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Asolo Rep to Host Auditions for Large and Diverse Casts for 2015-16 Season

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Asolo Rep to Host Auditions for Large and Diverse Casts for 2015-16 Season Asolo Rep to Host Local Auditions for the 2015-16 Season View this email in your browser ***For Immediate Release*** March 31, 2015 Asolo Rep to Host Auditions for Large and Diverse Casts for 2015-16 Season (SARASOTA, March 31, 2015) — Asolo Repertory Theatre will host musical and dramatic auditions for Equity and Non Equity roles for its 2015-16 season on Sunday, April 12, 2015 from 3 to 7pm and Monday, April 13, 2015 from 11am to 7pm at Asolo Rep. Please note that the final two hours (5 – 7 pm) on the 13th will be a dance call for West Side Story. The theatre is seeking African American and Latino actors and actresses to fill more than 25 roles. From West Side Story to Guess Who's Coming to Dinner, Asolo Rep is casting for a variety of roles of all ethnicities in several different productions. Actors must be available for callbacks in June (specific callback dates will be announced in May.) Actors auditioning for dramatic roles must prepare two contrasting monologues, no more than three minutes total. Actors auditioning for musical roles must prepare a 90-second monologue and 16 bars of a song (musical theatre, pop/rock, or gospel). An accompanist is provided. For dance auditions, auditioners will learn a brief dance routine with a choreographer. If you are auditioning for West Side Story please keep in mind that you will need to attend the dance call on Monday, April 13th from 5:00 – 7:00 PM. You are welcome to book your singing and acting audition for any time slot on Sunday OR Monday. Actors must bring two copies of their pictures and résumés, glued or stapled together. If singing, please bring sheet music. If dancing, please bring comfortable dance clothes. For an appointment, please email [email protected] or call 941.351.9010 ext. 3313 with a message stating your preferred day and time, Equity/EMC/Non-Equity status, and whether or not you will be singing and/or dancing. Email bookings are strongly preferred. Specific room locations will be confirmed when auditions are booked. -more- Local Auditions 15-16 Page 2 of 9 Mertz Theatre (LORT B): West Side Story music by Leonard Bernstein, lyrics by Stephen Sondheim, book by Arthur Laurents Directed by Joey McKneely First Rehearsal: 10/13/2015 First Preview: 11/10/2015 Closing: 12/27/2015 [TONY] – Late Teens – Early 20s. Handsome, sandy-haired (Polish), older teen- ager, who has outgrown the Jets. Tenor. [RIFF] – Late Teens – Early 20s. Glowing, driving, intelligent, slightly wacky leader of the Jets. Tenor. [DIESEL] – Late Teens – Early 20s. Lieutenant to Riff, big, slow, steady. Baritone. [BABY JOHN] Late Teens – Early 20s. Youngest member of the Jets, awed at everything, even being a Jet; tries to act like a big man, but is vulnerable; Baritone. [A-RAB] Late Teens – Early 20s. Small of stature, enjoys everything, takes nothing seriously, unaware, can be explosive. Baritone. [ACTION] Late Teens – Early 20s. Most aggressive member of the Jets, a cat-like ball of fury. Baritone. [SNOWBOY] Late Teens – Early 20s. Bespectacled, self-styled expert. Baritone. [BIG DEAL] Late Teens – Early 20s. Ensemble role; flexible voice parts. [ANYBODY’S] Late Teens – Early 20s. Scrawny teen-aged girl, pathetically dressed to imitate the Jets, and wants desperately to be taken seriously by them. [VELMA] Late Teens – Early 20s. Riff’s girlfriend, young, slithery, sexy, lost in a world of jive. Flexible voice parts. [GRAZIELLA] Late Teens – Early 20s. Girlfriend of Diesel, impressed with herself. Flexible voice parts. [MILLIE] Late Teens – Early 20s. Ensemble role. Flexible voice parts [BERNARDO] Late Teens – Early 20s. Handsome, proud, fluid leader of the Sharks, with a sardonic chip on his shoulder. Latino. Baritone. [CHINO] Late Teens – Early 20s. Shy, gentle, sweet-faced young boy, the intended husband of Maria. Latino. Baritone. -more- Local Auditions 15-16 Page 3 of 9 [PEPE] Late Teens – Early 20s. Lieutenant to Bernardo, typically proud, and resentful of discrimination. Latino. Baritone. [NIBBLES] Late Teens – Early 20s. Ensemble role; Latino. Flexible voice parts. [ANXIOUS] Late Teens – Early 20s. Ensemble role; Latino. Flexible voice parts. [MOOSE] Late Teens – Early 20s. Ensemble role; Latino. Flexible voice parts. [MARIA] Late Teens – Early 20s. Lovely young and obedient girl, excited and enthusiastic about her new life in America, but with stubborn inner strength that allows her to evolve into a strong woman. Latina. Soprano. [ANITA] Late Teens – Early 20s. Older and wiser in the ways of the world, flashy, sharp-tongued, and with a knowing sexuality. Latina. Alto/mezzo-soprano. [CONSUELA] Late Teens – Early 20s. Tough, young girl with bleach blond hair and lots of