What I Owe to Sylvia Townsend Warner

Total Page:16

File Type:pdf, Size:1020Kb

What I Owe to Sylvia Townsend Warner THE REDWOOD COAST Volume 13, Number 2 REVIEW Spring 2011 A Publication of Friends of Coast Community Library in Cooperation with the Independent Coast Observer POP CULTURE me for college. He believed in my talent somehow and understood, perhaps, why I might want to get away, although he couldn’t understand why I didn’t wait until after I’d graduated. Coming of age About that during the Depression, from a poor family, he hadn’t been able to go to college and to him a degree seemed almost like some Sexy Girl kind of Holy Grail. The evening before I left, my mother and I had supper together. We were sip- Jonah Raskin ping white wine I’d brought home for the occasion, and Mother was beginning to get wound up in her old stories, which un-of-the-mill novels—say, she did almost inevitably when she drank Charles Jackson’s Lost Weekend, wine. And almost inevitably she would RMickey Spillane’s Kiss Me Deadly somehow manage to segue into the story —make for more riveting movies than of my birth. First of all how—for the classic novels such as Moby-Dick and entire nine months—she wanted nothing Swann’s Way. Great novels have style, and to eat but bacon and watermelon. Then style gets in the way of directors cutting to the part about my actual birthing, how the cliffhanger and the big cinematic kiss. my oversized head had almost killed her. Stieg Larsson’s Millennium Trilogy “And at the worst part of the pain, when —The Girl With the Dragon Tattoo (2005) I just knew I was going to die and was The Girl Who Played With Fire (2006) almost afraid I wouldn’t, I felt a presence and The Girl Who Kicked the Hornet’s above me and the entire room lit up with a Nest (2007)—is better on screen than golden light. And standing there over me on the page, though the hit movie hasn’t was the figure of a man, an Indian warrior. stopped readers from buying the book ‘Hold on, Christine, he’s coming,’ he told and reading it. The first two books are me. ‘It’s going to be all right. Sometimes in paperback now and on bestseller lists the great ones are hard to birth.’” around the country, though not currently I sat and squirmed and patiently in parts of the Bay Area. (At City Lights listened to this story for perhaps the Bookstore, Peter Maravelis said, “We’d twentieth time, somewhat less pained on rather turn over our real estate to Rebecca this occasion than on most of the others, Solnit’s new book than a pop thing.”) The when she told it in the presence of family third Larsson book won’t be a bestseller or friends. It seemed right, in a way, that I at City Lights, either, but it will soon be should have to be subjected to it one more available in paperback in all the chains time before I left. and in many libraries, too When she’d finished, she stubbed out The books sell the movies and the her cigarette without lighting up another, movies sell the books. Knopf recently LEPKOFF REBECCA which was unusual for her, and looked published, after all the movies were out, through my eyes straight into my heart. a boxed set of all three novels along with Reaching across the table, she put her a third volume entitled On Stieg Larsson hand on mine. that includes emails between him and his The Physics of Walking “Please, Mikie, don’t go, “ she said, editors, but no revelations about his pri- using the name she’d called me all vate life. Of course, for the novels to sell through my childhood. “We need you well, and to go on selling, and for Larsson How I became a writer in New York here. You . just aren’t ready to go off to become a kind of cultural avatar, the like this.” Her great, hazely brown eyes movies had to be entertaining. Mike Tuggle were brimming with tears now and it The success of the films is due to was all I could do to keep from crying. the Swedish producers who slashed and With just that look and those few words it burned the novels to make them box-of- t was late September 1960 when gling to hold down a job for the first time seemed to me that she managed to express fice hits. In the first film, The Girl With I arrived in New York City on the in her life. My younger brother and sister all the sorrow and disappointment and the Dragon Tattoo, the two main charac- Greyhound, my portable Olivetti were still in high school. My mother, I hardship she had felt her entire life. But ters have sex on movie-time, and not on in one hand, raggedy suitcase in felt, was beginning to depend upon me if my resolve to leave had been wavering Larsson’s book-time. The movies are also the other, ready to take the city by to replace my dad as head of the house- at all, the sound of her calling me ‘Mikie’ more suspenseful, more action-packed, Istorm. Longing for the life of the writer hold, which was scary in several ways. I had settled it. and with clearer development of the major and desperate to get away from home, I’d wasn’t ready for this, to work full time, “I’m sorry, Mother, but I have to, I characters. Critics agree on those points, decided not to go