The Development of Scenic Art and Stage Machinery

Home , Arthur Fitger, August Baumeister, Emil Orlik, Ernst Stern, Frederick Gye, Hugo Rumbold

te' 'p8N4 Ii20 THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES THE DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY

A LIST OF REFERENCES IN THE NEW YORK PUBLIC LIBRARY

COMPILED BY WILLIAM BURT GAMBLE CHIEF OF THE SCIENCE AND TECHNOLOGY DIVISION

NEW YORK 1920

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THE DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY

A LIST OF REFERENCES IN THE NEW YORK PUBLIC LIBRARY

COMPILED BY WILLIAM BURT GAMBLE CHIEF OF THE SCIENCE AND TECHNOLOGY DIVISION

NEW YORK 1920 NOTE

This list contains the titles of works relating to the development of scenic art and stage machinery, owned by The New York Public Library on June 1, 1919. They are in the Reference Department of the Library, in the Central Building at Fifth Avenue and Fortv-second Street.

RCPRtNTED. JANUARY 1920 FROM THE BULLETIN OF THE NEW YORK PUBLIC LIBRARY OF JUNE-NOVEMBER 1919

PRINTED AT THE NEW YORK PUBLIC LIBRARY

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TABLE OF CONTENTS

PAGE Preface --.__. _--_____i General Works ------Z Greek and Roman Stage ------3 Mediaeval Stage --_----___._ 12 English Stage _-._.__ 18 Elizabethan Stage ------2A Post-Elizabethan Stage ------34 American Stage ------36 French Stage ------39 German Stage ------42 Italian Stage ------48 Russian Stage ------49 Spanish Stage ------51 Oriental Stage ------51 Scenery and Scene Painting ------58 Little Theatres ------dh Marionettes, Shadow Pictures, Etc. ------66 Lighting and Lighting History -- -72 Machinery, Equipment, Effects, Etc. ------81 Miscellaneous ------100 Open Air Theatres ------104 Index of Authors ------109 Index of Subjects ------119

THE DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY

A LIST OF REFERENCES IN THE NEW YORK PUBLIC LIBRARY

Compiled by William Burt Gamble Chief of the Technology Division

Preface

'T^HIS work is the result of numerous requests made in the Technology Divi- -*- sion for information concerning stage machinery and lighting. In an effort to compile a short list which should satisfy ordinary wants, many references to excellent material on scene-painting, scenic history, pictures, and other matters of interest were noted. As these seemed too valuable to omit it was decided, through an extension of the list into the fields of literature, history, travel, and art, to enlarge the scope of the first plan. The work had not progressed far before a large number of references to stage pictures had been catalogued. These w^ere published in 1917 under the title: "Stage scenery: a list of references to illustrations since 1900" (New

York Public Library Bulletin, May and June, 1917, v. 21, nos. 5 and 6.

Also issued as a separate). References to pictures antedating 1900, still in manuscript, may be consulted on application to the Technology librarian in Room 115.

The following list directs the reader into many byways of interest: stage technique of the ancients and the archaeological investigations and contro- versies concerning it; the mediaeval stage and the various accounts of the quaint apparatus and properties used; the Elizabethan playhouse and the discussions as to its true character; the Oriental stage, including the marvellous shadow puppets of the Javanese; stage development in England, France, Ger- many, Spain, Italy, Russia, and America; practical scene painting; scenic history from its crude beginnings, through the days of Sir William D'Avenant and of De Loutherbourg, down to the modern conceptions of Gordon Craig, Granville Barker, Leon Bakst, and Max Reinhardt, including the technique of the "art theatres," especially of Munich, Paris, and IMoscow; the history and present art of stage mechanics in which it may be noted that many of the devices which we claim as modern are not so modern after all; and finally, references to the remarkable development of the open-air theatre.

[ 1] 2 THE NEW YORK PUBLIC LIBRARY

A few words concerning the dramatic collection of the Library may not be out of place:

The number of printed plays is large, embracing many languages. These are listed in the public catalogue (Room 315) under the heading Drama, as:

Drama (American), Drama (English), etc. References to the dramas of cer- tain Oriental countries may be found under the literature heading, as: Arabic literature: Drama. The following sources should also be noted:

(1) : List of American dramas (New York Public Library Bulletin, Oct., 1915, v. 19, no. 10, p. 739-786, also issued as a separate). Room 315.

(2) : List of dramas relating to the Jews, and dramas in Hebrew, Judeo-Spanish, and Judeo- German, together with essays on the Jewish stage (New York Public Library Bul-

letin, Jan., 1907, v. 11, no. 1, p. 18-51, also issued as a separate). Room 315.

(3) : List of works relating to the Oriental drama (New York Public Library Bulletin, April, 1906, v. 10, no. 4, p. 250-256, also issued as a separate). Room 315.

(4) : Pageants in Great Britain and the United States, a list of references (New York Public Library Bulletin, Oct., 1916, v. 20, p. 753-791, also issued as a separate). Room 315. (5): United States Copyright Office: Dramatic compositions copyrighted in the United States, 1870-1916. Washington, 1918. 2 v. Room 315.

(6) : The Dramatic index, 1906 - date, an exhaustive annual covering books as well as the principal and special periodicals of America and England. Room 315.

(7) : Reginald Clarence's stage cyclopedia, "an alphabetical list of plays and other stage pieces of which any record can be found since the commencement of the English stage." Room 315.

(8) : For records of modern productions see Theatre magazine, New York; the Stage yearbook, London; Das Theater, Berlin; Le theatre, Paris; Yezhegodnik Tmperatorskikh Teatrov, St. Petersburg. Room 315.

(9) : The Becks collection of prompt-books used by famous actors. A list of these was published in The New York Public Library Bulletin, Feb., 1906, v. 10, p. 101-148, also issued later as a separate. Room 315. (10) See also the following headings in the catalogue. Room 315: Stage; Actors and acting; Amateur theatricals ; Amphitheatres ; Stage machinery; Fires in theatres; Opera houses; Stage scenery; Panoramas; Magic; Legerdemain; College theatricals;

Pantomime ; Tableaux; School entertainments ; Moving pictures; Ballet; Folk plays; Costume; Masks; Miracle plays; Passion plays; Puppet plays; Theatres; Vaudeville; and Theatre (Open air).

The Library is rich in early editions of Shakespeare (all of the folios and a good selection of quartos), also many later editions, as well as books about Shakespeare. See heading Shakespeare in the catalogue, especially Shakespeare. — Staging of.

Worthy of note is the Ellison collection of works on magic and legerdemain, one of the best of its kind, including twenty-five scrap-books of letters, clippings, and magazine articles. Room 315.

The reader should also consult:

(1) Art Room (313) : A clipping collection of stage pictures as well as extra-illustrated works containing portraits of old-time actors and actresses. Here are also the works on costume, theatre architecture, and the art and architectural cyclopedias containing biographies of .scene-painters and architects.

(2) Music Room (323) : A card index of stage pictures, principally of the opera; also books about opera and a collection of portfolios containing pictures of the decorations for the Bayreuth productions.

(3) The Main Reading Room : Reference books of general interest to students of the drama; also biographical and general cyclopedias. THE LIST

ORDER OF ARRANGEMENT

General Works. French. Little Theatres. Greek and Roman. German. Marionettes, Shadow Pictures, etc. Mediaeval. Italian. Lighting and Lighting History. English. Russian. Machinery, etc. Elizabethan. Spanish. Equipment, Effects, Post-Elizabethan. Oriental. Miscellaneous. American. Scenery and Scene Painting. Open Air Theatres.

General Works

l.y^BLaslings,,Charles. The theatre, its de- V. 4. Moliere and his times, v. 5. Great actors of the 18th century. ropment in France and' E"n gland, and a "This book belongs to a group of five that stand history'of "its' Greek and Latin origins... preeminent among comprehensive treatises on the with an introductory letter from Monsieur subject, the other four being the works of Chambers, Victorien Sardou... London: Duckworth ("reizenach. Petit de Jullevillc, and d'Ancona." — David Klein in Modern language notes, Nov., 1905. and Co., 1902. xvi, 368 p. 8°. *R-NAF Has brief notes concerning a large number of 5. Matthews, James Brander. A study of important plays. Considerable material on stage con- the drama. Boston: Houghton ^Mifflin struction and management. Co., 1910. X, 320 illus. 12°. p. *R-NAFD 2. Hessen, Robert. Geschichte des The- Chapter 3, The influence of the theatre, is an aters und der Schauspielkunst. illus. (In: excellent resume of stage history. Opposite p. 238 Spemanns goldenes Buch des Theaters... is a quaint picture of the Fortune Theatre, London Stuttgart, 1912. 12°. p. 1-129.) NAF (1599). excellent, history, with Condensed, but stage good 6. Pougin, Arthur. Dictionnaire histo- illustrations. rique et pittoresque du theatre et des arts 3. Klein, Julius Leopold. Geschichte des qui s'y rattachent. Poetique, musique, Drama's. Leipzig: T. O. Weigel, 1865-86. danse, pantomime, decor, costume, ma- 14 V. in 16 including index volume. 8°. chinerie, acrobatisme, jeux antiques, spec- NAF tacles forains, divertissements sceniques, Bd. 1-2. Die griechische Komodie und das Drama fetes publiques, rejouissances populaires, der Romer. carrousels, courses, tournois, etc. Paris: Bd. 3. Geschichte des aussereuropaischen Dramas Firmin-Didot et Cie., 1885. 775 p. illus. und der lateinischen Schauspiele nach Christus bis 4°. MW Ende des x. Jahrhunderts. Bd. 4—7. Geschichte des italienischen Drama's. 7. Urjjan, Erich. Das Welttheater. Ge- Bd. 8-11. Geschichte des spanischen Drama's. meinverstandliche Darstellung und Inhalts- Bd. 12-13. Geschichte des englischen Drama's. angabe der beriilimtesten, klassischen und The index volume, complete and well arranged, has references to scenery and stage arrangements. modernen Dramen, Schauspiele, Komo- dien, Lustspiele und Possen, von den iilt- 4. Mantzius, Karl. A history of theatrical esten Zeiten bis zur Gegenwart. Berlin: \V. art iinrfcient and modern times. London: Herlet (19— ?i. 624 p. illus. 8°. (Illus- Duckworth and Co., 1903-09. 5 v. 8°. trierte Haus- u. Weltbibliothek Merkur.) *R~NAF *R-NAF V. 1. The earliest times, v. 2. Middle ages and Brief sketches of the plots of the principal dramas, renaissance, v. 3. Shakespearean period in England. with occasional stage pictures.

