News Consumption in the UK: 2018
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Guardian News & Media
Response to Ofcom consultations on the BBC’s commercial activities and assessing the impact of the BBC’s public service activities About Guardian News & Media Guardian Media Group (GMG), a leading commercial media organisation, is the owner of Guardian News & Media (GNM) which publishes theguardian.com and the Guardian and Observer newspapers. Wholly owned by The Scott Trust Ltd, which exists to secure the financial and editorial independence of the Guardian in perpetuity, GMG is one of the few British-owned newspaper companies and is one of Britain's most successful global digital businesses, with operations in the USA and Australia and a rapidly growing audience around the world. As well as being a leading national quality newspapers, the Guardian and The Observer have championed a highly distinctive, open approach to publishing on the web and have sought global audience growth as a priority. A key consequence of this approach has been a huge growth in global readership, as theguardian.com has grown to become one of the world’s leading quality English language newspaper website in the world, with over 156 million monthly unique browsers. From its roots as a regional news brand, the Guardian now flies the flag for Britain and its media industry on the global stage. Introduction GMG is a strong supporter of the BBC, its core values of public service and its contribution to British public life. GMG supports the fundamentals of the BBC in its current form and a universal service funded through a universal levy, at least for the period covered by the next BBC Charter. -
The Loud Public: Users' Comments and the Online News Media
The Loud Public: Users' Comments and the Online News Media Na'ama Nagar∗ [email protected] April 13, 2009 ∗This paper is a first draft, please do not cite. If you would like an updated version of the paper feel free to contact me. 1 Introduction Research has already established that the availability of interactive features in news sites distinguishes online journalism from its offline counterparts (Pavlik 2000; Deuze and Paulussen 2002). Interactivity signifies a shift from the traditional media one-to-many communication flow to the emergence of a two-way communication model which converts online audiences from pas- sive to active media consumers (Pavlik 2001). The potential of interactivity to facilitate a dialogue between the media and its audiences is therefore in- disputable. Nonetheless, a series of studies has demonstrated that the use of interactive features by mainstream news sites is relatively limited, espe- cially features that promote user-to-user interactions (Chung 2004; Deuze 2003; Domingo 2008; Kenney et al. 2000; Massey and Levy 1999; Quinn and Trench 2000; Rosenberry 2005; Schultz 2000).1 This paper focuses primar- ily on mainstream news sites for two reasons. First, these sites are some of the most popular news sources in the World Wide Web (Rosenberry 2005). Additionally, these sites represent prominent offline news organizations and thus are more likely to be perceived as authoritative sources. Most research thus far on interactivity and the news media is mainly con- cerned with the integration of interactive features as a whole (Chung 2004, 2007; Domingo 2008; Massey and Levy 1999). This approach is important because it helps us to understand the aggregated effect of these features on the news production process. -
The Counter-Aesthetics of Republican Prison Writing
Notes Chapter One Introduction: Taoibh Amuigh agus Faoi Ghlas: The Counter-aesthetics of Republican Prison Writing 1. Gerry Adams, “The Fire,” Cage Eleven (Dingle: Brandon, 1990) 37. 2. Ibid., 46. 3. Pat Magee, Gangsters or Guerillas? (Belfast: Beyond the Pale, 2001) v. 4. David Pierce, ed., Introduction, Irish Writing in the Twentieth Century: A Reader (Cork: Cork University Press, 2000) xl. 5. Ibid. 6. Shiela Roberts, “South African Prison Literature,” Ariel 16.2 (Apr. 1985): 61. 7. Michel Foucault, “Power and Strategies,” Power/Knowledge: Selected Interviews and Other Writings, 1972–1977, ed. Colin Gordon (New York: Pantheon, 1980) 141–2. 8. In “The Eye of Power,” for instance, Foucault argues, “The tendency of Bentham’s thought [in designing prisons such as the famed Panopticon] is archaic in the importance it gives to the gaze.” In Power/ Knowledge 160. 9. Breyten Breytenbach, The True Confessions of an Albino Terrorist (New York: Farrar, Straus & Giroux, 1983) 147. 10. Ioan Davies, Writers in Prison (Cambridge, MA: Blackwell, 1990) 4. 11. Ibid. 12. William Wordsworth, “Preface to Lyrical Ballads,” The Norton Anthology of English Literature vol. 2A, 7th edition, ed. M. H. Abrams et al. (New York: W. W. Norton, 2000) 250. 13. Gerry Adams, “Inside Story,” Republican News 16 Aug. 1975: 6. 14. Gerry Adams, “Cage Eleven,” Cage Eleven (Dingle: Brandon, 1990) 20. 15. Wordsworth, “Preface” 249. 16. Ibid., 250. 17. Ibid. 18. Terry Eagleton, The Ideology of the Aesthetic (Cambridge, MA: Blackwell, 1990) 27. 19. W. B. Yeats, Essays and Introductions (New York: Macmillan, 1961) 521–2. 20. Bobby Sands, One Day in My Life (Dublin and Cork: Mercier, 1983) 98. -
Promoting Competition and Investment in Fibre Networks: BT Regulatory Financial Reporting
