DOCSLIB.ORG

Wavelab Elements 10.0.30 Table of Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wavelab Elements 10.0.30 Table of Contents Operation Manual Cristina Bachmann, Heiko Bischoff, Lillie Harris, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Benjamin Schütte, Marita Sladek This PDF provides improved access for vision-impaired users. Please note that due to the complexity and number of images in this document, it is not possible to include text descriptions of images. The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. Registered licensees of the product described herein may print one copy of this document for their personal use. All product and company names are ™ or ® trademarks of their respective owners. For more information, please visit www.steinberg.net/trademarks. © Steinberg Media Technologies GmbH, 2020. All rights reserved. WaveLab Elements_10.0.30_en-US_2020-03-25 Table of Contents 5 New Features 46 Undoing and Redoing 49 Zooming in the Workspace Window 7 WaveLab Elements Introduction 54 Presets 7 Platform-Independent Documentation 7 Help System 56 File Operations 8 Conventions 56 Recently Used Files 9 Key Commands 57 Save and Save As 59 Templates 10 Setting Up Your System 63 File Renaming 10 Connecting the Equipment 63 Deleting Files 10 Audio Cards and Background Playback 63 Temporary Files 10 Latency 64 Work Folders vs. Document Folders 11 ASIO-Guard 66 Copying Audio Information to the Clipboard 11 Defining Audio Connections 66 Setting the Focus on the Current File 14 CD/DVD Recorders 14 Remote Devices 67 Playback 67 Transport Bar 19 WaveLab Elements Concepts 76 Starting Playback From the Ruler 19 General Editing Rules 77 Playback Scrubbing 19 Startup Dialog 78 Scroll During Playback 20 Basic Window Handling 78 Playback in the Audio Montage Window 20 Selecting Audio 24 Sliders 79 Audio File Editing 24 Renaming Items in Tables 79 Wave Window 24 File Browser 83 Audio Editor Tabs 26 Tab Groups 90 File Handling in the Audio Editor 27 Peak Files 108 Changing the Audio Properties 28 Companion Files 108 Metadata 28 Processing Precision 111 Mixing Down – Audio Files Rendering 111 Silence Generator Dialog 30 Workspace Window 113 Bleep Censor 30 Audio Editor 114 Waveform Restoration with the Pen Tool 30 Audio Montage 31 Podcast Editor 115 Audio Analysis 31 File Tab 115 Global Analysis 32 Info Tab 122 3D Frequency Analysis 34 Tool Windows 125 Offline Processing 34 Meter Windows 125 Process Tab 34 Slide-Out Windows 127 Applying Processing 35 Docking and Undocking Tool Windows and 127 Gain Dialog Meter Windows 127 Level Normalizer Dialog 36 Command Bar 128 Envelope Dialog 37 Status Bar 129 Fades in Audio Files 38 Context Menus 130 Crossfades 39 Time Ruler and Level Ruler 131 Phase Inverting 42 Managing Tabs 131 Reversing Audio 43 Activating Full Screen Mode 132 DC Offset 43 Resetting the Default Workspace Layout 132 Time Stretching 44 Project Handling 134 Pitch Shift 44 Opening Files 135 Resample 45 Value Editing 136 Audio Montage 45 Drag Operations 136 Montage Window 3 WaveLab Elements 10.0.30 Table of Contents 140 Audio Montage Tabs 236 Looping Audio Which Is Not Very Well Suited 147 Signal Path in the Audio Montage for Looping 148 Creating New Audio Montages 239 Sample Attributes 148 Audio Montage Duplicates 241 Importing Audio CD Tracks 149 Creating an Audio Montage from an Audio File 241 Import Audio CD Dialog 149 Import Options for Audio Montages 244 Importing Audio CD Tracks 150 Missing Files Dialog 245 Searching Track Names on the Internet 151 Assembling the Audio Montage 245 Submitting Track Names to the Internet 155 Rearranging Clips 246 Ultra-Safe Mode 157 Clip Editing 246 Converting Audio CD Tracks to an Audio 162 Track Activity Indicator Montage 162 Envelopes for Clips 165 Fades and Crossfades in Audio Montages 247 Video 168 Effects for Tracks, Clips, and the Montage 247 Video Track Output 248 Video Clip Editing 177 CD Window 249 Video Window 179 Mixing Down – The Render Function 250 Video File Compatibility 179 Loudness Meta Normalizer 250 Frame Rates 181 Notes Window 253 WaveLab Exchange 181 Importing a Basic Audio CDs 253 WaveLab Elements as External Editor for 182 Recording Cubase/Nuendo 182 Setting