Upper Missouri River Breaks National Monument
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October 11, 2011 (XXIII:7) Arthur Penn, BONNIE and CLYDE (1967, 112 Min)
October 11, 2011 (XXIII:7) Arthur Penn, BONNIE AND CLYDE (1967, 112 min) Directed by Arthur Penn Writing credits David Newman & Robert Benton and Robert Towne (uncredited) Produced by Warren Beatty Original Music by Charles Strouse Cinematography by Burnett Guffey Film Editing by Dede Allen Art Direction by Dean Tavoularis Costume Design by Theadora Van Runkle Earl Scruggs....composer: Foggy Mountain Breakdown Alan Hawkshaw....musician: "The Ballad of Bonnie and Clyde" Warren Beatty...Clyde Barrow Faye Dunaway...Bonnie Parker Michael J. Pollard...C.W. Moss Gene Hackman...Buck Barrow Estelle Parsons...Blanche Denver Pyle...Frank Hamer DAVID NEWMAN (February 4, 1937, New York City, New York Dub Taylor...Ivan Moss – June 27, 2003, New York City, New York) has 18 writing Evans Evans...Velma Davis credits: 2000 Takedown, 1997 “Michael Jackson: His Story on Gene Wilder...Eugene Grizzard Film - Volume II”, 1985 Santa Claus, 1984 Sheena: Queen of the Jungle, 1983 Superman II, 1982 Still of the Night, 1982 Jinxed!, Oscars for Best Actress in a Supporting Role (Estelle 1980 Superman II, 1978 Superman, 1975 “Superman”, 1972 Bad Parsons)and Best Cinematography (Burnett Guffey). Selected for Company, 1972 Oh! Calcutta!, 1972 What's Up, Doc?, 1970 National Film Registry – 1992 There Was a Crooked Man..., and 1967 Bonnie and Clyde. BONNIE PARKER (October 1, 1910-May 23, 1934). ROBERT BENTON (September 28, 1932, Waxahachie, Texas – ) won Best Writing Oscars for Places in the Heart (1984) and (March 24, 1909-May 23-1934). Kramer v. Kramer (1979); he also -
Les Bad Boys De L'ouest : Brando, Nicholson Et Le Western
Document generated on 10/01/2021 5:32 p.m. 24 images Les Bad Boys de l’Ouest Brando, Nicholson et le Western Bruno Dequen Western – Histoires parallèles Number 186, March 2018 URI: https://id.erudit.org/iderudit/87969ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this article Dequen, B. (2018). Les Bad Boys de l’Ouest : Brando, Nicholson et le Western. 24 images, (186), 18–19. Tous droits réservés © 24/30 I/S, 2018 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ DOSSIER — WESTERN – Histoires parallèles LES BAD BOYS DE L’OUEST BRANDO, NICHOLSON ET LE WESTERN par Bruno Dequen Le Western n’est pas le premier genre qui vient en tête à la mention des noms de Marlon Brando et Jack Nicholson. Pourtant, ils en ont tous deux réalisé un, et The Missouri Breaks demeure le seul film dans lequel ils ont partagé l’affiche. Critiquées ou ignorées à l’époque de leurs sorties, les incursions des deux monstres sacrés au Far West font partie des propositions les plus originales du genre et mettent en valeur la relation complexe qu’entretenaient les deux légendes d’Hollywood avec leur art. -
Nez Perce (Nee-Me-Poo) National Historic Trail Progress Report
United States Department of Agriculture Nez Perce (Nee-Me-Poo) National Historic Trail Progress Report Summer 2019 Administrator ’s Corner At the Nez Perce (Nee-Me-Poo) National Historic Trail (NPNHT) program, we work through partnerships that seek to create communication and collaboration across jurisdictional and cultural boundaries. Our ethic of working together reinforces community bonds, strengthens our Trail social fabric, and fosters community prosperity. By building stronger relationships and reaching out to underserved communities, who may have not historically had a voice in the management, interpretation of the Trail, we can more effectively steward our trail through honoring all the communities we serve. U.S. Forest Service photo, U.S. Roger Peterson Forest Service Volunteer labor isn’t perfect sometimes. Construction projects can take Sandra Broncheau-McFarland, speaking to longer than necessary, but there are so many intangible benefits of the Chief Joseph Trail Riders. volunteering- the friendships, the cross-cultural learning, and the life changes it inspires in volunteers who hopefully shift how they live, travel, and give in the future. Learning how to serve and teaching others the rest of our lives by how we live is the biggest impact. Volunteering is simply the act of giving your time for free and so much more. In an always on and interconnected world, one of the hardest things to find is a place to unwind. Our brains and our bodies would like us to take things a lot slower,” says Victoria Ward, author of “The Bucket List: Places to find Peace and Quiet.” This is the perfect time to stop and appreciate the amazing things happening around you. -
