Various Countries' Examples of and Countermeasures to Fake News
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The Loud Public: Users' Comments and the Online News Media
The Loud Public: Users' Comments and the Online News Media Na'ama Nagar∗ [email protected] April 13, 2009 ∗This paper is a first draft, please do not cite. If you would like an updated version of the paper feel free to contact me. 1 Introduction Research has already established that the availability of interactive features in news sites distinguishes online journalism from its offline counterparts (Pavlik 2000; Deuze and Paulussen 2002). Interactivity signifies a shift from the traditional media one-to-many communication flow to the emergence of a two-way communication model which converts online audiences from pas- sive to active media consumers (Pavlik 2001). The potential of interactivity to facilitate a dialogue between the media and its audiences is therefore in- disputable. Nonetheless, a series of studies has demonstrated that the use of interactive features by mainstream news sites is relatively limited, espe- cially features that promote user-to-user interactions (Chung 2004; Deuze 2003; Domingo 2008; Kenney et al. 2000; Massey and Levy 1999; Quinn and Trench 2000; Rosenberry 2005; Schultz 2000).1 This paper focuses primar- ily on mainstream news sites for two reasons. First, these sites are some of the most popular news sources in the World Wide Web (Rosenberry 2005). Additionally, these sites represent prominent offline news organizations and thus are more likely to be perceived as authoritative sources. Most research thus far on interactivity and the news media is mainly con- cerned with the integration of interactive features as a whole (Chung 2004, 2007; Domingo 2008; Massey and Levy 1999). This approach is important because it helps us to understand the aggregated effect of these features on the news production process. -
Ethics in Photojournalism: Past, Present, and Future
Ethics in Photojournalism: Past, Present, and Future By Daniel R. Bersak S.B. Comparative Media Studies & Electrical Engineering/Computer Science Massachusetts Institute of Technology, 2003 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER, 2006 Copyright 2006 Daniel R. Bersak, All Rights Reserved The author hereby grants to MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _____________________________________________________ Department of Comparative Media Studies, August 11, 2006 Certified By: ___________________________________________________________ Edward Barrett Senior Lecturer, Department of Writing Thesis Supervisor Accepted By: __________________________________________________________ William Uricchio Professor of Comparative Media Studies Director Ethics In Photojournalism: Past, Present, and Future By Daniel R. Bersak Submitted to the Department of Comparative Media Studies, School of Humanities, Arts, and Social Sciences on August 11, 2006, in partial fulfillment of the requirements for the degree of Master of Science in Comparative Media Studies Abstract Like writers and editors, photojournalists are held to a standard of ethics. Each publication has a set of rules, sometimes written, sometimes unwritten, that governs what that publication considers to be a truthful and faithful representation of images to the public. These rules cover a wide range of topics such as how a photographer should act while taking pictures, what he or she can and can’t photograph, and whether and how an image can be altered in the darkroom or on the computer. -
How I Came up with the Discrete Cosine Transform Nasir Ahmed Electrical and Computer Engineering Department, University of New Mexico, Albuquerque, New Mexico 87131
mxT*L. BImL4L. PRocEsSlNG 1,4-5 (1991) How I Came Up with the Discrete Cosine Transform Nasir Ahmed Electrical and Computer Engineering Department, University of New Mexico, Albuquerque, New Mexico 87131 During the late sixties and early seventies, there to study a “cosine transform” using Chebyshev poly- was a great deal of research activity related to digital nomials of the form orthogonal transforms and their use for image data compression. As such, there were a large number of T,(m) = (l/N)‘/“, m = 1, 2, . , N transforms being introduced with claims of better per- formance relative to others transforms. Such compari- em- lh) h = 1 2 N T,(m) = (2/N)‘%os 2N t ,...) . sons were typically made on a qualitative basis, by viewing a set of “standard” images that had been sub- jected to data compression using transform coding The motivation for looking into such “cosine func- techniques. At the same time, a number of researchers tions” was that they closely resembled KLT basis were doing some excellent work on making compari- functions for a range of values of the correlation coef- sons on a quantitative basis. In particular, researchers ficient p (in the covariance matrix). Further, this at the University of Southern California’s Image Pro- range of values for p was relevant to image data per- cessing Institute (Bill Pratt, Harry Andrews, Ali Ha- taining to a variety of applications. bibi, and others) and the University of California at Much to my disappointment, NSF did not fund the Los Angeles (Judea Pearl) played a key role. -
The Online News Genre Through the User Perspective
