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Plagiat Merupakan Tindakan Tidak Terpuji Plagiat PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI THE SWAYING OF OPPRESSION AND LIBERATION THROUGH SRINTIL’S SELENDANG IN TOHARI’S TRILOGY RONGGENG DUKUH PARUK AND THE DANCER A THESIS Presented as a Partial Fulfillment of the Requirements to Obtain the Magister Humaniora (M. Hum.) Degree in English Language Studies SUZANA MARIA LUKI ASTUTI FAJARINI Student Number: 096332029 THE GRADUATE PROGRAM IN ENGLISH LANGUAGE STUDIES SANATA DHARMA UNIVERSITY YOGYAKARTA 2011 i PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI A THESIS THE SWAYING OF OPPRESSION AND LIBERATION THROUGH SRINTIL’S SELENDANG IN TOHARI’S TRILOGY RONGGENG DUKUH PARUK AND THE DANCER by SUZANA MARIA LUKI ASTUTI FAJARINI Student Number: 096332029 Approved by DR. A. Budi Susanto, S.J. ______________________ Supervisor Yogyakarta, June 27, 2011 ii PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI A THESIS THE SWAYING OF OPPRESSION AND LIBERATION THROUGH SRINTIL’S SELENDANG IN TOHARI’S TRILOGY RONGGENG DUKUH PARUK AND THE DANCER by SUZANA MARIA LUKI ASTUTI FAJARINI Student Number: 096332029 Defended before the Thesis Committee And Declared Acceptable THESIS COMMITTEE Chairperson: Dr. A. Budi Susanto, S.J. ________________________ Secretary : Dr. F.X. Siswadi, M.A. ________________________ Members : 1. Dr. Novita Dewi, M.S., M.A. (Hons.) ________________________ 2. Dr. Katrin Bandel ________________________ Yogyakarta, August 23, 2011 The Graduate Program Director Sanata Dharma University Prof. Dr. Augustinus Supratiknya iii PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI STATEMENT OF ORIGINALITY This is to certify that all ideas, phrases, sentences, unless otherwise stated, are the ideas, phrases, and sentences of the thesis writer. The writer understands the full consequences including degree cancellation if she took somebody else’s ideas, phrases, or sentences without proper references. Yogyakarta, August 23, 2011 SUZANA MARIA L.A.F. iv PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI LEMBAR PERNYATAAN PERSETUJUAN PUBLIKASI KARYA ILMIAH UNTUK KEPENTINGAN AKADEMIS Yang bertanda tangan di bawah ini, saya mahasiswa Universitas Sanata Dharma: Nama : Suzana Maria Luki Astuti Fajarini Nomor Mahasiswa : 096332029 Demi pengembangan ilmu pengetahuan saya memberikan kepada Perpustakaan Universitas Sanata Dharma karya ilmiah saya yang berjudul: The Swaying of Oppression and Liberation Through Srintil’s Selendang in Tohari’s Ronggeng Dukuh Paruk and The Dancer beserta perangkat yang diperlukan (bila ada). Dengan demikian saya memberikan kepada Perpustakaan Universitas Sanata Dharma hak untuk menyimpan, mengalihkan dalam bentuk media lain, mengelolanya dalam bentuk pangkalan data, mendistribusikan secara terbatas, dan mempublikasikannya di Internet atau media lain untuk kepentingan akademis tanpa perlu meminta ijin dari saya maupun memberikan royalti kepada saya selama tetap mencantumkan nama saya sebagai penulis. Demikian pernyataan ini yang saya buat dengan sebenarnya. Dibuat di Yogyakarta Pada tanggal 23 Agustus 2011 Yang menyatakan, (Suzana Maria Luki Astuti Fajarini) v PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI ACKNOWLEDGMENTS To find the correct subject for my final thesis took a rather long time. My head was overflowing with ideas; there were so many things I wanted to write about, resulted in the fact that my ideas ended up in the bin. Thank God, finally I found the subject I enjoyed working on, one I had personal magnetism with. What could I do without you all, the very special persons in my life to give me a hand with all the troubles I encountered in every single deed; to support me in prayers; to encourage me with criticisms and compliments; to listen to my complaints and grumbles; and to share laughter and tears. I realize my words would never be enough to convey and extend my heartfelt gratefulness to every dearest one who has made the completion of this final thesis possible. What can I give you in return except to remember you all and mention your names in my prayers? Above all, my deep bow and gratitude go to my Shepherd who gives all the sadness and happiness to strengthen my life. I know, You have made everything beautiful in Your time. Now, I‘ll dance in Your sunrise. I’ll fly in Your wind. I’ll slide along Your rainbow. I’ll swing in Your rain. I’m so happy that I’ll sing with my pain. vi PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI TABLE OF CONTENTS LEMBAR JUDUL ..................................................................................................... i SUPERVISOR’S APPROVAL ................................................................................. ii THESIS COMMITTEE’S APPROVAL ................................................................. iii STATEMENT OF ORIGINALITY ......................................................................... iv LEMBAR PERNYATAAN PERSETUJUAN PUBLIKASI ................................. v ACKNOWLEDGMENTS ......................................................................................... vi TABLE OF CONTENTS .......................................................................................... vii ABSTRACT ............................................................................................................... ix ABSTRAK .................................................................................................................. x CHAPTER I: INTRODUCTION Prolog .......................................................................................................................... 1 A. The Beginning ................................................................................................. 2 B. The Boundary .................................................................................................. 6 C. The Restlessness .............................................................................................. 7 D. The Intention ................................................................................................... 7 E. The Source of Restlessness ............................................................................. 10 F. The Process ...................................................................................................... 12 G. The Urgency .................................................................................................... 14 CHAPTER II: THEORETICAL REVIEW A. Review of Related Theories ............................................................................ 17 B. Previous Study ................................................................................................. 21 C. Theoretical Framework .................................................................................... 23 D. A Brief History of Ronggeng .......................................................................... 24 E. A Glimpse at Javanese Philosophy .................................................................. 27 F. Setting of Place and the Layer of the Plot ....................................................... 29 G. A Brief Political Background .......................................................................... 30 vii PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI CHAPTER III: The Indang-Possessed Srintil A. The Cultural Entry Point ................................................................................. 33 B. Srintil’s Representation ................................................................................... 40 C. The Oppression Srintil Endures ...................................................................... 45 1. Economic Oppression ............................................................................... 46 2. Psychological and Mental Repression ...................................................... 48 Wrapping Up ......................................................................................................... 54 CHAPTER IV: Srintil’s Selendang as A Criticism for Indonesian Readers of Today A. The Political Entry Point ................................................................................. 57 B. Srintil’s Endeavor ............................................................................................ 60 C. Srintil’s Feminine Intimate Negotiation .......................................................... 68 D. Srintil’s Memoir and Readers’ Alternative Empathy ...................................... 71 Wrapping Up ......................................................................................................... 76 CHAPTER V: Srintil’s Lessen Sway in Translation A. From A Lingua Franca to Another Lingua Franca .......................................... 77 B. Playing with The Words, Controlling The Words ........................................... 86 C. From One Lingua Franca to A Mother Tongue ............................................... 98 CHAPTER VI: CONCLUSION ............................................................................... 104 Epilog .......................................................................................................................... 114 Bibliography ............................................................................................................... 115 Appendix ...................................................................................................................
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