Greek and Roman Stage

8. Actors with bird masks. (Journal of 10. Allison, Francis G. [A review of Ju- Hellenic studies, v. 2, no. plates.) 14, fMTLA lius Hopken's) De theatro Attico saeculi ante Christum quinti. (American journal Colored plates from vases in Berlin and the Brit- ish Museum. of philology, v. 5, 1884, p. 252-255.) RAA

9. The Agamemnon of Aeschylus at Har- 11. Altmann, Elcktra von Ricli- vard, illus. (Current literature, v. 41, Wilhclm. Aug., 1906, p. 182-183.) * DA ard Strauss, illus. (Velhagen & Klas- [31 .

THE NEW YORK PUBLIC LIBRARY

Greek and Roman Stage, continued. 23. Bergk, Theodor. Griechische Litera- turgeschichte. Berlin: Weidmann, 1872- 23, Heft 8, April. ings Monatshefte, Jahrg. 87. 4v. 8°. NRE 573-579.) * DF 1909, p. An index volume by Peppmiiller and Hahn in- Scenes from the Berlin and Dresden presenta- cludes many references to the Greek theatre. tions. • 24. Bernhardy, Gottfried. Aeussere Ver- 12. The Ancient theatres. (The drama, fassung der Tragodie, ihres Haushaltes or theatrical pocket magazine, v. 4, Tiily, und ihrer Kunst. (In his: Grundriss der 1823. p. 337-340.) NCOA griechischen Litteratur. Halle, 1867-76. Brief account of mechanical devices used in Greek 8°. p.81-153.) theatres. 3.ed. Theil2, Abt.2, NRE Has a good bibliography. 13. Ancient theatres in Crete. illus. (.Builder, v.Sl, Dec. 7, 1901, p. 499-502.) 25. Bethe, Erich. Das griechische The- MQA ater Vitruvs. (Hermes, Bd. ii, 1898, p. 2,U-Z2i.) RBA 14. Ancient theatrical relics. (Era. v. 76, Jan. 4, I'll.^ p. 17.) ftt NAFA 26. Prolegomena zur Geschichte des Account of relics in the British Museum. Theaters im Alfe'rthum; Untersuchungen iiber die Entwickelung des Dramas, der 15. Andre, Pierre. Theatre et forum Biihne, des Theaters. Leipzig: S. Hirzel, d'Ostie. illus. (ficole frangaise de Rome, 1896. xiv, 350 p. 8°. NSA Melanges d'archeologie et d'histoire. an- A close study of the Greek and Roman stage nee 11. 1891, p. 492-505.) BAA technique. Some interesting conjectures regarding the use of flying machines. A chapter each on scene / scenes of the gods, effects in Prometheus, I 16. Bader, Franz. Die griechische Trago- changing, and curtains. die im modernen Theater. (Biihne und Welt, Tahrg. 6, Halbbd. 1, March, 1904. p. 27. Thymeliker und Skeniker. 459-465.) t NGA (Hermes, Bd. 36, 1901, p. 597-601.) RBA

17. Baker, Hettie Gray. The Agamem- 28. Bluemner, Hugo. The home life of non of Aeschvlus at Harvard, illus. (The- the ancient Greeks. Translated from the atre, New York, v. 6, July, 1906, p. 173-174.) German... by Alice Zimmern. London: tt NBLA Cassell & Company, Ltd., 1893. xv, 548 p. Has an interesting view of the open air theatre illus. 8°. BVF erected in the stadium at Athens. Chapter 12 gives an excellent account of theatre technique. 18. Baldwin, G. The ancient Greek tlTC- atre. (Building news, v. 79, Oct. 26, 1900, 29. Bochius, Joannes. Descriptio pvblicse p. 566.) MQA gratviationis. spectacvlorvm et Ivdorvm. . Abstract of paper read at University of Edinburgh. Antverpiae: Ex officina Plantiniana, 1595.

174 1 1. illus. f°. 19. Barkenbom, Magnus, and others. De p., ttGBM theatris veterum dissertatio. Parts [1-3). Has interesting pictures of a theatre of peace, a spectacular ship, a sea monster, triumphal arches, Upsalia:: Typis Edmannianis, 1807-08. 3 fire works, and processions. parts. 12°. NSBp.v.ll.no.l 30. Bodensteiner, Ernst. Szenische Fra- 20. Baumeister, August, and others. Denk- gen iiber den Ort des Auftretens und Ab- maler des klassischen Altertums zur Er- gehens Schauspielern lauterung des Lebens dcr Griechen und von und Chor im griechischen Drama. (Jahrbiicher fiir Romer in Religion, Kunst und Sitte. Lexi- classische Philologie, Supplementband 19, kalisch bearbeitet von I?. Arnold, H. Blijm- 1893, p. 637-808.) RAA ner, W. Deecke [U. a.i und dem Herausge- ber A. Baumeister. Miinchen und Leipzig: 31. Brumoy, Pierre. Le theatre des Grecs R. Oldcnbourg, 1885-88. 3 v. illus. 4°. *R-BTGP ... Seconde edition complete, revue... par AL Raoul-Rochette. Paris: M""" V* See tlie headings Lustspicl. Trauerspiel. The- atergebriude. Theatervorstcllungen, Schauspieler und Cussac, 1820-25. 16 v. 8°. NSB Schauspielkunst, Satyrdrama. See v. 1, p. 131-138 for reference to decorations, machines, etc. The Library has an English transla- 21. Beck, Th. Herons des alteren Auto- tion by Mrs. Charlotte Lennox (1759) of the first edition. matcntheater. illus. (Verein deutscher Ingenicure. Beitrage zur Geschichte der 32. Capps, Edward. The chorus in the Technik und Industrie, Bd. 1, 1909, p. 182- later Greek drama with reference to the 199.) VA stage question. (American journal of ar- Gives details of machinery. " chaeology, V. 10, July -Sept., 1895, p. 287- 22. Becker, Heinrich. Das antike und 325.) MTA das moderne Theater in Riicksicht auf 33. The Greek stage according to Schauen und Huren. (Allgemeine Bauzei- the extant dramas. (American Philologi- tung, Jahrg. 55, 1890, p. 45-47, 53-54. 62-63.) cal Association. Transactions, v. 22, 1891, 3-tt VEA p. 5-80.) RAA DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY

Greek and Roman Stage, continued. 46. The Coming performance of Oedipus at Covent Garden, illus. (Sphere, 34. The introduction of comedy into Lon- don, v. * the city of Dionysia. Chicago: University 48, Jan. 13, 1912, p. 54.) DA Has a view of the reconstructed interior arranged of Chicago Press, 1903. 30 p., 1 chart. V. for the Reinhardt presentation. (University of Chicago. Decennial publications. Printed from v. 6.) f NSA 47. Cook, Arthur Bernard. On the thymele in Greek theatres, illus. (Classical 35. Professor Christ on the Greek review, v. 9, Oct., 1895, p. 370-378.) f RBA stage. (Classical review, v. 9, March, 1895, p. 133-136.) t RBA 47a. Croiset, Maurice. Le theatre Review of several articles. fgrecquc]. (In: .A.lfred and Maurice Croiset,

