What I Owe to Sylvia Townsend Warner
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Representations of Rural England in Contemporary Folk Song
Representations of Rural England in Contemporary Folk Song Heather Skinner Institute of Place Management, UK [email protected] Purpose: This paper explores aural representations of the countryside and English rurality through the contemporary cultural product of folk song. Methodology: A textual analysis was undertaken of the sleeve notes and lyrics of Steve Knightley, songwriter and founder member of the folk/roots band Show of Hands. Findings: The concept of the rural idyll is thoroughly debunked in the majority of these lyrics. Many songs make specific reference to place, and these, in the main, focus on the historical and contemporary hardships of living in rural England, in many cases also making explicit reference to the historical or contemporary social issues deemed by the lyricist to be at the root of the problems faced by people living in English rural communities. Research limitations: This article analyses data obtained in lyrics of only one songwriter within only one music genre, but the artist is one of the most respected within the contemporary folk genre, and Show of Hands have won a number of prestigious nationally recognised folk awards. Originality/value: The extant literature contains little concerning aural representations of place identities through song. The contribution this paper makes is therefore in presenting a conceptual framework that shows how folk song, as a contemporary cultural product contributes to the construction and communication of rural place identities. Keywords: Country life; Show -
Open Many More Met Sylvia Townsend Warner in 1922 and Windows
The Powys Review NUMBER FIVE 'Seeker & Warburg poets* Anna Akhmatova WAY OF ALL THE EARTH Translated by D. M. Thomas Akhmatova's work is already famous in the West but this sensi- tively translated collection introduces poems not formerly available in English. £3.90 Edwin Brock THE RIVER AND THE TRAIN The self-questioning and pain are still here but images of river and rural life provide a balance. This new book marks Edwin Brock's move to a remote part of East Anglia. £3.50 Pete Morgan THE SPRING COLLECTION Pete Morgan's second full-length book is as entertaining as The Grey Mare Being The Better Steed. "Buzzes with the same vitality and showmanship as his first, as clever and various as before if a little more meditative." Emma Fisher, Spectator £3.50 George Szirtes THE SLANT DOOR A strong visual sense and exact and scrupulous verbal and rhythmical gifts -pictures of life memorably recorded. £3.50 Peter Reading FICTION The fourth collection of poems by the author of For the Munici- pality's Elderly, The Prison Cell & Barrel Mystery and Nothing For Anyone. £3.50 Stanley Kunitz THE POEMS OF STANLEY KUNITZ 1928-1978 The collected works of one of America's greatest living poets, including twenty new poems. £6.50 Secker&> Warburg The Powys Review Editor Belinda Humfrey Advisory Board Glen Cavaliero Ben Jones Derrick Stephens Correspondence, contributions, and books for review may be addressed to the Editor, Department of English, Saint David's University College, Lampeter, Dyfed, SA48 7ED Copyright ©, The Editor The Powys Review is published with the financial support of the Welsh Arts Council. -
The Journal of the Sylvia Townsend Warner Society
The Journal of the Sylvia Townsend Warner Society Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner David Trotter1,* How to cite: Trotter, D. ‘Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner’. The Journal of the Sylvia Townsend Warner Society, 2020, 20(1), pp. 39–62 • DOI: https://doi.org/10.14324/111.444.stw.2020.21 Published: 9 November 2020 Peer Review: This article has been peer-reviewed through the journal’s single-blind peer review, where the reviewers are anonymised during review. Copyright: © 2020, David Trotter. This is an open-access article distributed under the terms of the Creative Commons Attribution Licence (CC-BY) 4.0 https://creativecommons.org/licenses/by/4.0/, which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited • DOI: https://doi.org/10.14324/111.444.stw.2020.21 Open Access: The Journal of the Sylvia Townsend Warner Society is a peer-reviewed open-access journal. *Correspondence: [email protected] 1University of Cambridge, UK © 2020, David Trotter. This is an open-access article distributed under the terms of the Creative Commons Attribution Licence (CC-BY) 4.0 https://creativecommons.org/licenses/by/4.0/, which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited • DOI: https://doi.org/10.14324/111.444.stw.2020.21 Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner David Trotter Abstract The aim of this article is to establish the critical significance and value of work which was the product of the unique creative partnership developed by Valentine Ackland and Sylvia Townsend Warner during the 1930s. -
