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Kub 2013 Exhibitions 2013 Kunsthaus Bregenz Principle sponsor Kunsthaus Bregenz of Kunsthaus Bregenz With kind Cultural body support from Kunsthaus Bregenz Karl-Tizian-Platz | 6900 Bregenz | Austria Phone +43-5574-485 94-0 | Fax +43-5574-485 94-408 [email protected] | www.kunsthaus-bregenz.at Hours Tuesday–Sunday 10 a.m.– 6 p.m. | Thursday 10 a.m.– 9 p.m. July 13 to September 1, 2013 daily 10 a.m.– 8 p.m. Ticket Office ext.-433 Admission Adults 9.– EUR | Reductions 6.50 EUR | Children and adolescents free | Annual ticket 40.– EUR | Annual ticket reduced 30.– EUR | Ö1 Club members 10% reduction Groups (15 persons or more) 6.50 EUR | Group guided tours (15 persons or more) 6.– EUR | Workshop or art education for children on Saturday 5.50 EUR Information and Booking for Guided Tours Lisa Hann | ext.-415 [email protected] Office Margot Dörler-Fritsche | ext.-409 [email protected] Director Yilmaz Dziewior Chief Executive Werner Döring Curator Rudolf Sag- meister KUB Arena Curator Eva Birkenstock Communications Birgit Albers, ext.-413, [email protected] · Assistant: Tina Süß Art Education Kirsten Helfrich, ext.-417, [email protected] · Assistants: Lidiya Anastasova, Lisa Hann Publications | Artist’s Editions Katrin Wiethege, ext.-416, [email protected] · Assistant: Claudia Voit Sales Editions Caroline Schneider, ext.-444, [email protected] Assistant to the Director | Event Management Beatrice Nussbichler, ext.-418, b.nussbichler@ kunsthaus-bregenz.at Technical Staff Stephan Moosmann, Lukas Piskernik, Markus Tembl, Markus Unterkircher,Stefan Vonier, Helmut Voppichler Copyright © 2012 by Kunsthaus Bregenz Concept Kunsthaus Bregenz Text Birgit Albers, Eva Birkenstock, Yilmaz Dziewior, Rudolf Sagmeister Editing Birgit Albers, Tina Süß Translation Christopher Jenkin-Jones Copy Editing Artlanguage, Claudia Voit, Katrin Wiethege Illustrations Courtesy of European Kunst halle, Dora García, Greene Naftali, New York, Guyton\Walker, Barbara Kruger, Lia Rumma Archive, Naples | Milan – Italy, Gabriel Orozco, Sprüth Magers Berlin | London, The Andy Warhol Museum, White Cube, London Photos © Dora García | © Keith Haring Foundation | © Christian Hinz | © Barbara Kruger | Gil Blank | Roman Mensing | kub 2013 Matthias Weissengruber | Stephen White Basic graphic design Clemens Theobert Schedler Büro für konkrete Gestaltung Graphic design Bernd Altenried, Stefan Gassner Paper Balance Silk 115 g, FSC Pre-press production Boris Bonev, PrePress Exhibitions 2013 & PrintService Printed by Thurnher Druckerei GmbH 02 | 02 | 2013 — 12 | 01 | 2014 English KUB Exhibitions 2013 Kunsthaus Bregenz Exhibitions 2013 The program for 2013 begins with an international group exhibition presenting both young undiscovered talents as well as established artists. It will also be presenting Keith Haring, a classic of 20th-century art. The show, which borrows its title Love is Colder than Capital from René Pollesch, engages with the timeless subject of attraction against the backdrop of the current commer- cialization of all spheres of life. Following the group exhibition, Wade Guyton, Guyton\Walker, and Kelley Walker will bring together three artistic positions that have hitherto been kept strictly independent, including in their exhibiting activi- ties. Their jointly conceived exhibition at KUB will also explore issues of autonomy and authorship. KUB will be dedicating its big summer exhibition to the internationally-renowned Mexican artist Gabriel Orozco, deepening once again its dialog with artists in an increasingly globalized world. Like Wade Guyton and Kelley Walker, the artist Barbara Kruger, known for her feminist and media-critical works, also participated with new works in the group exhibition That’s the way we do it at Kunsthaus Bregenz in 2011. The recurrent appearance of artists in different connections and activities at Kunsthaus Bregenz demon- strates once more the museum’s special interest in long- tem collaborations with specific artistic approaches. Parallel to these extensive presentations, Kunst haus Bregenz will continue its engagement with experimental and process-oriented formats in the KUB Arena. The KUB Collection Showcase recently opened in the Post Office building next to the Kunsthaus, where architec- tural models by Peter Zumthor have been on show since summer 2012, will continue to present the treasures of the KUB Collection to a broader public in 2013. 