Through the Open Door

Total Page:16

File Type:pdf, Size:1020Kb

Through the Open Door Things got worse and he had to dry out So they sent him to New Orleans He met a half-breed Choctaw woman And that’s how I came to be I was a raised by widow on a little farm on The Mississippi-Louisiana line But just like my daddy I was Searching for something And I left that land behind Trying to get free with philosophy Will take its toll in time Thank God I had a Woman praying for me On the Mississippi-Louisiana line My daddy got saved In a sawdust chapel He fell down on his knees His life was new but his days were few And he died from his disease Me, I can remember hearing The Gospel of God’s amazing grace Because of the Prayers of a godly woman One day I’ll see my daddy’s face Through the Open Door One day I’ll see my daddy’s face Your wine and women and sinful living Mississippi-Louisiana Line Will take its toll in time The Mountain, the Desert, and the Sea I pray you have a Down, Down Woman praying for you Miracle of Marriage On your Mississippi-Louisiana line God Is Calling Faithful Men I pray you have someone Dark Night Praying for you The Gadarene On your Mississippi-Louisiana line Beneath the Deep On your Louisiana-Mississippi line Let the Children Come On your Mississippi-Louisiana line Now and Forevermore (Mae’s Song) Claim This Land THE MOuntain, Through the Open Door THE DESErT AND THE SEA For we do not have a high priest who is unable to sympathize with our Eclogue for the Church Triumphant weaknesses, but one who in every respect has been tempted as we are, yet without sin. Hebrews 4:15 Photography © 2010 Kori Hoffman used by permission When the winter wind comes whipping All Words and Music by Michael Anthony Milton Through the Appalachian pass © 2010 Michael Anthony Milton and Bethesda Words and Music. BMI, All rights reserved. It can cut right through your skin And slice your soul This recording is Copyright s Bethesda Words and Music, All rights reserved. If you’re traveling in the mountains should That sudden storm arrive There’s no human way You’ll make it out alive MISSISSIPPI-LOuisiana LINE The lines have fallen for me in Then you’ll know in that hour pleasant places; indeed, I have a beautiful inheritance. Psalms 16:6 There is no earthly power And desperation forces you to say Daddy was born to a Christian family “I need to pray…” On the Mississippi-Louisiana line But he wanted to be free If the scorching desert sands begin and set to the sea To set your skin on fire And he left that home behind And your tongue is dry And longing for a drink Before he was grown to be a man If you begin to see mirages He had sailed the seven seas Of a shady little place But the door he closed When you lap up only more and the life he chose Sand in your face Brought him to his knees Then you know in that hour Wine and women and sinful living There is no other power Will take their toll in time And desperate desert days Thank God he had a Can have a way Mamma praying for him To make you pray… On the Mississippi-Louisiana line Then you know in that hour THE MIracle OF MArriage There is no human power Therefore a man shall leave his Your desperation presses you to say father and his mother and hold fast “I’ve got to pray…” to his wife, and the two shall become one flesh. Matthew 19:5 When the raging waves of life Begin to toss you to and fro In the beginning as time began And you’re thrown over God took a rib from a sleeping man The side into the sea And fashioned a It can kill a proud man to say it Woman to make humanity When he’s so self-assured This is how it came to be But a drowning man can Have no other plea And He called for the Man to love his wife Than to cry from the With all of his power for all of his life Depths of a watery grave And He called for the God I need You, I need You to save Woman to honor her man I have no other hope This much we understand In such a day I have to pray… But there’s more to the song He is the way, Because something went wrong He is the truth and the life And the good that God I confess that He paid the highest price Made became flawed I pray to You O Lord Jesus Christ But the miracle of marriage is God You who knew the mountain, When a man and a woman fall in love The desert and the sea No Cupid shoots arrows Come to me From Hollywood When the winter wind comes whipping But when love becomes commitment Through the Appalachian pass And commitment turns to vows It can cut