@Font-Face the Web Open Font Format (WOFF) Is Supported By
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Downloadbaar Met Een ‘Worry-Free’ Licentie
Afbeelding 1: Gestileerde kaart van Gent met daarop het logo van Architectuurbibliotheken Gent Connect to thrive . LAROY Kathy - CVO VSPW - Graduaat BDI - Architectuurbibliotheken Gent LAROY Kathy - CVO VSPW - Graduaat BDI - Architectuurbibliotheken Gent WOORD VOORAF Ik ben mijn faculteitsbibliothecaris Bart Vancoppenolle, diensthoofd prof. dr. Tom Verguts, voormalig decaan prof. dr. Geert De Soete en huidig decaan prof. dr. Ann Buysse zeer erkentelijk. Zij hebben mij namelijk de kans en ruimte geboden om deze studie te combineren met mijn job als bibliotheekmedewerker in de Faculteitsbibliotheek Psychologie en Pedagogische Wetenschappen, UGent. Ook mijn collega’s Kristof De Bruyne, Annemie De Vuyst en Franky Maes verdienen hiervoor een woord van dank. Ik heb zeer veel gehad aan de kruisbestuiving tussen mijn praktijkervaringen op de werkvloer en de theoretische onderbouw die de gedoceerde vakken mij boden. Ik grijp deze gelegenheid dan ook graag aan om alle docenten van CVO VSPW hartelijk te bedanken voor de geboden kennis en inzichten. Ook de praktijkervaringen tijdens mijn stages voor de modules Beroepspraktijk A, B, C en D bleken zeer leerzaam. Voor de module Beroepspraktijk A in het eerste studiejaar van de opleiding liep ik stage in de Openbare Bibliotheek Deinze. Dit werd een zeer gevarieerde en leerrijke ervaring. Ik werd er enthousiast opgevangen en voortreffelijk begeleid door de bibliothecaris-diensthoofd mevr. Trui Galle, de adjunct- bibliothecarissen en de overige medewerkers. Ik wens hen allen dan ook heel erg te bedanken. Voor de modules Beroepspraktijk B, C en D en Projectwerk 1 en 2 in het tweede en derde studiejaar mocht ik stage doen in de Faculteitsbibliotheek Ingenieurswetenschappen en Architectuur, UGent. -
Advancements in Web Typography (Webfonts and WOFF)
Advancements in Web Typography (WebFonts and WOFF) Aaron A. Aliño Graphic Communication Department California Polytechnic State University 2010 Advancements in Web Typography (WebFonts and WOFF) Aaron A. Aliño Graphic Communication Department California Polytechnic State University 2010 Table of Contents Chapter I: Introduction………………………………………………………….…………..2 Chapter II: Literature Review……………………………………………………….………5 Chapter III: Research Methods………………………………………………….…..…....18 Chapter IV: Results………………………………………………………………….……..24 Chapter V: Conclusions……………………………………………………………….…..38 References……………………………………………………………………………...…..41 1 Chapter I: Introduction When it comes to the control one has in designing and creating content for the World Wide Web, typography should be no different. Print designers have had the advantage for a long time over their ability to choose exactly how type is printed, limited only by their imagination and the mechanical limits of setting and printing type. Web designers, on the other hand, have been held back by the inherent hardware and software limitations associated with web design and font selection. What this means is that web designers have not been able to control type exactly the way they want. Web designers have been limited to fonts that can safely be displayed on most computers and web browsers. If web designers wanted to display type with a special font, they had to resort to a workaround that was not always effective. Web designers should have the same absolute control over typography as print designers. Control of web typography has gotten much better compared to the early days of web design, but 2 considering how powerful and robust computers and web browsers are now, it seems unfortunate that control over web typography is so primitive That has changed now. -
Finding, Testing, and Using Web Fonts Laura Franz, University of Massachusetts Dartmouth 1
