爱在金秋 Love in the Fall 中西經典音樂慈善募捐晚宴 Chinese & Western Classical Fundraising Concert & Banquet
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CHAPTER 3 Hong Kong Music Ecosphere
Abstract The people of Hong Kong experienced their deepest sense of insecurity and anxiety after the handover of sovereignty to Beijing. Time and again, the incapacity and lack of credibility of the SAR government has been manifested in various new policies or incidents. Hong Kong people’s anger and discontent with the government have reached to the peak. On July 1, 2003, the sixth anniversary of the hand-over of Hong Kong to China, 500,000 demonstrators poured through the streets of Hong Kong to voice their concerns over the proposed legislation of Article 23 and their dissatisfaction to the SAR government. And the studies of politics and social movement are still dominated by accounts of open confrontations in the form of large scale and organized rebellions and protests. If we shift our focus on the terrain of everyday life, we can find that the youth voice out their discontents by different ways, such as various kinds of media. This research aims to fill the gap and explore the relationship between popular culture and politics of the youth in Hong Kong after 1997 by using one of the local bands KingLyChee as a case study. Politically, it aims at discovering the hidden voices of the youth and argues that the youth are not seen as passive victims of structural factors such as education system, market and family. Rather they are active and strategic actors who are capable of negotiating with and responding to the social change of Hong Kong society via employing popular culture like music by which the youth obtain their pleasure of producing their own meanings of social experience and the pleasure of avoiding the social discipline of the power-bloc. -
1 Introduction, Elvis Presley and the Beatles
Learning and Teaching of Local and Western Popular Music (Re-run) Introduction, Elvis Presley and the Beatles 3 May 2016 What is popular music? Having wide appeal to large audiences Commodity – a product of music industry Produced and stored in non-written form Difference between popular music and pop music? Pop music refers to a specific musical genre. What are the important features in popular music? Social and cultural contexts, lyrics, musical characteristics Four focuses: harmony, rhythm utilisation, instrumentation, structure (melody, tempo, tone colour, duration) Structure: Why we love REPETITION in music? “The Mere Exposure Effect” Duration – 2 to 3 mins Melody – step, repeated notes, leaps, Riff (fill) (repeated chord progression) , Lick (single-note melodic lines) Groove is the sense of propulsive rhythmic “feel” or sense of “swing Hook (主題句?) is a musical idea, a passage or phrase repeats several times Don’t Take the Girl – Tim McGraw 1994 – His first No.1 single on the Hot Country Songs chart Rhythm – syncopations Harmony – I, IV, V (ii, iii, vi) Treatment of Melody, Rhythm & Harmony in relation to Tempo Lyrics – question & answer, contrast, descriptive, repetition with variations Contexts – social, economic and cultural background: Blowing’ in the Wind – Bod Dylan, May 1963 Drum set / Drum kit Bass drum with the right-foot pedal, provides the basic beat Snare drum provides the strongest regular accents Hi-hat stand and cymbals provide finer rhythms, mark the change from one passage to another One or more tom-tom drums provide drum fills and solos One or more cymbals provide strong accent marker and musical effect What were the social and cultural contexts in the 1950s? 4 M immigrants to the States after WWII (after 1946) USA was one of the countries that benefited from the WWII Baby boom 1946-1964 about 78 M people 1950s America was a wealthy and powerful nation, but a troubled one; racial prejudice Respectable, middle-class White teenagers didn’t listen to race music. -
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14 書香人生 B O O K S & R E V I E W S SUNDAY, APRIL 18, 2010 • TAIPEI TIMES Hardcover: US CDs Taiwan BY DAVid CHen AND Andrew C.C. HuanG Have no illusions STAFF REPORTER AND CONTRIBUTING REPORTER ‘Courtesans and Opium’ is a salacious story masquerading as a cautionary tale BY BRADLEY WINTERTON CONTRIBUTING REPORTER his classic novel’s Chinese name means “romantic illusions,” PUBLICATION NOTES Tbut the academic publishers of this new translation probably hope to catch the eye of a wider public than mere scholars with their more sensational title. It was written by someone who called himself only The Fool of Yangzhou and is dated 1848. Its first known publication