HTML5 HTML5 Designing Rich Internet Applications
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THE FUTURE of SCREENS from James Stanton a Little Bit About Me
THE FUTURE OF SCREENS From james stanton A little bit about me. Hi I am James (Mckenzie) Stanton Thinker / Designer / Engineer / Director / Executive / Artist / Human / Practitioner / Gardner / Builder / and much more... Born in Essex, United Kingdom and survived a few hair raising moments and learnt digital from the ground up. Ok enough of the pleasantries I have been working in the design field since 1999 from the Falmouth School of Art and onwards to the RCA, and many companies. Ok. less about me and more about what I have seen… Today we are going to cover - SCREENS CONCEPTS - DIGITAL TRANSFORMATION - WHY ASSETS LIBRARIES - CODE LIBRARIES - COST EFFECTIVE SOLUTION FOR IMPLEMENTATION I know, I know, I know. That's all good and well, but what does this all mean to a company like mine? We are about to see a massive change in consumer behavior so let's get ready. DIGITAL TRANSFORMATION AS A USP Getting this correct will change your company forever. DIGITAL TRANSFORMATION USP-01 Digital transformation (DT) – the use of technology to radically improve performance or reach of enterprises – is becoming a hot topic for companies across the globe. VERY DIGITAL CHANGING NOT VERY DIGITAL DIGITAL TRANSFORMATION USP-02 Companies face common pressures from customers, employees and competitors to begin or speed up their digital transformation. However they are transforming at different paces with different results. VERY DIGITAL CHANGING NOT VERY DIGITAL DIGITAL TRANSFORMATION USP-03 Successful digital transformation comes not from implementing new technologies but from transforming your organisation to take advantage of the possibilities that new technologies provide. -
Downloadbaar Met Een ‘Worry-Free’ Licentie
Afbeelding 1: Gestileerde kaart van Gent met daarop het logo van Architectuurbibliotheken Gent Connect to thrive . LAROY Kathy - CVO VSPW - Graduaat BDI - Architectuurbibliotheken Gent LAROY Kathy - CVO VSPW - Graduaat BDI - Architectuurbibliotheken Gent WOORD VOORAF Ik ben mijn faculteitsbibliothecaris Bart Vancoppenolle, diensthoofd prof. dr. Tom Verguts, voormalig decaan prof. dr. Geert De Soete en huidig decaan prof. dr. Ann Buysse zeer erkentelijk. Zij hebben mij namelijk de kans en ruimte geboden om deze studie te combineren met mijn job als bibliotheekmedewerker in de Faculteitsbibliotheek Psychologie en Pedagogische Wetenschappen, UGent. Ook mijn collega’s Kristof De Bruyne, Annemie De Vuyst en Franky Maes verdienen hiervoor een woord van dank. Ik heb zeer veel gehad aan de kruisbestuiving tussen mijn praktijkervaringen op de werkvloer en de theoretische onderbouw die de gedoceerde vakken mij boden. Ik grijp deze gelegenheid dan ook graag aan om alle docenten van CVO VSPW hartelijk te bedanken voor de geboden kennis en inzichten. Ook de praktijkervaringen tijdens mijn stages voor de modules Beroepspraktijk A, B, C en D bleken zeer leerzaam. Voor de module Beroepspraktijk A in het eerste studiejaar van de opleiding liep ik stage in de Openbare Bibliotheek Deinze. Dit werd een zeer gevarieerde en leerrijke ervaring. Ik werd er enthousiast opgevangen en voortreffelijk begeleid door de bibliothecaris-diensthoofd mevr. Trui Galle, de adjunct- bibliothecarissen en de overige medewerkers. Ik wens hen allen dan ook heel erg te bedanken. Voor de modules Beroepspraktijk B, C en D en Projectwerk 1 en 2 in het tweede en derde studiejaar mocht ik stage doen in de Faculteitsbibliotheek Ingenieurswetenschappen en Architectuur, UGent. -
Advancements in Web Typography (Webfonts and WOFF)
