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Proquest Dissertations
UNIVERSITY OF CALGARY TO LOOT TO HEW & EDEN by EMILY KRUSE CARR A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA JUly2010 © EMILY KRUSE CARR 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-69475-6 Our file Notre reference ISBN: 978-0-494-69475-6 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduce, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ]
[ COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ] 001 PRODUCTIONS >> BIG BROTHER THEME 10CC >> ART FOR ART SAKE 10CC >> DREADLOCK HOLIDAY 10CC >> GOOD MORNING JUDGE 10CC >> I'M NOT IN LOVE {K} 10CC >> LIFE IS A MINESTRONE 10CC >> RUBBER BULLETS {K} 10CC >> THE DEAN AND I 10CC >> THE THINGS WE DO FOR LOVE 112 >> DANCE WITH ME 1200 TECHNIQUES >> KARMA 1910 FRUITGUM CO >> SIMPLE SIMON SAYS {K} 1927 >> IF I COULD {K} 1927 >> TELL ME A STORY 1927 >> THAT'S WHEN I THINK OF YOU 24KGOLDN >> CITY OF ANGELS 28 DAYS >> SONG FOR JASMINE 28 DAYS >> SUCKER 2PAC >> THUGS MANSION 3 DOORS DOWN >> BE LIKE THAT 3 DOORS DOWN >> HERE WITHOUT YOU {K} 3 DOORS DOWN >> KRYPTONITE {K} 3 DOORS DOWN >> LOSER 3 L W >> NO MORE ( BABY I'M A DO RIGHT ) 30 SECONDS TO MARS >> CLOSER TO THE EDGE 360 >> LIVE IT UP 360 >> PRICE OF FAME 360 >> RUN ALONE 360 FEAT GOSSLING >> BOYS LIKE YOU 3OH!3 >> DON'T TRUST ME 3OH!3 FEAT KATY PERRY >> STARSTRUKK 3OH!3 FEAT KESHA >> MY FIRST KISS 4 THE CAUSE >> AIN'T NO SUNSHINE 4 THE CAUSE >> STAND BY ME {K} 4PM >> SUKIYAKI 5 SECONDS OF SUMMER >> DON'T STOP 5 SECONDS OF SUMMER >> GIRLS TALK BOYS {K} 5 SECONDS OF SUMMER >> LIE TO ME {K} 5 SECONDS OF SUMMER >> SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER >> SHE'S KINDA HOT {K} 5 SECONDS OF SUMMER >> TEETH 5 SECONDS OF SUMMER >> WANT YOU BACK 5 SECONDS OF SUMMER >> YOUNGBLOOD {K} 50 CENT >> 21 QUESTIONS 50 CENT >> AYO TECHNOLOGY 50 CENT >> CANDY SHOP 50 CENT >> IF I CAN'T 50 CENT >> IN DA CLUB 50 CENT >> P I M P 50 CENT >> PLACES TO GO 50 CENT >> WANKSTA 5000 VOLTS >> I'M ON FIRE 5TH DIMENSION -
Milestone 2005 Milestone 2005 EAST LOS ANGELES COLLEGE
Milestone 2005Milestone Milestone 2005 EAST LOS ANGELES COLLEGE EAST LOS EAST LOS ANGELES COLLEGE COVER ILLUSTRATION: Lizbeth Navarro M i l e s t o n e 2 0 0 5 East Los Angeles College Monterey Park, California M i l e s t o n e 2 0 0 5 Editor, Advisor Carol Lem Selection Staff Creative Writing Class of Spring 2005 Book Design Trish Glover Photography Christine Moreno Student Artwork Leopoldo Alvarez, Diana Barraza, Graciela Basulto, Shin-Yi Chiu, John Draisey, Rafael Esparza, Ngoun Hean, Ricardo Ibarra, Zong Da Li, Shugo Maino, Denise Monge, Jose Monge, Denise Monge, Lizbeth Navarro, Laura Urbino, Joel Zavala East Los Angeles College 1301 Avenida Cesar Chavez Monterey Park, California 91754 Milestone is published by the East Los Angeles College English Department. Material is solicited from students of the college. A writer is not so much someone who has something to say as he is someone who has found a process that will bring about new things he would not have thought of if he had not started to say them…; he engages in an activity that brings to him a whole succession of unforeseen stories, poems, essays, plays…but wait! When I write, I like to have an interval before me when I am not likely to be interrupted. For me, this means usually the early morning, before others are awake. I get pen and paper, take a glance out of the window (often it is dark out there), and wait. — William Stafford, from “A Way of Writing” M i l e s t o n e 2 0 0 4 3 Contents Editor’s Note 7 Part I: The Work Monique C. -
PWTORCH NEWSLETTER • PAGE 2 Www
ISSUE #1255 - MAY 26, 2012 TOP FIVE STORIES OF THE WEEK PPV ROUNDTABLE (1) Raw expanding to three hours on July 23 (2) Impact going live every week this summer (3) Flair parting ways with TNA, WWE bound WWE OVER THE LIMIT (4) Raw going “interactive” with weekly voting Staff Scores & Reviews (5) Laurinaitis pins Cena after Show turns heel Pat McNeill, columnist (6.5): The main problem with WWE Over The Limit? The main event went over the limit of what we’ll accept from WWE. You can argue that there was no reason to book John Cena against John Laurinaitis on a pay-per-view, and you’d be right. RawHEA eDLxINpE AaNnALYdSsIS to thrhoeurse, a nhd uosuaullyr tsher e’Js eunoulgyh re2de3eming But on top of that, there was no reason to book content to make it worth the investment. But Cena versus Laurinaitis to go as long