DOCSLIB.ORG

NZ Top 40 26 February 2007.Qxd 2/27/07 4:07 PM Page 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NZ Top 40 26 February 2007.Qxd 2/27/07 4:07 PM Page 1 NZ Top 40 26 February 2007.qxd 2/27/07 4:07 PM Page 1 CHART 1553 26 February 2007 www.nztop40.com TOP 40 SINGLES TOP 10 COMPILATIONS TOP 40 ALBUMS CATALOGUE No. CATALOGUE No. CATALOGUE No. LABEL LABEL LABEL TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART 1718382 5101184862 1720575 1 22THIS AIN'T A SCENE (IT'S AN ARMS RACE) FALL OUT BOY UNIVERSAL 1 14CHICK FLICKS VARIOUS 1 WEA/WARNER 1 13INFINITY ON HIGH FALL OUT BOY 1 UNIVERSAL 1718872 9845603 9853178 2 32I WANNA LOVE YOU AKON FEAT. SNOOP DOGG UNIVERSAL 2 24REELIN' IN THE YEARS VARIOUS 1 UNIVERSAL 2 833EYES OPEN SNOW PATROL 2 UNIVERSAL 1717580 88697065132 82876861432 3 411SAY IT RIGHT NELLY FURTADO UNIVERSAL 3 52LIPGLOSS VARIOUS SBME 3 35HOW TO SAVE A LIFE THE FRAY 1 SBME 1713047 3760112 9853917 4 515SMACK THAT AKON FEAT. EMINEM UNIVERSAL 4 320HOUSEWORK SONGS VARIOUS 2 EMI 4 526LOOSE NELLY FURTADO 1 UNIVERSAL 3869252 3809622 3840192 5 64FACE DOWN RED JUMPSUIT APPARATUS VIRGIN/EMI 5 416NOW THAT'S WHAT I CALL MUSIC 22 VARIOUS 5 EMI 5 13 12 BONED! 12TH MAN 1 EMI 9362431192 3881262 9362444182 6 74FAMOUS LAST WORDS MY CHEMICAL ROMANCE WEA/WARNER 6 65THE BEST REGGAE ALBUM IN THE WORLD... EVER VOL 2 VARIOUS EMI 6 715THE ROAD TO ESCONDIDO JJ CALE AND ERIC CLAPTON 1 WEA/WARNER 1704459 82876855372 3821622 7 12 25 CHASING CARS SNOW PATROL UNIVERSAL 7 76BEYOND THE SEA VARIOUS 1 SBME 7 24NOT TOO LATE NORAH JONES 1 BLUENOTE/EMI 1721335 3809592 88697025162 8 120LIPS OF AN ANGEL HINDER UNIVERSAL 8 NEW 1 THE BEST EIGHTIES ALBUM IN THE WORLD... EVER VARIOUS EMI 8 412ALBERTINE BROOKE FRASER 3 SBME 88697057382 3807142 8122765372 9 10 6 SHORTIE LIKE MINE BOW WOW FEAT. CHRIS BROWN SBME 9 811MOS THE ANNUAL 2007 VARIOUS MOS/EMI 9 31 2 GREATEST HITS CROSBY, STILLS AND NASH WEA/WARNER 88697039442 3760172 82876880622 10 911HOW TO SAVE A LIFE THE FRAY SBME 10 10 7 THE BEST SUMMER ALBUM IN THE WORLD... EVER VARIOUS EMI 10 924FUTURESEX / LOVESOUNDS JUSTIN TIMBERLAKE 1 SBME 3639882 9884987 11 11 6 SHE MOVES IN HER OWN WAY THE KOOKS VIRGIN/EMI 11 10 13 EXTREME BEHAVIOUR HINDER 1 UNIVERSAL 88697075822 TOP 10 MUSIC DVDs 3862382 12 38 2 IT'S NOT OVER DAUGHTRY SBME 12 22 2 VAN AT THE MOVIES VAN MORRISON EMI 3847432 1714211 13 15 2 THE PARTY'S JUST BEGUN THE CHEETAH GIRLS DISNEY/EMI 13 14 5 BACK TO