Histoire de la litterature grecque. . . Paris, 36. [Review ofj Weissman's Die sce- 1887-95. 4v. 8°. tome 60-71.) nische Auffiihrung der griechischen Dra- 3, p. NRE men des 5. Jahrhunderts. (Classical re- 47b. Curtius, Ernst. Orchestra und Biihne. view, V. 8, March, 1894, p. 124-126.) f RBA (Berliner philologische Wochenschrift, Jahrg. 13, 96-99, 37. The side-entrances to the Greek Jan. 21, 1893, p. 126.) theatre. (Classical review, v. 8, July, 1894, RAA From a paper read before the Archaeological p. 318-320.) So- tRBA ciety of Berlin. 38. Chaignet, Antelme fidouard. La trage- 48. D., C; I. Oedipus acted in the ruins die grecque. Paris: Didier et Ce., 1877. of a Roman amphitheatre, illus. (Theatre xliv, 372p. 12°. NSA magazine. New York, v. 18, July, 1913, p. 21, For a description of scenery and machinery see viii-ix.) NBLA p. 239-244. ft Interesting account of the presentation at Fiesole, Italy. 39. Chamonard, J. Theatre de Delos. (Bulletin de correspondance hellenique, 49. Darley, John Richard. The Grecian annee 20, 1896, p. 256-318, plates xix-xxiii drama; a treatise on the dramatic literature at end of volume.) MTLA of the Greeks. Dublin: Hardy and Walker, p. 281, La skene. 1840. xix, 549 p. 8°. NSA Audience, theatre, scenic dresses, p. 112-134. 40. Christ, Wilhelm. Bedeutungswechsel einiger auf das griechische Theater beziig- 50. De Kay, Charles. Curious masks lichen Ausdriicke. (Neue Jahrbiicher fijr among Greeks and barbarians. illus. Philologie und Paedagogik, Bd. 149, 1894, (Magazine of art, v. 22, 1897-98, p. 583-587, p. 27-47.) RAA 651-655.) fMAA 41. Das Theater des Polyklet in Epi- 51. Dewey, Melvil. The Greek theatre of dauros in seiner litterar- und kunsthistor- the 5th century B. c. By Melvil Dui. (Dra- ischen Bedeutung. (Koeniglich Bayerische matic magazine, Aug., 1881, p. 18-25.) MW Akademie der Wissenschaften. Sitzungs- berichte: Philos.-philol. Classe, Jahrg. 52. Das Dionysos-Theater in Athen. 1894, p. 1-52.) * EE Ideale Rekonstruktion. (In: Spemanns golclenes Buch des Theaters. Stuttgart, 42. Zur Chronologic attischer Dra- 1912. 12°. opp. p. 33.) NAF men. (Neue Jahrbiicher fiir Philologie und Paedagogik, Bd. 149, 1894, p. 157-164.) 53. Directions for costuming and staging RAA Oedipus and other Greek plays. (Werner's magazine, v. 27, July, 1901, p. 337-339.) 43. Christie, James. Disquisitions upon MWA the painted Greek vases and their probable connection with the shows of the Eleusi- 54. Dr. Dorpfeld on the Greek theatre. nian and other mysteries. London, 1825. (Builder, \.72,, Sept. 4, 1897, p. 179-180.) xii, 146 p. illus. 4°. f MPEK MQA Chapter S treats of the Eleusinian scenery and Review of Dr. Dorpfeld's Bcitrage snr Gcschichte compares the performances \i\ih the Oriental shadow des Dionysos-Tltcatcrs in Athcn und andcrcr gricch- show. ischcr Theater. 55. Doerpfeld, griechische 44. Claretie, Leo. Du theatre de Diony- Wilhelm. Die Biihne. (Kaiserlich Deutsches archaeolo- sos a la Maison de Moliere. illus. (Revue gisches Institut. Atheiiische Abteilung. encyclopedique, supp., 1894, p. 6-11.) — t*AP Ivlitteilungen, Bd.28, 1903, p. 383-436.) N Shows method of movinfj the encycleme and briefly MTGA describes other features of the Greek theatre. 56. Das griechische Theater \^itruvs. illus. (Kaiserlich Deutsches archaeolo- 45. Clouzot, Henri. Le theatre populaire gisches Institut. — Athenische Abteilung. illus. de Doue en Anjou. (La revue d'art Mitteilungen. P.d. 22, 1897, p. 439-4^2: Bd. dramatique, 238-247.) annee 17, 1902, p. 23, 1898, p. 326-356.) MTGA NAFA Good description of this amphitheatre, with an old 57. Die optischen Verhaltnisse des illustration. griechischen Theaters. (Kaiserlich — :

THE NEW YORK PUBLIC LIBRARY His- Greek and Rovian Stage, continued. 71. Dyer, Thomas Henry. Pompeii. tory, buildings, and antiquities . . . London Deutsches archaeologisches Institut. G. i-5ell & Sons, 1891. xv, 587 p., 9 pi. new Abteilung. lilitteilungen, P.d. Athenische ed. [1875., 12°. MTY 24, p. 310-320.) MTGA 1899, See chapters 7 and 8. 58. Das Theater in Eretria. (Ber- 72. Engelmann, Richard. Archaologische philologische Wochenschrift, Jahrg. liner Studien zu den Tragikern. Berlin: Weid- April 25, 1891, p. 514-515.) RAA 11, mannsche Buchhandlung, 1900. 4 p.l., 90 p. 59. Das Theater in Megalopolis. 8=. NSA (Berliner philologische Wochenschrift, Die Biihne, p. 6-15. 418-420, 1026-1027.) stage pictures as shown on Greek vases. Jahrg. 11, 1891, p. RAA Interesting 73. Femand-Michel, Frangois Fortune, 60. Das Theater von Thera. illus. the younger. Le theatre antique d'Orange (Kaiserlich Deutsches archaeologisches & ses representations modernes. Preface Mittei- Institut. — Athenische Abteilung. de AI. Paul Bosq... Paris: Alphonse Le- 57-72.) lungen, Bd.29, 1904, p. MTGA merre, 1894. 56 p., 2 1. 12°. NKL Delos et la scene 61. Le theatre de 73a. Ficoroni, Francesco de. Le ma- illus. (Bulletin de cor- du theatre grec. schere sceniche e le figure comiche d'an- respondance hellcnique, annee 20, 1896, p. Rossi, MTLA tichi Romani. . . Roma: Antonio de 563-580.) 1736. 227 p. illus. 4°. NTV 62. Thymele und Skene. (Hermes, Shows a large number of pictures of ancient masks. V.Z7, 1902, p. 249-257.) RBA 73b. Flickinger, Roy Caston. The Greek 63. Doerpfeld, Wilhelm, and EmilReiscii. theater and its drama... Chicago: The Das griechische Theater. Beitrage zur University of Chicago Press [1918i. xxviii, Geschichte des Dionysos-Theaters in 358 p. illus. 8°. *R-NSA Athen und anderer griechischer Theater. A comprehensive work.. See index under head- set; Costumes; Curtain; Athen: Barth & von Hirst, 1896. xiv p., ings: Back scene; Box Lighting; Masks; Panels; Parascenium; Parodus; 4°. 1 1., 396 p. illus. NSA Properties; Proscenium; Scenery; Theater; etc. Probably the most exhaustive study of the Greek theatre. For an excellent review see American jour- 73c. The meaning of E;-ti xfig oxrivfi; nal of philology, v. 18, no. 69, 1897, p. 1-18, RAA. in writers of the fourth century. Chicago: University of Chicago Press, 1902. 16 p. 64. Doerpfeld, Wilhelm, and others. The 4°. (University of Chicago. The decen- theatre at Megalopolis. (Classical review, nial publications.) ff NRF p.v.l, no.5 V. 5, June, 1891, p. 284-285.) f RBA Reprint from The decennial publications, v. 6. 65. Drerup, E. Das griechische Theater 74. Plutarch as a source of informa in Syrakus. (Kaiserlich Deutsches archae- the theatre. Chicago: Uni ologisches Institut. — Athenische Abtei- tion on Greek versity of Chicago Press, 1904. 64 lung. Alitteilungen, Bd. 26, 1901, p. 9-32.) p \ MTGA NSA p.v.l 75. Floegel, Karl Friedrich. Geschichte 66. Durm, Josef. Die Baukunst der des Groteskekomischen; ein Beitrag zur Etrusker. Die Baukunst der Romer. Stutt- Geschichte der Menschheit. Liegnitz und gart: A. Kroner, 1905. x, 783 p., 19 pi. Leipzig: David Siegert, 1788 322 p. illus. 2. ed. 4°. (Handbuch der Architektur. NAP 'Theil2: Die Baustile. Bd.2.) MQD 76. - Miinchen: Georg Miiller. See p. 645-700. Excellent illustrations. 1914. 2v. illus. 8° NAF der Griechen. 67. Die Baukunst Based upon the edition of 1788 and greatly en- Darmstadt: A. Bergstrasser, 1892. vii, 386 larged by Max Bauer. Richly illustrated with copies old pictures. chapters on puppets p., 3 pi. 2. ed. 4°. (Handbuch der Archi- of stage Interesting and sh;i(lii\v plays. tektur. Theil2: Die Baustile. Bd. 1.) MQD 77. Fontana, Carlo. L'anfiteatro Flavio, See p. 308-333. descritto e delineato dal Cavaliere Carlo 68. Duruy, Victor. Athenian literature of Fontana. Nell Haia: Appresso I. Vaillant, the fifth century B. c. 1: The theatre of 1725. 2 p.l., 171 p., 2 1., 24 p. f°. ffMRE The introduction describes the celebrated theatres Dionysus; 2: Aischylos; 3: Sophocles; 4: j of antiquity. Page 9 refers to stage machinery. I Euripides; 5: Aristophanes. illus. (In One of the plates shows mechanism for fastening the',* his: History of Greece, 1892, v. 3, section 1, ropes of the immense awning. p. 1-85.) *R-BVC 78. Fossum, Andrew. The eiskyklema mL^ Interesting illustrations. the Eretrian theatre, illus. (Americanl 69. Dyer, Louis. The theatre at Mega- journal of archaeolog}^ series 2, v. 2, 1898,i lopolis, illus. (Classical review, v. 5, May, p. 187-194.) MTA' 1891, p. 238-239.) RBA f 79. The stage-building of the the- 70. Vitruvius' account of the Greek atre of Eretria. (American journal of ar- stage, illus. (Journal of Hellenic studies, chaeology, V. 7, Sept., 1891, p. 257-266, plate- V. 12, 1891, p. 356-365.) EVA 11 at back of vol.) MTA DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY

