PARALLEL FUTURE WHAT IF THE PRICE OF OIL HADN’T CRASHED? Illustration by Pat Lopez Text by Barry Moore Writer Philip Pullman, in the fantasy trilogy, His Dark one birds-eye rendering the Houston that could have Materials, imagines an Oxford that looks almost like been but never happened. Here is an opportunity to see the Oxford we know, but which exists in an alternate the city we didn’t get, a sort of alternative Houston. reality —we know where we are, we recognize the Imagine a Cullen Center designed by Philip Johnson, a landmarks, but things are very much out of phase. Wilson Morris Crain & Anderson Space Needle as a city Artist Patrick Lopez has been delineating Houston’s gate, Helmut Jahn’s Bank of the Southwest Building, a alternate reality for almost fi fty years, through com- Pennzoil Place by SOM, or a Chase Tower by Welton missions for designers and developers as they sought Becket. Or a highrise park imagined by Llewelyn-Da- fi nancing for their ambitious projects. For this anni- vies Sahni where Discovery Green is today. Our Dark versary issue, Cite asked Lopez to bring together in Materials, indeed. 1) 1982, Cullen Center, Johnson 4) 1971, Pennzoil Place, 6) 1984, High Rise Park for an + Burgee, for Gerald Hines Skidmore Owings Merrill entrance to a new Convention Interests Architects, Chicago, for Gerald Center, Llewellyn Davies The Cullen family, with Linbeck, in- Hines Interests Sahni Architects, for Texas vited Johnson + Burgee, who was paired Pennzoil chairman J. Hugh Liedtke Eastern and Cadillac Fairview with Morris*Aubry, to present their rejected Bruce Graham’s clustered box Developers scheme for the Cullen Center Building scheme, looking for a singular archi- In 1984 there was stiff competition for a at 1600 Smith. The less than positive tectural image to market the company. site to replace the Albert Thomas Con- feelings for the East Coast fi rm and its (Although SOM didn’t get the job, Lo- vention Center. Canadian developers of- scheme resulted in the commission go- pez started a long relationship with the fered to give the land for the convention ing to Morris*Aubry alone. fi rm because of his renderings produced center to the city to enhance the value to sell the scheme.) Johnson and Burgee of their property so that they could ulti- 2) 1972, Space Needle, Wilson were hastily brought in by Hines as the mately sell it and get out of the Houston Morris Crane & Anderson second-string replacement. Johnson's market. But because the stalled Houston Architects fi rst preliminary scheme, with two sepa- Center was not directly adjacent, and Kenneth Schnitzer and Century De- rate square buildings, side by side, was because the east side of downtown was velopment’s original concept for Allen also rejected for the same reason. At that defi nitely down-market, Cadillac Fair- Center consisted of a cluster of high-rise point, Johnson asked everyone to leave view had to up their sales pitch. Randhir buildings surrounding a Galleria-type the room “for fi fteen or twenty min- Sahni's fi rm was engaged to develop a structure complete with skylights and an utes”; when the client team returned, land plan for commercial development, ice rink. The Space Needle was intend- the architect rolled out a sketch for the tying the convention center site to Hous- ed as an iconic gateway to this “new” two towers, complete with the iconic 45 ton Center—a necessary step to convince downtown. The developers ultimately degree geometry, sloping roofs, and glass the city and Kathy Whitmire's admin- didn’t want to go that far and dramati- roofed indoor plazas. istration that the choice would lead to cally downsized the scope of the project’s greatly increased land values (and tax master plan. 5) 1980, Texas Commerce Bank revenues). Discovery Green lay many and Tower, Welton Beckett years in the future. 3) 1984, Bank of the Southwest Architects, for Gerald Hines Tower, Murphy+Jahn Architects Interests NOTE: Renderings of these projects are Century Development teamed with Perhaps Hines approached the Beck- now in the Houston Metropolitan Research hot Chicago architect Helmut Jahn for ett fi rm fi rst because of their success- Center. Lopez’s collected works were also the BSW Tower, and won the closely ful experience designing the 44-story featured in the exhibit and catalog, “From watched competition. The plummeting Humble Building (now ExxonMobil), Rendering to Reality,” at the Architecture economy of the mid-’80s killed the proj- and because they had a design and pro- Center Houston in 2011. ect, but marked the beginning of a pro- duction offi ce in Houston. After rejec- fessional relationship between Jahn and tion by bank chairman Ben Love, Hines Patrick Lopez. Lopez’s style of render- brought in I.M. Pei, who produced the ing perfectly suited the architect’s needs, 75-story tower, the “quintessential sky- and they collaborated on many future scraper in the polished gray granite mega-projects. suit,” as Stephen Fox describes it. CITE 24 offcite.org HOUSTON HOUSTON MARCH 1978 MAY 2011 Alex MacLean is the preeminent aerial photographer of the built Towers erupt along the periphery. The main event, of course, is After 33 years, Alex MacLean reshot the east side of downtown by private investments such as One Park Place and Hess Tower. environment. His contribution to the Summer 2000 issue of Cite the absence of buildings. Huge expanses of surface parking at nearly the same angle while flying in for a talk at the Gulf Make no mistake: in 2011, surface parking lots still abound. Yet, (48), with text by William Stern, is among the high points of dominate. The concrete is white with the glare of a cloudless Coast Green conference. Finding points of reference to compare the transformation is plain and undeniable. How is it, in a city Cite’s 30 years. Long before that article, in 1978, MacLean Texas sky. Almost nothing of the original Victorian neighbor- the 1978 and 2011 photographs is difficult. Of the few landmarks without traditional zoning and planning, that such grand captured the east side of Houston’s downtown. The Houston hood remains. In The See-Through Years, the first managing remaining in 1978, few survived. The highway in the lower left undertakings were hatched? In “Big-Ticket Urbanism: Can Lighting and Power Company’s Energy Control Center with its editor of Cite, Joel Warren Barna, documents the reasons behind corner is like a geologic feature that anchors the two landscapes. Money Bring Life to the East End of Downtown?” (Spring 2004, Brutalist cantilevered volume designed by Caudill, Rowlett, and this stunning condition—oil prices, lack of preservation controls, George R. Brown Convention Center, Toyota Center, Minute Cite 60), Barna tells the story of more than $1.5 billion in pubic Scott still hangs on. The World Trade Center retains its modern tax laws that incentivize demolition, and property speculation Maid Park, Hilton Americas, and Discovery Green are among funding. Who yields such resources? Open these pages for “A façade and bold vertical lines in the lower right-hand corner. by developers who would soon crash. the major additions funded in whole or part by taxpayers, joined Guide to Power.”.