BLACK AMY WINEHOUSE UNIVERSAL 1713579 3791882 1 24NEW YORK MEMORIES: LIVE AT RADIO CITY ANDRE RIEU UNIVERSAL 7567945582 14 NEW 1 MAKE IT RAIN FAT JOE FEAT. LIL WAYNE VIRGIN/EMI 14 21 2 THE SINGLES: 1996-2006 STAIND WEA/WARNER 1717638 1714448 65 8122747902 15 13 9 FERGALICIOUS FERGIE UNIVERSAL 2 112THE VIDEOS 1989-2004 METALLICA 1 UNIVERSAL 15 GREATEST HITS: THE ATLANTIC YEARS POD WEA/WARNER 1715578 82876656829 RE- 17 2 DAUGHTRY 82876888602 16 14 11 TOO LITTLE TOO LATE JOJO UNIVERSAL 3 ENTRY 16 ROD STEWART LIVE ROD STEWART 1 SBME 16 DAUGHTRY SBME METHOD110 7599386972 5101197352 17 86DANGEROUS YING YANG TWINS FEAT. WYCLEF JEAN METHOD/SHOCK 4 NEW 1 THE CONFESSIONS TOUR MADONNA WEA/WARNER 17 19 15 BLACK HOLES AND REVELATIONS MUSE 1 WEA/WARNER 1717387 88697030609 18 18 9362444272 18 17 12 WIND IT UP GWEN STEFANI UNIVERSAL 5 89SKIN AND BONES FOO FIGHTERS 1 SBME 18 THE BLACK PARADE MY CHEMICAL ROMANCE 1 WEA/WARNER 9362429832 2564623072 11 14 1713549 19 22 16 SNOW (HEY OH) RED HOT CHILI PEPPERS WEA/WARNER 6 484THE FAREWELL TOUR PART I THE EAGLES 5 WEA/WARNER 19 18 SINGLES U2 4 UNIVERSAL 3771812 RE- 88697034539 1706722 ENTRY 12 21 20 27 13 COME BACK TO ME VANESSA HUDGENS HOLLYWOOD/EMI 7 3 HYDE PARK FOO FIGHTERS 1 SBME 20 SAM'S TOWN THE KILLERS 1 UNIVERSAL 9362429882 1709715 82876830802 21 23 19 WELCOME TO THE BLACK PARADE MY CHEMICAL ROMANCE WEA/WARNER 8 54NUMBER ONES ABBA UNIVERSAL 21 15 32 TAKING THE LONG WAY DIXIE CHICKS 1 SBME 1720005 82876869039 RE- 20 41 9362499962 22 16 4 WONDERFUL WORLD JAMES MORRISON UNIVERSAL 9 ENTRY 5 LIVE AT DONNINGTON AC/DC 1 ALBERTS/SBME 22 STADIUM ARCADIUM RED HOT CHILI PEPPERS 3 WEA/WARNER 1717943 1713870 NEW 1 9362444892 23 21 6 BONES THE KILLERS UNIVERSAL 10 31418 VIDEOS U2 1 UNIVERSAL 23 THE CONFESSIONS TOUR MADONNA WEA/WARNER 88697025082 WEBB120CD 24 18 17 IRREPLACEABLE BEYONCE SBME 24 25 3 A WEEKEND IN THE CITY BLOC PARTY WICHITA/SHOCK 88697027862 1709319 TOP 10 HEATSEEKERS 25 16 8 NUMBER ONES ABBA 25 19 19 DECIPHERING ME BROOKE FRASER SBME 1 UNIVERSAL 88697042062 1717390 26 37 6 LITHIUM EVANESCENCE SBME 26 24 12 THE SWEET ESCAPE GWEN STEFANI 1 UNIVERSAL 1712709 UNIVERSAL 9853867 1 33COSTELLO MUSIC THE FRATELLIS 3628292 27 30 10 YOU'RE ALL I HAVE SNOW PATROL UNIVERSAL 27 26 5 DON'T YOU FAKE IT RED JUMPSUIT APPARATUS VIRGIN/EMI 88697032502 88697041022 DRP006 28 24 17 MY LOVE JUSTIN TIMBERLAKE FEAT. TI SBME 2 16DREAMGIRLS OST VARIOUS SBME 28 30 95 BASED ON A TRUE STORY