back for my senior year which I had done all summer and which I can’t explain exactly why, just that I have though not on others. at Texas Christian University, where I’d feared was expected of me. I was a writer to find myself, in my own way.” Had I From England to the USA, they’ve held the undergraduate creative writing now and needed solitude and experience. been conscious enough and brave enough observed that no one reads Larsson’s scholarship and been the recipient of My dad had given me his blessing and and brutal enough to put it into words, I fiction for exactly the same reasons, and several little English department awards. promised to send me 35 dollars a week, might have told her that her terrific loneli- certainly not for exquisite style or estheti- It was time, I felt, to venture out on my which was what he’d intended to give ness and need at this time were suffocat- cally pleasing literary form in the way own. Getting experience in the world ing me. There was something I couldn’t of Henry James. Written in Swedish, the seemed far more important than a degree, quite articulate that was threatening to me Trilogy was translated into sturdy English which I could always pick up later on, I honestly believed in a personal way, besides my obvious by one “Reg Keeland” who turns out to if necessary. I wanted to be a writer in that my mother was fear of getting trapped into working full be a pseudonym of Steven Murray, an the larger, professional sense and live time and becoming the main support of award-winning translator born in Berkeley in the literary center where all the wires wrong. In my more our family. and a graduate of Cal State Hayward, and connected and reputations were made. And I honestly believed that my also known for his translation of Martin So I had quit my job at A. J. confidently deranged mother was wrong, that I was ready. In Andersen Nexo’s Danish classic, Pelle the Anderson’s Sporting Goods and moments I believed in my more confidently deranged moments Conqueror. Hardware, abandoned what I genuinely I believed in my talents completely, that I “Once a book translation is finally felt to be my responsibility at home, my talents completely, was destined to become a great writer, or printed, I sometimes can barely remember packed my suitcase with what I believed great something, as the Indian warrior had doing it,” Murray says. “But occasionally was absolutely necessary—two pair of that I was destined to suggested to her in her vision. I was ready a really good book will stay with me, like Levis, three shirts, one wool sweater, a to cross swords with Styron and Mailer, Stieg Larsson’s Millennium Trilogy.” corduroy sport coat, some underwear and become a great writer, and sometimes sacrifices had to be made Murray calls Larsson “a brilliant socks, one small edition of Webster’s or great something. in the name of Art. writer.” If so, he deserves credit for com- Unabridged, two black, lined notebooks, municating the brilliance. Larsson is, a folder of poems and another folder I was ready to cross y family could get along fine without indeed, brilliant, though it’s heady, not containing the beginning of my novel, a Mme. I’d come back someday a suc- heartfelt, a matter of thinking big thoughts few photos of my family, a copy of James swords with Styron cessful author and make it all up to them. about big ideas and translating them into Baldwin’s Another Country, toothbrush, and Mailer, and some- There wasn’t a doubt in my head that this big bestsellers. For all his artistic genius, safety razor, a bar of Palmolive soap was going to happen. I even had an inside however, Larsson never learned the art of and plenty of guilt—and caught the times sacrifices had to connection—the name and address of a structuring a book gracefully, and so the Greyhound going east.
Recommended publications
  • Representations of Rural England in Contemporary Folk Song
    Representations of Rural England in Contemporary Folk Song Heather Skinner Institute of Place Management, UK [email protected] Purpose: This paper explores aural representations of the countryside and English rurality through the contemporary cultural product of folk song. Methodology: A textual analysis was undertaken of the sleeve notes and lyrics of Steve Knightley, songwriter and founder member of the folk/roots band Show of Hands. Findings: The concept of the rural idyll is thoroughly debunked in the majority of these lyrics. Many songs make specific reference to place, and these, in the main, focus on the historical and contemporary hardships of living in rural England, in many cases also making explicit reference to the historical or contemporary social issues deemed by the lyricist to be at the root of the problems faced by people living in English rural communities. Research limitations: This article analyses data obtained in lyrics of only one songwriter within only one music genre, but the artist is one of the most respected within the contemporary folk genre, and Show of Hands have won a number of prestigious nationally recognised folk awards. Originality/value: The extant literature contains little concerning aural representations of place identities through song. The contribution this paper makes is therefore in presenting a conceptual framework that shows how folk song, as a contemporary cultural product contributes to the construction and communication of rural place identities. Keywords: Country life; Show