baubles. Latina. Mezzo-soprano. [MARGARITA] Late Teens – Early 20s. Ensemble role; Latina. Flexible voice parts. [FRANSISCA] Late Teens – Early 20s. Ensemble role; Latina. Flexible voice parts. [ROSALIA] Late Teens – Early 20s. Young girl, more demure, not too bright. Latina. Mezzo-soprano. [DOC] Mid 40s – Mid 60s. Drug store owner, tired and worn out. Non-singing. Also plays OFFICE KRUPKE. [LIEUTENANT SCHRANK] – Early 40s – Mid 50s. Plainclothes policeman used to being in charge, superficially pleasant to cover his venom, fear, and bigotry. Non- singing. Also Plays GLAD HAND. [OFFICER KRUPKE] Mid 40s – Mid 50s. A not-too-bright street cop; aggressive; hard-nosed. Non-singing. Also plays DOC. [GLAD HAND] Early 40s – Mid 50s. Nerdy, overly cheerful and ill-equipped social director at the local gym dance. Non-singing. Also plays LIEUTENANT SCHRANK. All The Way by Robert Schenkkan Directed by Emily Sophia Knapp First Rehearsal: 11/28/2015 First Preview: 1/5/2016 Closing: 4/9/2016 [LYNDON BAINES JOHNSON] – Mid 50s. 36th President of the United States. Ambitious, tireless, imposing, and ruthless. Brash, powerful, persuasive, and energetic. A magnetic force to be reckoned with. -more- Local Auditions 15-16 Page 4 of 9 [MARTIN LUTHER KING, JR.] – Mid 30s. African American. Civil Rights Movement leader until his assassination in 1968. Passionate, committed, grounded, with a deep belief in his cause. [LADY BIRD JOHNSON] – Late 40s – Early 50s. First Lady of the United States. Well educated, shrewd, and capable with a good mind for business and an independent spirit. Also plays KATHARINE GRAHAM and KATHARINE ST. GEORGE. [KATHARINE GRAHAM] – Early 40s – Late 40s. Educated, cultured, intelligent and influential. Also plays LADY BIRD and KATHARINE ST. GEORGE. [KATHARINE ST. GEORGE] – Late 50s – Early 60s. U.S. Representative from New York. Republican. Born to privilege, fiscally conservative, determined, focused. Early supporter of fair pay for women – coined the phrase “equal pay for equal work.” Also plays LADY BIRD and KATHARINE GRAHAM. [GEORGE WALLACE] – Early 40s – Late 40s. Governor of Alabama. Oozing with Southern charm, a bit oily. He uses this charm to get what he wants no matter the cost. Pugnacious. Segregationist. Also plays JAMES CORMAN, MIKE MANSFIELD, and WALTER REUTHER. [JAMES CORMAN] – Late 30s – Early 40s. U.S. Representative from California. Democrat. Bright, intensely private, courtly, old-fashioned, sometimes moody. Also plays GEORGE WALLACE, MIKE MANSFIELD, and WALTER REUTHER. [MIKE MANSFIELD] – Mid 50s – Leading Senate Democrat, and a major supporter of LBJ’s Great Society legislative program. Anti-war stance on Vietnam. Liberal, fair-minded, principled, humble. Also plays GEORGE WALLACE, JAMES CORMAN, and WALTER REUTHER. [WALTER REUTHER] – Mid 50s. Labor union leader and major supporter of the Civil Rights Movement. Outspoken and impassioned. An aggressive go-getter. Also plays GEORGE WALLACE, JAMES CORMAN, and MIKE MANSFIELD. [RICHARD RUSSELL] – Early/Mid 60s. Democratic Senator from Georgia, and former Georgia governor. Conservative Democrat and key opponent of the Civil Rights Movement. Also plays JIM MARTIN and EMANUEL CELLER. [JIM MARTIN] – Mid 40s. U.S. Representative from Alabama. Republican. Former military man, and originally a conservative Democrat. Also plays RICHARD RUSSELL and EMANUEL CELLER. [EMANUEL CELLER] – Late 60s – Mid 70s. U.S. Representative from New York. Democrat. Active, feisty, vocal about his beliefs. Also plays RICHARD RUSSELL and JIM MARTIN. -more- Local Auditions 15-16 Page 5 of 9 [STANLEY LEVISON] – Late 40s – Early 50s. Progressive, liberal, social activist. Close advisor to Martin Luther King, Jr. Suspected communist. Also plays JOHN McCORMACK and SEYMORE TRAMMELL. [JOHN McCORMACK] – Mid 60s – Early 70s. U.S. Representative from Massachusetts. Democrat. Fair, impartial, restrained, kindly, paternal. A teetotaler, but also a warmhearted wheeler-dealer. Also plays STANLEY LEVISON and SEYMORE TRAMMELL. [SEYMORE TRAMMELL] – Mid 40s. Political associate of George Wallace. Also plays STANLEY LEVISON and JOHN McCORMACK. [RALPH ABERNATHY] – Late 30s – Early 40s. African American. Minister and close associate of Martin Luther King, Jr. Pragmatic, shrewd, an excellent strategist. Calculated, careful, self-contained, and cautious. [ROY WILKINS] – Late 50s – Early 60s. African American. Civil rights activist and director of the NAACP. Principled, focused, and strong-willed. Also plays AARON HENRY. [AARON HENRY] – Late 30s – Early 40s. African American. Head of the Mississippi branch of the NAACP. A Civil Rights activist, veteran, early proponent of voting rights and co-founder of the Mississippi Freedom Democratic Party. Also plays ROY WILKINS. [JAMES EASTLAND] – Late 50s – Early 60s. U.S. Senator from Mississippi. Conservative Democrat and opponent of the Civil Rights Movement. Also
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