Greek and Roman Stage, continued. 91. Goodell, Thomas Dwight. Dorpfeld and the Greek theatre. (American jour- 80. Friedlaender, Ludwig. Les jeux. (In: nal of philology, v. 18, no. 69, 1897, 1-18.) jMarquardt, Le culte les p. K. J. chez Re- RAA mains. Paris, 1889-90. 2 v. 8°. tome 2, An excellent review of Dorpfeld's Beitrage cur Ge- p. 245-349. Manuel des antiquites ro- schichte des Dionysos-Theaters in Athen... maines. tome 13.) BWE \ See especially p. 304—334 (Les jeux sceniques). 92. Gow, .A^. S. F. On the meaning of the word 0u(ie?.ii. (Journal of Hellenic studies, 81. Furley, J. S. The stage in the Greek V.32, 1912, 213-238.) theatre. (Classical review, v. 3, Feb., 1889, p. BVA p. 85-86.) fRBA 93. The Greek scene at Covent Garden Discussion of Dorpfcld's theory. Theatre, illus. (Builder, v. 3, Jan. 11, 1845, 82. Gardner, Ernest Arthur. Ancient p. 18-19.) MQA Athens. New York: The Macniillan Com- Scene for Antigone painted by John Macfarren. 7 pany, 1907. xvi, 579 p. illus. 8°. BVT \ See chapter 10 (The theseum, the asclepieum, 93a. A Greek theatre in London. (Build- \ and the theatre). The theories of Dorpfeld and ing news, v. 50, May 21, 1886, p. 818.) iPuchstein are briefly discussed, p. 444-448, drawings MQA / showing their restorations. Mr. E. W. Godwin's presentation of Todhunter's 83. The stage in the Greek theatre. Helena in Troas at a theatre set up in the old Argyll , (Athenaeum, no. 3275, Aug. 2, 1890, p. 172.) Street Theatre, London. ' *DA 94. Griswold, Frederic H. Modernizing 84. Gardner, Ernest Arthur, and others. the Greek theatre, illus. (World to-day, Excavations at Megalopolis, 1890-1891. v. 12, April, 1907, p. 386-394.) * DA By Ernest Arthur Gardner, William Lor- Describes the Prinzregent Theater of Munich, and ing, G. C. Richards, W. J. Woodhouse. the Schiller Theater of Charlottenburg — modern the- With an architectural description by atres adapted to Greek drama. Robert Weir Schultz. London: published 95. Guhl, Ernst Karl, and W. D. Koner. by the council, 1892. vii, 141 p. illus. f°. The life of the Greeks and Romans, (Society for the Promotion of Hellenic described from antique monuments... Studies. Supplementary papers, no. 1.) Translated from the 3d German ed. by F. V fMTLA Hueffer. New York: D. Appleton & Co., 1 Exhaustive study of this Greek theatre with ex- 1875. ix, illus. 8°. Jcellent plans. 620p. *R-BVG See p. 115-133, 421-436. 85. The theatre at Megalopolis, illus. (Journal of Hellenic studies, v. 11, 1890, 96. H., F. (Review of] Remarques di- p. 294-298.) BVA verses sur les theatres romaines a propos Combats the idea that there was no raised stage de ceux d'Arles et d'Orange by Jules For- in the Greek theatre. mige. (Classical review, v. 28, Nov., 1914, 86. Gardner, Percy. The scenery of the p. 248.) t RBA Greek stage. (Journal of Hellenic studies, 97. Hager, Herman. A. Miiller's Greek V. 19, 1899, p. 252-264.) BVA theatre. ((Classical review, v. 1, Dec, 1887, Abstracted in Building news, v. 76, June 2, 1899, p. 762, MQA; Builder, v. 76, June 3, 1899, p. 537- p. 296-298.) t RBA 538, MQA. Review of Miiller's Die gricchischen Biihnenalter- thiimcr. 87. Geffcken, Johannes. Die griechische Tragodie. Leipzig: B. G. Teubner, 1911. 98. Haigh, Arthur Flam. The Attic the- 8°. 163 p. 2. ed. NSA atre; a description of the stage and the- Schauplatz des Theaters; Technisches, p. 11-20. atre of the Athenians, and of dramatic Folded plan shows details of theatre and surroundings. performances at Athens. Third edition, revised and in part re-written by A. W. P. Gandy. 88. Gell, Sir William, and J. Pickard-Cambridge. O.xford: Clarendon Pompeiana. The topography, edifices, and Press, 1907. xv(i), 396 p. illus. 8°. ornaments of Pompeii. London: Rodwell *R-NAF and Martin, 1824. 2 v. new ed. 4°. MTY Exceptionally complete, with_ a wealth of biblio- See V. 259-265 for illustrations of theatres 2, p. graphical references. Chapter 4 is devoted to scenery. (and amphitheatres. 99. Bodensteiner on the Greek stage. 89.- Genelli, Hans Christian. Das Theater 175- zu Athen, hinsichtHch auf Architectur, (Classical review, v. 8, April, 1894, p. Scenerie und DarsteUungskunst iiberhaupt 179.) tRBA erlautert. Berlin und Leipzig: G. C. A review of Bodonstciner's Sccnischc Fragcn. 4°. Nauck, 1818. 301 p. illus. NSA 100. Dr. Dorpfeld's theory about the 90. Geppert, Karl Eduard. Die altgriecli- logeion in Greek tlieatres. (Classical re- ische Bijhne... Leipzig: T. O. Weigel, view, v. 4, June, 1890, p. 277-282.) f RBA 1843. xxiv, 288p. illus. 8°. NSA 101. Dorpfeld's theory of the Greek Dcr Bau und die Einrichtung des griechischcn Feb., 1898, Theaters, p. 85-186. stage. (Classical review, v. 12, Many foot-note references. p. 1-11.) fRBA THE NEW YORK PUBLIC LIBRARY

Vigilio. II teatro antico greco Greek and Roman Stage, continued. 112. Inama, , e romano... Milano: Ulrico Hoepli, 1910. I 102. Navarre on the Greek theatre. xxiv, 248p. illus. 24°. (Manuali Hoepli.) * (Classical review, v. 9, Dec, 1895, p. 470- NSA Meccanismi teatrali. 473.) tRBA Chapter 3: Bibliography, p. xxi-xxiv. A review of Navarre's Dionysos. 113. Kawerau, Georg. Theatergebaude. 103. Puchstein's Greek Stage. (Clas- illus. (In: August Baumeister and others, v. Dec, 1901, p. 470-473.) sical review, 15, tRBA Denkmaler des klassischen Altertums. Minichen, 1888. 4°. Bd. 3, p. 1730-1750.) A review of Puchstein's Die gricchischc Biihne. *R-BTGP 103a. The tragic drama of the Greeks 114. Kirchhoff, Christian. Dramatische 1896. viii, ... Oxford: Clarendon Press, Orchestik der Hellenen. Leipzig: B. G. 499 illus. 8°. *R-NSA p. Teubncr, 1898. v, 511 p. plan. 8°. NSA See index under headings: Costume; Machinery; See Teil 3. Der Auffiihrungsplatz; Vitruv und Masks; Spectacular effects; Stage; Theatre; Vitru- Epidaurus. vius; \VaKgons.