01 02 KUB Exhibitions 2013 kub 2013.01 Love is Colder kub 2013.02 than Capital Wade Guyton, 02|02 — 14|04|2013 Guyton\Walker, Kelley Walker Emotion, passion, caring, and love are the themes of the international group exhibition, the title of which is 27|04 — 30|06|2013 derived from the play of the same name by René Pollesch. This essayistically conceived show never sidesteps the tricky ambiguities of such sympathy-based concepts. It frequently remains unclear whether the supposedly For the first time in a joint show, Wade Guyton (born 1972), romantic idea of »true« love is at stake in the works on Kelley Walker (born 1969), and the Guyton\Walker duo exhibition, or rather a variant »tainted« by economic or (founded 2004) will present their works to the public. social aspects. The artists will be presenting three solo exhibitions on Against this background, the exhibition raises three floors, while avoiding spatial segregation. questions such as: How do artists address the relation Using unconventional production techniques to between emotion and economy? How do they reflect engage with issues of authorship, the two artists develop the ambivalence of personal and social empathy between highly independent pictorial languages that freely the two poles of authenticity and staged seduction? combine references to business and advertising with Many of the works were specially created for quotations from Modernism and Pop Art, and which Bregenz. Major works by Hans Haacke, Isa Genzken, and alternate between analog and digital media. Cindy Sherman will also be on show. One of the highligts Both as solo artists and as a duo they have exhibited of the show will be works by the legendary New York in renowned institutions including the Whitney Museum artist Keith Haring, which vividly explore the relationship of American Art in New York, at Wiels—Centrum voor between love, sexuality, and commerce in innovative Hedendaagse Kunst in Brussels, Museum Ludwig in pictorial compositions. Cologne, and at the Venice Biennale. 03 04 KUB Exhibitions 2013 kub 2013.04 Barbara Kruger 19|10|2013 — 12|01|2014 kub 2013.03 Gabriel Orozco After studying art and design, Barbara Kruger (born 1945) 13|07 — 06|10|2013 was employed as a graphic artist and picture editor by the publisher Condé Nast in New York. Her experience there of imagery’s power, its potential to alienate as well as to seduce, was an early influence on the artist’s work. With Gabriel Orozco (born 1962) Kunsthaus Bregenz will Characterized by their high degree of political be presenting one of the most influential artists of his commitment, her works champion women’s rights, free- generation. Following an impressive retrospective at dom of opinion, and critical awareness vis-à-vis consumer the New York Museum of Modern Art, the Centre Pom- society. Furthermore, much of the appeal of her installa- pidou, Paris, Tate Modern, London, and Kunstmuseum tions, videos, and photographs is to be found in their Basel, Orozco will be showing works in Bregenz that reflection on the art system whose confines she repeatedly for the most part have been newly conceived for the escapes, developing projects for magazines, billboards, or exhibition. other public space media. Since the early 1990s Gabriel Orozco’s career has There have been extensive solo exhibitions of been frequently distinguished by surprises and innovation. Barbara Kruger’s work at well-known institutions such He moves freely between drawing, photography, sculp- as the Museum of Contemporary Art Los Angeles and ture, installation, and painting, creating a heterogeneous the Whitney Museum New York, and she was awarded complex of objects that defy categorization. Art and the »Golden Lion« for her life work at the Venice Biennale reality merge in works ranging from landscape interven- in 2005. tions to minutely precise autonomous sculptures. In each In Bregenz she will present a wide range of works case, there is a mutual interplay between the idea and its in different media and will be realizing new installations immediate physical experience. for the architecture of the museum. 05 06 KUB Exhibitions 2013 kub Arena Andy Warhol – kub Arena Fifteen Minutes of Fame Summer Program 02|02 — 14|04|2013 05|08 — 11|08|2013 Andy Warhol (1928– stardom, and pop The KUB Arena offers tered beyond con- 1987) is one of the reached its defini- an unusual program ventional exhibi- most influential tive peak here. The that often investi- tions. Off-premise 20th-century artists. exhibition will pre- gates the underlying Kunsthaus Bregenz With his technique sent a representa- conditions of art projects have of serial silkscreen tive selection from institutions. In the occasionally taken printing in the 1960s this lesser-known context of coopera- place in the past. he turned the work complex of Warhol’s tive projects with Something similar is of art into a mass works, resuming the institutions and planned for summer product, opening as KUB Arena’s engage- cultural producers, 2013 when the KUB author and protago- ment with visual it explores the com- Arena will be pre- nist the art world art’s peripheral mon ground, border- senting a substantial to celebrity culture. areas. lines, and intersec- temporary off- From 1979 Warhol tions between premise program. produced 42 TV pro- spheres of cultural grams that were production, and broadcast by vari- develops project- ous stations in the related formats to USA. It was here that open up spaces in his interest in which contemporary beauty, the cult of art can be encoun- kub Arena European Kunsthalle kub Arena in Bregenz Dora García 27|04 — 30|06|2013 19|10|2013 — 12|01|2014 The European Kunst- two Artistic Direc- The conceptual of a stage or film halle was founded in tors of the European works of the Spanish director.
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