Feat. Eminen) (4:48) 77
01. 50 Cent - Intro (0:06) 75. Ace Of Base - Life Is A Flower (3:44) 02. 50 Cent - What Up Gangsta? (2:59) 76. Ace Of Base - C'est La Vie (3:27) 03. 50 Cent - Patiently Waiting (feat. Eminen) (4:48) 77. Ace Of Base - Lucky Love (Frankie Knuckles Mix) 04. 50 Cent - Many Men (Wish Death) (4:16) (3:42) 05. 50 Cent - In Da Club (3:13) 78. Ace Of Base - Beautiful Life (Junior Vasquez Mix) 06. 50 Cent - High All the Time (4:29) (8:24) 07. 50 Cent - Heat (4:14) 79. Acoustic Guitars - 5 Eiffel (5:12) 08. 50 Cent - If I Can't (3:16) 80. Acoustic Guitars - Stafet (4:22) 09. 50 Cent - Blood Hound (feat. Young Buc) (4:00) 81. Acoustic Guitars - Palosanto (5:16) 10. 50 Cent - Back Down (4:03) 82. Acoustic Guitars - Straits Of Gibraltar (5:11) 11. 50 Cent - P.I.M.P. (4:09) 83. Acoustic Guitars - Guinga (3:21) 12. 50 Cent - Like My Style (feat. Tony Yayo (3:13) 84. Acoustic Guitars - Arabesque (4:42) 13. 50 Cent - Poor Lil' Rich (3:19) 85. Acoustic Guitars - Radiator (2:37) 14. 50 Cent - 21 Questions (feat. Nate Dogg) (3:44) 86. Acoustic Guitars - Through The Mist (5:02) 15. 50 Cent - Don't Push Me (feat. Eminem) (4:08) 87. Acoustic Guitars - Lines Of Cause (5:57) 16. 50 Cent - Gotta Get (4:00) 88. Acoustic Guitars - Time Flourish (6:02) 17. 50 Cent - Wanksta (Bonus) (3:39) 89. Aerosmith - Walk on Water (4:55) 18. -
Domesticity, Nationalism, and the Natural World, 1900-1950
1 “OUR ENGLISH GROUND”: DOMESTICITY, NATIONALISM, AND THE NATURAL WORLD, 1900-1950 A dissertation presented by Alicia Peaker to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts April, 2014 2 “OUR ENGLISH GROUND”: DOMESTICITY, NATIONALISM, AND THE NATURAL WORLD, 1900-1950 by Alicia Peaker ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April, 2014 3 ABSTRACT My dissertation, “Our English Ground”: Domesticity, Nationalism, and the Natural World, 1900-1950 argues that many women made crucial contributions to ecological discourses of the early-twentieth century—more specifically, that they produced nuanced accounts of the relationships between humans and the natural world in their visual and textual representations of “nature,” “landscape,” and “the nation.” Although “nature has a persistent, even adaptive, presence in modernism” (Scott 13), that presence frequently serves as a background in modernist literature. Bonnie Kime Scott, dealing with mostly canonical writers, asks “what happened to the work of writers who were more obviously centered in nature, but not classifiable as modernist?” (40). In this dissertation, I begin to account for these canonical caesuras by pulling from the academic margins work by three English women who explicitly engaged with and represented the natural world in their writing and artwork. Beginning with Edith Holden’s naturalist field books (1905-1906), moving to Sylvia Townsend Warner’s super-natural novel Lolly Willowes (1926), and finally to Vita Sackville-West’s long poem The Garden (1946), I argue that the natural world and nationalism are inextricably intertwined in these texts. -
Radiohead Meet the Media with Hail to the Thief
not only a label... producers, arrangers, composers, musicians. JUNE 7, 2003 Volume 21, Issue 24 £3.95 Masic euros 6.5 nicolosi productions 1,,,,A.nicolosiproduction,con Media®we 11J to rya dio M&M chart toppers this week 10 FM disappears in 'Zero First electronic Eurochart Hot 100 Singles ratings results 50 CENT Base' radio auction drama In Da Club by Cesco van Gool applicants either awarding-or denying published in UK (Interscope) them-the much sought-after terrestri- by Jon Heasman European Top 100 Albums HILVERSUM - National AC/Gold sta-al FM and AM frequency packages they EVANESCENCE tion Radio 10 FM disappeared fromhad bid for. Less than a week later, on LONDON - Music radio stations could fare less well than their speech -based Fallen Holland's terrestrial air- June 1, existing stations waves on June 1 after 15 which had secured new counterparts in the ratings under elec- (Wind Up/Epic) RADI010FM years following a dramat- licences had to move to tronic, rather than diary -based, audi- OOTSTE HITS European Radio Top 50 ic conclusion to the coun- their new positions on ence measurement systems. ROBBIE WILLIAMS try's controversial frequency allocationthe dial, while the same day existing That appears to be one of the tenta- Come Undone process-so-called "Zero Base"-on stations who had failed to win frequen- tive conclusions from the first set of (Chrysalis) May 26. cies, such as Radio 10 FM and AM out- unofficial UK radio ratings to be pub- Rupert Murdoch's Sky Radio and let Arrow Classic Rock, were ordered to lished by Nuremberg -based research European Dance Traxx RTL's Holland Media Group (HMG) cease their terrestrial transmissions. -