Finding, Testing, and Using Web Fonts Laura Franz, University of Massachusetts Dartmouth 1 Finding, Testing, and Using Web Fonts Laura Franz, University of Massachusetts Dartmouth Where should I get my fonts? There is no wrong or right answer. It depends on your needs. • Ease of use (how much CSS do you need/want to know/use? How easy is the interface?) • Control/ownership (do you or your client want to own the font license?) • Cost • Quality • Availability of specific fonts (do you or your client need a specific font?) • Availability of desktop fonts for mock-ups • Screenshots of how fonts work cross browser Web font providers in alphabetical order (leaving out those with confusing interfaces and pricing plans): Self Host? Host on Desktop fonts Screenshots Pricing Fee Free Trial their for mock-ups of fonts cross Schedule available? server? provided? browser? Fontdeck No Yes No No Pay per font. Example: Din Text Pro Annual Yes (each weight/style charged separate- ly) $12.50/year. (1m page views) Fonts.com Yes, with Yes Yes, with Pro Yes Standard plan (500,000 monthly Monthly Yes Pro Plan Plan page views) is $20/mo. Pro plan is $100/mo. FontSpring Yes No Yes (otf) No Purchase font licenses. A full One Free fonts family (3–14 weights and styles) Time available costs $0–$300. Fee FontSquirrel Yes No Yes (otf) No Free None Free Google Web Fonts Yes Yes Yes No Free None Yes Justanotherfoundry No Yes No No Each family (all weights and styles, Annual Yes 2gb/Month traffic) €19/year myfonts.com Yes No Yes, with Yes Futura (6 weights and styles) 10,000 One Yes higher plan monthly views $133.68. -
Webtypogrphy Inforgraphic.Graffle
THE NEW WEB TYPOGRAPHY #1 WHAT IS A WEBFONT? + Although it is estimated that there are more than one hundred fifty thousand different digital fonts, that does not mean you can 150,000 legally use them in your web designs as webfonts. Fonts are small pieces of software subject to End User License Agreements (EULAs) which control what you can and can not legally do with them. Most fonts do not include the right to use the font with ✗ALL DIGITAL FONTS@font-face, so you should not use them. If in doubt, check with the font manufacturer before using as a webfont. f f 10! 182! 40,000@+ ! ✔CORE WEB FONTS ✔WEB SAFE FONTS ✔WEBFONTS Microsoft licensed ten typefaces to be installed on all PCs. Both Mac and Windows computers have a list of fonts that Webfonts are downloadable font file that can be used by a Apple also provided the same fonts, making them the most are always installed. Additionally, commonly installed Web browser to display text. Webfonts come in different commonly available typefaces, and thus the default choice software such as Microsoft Office and Apple iLife include formats which are supported by different browsers, but for most designers. The list originally included 11 typeface, more fonts. From this, we can derive a list of one-hundred virtually all browsers support Webfonts now, including but Microsoft no longer includes Andale Mono. eighty-two additional fonts that are commonly installed on Internet Explorer. Of the 100K digital fonts, around forty most computers. For the full list, visit http://bit.ly/web- thousand have been licensed for @font-face usage and the safe-fonts . -
Web Type: the Next Big Thing NYC Web Design Meetup July 19, 2010
Web Type: The Next Big Thing NYC Web Design Meetup July 19, 2010 Jaron J. Rubenstein Rubenstein Technology Group http://www.rubensteintech.com/ Overview Technology Licensing Foundries and Distributors Code Results Issues Conclusion References Copyright © 2010, Rubenstein Technology Group, Inc. All Rights Reserved. Evolution of Web Type Web Fonts – Arial, Times New Roman, etc. – Verdana, Georgia, Tahoma, Trebuchet MS, etc. Scalable Inman Flash Replacement (sIFR) – JavaScript/Flash text replacement – Requires Flash plugin – Limitations for animation, dynamic text, Cufón – Replaces text with VML (MSIE) or SVG (everything else) – Rather slow, complex, has some issues with text selection and screen rendering CSS and @font-face – Method of specifying and downloading fonts – Not “HTML5” , introduced in CSS2 in 1998, standardized in CSS3 – Works with MSIE4+, Firefox 3.5+, Safari 3.1+, Opera 