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Kunsthaus Bregenz Karl-Tizian-Platz | Bregenz | Austria Collection Showcase Phone +-- - | Fax +- - - Billboards [email protected] | www.kunsthaus-bregenz.at Austrian Art from Opening Times Tuesday to Sunday a.m. — p.m. | Thursday a.m. — p.m. the Kunsthaus Bregenz Starting in Billboards will constitute a new, Summer Opening Times Collection independent line of programming, introducing artists July to August , daily a.m. — p.m. who have matured in the midst of recent epochal turning Reception counter ext. - | | — | | points: starting from the demise of state socialism, and the increasingly globalized world that followed Ticket Prices from it, and that, throughout the s, was more and Adults .– | Concessions .– more superimposed by a digitalized capitalization of Free admission for children and adolescents For the new exhibition at the Collection Showcase, all spheres of life. In the networked era in which now Combined ticket and Collection Showcase .– | Heimo Zobernig has been invited to select works from we live, the internet, the logic of algorithmic processing, Concessions .– | Combined ticket , the collection. The exhibition jointly curated social media, and surveillance are conditions of our Collection Showcase, and vorarlberg museum .– | by Heimo Zobernig, Thomas D. Trummer, and Rudolf everyday existence. The perception of what we call Concessions .– Sagmeister focuses on Austrian painting and sculpture. »reality« has drastically changed, and with it the modes Kulturhäuser Card .– The display includes works by Erwin Bohatsch, Herbert of con ceptualizing it. For the first two projects in Information and Registration for Guided Tours Brandl, Elke Krystufek, Maria Lassnig, Ruth Schnell, , Vienna-based artist Anna-Sophie Berger and the Lidiya Anastasova | ext. - Franz West, and Heimo Zobernig, amongst others. Canadian Feminist Land Art Retreat will be producing [email protected] new site-specific works. Their contributions will be Collection Showcase accompanied by artist’s talks and performances, pro- Secretarial Office Seestraße | Bregenz | Austria viding further insights into their artistic strategies. Margot Dörler-Fritsche | ext. - Entrance from the Kornmarktstraße side, Billboards are curated by Eva Birkenstock. [email protected] next to Nepomuk Chapel Phone +-- - | Fax +-- - Anna-Sophie Berger Copyright © Kunsthaus Bregenz text Thomas D. Trummer, Birgit Albers, [email protected] | www.kunsthaus-bregenz.at Thursday, February , Eva Birkenstock, Rudolf Sagmeister editing Birgit Albers proof reading Katrin Opening and artist’s talk Wiethege image rights © Anna-Sophie Berger, Theaster Gates, Kunsthaus Bregenz, Susan Philipsz photo © White Cube (Edouard Fraipont), Rudolf Sagmeister, Markus Opening Times Tretter, Matthias Weissengruber basic concept graphic design Clemens Theobert Friday to Sunday a.m. – p.m. Feminist Land Art Retreat Schedler Büro für konkrete Gestaltung graphic design production Bernd Altenried, Tickets available from the reception counter Thursday, May , Stefan Gassner paper Balance Silk g ¥¦§ prepress and image production Boris Bonev, PrePress & PrintService printing and production Thurnher Druckerei GmbH Closed from January to and from April to Opening and artist’s talk Program
Program Collection Showcase Billboards | | — | | English 155524-GCR - DEU_UMSCHL_45.000_CX102 DEU Einzelform Umschlagen FB 001 14.12.2015 09:00:02
B C M Y X Z slurZ slurB B C M Y X Z 0 B 20 B 40 B 80 B C M Y X Z CMY CMY CMY CMY B C M Y X Z C 20 C 40 C 80 B C M Y X Z slurC slurM B C M Y X Z 0BC M Y X Z B C M Y X Z CMY M 20 M 40 M 80 B C M Y X Z slurY slurX B C M Y X Z 0 Y 20 Y 40 Y 80 B C M Y X Z CMY CMY CMY CMY B C M Y X Z CMY X 20 X 40 X 80 B C M Y X Z CM CY MY CMY B C M Y X Z 0 Z 20 Z 40 Z 80 B C M Y X Z CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 11.0i (pdf) © 2011 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y X Z 0 B 20 B 40 B 80 B C M Y X Z CMY CMY CMY CMY B C M Y X Z CMY C 20 C 40 C 80 B C M Y X Z slurZ slurB B C M Y X Z 0BC M Y X Z B C M Y X Z CMY M 20 M 40 M 80 B C M Y X Z slurC slurM B C M Y X Z 0 Y 20 Y 40 Y 80 B C M Y X Z CMY CMY CMY CMY B C M Y X Z X 20 X 40 X 80 B C M Y X Z slurY slurX B C M Y X Z 0 Z 20 Z 40 Z 80 B C M Y X Z CMY CMY CMY CMY B C M Y X Z
C M C M C M C M C M C M
Y X Y Z Y X Y Z Y X Y Z −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−−− 32
155524_GCR KUB Halbjahresflyer_2016_DE_EN - Einzelform Umschlagen - FB 001 - 14.12.2015 09:00:02 - BlackCyanMagentaYellow
Times
0.5P Times Lin+ 4 P 1P Times Times 2 P 2P Process Times Times 1 P Times Plate Control Strip 0.5 P 4P © Heidelberger Druckmaschinen AG 2013 Times V15.0i (pdf) Suprasetter Agfa
