JSCNC Pathshala Siddha Group 05-23-21

Total Page:16

File Type:pdf, Size:1020Kb

JSCNC Pathshala Siddha Group 05-23-21 JSCNC Pathshala Siddha Group 05-23-21 Purvi Shah Lesson Plan SIDDHA GROUP ❖ Navkar Mantra ❖ Quote(s) of the Day ❖ Symbolism in Religion ❖ Swastik and Three Jewels (Sathiyo) ❖ The Palm with Ahimsa Wheel ❖ The Story of the Fish ❖ The Jain Symbol ❖ Asthamangal Quote of the Day SIDDHA I believe in everything until GROUP it's disproved. So I believe in fairies, the myths, dragons. It all exists, even if it's in your mind. - John Lennon - Hafiz Symbolism in Religion SIDDHA GROUP https://religious-symbols.net/index.html Swastik and Three Jewels It is important for us to know and educate others that this SIDDHA is different from the GROUP Swastika used by the Nazis 1- Siddha Sila 1- Siddha Sila 2- Right Faith 1- Siddha Sila 2- Right Faith 3- Right Knowledge 1- Siddha Sila 2- Right Faith 3- Right Knowledge 4- Right Conduct 1- Siddha Sila 2- Right Faith 3- Right Knowledge 4- Right Conduct 5- Human Beings 1- Siddha Sila 2- Right Faith 3- Right Knowledge 4- Right Conduct 5- Human Beings 6- Heavenly beings 1- Siddha Sila 2- Right Faith 3- Right Knowledge 4- Right Conduct 5- Human Beings 6- Heavenly beings 7- Animals, plants, insects, etc. (Tiryiancha) 1- Siddha Sila 2- Right Faith 3- Right Knowledge 4- Right Conduct 5- Human Beings 6- Heavenly beings 7- Animals, plants, insects, etc. (Tiriyancha) 8- Hellish Beings This symbol represents the four gatis (types of life forms) that exist within the life and death cycle. The Human life form is the only way to escape and reach Siddha Sila through Right Faith, Right Knowledge, and Right Conduct. Samyag Darshan Samyag Gnan Samyag Charitra The Palm with the Ahimsa Word Why the Palm of the hand? The Wheel represents the It is a gesture of blessing. Dharma chakra. It also reminds us to Stop and Think The word before taking the next step. written inside Reminding us to be aware. the wheel is Are our thoughts, words and actions Ahinsa in line with our true nature? (Ahimsa). Quick Memory Check From Past Lessons 1. Who remembers what the acronym THINK stands for? 2. What does Soham mean? 3. What does Naham mean? It takes a lot of practice and discipline, but we need to keep reminding ourselves until becomes a habit. The Story of the Fish https://en.wikipedia.org/wiki/Udayagiri_ and_Khandagiri_Caves Near City of Bhubaneswar in SIDDHA Odisha, India GROUP The Jain Symbol Chosen in 1975 as part of the commemoration of the 2500th anniversary of Lord Mahavira’s attainment of nirvana The phrase at the bottom of the symbol states “all life is bound together by mutual support and interdependence.” Asthamangal Astha - Eight Mangal - Auspicous Asthamangal - Eight auspicious symbols Swastik, Shrivasta, Nandhyavarta, Vardhamanaka, Bhadrasana, Kalash, Minyugala & Darpana Asthamangal Swastik The root of Swastika is SU+US; SU means benefic and US means existence; so it also represents glory, prosperity, progress and success. Shrivasta Shrivatsa means a beautiful mark on manifested itself from the heart of the Jina. https://jainsquare.wordpress.com/2011/06/01/ashtamangal-8-auspicious-jain-symbols/ Asthamangal (continued) Nandyavart Big swastika with nine corners. In mythology nine points in nandhyavarta indicate nine types of material, mental, physical and spiritual wealth and treasure. Vardhamanak When one shallow dish is covered by another one upside down, it appears like a box. This symbol is suggestive of increase of wealth, fame and merit due to the grace of the Lord Jina. https://jainsquare.wordpress.com/2011/06/01/ashtamangal-8-auspicious-jain-symbols/ Asthamangal (continued) Bhadrasana (Sinhasana) meaning throne. It is auspicious because it is sanctified by the feet of the blessed Lord Jina. Kalash It is a holy pitcher. The kalasha is filled with pure water, which signifies wisdom and fullness. https://jainsquare.wordpress.com/2011/06/01/ashtamangal-8-auspicious-jain-symbols/ Asthamangal (continued) Minyugal A pair of fish. It is a symbol of Cupid’s banners coming to worship the Jina after the defeat of the God of Love. Darpan Meaning a mirror. The mirror reflects one’s true self because of its clarity. https://jainsquare.wordpress.com/2011/06/01/ashtamangal-8-auspicious-jain-symbols/.
