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Kennington Parkpark Thethe Birthplacebirthplace Ofof People’Speople’S Democracydemocracy
KenningtonKennington ParkPark TheThe BirthplaceBirthplace ofof People’sPeople’s DemocracyDemocracy StefanStefan SzczelkunSzczelkun KenningtonKennington ParkPark TheThe BirthplaceBirthplace ofof People’sPeople’s DemocracyDemocracy StefanStefan SzczelkunSzczelkun past tense Published by past tense Originally published 1997. Second edition 2005. This (third) edition 2018. past tense c/o 56a Infoshop 56 Crampton Street, London. SE17 3AE email: [email protected] More past tense texts and other material can be f ound at http://www.past-tense.org.uk http://pasttenseblog.wordpress.com https: twitter.com/@_pasttense_ https: www.facebook.com/pastensehistories The Birthplace of People’s Democracy A short one hundred and fifty years ago Kennington Common, later to be renamed Kennington Park, was host to a historic gathering which can now be seen as the birth of modern British democracy. In reaction to this gathering, the great Chartist rally of 10th April 1848, the common was forcibly enclosed and the Victorian Park was built to occupy the site. History is not objective truth. It is a selection of some facts from a mass of evidences to construct a particular view, which inevitably, reflects the ideas of the historian and their social milieu. The history most of us learnt in school left out the stories of most of the people who lived and made that history. If the design of the Victorian park means anything it is a negation of such a people’s history: an enforced amnesia of what the real Kennington Common, looking South, in 1839. On the right is the Horns Tavern; in the distance on the left is St. Marks Church. 1 importance of this space is about. -
Joining Papers 2 December 2014 Kia Oval, London London Development Conference 2014 Solving the City’S Housing Crisis
Tuesday Joining papers 2 December 2014 Kia Oval, London London Development Conference 2014 Solving the City’s housing crisis 1. Debate the opportunities and challenges in the London development market, from the practical to the visionary with over 200 other housing professionals 2. Hear high quality content led by London’s most reputable housing experts and policy makers including local authority councillors, MPs, regulators and representatives from visionary housing associations 3. Get an insight into what the future may bring with the 2016 London mayoral election Book your place at www.housing.org.uk/events @natfedevents call 020 7067 1066 email [email protected] #NHFDevelop JOINING INSTRUCTIONS The information provided in this document will help you get the most out of your time at the event. Please bring these instructions with you on the day, along with your confirmation letter, as they will help ensure you have a smooth arrival. VENUE DETAILS Kia Oval (Alec Stewart Gate) Kennington London SE11 5SS Tel: 0844 375 1845 Web: www.kiaoval.com TRAVEL DETAILS Full location and travel details can be found here: http://www.kiaoval.com/contact-us/getting-to-the- kia-oval/ By train: The nearest railway stations are Oval, which is a five minute walk and Vauxhall which is a twelve minute walk to Kia Oval. By underground: Take the Northern Line to the Oval tube station. The main entrance to the ground is 100 metres on your left on leaving the station. The ground is also a ten minute walk from Vauxhall tube station which is on the Victoria line. -
THE TRACKERS of OXYRHYNCHUS by Tony Harrison
Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Winter Season 2016-17 | October 2016 – January 2017 at the Finborough Theatre The first London production in nearly 30 years THE TRACKERS OF OXYRHYNCHUS by Tony Harrison. Directed by Jimmy Walters. Designed by Philip Lindley. Lighting by Rob Mills. Music by Piers Sherwood Roberts. Choreography by Amy Lawrence. Presented by Proud Haddock in association with Neil McPherson for the Finborough Theatre. Cast: Peta Cornish. Nik Drake. Richard Glaves. Sacha Mandel. Dylan Mason. Tom Purbeck. Dannie Pye. James Rigby. Adam Small. “I'm a God, Apollo, but I was tipped On a rubbish tip inside this manuscript. I’ve spent two thousand years asleep On an Oxyrhynchus rubbish heap." In a new production commissioned by the Finborough Theatre, the rediscovery of Tony Harrison’s The Trackers of Oxyrhynchus in its first London production for nearly 30 years opens at the Finborough Theatre for a four week limited season on Tuesday, 3 January 2017 (Press Nights: Thursday, 5 January and Friday, 6 January 2017 at 7.30pm). Egypt, 1907. Two archaeologists, Bernard Grenfell and Arthur Hunt, are searching for ancient fragments of poetry and plays, next to an old rubbish heap. Until the Greek God, Apollo, descends from the skies... Apollo is furious that they have failed to unearth the fragmentary text of a lost Satyr play by Sophocles. As he forces the two papyrologists to find the lost play, Grenfell and Hunt become part of the story they have discovered. Multi-award-winning poet and playwright Tony Harrison remakes the ancient Greek original into a play for our times – and rediscovers the satyr play. -
Road Modernisation Plan the Biggest Road Investment Programme for a Generation
London’s Road Modernisation Plan The biggest road investment programme for a generation Paul, Cindy, Toyin, Ikenna, Rakhi, Transport for London Foreword London is the engine of the British economy, This is a continual challenge in a city with a road and it is set to grow by almost two million network that was never designed to cater for people by 2031. That’s the equivalent of so much traffi c. We need to respond to these absorbing the populations of Birmingham changes and ensure our road network, and the and Leeds. It also means that an extra fi ve way we manage it, is fi t for a world city in the million daily trips, on top of the 26 million 21st century. trips that already happen every day, will take place by 2030. That is why we have planned an unprecedented programme of road improvements. Our Road This population growth is fuelling a boom Modernisation Plan is an integrated response to in property investment and development the way London is changing and growing, looking resulting in more homes, shops, public spaces to create better places, better cycling routes, and workplaces. At the same time, Londoners safer streets and more reliable journeys. It will and businesses have growing expectations help London cope with a growing population and of the quality of the streets where they live create hundreds of thousands of new jobs and and work. All of this affects the way our homes so we can remain one of the most vibrant, roads operate. accessible and competitive cities in the world. -
Two Bed Properties Looking for Larger
Two Bed Properties Looking for Larger MX REF ADDRESS PROPERTY TYPE PROPERTY DETAILS WANT AREA SPECIAL REQUIREMENTS Brixton, Newark House, Loughborough Kennington, OC315-2B Council Flat 2nd floor flat: no lift 3 Road, London, SW9 7SH Norwood, Oval, Tulse Hill Ground floor house conversion street property that is not on an estate. Biggest bedroom has French doors out to garden, which we have exclusive use of. Good Anywhere in OC163-2B Mervan Road, London, SW2 1DT Council Flat 3 size property, with big front room and main Lambeth bedroom. In good state of decoration, basement storage space, very close to Brixton. Clapham, Maisonette in a good location near clapham common OC282-2B Cedars Road, London, SW4 0PY