Promoting competition and investment in fibre networks: BT Regulatory Financial Reporting Reporting requirements covering wholesale fixed telecoms markets 2021-26 CONSULTATION: Publication Date: 6 February 2020 Closing Date for Responses: 1 April 2020 2020 BT Regulatory Financial Reporting Consultation Contents Section 1. Overview 2 2. Introduction 4 3. Regulatory reporting remedies in the Wholesale Fixed Telecoms Market Review 10 4. Published performance schedules 15 5. Preparation and assurance requirements 51 6. Information provided to Ofcom 81 7. Proposed SMP condition, directions and legal tests 92 Annexes A1. Responding to this consultation 104 A2. Ofcom’s consultation principles 107 A3. Consultation coversheet 108 A4. Consultation questions 109 A5. Draft legal instruments 110 1 2020 BT Regulatory Financial Reporting Consultation 1. Overview 1.1 On 8 January 2020, we published the consultation for our Wholesale Fixed Telecoms Market Review (WFTMR)1. This document sets out our proposed regulatory financial reporting requirements on BT in these markets. BT’s regulatory reporting will be subject to these requirements from April 2021 for five years. 1.2 Because the WFTMR covers most wholesale fixed telecoms markets we regulate and will determine our regulatory approach for the next five years, we are taking the opportunity to conduct a more holistic review of BT’s reporting requirements. This will ensure they remain fit for purpose while making the published information more accessible and easier to understand. 1.3 Our proposals cover the preparation and presentation of information published by BT, and information provided privately to Ofcom. What we are proposing We are proposing to impose regulatory financial reporting requirements on BT which require the production of Regulatory Financial Statements (RFS). -
Anne Karpf/The Sound of Home? Some Thoughts on How the Radio Voice Anchors, Contains and Sometimes Pierces (Pre-Print Version; Published in The
1 Anne Karpf/The sound of home? Some thoughts on how the radio voice anchors, contains and sometimes pierces (pre-print version; published in The Radio Journal, vol.11, no.1, April 2013, pp.59-73) Abstract This article argues that while psychoanalytic theory has been valuably employed by television, film and cultural studies, there has been no comparable 'psychoanalytic turn' in radio studies. It suggests that the concept of 'containment', as developed variously by Wilfred Bion and Esther Bick, might go some way to explain the powerful role that the voice of the radio presenter can play in the regular listener's internal world, with the capacity both to 'hold' the listener together, and to transform overwhelming fears into more manageable feelings. It argues that the disembodied radio voice does this partly because it recalls the prenatal power of the maternal voice, and partly through the temporal order that regular radio voices impose on the internal and external world. Both Second World War British radio catchphrases and Roosevelt's Fireside Chats are discussed in relation to their containment function. The article also explores the radio as a transitional space, as defined by Donald Winnicott, through which it can constitute listeners into an 'imagined community'. It ends by reflecting on the impact of the angry voice of 2 the 'shock-jock' which, it suggests, amplifies rather than contains overwhelming feelings.1 Contributor's details Anne Karpf is Reader in Professional Writing and Cultural Inquiry at London Metropolitan University. A journalist, broadcaster and radio critic of The Guardian for seven years, her books include 'The Human Voice' (Bloomsbury, 2006; Ehrenwirth, 2007; Autrement, 2008; Soshisha, 2008). -
Ethics in Photojournalism: Past, Present, and Future
Ethics in Photojournalism: Past, Present, and Future By Daniel R. Bersak S.B. Comparative Media Studies & Electrical Engineering/Computer Science Massachusetts Institute of Technology, 2003 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER, 2006 Copyright 2006 Daniel R. Bersak, All Rights Reserved The author hereby grants to MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _____________________________________________________ Department of Comparative Media Studies, August 11, 2006 Certified By: ___________________________________________________________ Edward Barrett Senior Lecturer, Department of Writing Thesis Supervisor Accepted By: __________________________________________________________ William Uricchio Professor of Comparative Media Studies Director Ethics In Photojournalism: Past, Present, and Future By Daniel R. Bersak Submitted to the Department of Comparative Media Studies, School of Humanities, Arts, and Social Sciences on August 11, 2006, in partial fulfillment of the requirements for the degree of Master of Science in Comparative Media Studies Abstract Like writers and editors, photojournalists are held to a standard of ethics. Each publication has a set of rules, sometimes written, sometimes unwritten, that governs what that publication considers to be a truthful and faithful representation of images to the public. These rules cover a wide range of topics such as how a photographer should act while taking pictures, what he or she can and can’t photograph, and whether and how an image can be altered in the darkroom or on the computer. -
Bias at the Beeb?