The Online News Genre through the User Perspective Carina Ihlström Jonas Lundberg Viktoria Institute, and Department of Computer and Information School of Information Science, Computer and Science, Linköping University, Electrical Engineering, S-581 83 Linköping, Sweden Halmstad University, P.O Box 823, E-mail: [email protected] S-301 18 Halmstad, Sweden E-mail: [email protected] Abstract The audience has also started to use the online newspapers in different ways depending on whether they Online newspapers, having existed on the Internet for a are subscribers to the printed edition or not. The couple of years, are now having similar form and content, subscribers use the online edition primarily as a source for starting to shape what could be called a genre. We have updated news during the day. The non-subscribers also analyzed the news sites of nine Swedish local newspapers use the online edition as their source for local news [4]. using a repertoire of genre elements consisting of The similarity of use by audience groups also contributes navigation elements, landmarks, news streams, headlines, to the shaping of a genre. search/archives and advertisements. We have also Genres mediate between communities, creating interviewed 153 end users at these newspapers. The expectations and helping people to find and create "more objective of this paper is to describe the user’s perspective of the same" [5]. For example, categorizing a movie as an of the online news genre described in terms of the "action movie" both helps the creators and the audience to repertoire of genre elements. -
Digital Video in Multimedia Pdf
Digital video in multimedia pdf Continue Digital Electronic Representation of Moving Visual Images This article is about the digital methods applied to video. The standard digital video storage format can be viewed on DV. For other purposes, see Digital Video (disambiguation). Digital video is an electronic representation of moving visual images (video) in the form of coded digital data. This contrasts with analog video, which is a moving visual image with analog signals. Digital video includes a series of digital images displayed in quick succession. Digital video was first commercially introduced in 1986 in Sony D1 format, which recorded a non-repressive standard digital video definition component. In addition to uncompressed formats, today's popular compressed digital video formats include H.264 and MPEG-4. Modern interconnect standards for digital video include HDMI, DisplayPort, Digital Visual Interface (DVI) and Serial Digital Interface (SDI). Digital video can be copied without compromising quality. In contrast, when analog sources are copied, they experience loss of generation. Digital video can be stored in digital media, such as Blu-ray Disc, in computer data storage, or transmitted over the Internet to end users who watch content on a desktop or digital smart TV screen. In everyday practice, digital video content, such as TV shows and movies, also includes a digital audio soundtrack. History Digital Video Cameras Additional Information: Digital Cinematography, Image Sensor, and Video Camera Base for Digital Video Cameras are metallic oxide-semiconductor (MOS) image sensors. The first practical semiconductor image sensor was a charging device (CCD) invented in 1969 using MOS capacitor technology. -
Watermarked Image Compression and Transmission Through Digital Communication System
International Journal of Electronics, Communication & Instrumentation Engineering Research and Development (IJECIERD) ISSN 2249-684X Vol. 3, Issue 1, Mar 2013, 97-104 © TJPRC Pvt. Ltd. WATERMARKED IMAGE COMPRESSION AND TRANSMISSION THROUGH DIGITAL COMMUNICATION SYSTEM M. VENU GOPALA RAO 1, N. NAGA SWETHA 2, B. KARTHIK 3, D. JAGADEESH PRASAD 4 & K. ABHILASH 5 1Professor, Department of ECE, K L University, Vaddeswaram, Andhra Pradesh, India 2,3,4,5 Student, Department of ECE, K L University, Vaddeswaram, Andhra Pradesh, India ABSTRACT This paper presents a process able to mark digital images with an invisible and undetectable secrete information, called the watermark, followed by compression of the watermarked image and transmitting through a digital communication system. This process can be the basis of a complete copyright protection system. Digital water marking is a feasible method for the protection of ownership rights of digital media such as audio, image, video and other data types. The application includes digital signatures, fingerprinting, broadcast and publication monitoring, copy control, authentication, and secret communication. For the efficient transmission of an image across a channel, source coding in the form of image compression at the transmitter side & the image recovery at the receiver side are the integral process involved in any digital communication system. Other processes like channel encoding, signal modulation at the transmitter side & their corresponding inverse processes at the receiver side along with the channel equalization help greatly in minimizing the bit error rate due to the effect of noise & bandwidth limitations (or the channel capacity) of the channel. The results shows that the effectiveness of the proposed system for retrieving the secret data without any distortion. -
Examples of Fake News Relevant for Young People