right through your skin The angels begin to applaud And slice your soul For the miracle of marriage is God If you’re traveling in the mountains should That sudden storm arrive There’s no human way you’ll Don’t tell me that a marriage Make it out alive That began with such power Must be thrown overboard for Then you’ll know in that hour The sea to devour There is no human power When there’s grace from the One And desperation forces you to say Who speaks stillness to the sea “I need to pray…” And who welcomed a sinner like me Down, Down Say, Honey, I’m beginning to see For although they knew God, they did not honor Him as God or give thanks That the elderly couple in to Him, but they became futile in their thinking, and their foolish hearts were The nursing home darkened. romans 1:21 Holding hands in a world That seems all their own Down, down Must have come through Man goes down Times of struggle and Whenever his pride goes up Must have come through times of pain I have seen the sad result And yet this special love remains Filling a sinner’s cup Because a long time ago Down, down Each of them had to let go Man goes down Of their own lives to find this love Begins with unbelief Leads to folly, leads to death And the miracle of Leaves his family grief Marriage is from above Yes the miracle of marriage is His love We are without excuse For we have eternity written GOD IS CALLING FAITHFuL MEN on our hearts And what you have heard from me We are without excuse in the presence of many witnesses And what shall become entrust to faithful men who will be able Of the unrepentant one? to teach others also. 2 Timothy 2:2 Down, down God is calling faithful men, Man goes down Shepherds for His flock to tend; Resisting to the end His the vision, He ordains, And God who calls all to repent He supplies and He sustains; Finally gives him to his sin God is calling faithful men, Down, down Shepherds for His flock to tend. Man goes down Grounded in His Word, their light, Whenever his pride goes up Out they go into the night; I have known the sad result Seeking lambs who’ve gone astray, That fills a sinner’s cup Leading them back to the Way; The Gadarene God is calling faithful men, Shepherds for His flock to tend. Beneath THE DEEP Let not many teachers be, Behold! I tell you a mystery. Greater judgments will they see, We shall not all sleep, but we shall But, as they do heed God’s call, all be changed, in a moment, in the twinkling Christ becomes their all in all; of an eye, at the last trumpet. For the God is calling faithful men, trumpet will sound, and the dead will be Shepherds for His flock to tend. raised imperishable, and we shall be changed. 1 Corinthians 15:51-52 Those who are led by nail-pierced hand, Let them pastor in our land, Beneath Feeding us with tender care, The deep Word and Sacrament and Prayer; Dark mines of Night God is calling faithful men, I believe Shepherds for His flock to tend. A flower grows in hidden light Beneath DArK NIGHT OF THE SOuL The ground Why are you cast down, O my soul, Of frozen earth and why are you in turmoil within me? I believe Hope in God; for I shall again praise him, A seed will soon give birth my salvation and my God. Psalms 42:11 Behind The eyes I’ve been down A soldier lies Lost and found I believe Alone at the river The lad will one day rise Seeking the Giver Beyond Someone to help me get through The stars The dark night So far above Of the soul I believe There lives a God of love I remember One day The crowds and splendor Some way The joy of communion The sky gives way Like snow on the mountain To the Son But now I have fallen deep into As the soldier comes to life The dark night of the soul And the flower blooms in light But when the night is the darkest LET THE CHILDrEN COME That’s when the stars shine brightest But Jesus called them to Him, saying, And as I reflect on this night “Let the children come to Me, and do not hinder them, for to such belongs I see how the Lord was my light the kingdom of God.” Luke 18:16 And in the darkest night of my soul Heard a song, I heard a song In the world of grown ups, I know there is One Why are you cast down, my soul Who will always listen to me.
Recommended publications
  • “PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
    TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan.
    [Show full text]
  • The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
    THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices.