Up the Recording Dialog 254 Cubase/Nuendo as External Editor for WaveLab 183 Dropping Markers During Recording Elements 183 Recording Dialog 255 Podcasts 188 Master Section 255 Podcast Editor 188 Bypassing the Master Section 259 Global Podcast Options 188 Master Section Window 259 Creating a Podcast 197 Rendering 260 Setting Up an FTP for Podcast Publishing 201 Saving Master Section Presets 260 Publishing Podcasts 204 Monitoring Background Tasks 260 FTP Settings Dialog 205 Dropouts 262 Checking the Podcast 206 Markers 263 Customizing 206 Marker Types 263 Customizing the Wave Window and the 207 Markers Window Montage Window 209 Creating Markers 264 Customizing Shortcuts 210 Deleting Markers 268 Customizing Command Bars 210 Moving Markers 268 Plug-in Organization 210 Navigating to Markers 274 Touch Bar (macOS only) 211 Hiding Markers of a Specific Type 275 Configuring WaveLab Elements 211 Converting Marker Types 275 Global Preferences 211 Renaming Markers 279 Audio Files Preferences 212 Selecting Markers 284 Audio Montages Preferences 212 Selecting the Audio Between Markers 286 Synchronizing WaveLab Elements Settings on 212 Binding Markers to Clips in the Audio Montage Several Computers 213 How Marker Information is Saved 287 Multi-User Settings 214 Metering 288 Index 214 Meter Windows 214 Meter Settings 214 Resetting the Meters 214 Level Meter 216 Spectroscope 216 Oscilloscope 218 Writing Operations 218 Write Audio CD Dialog 219 Erase Optical Media Dialog 220 Write Audio Montages 222 Data CD/DVD Projects 225 Audio CD Formats 228 Loops 228 Basic Looping 229 Loop Refinement 4 WaveLab Elements 10.0.30 New Features New Features in Version 10.0.30 Reveal File in File Explorer/macOS Finder ● The Reveal File in File Explorer/macOS Finder option is now also available in the File Browser window when you right-click in the file list. See File Browser Window. Play Back a New Time Selection from the Beginning of the Selection ● Play from Start of New Time Selection now allows you to play back a new time selection from the beginning of the selection. See Transport Bar. Sample Attribute Gain for WAV and AIFF Files ● For WAV and AIFF files, you can specify the sample attribute gain. See Sample Attributes Window. Undoing Edits after Saving ● Since WaveLab Elements 10, you can undo edits even after saving a file. Now the option Allow Undoing Edits after Saving File allows you to deactivate this function. This frees up disk space and removes all temporary files when saving. See Editing Tab. New Features in Version 10.0.0 Highlights History Window for Audio Files ● The Audio Editor now also has a History window. This allows you to see all versions of the audio file that you are working on. You can restore previous versions. See History Window for Audio Files. Inspector Window ● This window allows you to add effect plug-ins to tracks, clips, and the montage output. The Inspector replaces the Effects window. See Inspector Window. Video ● WaveLab Elements supports the integration of video files in your project. See Video. More New Features Track Control Area Redesign ● The track control area offers several new navigation options and other settings. See Track Control Area. Resizing Tracks ● You can now freely resize the track height and width in the montage window. See Resizing Tracks. 5 WaveLab Elements 10.0.30 New Features Number of Effect Plug-ins in the Master Section Increased ● You can now add 8 effect plug-ins to the Effects pane in the Master Section. See Effects Pane. File Browser Preview ● In the File Browser window, you can now listen to the selected audio file from any position by clicking the waveform in the Preview area. If the audio file contains markers, the markers are displayed in the preview waveform. See File Browser Window. Audio-Processing Load ● The Audio-Processing Load display shows the average audio-processing load of plug-ins during playback. This allows you to monitor the number of plug-ins you can use. See Audio- Processing Load. Using Undo/Redo after Saving Audio Files ● When you save audio files, the history is no longer deleted. Now you can use undo/redo even after saving audio files. See Saving an Audio File. Additional ID3-v2 Metadata ● Now you can add the metadata TCMP (Part of a compilation) to your audio file. See Metadata Dialog. Follow Playback in the CD Window ● This option allows you to see the CD track that is played back from within the CD window. See CD Window. Follow Playback in the Markers Window ● This option allows you to see the marker that is played back from within the Markers window. See Markers Window. 