FAT FREDDY'S DROP 7 THEDROP/RHYTHMETHOD 5101195722 82876810682 1709611 29 20 5 PNWHOA! PNC DIRTY/WARNER 3 NEW 1 21 OMARION SBME 29 23 12 EMINEM PRESENTS THE RE-UP EMINEM 2 UNIVERSAL 3868350 METHOD112 3717392 30 31 6 HERE IT GOES AGAIN OK GO CAPITOL/EMI 4 46CHEMICALLY IMBALANCED YING YANG TWINS METHOD/SHOCK 30 34 16 ALRIGHT, STILL LILY ALLEN CAPITOL/EMI 1716871 1702829 88697017402 31 26 11 THAT'S THAT SNOOP DOGG FEAT. R KELLY UNIVERSAL 5 56HIP HOP IS DEAD NAS UNIVERSAL 31 33 21 THE OPEN DOOR EVANESCENCE 1 SBME 1717965 WFRSP001 82876815112 32 25 11 AMERICA RAZORLIGHT UNIVERSAL 6 715MUCH LOVE SPACIFIX WORLDFRESH 32 27 3 THE REAL DEAL STEVIE RAY VAUGHAN AND DOUBLE TROUBLE SBME 3744740 E868442 RE- 5101142122 33 36 14 LDN LILY ALLEN CAPITOL/EMI 7 24ORPHANS: BRAWLERS, BAWLERS AND BASTARDS TOM WAITS ANTI/SHOCK 33 ENTRY 30 REAL LIFE EVERMORE 1 WEA/WARNER 7567946612 1709595 88697019822 34 40 3 LYING IS THE MOST FUN A GIRL CAN HAVE PANIC! AT THE DISCO WEA/WARNER 8 89CUBA RHYTHMS DEL MUNDO UNIVERSAL 34 28 14 THE LOVE ALBUM WESTLIFE 3 SBME 1718312 WEBB117CD 1714473 35 32 12 LET'S RIDE THE GAME UNIVERSAL 9 NEW 1 SOME LOUD THUNDER CLAP YOUR HANDS SAY YEAH WICHITA/SHOCK 35 40 14 KONVICTED AKON 1 UNIVERSAL 5101165475 60150131182 82876898182 36 39 17 LIGHT SURROUNDING YOU EVERMORE WEA/WARNER 10 NEW 1 THE ORANGE ALBUM STEFY SBME 36 32 6 EMPIRE KASABIAN SBME 1714627 5101170352 RE- 38 15 37 ENTRY 12 WE RIDE RIHANNA UNIVERSAL THE TOP 40 SINGLES CHART IS COMPILED FROM ACROSS-THE-COUNTER 37 ONE WORLD THE FEELERS 1 WEA/WARNER * RETAIL SALES AND RADIO AIRPLAY. 7567839982 38 NEW 1 GRACE KELLY MIKA UNIVERSAL 38 29 9 HAPPY FEET OST VARIOUS 1 WEA/WARNER THE TOP 40 ALBUMS, TOP 10 COMPILATIONS AND TOP 10 MUSIC DVD CHARTS ARE NZIDOL06 COMPILED FROM ACROSS-THE-COUNTER RETAIL SALES ONLY. 3794480 39 29 13 HOLD OUT MATT SAUNOA RACE/SHOCK 39 35 2 THE CHEETAH GIRLS 2 OST VARIOUS DISNEY/EMI * HEATSEEKERS ARE THE NEXT 10 ALBUMS OUTSIDE THE TOP 40 TO HAVE NOT YET HIT 3751790 40 NEW 1 WHAT GOES AROUND JUSTIN TIMBERLAKE SBME THE MAIN CHART. COMPILED FROM ACROSS-THE-COUNTER RETAIL SALES. 40 39 13 INSIDE IN / INSIDE OUT THE KOOKS 1 VIRGIN/EMI USHER KEY: 1 = GOLD (SINGLES: OVER 5,000 UNITS; ALBUMS: OVER 7,500 UNITS; DVDs: OVER 2,500 UNITS 1 = PLATINUM (SINGLES: OVER 10,000 UNITS; ALBUMS: OVER 15,000 UNITS; DVDS: OVER 5,000 UNITS 1 = NEW ZEALAND MUSIC C2006 RECORDING INDUSTRY ASSOCIATION OF NEW ZEALAND. COMPILED BY MEDIA SAUCE LIMITED..