    [Show full text]
  • Contextual Predictability Norms for Pairs of Words Differing in a Single Letter
    H I LLINI S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. ~66' Technical Report No. 260 CONTEXTUAL PREDICTABILITY NORMS FOR PAIRS OF WORDS DIFFERING IN A SINGLE LETTER Harry E. Blanchard, George W. McConkie and David Zola University of Illinois at Urbana-Champaign August 1982 Center for the Study of Reading TECHNICAL REPORTS UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN 51 Gerty Drive Champaign, Illinois 61820 BOLT BERANEK AND NEWMAN INC. 50 Moulton Street Cambridge, Massachusetts 02238 [LtHE LIBRARY OF TH-I The National Institute of Education U.S. Department of Education UNIVE.SITY OF ILL:S Washington. D.C. 20208 IT ^a -- CENTER FOR THE STUDY OF READING Technical Report No. 260 CONTEXTUAL PREDICTABILITY' NORMS FOR PAIRS OF WORDS DIFFERING IN A SINGLE LETTER Harry E. Blanchard, George W. McConkie and David Zola University of Illinois at Urbana-Champaign August 1982 University of Illinois at Urbana-Champaign Bolt Beranek and Newman Inc. 51 Gerty Drive 50 Moulton Street Champaign, Illinois 61820. Cambridge, Massachusetts 02238 This research was conducted under grants MH 32884 and MH 33408 from the National Institute of Mental Health to the first author, and National Institute of Education contract HEW-NIE-C-400-76-0116 to the Center for the Study of Reading. Copies of this report can be obtained by writing to George W. McConkie, Center for the Study of Reading, 51 Gerty Drive, Champaign, Illinois 61820. EDITORIAL BOARD William Nagy and Stephen Wilhite Co--Editors Harry Blanchard Anne Hay Charlotte Blomeyer Asghar Iran-Nejad Nancy Bryant Margi Laff Avon Crismore Terence Turner Meg Sallagher Paul Wilson Abstract Predictability Norms Four hundred sixty-seven pairs of short texts were written.
    [Show full text]
  • EVANESCENCE Veröffentlichen Ein Neues Vinyl-Boxset the ULTIMATE COLLECTION (6LP-Set)
    EVANESCENCE veröffentlichen ein neues Vinyl-Boxset THE ULTIMATE COLLECTION (6LP-Set) Mit den Alben Origin, Fallen, The Open Door, Evanescence und Lost Whispers auf 180g-Vinyl LosAngeles, Kalifornien — Concord Bicycle kündigt die Veröffentlichung des 6LP-Sets The Ultimate Collection von Evanscence am 17.02.2017 an. Es ist das erste Vinyl-Boxset der Band und enthält die Alben Fallen, The Open Door, Evanescence, das bisher noch nicht offiziell erschienene Origin und die Bonustrack-Collection Lost Whispers auf 180g-Heavyweight Vinyl. Außerdem befindet sich in der Box ein 52-seitiges Hardcoverbuch mit Artworks, handgeschriebenen Songtexten, Fotos und Raritäten. The Ultimate Collection (6LP-Set) deckt die komplette Laufbahn der Band ab, mit allen Studioalben und der ersten kommerziellen Veröffentlichung des Demo-Albums Origin. Auf dem Album Lost Whispers sind zum ersten Mal ihre legendären Bonustracks vereint; u. A. befinden sich darauf die Studioversion des langgesuchten Tour-Intros “Lost Whispers” und die erste neue Studioaufnahme seit Jahren, “Even In Death (2016)”. Evanescence sind zweifache Grammy-Gewinner und ihre Frontfrau, Sängerin und Pianistin Amy Lee, ist eine der energiegeladensten Ladies im Rockgeschäft. Das Debütalbum Fallen hat mittlerweile 17 Mio. Exemplare weltweit verkauft. Die beiden darauffolgenden Alben —The Open Door und Evanescence— stiegen jeweils direkt auf #1 der Charts ein. Das Livealbum Anywhere But Home, welches während einer ihrer zahlreichen, ausverkauften Welttourneen in Paris entstand, wurde mehrfach mit Platin ausgezeichnet. Origin ‘Origin’ war das Demo-Album, das Evanescence am 4. November 2000 selbst veröffentlichten und welches ihnen einen Plattenvertrag einbrachte. Dieser führte schließlich zu ihrem Debütalbum ‘Fallen’, für das auch vier Songs von ‘Origin’ noch einmal neu aufgenommen wurde.