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Peter Zumthor’s design for the building was inspired by the weather conditions particular to its location on Lake Constance – its light, mist, and fog. The building is a response to and a visualization of the location. In . . four artists will be confronting currently pressing issues: the movement of refugees, the frictions between cultures Susan Philipsz . Susan Philipsz and religions, the hegemony of digitally controlled capital, and the fault lines of suppressed history. | — | | Theaster Gates | — | | The Scottish artist Susan Philipsz is addressing the musical heritage of German speaking emigrants, whilst indirectly | — | | referencing Zumthor’s fog metaphor. Recordings of the soundtrack music to the film Night and Fog () will be Scottish born Susan Philipsz is one of today’s leading . heard in the Kunsthaus. The film by Alain Resnais was the artists. Her work revolves around explorations of the first to document deportations during the Holocaust. human voice and a melancholic existentialism. Her Theaster Gates is a ¦ American artist, performer, and Theaster Gates The ¦ American artist Theaster Gates is considering a work is usually site-specific. In she was awarded activist, whose practice encompasses sculpture, instal- variant of his Black Artists Retreat for Bregenz, an annual the prestigious Turner Prize. lations, performances, and urban interventions that aim | — | | meeting of Afro-American artists in Chicago, possibly in Notions of memory, trauma, and mourning are ones she to bridge the gap between art and life. relation to refugees now living in the vicinity. An involve - has increasingly confronted recently, as is the case at His work results in temporary walls, platforms, and usable ment with social issues informs his artistic practice. Kunsthaus Bregenz in her exhibition Night and Fog, in buildings. Gates was an employee at Chicago Transit Works by Wael Shawky and Lawrence Weiner will be on which Philipsz alludes to the phenomenon of fog that Authority, a company operating the public transport . show during the second half of the year. The Egyptian is a feature of the region. network in Chicago and surrounding suburbs. His work, artist Wael Shawky became well known following the Fog as a metaphor was also the source of the title for imbued with communal responsibility, addresses issues Wael Shawky screening of his film Cabaret Crusades at the Istanbul the French documentary Night and Fog (), that of communal transport, urban planning, and social history. Biennale, which he based on a book by the author Amin reconstructed deportations during the Holocaust for His combative works address social relations. | — | | Maalouf. Differences between West and East, the common the first time. Philipsz has deconstructed Hanns Eisler’s Gates’ best-known initiative is The Dorchester Project, but simultaneously controversial history of their holy soundtrack for the film into the individual voices of a sustainable ongoing real estate development project. sites, and the partnership between Bregenz and Acre the instruments. Isolated and removed from the overall He describes this project as »real-estate art« and provide the contemporary context. composition, their timbres fill the seemingly archaic understands it as part of a »circular ecological system,« . The fourth solo exhibition during the fall of is dedi- spaces of the Kunsthaus with an almost sculptural since the renovations of the buildings are financed cated to Lawrence Weiner, one of Conceptual Art’s most presence. Philipsz is creating a second sound installation entirely by the sale of sculptures and artworks that were Lawrence Weiner senior protagonists. His work concerns reading and at the Jewish Cemetery in Hohenems, in collaboration created from materials salvaged from their interiors. decoding, interpretations and associations, and not least with the Jewish Museum there, which can be experienced He is developing a completely autonomous complex of | | — | | questions concerning the nature of the work of art itself. concurrently to the exhibition at . works for .
Program 155524-GCR - DEU_UMSCHL_45.000_CX102 DEU Einzelform Umschlagen FB 001 14.12.2015 09:00:02
B C M Y X Z slurZ slurB B C M Y X Z 0 B 20 B 40 B 80 B C M Y X Z CMY CMY CMY CMY B C M Y X Z C 20 C 40 C 80 B C M Y X Z slurC slurM B C M Y X Z 0BC M Y X Z B C M Y X Z CMY M 20 M 40 M 80 B C M Y X Z slurY slurX B C M Y X Z 0 Y 20 Y 40 Y 80 B C M Y X Z CMY CMY CMY CMY B C M Y X Z CMY X 20 X 40 X 80 B C M Y X Z CM CY MY CMY B C M Y X Z 0 Z 20 Z 40 Z 80 B C M Y X Z CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 11.0i (pdf) © 2011 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y X Z 0 B 20 B 40 B 80 B C M Y X Z CMY CMY CMY CMY B C M Y X Z CMY C 20 C 40 C 80 B C M Y X Z slurZ slurB B C M Y X Z 0BC M Y X Z B C M Y X Z CMY M 20 M 40 M 80 B C M Y X Z slurC slurM B C M Y X Z 0 Y 20 Y 40 Y 80 B C M Y X Z CMY CMY CMY CMY B C M Y X Z X 20 X 40 X 80 B C M Y X Z slurY slurX B C M Y X Z 0 Z 20 Z 40 Z 80 B C M Y X Z CMY CMY CMY CMY B C M Y X Z
C M C M C M C M C M C M
Y X Y Z Y X Y Z Y X Y Z −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−−− 32
155524_GCR KUB Halbjahresflyer_2016_DE_EN - Einzelform Umschlagen - FB 001 - 14.12.2015 09:00:02 - BlackCyanMagentaYellow
Times
0.5P Times Lin+ 4 P 1P Times Times 2 P 2P Process Times Times 1 P Times Plate Control Strip 0.5 P 4P © Heidelberger Druckmaschinen AG 2013 Times V15.0i (pdf) Suprasetter Agfa
Amigo TS 4/19 0/100% 1% 2% 3% 5% 10% 20% 25% 30% 40% 50% 60% 70% 75% 80% 90% 95% 97% 98% 99%