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Quidditch PR and Community Outreach
PUBLIC RELATIONS & QuidCamp 2017 COMMUNITY OUTREACH J Schillinger, N Hirst COMMUNITY ENGAGEMENT INTERNAL EXTERNAL Already involved with quidditch: Not involved with quidditch (yet): • Players • Press • Team staff • Potential spectators / fans • Family & friends • Potential sponsors SOCIAL MEDIA • Know your platform • Facebook: “regular” platform for announcements etc., story creation • Twitter: personal character, short stories, sometimes useful to communicate with people • Instagram & Snapchat: show the personal side of your organisation/team • Know your target audience • Internal: Facebook group, ... • External: Facebook page, Twitter, Instagram, ... • Be consistent • Style: tone, visuals, design • Content STYLE & METHODS STYLE & METHODS • Work with visuals to capture attention (pictures/videos) • Emotions in realtime work best (e.g. at tournaments) • Avoid long texts, nobody wants to read them • Shorten links (e.g. bit.ly) • Facebook: • Posts including pictures or videos are shown more regularly/higher on people‘s newsfeed • Use link previews where necessary, but consider replacing the automatic preview picture (or post a picture instead and include link in post) STYLE & METHODS Target group! Please just don‘t. Delete after Facebook got you the link preview Replace by matching photo (1500x785px) PRESS AND MEDIA • Important types: • News websites (short articles, unlimited space) • Newspaper (short articles, limited space) • Magazines (longer articles) • Radio (live or recorded) • TV (live or recorded) • Local media outlets are easier -
Sofia Coppola and the Significance of an Appealing Aesthetic
SOFIA COPPOLA AND THE SIGNIFICANCE OF AN APPEALING AESTHETIC by LEILA OZERAN A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Leila Ozeran for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2016 Title: Sofia Coppola and the Significance of an Appealing Aesthetic Approved: r--~ ~ Professor Priscilla Pena Ovalle This thesis grew out of an interest in the films of female directors, producers, and writers and the substantially lower opportunities for such filmmakers in Hollywood and Independent film. The particular look and atmosphere which Sofia Coppola is able to compose in her five films is a point of interest and a viable course of study. This project uses her fifth and latest film, Bling Ring (2013), to showcase Coppola's merits as a filmmaker at the intersection of box office and critical appeal. I first describe the current filmmaking landscape in terms of gender. Using studies by Dr. Martha Lauzen from San Diego State University and the Geena Davis Institute on Gender in Media to illustrate the statistical lack of a female presence in creative film roles and also why it is important to have women represented in above-the-line positions. Then I used close readings of Bling Ring to analyze formal aspects of Sofia Coppola's filmmaking style namely her use of distinct color palettes, provocative soundtracks, car shots, and tableaus. Third and lastly I went on to describe the sociocultural aspects of Coppola's interpretation of the "Sling Ring." The way the film explores the relationships between characters, portrays parents as absent or misguided, and through film form shows the pervasiveness of celebrity culture, Sofia Coppola has given Bling Ring has a central ii message, substance, and meaning: glamorous contemporary celebrity culture can have dangerous consequences on unchecked youth. -
2017 Annual Report As Board Members, the Melbourne Chairman of the Board