as any other three hours? Three hours of lousy content is By Wade Keller, editor major pay-per-view match. And there was no enough that next time viewers might just tune in reason for Cena to drag the match out. It didn’t fit If you follow an industry long enough, you’re for a just an hour instead of the usual two and the storyline. And it made John Cena look like a bound to see some bad decisions being made. certainly not commit to all three. Or they might chump. or like The Stinger, when Big Show turned Some are worse than others, but it’s rare when pick their segments, watching the predictably heel for the umpteenth time and cost him the you think you might be seeing the Worst newsmaking segments at the start of each hour match. -
State of the (Student) Union Address
12 smallTALK w March 7, 2011 Volume 50, Issue 10 TNA Q & A with ONARCH iMPACT President COREBOARD hits Hancock M Fayetteville ...page 3 S ...page 6 GAME RESULTS small ALK Baseball March 7, 2011 The sTudenT voice of MeThodisT universiTy Methodist University Date Opponent Result Volume 50, Issue 10 Fayetteville, NC 2/23 Hampden-Sydney College W 7-4 T 2/26 LaGrange College W 8-1 www.sMallTalkMu.coM 2/27 LaGrange College W 8-3 3/1 Immaculata University W 14-1 3/2 Lynchburg College W 12-0 Softball Date Opponent Result State of the (Student) Union Address 2/25 Piedmont College L 1-3 2/25 Lynchburg College L 4-7 2/26 Salisbury University L 2-9 President Hancock answers students’ questions at Town Hall Meeting 2/26 Eastern Mennonite University W 2-0 2/27 Roanoke College L 1-13, L 5-13 of a university,” Hancock said to the crowd. “I think I have the best job in America, and I Men’s Tennis want each and every one of you to feel like you are at the best school in America.” Date Opponent Result “I’ve been waiting 27 years for Dr. Hendricks to retire,” joked Hancock. “And now, 2/23 Barton College L 4-5 just a little older than 52, I am here doing exactly what I set my sight on so long ago.” 2/26 Benedict College W 9-0 Hancock explained to the crowd that he would attempt to answer every question to the 2/26 Guilford College W 8-1 3/3 Mount Olive College L 1-8 best of his ability, but asked students to be patient with him if he did not know the answer and promised that he would do his best to answer questions as he learned more about Women’s Tennis Methodist University. -
Ecological Consequences Artificial Night Lighting
Rich Longcore ECOLOGY Advance praise for Ecological Consequences of Artificial Night Lighting E c Ecological Consequences “As a kid, I spent many a night under streetlamps looking for toads and bugs, or o l simply watching the bats. The two dozen experts who wrote this text still do. This o of isis aa definitive,definitive, readable,readable, comprehensivecomprehensive reviewreview ofof howhow artificialartificial nightnight lightinglighting affectsaffects g animals and plants. The reader learns about possible and definite effects of i animals and plants. The reader learns about possible and definite effects of c Artificial Night Lighting photopollution, illustrated with important examples of how to mitigate these effects a on species ranging from sea turtles to moths. Each section is introduced by a l delightful vignette that sends you rushing back to your own nighttime adventures, C be they chasing fireflies or grabbing frogs.” o n —JOHN M. MARZLUFF,, DenmanDenman ProfessorProfessor ofof SustainableSustainable ResourceResource Sciences,Sciences, s College of Forest Resources, University of Washington e q “This book is that rare phenomenon, one that provides us with a unique, relevant, and u seminal contribution to our knowledge, examining the physiological, behavioral, e n reproductive, community,community, and other ecological effectseffects of light pollution. It will c enhance our ability to mitigate this ominous envirenvironmentalonmental alteration thrthroughough mormoree e conscious and effective design of the built environment.” -
Small Gods & Orbital Bodies