10+ and Chrome 4.0+ – Specification: http://www.w3.org/TR/css3-fonts/#font-resources Copyright © 2010, Rubenstein Technology Group, Inc. All Rights Reserved. @font-face Font Formats TrueType (TTF) – Firefox 3.5+ , Opera 10+, Safari 3.1+, Chrome 4.0.249.4+ Embedded OpenType (EOT) – Microsoft Internet Explorer 4+ Web Open Font Format (WOFF) – Firefox 3.6+, Internet Explorer 9+, Chrome 5+ Scalable Vector Graphics (SVG) – iPad and iPhone Scalable Vector Graphics, gzipped (SVGZ) – Compressed SVG files (via gzip compression) – iPad only Copyright © 2010, Rubenstein Technology Group, Inc. All Rights Reserved. Format Browser Compatibility Browser TrueType WOFF EOT SVG SVGZ MSIE 4 - 8 Yes MSIE 9 Soon Yes Firefox 3.5+ Yes Firefox 3.6+ Yes Yes Safari 3.1+ Yes Yes Yes Chrome 4+ Yes Soon Yes Yes Opera 10+ Yes Soon Yes Yes iPhone Yes iPad Yes Yes Source: http://www.fontspring.com/fontface Copyright © 2010, Rubenstein Technology Group, Inc. -
Fontcreator Review
Version 8.0 Released 5th June 2014 • Updated 21st July 2014 Download Page • Version Comparison Chart Web Designers can now create their own fonts since FontCreator supports the Web Open Font Format (WOFF) • Test Page (View in Firefox) Export of CFF (Postscript) outlines is also supported now. The Kerning dialogue has been replaced with the “OpenType Designer” to support the use of glyph positioning data for kerning. If a font with only the old style KERN data is opened in FontCreator, it is converted to GPOS data, which can be edited in the new dialogue. The OpenType Designer (on the Font menu) opens a dialogue for modifying kerning adjustment pairs, as well as other OpenType GPOS features. This change required a change to the Project file format. Projects edited in the latest version may lose data if opened in the previous version. Copy your project files to a new folder, and edit the copies while learning the new version. Then, if you should encounter problems, you can revert to the previous version by opening your previous project files. On exporting a project for the first time you will need to select the options in the Font Export Settings. Browse to choose a path for the font, enter the filename, choose the Outline format from TrueType or CFF (Postscript), select the kerning tables to include, and select from the Hinting options. To export a Web Font, select the options for that. When ready to export the font, select the export type from the File menu or use the shortcuts Shift+Ctrl+E (TTF/OTF), Shift+Ctrl+R (CFF), Shift+Ctrl+W (WOFF), or Shift+Ctrl+A for All. -
Richard Rutter
Where Web Typography Goes to Next Richard Rutter Sunday, 13 March 2011 apple.com Sunday, 13 March 2011 ÿ Sunday, 13 March 2011 Ultra light Adelle Light Adelle Regular Adelle Bold Adelle Black Adelle Ultra black Adelle Sunday, 13 March 2011 Light Adelle Regular Adelle SemiBold Adelle Bold Adelle ExtraBold Adelle Heavy Adelle Sunday, 13 March 2011 h1 { font-family: “Adelle”, Cambria, Georgia, serif; font-weight: bold; } Sunday, 13 March 2011 h1 { font-family: “Adelle”, Cambria, Georgia, serif; font-weight: 200; } Sunday, 13 March 2011 Values for font-weight property 100 Ultra Light, Extra Light 200 Light, Thin 300 Book 400 Normal, Regular 500 Medium 600 Demi Bold, Semi Bold 700 Bold 800 Black, Extra Bold 900 Ultra Bold, Fat, Heavy Sunday, 13 March 2011 Opera 11 Sunday, 13 March 2011 Firefox 3.6 Sunday, 13 March 2011 Safari 5 Sunday, 13 March 2011 Adelle in FontExplorer X Sunday, 13 March 2011 Sunday, 13 March 2011 Extra condensed Clarendon Condensed Clarendon Regular Clarendon Expanded Clarendon Extra expanded Clarendon Sunday, 13 March 2011 h1 { font-family: “Clarendon”, Georgia, serif; font-stretch: condensed; } Sunday, 13 March 2011 Values for font-stretch property Ultra Condensed Extra Condensed Condensed Semi Condensed Normal Semi Expanded Expanded Extra Expanded Ultra Expanded Sunday, 13 March 2011 Sunday, 13 March 2011 Sunday, 13 March 2011 Sunday, 13 March 2011 Sunday, 13 March 2011 Font Linking Sunday, 13 March 2011 @font-face { font-family: "Clarendon"; src: url("clarendon-nar-eb.woff"); } Sunday, 13 March 2011 @font-face { font-family: -