EXAMPLES OF FAKE NEWS RELEVANT FOR YOUNG PEOPLE FOSTERING INTERNET LITERACY FOR YOUTH WORKERS AND TEACHERS WITH A FOCUS ON FAKE NEWS This project has been funded with support from the European Commission. This publication [communication] reflects only the views of the author. Therefore The Commission cannot be held responsible for any eventual use of the information contained therein. Project No. 2017-3-AT02-KA205-001979 EXAMPLES OF FAKE NEWS RELEVANT FOR YOUNG PEOPLE As we are dealing with the fake news here in the project it is important to recognize how the real fake news look like, faced or confronted by children and young people on an everyday basis. To do this, we have asked European youth to send us the fake news. Below are the examples of topics young people are interested in and through which they are exposed to fake news. They are divided in the following spheres of their interest: www.fake-off.eu 02 Fun and Animal Created by Barbara Buchegger (OIAT/Saferinternet.at) 03 Stars and society, celebrities Matthias Jax (OIAT/Saferinternet.at) 13 Food and Diets Tetiana Katsbert (YEPP EUROPE) 14 Body image and Sexuality Jochen Schell (YEPP EUROPE) 19 Social networks and Manipulation 22 Health Contributions by Ulrike Maria Schriefl (LOGO jugendmanagement) 30 Life-Style, Beauty, Shopping, Fashion Thomas Doppelreiter (LOGO jugendmanagement) 33 World, technology and crime Stefano Modestini (GoEurope) 40 Propaganda and Politics Javier Milán López (GoEurope) 54 Scaremongering, Hoax and Group Pressure Alice M. Trevelin (Jonathan Cooperativa Sociale) Dario Cappellaro (Jonathan Cooperativa Sociale) 64 Nature, Environment Marisa Oliveira (Future Balloons) Vítor Andrade (Future Balloons) Clara Rodrigues (Future Balloons) Michael Kvas (bit schulungscenter) David Kargl (bit schulungscenter) Laura Reutler (bit schulungscenter Graphic design by Marcel Fernández Pellicer (GoEurope) This project has been funded with support from the European Commission. -
The Mainstreaming of US Games Journalism
The Mainstreaming of US Games Journalism David B. Nieborg University of Amsterdam Turfdraagsterpad 9 1012 XT Amsterdam, NL [email protected] Maxwell Foxman Columbia University 116th St & Broadway New York, NY 10027, USA [email protected] Keywords journalism studies, games journalism, mainstreaming, games coverage, games industry EXTENDED ABSTRACT While a decade ago coverage of video games in the mainstream press was hardly guaranteed, it is difficult today to find a major daily or lifestyle magazine in the United States—from USA Today to The New Yorker—that is not taking games seriously. And yet this “mainstreaming” of games coverage has hardly come easily. Aside from the struggles of game critics themselves, who have acutely pointed to their tenuous and dependent relationship on the industry (Nieborg & Sihvonen, 2009), perhaps the most notable portrayal of game culture over the past years has been the Gamergate scandal—one of the most vitriolic chapters in games journalism (Mortensen, 2016). As a consequence, the mainstreaming of games journalism has given rise to critical questions concerning the role of the reporter. What is his/her relationship to the games industry? And, how is she/he shaped by the traditional practices of the press? Our paper is part of an ongoing investigation into contemporary modes of games journalism and seeks to answer these questions through an exploratory study of mainstream US games journalists’ coverage of both their beat and the wider industry. The paper draws on valuable work about the ever-changing role of arts and entertainment critics (e.g. Frey 2015). It also expands on previous analyses that uncovered a network of structural ambivalences among games critics in the enthusiast press (Foxman & Nieborg, 2016), driven in part by its dependency on, yet in a combative relationship with, the industry. -
Write Fake Newspaper Article
Write Fake Newspaper Article Swampy Englebert sometimes besets his nullifier gyrally and habituates so sic! Vying and self-employed Bennett salts: which Sheffy is contradictable enough? Proportionless and self-condemning Haskell disdain almost crisply, though Benn martyrs his interambulacrum mortified. Get outdoors for my students type threat without questioning what happens next blog post. Taking something happened in fake article reveals some realistic. In certain amount of their opinion on my topic of expertise in their accuracy. Generating fake reading is now: a pound of eggs at all you want something that has a newspaper? Name sure the newspaper and Headline Enter the story ran a newspaper. Do so having one click on fake browsing records your writing activity, but prepare yourself to your next few seconds, learning is free. This week in class used as a fake tweet generator from a city. Examples of positive neutral and negative newspaper. If an attempt by. If you will come across shimla anaj mandi hp micr code coupon, national bank shimla anaj mandi hp micr code. Let's you a rotten Story Newspapers in Education. How nasty it court for an average where to generate fake news that you trick a. If we recommend you should not real threat without walking upon it works best essay generator allows users blocking you are most important for free newspaper. The fabric of mind, and might be a small text modeling where a generator as by this summary about them into your text. Editorials are infect by the editors of his newspaper or media outlet to blame the. -
Chapter 6 News Online: Uses, Perceptions and Displacement