Load more

Recommended publications
  • “PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
    TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan.
    [Show full text]
  • The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
    THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices.
    [Show full text]
  • Contextual Predictability Norms for Pairs of Words Differing in a Single Letter
    H I LLINI S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. ~66' Technical Report No. 260 CONTEXTUAL PREDICTABILITY NORMS FOR PAIRS OF WORDS DIFFERING IN A SINGLE LETTER Harry E. Blanchard, George W. McConkie and David Zola University of Illinois at Urbana-Champaign August 1982 Center for the Study of Reading TECHNICAL REPORTS UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN 51 Gerty Drive Champaign, Illinois 61820 BOLT BERANEK AND NEWMAN INC. 50 Moulton Street Cambridge, Massachusetts 02238 [LtHE LIBRARY OF TH-I The National Institute of Education U.S. Department of Education UNIVE.SITY OF ILL:S Washington. D.C. 20208 IT ^a -- CENTER FOR THE STUDY OF READING Technical Report No. 260 CONTEXTUAL PREDICTABILITY' NORMS FOR PAIRS OF WORDS DIFFERING IN A SINGLE LETTER Harry E. Blanchard, George W. McConkie and David Zola University of Illinois at Urbana-Champaign August 1982 University of Illinois at Urbana-Champaign Bolt Beranek and Newman Inc. 51 Gerty Drive 50 Moulton Street Champaign, Illinois 61820. Cambridge, Massachusetts 02238 This research was conducted under grants MH 32884 and MH 33408 from the National Institute of Mental Health to the first author, and National Institute of Education contract HEW-NIE-C-400-76-0116 to the Center for the Study of Reading. Copies of this report can be obtained by writing to George W. McConkie, Center for the Study of Reading, 51 Gerty Drive, Champaign, Illinois 61820. EDITORIAL BOARD William Nagy and Stephen Wilhite Co--Editors Harry Blanchard Anne Hay Charlotte Blomeyer Asghar Iran-Nejad Nancy Bryant Margi Laff Avon Crismore Terence Turner Meg Sallagher Paul Wilson Abstract Predictability Norms Four hundred sixty-seven pairs of short texts were written.
    [Show full text]
  • EVANESCENCE Veröffentlichen Ein Neues Vinyl-Boxset the ULTIMATE COLLECTION (6LP-Set)
    EVANESCENCE veröffentlichen ein neues Vinyl-Boxset THE ULTIMATE COLLECTION (6LP-Set) Mit den Alben Origin, Fallen, The Open Door, Evanescence und Lost Whispers auf 180g-Vinyl LosAngeles, Kalifornien — Concord Bicycle kündigt die Veröffentlichung des 6LP-Sets The Ultimate Collection von Evanscence am 17.02.2017 an. Es ist das erste Vinyl-Boxset der Band und enthält die Alben Fallen, The Open Door, Evanescence, das bisher noch nicht offiziell erschienene Origin und die Bonustrack-Collection Lost Whispers auf 180g-Heavyweight Vinyl. Außerdem befindet sich in der Box ein 52-seitiges Hardcoverbuch mit Artworks, handgeschriebenen Songtexten, Fotos und Raritäten. The Ultimate Collection (6LP-Set) deckt die komplette Laufbahn der Band ab, mit allen Studioalben und der ersten kommerziellen Veröffentlichung des Demo-Albums Origin. Auf dem Album Lost Whispers sind zum ersten Mal ihre legendären Bonustracks vereint; u. A. befinden sich darauf die Studioversion des langgesuchten Tour-Intros “Lost Whispers” und die erste neue Studioaufnahme seit Jahren, “Even In Death (2016)”. Evanescence sind zweifache Grammy-Gewinner und ihre Frontfrau, Sängerin und Pianistin Amy Lee, ist eine der energiegeladensten Ladies im Rockgeschäft. Das Debütalbum Fallen hat mittlerweile 17 Mio. Exemplare weltweit verkauft. Die beiden darauffolgenden Alben —The Open Door und Evanescence— stiegen jeweils direkt auf #1 der Charts ein. Das Livealbum Anywhere But Home, welches während einer ihrer zahlreichen, ausverkauften Welttourneen in Paris entstand, wurde mehrfach mit Platin ausgezeichnet. Origin ‘Origin’ war das Demo-Album, das Evanescence am 4. November 2000 selbst veröffentlichten und welches ihnen einen Plattenvertrag einbrachte. Dieser führte schließlich zu ihrem Debütalbum ‘Fallen’, für das auch vier Songs von ‘Origin’ noch einmal neu aufgenommen wurde.