Recommended publications
  • Cow Care in Hindu Animal Ethics Kenneth R
    THE PALGRAVE MACMILLAN ANIMAL ETHICS SERIES Cow Care in Hindu Animal Ethics Kenneth R. Valpey The Palgrave Macmillan Animal Ethics Series Series Editors Andrew Linzey Oxford Centre for Animal Ethics Oxford, UK Priscilla N. Cohn Pennsylvania State University Villanova, PA, USA Associate Editor Clair Linzey Oxford Centre for Animal Ethics Oxford, UK In recent years, there has been a growing interest in the ethics of our treatment of animals. Philosophers have led the way, and now a range of other scholars have followed from historians to social scientists. From being a marginal issue, animals have become an emerging issue in ethics and in multidisciplinary inquiry. Tis series will explore the challenges that Animal Ethics poses, both conceptually and practically, to traditional understandings of human-animal relations. Specifcally, the Series will: • provide a range of key introductory and advanced texts that map out ethical positions on animals • publish pioneering work written by new, as well as accomplished, scholars; • produce texts from a variety of disciplines that are multidisciplinary in character or have multidisciplinary relevance. More information about this series at http://www.palgrave.com/gp/series/14421 Kenneth R. Valpey Cow Care in Hindu Animal Ethics Kenneth R. Valpey Oxford Centre for Hindu Studies Oxford, UK Te Palgrave Macmillan Animal Ethics Series ISBN 978-3-030-28407-7 ISBN 978-3-030-28408-4 (eBook) https://doi.org/10.1007/978-3-030-28408-4 © Te Editor(s) (if applicable) and Te Author(s) 2020. Tis book is an open access publication. Open Access Tis book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.
    [Show full text]
  • Ahmedabad Coins & Currency Fair 7Th
    Shatrughan Saravagi Cordially Invites you at India’s Most Prestigious Entry Entry Free Free 7th Annual Ahmedabad Coins & Currency Fair 7th to 9th August 2015 10:00 am to 7:00 pm Venue HOTEL COMFORT INN PRESIDENT Opposite Municipal Market, C. G. Road, Navrangpura, Ahmedabad - 380009. Tel: 079-26467575, 26464020 | Fax: 079 - 26461414 Email: [email protected] | Website: www.comfortinnpresident.com classical numismatic gallery Auction 21 - 7th August 2015 Auction 22 - 8th August 2015 Attractions of Fair Kutch Portrait Silver, 10 Kori, 5 Kori, 2- ½ and 1 Kori will be on display, Coins from the Mints of Gujarat will be on display, King George V Portrait Note of 10,000 Rupees will be on display. Please contact for more information classical numismatic gallery A Proprietary Concern established by Shatrughan Saravagi (Antique Trading Licence No. 001) 105, 3rd Eye Complex, C. G. Road, Panchvati, Ahmedabad - 380006. Tel: 079 - 2646 4850 / 2646 4851 | Fax: 079 - 2646 4852 Email: [email protected] | Website: www.classicalnumismaticgallery.com classical numismatic gallery Coins | Medals | Tokens | Paper Money auction 21 on Friday, 7th August 2015, 6:00 PM onwards Venue Hotel Comfort Inn President C. G. Road, Navrangpura, Ahmedabad - 380009 (Gujarat) in conjunction with Ahmedabad Coins & Currency Fair - 2015 : conducted by : classical numismatic gallery A Proprietary Concern established by Shatrughan Saravagi 105, 3rd Eye Complex, C. G. Road, Panchvati, Ahmedabad - 380 006. Gujarat. India. Tel: +91 (0) 79 2646 4850 / 51 | Fax: +91 (0) 79 2646 4852 Email: [email protected] | Web: www.classicalnumismaticgallery.com Date of Auction: Friday, 7th August 2015, 6:00 PM onwards Online bidding ends: Friday, 7th August 2015, 4:00 PM Order of Sale Ancient India 'Dakshina-patha-pati': An Important Collection of Ancient Coins from the Deccan .....