Advancements in Web Typography (WebFonts and WOFF) Aaron A. Aliño Graphic Communication Department California Polytechnic State University 2010 Advancements in Web Typography (WebFonts and WOFF) Aaron A. Aliño Graphic Communication Department California Polytechnic State University 2010 Table of Contents Chapter I: Introduction………………………………………………………….…………..2 Chapter II: Literature Review……………………………………………………….………5 Chapter III: Research Methods………………………………………………….…..…....18 Chapter IV: Results………………………………………………………………….……..24 Chapter V: Conclusions……………………………………………………………….…..38 References……………………………………………………………………………...…..41 1 Chapter I: Introduction When it comes to the control one has in designing and creating content for the World Wide Web, typography should be no different. Print designers have had the advantage for a long time over their ability to choose exactly how type is printed, limited only by their imagination and the mechanical limits of setting and printing type. Web designers, on the other hand, have been held back by the inherent hardware and software limitations associated with web design and font selection. What this means is that web designers have not been able to control type exactly the way they want. Web designers have been limited to fonts that can safely be displayed on most computers and web browsers. If web designers wanted to display type with a special font, they had to resort to a workaround that was not always effective. Web designers should have the same absolute control over typography as print designers. Control of web typography has gotten much better compared to the early days of web design, but 2 considering how powerful and robust computers and web browsers are now, it seems unfortunate that control over web typography is so primitive That has changed now. -
Adobe Spry and Dreamweaver ADOBE SPRY and DREAMWEAVER (SUP)
Adobe Spry and Dreamweaver ADOBE SPRY AND DREAMWEAVER (SUP) The Adobe Spry Framework for Ajax (Spry v.1.6.1 is the latest release of Spry) Spry is a JavaScript-base framework that enables the rapid development of Ajax-powered web pages. Ajax is technology. It is a term commonly used to define a group of interrelated web development techniques used on the client-side to create interactive web applications. Spry uses JavaScript, but acts like an extension of HTML and CSS (so anyone with HTML and CSS can use it). Spry can be used with both client-side and server-side technologies. • Spry is implemented as a set of JavaScript libraries. To add Spry to your page, the user includes the JavaScript library that contains the Spry features as needed, and then deploys that JavaScript file to the web site along with other page. • Spry has three basic components: Spry Data, Spry Widgets and Spry Effects. They can be used together or independently of one another. • No browser plug-ins or server-side modules are required for Spry to work. • Dreamweaver CS4 has features that ease the development of Spry pages but Spry itself is completely tool independent. Any code editor can be used to develop Spry pages (Dreamweaver, Visual Studio, Notepad…). Sidebar AJAX Other Frameworks similar to Spry: Google, Yahoo, jQuery, MooTools, Dojo, etc Spry provides developers with easy to implement tools (Spry Data, Spry Widgets and Spry Effects) Widgets examples Validation widgets Menu Bars (Vertical and Horizontal) Sliding Panels Tooltip Effects examples Show/Hide: Fade -
Webtypogrphy Inforgraphic.Graffle
THE NEW WEB TYPOGRAPHY #1 WHAT IS A WEBFONT? + Although it is estimated that there are more than one hundred fifty thousand different digital fonts, that does not mean you can 150,000 legally use them in your web designs as webfonts. Fonts are small pieces of software subject to End User License Agreements (EULAs) which control what you can and can not legally do with them. Most fonts do not include the right to use the font with ✗ALL DIGITAL FONTS@font-face, so you should not use them. If in doubt, check with the font manufacturer before using as a webfont. f f 10! 182! 40,000@+ ! ✔CORE WEB FONTS ✔WEB SAFE FONTS ✔WEBFONTS Microsoft licensed ten typefaces to be installed on all PCs. Both Mac and Windows computers have a list of fonts that Webfonts are downloadable font file that can be used by a Apple also provided the same fonts, making them the most are always installed. Additionally, commonly installed Web browser to display text. Webfonts come in different commonly available typefaces, and thus the default choice software such as Microsoft Office and Apple iLife include formats which are supported by different browsers, but for most designers. The list originally included 11 typeface, more fonts. From this, we can derive a list of one-hundred virtually all browsers support Webfonts now, including but Microsoft no longer includes Andale Mono. eighty-two additional fonts that are commonly installed on Internet Explorer. Of the 100K digital fonts, around forty most computers. For the full list, visit http://bit.ly/web- thousand have been licensed for @font-face usage and the safe-fonts . -