was in Jane Zhang (張靚穎) The Hindsight (光景消逝) The DoLittles Fire Ex (滅火器) 1883, though for all anyone knows it Believe in Jane (我相信) From Dripping Tears, He Saw Hopes Earthquakes Standing Here (海上的人) may have been published previously in Universal Music (在眼淚中看見希望) Self-released Uloud Music another, lost edition. Uloud Music It’s about the brothels of Yangzhou, their residents and their patrons. It pre-dates two other remarkable East Asian novels on the same theme, Nagai Kafu’s Rivalry: A Geisha’s Tale [reviewed in Taipei Times March 2, 2008] and The Sing-song Girls of Shanghai by Han Banqing [reviewed in Taipei Times June 22, 2008]. COURTESANS AND OPIUM The semi-anonymous author claims in a brief preface that he’d TRANSLATED BY PATRICK HANAN spent 30 years and all his money on 328 PAGES the spurious pleasures of “false love hile China’s Super Girl of a pipa (琵琶). -
Annual Returns to the Communications Authority Annual
Annual Returns to the Communications Authority Annual report on programming commitments of Year 2020 INDEX Independent local productions Annex 1 Independent local productions (All Channels) {5 pages) Total hours: 994.8 I Total hours of independent local productions: 994.8 Local productions Annex 2 Jade Channel {16 pages) Total hours: 4003.8 Annex 3 J2 Channel {3 pages) Total hours: 534.8 Annex4 TVB Finance & Information Channel (7 pages) Total hours: 2882.3 Annex 5 TVB News Channel {1 page) Total hours: 8784 Annex 6 Pearl Channel {2 pages) Total hours: 3890.2 ITotal hours of local productions: 20095.1 Independent I ,ocal Production (All Channels) Annex 1 Channel Title Airdate Duration Total Total in mins Episodes Hour Jade Joseph Koo Concert 20 12 2020/02/01 120 1 2.0 ;~~tl1tk§ffi ~~ gl$}~0§\ ~ Jimmy Lo 2016 Concert 2020/02/08 105 1 1.8 0 ~"',.OJ*§ffi~~fr!JfF=/\ii0 1lii" 1 [][]//,::mos s -&zra Lisa Wang, Adam Cheng, Kitaro 2011 Concert 2020/02/15 120 1 2.0 ~GJ>f)c · )J:BJJ¥: · ~~e~fJT~cJt)~o§~ Teresa Cheung Live 2020/02/22 120 1 2.0 ~)tH~~~___e;~~t~5~o§ ~ Lui Fong Live in Concert 2007 2020/02/29 120 1 2.0 g :JJ~:r~r:ey~x5~o§§ ~ 2020 Sam Hui Online Concert 2020/04112 60 1 1.0 2020§'f)tf{~[DJ#~~Online Concert ChiLam in Concert 2020/04/25 120 1 2.0 j~'=& ~P*'f\<;{*:9fs fyf;: / \ '.3:::. sA Rosanne Lui Live Orchestra Concert 2020/05/02 120 1 2.0 §i;3j(:§&~ijJi!Ji7(f§ 8 fffi}Xrg§t;~~U§ ~ Aaron Kwok Cheer Up & Dance Online Charity Concert 2020 2020/05/09 60 1 1.0 ¥~~tw§}~otJJ/lli3R:o~~___e~ og)~o§§ ~ Donald Cheung In Concert 2020/05/09 105 -
Extensions of Remarks E945 EXTENSIONS of REMARKS
June 1, 2012 CONGRESSIONAL RECORD — Extensions of Remarks E945 EXTENSIONS OF REMARKS RECOGNIZING THE NORTHERN PRENATAL NONDISCRIMINATION IN RECOGNITION OF EVAN R. HIGH SCHOOL PATRIOTS ACT (PRENDA) OF 2012 CORNS UPON RECEIVING THE HERMAN ‘‘RUSTY’’ SHIPPS LEAD- ERSHIP AWARD HON. STENY H. HOYER SPEECH OF OF MARYLAND HON. BETTY McCOLLUM HON. PATRICK J. TIBERI OF OHIO IN THE HOUSE OF REPRESENTATIVES OF MINNESOTA IN THE HOUSE OF REPRESENTATIVES Friday, June 1, 2012 IN THE HOUSE OF REPRESENTATIVES Friday, June 1, 2012 Mr. HOYER. Mr. Speaker, I rise today to Wednesday, May 30, 2012 Mr. TIBERI. Mr. Speaker, I rise in recogni- honor and congratulate an extraordinary team tion of Evan R. Corns upon him receiving the Ms. MCCOLLUM. Mr. Speaker, I rise today of young women from Maryland’s fifth con- Herman ‘‘Rusty’’ Shipps leadership award. in opposition to the Prenatal Nondiscrimination This prestigious award is named in honor of gressional district. The Northern High School Act, PRENDA, of 2012 (H.R. 3541). Rusty Shipps, Class of 1913. The Award, be- Patriots won the 3A Maryland ‘‘state softball Every Member of the House opposes the stowed by the Ohio Wesleyan Alumni Board of finals on May 26, 2012. This is their fifth con- Directors, recognizes exemplary leadership, secutive softball state championship and ninth abhorrent practice of gender selection, includ- ing me. In Minnesota, prohibiting sex-selective stewardship, dedication, and commitment to softball championship overall. This incredible the advancement of the university. abortions has passed on a bipartisan basis in achievement was made all the more signifi- Mr. Corns’ support of his alma mater is leg- cant given the caliber of their competition. -
Thrf-2019-1-Winners-V3.Pdf
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September 2013