SPORT AT THE UNIVERSITY OF MELBOURNE ANNUAL REPORT 2017 CONTENTS Chairman’s Report 3 PERFORMANCE 22 02 Director’s Report 3 Representative Sport 23 ANNUAL REPORTANNUAL 2017 SPORTS Melbourne University Sport 4 - Australian University Games 23 The Journey to a Strategic Plan for Sport - Towards 2021 5 - Australian University Championships and other Intervarsity Events 24 HIGHLIGHTS 6 - Southern University Games 24 - Varsity Challenge 24 Water Safety Program Makes a Splash 7 Blues and Sports Awards 28 Andrew and Geraldine Buxton Athletics Scholarship Awarded to Regan Lamble 8 Representative Sport by the Numbers 29 University Football League Competition Extended 8 Elite Athlete Program 31 Sport is Important to Students 8 Outstanding Individual Results 33 Sport and Social Inclusion 9 Uni Blacks Celebrate Indigenous Round 9 CLUBS 41 Raising the Bar for Young Indigenous Athletes 10 Competitive 42 Active Campus and Indigenous Sport Programs Launch 10 Instructional 68 Melbourne University Soccer Club Celebrates 70th Anniversary 11 Recreational 73 University Athletes Represent Australia in World University Games 11 FINANCIAL AND PHYSICAL RESOURCES 79 Andrew Young Receives Prestigious Cricket Scholarship from the Bradman Foundation 12 Facilities 80 Blues and Sports Awards Recognise 150 Student-Athletes 12 - Beaurepaire Centre 80 Australian Boat Race Returns to the Yarra 13 - Athletics Track 80 University Blues Win Fifth Consecutive National Title 13 - Tennis Courts 80 Finance 81 - Student Services and Amenities Fee 81 PARTICIPATION 14 - Melbourne -
From People to Entities
From People to Entities: Typed Search in the Enterprise and the Web Der Fakultat¨ fur¨ Elektrotechnik und Informatik der Gottfried Wilhelm Leibniz Universitat¨ Hannover zur Erlangung des akademischen Grades Doktor der Naturwissenschaften (Dr. rer. nat.) genehmigte Dissertation von MSc Gianluca Demartini geboren am 06.12.1981, in Gorizia, Italien. 2011 Referent: Prof. Dr. Wolfgang Nejdl Ko-Referent: Prof. Dr. Heribert Vollmer Ko-Referent: Prof. Dr. Arjen P. de Vries Tag der Promotion: 06. April 2011 ABSTRACT The exponential growth of digital information available in Enterprises and on the Web creates the need for search tools that can respond to the most sophisticated informational needs. Retrieving relevant documents is not enough anymore and finding entities rather than just textual resources provides great support to the final user both on the Web and in Enterprises. Many user tasks would be simplified if Search Engines would support typed search, and return entities instead of just Web pages. For example, an executive who tries to solve a problem needs to find people in the company who are knowledgeable about a certain topic. Aggregation of information spread over different documents is a key aspect in this process. Finding experts is a problem mostly considered in the Enterprise setting where teams for new projects need to be built and problems need to be solved by the right persons. In the first part of the thesis, we propose a model for expert finding based on the well consolidated vector space model for Information Retrieval and investigate its effectiveness. We can define Entity Retrieval by generalizing the expert finding problem to any entity. -
Recollecting the Museum of the Moving Image