    [Show full text]
  • THE GLOBALIZATION of K-POP by Gyu Tag
    DE-NATIONALIZATION AND RE-NATIONALIZATION OF CULTURE: THE GLOBALIZATION OF K-POP by Gyu Tag Lee A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2013 George Mason University Fairfax, VA De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Gyu Tag Lee Master of Arts Seoul National University, 2007 Director: Paul Smith, Professor Department of Cultural Studies Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Gyu Tag Lee All Rights Reserved ii DEDICATION This is dedicated to my wife, Eunjoo Lee, my little daughter, Hemin Lee, and my parents, Sung-Sook Choi and Jong-Yeol Lee, who have always been supported me with all their hearts. iii ACKNOWLEDGEMENTS This dissertation cannot be written without a number of people who helped me at the right moment when I needed them. Professors, friends, colleagues, and family all supported me and believed me doing this project. Without them, this dissertation is hardly can be done. Above all, I would like to thank my dissertation committee for their help throughout this process. I owe my deepest gratitude to Dr. Paul Smith. Despite all my immaturity, he has been an excellent director since my first year of the Cultural Studies program.
    [Show full text]
  • TOURING SMART Evanescence's Globetrot More Relaxed a Couple of Years Have Passed Since Evanescence Toured Lowing the Aug.19 General on -Sale
    "Fallen" was a multiplatinum smash. Were you life that I've really broken through and had great joy, seems like if there were any women in music, it was under pressure to produce a follow -up that could because I took those chances. At least when you're at either R &B or easy listening. No one was rocking. No stand up to it? the bottom and all alone again and starting over, it's one had the real power, not the sex appeal, the real I think people sometimes lose the love of what they a clean slate. power of rock'n'roll. We need chicks in rock. do and just try to put out another record. That's a What is it like having such a different configura- "Fallen" was first released in the Christian market. crime. If you don't feel it, wait until you're hungry tion of the band? Do you consider Evanescence a Christian band? for it. What's the point of making a huge piece of The biggest difference is Ben [Moody]. We formed the Can we please skip the Christian thing? I'm so over music if it's not for the love of the art. band together. We were the main writers. Without it. It's the lamest thing. I fought that from the be- It took longer than I thought. But, I am a perfec- him, it wasn't like I was thinking, "Oh, my God, what ginning; I never wanted to be associated with it. It tionist. We took all the time we needed and wrote and am I going to do ?" It really had gotten to the point was a Ben thing.