115. Knapp, Charles. The Roman the- j 104. Hamilton, Clayton. Euripides speaks atre. illus. (Art and archaeology, v. 1, across twenty-three hundred years... ^ 1915, p. 137-152, 186-204.) MTA illus. (Vogue, V. 46, no. 1, July 1, 1915. p. | Excellent illustrations of ruins and restorations. * 52-53, 82, 84.) * DA Illustrations of Iphigenia in Taurus and the Tro- 116. Koerte, Alfred. Bericht iiber die Lit- t'an women, as presented by Granville Barker. eratur zur griechischen Komodie aus den Jahren 1902-1909. (Jahresbericht iiber 105. Harrison, Jane E. Dr. Dorpfeld on die Fortschritte der klassischen Altertums- the Greek theatre. (Classical review, v. 4, wissenschaft, Bd. 152, 1911, p. 218-312.) June, 1890, p. 274-277.) t RBA RBA 105a. Harzmann, Friedrich. Quaestiones 117. Hermann Reichs Mimus. (Neue scaenicae. Marpurgi Cattorum: Typis Jahrbiicher fiir das klassische Altertum Friederici, 1889. 1 p.l., 58 p., 11. S°. Geschichte, Jahrg. 6, 1903, p. 537-549.) NSBp.v.l2, no.3 fNAA book. Dissertation, University of Marburg. Review of Reich's 118. Koerting, Gustav Carl Otto. Ge- Gaertringen, Friedrich, 106. Hiller von des griechischen imd romischen Ausgraben schichte Freiherr von, and O. Kern. Theaters. Paderborn: Ferdinand Scho- Magnesia am Maiandros. im Theater von ningh. 1897. ix, 381 p. 8°. (Geschichte (Kaiserlich Deutsches archaeolo- illus. des Theaters in seinen Beziehungen zur Abteilung. gisches Institut. — Athenische Entwickelung der dramatischen Dicht- Alitteilungen, Bd. 19, 1894, p. 1-101.) MTGA kunst. Bd. 1.) NSA For description of the Greek stage see p. 89-100; 107. Hippeau, Celestin. Le theatre a of the Riimaii stage, p. 236-239. attel- Rome; origines, jeux fescennins, 119. Kunz, George Frederick. Stadiums, lanes, dispositions sceniques, mimes, pan- ancient and modern... (New York,] 1912.

la tragedie, la comedie. . . Paris: tomimes, 1 p.l., 411-418 p., 4 pi. 8°. MRE Leopold Cerf, n. d. xiv, 233 p. 8°. NTV Repr. : American Scenic and Historic Preservation Society. 17th annual report. 108. Hoenn, K. Das antike Theater. (Freier Bund. Moderne Theaterkunst. 120. Leo, Friedrich. Die Ueberlieferungs- Geleitworte. 13. Ausstellung, 1913. [Mann- geschichte der terenzischen Komodien und heim, 1913?, 4°. p. 26-28.) MWE der Commentar des Donatus. (Rhein- isches Museum fiir Philologie, Bd. 38,1883, revival of 109. Hofflund, Bertha. The p. 317-347.) RAA in America, illus. ancient Greek drama .•\ discussion of masks as shown in ancient art. (Theatre magazine, v. 14, Oct., 1911, p. 122- 121. Light, William. Views of Pompeii. 123.) ttNBLA Drawn on stone by D. Harding; after Scene from The aroma of Athens as presented at J. the open air Greek theatre. Point Loma, California. drawings by William Light, Esq. London:

printed for Tames Carpenter and Son, 1828. ' H., jr. riaoaaxiivia. 110. Holwerda, J. 25 1.. 25 pi. "f". tMTY \ nao66oi. IleoiuxToi. (Kaiserlich Deutsches Plates 20 and 21 show the tragic and comic the- f archaeologisches Institut. — Athenische atrcs respectively. Abteilung. Mitteilungen, Bd. 23, 1898. p. 122. Lohde, Ludwig. Die Skene der Al- 382-389.) MTGA ten. Berlin: W. Hertz. 1860. 24 p., 1 pi. 4°. (Programm zum Winckelmannsfest Horovitz, Josef. Spuren griechischer 111. der archaologischen Gesellschaft zu Berlin, l^Iimen im Orient, mit cinem Anhang iiber no. 20.) MTI das egyptische Schattenspiel von Friedrich Kern. Berlin: Hayer & Mueller, 1905. 123. Lumisden, Andrew. Remarks on 104 p. illus. 8°. NSA the antiquities of Rome and its environs: DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY

Greek and Roman Stage, continued. 133. Meriden, Orson. Greek tragedies in C. C. N. Y. stadium, illus. being a classical and topographical survey (Theatre magazine, V.21, June, 1915, 283, of the ruins of that celebrated city. Lon- p. 312.) don: printed for G. and W. Nicol, 1812. iv, tt NBLA Briefly describes the portable stage 478 p. illus. 2.ed. 4°. at the Col- MTX lege of the City of New York designed by Norman See index under headings Circus and Theatre. Wilkinson for Granville Barker.

124. Mackenzie, William Mackay. Pom- 134. Merriam, A. C. Evolution of the peii, painted by Alberto Pisa, described by Greek theatre. (Classical review, v. 5, William Mackenzie. London: A. & C. July, 1891, p. 343-344.) f RBA Black, 1910. xii, 179 p. illus. 8°. MTY Chapter 6: Public amusements: the theatres and 135. Middleton, J. Henry. Ancient Rome, amphitheatres. in 1885... Edinburgh: A. & C. Black. 8°. 125. Magnin, Charles. Les origines du the- 1885. xxvi, 512p. illus. MTX atre moderne, ou, Histoire du genie dra- See chapters 9 and 10. matique depuis le i^' jusqu'au xvi" siecle, 136. Moderwell, Hiram Kelly. Students precedee d'une introduction contenant des in a Greek play, illus. (Theatre maga- etudes sur les origines du theatre antique, zine, V. 16, Oct., 1912, p. 105.) ttNBLA tome 1. Paris: L. Hachette, 1838. xxxii, Account of presentation of Elcktra at Wabash 522 p. 8°. NAF College. Of this interesting work the Library has volume one only, which gives an excellent account of the 137. Monnier, Alarc. The wonders of ancient theatre. Pages 408-518 treat the of spectacles Pompeii. Translated from the original in the Roman circus (see especially p. 457-458 for an account of machinery used). French. New York: Scribner, Armstrong & Co., 1874. xii, 13-250 p. illus. 12°. 126. Mahaffy, John Pentland. [The Greek MTY theatre.) his: classical (In A history of See chapter 8. Greek literature. London, 1895-1904. 12°. 138. Montfaucon, Bernard de. V. 1, part 2, p. 12-21.) NRE L'antiquite expliquee Interesting account of scene painting and stage et representee en figures. Paris: arrangements. F. Delaulne, 1722. 5 v. in 10. illus. 2. ed. f°. Stuart 416 127. Maiden, R. H. A Roman stage con- Tome 3, partie 2, p. 231-272: Theatres and amphi- vention. (Classical review, v. 17, April, theatres; p. 315-317, Les naumachies (i. e. naval 1903, p. 160-161.) fRBA combats). Discussion of the use of lupines as stage money. The Library has an English translation (London, 1721-25), 5-ttMrC, for which see v. 3, p. 148- 173, 199-200. Excellent 128. Mallard, Gustave. Le theatre gallo- engravings. romain de Drevant. (Bulletin archeolo- 138a. Mooney, W.W. The house-door on gique du Comite des travaux historiques the ancient stage. Baltimore: Williams «Sc scientifiques, 43-71, illus. et annee 1906, p. Wilkins Co., 1914. 105 p. 8°. NSA * at back of no.) EN Princeton University dissertation. 129. Masqueray, Paul. Bibliographic pra- 139. Moses, Alontrose Jonas. Greek drama tique de la litterature grecque des origines in beautiful settings, illus. (Theatre mag- a la fin de la periode romaine. Paris: C. azine, V.22, July, 1915, p. 12-13, 38.) Klincksieck, 1914. 2 p.L, iv p., 11., 334 p. tt NBLA 8°. NRE Account of The Trojan women and of Iphigcnia p. 67-70, references to the Greek theatre. in Tauris at the stadium of the College of the City of New York. Work of Granville Barker and Nor- 130. Matthews, James Brander. The de- man Wilkinson. velopment of the drama. York: C. New 140. Mueller, Albert. Das Biihnenwesen Scribner's Sons, 1908. vii, 350 p. 12°. *R-NAF in der Zeit von Constantin d. Gr. bis Jus- tinian. (Neue Jahrbiicher fiir das klas- considerable historical information concern- Has sische Altertum Geschichte, Bd. 23. 1909, ing the arrangement and technique of the stage. p. 36-55.) tNAA 131. Mau, August. Pompeii, its life and See p. 47-48 for an account of decorations. art. Translated into English by Francis W. Kelsey. New York: The Macmillan 141. Lehrbuch der griechischen Biih- nenalterthiimer. Freiburg i. B.: C. B. Co., 1899. xxii, 509 p. illus. 8°. MTY J. Mohr, 1886. x p., 11., 432 p. 8°. (K. F. Chapter 20: The large theatre. Chapter 21: The small theatre. Chapter 29: The amphitheatre. Hermann's Lehrbuch der griechischen .Xn- tiquitaten. Bd. 3, Abth. 2.) BVF 132. Menard, Rene Joseph. La vie privee des anciens. Texte par R. Menard. Des- 142. Die neueren Arbeiten auf dem sins d'apres les monuments antiques par C. Gcbiete des griechischen Biihnenwesens; Sauvageot. Paris: V" A, Morel et Cie., eine kritische Ubersicht. (Philologus, 1-108.) 1880-83. illus. 8°. *R-BAP Supplementband 6, 1891-93, p. See, in vol. 4, chapter 5 (Le theatre) and chap- RBA ter 6 (Les fetes publiques). On p. 215 is a picture Lengthy critical review of twenty-six works on of a Roman "tank" amphitheatre. the Greek stage. .