Arthur Penn from Wikipedia, the Free Encyclopedia for Other People Named Arthur Penn, See Arthur Penn (Disambiguation)
Arthur Penn From Wikipedia, the free encyclopedia For other people named Arthur Penn, see Arthur Penn (disambiguation). This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (February 2014) This article needs additional citations for verification. Please help improve this article byadding citations to reliable sources. Unsourced material may be challenged and removed.(September 2010) Arthur Penn Born Arthur Hiller Penn September 27, 1922 Philadelphia, Pennsylvania, United States Died September 28, 2010 (aged 88) New York City, United States Occupation Film director, producer Spouse(s) Peggy Maurer (1955–2010; his death) Children Matthew Penn, Molly Penn Arthur Hiller Penn (September 27, 1922 – September 28, 2010)[1] was an American director and producer of film, television and theater. Penn directed critically acclaimed films throughout the 1960s such as the drama The Chase (1966), the biographical crime filmBonnie and Clyde (1967) and the comedy Alice's Restaurant (1969). He also got attention for his revisionist Western Little Big Man (1970). By the mid-1970s his films were received with much less enthusiasm. In the 1990s he returned to stage and television direction and production, including an executive producer role for the crime series Law & Order.[2] Contents [hide] 1 Early years 2 Career 3 Personal life 4 Work o 4.1 Filmography o 4.2 Stage 5 See also 6 References 7 External links Early years[edit] Penn was born in Philadelphia, Pennsylvania, the son of Sonia (Greenberg), a nurse, and Harry Penn, a watchmaker.[3] He was the younger brother of Irving Penn, the successful fashion photographer. -
Sacred Trails
Sacred Trails “The Land unites us with [our] across time, keeping our culture alive…… We live in the place our ancestors called home before the great pyramids of Egypt were built.” Nez Perce Tribal Executive Committee First Encounter of Horse Nation Native Americans have always believed that animal creatures were part of the living community. When Native Americans first encountered the horse they called them Horse Nation and they found an ally, inspiration and a tool that would transform their world. By the 1800’s Natives had used the horse nation as survival and sustaining their culture. Native Americans honored the horse and invited the horse into their spiritual lives. The horse continued to have a close relationship with the Native Americans. Horse Dominates North America In the 1500’s Spanish Conquistadors used the horse as a powerful weapon to take over the new lands in North America. Some of the horse were captured or ran away and the Native American tamed, trained and blessed the horses into their everyday lives. The horses move across the entire North American continent and become a powerful tool against invaders. By the 1700’s many native tribes had their own horse nation. The horse nation strengthened the native tribes by becoming an integral part of their community and spiritual life. 1 Sacred Trails The Walla Walla Council of 1855 The Walla Walla Council was held on the banks of Mill Creek a tributary of the Walla Walla River. Governor Stevens the Governor of Washington and the Superintendent of Indian Affairs devoted much of his time to setting up councils between the tribes of Washington Territory. -
XIX:12) Arthur Penn NIGHT MOVES (1975, 100 Min)