Inventory by Title
Inventory By Title Author Title Avner, Yehuda. The prime ministers Abbey, Barbara Complete book of knitting Abbott, Jeff. Panic Abbott, Tony. moon dragon, The Ablow, Keith Architect, the Active minds Trains Adams, Cindy Heller. Iron Rose Adams, Poppy, 1972- sister, The Addis, Don Great John L, the Adler, Elizabeth (Elizabeth A.) Please don't tell Agus, David, 1965- end of illness, The Aitkin, Don. Second chair, The Albert, Susan Wittig. Nightshade Albom, Mitch , 1958- , author. next person you meet in Heaven, The Albom, Mitch, 1958- First phone call from heaven Albom, Mitch, 1958- For One More Day Albom, Mitch, 1958- Have a little faith Albom, Mitch, 1958- Magic Strings of Frankie Presto, The Albom, Mitch, 1958- time keeper, The Albom, Mitch, 1958- Tuesdays with Morrie Albright, Jason et al A Day in the Desert Alcott, Kate Dressmaker, The Alcott, Kate. daring ladies of Lowell, The Alda, Arlene, 1933- Pig, horse, or cow, don't wake me now Alderman, Ellen. Right to Privacy, The Alder-Olsen, Jussi Keeper of Lost Causes, The Aldrich, Gary. Unlimited access Aldrin, Edwin E., 1930- Return to Earth Alexander, Eben. Proof of Heaven Alfonsi, Alice. New Kid in Town Aline, Countess of Romanones, 1923- Well-mannered Assassin, The Allen, Jonathan (Jonathan J. M.) , author. Shattered Allen, Sarah Addison. First Frost Allen, Sarah Addison. Sugar Queen, The Allen, Steve, 1921- Murder in Manhattan Allende, Isabel , author. In the Midst of Winter Allende, Isabel. sum of our days, The Allende, Isabel. Zorro Allgor, Catherine, 1958- Perfect Union, A Allison, Jay. This I believe II Amborse, Stephen E. Band of Bothers Ambrose, Stephen D-Day, June 6, 1944 Amburn, Ellis. -
Sylvia Townsend Warner: a Musical Life
SYLVIA TOWNSEND WARNER: A MUSICAL LIFE LYNN MUTTI UCL PhD 1 I, Lynn Mutti, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 SYLVIA TOWNSEND WARNER: A MUSICAL LIFE Abstract Music was central to Warner's life: she was first a young, aspiring composer, then a musicologist, later a librettist and friend to musicians and composers, and for fifty years a writer whose works regularly engaged with music in richly diverse ways. Unpublished diary entries show her knowledgeable and personal response to music heard in the concert hall, on the radio, via gramophone records or as a participant in a choir. Her ear was tuned to sound, especially sound in nature: water, birds, animals, the sea, the wind, as well as the cacophony of human voices, singing, shouting, joyous or sad. Warner's acute ear tuned into the life around her and articulated it in her written work. A late diary entry just a few months before her death shows her frailty and the continuing importance of music in her daily life. Sound and music are contained in one eloquently descriptive sentence: 'I fell against the tool-shed with a loud clang. Little the worse. Revived by a fine performance of the Pastoral Symphony'.1 My aims in this thesis are to present the fullest narrative yet of Warner's engagement with music, to examine her academic writing on the subject and to recount her musical collaborations and friendships which have not previously been a subject for academic discussion. -
The Walnut Tree Prior to Going to These Shows, and I Was Not Going to Let Y'all Down! So I Stuffed My Sony Cybershot Into My Bra, and They Were None the Wiser
Somewhere only we know: Meet ups- Its always cool to meet up with other fans so your not on your own and you can share the experi- ence of seeing the band with like minded fans together. If you are a member of the keane forum you are bound to make new friends quickly and can arrange meet up places on there. Whether the meet ups are before a gig or basically just to meet up as fans and have a good time without the band. This is also a safer way to be in a group so if anything were to go wrong (heaven forbid) there are more of you to sort something out than having to deal with a situation on your own. Mostly its miles more fun sharing the experience with other fans who appreciate their music just as yourself does. Trust me =) International Baby: Items for other countries- The Walnut Make sure you’ve done some research before hand if planning a trip to another country. Laws and such could be different. Check transport availability for means of getting around, you don’t want to be stuck. Check prices/timings of them also so you have a rough idea. Tree Take plenty of euros – for food, travel, shopping etc. Mobile – make sure you have your network working for another country. Passport – obviously. and flight details. First aid kit – you never know what could happen so it’s always best to be prepared E111 form – basically this is travel safety. If anything were to happen to you your covered and don’t need to pay to have treatment. -