10 THE NEW YORK PUBLIC LIBRARY

Greek and Roman Stage, continued. 156. Parrot, Georg. Das griechische The-

ater. ( Tournal des savants, 1898, p. 133- 143. Xoch einmal die Sehverlialt- 145, 197-214, 402-425, 509-522, 581-600.) nisse im Dionysostheatcr. (Philologus, 3-OA Bd. 59, 1900, p. 329-343.) RBA An extensive criticism of the work of Dorpfeld 144. Scenische Alterthiimer. (Philo- and Reisch. logus, Bd. 23, 273-345, 482-540.) 1866, p. 157. Pickard, John. The relative position RBA of actors and chorus in the Greek theatre Lengthy critical review of eighteen books on the of the V. century b. c. (American journal Greek stage. of philology, V. 14, 1893, p. 68-89, 198-215, 145. Scenisches zur romischen Ko- 273-304.) RAA modie. (Philologus, Bd. 59, 1900, p. 9-20.) RBA 158. Pierron, Pierre Alexis. Origines du theatre grec. (In his: Histoire de la lit- 146. Untersuchungen zu den Biih- tcrature grecque. Paris, 1857. 12°. p. nenalterthiimern. illus. (Philologus, Sup- 252-268.) NRE plementband7, 1899, p. 1-116.) RBA p. 255-257: Appareil scenique; p. 262-265, De- Reviewed in Berliner philologische IVochenschrijt, scription du theatre. Bd. 19, Dec, 1899, p. 1550-1551, RAA. 147. W. Christ, Das Theater des 159. Piranasi, Francesco. II teatro d'Er- Polyklet in Epidauros... (Berliner philo- colano. Alia Maesta di Gustavo iii, re di Svezia, etc. Nella logische Wochenschrift, Jahrg. 14, Xov. 10, Roma: Stamperia Sa- 1894, col. 1456-1460.) RAA lomon!, 1783. 71., 9 pi. f°. ttMQM Muller's review of the above work. Plates show details of stage construction of theatre at Hcrculaneum. 148. Newton, Sir Charles Thomas. The 160. Ranking, John. Historical researches Greek theatre. (Builder, v. 54, 1888. p. 318, on the wars and sports of the Mongols and 341-342, 361, 397.) 3-MQA Romans... London: Longman, Rees, Series of six lectures at University College. In- teresting details of stage arrangements. Orme, Brown, and Green, 1826. xiv, 516 p. 4°. BDN 149. Nissan, Heinrich. Pompeianische Chapter 10: Of Roman amphitheatres, remains of Studien zur Stadtekunde des Altertums. . which exist in Britain, Italy, France, Spain, Sicily, Leipzig: Breitkopf & Hartel, 1877. xii, 694 Greece, Syria, and other countries. p. 8°. MTY 161. Reber, Franz von. Die Ruinen See chapters 4 and 15. Roms. Leipzig: T. O. Weigel, 1879. xvi, 150. Noack, Ferdinand. Das Proskenion 574 p. illus. 2.ed. 4°. f MTX in der Theaterfrage. (Philologus, Bd. 58, 162. Radon, Gustave. The architecture of 1899, p. 1-24.) RBA theatres. What it has been — what it 151. Oehmichen, Gustav. Griechischer ought to be. illus. (JMagazine of art,. v. Theaterbau. Nach Vitruv und den Uber- 18, 1895, p. 128-132.) f MAA resten. Berlin: Weidmannsche Buchhand- 163. Raas, Kelley. The significance of lung, 1886. viii, 220 p. illus. 12°. MRE the parodoi in the Greek theatre. (Ameri- 152. Overbeck, Johannes Adolf. Pompeji can journal of philology, v. 32, 1911, p. 377- in seincn Gebiiuden, Alterthiimern und 402.) RAA Kunstwerken fiir Kunst- und Alterthums- 164. Raisch, Emil. Urkunden dramati- freunde dargestellt von J. Overbeck. Leip- scher Auffiihrungen in Athen. (Zeitschrift zig: Wilhelm Engelmann, 1875. xvi, 580 p. fiir die ostcrreichischen Gymnasien, Jahrg. illus. 4°. MTY 58, 1907, p. 289-315.) SSA See p. 130-174. On p. 140 the raising of the curtain is pictured. Lengthy review of Adolf Wilhelm's work of above title. 153. P., R. A description of the amphi- 165. Revitalizing theatre at Xismes. (Annals of the fine Greek tragedy for American consumption, illus. (Current arts, V. 4, 1820, p. 425-430.) 3 - MAA opinion, v. 59, July, 1915, p. 28-29.) * DA 154. Parker, John Henry. The archjc- Account of presentation of The Trojan women in ology of Rome. Part vii. The Flavian the stadium of the College of the City of New York. amphitheatre, commonly called the Colos- 166. Ribback, Otto. Die romische Tra- seum. Oxford: James Parker and Co., godie im Zeitalter der Republik. Leipzig: 1876. pi. 8°. MTX B. G. Teubner, 1875. 692 p. 8°. NTV References to machinery used in the spectacles. See book 7: Theater und Schauspieler. 155. Pausanias. Pausanias's description 167. Ridgaway, William. The dramas of Greece. Translated with a commentary and dramatic dances of non-European by J. G. Frazer. London: Macmillan & races in special reference to the origin of Co., Ltd., 1898. 6v. 8°. BVF Greek tragedy with an appendix on the Many references to the Greek theatre, with com- origin of Greek comedy. Cambridge: Uni- ments by the translator. See especially v. 5, p. 501-506, in which the theories of Dorpfeld are com- versity Press, 1915. xv, 448 p. illus. 8°. batted. NAF .

DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 11

Greek and Roman Stage, continued. 179. The Setting of a Greek play. (Quar- terly review, v. * 167a. —— The origin of tragedy with 188, 1898, p. 360-380.) DA special reference to the Greek tragedians A discussion of Dorpfeld, Haigh, and A. Miiller.

Cambridge: University Press, 1910. 180. Smith, Cecil. Actors with bird- i 11., 228 illus. 8°. X p., p. *R-NSA masks on vases. (Journal of Hellenic stud- I Deals with customs of primitive peoples. Discus- ies, V. 2, 1881, p. 309-314.) BVA-' sion of the thymele, p. 39—47. 181. Stratton, Clarence. Greek influence 168. Robert, Karl. Die IMasken der neue- upon the stage, illus. (Art and archaeolo- ren attischen Komoedie. Halle a. S.: M. gy, V. 3, May, 1916, p. 251-263.) f MTA 4°. Niemeyer,_1911. 112 p. illus. (Hal- Brief description of presentation of Electra by lisches Winckelmannsprogramm. 25.) company of Raymond Duncan. MTI 182. T., C. The theatre at ^Megalopolis. 169. ——- Die Scenerei des Aias, der (Classical review, v. 5, Nov., 1891, p. 437.) Eirene und des Prometheus. (Hermes, fRBA Bd.31, 1896, p. 530-577.) RBA 182a. Tallant, Hugh. The American the- 170. Zur Theaterfrage. (Hermes, ater, its antecedents and characteristics, Bd.32, 1897, p. 421-453.) RBA illus. (Brickbuilder. v. 23, Dec, 1914, p. Discussion of ancient Greek theatre buildings. 285-290; v. 24, Jan., 1915, p. 17-22.) MQA Greek and Roman theatres described. 171. Rogers, Benjamin Bickley, translator. The comedies of Aristophanes, v. 3. 183. Terence. P. Terentii Afri Comoe- The peace. The birds. London: G. Bell diae ex recensione Danielis Heinsii collata and Sons, 1913. 8°. NSFL ad antiquissimos mss. codices Bibliothecae p. xxxii-xxxvii contain an account of stage ma- Vaticanae cum variantibus lectionibus, lar- chinery used. ris et personis depromptis ex eisdem codi- cibus et Italica 172. Rothmann, J. G. Das Theaterge- versione. Recensuit. . .C. baude zu Athen nebst drei lithographischen Cocquelines. Romae, 1767. 2 v. illus. f°. Abbildungen. Ein Beitrag zum Stadium tNTXK der griechischen Tragodie. Torgau: Interesting for illustrations of masks and actors. Wienbrack'sche Buchhandlung, 1852. 20 p. 184. Theatervorstellungen. illus. (In: illus. 4°. NSA August Baumeister and others, Denkmaler See p. 11-16 for discussions of scenery and ma- des klassischen Altertums. chinery. Many footnote bibliographical references. Leipzig, 1888. 4°. Bd. 3, p. 1750-1758.) *R-BTGP 173. Ruggiero, Michele. Storia degli 185. Todt, B. Noch einmal die Biihne des scavi di Ercolano, ricomposta su' documen- Aeschylos. (Philologus, Bd. 48, 1889, p. ti superstiti. Napoli: Tipografia dell' .A.c- 505-541.) RBA cademia reale delle scienze, 1885. li, 696 p. illus. plans. f°. t MTY 186. Toutain, J. Le theatre romaine de See introduction. Simitthu (Schemtou). (ficole frangaise de Rome. Melanges d'archeologie et d'his- 174. Satz, Sigmund. Das Automatenthe- toire, annee 12, 1892, p. 359-369.) BAA ater des Heron von Alexandria. (Biihne und Welt, Jahrg. 9, Halbjahr 1, 1906-07. p. 187. Venuti, Marcello de, marchese. Aus- 103-106.) fNGA fiihrliche Beschreibung samt hinlanglicher