ABSTRACT SMALL GODS & ORBITAL BODIES: A THESIS by Anthony F. Ramstetter, Jr. This manuscript is my Master thesis, which I have compiled to fulfill the requirements of a creative writing examination in poetry. It collects diverse thematic pathways into professional and publishable form. The first section includes rough reflections on spirituality, which create worlds within their own respective compass. The second section includes humorous, incidental poems that play with the linkage of the ampersand. The third section meditates on personal relationships and various intimacies. SMALL GODS & ORBITAL BODIES: A THESIS Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Anthony F. Ramstetter, Jr. Miami University Oxford, Ohio 2013 Advisor ___________________________________ cris cheek Reader ___________________________________ David Schloss Reader ___________________________________ Keith Tuma © Anthony F. Ramstetter, Jr. 2013 Table of Contents DEDICATIONS ................................................................................................................ v ACKNOWLEDGMENTS ..................................................................................................vi [SMALL GODS] ARS POETICA? .............................................................................................................. 2 FOURSQUARE: METAPOETICS ................................................................................... 3 SOMETIMES I FEEL AS -
Backblock Ballads and Later Verses
Backblock Ballads and Later Verses Dennis, C. J. (1876-1938) University of Sydney Library Sydney 1999 http://setis.library.usyd.edu.au/ © Copyright University of Sydney Library. The texts and Images are not to be used for commercial purposes without permission Source Text: Prepared against the printed edition published by Angus and Robertson Sydney, 1918 All quotation marks retained as data First Published: 1913 Australian Etexts poetry 1910-1939 verse Backblock Ballads and Later Verses Sydney Angus and Robertson 1918 Backblock Ballads And Later Verses An Old Master We were cartin' laths and palin's from the slopes of Mount St. Leonard, With our axles near the road-bed and the mud as stiff as glue; And our bullocks weren't precisely what you'd call conditioned nicely, And meself and Messmate Mitchell had our doubts of gettin' through. It had rained a tidy skyful in the week before we started, But our tucker-bag depended on the sellin' of our load; So we punched 'em on by inches, liftin' 'em across the pinches, Till we struck the final section of the worst part of the road. We were just congratulatin' one another on the goin', When we blundered in a pot-hole right within the sight of goal, Where the bush-track joins the metal. Mitchell, as he saw her settle, Justified his reputation at the peril of his soul. We were in a glue-pot, certain — red and stiff and most tenacious; Over naves and over axles — waggon sittin' on the road. “'Struth,” says I, “they'll never lift her. -
Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 285 April Oxford’S Music Magazine 2019
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 285 April Oxford’s Music Magazine 2019 “The mask probably is a defence mechanism. Focussing on this character of Tiger Mendoza rather than photo: Helen Messenger me as a person removes the notion of personality or race or even gender.” tiger mendoza Oxford’s collaboration king talks masks, movies & remixes Also in this issue: THE CELLAR - RIP WHEATSHEAF in peril? Introducing MEANS OF PRODUCTION FESTIVAL NEWS - the latest on Truck, Cornbury, Supernormal, Tandem & more plus all your Oxford music news, previews, reviews and five pages of gigs for April NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk THE CELLAR CLOSED ITS agreed, there were no guarantees doors for the last time on the 11th on the time frame of the building March. work, which required access to the The venue, which has been at the shop above and various structural heart of the Oxford music scene for considerations. Essentially, the 40 years under the ownership of the whole process took far longer than Hopkins family, was forced to shut we were expecting, and we simply after it failed to reach an agreement could not keep operating under these with landlords The St Michael’s and conditions. All Saints “charity”, over a new rent “We are grateful to the landlords for deal. recognising the cultural importance The closure comes at the end of of the venue, and we hope that an 18-month period that saw The we have saved this space from Cellar survive an application for a becoming a store room. -
Early Spring 2002