    [Show full text]
  • THE GLOBALIZATION of K-POP by Gyu Tag
    DE-NATIONALIZATION AND RE-NATIONALIZATION OF CULTURE: THE GLOBALIZATION OF K-POP by Gyu Tag Lee A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2013 George Mason University Fairfax, VA De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Gyu Tag Lee Master of Arts Seoul National University, 2007 Director: Paul Smith, Professor Department of Cultural Studies Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Gyu Tag Lee All Rights Reserved ii DEDICATION This is dedicated to my wife, Eunjoo Lee, my little daughter, Hemin Lee, and my parents, Sung-Sook Choi and Jong-Yeol Lee, who have always been supported me with all their hearts. iii ACKNOWLEDGEMENTS This dissertation cannot be written without a number of people who helped me at the right moment when I needed them. Professors, friends, colleagues, and family all supported me and believed me doing this project. Without them, this dissertation is hardly can be done. Above all, I would like to thank my dissertation committee for their help throughout this process. I owe my deepest gratitude to Dr. Paul Smith. Despite all my immaturity, he has been an excellent director since my first year of the Cultural Studies program.
    [Show full text]
  • TOURING SMART Evanescence's Globetrot More Relaxed a Couple of Years Have Passed Since Evanescence Toured Lowing the Aug.19 General on -Sale
    "Fallen" was a multiplatinum smash. Were you life that I've really broken through and had great joy, seems like if there were any women in music, it was under pressure to produce a follow -up that could because I took those chances. At least when you're at either R &B or easy listening. No one was rocking. No stand up to it? the bottom and all alone again and starting over, it's one had the real power, not the sex appeal, the real I think people sometimes lose the love of what they a clean slate. power of rock'n'roll. We need chicks in rock. do and just try to put out another record. That's a What is it like having such a different configura- "Fallen" was first released in the Christian market. crime. If you don't feel it, wait until you're hungry tion of the band? Do you consider Evanescence a Christian band? for it. What's the point of making a huge piece of The biggest difference is Ben [Moody]. We formed the Can we please skip the Christian thing? I'm so over music if it's not for the love of the art. band together. We were the main writers. Without it. It's the lamest thing. I fought that from the be- It took longer than I thought. But, I am a perfec- him, it wasn't like I was thinking, "Oh, my God, what ginning; I never wanted to be associated with it. It tionist. We took all the time we needed and wrote and am I going to do ?" It really had gotten to the point was a Ben thing.
    [Show full text]
  • The Academic Achievement of Open-Admission Students and Regular-Admission Students at a Comprehensive, Independent Midwestern University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1989 The ca ademic achievement of open-admission students and regular-admission students at a comprehensive, independent mid-western university Thomas Moyer Pursel Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Higher Education Administration Commons, and the Higher Education and Teaching Commons Recommended Citation Pursel, Thomas Moyer, "The caa demic achievement of open-admission students and regular-admission students at a comprehensive, independent mid-western university " (1989). Retrospective Theses and Dissertations. 9167. https://lib.dr.iastate.edu/rtd/9167 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. MICROFILMED 1990 INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • The Return of Evanescence ~
    TheRetuRn ~ oF Evanescence After completely disappearing touring. The biggest single to come off from society following The Open Door tour of this album was “Call Me When You’re in 2007, Evanescence has finally resurfaced Sober,” which peaked at number 10 on with a new self-titled album, and two new Billboard’s Hot 100, and featured a Little band members. For many, Evanescence Red Riding Hood- themed music video. was what brought out the inner “Goth” During the Open Door tour of many pre-teens and teenagers of that in 2007, band members John LeCompt time, while shedding some limelight and Rocky Gray left the band and were on the Goth-rock genre. With the new replaced by a new guitarist and drummer band changes, and a long absence, can from the band Dark New Day. Evanescence resurrect the same sound that With this new self-titled album, had all of us head banging in our rooms Evanescence has gained a renewed energy, with our stereos? and a revamped look. The tracks on this Evanescence first broke into the album have urgency to them that reaches music scene back in 2002 with the album out to listeners. Of course, Amy Lee’s Fallen, with the leading breakout single powerful voice backed by soft harmonies being “Bring me to Life,” which earned a sounds identical to that of Evanescence’s peak position at number 5 in the Billboard previous albums, thus appealing to long- Hot 100. Having lead singer Amy Lee sing time fans. The first single off the album, with 12 Stones’ lead singer Paul McCoy “What You Want,” steps up the harmonies helped boost the song’s popularity, while a bit more in the verses, which sounds giving it an edge.