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2009 Under construction: recollecting the museum of the moving image Andrée Elise Comiskey Betancourt Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Betancourt, Andrée Elise Comiskey, "Under construction: recollecting the museum of the moving image" (2009). LSU Doctoral Dissertations. 2029. https://digitalcommons.lsu.edu/gradschool_dissertations/2029 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. UNDER CONSTRUCTION: RECOLLECTING THE MUSEUM OF THE MOVING IMAGE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by Andrée Elise Comiskey Betancourt B.A., Smith College, 1999 M.A., University College Dublin, 2002 August 2009 ©Copyright 2009 Andrée Elise Comiskey Betancourt All rights reserved. ii To John Egil Betancourt a) For promoting the art of outlining b) For the sweet, steady sunshine that nurtures my work c) For serving -
Signature Redacted
Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Master in Management HEC Paris, 2016 SUBMITTED TO THE MIT SLOAN SCHOOL OF MANAGEMENT IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MANAGEMENT STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2016 OFTECHNOLOGY 2016 Loubna Berrada. All rights reserved. JUN 08 201 The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic LIBRARIES copies of this thesis document in whole or in part ARCHIVES in any medium now known or hereafter created. Signature of Author: Signature redE cted MIT Sloan School of Management May 6, 2016 Certified by: Signature redacted Juanjuan Zhang Epoch Foundation Professor of International Management Professor of Marketing MIT Sloan School of Management Thesis Supervisor Accepted by: Signature redacted Rodrigo S. Verdi Associate Professor of Accounting Program Director, M.S. in Management Studies Program MIT Sloan School of Management 2 Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Submitted to MIT Sloan School of Management on May 6, 2016 in Partial fulfillment of the requirements for the Degree of Master of Science in Management Studies. Abstract I believe film has the power to transform people's lives and minds and to enlighten today's generation like any other medium. This is why I wanted to write my thesis about film distribution as it will determine the future of the industry itself. The way films are distributed, accessed and consumed will be critical in shaping our future entertainment culture and the way we approach content. -
TITLES = (Language: EN Version: 20101018083045
TITLES = http://wiitdb.com (language: EN version: 20101018083045) 010E01 = Wii Backup Disc DCHJAF = We Cheer: Ohasta Produce ! Gentei Collabo Game Disc DHHJ8J = Hirano Aya Premium Movie Disc from Suzumiya Haruhi no Gekidou DHKE18 = Help Wanted: 50 Wacky Jobs (DEMO) DMHE08 = Monster Hunter Tri Demo DMHJ08 = Monster Hunter Tri (Demo) DQAJK2 = Aquarius Baseball DSFE7U = Muramasa: The Demon Blade (Demo) DZDE01 = The Legend of Zelda: Twilight Princess (E3 2006 Demo) R23E52 = Barbie and the Three Musketeers R23P52 = Barbie and the Three Musketeers R24J01 = ChibiRobo! R25EWR = LEGO Harry Potter: Years 14 R25PWR = LEGO Harry Potter: Years 14 R26E5G = Data East Arcade Classics R27E54 = Dora Saves the Crystal Kingdom R27X54 = Dora Saves The Crystal Kingdom R29E52 = NPPL Championship Paintball 2009 R29P52 = Millennium Series Championship Paintball 2009 R2AE7D = Ice Age 2: The Meltdown R2AP7D = Ice Age 2: The Meltdown R2AX7D = Ice Age 2: The Meltdown R2DEEB = Dokapon Kingdom R2DJEP = Dokapon Kingdom For Wii R2DPAP = Dokapon Kingdom R2DPJW = Dokapon Kingdom R2EJ99 = Fish Eyes Wii R2FE5G = Freddi Fish: Kelp Seed Mystery R2FP70 = Freddi Fish: Kelp Seed Mystery R2GEXJ = Fragile Dreams: Farewell Ruins of the Moon R2GJAF = Fragile: Sayonara Tsuki no Haikyo R2GP99 = Fragile Dreams: Farewell Ruins of the Moon R2HE41 = Petz Horse Club R2IE69 = Madden NFL 10 R2IP69 = Madden NFL 10 R2JJAF = Taiko no Tatsujin Wii R2KE54 = Don King Boxing R2KP54 = Don King Boxing R2LJMS = Hula Wii: Hura de Hajimeru Bi to Kenkou!! R2ME20 = M&M's Adventure R2NE69 = NASCAR Kart Racing -
