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The Rhetorical Significance of Gojira
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-2010 The Rhetorical Significance of Gojira Shannon Victoria Stevens University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Repository Citation Stevens, Shannon Victoria, "The Rhetorical Significance of Gojira" (2010). UNLV Theses, Dissertations, Professional Papers, and Capstones. 371. http://dx.doi.org/10.34917/1606942 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE RHETORICAL SIGNIFICANCE OF GOJIRA by Shannon Victoria Stevens Bachelor of Arts Moravian College and Theological Seminary 1993 A thesis submitted in partial fulfillment of the requirements for the Master of Arts in Communication Studies Department of Communication Studies Greenspun College of Urban Affairs Graduate College University of Nevada, Las Vegas May 2010 Copyright by Shannon Victoria Stevens 2010 All Rights Reserved THE GRADUATE COLLEGE We recommend the thesis prepared under our supervision by Shannon Victoria Stevens entitled The Rhetorical Significance of Gojira be accepted in partial fulfillment of the requirements for the degree of Master of Arts in Communication Studies David Henry, Committee Chair Tara Emmers-Sommer, Committee Co-chair Donovan Conley, Committee Member David Schmoeller, Graduate Faculty Representative Ronald Smith, Ph. -
Macro Wrap-Up: a Monetary Policy Mechagodzilla
Macro Wrap-Up: A Monetary Policy Mechagodzilla August 3, 2018 Japan hasn’t played a large role in market moves this year. It’s been an afterthought in discussions about trade, with Europe, China and the U.S. getting most of the attention. Back in the 1980s and 1990s, even minor financial news stories from Japan could have major repercussions for currency, fixed income and equity markets, but now it seems Godzilla could attack Tokyo and global bond markets wouldn’t move a bp. That was until two weeks ago, when rumors of a Bank of Japan (BOJ) move began to spread. 1By Tuesday, trading desks in New York and London were left scrambling to find accurate translations of a BOJ press conference, and Japan suddenly seemed like the most relevant market in the world. Since the BOJ instituted its Yield Curve Control (YCC) policy in 2016, ten-year JGB yields have been in a very narrow range around 0 bps. The reason the BOJ moved from traditional quantitative easing to yield targeting was simply that its balance sheet had expanded so much that it seemed like it might run out of bonds to buy. 2YCC has solved that problem and kept ten-year rates pegged near zero, but it has also left volatility so low that some tactical investors have reduced their exposures to JGBs. Volumes in the market have declined.3 However, this complacency about Japan, on the part of international investors, may make global markets even more vulnerable to future moves in JGBs. Some strategists have suggested the low yields in Japan (and perhaps Germany) have dragged down global yields via the substitution effect. -
Evolving Cultural Landscape and Development of Modern Japan
IKEGAYA, MAKOTO, M.A. Geographic Study of Historic Preservation: Evolving Cultural Landscape and Development of Modern Japan. (2013) Directed by Dr. Susan M. Walcott. 131 pp. The development of new architectural styles, infrastructure and construction materials in the Meiji period (1868-1912 CE), is tied to the creation of a modern Japanese identity. Despite recent developments toward preserving important historic property in Japan, many lesser known historical and vernacular sites continue to be ignored and have been ruined over time. An academic study of historic preservation is rare in Japan and in geography. The main purpose of this research is to clarify the role of historic preservation and to identify it with the rise of Japanese nationalism, economic development, and construction of the built environment during the pivotal Meiji period. The natural setting and history of Japan was examined and strategic plans for potential improvement in the field of Japanese historic preservation in the future are illustrated using case studies of the preservation projects of the Ise Jingu, Horyu-ji, the Tomioka Silk Mill, the Tokyo Station, and the Meiji Mura. Keywords: Built environment, cultural landscape, historic preservation, Meiji-Japan, national identity GEOGRAPHIC STUDY OF HISTORIC PRESERVATION: EVOLVING CULTURAL LANDSCAPE AND DEVELOPMENT OF MODERN JAPAN by Makoto Ikegaya A Thesis Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Arts Greensboro 2013 Approved by Committee Chair APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. -
Bamcinématek Presents Ghosts and Monsters: Postwar Japanese Horror, Oct 26—Nov 1 Highlighting 10 Tales of Rampaging Beasts and Supernatural Terror