    [Show full text]
  • Evanescence + Halestorm Announce Fall 2021 US Arena Tour General
    Evanescence + Halestorm Announce Fall 2021 US Arena Tour General On-Sale this Friday, 5/14, at 10am Local Time at LiveNation.com Listen to The Bitter Truth HERE Evanescence and Halestorm are returning to the concert stage in the US this fall. Produced by Live Nation, the tour will kick off Friday, November 5th, in Portland, OR, and take the bands to arenas across the country before wrapping up in the Northeast right before the holidays. General on-sale begins Friday, May 14th at 10am local time at LiveNation.com. Limited VIP packages will be available for purchase that include premium seating, access to attend Evanescence’s Soundcheck followed by a moderated Q&A with the band, exclusive merchandise items, and more. A May 12th presale exclusively open to top Spotify listeners of both Evanescence and Halestorm will precede the general on-sale. The tour will bring together two of the top women in rock — Amy Lee and Lzzy Hale — for a truly badass experience night after night. Close friends as well as close collaborators, just last year, Lzzy performed back-up vocals on Evanescence’s “Use My Voice,” and Amy joined Lzzy on a new version of Halestorm’s “Break In.” In addition to new music and the biggest hits from both women, the shows will highlight their personal bond and the music that’s come of it. Amy Lee said: “Words can’t express how excited we are to go back on tour with our friends and rock out again. We’ve been building this new music in isolation for over a year and dreaming of what it will be like to finally play it live, and to experience it together with our fans for the first time.
    [Show full text]
  • NZ Top 40 26 February 2007.Qxd 2/27/07 4:07 PM Page 1
    NZ Top 40 26 February 2007.qxd 2/27/07 4:07 PM Page 1 CHART 1553 26 February 2007 www.nztop40.com TOP 40 SINGLES TOP 10 COMPILATIONS TOP 40 ALBUMS CATALOGUE No. CATALOGUE No. CATALOGUE No. LABEL LABEL LABEL TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART 1718382 5101184862 1720575 1 22THIS AIN'T A SCENE (IT'S AN ARMS RACE) FALL OUT BOY UNIVERSAL 1 14CHICK FLICKS VARIOUS 1 WEA/WARNER 1 13INFINITY ON HIGH FALL OUT BOY 1 UNIVERSAL 1718872 9845603 9853178 2 32I WANNA LOVE YOU AKON FEAT. SNOOP DOGG UNIVERSAL 2 24REELIN' IN THE YEARS VARIOUS 1 UNIVERSAL 2 833EYES OPEN SNOW PATROL 2 UNIVERSAL 1717580 88697065132 82876861432 3 411SAY IT RIGHT NELLY FURTADO UNIVERSAL 3 52LIPGLOSS VARIOUS SBME 3 35HOW TO SAVE A LIFE THE FRAY 1 SBME 1713047 3760112 9853917 4 515SMACK THAT AKON FEAT. EMINEM UNIVERSAL 4 320HOUSEWORK SONGS VARIOUS 2 EMI 4 526LOOSE NELLY FURTADO 1 UNIVERSAL 3869252 3809622 3840192 5 64FACE DOWN RED JUMPSUIT APPARATUS VIRGIN/EMI 5 416NOW THAT'S WHAT I CALL MUSIC 22 VARIOUS 5 EMI 5 13 12 BONED! 12TH MAN 1 EMI 9362431192 3881262 9362444182 6 74FAMOUS LAST WORDS MY CHEMICAL ROMANCE WEA/WARNER 6 65THE BEST REGGAE ALBUM IN THE WORLD... EVER VOL 2 VARIOUS EMI 6 715THE ROAD TO ESCONDIDO JJ CALE AND ERIC CLAPTON 1 WEA/WARNER 1704459 82876855372 3821622 7 12 25 CHASING CARS SNOW PATROL UNIVERSAL 7 76BEYOND THE SEA VARIOUS 1 SBME 7 24NOT TOO LATE NORAH JONES 1 BLUENOTE/EMI 1721335 3809592 88697025162 8 120LIPS OF AN ANGEL HINDER UNIVERSAL 8 NEW 1 THE BEST EIGHTIES ALBUM IN THE WORLD..