November 17, 2009 (XIX:12) Arthur Penn NIGHT MOVES (1975, 100 min) Directed by Arthur Penn Written by Alan Sharp Produced by Robert M. Sherman Original Music by Michael Small Cinematography by Bruce Surtees Film Editing by Dede Allen Gene Hackman...Harry Moseby Jennifer Warren...Paula Susan Clark...Ellen Moseby Ed Binns...Joey Ziegler Harris Yulin...Marty Heller Kenneth Mars...Nick Janet Ward...Arlene Iverson James Woods...Quentin Melanie Griffith...Delly Grastner Anthony Costello...Marv Ellman John Crawford...Tom Iverson Ben Archibek...Charles Max Gail...Stud Stunts: Dean Engelhardt, Ted Grossman, Richard Hackman, Chuck Hicks, Terry Leonard, Rick Lockwood, Ernie F. Orsatti, Enemy Lines (2001), The Royal Tenenbaums (2001), Heist Chuck Parkison Jr., Betty Raymond, Ronnie Rondell Jr., Walter (2001/I), Heartbreakers (2001), The Mexican (2001), Under Scott, Fred M. Waugh, Glenn R. Wilder, Suspicion (2000), Enemy of the State (1998), Twilight (1998), Absolute Power (1997), The Chamber (1996), The Birdcage ARTHUR PENN (27 September 1922, Philadelphia, Pennsylvania, (1996), Get Shorty (1995), Crimson Tide (1995), The Quick and USA—) directed 27 film and dozens of tv episodes, among them the Dead (1995), Wyatt Earp (1994), Geronimo: An American Inside (1996), Penn & Teller Get Killed (1989), Dead of Winter Legend (1993), The Firm (1993), Unforgiven (1992), Company (1987), Target (1985), Four Friends (1981), The Missouri Breaks Business (1991), Class Action (1991), Postcards from the Edge (1976), Night Moves (1975), Little Big Man (1970), Alice's -
Enlisted Woman of Yr
Page Eight ROCKETEER October 15. 1976 Desert Community Orchestra's Pops SHDWBDAT INSIDE: Concert set Oct. 24 MOVIE RATINGS Navy Appreciation Dinner Set ... .. ...... 2 The annual Pops Concert of the Desert The objective of the ratings is to VX-SAviatorsHonored ............•...... 3 Conununity Orchestra will be presented on inform parents about the suitability of NPS Courses Offered .. ............. .... 4 Sunday. Oct. 24. at 3 p.m. in the Cerro Coso movie content for viewing by their Oct. 15. 1976 Bicentennial Salute Planned .............. 5 Conununity College lecture hall. chifdren. Nayal Weapons Cent., Sports ...... .................. ........... 6 This concert, the first under the baton of IGI · ALL AGES ADMITTED Cl'li,.. Lakr Employee in Spotlight ............•....... 7 Cal ifornia Lauren Green. is especially designed for General Audiences "wc rocke'eel Vol. XXXI, No. 39 Pops Concert Slated ...................... 8 family listening. Since music for this .00- I PG) . ALL AGES ADMITTED casion is sponsored by a grant from the Parental Guidance Suggested A Birkinsha to Music Performance Trust Funds of the (R). RESTRICTED velA recording industries. the concert will be Under 11 requires accompanying represent Navy as free. Parent or Adult Guardian Opening with the "La Belle Helene CS · Cinemascope enlisted woman of yr. Overture" by Offenbach. the orchestra will STD · Standard Movie Screen also play Bizet's "Carmen Suite," • Regular starting time-7: 30 p.m . Master Chief Avionics Technician ltalia Birkinsha. of Air Test and Evaluation "Divertissement.. by Jacques Ibert. and Program subject to change without notice Squadron Five. has been selected to Sousa's "Stars and Stripes Forever." - plea se check marquee. SOUNDS OF EBONY - Pete Larsen represent the U.S. -
Nez Perce (Nee‐Me‐Poo) Naonal Historic Trail
Nez Perce (Nee‐Me‐Poo) Naonal Historic Trail Progress Report Winter 2014 Administrator’s Corner Greetings, During the last year the Nez Perce (Nee-Me-Poo) National Historic Trail (NPNHT), has not only endured, but grown with activities, including opening new trail segments and producing new interpretive, and educational materials. NPNHT staff continue to be effective in providing protection, interpretation, education, and stewardship along the Trail. As the Administrator of the NPNHT, I have the opportunity L-R: Sandi McFarland and Lindy Hatcher, Executive Director Lewis & Clark Trail Heritage Foundation, to see