6 WaveLab Elements 10.0.30 WaveLab Elements Introduction Platform-Independent Documentation The documentation applies to the operating systems Windows and macOS. Features and settings that are specific to one of these platforms are clearly indicated. In all other cases, the descriptions and procedures in the documentation are valid for Windows and macOS. Some points to consider: ● The screenshots are taken from Windows. ● Some functions that are available on the File menu on Windows can be found in the program name menu on macOS. Help System There are several ways of accessing the help system.
Load more

Recommended publications
  • Nuendo Live 2.0.0
    Operation Manual Cristina Bachmann, Heiko Bischoff, Lillie Harris, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Benjamin Schütte, Marita Sladek This PDF provides improved access for vision-impaired users. Please note that due to the complexity and number of images in this document, it is not possible to include text descriptions of images. The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. Registered licensees of the product described herein may print one copy of this document for their personal use. All product and company names are ™ or ® trademarks of their respective owners. For more information, please visit www.steinberg.net/trademarks. © Steinberg Media Technologies GmbH, 2018. All rights reserved. Nuendo Live_2.0.0_en-US_2018-09-12 Table of Contents 4 Introduction 37 Editing Audio Events 4 Platform-Independent Documentation 37 Global Editing 4 Conventions 37 Selecting Events 5 How You Can Reach Us 38 Splitting Events 38 Trimming the Event Start and End 6 Setting Up Nuendo Live 38 Selecting Ranges 6 Setting Up Nuendo Live for Recording 39 Moving Events and Range Selections
    [Show full text]
  • The Winners AWA R DS 2018 Readers Vote for Quality, Innovation and Creativity in Audio Design REWARDING QUALITY and INNOVATION
    Awards The winners AWA R DS 2018 Readers vote for quality, innovation and creativity in audio design REWARDING QUALITY AND INNOVATION Interface(A-D/D-A) AWA R DS 2018 WINNER Antelope Audio Discrete 8 INTERFACE(A-D/D-A) Antelope Audio Discrete 8 REWARDING QUALITY AND INNOVATION As well as equipping their interfaces with a range of FPGA processing to run real time emulations of classic effects and processing, Antelope have turned their attention to the very front end of the signal chain. Putting that same FPGA power to work on modelling classic microphone responses built on some specially developed microphones, they now offer some compelling bundles built around the microphones and their Discrete 8 interface. Antelope’s offer includes two microphones — a large diaphragm condenser and a small diaphragm condenser. The LDC goes by the name of ‘Edge’ and features dual diaphragms, with the output of each side of the capsule available separately on a 5 pin XLR. The ‘Verge’ SDC is a fixed pattern cardioid. The Premium Plus bundle gets you one Edge microphone, six Verge mics, and up to eight essential characters of the originals.” channels worth of FPGA FX with four instances in each channel. Resolution’s Jon Thornton said: “I was able to compare a number of www.antelopeaudio.com original microphones to the emulations, including a U87, R121, DPA4006 and a KM184. And in every case the emulations bring out most of the Others nominated: Focusrite Red 8Pre, Grace Design m900, RME ADI-2 DAC Analogue mixer/controller AWA R DS 2018 WINNER ANALOGUE MIXER/CONTROLLER API Legacy AXS API Legacy AXS REWARDING QUALITY AND INNOVATION The Legacy AXS is The 500 slot above the small fader can a modular accommodate a 550A 3-Band EQ, 550b inline console, 4-Band EQ, 560 10-Band built with API’s Graphic EQ or 565 traditional Filter Bank (or, attention to indeed, any VPR analogue quality.