Council Maisonette 3 Streatham or station and park, has a balcony Stockwell Streatham, 4th floor flat with balcony, off street parking, estate Clapham William Bonney Estate, London, OC189-2B Council Flat parking, close to shops & clapham common/north 3 Common, Tulse Ground or first floor only SW4 7JQ tube station. Hill, West Norwood Fairford House, Kennington Lane, 5th floor flat with lift, balcony, garage, refurbished Anywhere in OC172-2B Council Flat 3 London, SE11 4HW kitchen and bathroom, big spacy rooms Lambeth • Brixton 10th floor flat. 2 double rooms. Long balcony with an • Clapham amazing view that looks out over Battersea, friendly, • North Amesbury Tower, Wandsworth quiet area. Close to overground and various stores. OC985-2B Council Flat 3 Lambeth Road, London, SW8 3LG Bathroom, Kitchn & front door refurbished recently. • Stockwell Two working lifts. 24/7 Security. Parking also and Vassall available. • Streatham Ground floor flat, both double rooms. -
Workspace Where to Find Us
Workspace Where to Find us Workspace Group PLC is situated in Canterbury Court, Kennington Park Business Centre, which is situated at the intersection of Brixton Road and Camberwell New Road. Oval tube station (Northern line) is a 150m walk away providing direct access to Waterloo, London Bridge and The City. There are also numerous bus links direct into The City and Victoria. Borough Westminster GREAT DOVER STREET Lambeth BOROUGH ROAD Buckingham WESTMINSTER North Palace St. James’s BRIDGE BIRDCAGE WALKPark ST. GEORGE’S ROAD VICTORIA STREET NEW KENT ROAD HORSEFERRY LAMBETH ROAD BROOK DRIVE LAMBETH PALACE ROAD Elephant VAUXHALL BRIDGE ROAD ROAD & Castle RODNEY ROAD LAMBETH BRIDGE HAYGATE STREET BLACK PRINCES ROAD Victoria BELGRAVE ROAD The Gordon WALWORTH ROAD Hospital ROAD KENNINGTON FLINT STREET MILLBANK REGENCY STREET REGENCY ST. GEORGE’S DRIVE SUTHERLAND STREET KENNINGTON PARK ROAD ALBERT EMBANKMENT ALBERT Pimlico VAUXHALL COOK’S ROAD BRIDGE ALBANY ROAD The Oval GROSVENOR ROAD Cricket Ground Vauxhall Kennington Park FENTIMAN ROAD JON RUSKIN STREET CAMBERWELL ROAD CAMBERWELL NEW ROAD CANTERBURY COURT NINE ELM’S LANE WANDSWORTH ROAD WANDSWORTH BRIXTON ROAD S LAMBETH ROAD QUEENSTOWN RD QUEENSTOWN CLAPHAM ROAD kennington Underground: Northern line Buses: 133 / 333 / 415 oval Underground: Northern line Buses: 36 / 185 / 436 vauxhall Underground: Victoria line Mainline trains: London Waterloo & South West London (South West trains) Buses: 36 / 185 / 436 workspace.co.uk Workspace Group PLC Canterbury Court Kennington Park 1–3 Brixton Road London SW9 6DE Tel: 020 7138 3300 Fax: 020 7247 0157. -
Theatre6 Present
THEATRE6 PRESENT ADAPTED BY STEPHANIE DALE DIRECTED BY KATE Mc GREGOR MUSIC BY MARIA HAÏK ESCUDERO ADAPTED BY STEPHANIE DALE WELCOME FROM THEATRE6’S Persuasion debuted at the Playground ARTISTIC DIRECTOR, KATE MCGREGOR Theatre on Tuesday 17 April 2018. Welcome to Theatre6’s production of Jane Austen’s final novel Persuasion. This LATE SUMMER 1814 brand new adaptation by Stephanie Dale celebrates 200 years since the novel’s TO SPRING 1815. publication. Opening at the Playground Theatre in London, this production will tour Anne and Wentworth were young across the country, including two performances at one of the novel’s most famous and in love. Persuaded by her locations – Lyme Regis. prosperous and prominent family to refuse Wentworth’s proposal, Jane Austen loved the sea, music, nature and her family. She wrote during the Anne lost the great love of her life. Napoleonic Wars and saw two of her brothers become Captains in the Navy. Bath Our play, as in Austen’s original was a place she spent a great deal of time. Her own life was not free of tragedy story, takes place eight years after and heartbreak. What is remarkable about Jane’s writing is not only her detailed these events. understanding of her characters, plots, locations and the impact of society and history on people but also her ability to write about the human spirit. In a time where The performance lasts for approximately women had very little agency and power in society, she created female protagonists 2 hours including an interval. with aspirations, who longed for adventure, who were able to decipher their feelings and analyse their place in a changing world. -