Issue 1- September 2013 Badger Girls State Badger Boys By Rutvi Shah State By Jeremy Gartland This past summer Monika Ford Politics, leadership, sports, and I had the opportunity to represent and community. Combined, JMM at UW-Oshkosh for a program these things begin to describe the Controversal Bill... page 2 called Badger Girls State. Girls unique experience of Badger Boys The News You missed?... page 3 State is a nationwide leadership and State. A week-long government Sports... page 4 citizenship program for high school simulation sponsored by American Advice to Freshman... page 5 juniors. Delegates have the chance Legion, Badger Boys State (BBS) Entertainment... page 6 to learn about local and state govern- draws high school juniors from ments when they run for offices at across the state to participate in city, county, and state levels. The first what for many is a life-changing few days were overwhelming, but the experience was definitely worth event. it in the end! At city meetings Badger citizens decided how their cities Pulling up to Ripon College, the site of BBS since would function. Badger girls ran for various positions and they intro- its creation, I didn’t recognize duced obnoxious ordinances; for instance, the citizens of Willow Springs campaigns, law-making, and even a single face in the crowd nuclear catastrophes. After a day of made it mandatory for everyone to yell “duck and cover” when “poten- of my peers. What was also tially dangerous males” were present. getting to know my fellow citizens, clear was that no one else did I had the privilege of being elected One of the highlights of the week was attending the Badger Girls State either. -
Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society
Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society by Wei Huang B. A., Huaqiao University, 2013 Extended Essays Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication (Dual Degree in Global Communication) Faculty of Communication, Art & Technology © Wei Huang 2015 SIMON FRASER UNIVERSITY Summer 2015 Approval Name: Wei Huang Degree: Master of Arts (Communication) Title: Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society Examining Committee: Program Director: Yuezhi Zhao Professor Frederik Lesage Senior Supervisor Assistant Professor School of Communication Simon Fraser University Baohua Wang Supervisor Professor School of Communication Communication University of China Date Defended/Approved: August 31, 2015 ii Abstract Meritocracy refers to the idea that whatever our social position at birth, society should offer the means for those with the right “talent” to “rise to top.” In context of celebrity culture, it could refer to the idea that society should allow all of us to have an equal chance to become celebrities. This article argues that as a result of globalization and consumerism in the post-reform market economy, the genre of music-based TV talent shows has become one of the most popular TV genres in China and has at the same time become a vehicle of a neoliberal meritocratic ideology. The rise of the ideology of meritocracy accompanied the pace of market reform in post-1980s China and is influenced by the loss of social safety nets during China’s transition from a socialist to a market economy. -
Music from the 1990S to the Present
j:,/ � • .. ….......:._. ‘. • '1- ;V . jn/w Tnn • ft ¾( ! \ ..' � •'. I . I .广, I n . .....Vv'Z …'.J I O > 3 . • • I •• . ^ • jr ,' ‘:'. ; , ''Jr ... Hong Kong Film Music from the 1990s to the Present CHENG LingYan A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Philosophy in Ethnomusicology © The Chinese University of Hong Kong June 2004 The Chinese University of Hong Kong holds the copyright of this thesis. Any person(s) intending to use a part or whole of the materials in the thesis in a proposed publication must seek copyright release from the Dean of the Graduate School. ^ST university~7^// ^XLIBRARy SYSTEM^W Abstract i Hong Kong Film Music from the 1990s to the Present Submitted by LingYan CHENG for the degree of Master of Philosophy in Ethnomusicology at The Chinese University of Hong Kong in June 2004 Abstract This thesis focuses on Hong Kong film music from the 1990s to the 2000s. In recent years, there has been much research and theory on western film music, especially the Hollywood film industry, by musicologists and scholars in film studies, popular music studies, and other fields. However, there has been little research on Hong Kong Film music, the system of which is different from that of western film music, and therefore I will apply basic film music concepts, but using the real situation of Hong Kong film music to formulate my own argument. The methodology used in this thesis will include the application of basic concepts used by scholars of film music, such as the functions of music in film, combined with fieldwork and analysis of films. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Enhancer Function Driving