Developer's Guide ● Using the Conscriptus Web API
Conscriptus Developers Guide Pages: 39 Version: 1.0 Issued: 2008-08-30 Author: Andrei Ivanov [email protected] Yakutsk Copyright © 2007-2008, Andrei Ivanov. All rights reserved. mailto:[email protected] Important notice: Author(s) makes no warranty for the use of its products and assumes no responsibility for any errors which may appear in this document nor does it make a commitment to update the information contained herein. Described products are not intended for use in medical, life saving or life sustaining applications. Author(s) assumes no liability for applications assistance, customer’s applications or product designs, software performance, or infringement of patents. Author(s) retains the right to make changes to these specifications at any time, without notice. All trademarks mentioned in this document or Web site are the property of their respective owners. Date: 08/30/2008 Page 3 of 39 Conscriptus Developers Guide - Conscriptus appointment timesheet time sheduler History of changes 2008/01/08 First release 2008/06/04 Group manipulation added Summary Этот документ описывает необходимые и рекомендуемые действия по настройке рабочего окружения среды разработчика приложения MeetUp, может быть полезна как справочник по выполнению некоторых операций и содержит такую полезную информацию, как информацию о размещении файлов. Definitions and Abbreviations ADO Microsoft ActiveX Database Objects ® library BDE Borland Database Engine® library GUI Graphical user interface IDE интегрированная среда разработки LUW ОС Linux®, Unix® or Microsoft Windows® RAD rapid application development SDI single document interface VCL Borland Visual Component Library® User Software application user Scope Cellphone application to assist persons assign a meeting at the suitable place and time according to their location and time sheet. -
Web Type: the Next Big Thing NYC Web Design Meetup July 19, 2010
Web Type: The Next Big Thing NYC Web Design Meetup July 19, 2010 Jaron J. Rubenstein Rubenstein Technology Group http://www.rubensteintech.com/ Overview Technology Licensing Foundries and Distributors Code Results Issues Conclusion References Copyright © 2010, Rubenstein Technology Group, Inc. All Rights Reserved. Evolution of Web Type Web Fonts – Arial, Times New Roman, etc. – Verdana, Georgia, Tahoma, Trebuchet MS, etc. Scalable Inman Flash Replacement (sIFR) – JavaScript/Flash text replacement – Requires Flash plugin – Limitations for animation, dynamic text, Cufón – Replaces text with VML (MSIE) or SVG (everything else) – Rather slow, complex, has some issues with text selection and screen rendering CSS and @font-face – Method of specifying and downloading fonts – Not “HTML5” , introduced in CSS2 in 1998, standardized in CSS3 – Works with MSIE4+, Firefox 3.5+, Safari 3.1+, Opera 10+ and Chrome 4.0+ – Specification: http://www.w3.org/TR/css3-fonts/#font-resources Copyright © 2010, Rubenstein Technology Group, Inc. All Rights Reserved. @font-face Font Formats TrueType (TTF) – Firefox 3.5+ , Opera 10+, Safari 3.1+, Chrome 4.0.249.4+ Embedded OpenType (EOT) – Microsoft Internet Explorer 4+ Web Open Font Format (WOFF) – Firefox 3.6+, Internet Explorer 9+, Chrome 5+ Scalable Vector Graphics (SVG) – iPad and iPhone Scalable Vector Graphics, gzipped (SVGZ) – Compressed SVG files (via gzip compression) – iPad only Copyright © 2010, Rubenstein Technology Group, Inc. All Rights Reserved. Format Browser Compatibility Browser TrueType WOFF EOT SVG SVGZ MSIE 4 - 8 Yes MSIE 9 Soon Yes Firefox 3.5+ Yes Firefox 3.6+ Yes Yes Safari 3.1+ Yes Yes Yes Chrome 4+ Yes Soon Yes Yes Opera 10+ Yes Soon Yes Yes iPhone Yes iPad Yes Yes Source: http://www.fontspring.com/fontface Copyright © 2010, Rubenstein Technology Group, Inc. -