FINISHING the PICTURE by Arthur Miller
Press Information ! ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES June–August Season 2018 The UK premiere of Arthur Miller’s final play FINISHING THE PICTURE by Arthur Miller. Directed by Phil Willmott. Set Design by Isabella Van Braeckel. Costume Design by Penn O’Gara. Lighting Design by Rachel Sampley. Sound Design by Nicola Chang. Presented by Nastazja Somers for The Phil Willmott Company in association with the Finborough Theatre. Cast: Patrick Bailey. Stephen Billington. Jeremy Drakes. Nicky Goldie. Rachel Handshaw. Oliver Le Sueur. Tony Wredden. "She is frightened and resentful and angry – and we’ve got about half an hour to cure all three.” Following his critically acclaimed, up-close reinvention of Arthur Miller’s Incident at Vichy and sell-out revival of The American Clock, multi-award-winning director Phil Willmott brings the intense focus of the intimate Finborough Theatre to bear on Miller’s final work, Finishing The Picture, opening for a four week limited season on Tuesday, 12 June 2018 (Press Nights: Thursday, 14 June 2018 and Friday, 15 June 2018 at 7.30pm.) As the women of today’s Hollywood campaign for dignity and equality, Finishing the Picture is a razor sharp psychological study of an abused, misunderstood female star and the havoc her unpredictability brings to a film set in 1961. Inspired by the filming of The Misfits, the screenplay Miller wrote for his then wife, Marilyn Monroe, and focused on the bemused and exasperated director, screen writer, producer, acting coaches and crew that closely mirror the real life production team of The Misfits – and whilst leading lady Kitty shares many characteristics with Monroe herself, Finishing the Picture – Arthur Miller’s very final play – is a devastating indictment of how a male-dominated movie industry inadvertently destroyed a vulnerable young woman, even as they transformed her into a screen goddess, and how they were unable to deal with the wreckage they caused. -
RACHAEL HILTON Representation: Alexandra Mclean-Williams
RACHAEL HILTON Representation: Alexandra McLean-Williams Playing Age: 28-40 Height: 5’7” Eyes: Blue Location: London/Manchester TELEVISION EMMERDALE – Jenny Cartwright ITV Mike Lacey DOCTORS – Beth Curran BBC Television Terry Iland ANONYMOUS – Harri Low Fat Films Ben Hilton GROWN-UPS – Sarah BBC Television Ben Kellet A DAY IN THE OFFICE – Candice McKeown Devita Productions Paul McKeown THE HALF OUR HALF HOUR – Various McKeown Devita Productions Paul McKeown TITTYBANGBANG – Kathy BBC Bob Mortimer STAGE ASKING FOR A FRIEND - Lynne Southwark Playhouse Chris Davis THE QUEST – Gemma Arcola Theatre Vicky Olusanya WAR OF THE WORLDS – Peggy Dot Dot Dot Jack Pirie DEATH IN TECHNICOLOUR – Waterloo East Theatre Jennifer Tyler Sarah TOKYO LOVE HOTEL Oval House Theatre Louise Orwin NEWSREVUE: CHRISTMAS RUN – The Canal Café Theatre Tamsyn Kelly Ensemble R(EX)CEPTION – Lady Lion & Unicorn Adam Morley Continued Chester House (Unit 2:15), Kennington Park, 1-3 Brixton Road, London SW9 6DE T +44 (0) 203 567 1090 E [email protected] www.mclean-williams.com Registered in England Number: 7432186 Registered Office: C/O William Sturgess & Co, Burwood House, 14 - 16 Caxton Street, London SW1H 0QY RACHEL HILTON continued RETURN – Nana/Yanar/Ensemble National Theatre Studio Poonam Brah NEWSREVUE – Kanye West/ Canal Café Theatre Lucy Grainger The Queen/Ensemble CONCRETE DUVET – Ensemble Leicester Square Theatre Sarah Henley SHINY THINGS MAKE IT ALL Southwark Playhouse Nadia Papachronopoul BETTER – Josie NIRVANA – Paige Leicester Square Theatre Adam Morley -