Nachricht von Heracleja. . .mit ihren 175. Saunders, Catherine. Costume in - Gebauden, Tempeln, Schau Biihnen. . Roman comedy. New York: Columbia Frankfurt und Leipzig: Joh. Paul Krauss, University Press, 1909. x, 145 12°. p. 1749. 9p.l., 186 p. 12°. MTY (Columbia University studies in classical philology.) NTV 188. \yageningen. Jacobus van. Album Bibliography, p. 143-145. Terentianum picturas continens ex imagine Contains references to pictures in manuscripts of phototypa Lugdunensi Terentii codd. Am- Terence. brosiani H 75 et Parisini 7899 sumptas et 176. The introduction of masks on lithographice exprcssas. Groningae: In the Roman stage. (American journal of aedibus Heredum P. Noordhoff, 1907. Ixxxviii ^ philology, V. 32, 1911, p. 58-73.) RAA p. plates. f°. f NTXN Good bibliographical footnotes. 189. Scaenica Romana. Groningae: 177. Schoenborn, Julius August. Die In aedibus Heredum P. Noordhoff, 1907. Skene der Hellenen. Ein Versuch. Nach 67 p. 4°. fNTV dem Tode des Verfassers hrsg. von Dr. Chapter one deals with the origin of the stage and of scenic ornamentation. Masks are considered Carl Schonborn. Leipzig: S. Hirzel, 1858. in chapter 2, section e. Many bibliographical foot- X, 361p. 8°. NSA notes. 178. Schoener, Reinhold. Pompeji. Be- 189a. Weissmann, Karl. Die scenischen schreibung der Stadt und Fiihrcr durch die Anweisungen in den Scolien zu Aischylos, Ausgrabungen. Stuttgart: W. Spcniann Sophokles, Euripides und Aristophanes [1877]. viii, 194 p. 12°. MTY und ihre Bedeutung fiir die Biihnenkunde. LIBRARY 12 THE NEW YORK PUBLIC Ulrich von. Greek and Roman Stage, continued. 197. WUamowitz-MoUendorff, Die Biihne des Aischylos. (Hermes, Bd. neuen Gymnasiums in Programm des K. 21, 1886, p. 596-622.) RBA Bamberg... 1895/96. Bamberg: F. Hii- Abstracted in American journal of philology, v. 8, 1896. 1 p.l.. 54 p. 8^ NSA mann, 1887, p. 508-509, RAA. 190. The Westminster play, illus. (Graph- * dramatischer Auffiih- ic, V. 1, Dec. 25, 1869, p. 79, 89.) DA 198. Urkunden gelehrte Describes the presentation of Plautus's Triiium- rungen in Athen. (Gottingische 611-634.) tllUS. Anzeigen, Jahrg. 168, 1906, p. *DF 191. White, John Williams. The stage in Aristophanes. (Harvard studies in classi- Lengthy review of Adolf Wilhelm's work of the above title. cal philology, V.2, 1891, p. 159-205.) RBA

192. Whitney, C.W. The Greek amphi- 199. Winckelmann, Johann Joachim. Re- the University of California, theatre at cueil de lettres. . .sur les decouvertes faites illus. (Engineering record, v. 50, Dec. 31, a Herculanum, a Pompeii, a Stabia, a Ca- 1904, p. 760-763.) VDA serte & a Rome. Avec des notes critiques. Gives views and details of construction. Traduit de I'allemand [par H. Jansenj. 8°. 193. Wiegand, Th. Das Theater zu Paris: Barrois I'aine, 1784. 329 p. Priene. illus. (Kaiserlich Deutsches ar- MTY chacologisches Institut. — Athenische Ab- See p. 161-177 for references to stage machinery. teilung. Mitteilungen, Bd. 23, 1898, p. 307- 313.) MTGA 200. Witzschel, Augustus. The Atheni- an stage; a handbook for students. Trans- 194. Wieseler, Friedrich. Griechisches lated from the German by the Rev. R. B. (Allgemeine Encyklopadie der Theater. Paul and edited by the Rev. T. K. Arnold. Wissenschaften und Kiinste, Bd. 83, 1866, With a plan of a Greek theatre. London: p. 159-256.) *AM F. & J. Rivington, 1850. vi, 151 p. 12°. Rich in footnote references. NSA des grie- 195. Lleber die Thymcle Scenery, decoration, and machinery, p. 93-98. chischen Theaters. Eine archaologische Vandenhoeck Abhandlung. Gottingen: & 201. Woodhouse, W. J. The scenic ar- Ruprecht, 1846. 20 p. 8°. NSA rangements of the Philoktetes of Sopho- 196. Gottingen: Vandenhoeck & cles. (Journal of Hellenic studies, v. 32, Ruprecht, 1847. 66 p. 4°. NSB p.v.7, no.3 1912, p. 239-249.) BVA

Mediaeval Stage

202. Adam; mystere du xii* siecle. Texte 208. Berret, Paul. Des conditions de rep- critique, accompagne d'une traduction par resentation de la comedie latine. Confe- Leon Palustre... Paris: Dumoulin, 1877. rence qui a precede la representation du xii, 187 p. 8°. NKN Retour du Parasite, comedie en vers en un See p. [3] for stage directions. acte de P. Berret, adaptee du Curcu'.io, de 203. Aimond, Charles. Le theatre a Ver- Plaute. (Revue d'art dramatique, nouv. se- dun a la fin du moyen age. (Societe des rie, tome 7, Tune 5, 1899, p. 174-186.) lettres... de Bar-le-Duc. Memoires, scrie NAFA tome 7, 1909, p. 3-17.) * EN 4, 209. Berriat-Saint-Prix, Jacques. Re- 204. Aubertin, Charles. Histoire de la marques sur les anciens jeux des mysteres; langue et de la littcrature frangaises au faites a I'occasion de deux deliberations moyen age... Paris: E. Belin, 1876-83. inedites prises par le conseil de ville de 2v. 8°. NKB Grenoble en 1535, relativement a I'un de ces See 1. section 2: Organisation materielle du tome jeux. . . (Societe royale des antiquaires de theatre. Les auteurs et les actcurs. La scene, les France. Memoires, tome 5, 1823, p. 163- decors, et le public. 210.) DA 205. Bates, Katharine Lee. The English For references to staging and mechanics see p. religious drama. New York: Macmillan 178-182. Co., 1902. 4 p.l., 254 p. 12°. NCOD 206. Bateson, Mary. The mediaeval stage. 210. Boehm, Anna. Notizie sulla storia (Scottish historical review, v. 1, July, 1904, del teatro a Padova nel secolo xvi e nella p. 399-406.) CPA prima meta del xvii. (L'ateneo veneto, A review of E. K. Chambers' Mediaeval stage. anno 22, v. 1, p. 290-301 ; v. 2, p. 94-107, 249- 207. Benson, Robert Hugh. The upper 283.) * ER room; a drama of Christ's passion. Lon- don: Longmans, Green & Co., 1915. 72 p. 211. Bolingbroke, L. G. Pre-Elizabethan illus. 8°. NAFM plays and plavers in Norfolk. (Norfolk Stage directions in preface. archaeology, v. 11, 1892, p. 332-351.) CO DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 13