Fontcreator Review
Version 8.0 Released 5th June 2014 • Updated 21st July 2014 Download Page • Version Comparison Chart Web Designers can now create their own fonts since FontCreator supports the Web Open Font Format (WOFF) • Test Page (View in Firefox) Export of CFF (Postscript) outlines is also supported now. The Kerning dialogue has been replaced with the “OpenType Designer” to support the use of glyph positioning data for kerning. If a font with only the old style KERN data is opened in FontCreator, it is converted to GPOS data, which can be edited in the new dialogue. The OpenType Designer (on the Font menu) opens a dialogue for modifying kerning adjustment pairs, as well as other OpenType GPOS features. This change required a change to the Project file format. Projects edited in the latest version may lose data if opened in the previous version. Copy your project files to a new folder, and edit the copies while learning the new version. Then, if you should encounter problems, you can revert to the previous version by opening your previous project files. On exporting a project for the first time you will need to select the options in the Font Export Settings. Browse to choose a path for the font, enter the filename, choose the Outline format from TrueType or CFF (Postscript), select the kerning tables to include, and select from the Hinting options. To export a Web Font, select the options for that. When ready to export the font, select the export type from the File menu or use the shortcuts Shift+Ctrl+E (TTF/OTF), Shift+Ctrl+R (CFF), Shift+Ctrl+W (WOFF), or Shift+Ctrl+A for All. -
How to Make Browser Download Fonts How to Add Fonts to a React Project
How to make browser download fonts How to add Fonts to a React Project. Traditionally, adding a font to a website meant downloading the necessary font files into your project and creating the necessary @font-face css code to adapt to different web browsers requirements. Table of Contents. Using @font-face Using Hosted Fonts Using Web Font Loader. The above approach works just fine and is probably one of the best solutions if your app or website will need to run within an intranet with no Internet access. But what if its an online website being accessed by thousands or millions of visitors everyday. You would probably look for a solution that can provide better performance and less load to your servers. Using Hosted Fonts. The recommended solution is to load your font from a Hosted Fonts Provider like Google Fonts. The logic behind this recommendation is that browsers usually download web page resources in a sequential order before it can fully construct a page for rendering. However, if some of the page resources are on a different server, it can download them in parallel, hence a page can be loaded much faster. Let's quickly get started with a basic react project which we shall add a font from Google Fonts. We are going to use the create-react-app tool to quickly kick-off the project. You can easily install it by executing: After you have installed the tool, we can now go ahead and create our project: When you the run the project, you will be greeted with a page like this: Let's add some content in the src/App.js file within the existing "App" div. -
Glyphs Handbook from July 2016 for the Application Version 2.3
Handbook July 2016 Glyphs 2.3 Create – Produce – Release Font Editing for Everyone You are reading the Glyphs Handbook from July 2016 for the application version 2.3. Please download the latest version of this handbook at: glyphsapp.com/get-started © 2011–2016 glyphsapp.com Written by Rainer Erich Scheichelbauer and Georg Seifert. Thanks to Jeff Kellem, Rob Keller, Toshi Omagari and Claus Eggers Sørensen for their invaluable input. Contents 1 Glyphs 8 3.3.11 Resegmenting Outlines 24 1.1 A Tool for Creating 3.3.12 Controlling Path OpenType Fonts 8 Direction 25 1.2 Installation 8 3.3.13 Extremes and Inflections 26 1.3 Community 9 3.3.14 Duplicate Nodes 27 1.4 Updates 9 3.4 Anchors 27 1.5 Glyphs Mini 9 3.4.1 Compound and Positioning 1.6 Keyboard Shortcuts 9 