Jai Morjaria Lighting Designer
Jai Morjaria Lighting Designer Jai trained at RADA and won the 2016 Association of Lighting Designer’s ETC Award. ★ ★ ★ ★ Jai Morjaria’s lighting cutting neon strobes through the soft glow of the city streets The Guardian on Cruise (Duchess Theatre) ★ ★ ★ ★ Jai Morjaria’s lighting crowns [Ronkẹ Adékoluẹjo] with dazzling rays, giving her a regal magnificence The Times on Lava (Bush Theatre) Agents Dan Usztan Assistant [email protected] Charlotte Edwards 0203 214 0873 [email protected] 0203 214 0924 Credits In Development Production Company Notes WUTHERING HEIGHTS Wise Children/National Theatre Dir. Emma Rice 2021 (Lyttelton)/Bristol Old Vic THE SORCERER'S Northern Stage Dir. Maria APPRENTICE Crocker 2021 THE PRINCE AND THE Trinity Theatre Dir. Sean Turner PAUPER 2021 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Theatre Production Company Notes BIG BIG SKY Hampstead Theatre Downstairs Dir. Tessa Walker 2021 LAVA Bush Theatre Dir. Anthony Simpson-Pike 2021 MY SON'S A QUEER (BUT Turbine Theatre Dir. Luke Sheppard WHAT CAN YOU DO?) 2021 HUSHABYE MOUNTAIN Hope Mill Theatre Dir. Nick Bagnall 2021 CRUISE Duchess Theatre Dir. Bronagh Lagan 2021 PAWN/LIMBO Bush Theatre Dir. Daniel Bailey/Latekid & 2021 Avenhue SIRENS/WHITE LIES Arts Ed Dir. Tom Wright 2020 CINDERELLA Dukes Theatre, Lancaster Dir. Sarah Punshon 2019 OUT OF THE DARK Rose Theatre Kingston Dir. Fay Lomas 2019 AGES OF THE MOON Vaults Dir. Alexander Lass 2019 SHUCK'N'JIVE Soho Theatre Dir. Lakesha Arie-Angelo 2019 ANANSI THE SPIDER Unicorn Theatre Dir. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
October 2015 No.219, Quarterly, Free to Members
THE BRIXTON SOCIETY NEWSLETTER Autumn, October 2015 No.219, quarterly, free to members. Registered with the London Forum of Amenity Societies, Registered Charity No.1058103, Website: www.brixtonsociety.org.uk Welcome from the Editor It’s catch-up time again for those who have not been able to get to every meeting or event that we have highlighted. Following on from September’s Lambeth Heritage Festival, we have given more space to local history topics in this issue. However, there are still some big Regeneration issues continuing to trouble us. Pop Brixton hosted the launch of the Brixton Due to this being compiled and distributed in Design Trail last month, marking Brixton’s various members’ spare time, unavoidable involvement in the London Design Festival, absences mean this will reach most of you a which we hope will develop. (BDT-15-01.jpg) week later than usual. By then Lambeth’s Cabinet should have agreed a way forward on There’s still time to discover its Culture 2020 package. At the time of writing, only the Library proposals had been Lambeth’s Hidden River! unveiled, with the future of parks, recreation Lambeth Heritage Festival month has now centres and arts still unclear. Of course you passed, but there’s just time to catch the can get more frequent updates from our exhibition at the Morley Gallery in website and – if you supply me with an e-mail Westminster Bridge Road SE1, until Friday 23 address – occasional internet bulletins. October (11 am to 6 pm, closed Sundays). Space permitting, we try to feature local events It features Lambeth’s Thames riverside over and publish reminiscences or enquiries in our time, and also illustrates the full length of the newsletter.