BAMcinématek presents Ghosts and Monsters: Postwar Japanese Horror, Oct 26—Nov 1 Highlighting 10 tales of rampaging beasts and supernatural terror September 21, 2018/Brooklyn, NY—From Friday, October 26 through Thursday, November 1 BAMcinématek presents Ghosts and Monsters: Postwar Japanese Horror, a series of 10 films showcasing two strands of Japanese horror films that developed after World War II: kaiju monster movies and beautifully stylized ghost stories from Japanese folklore. The series includes three classic kaiju films by director Ishirô Honda, beginning with the granddaddy of all nuclear warfare anxiety films, the original Godzilla (1954—Oct 26). The kaiju creature features continue with Mothra (1961—Oct 27), a psychedelic tale of a gigantic prehistoric and long dormant moth larvae that is inadvertently awakened by island explorers seeking to exploit the irradiated island’s resources and native population. Destroy All Monsters (1968—Nov 1) is the all-star edition of kaiju films, bringing together Godzilla, Rodan, Mothra, and King Ghidorah, as the giants stomp across the globe ending with an epic battle at Mt. Fuji. Also featured in Ghosts and Monsters is Hajime Satô’s Goke, Body Snatcher from Hell (1968—Oct 27), an apocalyptic blend of sci-fi grotesquerie and Vietnam-era social commentary in which one disaster after another befalls the film’s characters. First, they survive a plane crash only to then be attacked by blob-like alien creatures that leave the survivors thirsty for blood. In Nobuo Nakagawa’s Jigoku (1960—Oct 28) a man is sent to the bowels of hell after fleeing the scene of a hit-and-run that kills a yakuza. -
1521931399033.Pdf
By Goji-Anon Godzilla. A legend with over 50 years of cinematic history under his belt. His popularity is undeniable around the world - Hell some places ran news stories about Godzilla’s death in Godzilla vs Destroyah. So, it only makes sense that he would break into the world of American comics. The company that produces the greatest number of these comics is IDW comics. They’ve created an expansive universe for Godzilla and other assorted characters. The majority of these comics are just small mini-series telling interesting stories with Godzilla as the principal character; however, there is one series they have that’s connected. Godzilla: Kingdom of Monsters, Godzilla: Ongoing, and Godzilla: Rulers of Earth. This will be the continuity that you start in Jumper. You start just before Godzilla awakens and all Hell breaks loose. You’ll need some help to survive in this world jumper. Have 1000 CP to help you out. Locations (Roll 1D8) Tokyo, Japan The classic start. Japan’s bustling metropolis and the world largest monster magnet. This city isn’t as prone to monster attack as it is in the movies but it is still by far the most active when it comes to kaiju activity. Washington D.C, USA America’s capital city. Strangely enough this place doesn’t get hit to often by Kaiju attacks. At least, it’s not the first target hit. Paris, France The City of Lights. It’s best to be careful around here jumper; the city is soon to come under attack by the kaiju Battra under the order of two psychic, psychopathic twins: Minnette and Mallorie. -
British Diplomatic Perceptions of Modernisation and Change in Early Meiji Japan, 1868-90
BRITISH DIPLOMATIC PERCEPTIONS OF MODERNISATION AND CHANGE IN EARLY MEIJI JAPAN, 1868-90 FAUZIAH FATHIL Submitted for the Degree of PhD in History School of Oriental and African Studies University of London 2006 ProQuest Number: 10672846 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10672846 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 2 ABSTRACT In studying foreign images, it is generally necessary to examine the views of relevant actors, and few, if any, actors are more relevant than diplomats as they are directly related to foreign diplomacy or relations between countries. While many works have been written on popular images of Meiji Japan as perceived by Western visitors, very few have so far touched on images of Meiji Japan as viewed by British diplomats. Using mainly archive materials, this thesis aims to study British diplomatic views of political, economic and social change in Japan during the crucial early stages of that country's modernisation in the first half of the Meiji period. The thesis examines various patterns of diplomatic views as they witnessed the different changes that took place in Meiji Japan, most notably the diversity of views and images of the modernisation of the country. -
Godzilla and the Japanese After World War II: from a Scapegoat of the Americans to a Saviour of the Japanese