    [Show full text]
  • The Academic Achievement of Open-Admission Students and Regular-Admission Students at a Comprehensive, Independent Midwestern University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1989 The ca ademic achievement of open-admission students and regular-admission students at a comprehensive, independent mid-western university Thomas Moyer Pursel Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Higher Education Administration Commons, and the Higher Education and Teaching Commons Recommended Citation Pursel, Thomas Moyer, "The caa demic achievement of open-admission students and regular-admission students at a comprehensive, independent mid-western university " (1989). Retrospective Theses and Dissertations. 9167. https://lib.dr.iastate.edu/rtd/9167 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. MICROFILMED 1990 INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • The Return of Evanescence ~
    TheRetuRn ~ oF Evanescence After completely disappearing touring. The biggest single to come off from society following The Open Door tour of this album was “Call Me When You’re in 2007, Evanescence has finally resurfaced Sober,” which peaked at number 10 on with a new self-titled album, and two new Billboard’s Hot 100, and featured a Little band members. For many, Evanescence Red Riding Hood- themed music video. was what brought out the inner “Goth” During the Open Door tour of many pre-teens and teenagers of that in 2007, band members John LeCompt time, while shedding some limelight and Rocky Gray left the band and were on the Goth-rock genre. With the new replaced by a new guitarist and drummer band changes, and a long absence, can from the band Dark New Day. Evanescence resurrect the same sound that With this new self-titled album, had all of us head banging in our rooms Evanescence has gained a renewed energy, with our stereos? and a revamped look. The tracks on this Evanescence first broke into the album have urgency to them that reaches music scene back in 2002 with the album out to listeners. Of course, Amy Lee’s Fallen, with the leading breakout single powerful voice backed by soft harmonies being “Bring me to Life,” which earned a sounds identical to that of Evanescence’s peak position at number 5 in the Billboard previous albums, thus appealing to long- Hot 100. Having lead singer Amy Lee sing time fans. The first single off the album, with 12 Stones’ lead singer Paul McCoy “What You Want,” steps up the harmonies helped boost the song’s popularity, while a bit more in the verses, which sounds giving it an edge.
    [Show full text]
  • Evanescence + Halestorm Announce Fall 2021 US Arena Tour General
    Evanescence + Halestorm Announce Fall 2021 US Arena Tour General On-Sale this Friday, 5/14, at 10am Local Time at LiveNation.com Listen to The Bitter Truth HERE Evanescence and Halestorm are returning to the concert stage in the US this fall. Produced by Live Nation, the tour will kick off Friday, November 5th, in Portland, OR, and take the bands to arenas across the country before wrapping up in the Northeast right before the holidays. General on-sale begins Friday, May 14th at 10am local time at LiveNation.com. Limited VIP packages will be available for purchase that include premium seating, access to attend Evanescence’s Soundcheck followed by a moderated Q&A with the band, exclusive merchandise items, and more. A May 12th presale exclusively open to top Spotify listeners of both Evanescence and Halestorm will precede the general on-sale. The tour will bring together two of the top women in rock — Amy Lee and Lzzy Hale — for a truly badass experience night after night. Close friends as well as close collaborators, just last year, Lzzy performed back-up vocals on Evanescence’s “Use My Voice,” and Amy joined Lzzy on a new version of Halestorm’s “Break In.” In addition to new music and the biggest hits from both women, the shows will highlight their personal bond and the music that’s come of it. Amy Lee said: “Words can’t express how excited we are to go back on tour with our friends and rock out again. We’ve been building this new music in isolation for over a year and dreaming of what it will be like to finally play it live, and to experience it together with our fans for the first time.
    [Show full text]
  • Downloading and Pirating of Dvds Throughout the Regions, Again a Strategy Typically Used by Hollywood Majors
    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/1153 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. ýý Rethinking Media flow under Globalisation: Rising Korean Wave and Korean TV and Film Policy Since 1980s w by Ju Young Kim A thesis submitted in partial fulfilment of the requirementsfor the degreeof Doctor of Philosophy in Cultural Policy Studies University of Warwick, Centre for Cultural Policy Studies May 2007 CONTENTS ACKNOWLEDGEMENTS ABSTRACT LIST OF GRAPHS LIST OF TABLES PART I. INTRODUCTION AND METHODOLOGY CHAPTER 1. The Korean Wave: a New Trend in Media Flow ?.......... 1 1.1 THE KOREAN WAVE AS A COUNTER-FLOW 1 ................................... 1.2 OVERVIEW OF THE KOREAN WAVE IN POP CULTURE 5 .................... 1.2.1 Definition and Development of the Korean Wave'Hanryu................. 11 1.2.2 The Impact of'Hanryu............................................................. 24 1.3 METHODOLOGY OF RESEARCH 39 ................................................ CHAPTER 2. Globalisation Media Flow Theory 47 and ................... 2.1 THEORIES ON THE FLOW OF CULTURAL PRODUCTS 47 .................... 2.1.1 Economy Scale 54 of ............................................................... 2.1.2 Cultural Discount 5 8 ............................................................... 2.2 FORMS OF MEDIA FLOW 63 ......................................................... 2.2.1 One Way Flow: Cultural Imperialism 64 ....................................... 2.2.2 Two Multi-Way Flows 69 or ...................................................... 2.3 ISSUES ON THE WORLD TRADE OF CULTURAL PRODUCTS..........