Pointmaker BIAS AT THE BEEB? A QUANTITATIVE STUDY OF SLANT IN BBC ONLINE REPORTING OLIVER LATHAM SUMMARY This paper uses objective, quantitative of coverage by the BBC than is coverage in methods, based on the existing academic The Daily Telegraph. literature on media bias, to look for evidence Once we control for coverage of a think-tank of slant in the BBC’s online reporting. in The Guardian, the number of hits a think- These methods minimise the need for tank received in The Daily Telegraph has no subjective judgements of the content of the statistically significant correlation with its BBC’s news output to be made. As such, they coverage by the BBC. are less susceptible to accusations of This paper then looks at the “health partiality on the part of the author than many warnings” given to think-tanks of different previous studies. ideological persuasions when they are The paper first examines 40 think-tanks mentioned on the BBC website. which the BBC cited online between 1 June It finds that right-of-centre think-tanks are far 2010 and 31 May 2013 and compares the more likely to receive health warnings than number of citations to those of The Guardian their left-of-centre counterparts (the former and The Daily Telegraph newspapers. received health warnings between 23% and In a statistical sense, the BBC cites these 61% of the time while the latter received think-tanks “more similarly” to that of The them between 0% and 12% of the time). Guardian than that of The Daily Telegraph. -
The Resurgent Role of the Independent Mortgage Bank
ONE VOICE. ONE VISION. ONE RESOURCE. IMB FACT SHEET The Resurgent Role of the Independent Mortgage Bank Independent mortgage banks (IMBs) are non-depository institutions that typically focus exclusively on mortgage lending. Mortgage bankers have originated and serviced loans since the 1870s, and independent mortgage bankers have been an important component of the mortgage market for more than a century. According to Home Mortgage Disclosure Act (HMDA) data, there were 838 independent mortgage bankers in 2016, with these lenders operating across all 50 states. Independent mortgage bankers are a diverse market segment, and can range in production volume from $10 million to almost $100 billion annually. Companies can have fewer than 100 employees or several thousand. The increasing importance of the independent mortgage banker strengthens the industry through the market diversity, competition and innovation that these firms can foster. THE FACTS ABOUT IMBs tested. Additionally, other entities, such as FHA, also provide oversight, establish minimum financial standards • Mortgage Banking Is a Time-Tested Business Model. and require regular financial reporting. The independent mortgage banking model has existed for more than 100 years, and provides important market • Independent Mortgage Bankers Support Communities, diversification. Consumers and the American Economy. There are more than 800 IMBs active in the market today, the vast • IMBs Have Skin in the Game. Most independent mortgage majority of which are locally owned institutions serving banks are private companies that are owned by a their communities by bringing mortgage funds from Wall single or small number of owners who are personally Street to Main Street. responsible for and financially tied to the success of the company. -
Statement: Ofcom's Plan of Work 2021/22
Ofcom’s plan of work 2021/22 Making communications work for everyone Ofcom’s plan of work 2021/22 – Welsh translation STATEMENT: Publication Date: 26 March 2021 Contents Section 1. Chief Executive’s foreword 1 2. Overview 3 3. Our goals and priorities for 2021/22 9 4. Delivering good outcomes for consumers across the UK 31 Annex A1. What we do 37 A2. Project work for 2021/2022 39 Plan of Work 2021/22 1. Chief Executive’s foreword Ofcom is the UK’s communications regulator, with a mission to make communications work for everyone. We serve the interests of consumers and businesses across the UK’s nations and regions, through our work in mobile and fixed telecoms, broadcasting, spectrum, post and online services. Over the past year we have learned that being connected is everything. High-quality, reliable communications services have never mattered more to people’s lives. But as consumers shift their habits increasingly online, our communications sectors are transforming fast. It is an exciting moment for our industries and for Ofcom as a regulator - it requires long-term focus alongside speed and agility in response to change. Against this backdrop our statement sets out our detailed goals for the coming financial year, and how we plan to achieve them. On telecoms, Ofcom has just confirmed a new long-term framework for investment in gigabit- capable fixed networks. In the coming year, we will shift our focus to support delivery against this programme, alongside investment and innovation in 5G and new mobile infrastructure. Following legislation in Parliament, we will put in place new rules to hold operators to account for the security and resilience of their networks. -