    [Show full text]
  • Pro Audio for Print Layout 1 9/14/11 12:04 AM Page 356
    356-443 Pro Audio for Print_Layout 1 9/14/11 12:04 AM Page 356 PRO AUDIO 356 Large Diaphragm Microphones www.BandH.com C414 XLS C214 C414 XLII Accurate, beautifully detailed pickup of any acoustic Cost-effective alternative to the dual-diaphragm Unrivaled up-front sound is well-known for classic instrument. Nine pickup patterns. Controls can be C414, delivers the pristine sound reproduction of music recording or drum ambience miking. Nine disabled for trouble-free use in live-sound applications the classic condenser mic, in a single-pattern pickup patterns enable the perfect setting for every and permanent installations. Three switchable cardioid design. Features low-cut filter switch, application. Three switchable bass cut filters and different bass cut filters and three pre-attenuation 20dB pad switch and dynamic range of 152 dB. three pre-attenuation levels. All controls can be levels. Peak Hold LED displays even shortest overload Includes case, pop filter, windscreen, and easily disabled, Dynamic range of 152 dB. Includes peaks. Dynamic range of 152 dB. Includes case, pop shockmount. case, pop filter, windscreen, and shockmount. filter, windscreen, and shockmount. #AKC214 ..................................................399.00 #AKC414XLII .............................................999.00 #AKC414XLS..................................................949.99 #AKC214MP (Matched Stereo Pair)...............899.00 #AKC414XLIIST (Matched Stereo Pair).........2099.00 Perception Series C2000B AT2020 High quality recording mic with elegantly styled True condenser mics, they deliver clear sound with Effectively isolates source signals while providing die-cast metal housing and silver-gray finish, the accurate sonic detail. Switchable 20dB and switchable a fast transient response and high 144dB SPL C2000B has an almost ruler-flat response that bass cut filter.
    [Show full text]
  • LAC-07 Proceedings
    LINUX AUDIO CONFERENCE BERLIN Lectures/Demos/Workshops Concerts/LinuxSoundnight P roceedin G S TU-Berlin 22.-25.03.07 www.lac.tu-berlin.de5 Published by: Technische Universität Berlin, Germany March 2007 All copyrights remain with the authors www.lac.tu-berlin.de Credits: Cover design and logos: Alexander Grüner Layout: Marije Baalman Typesetting: LaTeX Thanks to: Vincent Verfaille for creating and sharing the DAFX’06 “How to make your own Proceedings” examples. Printed in Berlin by TU Haus-Druckerei — March 2007 Proc. of the 5th Int. Linux Audio Conference (LAC07), Berlin, Germany, March 22-25, 2007 LAC07-iv Preface The International Linux Audio Conference 2007, the fifth of its kind, is taking place at the Technis- che Universität Berlin. We are very glad to have been given the opportunity to organise this event, and we hope to have been able to put together an interesting conference program, both for developers and users, thanks to many submissions of our participants, as well as the support from our cooperation partners. The DAAD - Berliner Künstlerprogramm has supported us by printing the flyers and inviting some of the composers. The Cervantes Institute has given us support for involving composers from Latin America and Spain. Tesla has been a generous host for two concert evenings. Furthermore, Maerz- Musik and the C-Base have given us a place for the lounge and club concerts. The Seminar für Medienwissenschaften of the Humboldt Universität zu Berlin have contributed their Signallabor, a computer pool with 6 Linux audio workstations and a multichannel setup, in which the Hands On Demos are being held.