the Trail and its mission and goals from many vantages. at the National Scenic and Historic Trails Conference In all our Trail endeavors, there has been a constant factor, held recently in Arizona. the priority has and will always be to embrace what is best for the Trail. That is our ultimate concern. Related to that are the efforts to protect and tell the Trail story in an accurate and sensitive manner throughout all interpretive and education outreach. This endeavor is a great responsibility and a task that we are all striving to fulfill. We have many ways to bring about what is expected of us. These means are granted to us by wisdom, foresight, and direction from the tribes, partners, and Trail users to cultivate stewardship through understanding by connecting people with the NPNHT. While looking back over the last year, I couldn’t help but look to the future. A host of new challenges await us as we enter into the New Year. These challenges include, troubling budgets, the threats of energy development, and loss of high priority trail segments. -
Beth Saboe Senior Public Relations Manager Phone: 406-600-4906 Email: [email protected]
FOR IMMEDIATE RELEASE MAY 27, 2021 Contact: Beth Saboe Senior Public Relations Manager Phone: 406-600-4906 Email: [email protected] AMERICAN PRAIRIE RESERVE GROWS BY 800 ACRES Montana nonprofit purchases Cow Creek property in Blaine County American Prairie Reserve is pleased to announce the purchase of 800 acres near Cow Creek, located in Blaine County and within the Upper Missouri River Breaks National Monument. This parcel is American Prairie’s 32nd land acquisition and brings the conservation organization’s total deeded and leased acres to 420,425. Named for Cow Creek, which runs its length, the property lies just four miles north of the Missouri River. It is adjacent to existing American Prairie land and the secluded, rugged location inside the National Monument offers plentiful grazing for wildlife and attracts elk, deer, and big horn sheep. “Properties like Cow Creek connect existing public lands and provide crucial habitat, helping us to create a contiguous landscape where wildlife can thrive,” said Alison Fox, CEO of American Prairie Reserve. The parcel is three miles long, half a mile wide, and falls within the Cow Creek Area of Critical Environmental Concern (ACEC) and the Cow Creek Wilderness Study Area (WSA). The Cow Creek ACEC and Cow Creek WSA are both managed by the Bureau of Land Management (BLM) for the areas’ important historical and cultural values in addition to providing critical fish and wildlife habitat and opportunities for recreation. This new property also holds historical significance. The Nez Perce tribe crossed this region during the Flight of 1877 and followed Cow Creek as they fled the U.S. -
Long-Range Interpretative Plan, Nez Perce National Historical Park
LONG-RANGE INTERPRETIVE PLAN NEZ PERCE NATIONAL HISTORICAL PARK LONG-RANGE INTERPRETIVE PLAN NEZ PERCE NATIONAL HISTORICAL PARK prepared by National Park Service Nez Perce National Historical Park Department of Interpretive Planning Harpers Ferry Center TABLE OF CONTENTS INTRODUCTION . .1 PARK PURPOSE . .2 PARK SIGNIFICANCE . .3 PRIMARY INTERPRETIVE THEMES . .4 THE VISITORS . .9 ISSUES, GIVENS, CONSTRAINTS . .10 VISITOR EXPERIENCE GOALS/ACTION . .11 PARKWIDEVISITOREXPERIENCEGOALSANDACTIONS . .11 IDAHOUNIT . .16 Spalding . .16 White Bird Battlefield . .20 Heart of the Monster/McBeth House . .22 Ant and Yellowjacket . .23 Buffalo Eddy . .24 Camas Prairie . .25 Canoe Camp . .27 Clearwater Battlefield . .28 Cottonwood Skirmishes . .29 Coyote’s Fishnet . .30 Craig Donation Land Claim . .31 Confluence Overlook . .32 Fort Lapwai Officers’ Quarters & Northern Idaho Indian Agency . .33 Hasotino Village Site . .34 Lapwai Mission . .35 Lenore . .36 Lewis and Clark Long Camp/Asa Smith Mission . .37 Lolo Trail and Lolo Pass . .38 Looking Glass Camp . .40 Musselshell Meadow . .42 Pierce Coourthouse . .43 Saint Joseph’s Mission . .44 Tolo Lake . .45 Weippe Prairie . .46 Weiss