Daily Mail Letters Email Address
Daily Mail Letters Email Address statistically.Anurag is quadruplicate If arboraceous and or eff fatuous casually Stevie as optional usually Wardenoverheard follow-through his boscages desultorily overglancing and glancinglyedulcorating or barbotinereclimbing so anxiously ruggedly! and chaffingly, how sterile is Dietrich? Involved Mort profiling some jovialness and saints his Part of the same ads hint, our service was not being reported in favour of corporations own words, daily mail letters Make are to confident the changes. What really my mailing address? When you recall an announcement or just news release, both are acting as a reporter. Senior managers have responsibility for key businesses or functions within this Group. Editing is non existent. ITV show but confessed that maintaining her gym almost resulted in family arguments. ID email yesterday or today. All six months away the royal mail limited evidence of the daily mail letters are responding to do you! Very self to navigate by no pop up adverts! Writers retain rights to stress work after publication. Dial the above number and report in case you ensure not receive three scratch card along with now Daily Mail or The Mail on Sunday. Class Package International Service. The editorial staff have be contacted for printing new title or latest news. Letters become the property probably The Times and team be edited for publication. Such coverage would quickly cover to approximate in Parliament who are petrified both of Brexit and of legislation seen to brazen it. Always be cautious about search you befriend and what you word on social media. Both forms are show through UH Postal Services. -
Cycles in the Sky
Cycles in the Sky Star show for elementary grades RMSC Strasenburgh Planetarium Transcript of a typical springtime presentation Revised December 2015 Hello, boys and girls, ladies and gentlemen, and welcome to the Star Theater at your Strasenburgh Planetarium, part of the Rochester Museum & Science Center. For the next forty minutes you will use your eyes, your ears, and especially your brain to learn about the sky. To be sure you don’t miss anything you will need to pay quiet attention through the whole program. Your seat is made to give you a comfortable view of the ceiling here in the Star Theater. But the Star Theater ceiling is not like a regular ceiling. The Star Theater ceiling is shaped like a giant upside-down bowl. You might know the word for a ceiling with that shape – a dome. The dome here in the Star Theater is 40 feet high and 65 feet across. It is very smooth and light gray in color, so when we slowly turn down the lights the dome seems to go on forever like the sky. To make the dome look like the sky at night, we use that amazing blue machine in the center of the room. It may look like a space station from the 60’s, or a camera, or a robot, but it is …a star projector. If it’s a star projector, you can guess that its job is to project …stars! The star projector contains many light bulbs, large and small, that project beams of light onto the dome. -
Scottsih Newspapers Have a Long Hisotry Fof Involvement With
68th IFLA Council and General Conference August 18-24, 2002 Code Number: 051-127-E Division Number: V Professional Group: Newspapers RT Joint Meeting with: - Meeting Number: 127 Simultaneous Interpretation: - Scottish Newspapers and Scottish National Identity in the Nineteenth and Twentieth Centuries I.G.C. Hutchison University of Stirling Stirling, UK Abstract: Scotland is distinctive within the United Kingdom newspaper industry both because more people read papers and also because Scots overwhelmingly prefer to read home-produced organs. The London ‘national’ press titles have never managed to penetrate and dominate in Scotland to the preponderant extent that they have achieved in provincial England and Wales. This is true both of the market for daily and for Sunday papers. There is also a flourishing Scottish local weekly sector, with proportionately more titles than in England and a very healthy circulation total. Some of the reasons for this difference may be ascribed to the higher levels of education obtaining in Scotland. But the more influential factor is that Scotland has retained distinctive institutions, despite being part of Great Britain for almost exactly three hundred years. The state church, the education system and the law have not been assimilated to any significant amount with their counterparts south of the border. In the nineteenth century in particular, religious disputes in Scotland generated a huge amount of interest. Sport in Scotlaand, too, is emphatically not the same as in England, whether in terms of organisation or in relative popularity. Additionally, the menu of major political issues in Scotland often has been and is quite divergent from England – for instance, the land question and self-government.