To Search This List, Hit CTRL+F to "Find" Any Song Or Artist Song Artist
To Search this list, hit CTRL+F to "Find" any song or artist Song Artist Length Peaches & Cream 112 3:13 U Already Know 112 3:18 All Mixed Up 311 3:00 Amber 311 3:27 Come Original 311 3:43 Love Song 311 3:29 Work 1,2,3 3:39 Dinosaurs 16bit 5:00 No Lie Featuring Drake 2 Chainz 3:58 2 Live Blues 2 Live Crew 5:15 Bad A.. B...h 2 Live Crew 4:04 Break It on Down 2 Live Crew 4:00 C'mon Babe 2 Live Crew 4:44 Coolin' 2 Live Crew 5:03 D.K. Almighty 2 Live Crew 4:53 Dirty Nursery Rhymes 2 Live Crew 3:08 Fraternity Record 2 Live Crew 4:47 Get Loose Now 2 Live Crew 4:36 Hoochie Mama 2 Live Crew 3:01 If You Believe in Having Sex 2 Live Crew 3:52 Me So Horny 2 Live Crew 4:36 Mega Mixx III 2 Live Crew 5:45 My Seven Bizzos 2 Live Crew 4:19 Put Her in the Buck 2 Live Crew 3:57 Reggae Joint 2 Live Crew 4:14 The F--k Shop 2 Live Crew 3:25 Tootsie Roll 2 Live Crew 4:16 Get Ready For This 2 Unlimited 3:43 Smooth Criminal 2CELLOS (Sulic & Hauser) 4:06 Baby Don't Cry 2Pac 4:22 California Love 2Pac 4:01 Changes 2Pac 4:29 Dear Mama 2Pac 4:40 I Ain't Mad At Cha 2Pac 4:54 Life Goes On 2Pac 5:03 Thug Passion 2Pac 5:08 Troublesome '96 2Pac 4:37 Until The End Of Time 2Pac 4:27 To Search this list, hit CTRL+F to "Find" any song or artist Ghetto Gospel 2Pac Feat. -
The Bequest of Books: a Hidden Biography
The Journal of the Sylvia Townsend Warner Society The Bequest of Books: A Hidden Biography Frances Bingham1,* How to cite: Bingham, F., ‘The Bequest of Books: A Hidden Biography.’ The Journal of the Sylvia Townsend Warner Society, 2020, 19(1–2), pp. 54–63 • DOI: https:// doi.org/10.14324/111.444.stw.2020.09 Published: 15 April 2020 Peer Review: This article has been peer reviewed through the journal’s standard single blind peer-review, where the reviewers are anonymised during review. Copyright: © 2020, Frances Bingham. All photographs and images © 2020, Liz Mathews. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (CC-BY) 4.0 https:// creativecommons.org/licenses/by/4.0/, which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited • DOI: https://doi.org/ 10.14324/111.444.stw.2020.09 Open Access: The Journal of the Sylvia Townsend Warner Society is a peer-reviewed open access journal. *Correspondence: [email protected] 1 Independent writer © 2020, Frances Bingham. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (CC-BY) 4.0 https://creativecommons.org/licenses/by/4.0/, which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited • DOI: https://doi.org/10.14324/111.444.stw.2020.09 The Bequest of Books: A Hidden Biography Frances Bingham Abstract This article presents and introduces a sequence of six poems that Sylvia Townsend Warner dedicated to Valentine Ackland. -
Religious Themes in the Poetry of Sylvia Townsend Warner
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UCL Discovery © 2017, Pauline Matarasso • This is an Open Access article distributed under the terms of the Creative Commons Attribution License (CC-BY) 4.0 https://creativecommons.org/licenses/by/4.0/, which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited • DOI: https://doi.org/10.14324/111.444.stw.2017.04. A Recurrent Modulation: Religious Themes in the Poetry of Sylvia Townsend Warner Pauline Matarasso* Sylvia Townsend Warner is a writer who seems eager to be known. She kept, and left behind, extensive diaries; she wrote a stream of letters to her many friends, material which, gradually edited, has proved attractive to readers old and new, since her brilliance shines out in everything she put her pen to. Her partner, Valentine Ackland, herself a poet, left an account of her own childhood and their years together, and Warner took steps to ensure that this material too would be preserved. Whether the drip-feed of the personal enriches our understanding of a writer’s work is a pertinent question to ask, and in this case the answer must be an unqualified ‘yes’: the diaries, in particular, reflect the whole spectrum of Warner’s life and work, her mind as well as her heart, and, most interestingly, the dialogue between the two. They gain further from being written by a woman of great integrity who habitually spoke the truth as she saw and felt it, and to this extent can be taken at her word.