    [Show full text]
  • Translated by Wordport from Wordstar
    Updated 12 12 15 Religion V2205: HINDUISM Spring, 2016 Basics: Time: Tuesdays, Thursdays, 2:40-3:55, plus recitations Location: 504 Diana Field trips: Temples, Sat.- Sun., January 30-31 Metropolitan Museum. Sat.-Sun., March 26-27 Instructors: Jack Hawley [email protected] Office hours: Tuesday, 4-6 in Milbank 219a Manpreet Kaur [email protected] Uponita Mukherjee [email protected] Books: The following are required and available for purchase at BookCulture. They will also be found on reserve in the Barnard library, temporarily located in Barnard Hall. Substantial segments of Devi: Goddesses of India and At Play with Krishna have also been scanned to the Files & Resources page of CourseWorks. Diana L. Eck, Darśan Gavin Flood, An Introduction to Hinduism John Stratton Hawley with Shrivatsa Goswami, At Play with Krishna John Stratton Hawley and Mark Juergensmeyer, Songs of the Saints of India John Stratton Hawley and Vasudha Narayanan, eds., The Life of Hinduism John Stratton Hawley and Donna Marie Wulff, eds., Devi: Goddesses of India Barbara Stoler Miller, tr., The Bhagavad-Gita R. K. Narayan, The Ramayana Patrick Olivelle, tr., Upaniṣads Recitations: Section meetings will be held weekly at the times and places that are announced in SSOL and for which you should already have signed up. Film Resources: A number of films accompany this class. They provide a form of access to our subject that is impossible to duplicate on the printed page. In class, we will usually only have time to see clips, but the full film is available in the collection of the Barnard Media Center.
    [Show full text]
  • Lankavatara-Sutra.Pdf
    Table of Contents Other works by Red Pine Title Page Preface CHAPTER ONE: - KING RAVANA’S REQUEST CHAPTER TWO: - MAHAMATI’S QUESTIONS I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII LIV LV LVI CHAPTER THREE: - MORE QUESTIONS LVII LVII LIX LX LXI LXII LXII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII LXXIVIV LXXV LXXVI LXXVII LXXVIII LXXIX CHAPTER FOUR: - FINAL QUESTIONS LXXX LXXXI LXXXII LXXXIII LXXXIV LXXXV LXXXVI LXXXVII LXXXVIII LXXXIX XC LANKAVATARA MANTRA GLOSSARY BIBLIOGRAPHY Copyright Page Other works by Red Pine The Diamond Sutra The Heart Sutra The Platform Sutra In Such Hard Times: The Poetry of Wei Ying-wu Lao-tzu’s Taoteching The Collected Songs of Cold Mountain The Zen Works of Stonehouse: Poems and Talks of a 14th-Century Hermit The Zen Teaching of Bodhidharma P’u Ming’s Oxherding Pictures & Verses TRANSLATOR’S PREFACE Zen traces its genesis to one day around 400 B.C. when the Buddha held up a flower and a monk named Kashyapa smiled. From that day on, this simplest yet most profound of teachings was handed down from one generation to the next. At least this is the story that was first recorded a thousand years later, but in China, not in India. Apparently Zen was too simple to be noticed in the land of its origin, where it remained an invisible teaching.