Godzilla and the Japanese after World War II: From a scapegoat of the Americans to a saviour of the Japanese Yoshiko Ikeda Ritsumeikan University Abstract. This paper examines how five Godzilla films illuminate the complicated relationship between Japan and the United States over the use of nuclear weapons. The United States dropped the first atomic bombs on Japan and created the first nuclear monster film, The Beast from 20,000 Fathoms (1953), which inspired the Godzilla series. The popularity of these Godzilla films derives from skilfully grappling with the political, social and cultural problems created by the use of nuclear weapons and science/technology, both inside Japan and in relations between Japan and the United States. This paper takes a historical perspective and shows how the Godzilla characters reflect these attitudes across time, moving from a scapegoat for the Americans to a saviour of the Japanese. Gojira (Godzilla) series An ancient monster, deformed by a series of nuclear bomb tests and expelled from his natural habitat, lands in Tokyo and starts destroying Japanese cities. Given the name Godzilla, he destroys these symbols of civilisation as if seeking revenge on humankind for creating such technology. Gojira,1 produced and released by Toho Studio, was a breakthrough hit in Japan in 1954.2 It was followed by 29 Japanese sequels and two American versions of the Japanese films, Godzilla, King of the Monsters (1956) and Godzilla 1985: The Legend is Reborn (1984). Gojira was Japan’s first export film and the series appealed to both Japanese and foreign audiences. Over the past 50 years, Godzilla has transformed in shape and character, playing various roles in the stories. -
I N V O I C E
CULVER DIGITAL DISTRIBUTION 10202 West Washington Boulevard Culver City, CA 90232-3195 USA I N V O I C E INVOICE NUMBER: 1869 Please Send Remittances To: CUSTOMER NUMBER: INVOICE DATE: 02-11-2014 CULVER DIGITAL DISTRIBUTION DUE DATE: Net 60 Dept. 1101 PO BOX 121101 Dallas, TX 75312-1101 REFERENCE: PLEASE INDICATE INVOICE NUMBER BILLED TO: Overnight/Courier Service Instructions: Barnes & Noble Lockbox Number 891101 76 Ninth Avenue Address: 888 S Greenville Avenue, Suite 200 New York, NY 10011 Richardson, TX 75081-5044 Attn: Matthew Tierney Phone #: 972-680-1900 Ph: 212-414-6121 REFERENCE: PLEASE INDICATE INVOICE NUMBER Electronic Funds Transfer: Bank Name: Mellon Client Services Center Bank Address: 500 Ross Street, Room 154-0940 Pittsburg, PA 15262-0001 PURCHASE ORDER: N/A ABA Routing #: 043000261 Account#: 0090632 Account Name: Culver Digital Distribution Swift Code (foreign wires): MELNUS3P REFERENCE: PLEASE INDICATE INVOICE NUMBER From Date To Date Ref# Price Description Item # Qty Ext Price ========== ====================================================================================== ==================== =========== $50 Apr13 - Jan14 $50 Servicing Fee for Features title set up per contract - 837 Titles 837 $41,850.00 Current Balance: $41,850.00 SALES ORDER COMMENT: PLEASE REFERENCE INVOICE NUMBER ON WIRE OR PAYMENT. THANK YOU. For billing inquires, please contact Kyle Henderson at (310) 244-6844 or [email protected] BARNES & NOBLE Apr13 - Jan14 DST SERVICING FEES $50 Set-up Titles (Servicing Fee) MPM $ (DOLLARS) $50 F7201800000 -
Godzilla After the Meltdown-The Evolution and Title Mutation of Japan’S Greatest Monster
Godzilla After the Meltdown-the evolution and Title mutation of Japan’s greatest monster- Author(s) HAMILTON Robert,F Citation 明治大学国際日本学研究, 7(1): 41-53 URL http://hdl.handle.net/10291/17398 Rights Issue Date 2015/3/31 Text version publisher Type Departmental Bulletin Paper DOI https://m-repo.lib.meiji.ac.jp/ Meiji University 41 【研究ノート】 Godzilla After the Meltdown: the evolution and mutation of Japan’s greatest monster HAMILTON, Robert F. Abstract: Godzilla (1954) was an allegorical fi lm condemning America’s role in the testing and use of nuclear weapons. As the Godzilla series continued over decades, Japan’s relationship with America changed, as did the metaphors and references within the fi lms. In 2014, we now have the fi rst true American addition to the Godzilla series. This paper explores some of the ways in which Godzilla’s symbolic value has changed through the years, and as the series crossed cultures. Keywords: Godzilla, disaster, fi lm, nuclear energy “In 1954 we awakened something.” - Dr. Serizawa, Godzilla (2014) Godzilla was fi rst released in Japanese theatres in 1954, during a time of deep uncertainty for the nation. A mere nine years previously, the cities of Hiroshima and Nagasaki had been devastated by atomic bombs, bringing an end to the war, and beginning an era in which Japan needed to fi nd a new identity as it began rebuilding its infrastructure, political processes, and social value systems. Japan had endured a foreign occupation, a dismantling of its military, a foreign re-writing of its constitution, and a demotion of its emperor from the status of deity, to that of fi gurehead. -
Lighting of Hibiya Chanter (Toho Hibiya Building)