    [Show full text]
  • Yamaha NUAGE Setup Guide Version
    Nuage Setup Guide Version 1.8 Table of Contents 1. Introduction ..................................................................................................................................... 4 2. Used Equipment List ...................................................................................................................... 4 3. Installing primary equipment ........................................................................................................ 5 3-1. Installing the controller and console desk ............................................................................. 5 3-2. Installing video monitors ....................................................................................................... 11 3-3. Installing Nuage I/O .............................................................................................................. 17 3.4. Installing the computer and peripheral hardware .............................................................. 17 3-5. Installing the network switch ................................................................................................ 20 3-6. Installing a KVM switch ....................................................................................................... 23 3-7. Installing video-related equipment ....................................................................................... 28 3-8. Installing powered speakers .................................................................................................. 34 3-9. Installing
    [Show full text]
  • Wavelab Elements 9 – Operation Manual
    Operation Manual Cristina Bachmann, Heiko Bischoff, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Kevin Quarshie, Benjamin Schütte This PDF provides improved access for vision-impaired users. Please note that due to the complexity and number of images in this document, it is not possible to include text descriptions of images. The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. Registered licensees of the product described herein may print one copy of this document for their personal use. All product and company names are ™ or ® trademarks of their respective holders. For more information, please visit www.steinberg.net/trademarks. © Steinberg Media Technologies GmbH, 2016. All rights reserved. Table of Contents 6 Introduction 50 Project Handling 6 Help System 50 Opening Files 7 About the Program Versions 51 Value Editing 7 Conventions 51 Drag Operations 8 How You Can Reach Us 53 Undoing and Redoing Actions 10 Setting Up Your System 53 Zooming 10 Connecting Audio 59 Presets 10 Audio Cards and Background Playback 62 File Operations 11 Latency 62 Recently Used Files 11 Defining VST Audio Connections 62 Save and Save As 14 CD/DVD Recorders 64 Templates 14 Remote Devices 68 File Renaming 20 WaveLab Elements Concepts 69 Deleting Files 20 General Editing Rules 69 Temporary Files 20 Startup Dialog 69 Work Folders vs.
    [Show full text]
  • Embedded Metadata in WAVE Files
    Embedded Metadata (in WAVE Files) CHRIS LACINAK AUDIOVISUAL PRESERVATION SOLUTIONS MUSIC LIBRARY ASSOCIATION 2011, PHILADELPHIA FEBRUARY 10, 2010 WWW.AVPRESERVE.COM [email protected] What Does Embedded Metadata Mean? Metadata that is stored inside the same file, or container that also stores the audiovisual essence to which the metadata refers MLA 2011, Philadelphia | February 10, 2011 Why Embed? The Government says it’s good for you. Or at least for them. http://www.digitizationguidelines.gov/guidelines/digitize-embedding.html MLA 2011, Philadelphia | February 10, 2011 Why Embed? Everyone else is doing it! Recorders and Cameras –Creation Software Applications & Editing Systems –Editing Asset Management and Workflow Systems - Management Distribution Platforms – Distribution and Access Filename dependencies are a nasty habit MLA 2011, Philadelphia | February 10, 2011 Why Embed? Or is that even the right question? Everyone else is doing it! Recorders and Cameras –Creation Software Applications & Editing Systems –Editing Asset Management and Workflow Systems - Management Distribution Platforms – Distribution and Access Filename dependencies are a nasty habit It exists in files, it is integral and it is useful To ignore it is to effectively de-catalog MLA 2011, Philadelphia | February 10, 2011 Importance to Archives Authenticity and Integrity Management Identification and Description Workflow Redundancy and Backup MLA 2011, Philadelphia | February 10, 2011 File Not Found/ The Record Industry's Digital Storage Crisis Rolling Stone, December 2010 “Label archivists tell horror stories about receiving hard drives that are blank or filled with unidentified files. "You'll get a drive with thousands of files on it," says Chris Lacinak of AudioVisual Preservation Solutions, which has helped preserve music for the Rock and Roll Hall of Fame.