    [Show full text]
  • Understanding the Architecture of Hindu Temples: a Philosophical Interpretation A
    World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:13, No:12, 2019 Understanding the Architecture of Hindu Temples: A Philosophical Interpretation A. Bandyopadhyay the Upanishads and the Puranas, where the concept of soul Abstract—Vedic philosophy is one of the oldest existing (Atman) was evolved. The souls are a reflection of the philosophies of the world. Started around 6500 BC, in Western Supreme God and hence, in Hinduism there is no concept of Indian subcontinent, the Indus valley Civilizations developed a ‘anti-God’. The divine play (Lila) is the play in which Brahma theology which, gradually developed into a well-established transforms Himself into the world. Lila is a rhythmic play philosophy of beliefs, popularly known as ‘Hindu religion’. In Vedic theology, the abstract concept of God was formulated mostly by close which goes on in endless cycles, the One becoming many and observation of the dynamicity and the recurrence of natural and many becoming One [2, p.220]. “…If we think that the shapes universal phenomena. Through the ages, the philosophy of this and structures, things and events, around us are realities of theology went through various discursions, debates, and questionings nature, instead of realizing that they are concepts of our and the abstract concept of God was, in time, formalized into more measuring and categorizing mind” [2. p.100], then we are in representational forms by the means of various signs and symbols. the midst of the illusions (Maya) of the universe. The soul Often, these symbols were used in more subtle ways in the construction of “sacred” sculptures and structures.
    [Show full text]
  • Jain Philosophy and Practice I 1
    PANCHA PARAMESTHI Chapter 01 - Pancha Paramesthi Namo Arihantänam: I bow down to Arihanta, Namo Siddhänam: I bow down to Siddha, Namo Äyariyänam: I bow down to Ächärya, Namo Uvajjhäyänam: I bow down to Upädhyäy, Namo Loe Savva-Sähunam: I bow down to Sädhu and Sädhvi. Eso Pancha Namokkäro: These five fold reverence (bowings downs), Savva-Pävappanäsano: Destroy all the sins, Manglänancha Savvesim: Amongst all that is auspicious, Padhamam Havai Mangalam: This Navakär Mantra is the foremost. The Navakär Mantra is the most important mantra in Jainism and can be recited at any time. While reciting the Navakär Mantra, we bow down to Arihanta (souls who have reached the state of non-attachment towards worldly matters), Siddhas (liberated souls), Ächäryas (heads of Sädhus and Sädhvis), Upädhyäys (those who teach scriptures and Jain principles to the followers), and all (Sädhus and Sädhvis (monks and nuns, who have voluntarily given up social, economical and family relationships). Together, they are called Pancha Paramesthi (The five supreme spiritual people). In this Mantra we worship their virtues rather than worshipping any one particular entity; therefore, the Mantra is not named after Lord Mahävir, Lord Pärshva- Näth or Ädi-Näth, etc. When we recite Navakär Mantra, it also reminds us that, we need to be like them. This mantra is also called Namaskär or Namokär Mantra because in this Mantra we offer Namaskär (bowing down) to these five supreme group beings. Recitation of the Navakär Mantra creates positive vibrations around us, and repels negative ones. The Navakär Mantra contains the foremost message of Jainism. The message is very clear.
    [Show full text]
  • Swami Chinmayananda
    January/February 2015 Vol. 26, No.1 Swami Chinmayananda CHINMAYA MISSION SAN JOSE PUBLICATION MISSION STATEMENT To provide to individuals, from any background, the wisdom of Vedanta and practical means for spiritual growth and happiness, enabling them to become a positive contributor to the society. Chinmaya Lahari While Shiva dances, His matted locks hold the sacred river Ganga, the power and the source of all movement in life, with its waters that purify mankind and the crescent moon delicate as a new-born babe with its promise of life in all its radiance and glory. What is perhaps most significant of all in the image is the combination of this God ascetic, the solitary One, master of meditation, with the frenzied dance - the Yogi and the artist. A dancer becomes the being that he impersonates on the stage. In the dance are aroused the entire energy of body, mind, intellect and soul.. It is a complete surrender to God. While the body moves in a frenzy, like the world with its tumult, Shiva Himself, is undisturbed by the activity, depicting most wonderfully the mortal life and Divine Self. Swami Chinmayananda Art of God Symbolism CONTENTS Volume 26 No.1 January/February 2015 From The Editors Desk . 2 Chinmaya Tej Editorial Staff . 2 The Challenge Part 1 . 3 Satsang with Pujya Gurudev . 8 Maha Shivaratri 2015 . 10 Sādhanā . 16 Swami Chinmayananda's Visit to Krishnalaya . 18 Work . 20 Swaranjali Youth Choir . 21 Tapovan Prasad . 21 Chinmaya Study Groups . 22 Adult Classes at Sandeepany . 23 Shiva Abhisheka & Puja . 23 Bala Vihar/Yuva Kendra & Language Classes .