    [Show full text]
  • April 16-30, 1971
    RICHARD NIXON PRESIDENTIAL LIBRARY DOCUMENT WITHDRAWAL RECORD DOCUMENT DOCUMENT SUBJECT/TITLE OR CORRESPONDENTS DATE RESTRICTION NUMBER TYPE 1 Manifest Helicopter Passenger Manifest – 4/19/1971 A Appendix “A” COLLECTION TITLE BOX NUMBER WHCF: SMOF: Office of Presidential Papers and Archives RC-7 FOLDER TITLE President Richard Nixon’s Daily Diary April 16, 1971 – April 30, 1971 PRMPA RESTRICTION CODES: A. Release would violate a Federal statute or Agency Policy. E. Release would disclose trade secrets or confidential commercial or B. National security classified information. financial information. C. Pending or approved claim that release would violate an individual’s F. Release would disclose investigatory information compiled for law rights. enforcement purposes. D. Release would constitute a clearly unwarranted invasion of privacy G. Withdrawn and return private and personal material. or a libel of a living person. H. Withdrawn and returned non-historical material. DEED OF GIFT RESTRICTION CODES: D-DOG Personal privacy under deed of gift -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- NATIONAL ARCHIVES AND RECORDS ADMINISTRATION *U.S. GPO; 1989-235-084/00024 NA 14021 (4-85) r--------------=-=--=-=--:-::-::~--.-------.---------------------_, THE WHITE HOUSE [)l"<ESIDENT f1i':':IMRD NIXOi~tS DAilY Dlf~RY -------_.I )'.'t Tra,el Rcw," lor T::1I'c! Activity) PLACE DAY BfGAN DATE (Mo., Day, Yr.) APRIL 16, 1971 W~ ~"'.TE THE HOUSE TIME DAY WASHINGTON, D. C. 8:45 a.m. FRIDAY PHONE TIME P=-Placcd R~~Rcceived ACTIVITY ------~------+--------_. )n Out Lo LD 8:45 The Pre sielent had breakfas t. 8: 58 The Pre s ident went to his Office m the EOB. 9:40 10:30 The Pre sident met with his As s is tant, Henry A.
    [Show full text]
  • How Mental Illness Has Been Commercialised in the Music Business Ekaterina Pavlova Department of Music, King’S College London, England [email protected]
    Proceedings of the 10th International Conference of Students of Systematic Musicology (SysMus17), London, UK, September 13-15, 2017. Peter M. C. Harrison (Ed.). Selling Madness: How Mental Illness Has Been Commercialised in the Music Business Ekaterina Pavlova Department of Music, King’s College London, England [email protected] intend to provide evidence of the high level of profitability of ABSTRACT the ‘mad musician’ gimmick'. Furthermore, I will consider the prominence of gendered madness in the contemporary music As history shows, madness has fascinated human minds for centuries. business. All in all, my analysis will allow me to demonstrate I reveal how this fascination has led to the establishment and, at times, that in the music business studies madness should be placed dangerous exploitation of the ‘mad musician’ gimmick - a profitable commonplace in the music industry. After a historical outline of social alongside more obvious and widely discussed tropes such as definitions of madness, I determine the trope’s contemporary gender and sexuality. relevance and profitability through an analysis of contrasting 20-21st- century case studies. I build a multidimensional narrative addressing II. FROM ASYLUMS TO CHARTS: A BRIEF not only how these case studies were marketed, but also ethical and HISTORY sociological issues arising from evocations of mental illness and Diverse factors, such as advances in medicine and suicide, gender and genre attributions, and the role of music journalism sociocultural changes, have contributed to the fluidity of the in systematic, occasionally post-mortem exploitation of mentally ill definition of mental illness. In music, varied attitudes towards musicians.
    [Show full text]