    [Show full text]
  • Open Many More Met Sylvia Townsend Warner in 1922 and Windows
    The Powys Review NUMBER FIVE 'Seeker & Warburg poets* Anna Akhmatova WAY OF ALL THE EARTH Translated by D. M. Thomas Akhmatova's work is already famous in the West but this sensi- tively translated collection introduces poems not formerly available in English. £3.90 Edwin Brock THE RIVER AND THE TRAIN The self-questioning and pain are still here but images of river and rural life provide a balance. This new book marks Edwin Brock's move to a remote part of East Anglia. £3.50 Pete Morgan THE SPRING COLLECTION Pete Morgan's second full-length book is as entertaining as The Grey Mare Being The Better Steed. "Buzzes with the same vitality and showmanship as his first, as clever and various as before if a little more meditative." Emma Fisher, Spectator £3.50 George Szirtes THE SLANT DOOR A strong visual sense and exact and scrupulous verbal and rhythmical gifts -pictures of life memorably recorded. £3.50 Peter Reading FICTION The fourth collection of poems by the author of For the Munici- pality's Elderly, The Prison Cell & Barrel Mystery and Nothing For Anyone. £3.50 Stanley Kunitz THE POEMS OF STANLEY KUNITZ 1928-1978 The collected works of one of America's greatest living poets, including twenty new poems. £6.50 Secker&> Warburg The Powys Review Editor Belinda Humfrey Advisory Board Glen Cavaliero Ben Jones Derrick Stephens Correspondence, contributions, and books for review may be addressed to the Editor, Department of English, Saint David's University College, Lampeter, Dyfed, SA48 7ED Copyright ©, The Editor The Powys Review is published with the financial support of the Welsh Arts Council.
    [Show full text]
  • The Journal of the Sylvia Townsend Warner Society
    The Journal of the Sylvia Townsend Warner Society Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner David Trotter1,* How to cite: Trotter, D. ‘Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner’. The Journal of the Sylvia Townsend Warner Society, 2020, 20(1), pp. 39–62 • DOI: https://doi.org/10.14324/111.444.stw.2020.21 Published: 9 November 2020 Peer Review: This article has been peer-reviewed through the journal’s single-blind peer review, where the reviewers are anonymised during review. Copyright: © 2020, David Trotter. This is an open-access article distributed under the terms of the Creative Commons Attribution Licence (CC-BY) 4.0 https://creativecommons.org/licenses/by/4.0/, which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited • DOI: https://doi.org/10.14324/111.444.stw.2020.21 Open Access: The Journal of the Sylvia Townsend Warner Society is a peer-reviewed open-access journal. *Correspondence: [email protected] 1University of Cambridge, UK © 2020, David Trotter. This is an open-access article distributed under the terms of the Creative Commons Attribution Licence (CC-BY) 4.0 https://creativecommons.org/licenses/by/4.0/, which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited • DOI: https://doi.org/10.14324/111.444.stw.2020.21 Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner David Trotter Abstract The aim of this article is to establish the critical significance and value of work which was the product of the unique creative partnership developed by Valentine Ackland and Sylvia Townsend Warner during the 1930s.
    [Show full text]
  • Feat. Eminen) (4:48) 77
    01. 50 Cent - Intro (0:06) 75. Ace Of Base - Life Is A Flower (3:44) 02. 50 Cent - What Up Gangsta? (2:59) 76. Ace Of Base - C'est La Vie (3:27) 03. 50 Cent - Patiently Waiting (feat. Eminen) (4:48) 77. Ace Of Base - Lucky Love (Frankie Knuckles Mix) 04. 50 Cent - Many Men (Wish Death) (4:16) (3:42) 05. 50 Cent - In Da Club (3:13) 78. Ace Of Base - Beautiful Life (Junior Vasquez Mix) 06. 50 Cent - High All the Time (4:29) (8:24) 07. 50 Cent - Heat (4:14) 79. Acoustic Guitars - 5 Eiffel (5:12) 08. 50 Cent - If I Can't (3:16) 80. Acoustic Guitars - Stafet (4:22) 09. 50 Cent - Blood Hound (feat. Young Buc) (4:00) 81. Acoustic Guitars - Palosanto (5:16) 10. 50 Cent - Back Down (4:03) 82. Acoustic Guitars - Straits Of Gibraltar (5:11) 11. 50 Cent - P.I.M.P. (4:09) 83. Acoustic Guitars - Guinga (3:21) 12. 50 Cent - Like My Style (feat. Tony Yayo (3:13) 84. Acoustic Guitars - Arabesque (4:42) 13. 50 Cent - Poor Lil' Rich (3:19) 85. Acoustic Guitars - Radiator (2:37) 14. 50 Cent - 21 Questions (feat. Nate Dogg) (3:44) 86. Acoustic Guitars - Through The Mist (5:02) 15. 50 Cent - Don't Push Me (feat. Eminem) (4:08) 87. Acoustic Guitars - Lines Of Cause (5:57) 16. 50 Cent - Gotta Get (4:00) 88. Acoustic Guitars - Time Flourish (6:02) 17. 50 Cent - Wanksta (Bonus) (3:39) 89. Aerosmith - Walk on Water (4:55) 18.