Chapter 6 News online: Uses, perceptions and displacement effects over time Ester de Waal and Klaus Schoenbach Manuscript submitted for publication Abstract This study examines changes in the profile of online news users, their uses and perceptions of online news and eventually how this affects the use of traditional media between 2002 and 2005 in the Netherlands by means of a two-wave panel survey. Findings indicate that online news users have become more mainstream in some ways, but also more distinct in others. The analyses reveal interesting differences between perceptions of online newspapers and “other,” “non-paper” news sites on the Internet. Trends in uses and effects are most evident among particular socio-demographic groups, among which young people. The first signs of media use displacement effects are visible. Under different conditions online news gradually substitutes for printed newspapers, free local newspapers and teletext, and non-paper news sites for online newspaper sites. Introduction So far, users of newspaper Websites still have had the characteristics of the “early majority” or even of “early adopters” (Rogers, 2003): Highly- educated and younger people, men, and high-income earners are still more likely to visit newspapers online than nonusers (e.g., De Waal, Schönbach, 110 Uses and effects of online news & Lauf, 2005; Dutta-Bergman, 2004; Nielsen//NetRatings, 2005; Zhu & He, 2002). But, the consumption of online news is continuously growing (see e.g., Horrigan, 2006). Some particularly worry about the political consequences of online news becoming more widespread. Increasing options for online users and greater individual power to customize what one consumes have both been hailed and feared. -
Protecting Citizen Journalists: Why Congress Should Adopt a Broad Federal Shield Law
YALE LAW & POLICY REVIEW Protecting Citizen Journalists: Why Congress Should Adopt a Broad Federal Shield Law Stephanie B. Turner* INTRODUCTION On August 1, 20o6, a federal district judge sent Josh Wolf, a freelance video journalist and blogger, to prison.' Wolf, a recent college graduate who did not work for a mainstream media organization at the time, captured video footage of an anti-capitalist protest in California and posted portions of the video on his blog.2 As part of an investigation into charges against protestors whose identi- ties were unknown, federal prosecutors subpoenaed Wolf to testify before a grand jury and to hand over the unpublished portions of his video.' Wolf re- fused to comply with the subpoena, arguing that the First Amendment allows journalists to shield their newsgathering materials.4 The judge disagreed, and, as * Yale Law School, J.D. expected 2012; Barnard College, B.A. 2009. Thank you to Adam Cohen for inspiration; to Emily Bazelon, Patrick Moroney, Natane Single- ton, and the participants of the Yale Law Journal-Yale Law & Policy Review student scholarship workshop for their helpful feedback on earlier drafts; and to Rebecca Kraus and the editors of the Yale Law & Policy Review for their careful editing. 1. See Order Finding Witness Joshua Wolf in Civil Contempt and Ordering Con- finement at 2, In re Grand Jury Proceedings to Joshua Wolf, No. CR 06-90064 WHA (N.D. Cal. 2006); Jesse McKinley, Blogger Jailed After Defying Court Orders, N.Y. TIMES, Aug. 2, 2006, at A15. 2. For a detailed description of the facts of this case, see Anthony L. -
Incorrect, Fake, and False. Journalists' Perceived Online Source Credibility
Observatorio (OBS*) Journal, (2018), 037-052 1646-5954/ERC123483/2018 037 Incorrect, fake, and false. Journalists’ perceived online source credibility and verification behavior Maurice Vergeer* *Radboud University Nijmegen, The Netherlands Abstract This study focuses on the extent journalists verify information provided by online sources, and tests to what extent this verification behavior can be explained by journalists’ perceived credibility of online information and other factors, such as journalism education of journalists, work and Internet experience, and work environment (broadcasting, newspapers, Internet). Although several studies have focused on perceived credibility of online information, none have tested its effect on actual verification behavior. This study will perform that test. Using a sample from the membership database of the Dutch Association of Journalists, a web questionnaire was used to ask journalists about their opinions, behavior, and professional background characteristics. Regression analysis was used to test the hypotheses. Analyses show that journalism education does not affect journalists’ verification behavior, neither directly nor indirectly via perceived online source credibility. Perceiving online information as less credible does not lead to verifying online information more extensively. Journalism education only affects the extent journalists perceive online (semi-) governmental information as less credible. The findings question the role of formal and informal professional socialization in training journalists to become professional journalists adhering to professional standards. Keywords: journalism; professional socialization; perceived information credibility; verification behavior; Internet experience; news production While the Internet provides journalists with many new advantages, such as ease of information retrieval, increased speed of publishing, and new ways to reach audiences, recent years has shown that using the Internet for information gathering is not too take lightly.