Anchors 27 1.7 Crash Reports 10 3.4.2 Ligature Carets 27 3.4.3 Adding, Editing and 2 Preferences 11 Removing Anchors 28 2.1 Accessing Application 3.4.4 Mark to Base Positioning 29 Preferences 11 3.4.5 Mark to Mark 2.1.1 Updates 11 Positioning 29 2.1.2 User Settings 12 3.4.6 Cursive Attachment 2.1.3 Sample Strings 13 Anchors 30 2.1.4 Sharing 14 3.5 Guidelines 30 2.1.5 Add-ons 14 3.5.1 Magnetic Guidelines 30 3.5.2 Local and Global 3 Edit View 16 Guidelines 30 3.1 Editing Glyphs 16 3.5.3 Glyph-Specific Undo 3.2 Drawing Paths 16 History 31 3.2.1 Draw Tool 16 3.6 Glyph Display 32 3.2.2 Pencil Tool 17 3.6.1 Zooming 32 3.2.3 Primitives 17 3.6.2 Panning 33 3.3 Editing Paths 18 3.6.3 View Options 33 3.3.1 Selecting Nodes and 3.6.4 Glyph and Layer Colors 33 Paths 18 3.7 Background 34 3.3.2 Moving -
Learning PHP, Mysql, and Javascript
Learning PHP, MySQL, and JavaScript Robin Nixon Beijing • Cambridge • Farnham • Köln • Sebastopol • Taipei • Tokyo Learning PHP, MySQL, and JavaScript by Robin Nixon Copyright © 2009 Robin Nixon. All rights reserved. Printed in the United States of America. Published by O’Reilly Media, Inc., 1005 Gravenstein Highway North, Sebastopol, CA 95472. O’Reilly books may be purchased for educational, business, or sales promotional use. Online editions are also available for most titles (http://my.safaribooksonline.com). For more information, contact our corporate/institutional sales department: (800) 998-9938 or [email protected]. Editor: Andy Oram Indexer: Ellen Troutman Zaig Production Editor: Sumita Mukherji Cover Designer: Karen Montgomery Copyeditor: Nancy Kotary Interior Designer: David Futato Proofreader: Kiel Van Horn Illustrator: Robert Romano Printing History: July 2009: First Edition. Nutshell Handbook, the Nutshell Handbook logo, and the O’Reilly logo are registered trademarks of O’Reilly Media, Inc. Learning PHP, MySQL, and JavaScript, the image of sugar gliders, and related trade dress are trademarks of O’Reilly Media, Inc. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and O’Reilly Media, Inc., was aware of a trademark claim, the designations have been printed in caps or initial caps. While every precaution has been taken in the preparation of this book, the publisher and author assume no responsibility for errors or omissions, or for damages resulting from the use of the information con- tained herein. TM This book uses RepKover™, a durable and flexible lay-flat binding. ISBN: 978-0-596-15713-5 [M] 1246467361 Table of Contents Preface . -
NEAR EAST UNIVERSITY Faculty of Engineering
NEAR EAST UNIVERSITY Faculty of Engineering Department of Computer Engineering AUTO GALLERY MANAGEMENT SYSTEM Graduation Project COM 400 Student: Ugur Emrah CAKMAK Supervisor : Assoc. Prof. Dr. Rahib ABIYEV Nicosia - 2008 ACKNOWLEDGMENTS "First, I would like to thank my supervisor Assoc. Prof. Dr. Rahib Abiyev for his invaluable advice and belief in my work and myself over the course of this Graduation Project.. Second, I would like to express my gratitude to Near East University for the scholarship that made the work possible. Third, I thank my family for their constant encouragement and support during the preparation of this project. Finally, I would like to thank Neu Computer Engineering Department academicians for their invaluable advice and support. TABLE OF CONTENT ACKNOWLEDGEMENT i TABLE OF CONTENTS ii ABSTRACT iii INTRODUCTION 1 CHAPTER ONE - PHP - Personal Home Page 2 1.1 History Of PHP 2 1.2 Usage 5 1.3 Security 6 1 .4 Syntax 7 1.5 Data Types 8 1.6 Functions 9 1.7 Objects 9 1.8 Resources 10 1.9 Certification 12 1 .1 O List of Web Applications 12 1.11 PHP Code Samples 19 CHAPTER TWO - MySQL 35 2.1 Uses 35 2.2 Platform and Interfaces 36 2.3 Features 37 2.4 Distinguishing Features 38 2.5 History 40 2.6 Future Releases 41 2.7 Support and Licensing .41 2.8 Issues 43 2.9Criticism 44 2.10 Creating the MySQL Database 45 2.11 Database Code of a Sample CMS 50 CHAPTER THREE - Development of Auto Gallery Management System 72 CONCLUSION 77 REFERENCES 78 APPENDIX 79 ii ABSTRACT Auto Gallery Management System is a unique Content Management System which supports functionality for auto galleries.