    [Show full text]
  • Domesticity, Nationalism, and the Natural World, 1900-1950
    1 “OUR ENGLISH GROUND”: DOMESTICITY, NATIONALISM, AND THE NATURAL WORLD, 1900-1950 A dissertation presented by Alicia Peaker to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts April, 2014 2 “OUR ENGLISH GROUND”: DOMESTICITY, NATIONALISM, AND THE NATURAL WORLD, 1900-1950 by Alicia Peaker ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April, 2014 3 ABSTRACT My dissertation, “Our English Ground”: Domesticity, Nationalism, and the Natural World, 1900-1950 argues that many women made crucial contributions to ecological discourses of the early-twentieth century—more specifically, that they produced nuanced accounts of the relationships between humans and the natural world in their visual and textual representations of “nature,” “landscape,” and “the nation.” Although “nature has a persistent, even adaptive, presence in modernism” (Scott 13), that presence frequently serves as a background in modernist literature. Bonnie Kime Scott, dealing with mostly canonical writers, asks “what happened to the work of writers who were more obviously centered in nature, but not classifiable as modernist?” (40). In this dissertation, I begin to account for these canonical caesuras by pulling from the academic margins work by three English women who explicitly engaged with and represented the natural world in their writing and artwork. Beginning with Edith Holden’s naturalist field books (1905-1906), moving to Sylvia Townsend Warner’s super-natural novel Lolly Willowes (1926), and finally to Vita Sackville-West’s long poem The Garden (1946), I argue that the natural world and nationalism are inextricably intertwined in these texts.
    [Show full text]
  • Radiohead Meet the Media with Hail to the Thief
    not only a label... producers, arrangers, composers, musicians. JUNE 7, 2003 Volume 21, Issue 24 £3.95 Masic euros 6.5 nicolosi productions 1,,,,A.nicolosiproduction,con Media®we 11J to rya dio M&M chart toppers this week 10 FM disappears in 'Zero First electronic Eurochart Hot 100 Singles ratings results 50 CENT Base' radio auction drama In Da Club by Cesco van Gool applicants either awarding-or denying published in UK (Interscope) them-the much sought-after terrestri- by Jon Heasman European Top 100 Albums HILVERSUM - National AC/Gold sta-al FM and AM frequency packages they EVANESCENCE tion Radio 10 FM disappeared fromhad bid for. Less than a week later, on LONDON - Music radio stations could fare less well than their speech -based Fallen Holland's terrestrial air- June 1, existing stations waves on June 1 after 15 which had secured new counterparts in the ratings under elec- (Wind Up/Epic) RADI010FM years following a dramat- licences had to move to tronic, rather than diary -based, audi- OOTSTE HITS European Radio Top 50 ic conclusion to the coun- their new positions on ence measurement systems. ROBBIE WILLIAMS try's controversial frequency allocationthe dial, while the same day existing That appears to be one of the tenta- Come Undone process-so-called "Zero Base"-on stations who had failed to win frequen- tive conclusions from the first set of (Chrysalis) May 26. cies, such as Radio 10 FM and AM out- unofficial UK radio ratings to be pub- Rupert Murdoch's Sky Radio and let Arrow Classic Rock, were ordered to lished by Nuremberg -based research European Dance Traxx RTL's Holland Media Group (HMG) cease their terrestrial transmissions.