How to Make Browser Download Fonts How to Add Fonts to a React Project
How to make browser download fonts How to add Fonts to a React Project. Traditionally, adding a font to a website meant downloading the necessary font files into your project and creating the necessary @font-face css code to adapt to different web browsers requirements. Table of Contents. Using @font-face Using Hosted Fonts Using Web Font Loader. The above approach works just fine and is probably one of the best solutions if your app or website will need to run within an intranet with no Internet access. But what if its an online website being accessed by thousands or millions of visitors everyday. You would probably look for a solution that can provide better performance and less load to your servers. Using Hosted Fonts. The recommended solution is to load your font from a Hosted Fonts Provider like Google Fonts. The logic behind this recommendation is that browsers usually download web page resources in a sequential order before it can fully construct a page for rendering. However, if some of the page resources are on a different server, it can download them in parallel, hence a page can be loaded much faster. Let's quickly get started with a basic react project which we shall add a font from Google Fonts. We are going to use the create-react-app tool to quickly kick-off the project. You can easily install it by executing: After you have installed the tool, we can now go ahead and create our project: When you the run the project, you will be greeted with a page like this: Let's add some content in the src/App.js file within the existing "App" div. -
VISUAL Quickstart GUIDE CSS3
VISUAL QUICKSTART GUIDE CSS3 SIXTH EDITION JASON CRANFORD TEAGUE Peachpit Press Visual QuickStart Guide CSS3 Sixth Edition Jason Cranford Teague Peachpit Press www.peachpit.com Find us on the Web at www.peachpit.com To report errors, please send a note to [email protected] Peachpit Press is a division of Pearson Education Copyright © 2013 by Jason Cranford Teague Project Editor: Nancy Peterson Development Editor: Bob Lindstrom Copyeditors: Liz Merfeld and Darren Meiss Production Editor: Katerina Malone Compositor: David Van Ness Indexer: Jack Lewis Cover Design: RHDG / Riezebos Holzbaur Design Group, Peachpit Press Interior Design: Peachpit Press Logo Design: MINE™ www.minesf.com Notice of Rights All rights reserved. No part of this book may be reproduced or transmitted in any form by any means—electronic, mechanical, photocopying, recording, or otherwise—without the prior written permission of the publisher. For information on obtaining permission for reprints and excerpts, contact [email protected]. Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in preparation of this book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks Visual QuickStart Guide is a registered trademark of Peachpit Press, a division of Pearson Education. Other trademarks are the property of their respective owners. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. -
Richard Rutter
The Future of Web Typography Richard Rutter ÿ Ultra light Museo Slab Light Museo Slab Regular Museo Slab Bold Museo Slab Black Museo Slab Ultra black Museo Slab Ultra light Museo Slab Light Museo Slab Regular Museo Slab Bold Museo Slab Black Museo Slab Ultra black Museo Slab h1 { font-family: “Museo Slab”, Georgia, serif; font-weight: bold; } h1 { font-family: “Museo Slab”, Georgia, serif; font-weight: 200; } Values for font-weight property 100 Ultra Light, Extra Light 200 Light, Thin 300 Book 400 Normal, Regular 500 Medium 600 Demi Bold, Semi Bold 700 Bold 800 Heavy, Black, Extra Bold 900 Ultra Black, Extra Black, Fat, Poster Extra condensed Clarendon Condensed Clarendon Regular Clarendon Expanded Clarendon Extra expanded Clarendon h1 { font-family: “Clarendon”, Georgia, serif; font-stretch: condensed; } Values for font-stretch property Ultra Condensed Extra Condensed Condensed Semi Condensed Normal Semi Expanded Expanded Extra Expanded Ultra Expanded ffi ff fl ffl &i f&i fb fk fí ff fl ffl fi ffi fí http://dev.w3.org/csswg/css3-fonts/ h1 { font-family: Calluna, Georgia, serif; font-variant-ligatures: common-ligatures; } p { font-family: Calluna, Georgia, serif; font-variant-ligatures: no-common-ligatures; } st ip it ck gi fj ap qu OO h1 { font-family: Calluna, Georgia, serif; font-variant-ligatures: common-ligatures additional-ligatures; } !""