SOFNews Early Spring 2002 No-Fly Zone Voice Afters On the sidewalk human meat corpses take the ferry to New Jersey I love you so much so much I thought you were dead human meat what if he’s dying and I can’t help him? what if he’s in pain and I can’t hold his hand? human meat I’d rather not say what it looked like I couldn’t see my feet she couldn’t see her legs we kept her talking about her children there was creaking a rush of wind human meat their religion is genocide they like they like I don’t know human meat Avernus Is a no-fly zone of the American Academy in Rome Academy in American the of The Society of Fellows of Society The Martha A. Malamud FC‘89 Fellows Respond to the Tragedy of September 11: Observations, reactions, and Reflections. From the Editors BY STEFANIE WALKER FH‘01, WITH JACK SULLIVAN FL‘83 SOF News elping Jack Sullivan with this (March 3, 2002), does an artist need EARLY SPRING 2002 more time to respond to crisis, look Hspecial issue, my first experi- Published by the Society of Fellows of ence as an editor of the SOF News, beyond it, and “find, train and shape The American Academy in Rome couldn’t have been more engaging, a voice strong enough to rise above 7 East 60 Street moving, and thought provoking. I that idle chatter”? And, anyway, New York, NY 10022-1001 had been back from Italy just for why should we expect a response? (212) 751-7200 about a month in early September. -
November 23, 2015 Wrestling Observer Newsletter
1RYHPEHU:UHVWOLQJ2EVHUYHU1HZVOHWWHU+ROPGHIHDWV5RXVH\1LFN%RFNZLQNHOSDVVHVDZD\PRUH_:UHVWOLQJ2EVHUYHU)LJXUH)RXU2« RADIO ARCHIVE NEWSLETTER ARCHIVE THE BOARD NEWS NOVEMBER 23, 2015 WRESTLING OBSERVER NEWSLETTER: HOLM DEFEATS ROUSEY, NICK BOCKWINKEL PASSES AWAY, MORE BY OBSERVER STAFF | [email protected] | @WONF4W TWITTER FACEBOOK GOOGLE+ Wrestling Observer Newsletter PO Box 1228, Campbell, CA 95009-1228 ISSN10839593 November 23, 2015 UFC 193 PPV POLL RESULTS Thumbs up 149 (78.0%) Thumbs down 7 (03.7%) In the middle 35 (18.3%) BEST MATCH POLL Holly Holm vs. Ronda Rousey 131 Robert Whittaker vs. Urijah Hall 26 Jake Matthews vs. Akbarh Arreola 11 WORST MATCH POLL Jared Rosholt vs. Stefan Struve 137 Based on phone calls and e-mail to the Observer as of Tuesday, 11/17. The myth of the unbeatable fighter is just that, a myth. In what will go down as the single most memorable UFC fight in history, Ronda Rousey was not only defeated, but systematically destroyed by a fighter and a coaching staff that had spent years preparing for that night. On 2/28, Holly Holm and Ronda Rousey were the two co-headliners on a show at the Staples Center in Los Angeles. The idea was that Holm, a former world boxing champion, would impressively knock out Raquel Pennington, a .500 level fighter who was known for exchanging blows and not taking her down. Rousey was there to face Cat Zingano, a fight that was supposed to be the hardest one of her career. Holm looked unimpressive, barely squeaking by in a split decision. Rousey beat Zingano with an armbar in 14 seconds. -
Faut-Il Chanter En Anglais Pour Gagner L’Eurovision ? Ou Tout Pour En Finir Avec Ce Refrain
DO YOU SPEAK EUROVISION ? FAUT-IL CHANTER EN ANGLAIS POUR GAGNER L’EUROVISION ? OU TOUT POUR EN FINIR AVEC CE REFRAIN. En 1999, les artistes obtiennent la liberté d’interpréter leur chanson dans la langue de leur choix. Mais il n’en a pas toujours été ainsi… Les pays détenteurs de langues “exotiques“ ont à plusieurs reprises bouleversé le règlement pour s’assurer une place sur le podium. HELLO GUTEN TAG DO YOU SPEAK EUROVISION ? DÉCOUVREZ L’HISTOIRE SINUEUSE DU RÈGLEMENT DE L’EUROVISION DEPUIS SON ORIGINE. ΓΕΙΑ ΣΟΥ GUTEN TAG HOLA HELLO HELLO HEY 1956 1965 1966 L’Eurovision est créée pour célébrer la Ingvar Wixell, le compétiteur suédois, Les organisateurs instaurent l’obligation diversité culturelle européenne. chante en anglais et provoque de chanter dans la langue nationale. l’indignation des autres pays. HELLO000000000000 WATERLOO 1 A B B A 1976 1974 1973 Le tiers des pays proposent des Le groupe suédois Abba gagne Retour au règlement d’origine : les chansons en anglais pour augmenter l’Eurovision avec « Waterloo » artistes peuvent chanter dans une autre leur chance de gagner. interprétée en anglais qui remportera langue que celle de leur pays. un énorme succès dans le monde. GUTEN TAG ?! 1977 1997 De nouveau, les organisateurs Pour Jürgen Meier-Beer, chef de la interdisent la possibilité de chanter télévision publique allemande, dans une langue étrangère. l’interdiction pénalise son pays. Il menace de quitter l’Eurovision si la règle n’est pas supprimée. 1999 Jürgen Meier-Beer obtient gain de cause, malgré l’opposition de certains fans du concours qui veulent maintenir PASSER le multilinguisme.