    [Show full text]
  • Inventory by Title
    Inventory By Title Author Title Avner, Yehuda. The prime ministers Abbey, Barbara Complete book of knitting Abbott, Jeff. Panic Abbott, Tony. moon dragon, The Ablow, Keith Architect, the Active minds Trains Adams, Cindy Heller. Iron Rose Adams, Poppy, 1972- sister, The Addis, Don Great John L, the Adler, Elizabeth (Elizabeth A.) Please don't tell Agus, David, 1965- end of illness, The Aitkin, Don. Second chair, The Albert, Susan Wittig. Nightshade Albom, Mitch , 1958- , author. next person you meet in Heaven, The Albom, Mitch, 1958- First phone call from heaven Albom, Mitch, 1958- For One More Day Albom, Mitch, 1958- Have a little faith Albom, Mitch, 1958- Magic Strings of Frankie Presto, The Albom, Mitch, 1958- time keeper, The Albom, Mitch, 1958- Tuesdays with Morrie Albright, Jason et al A Day in the Desert Alcott, Kate Dressmaker, The Alcott, Kate. daring ladies of Lowell, The Alda, Arlene, 1933- Pig, horse, or cow, don't wake me now Alderman, Ellen. Right to Privacy, The Alder-Olsen, Jussi Keeper of Lost Causes, The Aldrich, Gary. Unlimited access Aldrin, Edwin E., 1930- Return to Earth Alexander, Eben. Proof of Heaven Alfonsi, Alice. New Kid in Town Aline, Countess of Romanones, 1923- Well-mannered Assassin, The Allen, Jonathan (Jonathan J. M.) , author. Shattered Allen, Sarah Addison. First Frost Allen, Sarah Addison. Sugar Queen, The Allen, Steve, 1921- Murder in Manhattan Allende, Isabel , author. In the Midst of Winter Allende, Isabel. sum of our days, The Allende, Isabel. Zorro Allgor, Catherine, 1958- Perfect Union, A Allison, Jay. This I believe II Amborse, Stephen E. Band of Bothers Ambrose, Stephen D-Day, June 6, 1944 Amburn, Ellis.
    [Show full text]
  • Sylvia Townsend Warner: a Musical Life
    SYLVIA TOWNSEND WARNER: A MUSICAL LIFE LYNN MUTTI UCL PhD 1 I, Lynn Mutti, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 SYLVIA TOWNSEND WARNER: A MUSICAL LIFE Abstract Music was central to Warner's life: she was first a young, aspiring composer, then a musicologist, later a librettist and friend to musicians and composers, and for fifty years a writer whose works regularly engaged with music in richly diverse ways. Unpublished diary entries show her knowledgeable and personal response to music heard in the concert hall, on the radio, via gramophone records or as a participant in a choir. Her ear was tuned to sound, especially sound in nature: water, birds, animals, the sea, the wind, as well as the cacophony of human voices, singing, shouting, joyous or sad. Warner's acute ear tuned into the life around her and articulated it in her written work. A late diary entry just a few months before her death shows her frailty and the continuing importance of music in her daily life. Sound and music are contained in one eloquently descriptive sentence: 'I fell against the tool-shed with a loud clang. Little the worse. Revived by a fine performance of the Pastoral Symphony'.1 My aims in this thesis are to present the fullest narrative yet of Warner's engagement with music, to examine her academic writing on the subject and to recount her musical collaborations and friendships which have not previously been a subject for academic discussion.
    [Show full text]
  • The Walnut Tree Prior to Going to These Shows, and I Was Not Going to Let Y'all Down! So I Stuffed My Sony Cybershot Into My Bra, and They Were None the Wiser
    Somewhere only we know: Meet ups- Its always cool to meet up with other fans so your not on your own and you can share the experi- ence of seeing the band with like minded fans together. If you are a member of the keane forum you are bound to make new friends quickly and can arrange meet up places on there. Whether the meet ups are before a gig or basically just to meet up as fans and have a good time without the band. This is also a safer way to be in a group so if anything were to go wrong (heaven forbid) there are more of you to sort something out than having to deal with a situation on your own. Mostly its miles more fun sharing the experience with other fans who appreciate their music just as yourself does. Trust me =) International Baby: Items for other countries- The Walnut Make sure you’ve done some research before hand if planning a trip to another country. Laws and such could be different. Check transport availability for means of getting around, you don’t want to be stuck. Check prices/timings of them also so you have a rough idea. Tree Take plenty of euros – for food, travel, shopping etc. Mobile – make sure you have your network working for another country. Passport – obviously. and flight details. First aid kit – you never know what could happen so it’s always best to be prepared E111 form – basically this is travel safety. If anything were to happen to you your covered and don’t need to pay to have treatment.