Journal of Science and Technology in Lighting Vol.44, 2020 doi: 10.2150/jstl.IEIJ20A000003 Lighting Photo Album Lighting of Hibiya Chanter (Toho Hibiya Building) Tokyo, Japan Figure 2 Godzilla square (After renovation). ©TOHO CO., LTD Figure 1 External view (After renovation). Brief summary Hibiya Chanter is the result of renovating an existing commercial building complex that was reconstructed for “Hibiya’s Theater District.” Hibiya is a theater dis- trict that is known for its urban space where people can “enjoy extraordinary events.” The project recon- structed the “streets” and “square” using a lighting plan that emphasizes night time scenery by creating a shad- owy effect with reduced brightness based on the area’s Figure 3 Panoramic view. ©TOHO CO., LTD historical context in Tokyo Midtown Hibiya. In par- ticular, the area was viewed as a theatrical stage that 4 pole lights (4 to 6 lamps per light, 5000 K, Ra83) featur- places importance on continuity with the surrounding ing a soothing light configuration that reduces excessive cityscape, while achieving the “intensified streetscape” brightness (while still ensuring the 2 lx illuminance for and “bustling atmosphere” that is typical of Hibiya. maintaining Chiyoda Ward roads). The project also cre- ated a square (approx. 30×20 m) where people can “en- Lighting facilities joy the colors of the four seasons” by utilizing a tiered —“Street” reconstruction that uses a shadowy effect to seating area that uses curved indirect lighting (3000 K) create a sense of depth to enhance the area’s cherry-blossom themed landscape. The area was viewed as a theatrical stage that fea- The three-dimensional plantings, which are visible at tured the exterior of the Hibiya Chanter Building being eye level, are illuminated with low-luminance spike LED overlaid in a three-dimensional relief of cherry blossoms spotlights (3000 K) to suppress excessive brightness. -
HIBIYA Magic Time Illumination a Special Show Featuring Tunes from a Famous Musical and Premium Shows for Rainy Days
November 1, 2018 For immediate release Mitsui Fudosan Co., Ltd. HIBIYA Magic Time Illumination A Special Show Featuring Tunes from a Famous Musical and Premium Shows for Rainy Days Tokyo, Japan, November 1, 2018 - Mitsui Fudosan Co., Ltd., a leading global real estate company headquartered in Tokyo, announced today that it will jointly hold an illumination event with Hibiya Area Management Association and Toho Co., Ltd., called Hibiya Magic Time Illumination in the Hibiya area, including Tokyo Midtown Hibiya, from Wednesday, November 14, 2018, to Thursday, February 14, 2019. Hibiya Magic Time Illumination will be held throughout the entire Hibiya area, centering on the Hibiya Naka Dori Street. * Total of approx. 400,000 lights used: Starlight Tree - approx. 70,000 lights, Hibiya area illumination - approx. 150,000 lights, Grinch green illumination - approx. 90,000 lights, Park View garden - approx. 10,000 lights, Imperial Hotel - approx. 70,000 lights ★ Starlight Tree 2018 ▲ Image of a special performance at the ▲ Image of a rainy day performance at the Starlight Tree Starlight Tree ★ Hibiya area illumination ★ Grinch Green Magic Illumination ▲ Opening Blue image of the Hibiya area ▲ Image of the Grinch Green Magic illumination Illumination 1 Starlight Tree 2018 Starlight Tree is a living tree about 8 meters tall and it welcomes people to the Hibiya step open space in Tokyo Midtown Hibiya. Every 15 minutes Magic Time comes around and the tree is bathed in color to the accompaniment of tunes from the musical “My Fair Lady.” Furthermore, the rainy day only performances are a must-see. Enjoy a special time just right for the town of entertainment. -
Women and Public Life in Early Meiji Japan
Women and Public Life in Early Meiji Japan Michigan Monograph Series in Japanese Studies Number 71 Center for Japanese Studies The University of Michigan Women and Public Life in Early Meiji Japan: The Development of the Feminist Movement MARA PATESSIO Center for Japanese Studies The University of Michigan Ann Arbor 2011 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 2011 by The Regents of the University of Michigan Published by the Center for Japanese Studies, The University of Michigan 1007 E. Huron St. Ann Arbor, MI 48104-1690 Library of Congress Cataloging-in-Publication Data Patessio, Mara, 1975- Women and public life in early Meiji Japan : the development of the feminist movement / Mara Patessio. p. cm. — (Michigan monograph series in Japanese studies ; no. 71) Includes bibliographical references and index. ISBN 978-1-929280-66-7 (hbk. : alk. paper) — ISBN 978-1-929280-67-4 (pbk. : alk. paper) 1. Women—Japan—History—19th century. 2. Women—Japan—History— 20th century. 3. Feminism—Japan—History—19th century. 4. Feminism— Japan—History—20th century. 5. Japan—History—1868- I. Title. II. Series. HQ1762.P38 2011 305.48-8956009034—dc22 2010050270 This book was set in Times New Roman. Kanji was set in Hiragino Mincho Pro. This publication meets the ANSI/NISO Standards for Permanence of Paper for Publications and Documents in Libraries and Archives (Z39.48-1992). Printed in the United States of America ISBN 978-1-92-928066-7 (hardcover) ISBN 978-1-92-928067-4