    [Show full text]
  • Jain Award Boy Scout Workbook Green Stage 2
    STAGE 2 TABLE OF CONTENTS 1. About the Jain Award: Stage 2 2. About Yourself 3. Part I Word 4. Part II Worship 5. Part III Witness 6. Jain Religion Information for Boy Scouts of America 7. Application Form for the Jain Medal Award 2 ABOUT THE JAIN AWARD PLAN STAGE 2 WORD: You will with your parents and spiritual leader meet regularly to complete all the requirements History of Jainism-Lives of Tirthankars: for this award. Mahavir Adinath Parshvanath RECORD Jain Philosophy Significance of Jain Symbols: Ashtamanga As you continue through this workbook, record and others the information as indicated. Once finished Four types of defilement (kashäy): your parents and spiritual leader will review anger ego and then submit for the award. greed deceit The story of four daughters-in-law (four types of spiritual aspirants) Five vows (anuvrats) of householders Jain Glossary: Ätmä, Anekäntväd, Ahinsä, Aparigrah, Karma, Pranäm, Vrat,Dhyän. WORSHIP: Recite Hymns from books: Ärati Congratulations. You may now begin. Mangal Deevo Practices in Daily Life: Vegetarian diet Exercise Stay healthy Contribute charity (cash) and volunteer (kind) Meditate after waking-up and before bed WITNESS: Prayers (Stuties) Chattäri mangala Darshanam dev devasya Shivamastu sarvajagatah Learn Temple Rituals: Nissihi Pradakshinä Pranäm Watch ceremonial rituals (Poojä) in a temple 3 ABOUT YOURSELF I am _____________________years old My favorite activities/hobbies are: ______________________________________ This is my family: ______________________________________ ______________________________________
    [Show full text]
  • Masculine Regeneration and the Attenuated Body in the Early Works of Nandalal Bose Niharika Dinkar Boise State University
    Boise State University ScholarWorks Art Faculty Publications and Presentations Department of Art 6-1-2010 Masculine Regeneration and the Attenuated Body in the Early Works of Nandalal Bose Niharika Dinkar Boise State University This is an author-produced, peer-reviewed version of this article. The final, definitive version of this document can be found online at Oxford Art Journal, published by Oxford Journals. Copyright restrictions may apply. DOI: 10.1093/oxartj/kcq013 This is an author-produced, peer-reviewed version of this article. The final, definitive version of this document can be found online at Oxford Art Journal, published by Oxford Journals. Copyright restrictions may apply. DOI: 10.1093/oxartj/kcq013 Masculine Regeneration and the Attenuated Body in the Early Works of Nandalal Bose Niharika Dinkar Boise State University In 2008, the works of the Bengali artist Nandalal Bose (1882-1966) enjoyed a rare North American museum tour, first at the San Diego Museum of Art and then at the Philadelphia Museum of Art. In this first major international excursion, Bose’s works were celebrated as an exemplar of the new modern visual language adopted by nationalist artists as they rejected Europeanized academic techniques in vogue around the turn of the twentieth century. Along with stalwarts like Abanindranath Tagore, Asit Haldar and Kshitindranath Majumdar, the ‘swadeshi’ (indigenous) artists marked an emphatic turn to revive an ‘Indian’ aesthetic that has been seen to direct the course of modern Indian art since the early twentieth century. However, despite the persistence of this celebratory narrative, one key aspect of swadeshi nationalist politics that has remained unexplored is the distinctive slender body their art authorised.