    [Show full text]
  • Downloading and Pirating of Dvds Throughout the Regions, Again a Strategy Typically Used by Hollywood Majors
    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/1153 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. ýý Rethinking Media flow under Globalisation: Rising Korean Wave and Korean TV and Film Policy Since 1980s w by Ju Young Kim A thesis submitted in partial fulfilment of the requirementsfor the degreeof Doctor of Philosophy in Cultural Policy Studies University of Warwick, Centre for Cultural Policy Studies May 2007 CONTENTS ACKNOWLEDGEMENTS ABSTRACT LIST OF GRAPHS LIST OF TABLES PART I. INTRODUCTION AND METHODOLOGY CHAPTER 1. The Korean Wave: a New Trend in Media Flow ?.......... 1 1.1 THE KOREAN WAVE AS A COUNTER-FLOW 1 ................................... 1.2 OVERVIEW OF THE KOREAN WAVE IN POP CULTURE 5 .................... 1.2.1 Definition and Development of the Korean Wave'Hanryu................. 11 1.2.2 The Impact of'Hanryu............................................................. 24 1.3 METHODOLOGY OF RESEARCH 39 ................................................ CHAPTER 2. Globalisation Media Flow Theory 47 and ................... 2.1 THEORIES ON THE FLOW OF CULTURAL PRODUCTS 47 .................... 2.1.1 Economy Scale 54 of ............................................................... 2.1.2 Cultural Discount 5 8 ............................................................... 2.2 FORMS OF MEDIA FLOW 63 ......................................................... 2.2.1 One Way Flow: Cultural Imperialism 64 ....................................... 2.2.2 Two Multi-Way Flows 69 or ...................................................... 2.3 ISSUES ON THE WORLD TRADE OF CULTURAL PRODUCTS..........
    [Show full text]
  • April 16-30, 1971
    RICHARD NIXON PRESIDENTIAL LIBRARY DOCUMENT WITHDRAWAL RECORD DOCUMENT DOCUMENT SUBJECT/TITLE OR CORRESPONDENTS DATE RESTRICTION NUMBER TYPE 1 Manifest Helicopter Passenger Manifest – 4/19/1971 A Appendix “A” COLLECTION TITLE BOX NUMBER WHCF: SMOF: Office of Presidential Papers and Archives RC-7 FOLDER TITLE President Richard Nixon’s Daily Diary April 16, 1971 – April 30, 1971 PRMPA RESTRICTION CODES: A. Release would violate a Federal statute or Agency Policy. E. Release would disclose trade secrets or confidential commercial or B. National security classified information. financial information. C. Pending or approved claim that release would violate an individual’s F. Release would disclose investigatory information compiled for law rights. enforcement purposes. D. Release would constitute a clearly unwarranted invasion of privacy G. Withdrawn and return private and personal material. or a libel of a living person. H. Withdrawn and returned non-historical material. DEED OF GIFT RESTRICTION CODES: D-DOG Personal privacy under deed of gift -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- NATIONAL ARCHIVES AND RECORDS ADMINISTRATION *U.S. GPO; 1989-235-084/00024 NA 14021 (4-85) r--------------=-=--=-=--:-::-::~--.-------.---------------------_, THE WHITE HOUSE [)l"<ESIDENT f1i':':IMRD NIXOi~tS DAilY Dlf~RY -------_.I )'.'t Tra,el Rcw," lor T::1I'c! Activity) PLACE DAY BfGAN DATE (Mo., Day, Yr.) APRIL 16, 1971 W~ ~"'.TE THE HOUSE TIME DAY WASHINGTON, D. C. 8:45 a.m. FRIDAY PHONE TIME P=-Placcd R~~Rcceived ACTIVITY ------~------+--------_. )n Out Lo LD 8:45 The Pre sielent had breakfas t. 8: 58 The Pre s ident went to his Office m the EOB. 9:40 10:30 The Pre sident met with his As s is tant, Henry A.
    [Show full text]