    [Show full text]
  • Call Our Integration Specialists for Your Customized Computer Solution!
    316 INTEGRATED COMPUTER WORKSTATIONS APPLE MAC PRO The new Mac Pro is the fastest, most APPLE MACBOOK AIR The new MacBook Air is powerful Mac ever. Its new Intel Xeon processors increase up to 2.5x faster than before. It features the latest performance up to 1.5x, and advanced graphics processors Intel Core processors, high-speed Thunderbolt deliver high-performance graphics. It can even be config- I/O, a backlit keyboard, and OS X Lion, the next ured with up to 12 processor cores. You can add up to 32GB major release of the world’s most advanced desk- of memory, four PCI Express expansion cards, and up to top operating system. MacBook Air also comes 8TB of hard drive storage. The Mac Pro includes built-in standard with flash storage, so it boots up in sec- Wi-Fi and the Magic Mouse. Call for custom built-to-order onds, launches apps quickly, and wakes from sleep configurations. in an instant. And a long-lasting battery powers MacBook Key Features Air for up to 7 hours and offers up to 30 days of standby •Quad-Core or 6-Core Intel Xeon processor time. All in a durable unibody design that’s thin, light, and ready for anything. configurable up to 3.33GHz ITEM DESCRIPTION PRICE •Two Quad-Core or 6-Core Intel Xeon processors MACBOOK-AIR-11/64 .... 11.6" w/1.6GHz Core i5, 2GB, 64GB SSD, 256MB DDR3 shared ..... 999.00 configurable up to 2.93GHz MACBOOK-AIR-11/128 .. 11.6" w/1.6GHz Core i5, 2GB, 128GB SSD, 384MB DDR3 shared ..
    [Show full text]
  • Wavelab 5 Brochure (Englisch)
    WAVELAB 5 FEATURES General Features Audio-Montage Features DVD Audio Authoring • Real-time processing with 32-bit Floating Point accuracy • Innovative, clip-oriented editing system with • Full DVD Audio support including high resolution stereo and surround formats (all channel modes • ASIO, WDM and MME driver support outstanding performance defined in the DVD Audio specification are supported) • Support for 8-, 16-, 20-, 24-, 32-bit files with up to • Support for any output configuration from mono to • 16-bit and 24-bit resolution with up to 192 kHz 192 kHz resolution eight channels, including all standard surround formats sampling rate. WaveLab can create DVD-A disks up • Support for WAV, AIFF, AU, Ensoniq Paris 24 bit, • Direct import of split and interleaved surround files to "stereo, 24 bit, 192kHz" and "5.1, 24 bit, 48kHz", Sound Designer II, Ulaw, MP3, MP2 (M.U.S.I.C.A.M.), into separate tracks and "5.1, 16 bit, 96kHz" • Clips can be processed with up to 10 virtual effects • High resolution surround support with up to 24-bit WMA, AVI Audio, Sun/Java etc. and 48 kHz for all six channels (24- bit/96 kHz 6- • Support of Redbook Audio CD and DVD Audio • Track-based effects with up to 10 virtual effects channel surround requires MLP encoding – currently • Track volume control and surround panner with automation not supported by WaveLab 5) Now including-A Authoring full • Proprietary file format: OSQ for loss-less compression DVD of audio files for archiving • Track level meter • DVD Audio creation directly from Audio Montage • Any number
    [Show full text]
  • 5.5.4 Version History Known Issues & Solutions
    5.5.4 Version History Known issues & solutions July 2012 Steinberg Media Technologies GmbH Table of contents About ........................................................................................................................................ 3 Nuendo 5.5.4 ........................................................................................................................... 4 Improvements ............................................................................................................................. 4 Issues resolved .......................................................................................................................... 5 Nuendo 5.5.3 ........................................................................................................................... 6 Improvements ............................................................................................................................. 6 Issues resolved .......................................................................................................................... 7 Nuendo 5.5.2 ......................................................................................................................... 10 Improvements .......................................................................................................................... 10 Issues resolved ....................................................................................................................... 10 Nuendo 5.5.1 pre-release .................................................................................................
    [Show full text]
  • RTW Mastering Tools V4.0 | RTW Loudness Tools V4.0
    Release Notes Masterclass PlugIns Series EN RTW Mastering Tools V4.0 | RTW Loudness Tools V4.0 Software version: 4.0 Build Number: 4.0-0062 Build Date: February 10th, 2016 New Features • Offline Bouncing is now supported. It allows the accelerated measurement of the I, Mmax, Smax, TPmax, and LRA values via export or rendering of the audio file. • Additional installation as “stand-alone” application for measuring audio data without DAW. • Support of TASA and SAWA Cinema Loudness standards for Leq(m) measurement of Stereo and 5.1 audio signals. Corresponding presets for SAWA and TASA are included. • The spectral frequency distribution of single channels, channel pairs or groups up to 7.1 measured with the Real Time Analyzer ( RTA ) can now be controlled on 122 bands plus H band (1/12 octave) . The included low frequency mode allows the optimized control of low frequencies. Updates • Support of the optimized and resources sparing OpenGL® rendering to reduce CPU utilization. • When using the Mastering Tools with Pro Tools, the channels of multi-channel tracks (e. g. 5.1) will be allocated automatically. There is no need of hand operated routing in this case. Release Notes EN | RTW Masterclass PlugIns Page 1 of 5 Compatibility Platforms: • Windows ® 7 to 10: VST2.4, VST3, RTAS, AAX, Stand-alone Compatibility testing performed with: – Sequoia 12, Samplitude Pro X, Samplitude Pro X II, Pyramix 9 (VST2.4) – Cubase 7 to 8.5, Nuendo 6 to 7, WaveLab 8.5 Premiere Pro CC 2015 (VST3) – Pro Tools 10 (RTAS) – Media Composer 8 (AAX) – Pro Tools 11, Pro Tools 12 (AAX) • Mac OS X® 10.6.
    [Show full text]
  • Nuendo – Operation Manual
    Operation Manual Cristina Bachmann, Heiko Bischoff, Marion Bröer, Sabine Pfeifer The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publica- tion may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. All product and company names are ™ or ® trademarks of their respective owners. Windows XP is a trademark of Microsoft Corporation. Windows Vista is either a registered trademark or trademark of Microsoft Corporation in the United States and/or other countries. The Mac logo is a trademark used under license. Macintosh and Power Macintosh are registered trademarks. Release Date: September 14, 2007 © Steinberg Media Technologies GmbH, 2007. All rights reserved. Table of Contents 3 Table of Contents 105 Folder tracks 106 About folder tracks 8 About this manual 106 Handling folder tracks 9 Welcome! 107 Working with folder parts 10 VST Connections: Setting up input and 109 Using markers output busses 110 About markers 11 About this chapter 110 The Marker window 11 Setting up busses 111 Using the Marker track 14 Using the busses 113 Marker key commands 17 Setting up Groups and FX channels 113 Editing markers in the Project Browser 17 About monitoring 17 External instruments/effects
    [Show full text]