Auszug Aus: Einführung in Das Spiel Quidditch
Unterrichtsmaterialien in digitaler und in gedruckter Form Auszug aus: Einführung in das Spiel Quidditch Das komplette Material finden Sie hier: School-Scout.de © Copyright school-scout.de / e-learning-academy AG – Urheberrechtshinweis Alle Inhalte dieser Material-Vorschau sind urheberrechtlich geschützt. Das Urheberrecht liegt, soweit nicht ausdrücklich anders gekennzeichnet, bei school-scout.de / e- learning-academy AG. Wer diese Vorschauseiten unerlaubt kopiert oder verbreitet, macht sich gem. §§ 106 ff UrhG strafbar. III.E.17 Sonstige Spiele Wie Fliegen auf einem Zauberbesen – Einführung in das Spiel Quidditch Dr. Michael Bieligk, Bielefeld © RAABE 2020 © Ben Holland Photography/Wikimedia cc bs sa 4.0 © Ben Holland Photography/Wikimedia Quidditch ist eine Kontaktsportart, die sowohl technische als auch taktische Fähigkeiten und Fertig- keiten aus Rugby, Hand- und Dodgeball (Völkerballvariante) miteinander kombiniert. Charakteristisch bei dem Spiel ist ein Besen, der als Handicap des Spielers zwischen den Beinen gehalten werden muss. Durch den Einsatz von unterschiedlichen Bällen, Spielpositionen und -funktionen hat sich Quidditch zu einem dynamischen und innovativen gemischtgeschlechtlichen Teamsport – nicht nur für Harry-Pot- ter-Enthusiasten – entwickelt. KOMPETENZPROFIL Klassenstufen: 5–10, Anfänger Dauer: 3 Doppelstunden Kompetenzen: kooperieren, wettkämpfen und sich verständigen; Leistung erfahren, verstehen und einschätzen Thematische Bereiche: Kleine Spiele, Quidditch, Spielregeln, Spielentwicklung Medien: Spielanleitung, Übungskarten 2 von 20 III.E Sonstige Spiele Beitrag 17 Einführung in das Spiel Quidditch Allgemeine Hinweise Die Geschichte des Spiels Inspiriert durch die Harry-Potter-Bücher der Autorin Joanne K. Rowling, hatten im Jahr 2005 ein paar Studenten des Middlebury College in Vermont (USA) die Idee, eine spielbare Version von Quidditch zu entwickeln. Heraus kam eine gemischtgeschlechtliche Vollkontaktsportart, die Elemente aus Rugby, Hand- und Dodgeball miteinander kombiniert. -
Program Guide
Koeln, Museum Ludwig, ML; Krasner, Lee, Vernal Yellow, 1980, Inv.-Nr. ML 01342; Photo: © Rheinisches Bildarchiv, rba_c002897 PROGRAM GUIDE October 10–14, 2019 October 10–14, 2019-film-guide-cover-NEW-LOGO.pdf 1 9/5/19 2:34 PM PROUD TO SUPPORT 2019 Hamptons International Film Festival And the many HIFF programs and educational initiatives throughout the year. elliman.com/hamptons © 2019 DOUGLAS ELLIMAN REAL ESTATE. EQUAL HOUSING OPPORTUNITY. 2488 MAIN ST, P.O. BOX 1251, BRIDGEHAMPTON, NY 11932. 631.537.5900 PREMIEREPREMIERE SPONSOR SPONSOR LEADLEAD SPONSORS SPONSORS SIGNATURESIGNATURE SPONSORS SPONSORS OFFICIALOFFICIAL MEDIA MEDIA SPONSORS SPONSORS OFFICIALOFFICIAL TRANSPORTATIONTRANSPORTATION CONTRIBUTINGCONTRIBUTING SPONSORS SPONSORS LOCALLOCAL CONTRIBUTING CONTRIBUTING SPONSORS SPONSORS GUILD HALL GUILD HALL FOUNDATIONFOUNDATION SUPPORT SUPPORT FOUNDINGFOUNDING MEDIA MEDIA GaryGary Winick Winick Memorial Memorial Fund Fund 20192019 COMPETITION COMPETITION FILM FILM AWARDS AWARDS CONTRIBUTORS CONTRIBUTORS ArensonArenson PropsProps NETFLIX IS PROUD TO SUPPORT THE AND CONGRATULATES OUR SELECTIONS BIKRAM HAMPTONS INTERNATIONAL FILM FESTIVAL CATALOG AD NETFLIX: CONGRATS FULL PAGE NONBLEED AD: 7.5” X 9.75” WHAT’S 3 INSIDE VIRTUAL REALITY SPONSORS 1 IMMERSIVE stORYTELLING 18 WELCOME 4 WINICK talKS 19 FROM THE FESTIVAL 5 awaRDS & JURY 20 TICKET INFORmatiON 7 FeatURE FILMS 23 MAPS AND JITNEY SCHEDULE 8 SHORT FILMS 61 LIFETIME achievement awaRD 11 IN REMEMBRANCE 90 DICK CAVETT AWARD 12 POsteR ARtist 91 OPENING NIGht 13 THANK YOU 92 CENTERPIECE -