Rockshelter . .47 MONTANAUNIT . .48 Big Hole National Battlefield . .48 Bear Paw Battlefield . .51 Camas Meadows Battle Sites . .54 Canyon Creek . .55 OREGON/WASHINGTONUNIT . .57 Dug Bar . .57 Joseph Canyon Viewpoint . .58 Lostine Campsite . .59 Old Chief Joseph Gravesite . .61 Nez Perce (Nespelem) Campsites . .62 Nez Perce Cemetery . .63 PLANNING TEAM . .65 APPENDIX A-Recommendations Summary . .67 APPENDIX B-Media Accessibility Guidelines . .73 INTRODUCTION In 1995 the National Park Service issued a com- sary to begin implementing the interpretive and pletely revised and updated interpretive planning visitor experience actions prescribed in the chapter of the Service's Interpretation and General Management Plan. -
Catalog Sixty-Eight the CELLULOID PAPER TRAIL
catalog Books Royal sixty-eight Ca talog Sixty-Eight talog Royal Books THE CELLULOID PAPER TRAIL Oak Knoll Press is pleased to announce the publication of Terms and Conditions Kevin R. Johnson’s The Celluloid All books are first editions unless indicated otherwise. Paper Trail. The first book All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected ever published on film script by new archival covers. Single, unframed photographs identification and description, housed in new, archival mats. lavishly illustrated and detailed. In many cases, more detailed physical descriptions for archives, manuscripts, film scripts, and other ephemeral Designed for any book scholar, items can be found on our website. including collectors, archivists, Any item is returnable within 30 days for a full refund. librarians, and dealers. Books may be reserved by telephone, or email, and are subject to prior sale. Payment can be made by credit card Available now at royalbooks.com/cpt or, if preferred, by check or money order with an invoice. or by calling 410.366.7329. Libraries and institutions may be billed according to preference. Reciprocal courtesies extended to dealers. Please feel free to let us know if you would like your copy signed or inscribed by the author. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter. -
Arthur Penn Fifty Filmmakers Essay with SL Edits
Arthur Penn Nearly fifty years after it first appeared on cinema screens, Bonnie and Clyde (1967), Arthur Penn’s elegy to the infamous outlaw couple, maintains an iconic place in American film history. Popular accounts of the late 1960s and early 1970s ‘Hollywood Renaissance’ often suggest that this film helped usher in a new era of cutting-edge auteur cinema. On the back of Bonnie and Clyde’s success, so the story goes, studio executives desperate to tap the youth market handed over unprecedented creative control to directors such as Mike Nichols, Francis Ford Coppola, Martin Scorsese and Robert Altman. Experimenting with innovative formal techniques and explicit thematic content, these directors have since come to symbolise Hollywood’s last golden age – a final flash of inspiration before Jaws (1975) and Star Wars (1977) set the industry on a conservative path once more.1 Within this celebratory narrative (which, as several film historians have observed, greatly oversimplifies post-World War II American film production2), Penn is both prophet and proponent of a countercultural sensibility sweeping the movies in the late 1960s. To view Arthur Penn as simply a director of the Hollywood Renaissance is nevertheless to elide the continuities present across his back catalogue, and its relationship to broader filmmaking trends. Long before any notion of a ‘Renaissance’ had emerged, the critic Robin Wood observed that ‘there is nothing in Bonnie and Clyde, stylistically, technically, thematically, which was not already implicit’ in Penn’s first feature, 1958’s The Left Handed Gun.3 Changing norms regarding censorship and the impact of sixties political and social movements might have brought certain concerns further to the surface, but the director’s films speak more to the tensions and contradictions pervading cinema in the post-war years than any radical break circa 1967.