UNIVERSITY OF CALIFORNIA, SAN DIEGO Enhancer function driving cellular senescence, DNA damage repair, differentiation, and nuclear organization A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Biology by Thomas Barton Suter Committee in charge: Professor Michael G. Rosenfeld Professor Joseph Ecker Professor Christopher Glass Professor James Kadonaga Professor Cornelis Murre Professor Amy Pasquinelli 2017 The Dissertation of Thomas Barton Suter is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2017 iii TABLE OF CONTENTS Signature Page…………………………………………………………………………… iii Table of Contents………………………………………………………………………… iv Acknowledgements………………………………………………………………………. v Vita………………………………………………………………………………………... vi Abstract of the Dissertation……………………………………………………………….. vii Introduction……………………………………………………………………………….. 1 Chapter 1 The Epigenomic Landscape of Replicative Senescence……………………… 3 Chapter 2 The Delineation of Proliferative and Toxic Enhancer Programs of Replicative Senescence………………………………………………………………………………… 26 Chapter 3 Ligand-dependent Enhancer Activation Regulated by Topoisomerase-I Activity 42 Chapter 4 Barcoding of Cell Type Restricted Enhancers by ESC Transcription Factors Licenses Their Robust Developmental Activation……………………………………….. 62 Chapter 5 Chromosomal Enhancer Syntax: Spatially-Distributed Super Enhancers and Subnuclear Structural Associations Dictate Enhancer Robustness ………………………. -
The Drink That Shook the World
THE FIGHT FOR GAY RIGHTS IN CHINA LOOK OUT LADIES, HERE COMES JULIO IGLESIAS BEAUTIFUL BHUtaN ZHUHAI SEts THE staGE FOR WORLD MUSIC 城市漫步珠江三角洲英文版 001034 月份 CHA CHA CHA THE DRINK THAT SHOOK THE WORLD APRIL 2013 GNIS AISGAD General Manager Henry Zeng Operations Manager Rachel Tong 《城市漫步》珠江三角洲 英文月刊 Finance Assistant Annie Qi Production Supervisor Jason Liang Designer Mei Mei Sales Managers Celia Yu, Morri Qin 主管单位 :中华人民共和国国务院新闻办公室 Account Managers Justin Lu, Christy Cai Supervised by the State Council Information Office of the People's Republic Account Executive Naney Deng of China Sales Assistants Sunnie Lü, Kenni Ouyang, Nicole Tang 主办单位 :五洲传播出版社 Marketing Executive Rosalyn Cheng 地址 :中国北京 海淀区北小马厂 6 号华天大厦 23-26 层 Published by China Intercontinental Press CEO Leo Zhou Address: Huatian Building, 6 North Xiaomachang, Haidian District, Beijing Editorial Director Ned Kelly 100038, China http://www.cicc.org.cn Director of Digital Products Joshua Newlan 社长 President: 李红杰 Li Hongjie IT Projects Max Zhang, Roy Guo 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui HR/Admin Manager Penny Li Managing Editor Shane Qin General enquiries and switchboard Editors Tom Bird, Simon Edward Smith (020) 8358 6125 Events Editor Ester Yang [email protected] Web Editor Will Wu Editorial (020) 8358 9847 ext 808 [email protected] Editorial Assistant Juliette Ding Sales (Guangzhou) (020) 8358 9847 ext 802 [email protected] Contributors Brad Phillips, Celine Song, Charles Lanceplane, Christine (Shenzhen) (0755) 8623 3210 ext 801 Gilbert,David -
An Introduction to Cantonpop
An Introduction to Cantonese Pops (Updated version) Dr Helan Yang (Learning and teaching materials for teachers’ reference) Teachers may make reference to the book “Reading Cantonese Songs: The Voice of Hong Kong Through Vicissitudes”《粵語歌曲解讀:蛻變中的香港聲音》 written by Yu Siu Wah and Helan Yang Historical Overview The Origin of Cantonese Pops It is commonly held that Cantonese Pops (known as Cantopop1) emerged in the 50’s, but it is more likely that Cantonese songs with newly composed tunes and lyrics had already come into existence in Hong Kong as early as the 30’s. For example, the song《壽仔去拍 拖》with Cantonese lyrics intercalated with English words featured in an album released by New Moon Records Ltd (新月唱片) in 1930 was already emblematic of Hong Kong culture. The strophic structure of the lyrics and its reflection on life’s reality are similar to that of the ‘Humorous Songs’ (諧趣歌曲) of the 50’s and 60’s. According to Lu Kam (魯金), an expert on Hong Kong folk heritage, the two songs “Sleep Well My Baby”《兒安眠》and “The Miss Who Couldn’t Care Less”《風流小姐》featured in the singer Li Qi Nian’s (李綺 年) album released by New Moon Records in 1935 have new tunes and new lyrics, and can be regarded as the predecessor of Cantonese Pops. The early Cantonese Pops did not have a uniformed nomenclature. The Cantonese albums of the 50’s were released under the various names of ‘Dancing Songs’ (跳舞歌曲), ‘Dancing Cantonese Operatic Songs’ (跳舞粵曲), ‘Cantonese Modern Songs’ (粵語時代 曲), ‘Cantonese Ditties’ (粵語小曲) and ‘Modern Cantonese Operatic Songs’ (時代粵曲).