Guia Para Escritura De Documento Cientifico
UNIVERSIDAD AUTÓNOMA DE QUERÉTARO ENGINEERING DEPARTMENT BACHELOR IN INDUSTRIAL DESIGN Quidditch Equipment Design THESIS That as part of the requirements to obtain the Degree of Industrial Designer Presents: Italia Valera Tapia Directed by: MDI. Anelisse Yerett Oliveri Rivera MDI. Anelisse Yerett Oliveri Rivera _________________ President Signature MDM. Carmen Sosa Garza _________________ Secretary Signature LDI. Guadalupe Cortés Franco _________________ Counsellor Signature LEF. Marco Antonio Sosa García _________________ Alternate Signature Dr. Aurelio Dominguez Gutiérrez Department Director Main Campus Querétaro, Qro. September 2017 1 SUMMARY In order to optimize the conditions of quidditch development as a sport, the following quantitative investigation with experimental design is made to improve the scoring equipment quality which actual teams have promoting the standardization and better use of human and material resources with which teams count. Given the recent creation of the sport based on the Harry Potter books’ game, there’s no standardization or regulation in the game components as the sport’s equipment. This thesis focuses on the creation of a set of quidditch hoops since it’s here where the highest incidence in failures and accidents can be observed due to instability, breaking off or dislodging and crashes against players. At the end of the redesign application of a hoop set that “Don’t fall. Don’t break. Don’t Move” will result in a ascertainable improvement in the use and access of materials and spare parts and the facilitation -
Manual De Regras IQA 16-18
LIVRO DE REGRAS 2016 ~ 2018 Tradução: ABRQ - Diretoria de Esporte e Arbitragem e colaboradores Revisão de Novembro de 2017 Esse documento é uma tradução livre da ABRQ a partir do manual de regras da International Quidditch Association 2016-2018, e não deve ser considerado em hipótese alguma como manual de regras oficial. Frisamos que a IQA não reconhece esta tradução como oficial ou vigente, tendo este documento a única função de facilitar o acesso às regras do esporte para aqueles que não tenham domínio da língua inglesa enquanto leitores de português brasileiro. 1 Agradecimentos Este Livro de Regras foi produzido por e para ser usado pela Associação Internacional de Quadribol (IQA). A IQA gostaria de agradecer aos seguintes indivíduos que contribuíram para o seu desenvolvimento, tanto no passado quanto no presente. Michael Clark•-Polner Xander Manshel Harrison Homel Kym Couch Alex Benepe Chris Daw Clay Dockery Jared Kowalczyk Nicholas Oughtibridge Dan Hanson Will Hack Brian Gallaway Crystal Hutcheson Jill Staniec Jelmer Lokman Mary Kimball Chris Beesley Nicole Hammer Sarah Kneiling Eamonn Harrison Matthew Guenzel Jared Leggett James Hosford Cory Faniel Michael E. Mason Ema Chiroma•-Chao Pauline Raes Alicia Radford Devin Sandon Maria Belyaeva Eric Schnier Katie Stack Ajantha Abey Sarah Woolsey James Burnet Max Martens A IQA continuou a funcionar às custas do tempo e esforços de todos os seus voluntários ao redor do mundo. Este livro de regras é consequentemente dedicado aos seus esforços frequentemente desvalorizados. 2 Agradecimentos dos Tradutores: São 7 anos de quadribol no Brasil, caminhando a passos lentos, porém, firmes, com muita luta, garra e determinação. -
Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE