiority . one of the strongest of all the weaknesses of our very weak nature.”5 “It is possible,” writes Corny Littlepage in The Chain- bearer (1845), -
The Helmsman of Lake Erie” to Poughkeepsie; Or
Two Transatlantic Passages: The Convoluted Path of “The Helmsman of Lake Erie” to Poughkeepsie; Or, How to Hide (and Smuggle) a Manuscript By Norman Barry With the discovery of the June 7, 1845, issue of The Church of England Magazine, thoughts invariably turn to a genteel country parson penning his anonymous John Maynard sketch from the comfort of his half-timbered Elizabethan parsonage, possibly nestled in Kent or Surrey. Yet, to paraphrase my introduction to the October 2018 discovery [1], the irksome question must be entertained as to who in Britain would possess not only the knowledge of both the Erie and the Swallow steamboat tragedies, but also possess both the maritime writing talent, the imaginative genius, and – a sine qua non – the distinctive thought patterns or mental disposition, to create a new “Hero of Lake Erie.”[2] Or, viewed from the American side, which American author possessed the means to achieve fast publication in England? And why would an American writer opt for anonymity and go to such great lengths to cover his tracks by depositing his sketch in a Church of England publication? The most obvious link between the two disastrous shipwrecks is suggested by the very name of the sketch, “The Helmsman of Lake Erie.” Augustus Fuller, the wheelsman of the Erie, died the night of August 9, 1841. According to the testimony of Captain T. J. Titus of the Erie before the Coroner’s Inquest, Fuller remained at his post in the vain attempt to reach the saving shore: “Am of the opinion that I was the last person who left the Erie, when I left her, I heard much confusion but saw no person; think Fuller remained at the wheel and never left it until burned to death; he was always a resolute man in obeying orders.” —From the Buffalo Commercial Advertiser, Thursday Evening, August 12, 1841. -
The Theme of Social Decay in the Last Five Novels of James Fenimore Cooper
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 1968 The Theme Of Social Decay In The Last Five Novels Of James Fenimore Cooper Cecil John Miller University of the Pacific Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Recommended Citation Miller, Cecil John. (1968). The Theme Of Social Decay In The Last Five Novels Of James Fenimore Cooper. University of the Pacific, Dissertation. https://scholarlycommons.pacific.edu/uop_etds/2826 This Dissertation is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. THE THEME OF SOCIAL DECAY IN THE LAST FIVE NOVELS OF JAMES FENIMORE COOPER A Dissertation Presented to the Faculty of the Graduate School University of the Pacific In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Cecil John Miller Ju n e 1968 This dissertation, written and submitted by CECIL JOHN MILLER is approved for recommendation to the Graduate Council, University of the Pacific. Department Chairman or Dean: (3- ( 3 Jhw -K________ , Dissertation Committee: flea* Dated TABLE OF CONTENTS CHAPTER PAGE I. CRITICAL PERSPECTIVES ...................................................... 1 Introduction ................................................................................... 1 Conventional Appraisal o£ the Five N o v els.................... 3 Methodology of the Unfavorable C r itic s ......................... 10 Methodology of the Sympathetic C r itic s......................... 17 Methodology of the Present Study........................................ 25 II. JACK TIER: BEYOND ROMANTICISM ................................... 27 Review of C riticism ...................................................................