    [Show full text]
  • To Search This List, Hit CTRL+F to "Find" Any Song Or Artist Song Artist
    To Search this list, hit CTRL+F to "Find" any song or artist Song Artist Length Peaches & Cream 112 3:13 U Already Know 112 3:18 All Mixed Up 311 3:00 Amber 311 3:27 Come Original 311 3:43 Love Song 311 3:29 Work 1,2,3 3:39 Dinosaurs 16bit 5:00 No Lie Featuring Drake 2 Chainz 3:58 2 Live Blues 2 Live Crew 5:15 Bad A.. B...h 2 Live Crew 4:04 Break It on Down 2 Live Crew 4:00 C'mon Babe 2 Live Crew 4:44 Coolin' 2 Live Crew 5:03 D.K. Almighty 2 Live Crew 4:53 Dirty Nursery Rhymes 2 Live Crew 3:08 Fraternity Record 2 Live Crew 4:47 Get Loose Now 2 Live Crew 4:36 Hoochie Mama 2 Live Crew 3:01 If You Believe in Having Sex 2 Live Crew 3:52 Me So Horny 2 Live Crew 4:36 Mega Mixx III 2 Live Crew 5:45 My Seven Bizzos 2 Live Crew 4:19 Put Her in the Buck 2 Live Crew 3:57 Reggae Joint 2 Live Crew 4:14 The F--k Shop 2 Live Crew 3:25 Tootsie Roll 2 Live Crew 4:16 Get Ready For This 2 Unlimited 3:43 Smooth Criminal 2CELLOS (Sulic & Hauser) 4:06 Baby Don't Cry 2Pac 4:22 California Love 2Pac 4:01 Changes 2Pac 4:29 Dear Mama 2Pac 4:40 I Ain't Mad At Cha 2Pac 4:54 Life Goes On 2Pac 5:03 Thug Passion 2Pac 5:08 Troublesome '96 2Pac 4:37 Until The End Of Time 2Pac 4:27 To Search this list, hit CTRL+F to "Find" any song or artist Ghetto Gospel 2Pac Feat.
    [Show full text]
  • The Bequest of Books: a Hidden Biography
    The Journal of the Sylvia Townsend Warner Society The Bequest of Books: A Hidden Biography Frances Bingham1,* How to cite: Bingham, F., ‘The Bequest of Books: A Hidden Biography.’ The Journal of the Sylvia Townsend Warner Society, 2020, 19(1–2), pp. 54–63 • DOI: https:// doi.org/10.14324/111.444.stw.2020.09 Published: 15 April 2020 Peer Review: This article has been peer reviewed through the journal’s standard single blind peer-review, where the reviewers are anonymised during review. Copyright: © 2020, Frances Bingham. All photographs and images © 2020, Liz Mathews. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (CC-BY) 4.0 https:// creativecommons.org/licenses/by/4.0/, which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited • DOI: https://doi.org/ 10.14324/111.444.stw.2020.09 Open Access: The Journal of the Sylvia Townsend Warner Society is a peer-reviewed open access journal. *Correspondence: [email protected] 1 Independent writer © 2020, Frances Bingham. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (CC-BY) 4.0 https://creativecommons.org/licenses/by/4.0/, which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited • DOI: https://doi.org/10.14324/111.444.stw.2020.09 The Bequest of Books: A Hidden Biography Frances Bingham Abstract This article presents and introduces a sequence of six poems that Sylvia Townsend Warner dedicated to Valentine Ackland.
    [Show full text]
  • Religious Themes in the Poetry of Sylvia Townsend Warner
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UCL Discovery © 2017, Pauline Matarasso • This is an Open Access article distributed under the terms of the Creative Commons Attribution License (CC-BY) 4.0 https://creativecommons.org/licenses/by/4.0/, which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited • DOI: https://doi.org/10.14324/111.444.stw.2017.04. A Recurrent Modulation: Religious Themes in the Poetry of Sylvia Townsend Warner Pauline Matarasso* Sylvia Townsend Warner is a writer who seems eager to be known. She kept, and left behind, extensive diaries; she wrote a stream of letters to her many friends, material which, gradually edited, has proved attractive to readers old and new, since her brilliance shines out in everything she put her pen to. Her partner, Valentine Ackland, herself a poet, left an account of her own childhood and their years together, and Warner took steps to ensure that this material too would be preserved. Whether the drip-feed of the personal enriches our understanding of a writer’s work is a pertinent question to ask, and in this case the answer must be an unqualified ‘yes’: the diaries, in particular, reflect the whole spectrum of Warner’s life and work, her mind as well as her heart, and, most interestingly, the dialogue between the two. They gain further from being written by a woman of great integrity who habitually spoke the truth as she saw and felt it, and to this extent can be taken at her word.
    [Show full text]