    [Show full text]
  • Resource Guide on Climate Change for RELIGIOUS COMMUNITIES © Religions for Peace December 2016
    Resource Guide on Climate Change FOR RELIGIOUS COMMUNITIES © Religions for Peace December 2016 For more information: [email protected] ACKNOWLEDGEMENTS Dear Esteemed Colleague: On behalf of Religions for Peace, I would like to acknowledge the many people and organizations that supported the creation of this climate resource guide. Our acknowledgements begin with Won Buddhism, which helped us to start to build this guide. Special appreciation goes to Religions for Peace International Trustee, Mrs. Christina Lee Brown, a long-term supporter. Mrs. Brown has enabled Religions for Peace to advance an expertly staffed multiyear programme on the protection of the earth. This generous leadership has borne much fruit, including greatly assisting in the production of this guide. Additional appreciation goes to Religions for Peace International Trustee, Prof. Jeffrey Sachs, who has advanced dynamic partnerships for Religions for Peace that have greatly strengthened its work. Sincere thanks goes to Dr. Anthony Annett, the principal drafter of the resource guide; Rev. Kyoichi Sugino, Deepika Singh, and Valerie Nash for valuable input and guidance; Florence Brunert, Emma Bausert, and Caroline McCutcheon for excellent research assistance; Emma Stieglitz and Hannah Vogel from Climate Nexus for providing significant drafting input; Lou Doucette for top-quality editing; and Jana Jedličková for outstanding design and layout. Religions for Peace would also like to thank the esteemed religious leaders and affiliates who provided valuable feedback—especially H.E. Shaykh Abdullah bin Bayyah, Dr. Anantanand Rambachan, Bhai Sahib Bhai Mohinder Singh, H.E. John Cardinal Onaiyekan, Chief Rabbi David Rosen, and Rev. Kosho Niwano. Sincerely yours in Faith, Dr. William F.
    [Show full text]
  • Shiva-Vishnu Temple
    JUL-AUG-SEP-2006 Vol.19 No.3 PLEASE NOTE THE SCHEDULES DIRECTIONS From Freeway 580 in Livermore: Monday Through Thursday: 9 am to 12 noon Exit North Vasco Road, left on Scenic Ave, and 6 pm to 8 pm Left on Arrowhead Avenue F r i d a y, Weekends & Holidays: 9 am to 8 pm NEWS FROM THE HINDU COMMUNITY AND CULTURAL CENTER, LIVERMORE VISIT OUR WEB SITE AT http://www.livermoretemple.org SHIVA-VISHNU TEMPLE OM NAMAH SHIVAYA TELEPHONE (925) 449-6255 FAX (925) 455-0404 OM NAMO NARAYA N AYA ASHTOTHARA ARCHANA SCHEDULE FOR PLEASE NOTE SATURDAYS & SUNDAYS Shiva Ganesha Balaji Other Deities If you would like to receive a copy of this newsletter free of charge to your home address in USA, please ask for a card at the main office, fill it up and return. 10:45 am 10:15 am 10:30 am All the past issues of this newsletter are available at the Temple Website in PDF format. (Saturdays only) If you would like to be informed of all Temple Events, you can receive a weekly email 11:30 am 11:15 am 11:00 am 11:45 am with links to Temple web pages. To subscribe to this, visit the Temple website 12:30 pm 12:15 pm 12 noon 12:45 pm w w w. L i v e r m o r e Temple.org and enter your email address in the box provided at the left hand side 1:15 pm 1:30 pm 1:45 pm of the page and click on “Join Mailing List” button that is right below the box.
    [Show full text]
  • Bhakti Movement
    TELLINGS AND TEXTS Tellings and Texts Music, Literature and Performance in North India Edited by Francesca Orsini and Katherine Butler Schofield http://www.openbookpublishers.com © Francesca Orsini and Katherine Butler Schofield. Copyright of individual chapters is maintained by the chapters’ authors. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the author (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Orsini, Francesca and Butler Schofield, Katherine (eds.), Tellings and Texts: Music, Literature and Performance in North India. Cambridge, UK: Open Book Publishers, 2015. http://dx.doi.org/10.11647/OBP.0062 Further details about CC BY licenses are available at http://creativecommons.org/ licenses/by/4.0/ In order to access detailed and updated information on the license, please visit: http://www.openbookpublishers.com/isbn/9781783741021#copyright All external links were active on 22/09/2015 and archived via the Internet Archive Wayback Machine: https://archive.org/web/ Digital material and resources associated with this volume are available at http:// www.openbookpublishers.com/isbn/9781783741021#resources ISBN Paperback: 978-1-78374-102-1 ISBN Hardback: 978-1-78374-103-8 ISBN Digital (PDF): 978-1-78374-104-5 ISBN Digital ebook (epub): 978-1-78374-105-2 ISBN Digital ebook (mobi): 9978-1-78374-106-9 DOI: 10.11647/OBP.0062 King’s College London has generously contributed to the publication of this volume.
    [Show full text]