#$%&&% &'(%)*#&%* Ollivette typewriter h1 { font-family: Ollivette, “American Typewriter”, monospace; font-variant-alternates: stylistic(1); } 0123456789 h1 { font-family: Calluna, Georgia, serif; font-variant-numeric: -
Glyphs Handbook from July 2016 for the Application Version 2.3
Handbook July 2016 Glyphs 2.3 Create – Produce – Release Font Editing for Everyone You are reading the Glyphs Handbook from July 2016 for the application version 2.3. Please download the latest version of this handbook at: glyphsapp.com/get-started © 2011–2016 glyphsapp.com Written by Rainer Erich Scheichelbauer and Georg Seifert. Thanks to Jeff Kellem, Rob Keller, Toshi Omagari and Claus Eggers Sørensen for their invaluable input. Contents 1 Glyphs 8 3.3.11 Resegmenting Outlines 24 1.1 A Tool for Creating 3.3.12 Controlling Path OpenType Fonts 8 Direction 25 1.2 Installation 8 3.3.13 Extremes and Inflections 26 1.3 Community 9 3.3.14 Duplicate Nodes 27 1.4 Updates 9 3.4 Anchors 27 1.5 Glyphs Mini 9 3.4.1 Compound and Positioning 1.6 Keyboard Shortcuts 9 Anchors 27 1.7 Crash Reports 10 3.4.2 Ligature Carets 27 3.4.3 Adding, Editing and 2 Preferences 11 Removing Anchors 28 2.1 Accessing Application 3.4.4 Mark to Base Positioning 29 Preferences 11 3.4.5 Mark to Mark 2.1.1 Updates 11 Positioning 29 2.1.2 User Settings 12 3.4.6 Cursive Attachment 2.1.3 Sample Strings 13 Anchors 30 2.1.4 Sharing 14 3.5 Guidelines 30 2.1.5 Add-ons 14 3.5.1 Magnetic Guidelines 30 3.5.2 Local and Global 3 Edit View 16 Guidelines 30 3.1 Editing Glyphs 16 3.5.3 Glyph-Specific Undo 3.2 Drawing Paths 16 History 31 3.2.1 Draw Tool 16 3.6 Glyph Display 32 3.2.2 Pencil Tool 17 3.6.1 Zooming 32 3.2.3 Primitives 17 3.6.2 Panning 33 3.3 Editing Paths 18 3.6.3 View Options 33 3.3.1 Selecting Nodes and 3.6.4 Glyph and Layer Colors 33 Paths 18 3.7 Background 34 3.3.2 Moving -
Cascading Style Sheets, Level 2 W3C Proposed Recommendation 24-Mar-1998
PR-CSS2-19980324 Cascading Style Sheets, level 2 W3C Proposed Recommendation 24-Mar-1998 This version: http://www.w3.org/TR/1998/PR-CSS2-19980324 Latest version: http://www.w3.org/TR/PR-CSS2 Previous version: http://www.w3.org/TR/1998/WD-css2-19980128 Editors: Bert Bos <[email protected]> Håkon Wium Lie <[email protected]> Chris Lilley <[email protected]> Ian Jacobs <[email protected]> Abstract This specification defines Cascading Style Sheets, level 2 (CSS2). CSS2 is a style sheet language that allows authors and users to attach style (e.g., fonts, spacing, and aural cues) to structured documents (e.g., HTML documents and XML applications). By separating the presentation style of documents from the content of documents, CSS2 simplifies Web authoring and site maintenance. CSS2 builds on CSS1 (see [CSS1]) and all valid CSS1 style sheets are valid CSS2 style sheets. CSS2 supports media-specific style sheets so that authors may tailor the presentation of their documents to visual browsers, aural devices, printers, braille devices, handheld devices, etc. This specification also supports content positioning, downloadable fonts, table layout, features for international- ization, automatic counters and numbering, and some properties related to user interface. Status of this document This document is currently undergoing review by the members of the World Wide Web Consortium. It is a stable document derived from a series of working drafts produced over the last year as deliverables of the Style Sheets activity. Details of this review have been distributed to Member’s representatives. Comments by non-Members should be sent to [email protected].