Mediaeval Stage, continued. and formerly represented by the trades of Chester at 212. Bond, Richard Warwick. Early Whitsuntide. Edited by Thomas Wright. plays from the Italian, edited, with essay, London: Shakespeare Society, 1843-47. 8°. introductions and notes... Oxford: Clar- 2 v. pi. NAFM See introduction and notes. endon Press, 1911. cxviii, 332p. 8°. NNP "This introduction of movable scenery seems to 220. Cohen, Gustave. Geschichte der In- have been made at Rome by Baldassare Peruzzi szenierung im geistlichen Schauspiele des about 1513, but should perhaps be assigned to Giro- Mittelalters in Frankreich. lamo Genga at Urbino before 1508. It went probably Vermehrte und much further than any arrangements the Greek, the verbesserte Ausgabe ins Deutsche iiber- Vitruvian, still less the Plautine stage, could boast; tragen von Dr. Constantin Bauer. Leip- and set the scenic fashion for the whole subsequent zig: Werner Klinkhardt, 1907. xiv. 256 theatre of Europe." — p. xliii. p. 8°. NAFM 213. Borlase, William. Antiquities, his- A notable study of the decorations and mechanical torical and monumental, of the countj^ of accessories of liturgical and mystery plays. Thirteen pages of bibliography. Cornwall... London: W. Bowyer and T. Nichols, 1769. xvi, 464 p. illus. 2. ed. f°. 221. Histoire de la mise en scene ttQPM dans le theatre religieu.x frangais du moyen age. [Bruxelles: See p. 207-208 for brief reference to the old Hayez, 1906.] 304 p., 6 Cornish miracle play. Also plan of Cornish amphi- pi. 8°. (Academic royale de Belgique. theatre. Memoires: Classe des lettres. Collection in-8°. nouv. serie, * 214. Brandl, Alois Leonhard. Quellen des tome 1.) EM See 142-163 weltlichen Dramas in England vor Shake- p. for account of machinery. speare: ein Erganzungsband zu Dodsley's 222. Le theatre a Paris et au.x envi- Old English plays. Strassburg: K. J. rons a la fin du xiv" siecle. (Romania, Trubner, 1898. cxxvi, 666 p. 8°. (Quellen annee 38, 1909, p. 587-595.) RDTA und Forschungen zur Sprach- und Cultur- geschichte der germanischen Volker. Bd. 223. Coventry plays. Ludus Coventrise. A collection of mysteries, formerly repre- 8°.) NFF sented at Coventry on the feast of Corpus Many references to staging in the Einleitung. Christi. Edited by James Orchard Halli- 215. Brandstetter, Renward. Die Luzer- well. London: Shakespeare Society, 1841. ner Biihnen-Rodel. (Germania, Tahrg. 30, xvi, 434 p. 8°. NAFM 1885, p. 205-210, 325-350; Jahrg. 31, 1886, p. See p. 408 for references to stage machines. 249-272.) RKA 224. Creizenach, W. The early religious Stage details of mystery plays. drama; miracle-plays and moralities. 216. Brink, Bernhard Aegidius Konrad (Cambridge history of English literature. ten. History of English literature (Wy- v. 5, 1910, p. 36-60; bibliography, p. 387- clif, Chaucer, earliest drama, Renaissance). 394.) *R-NCB Translated from the German, by W. C. See p. 44-48. Robinson. New York: Henry Holt and 225. Crispin. Mystere de Saint Crespin Co., xii, 8°. 1893. 339 p. (His: History et Saint Crespinien, publie pour la premiere of English literature, v. 2, parti.) fois, d'apres un manuscrit conserve aux *R-NCB archives du royaume, par L. Dessalles et See p. 234-310 for account of miracle plays, mo- P. Chabaille. Paris: Silvestre, 1836. xx, rality plays, etc. 196 p. 8°. NAFM 216a. Bruening, Ida. Le theatre en Alle- Introduction refers briefly to mode of presenta- magne; son origine et ses luttes (1200- tion.

1760) : preface de Henri de Lapommeraye. 226. Crosse, Gordon. The religious drama. Paris: E. Plon, Nourrit & Cie. [1887.] 2 p.l., London: A. R. Mowbray & Co., Ltd., 1913. xii, 295(1) p., 3 pi., 2 ports. 12°. NGA xvi, 182 p., 26 pi. 16°. (.\rts of the church. See picture of Nuremberg mystery play, opp. p. 10. V. 12.) NAF lias a chajiter on the modern revival. 217. Carnahan, David Hobart. The pro- logue in the old Frencli and Provengal 227. Cushman, L. W. The devil and the mystery. New Haven: The Tuttle, More- vice in tiie English dramatic literature be- house & Taylor Co., 1905. 200 p. 8°. fore Shakespeare. Halle a. S.: Max Nie- NAFM meyer, 1900. xiv, 148 p. 8°. (Studien zur Pages 87-89 deal briefly with the stage setting; englischen Philologie. no. 6.) NCOD p. 171-181 give the stage directions in verse. Bibli- .See p. 24-25 for an account of the mystery stage ography, p. 198-199. anil referiiico to the Hell mouth.

218. Chambers, Edmund Kerchever. The 228. Davidson, Charles. Studies in the mediaeval stage. Oxford: Clarendon Press English mj'^stery plays. [New Haven, tl903]. 2 v. 8°. *R-NAFM Conn.,] 1892. 125-297 p. 8°. NAFM description and plan of stage for miracle E'or Kxtr. : Connecticut Academy of Arts and Sciences.

' see V. 2, p. 84-86, 136-137. Transactions, v. 9, part 1. Chapters 10-12, the stage and the play in France, he Chester plays: a collection of Italy, and Germany respectively. Chapter 13, the es founded upon scriptural subjects, out-door stage. Has a bibliography. 14 THE NEW YORK PUBLIC LIBRARY

Mediaeval Stage, continued. 240. Girardot, Auguste Theodore, baron de. Le drame au xvi" siecle; mystere des 229. Devrient, Eduard. Erste Entvvick- actes des apotres. (Didron's Annales ar- lung der Schauspielkunst aus den Mys- cheologiques, tome 13, 1853, p. 16-23, 62- terien, Aloralitaten und Schuldramen (bis 67, 134-139, 184-189, 239-241.) f BTA 1500). (In his: Geschichte der deutschen Lists of properties and accessories. Schauspielknnst. Leipzig, 1848-74. 5 v. fimile, and Ulysse 16°. V. 1, 1848, p. 17-90.) NGA 241. Giraud, Paul _ CnEV.M.iKK. Le mj^stere des Trois doms, 230. Disraeli, Isaac. Primitive dramas. le joue a Romans en mdix ; publie d'apres (In Ills: Amenities of literature. New manuscrit original avec le compte de sa York, 1881. 2v. in 1. 12^ v. 1, p. 387- composition, mise en scene et representa- 402.) NCB tion et des documents relatifs aux repre- See p. 394. sentations theatrales en Dauphine du xiv* au xvi^ siecle. Lyon: Auguste Brun, 1887. 231. Dodgson, E. S. Stages on barrels. cxlvi, 2, 928 p. 4°. t NAFM (Notes and queries, 9th scries, v. 12, 1903, p. 503.) *R-*DE 242. Greban, Arnoul. Le mystere de la Traditional stage for the morality plays, now passion d'Arnoul Greban publie d'apres les used almost e.xclusively in the Pays de Soule, Fiance. manuscrits de Paris, avec une introduction et par Paris 232. Dramatic Club of the Thomas David- un glossaire Gaston et Gaston Paris: F. 1878. xlix, son School, New York City. Programme Raynaud. Vieweg, 471 p. 4°. of cj'cie of mediaeval miracle plaj's. 4 p. NKN 8°. NAFMp.v.3,no.9 Brief reference to staging on p. xix. Briefly historical and descriptive. 243. Hallam, Henry. Introduction to the literature of Europe in the fifteenth, six- 233. Ebert, Adolf. Die altesten italieni- teenth, and seventeenth centuries. Lon- schen Alysterien. (Jahrbuch fiir roma- don: J. Murray, 1837-39. 4v. 8°. NAB nische und englische Literatur, Bd. 5, 1864, See V. 1, p. 298-299 for reference to theatrical ma- p. 51-79.) NAA chinery used in French mystery plays. 234. Die englischen Mysterien mit 244. Heinzel, Richard. Abhandlungen besonderer Beriicksichtigung der Towne- zum altdeutschen Drama. 118 p. (Kaiser- ley-Sammlung. (Jahrbucii fiir romanische liche Akademie der Wissenschaften. Sit- imd englische Literatur, Bd. 1, 1859, p. 44- zungsberichte: Philos.-hist. Classe, Bd. 134, 82.) NAA 1895, Abhandlung 10.) * EF 235. Forestier, A. Origins of the Eng- See p. 25-34, Ueber die Biihne der geistlichen Dramen im Mittclalter. Has an excellent bibliog- lish stage. illus. (Illustrated London raphy of the mediaeval drama. news, 1909, v. 135, p. 934; v. 136, p. 57, 167, 225, 344, 423.) * DA 245. Beschreibung des geistlichen Schauspiels Full-page pictures, with text of: (1) The feast im deutschen Mittelalter. of the ass, 11th century; (2) Miracle play in 13th Hamburg and Leipzig: Leopold Voss, century; (3) A mystery play of the 14th century; 1898. vii, 354 p. 8°. (Beitriige zur Aes- (4) A mystery play of the 15th century; (5) York thetik. Bd. 4.) miracle play; (6) Shakespeare play at the Glohe MAB Theatre. "This book is mentioned by Chambers, but it does not receive the honoraljle mention deserved by the 236. Froude, Jatnes Anthony. The mys- monumental character of its investigation into the technical phase of the mediaeval drama." — David tery plays. (In his: History of England. Klein in ^lodcrn language notes, Nov., 1905. New York, 1865-70. 12 v. 8°. v. 1, p. 73- 78.) CH 246. Hell as staged 300 years ago; an interesting mediaeval comparison with the 237. Gayley, Charles Mills. The earlier modern Inferno at Drury Lane. illus. miracle plays of England. (International (Sphere, v. 13, June 27, 1903, p. 280.) * DA quarterly, v. 10, Oct., 1904, p. 108-129.) *DA 247. Herrmann, Alax. Forschungen zur deutschen Theatergeschichte des Mittelal- 238. Plays of our forefathers and ters und der Renaissance. Berlin: Weid- some of the traditions upon which they mannsche Buchhandlung, 1914. 541 p. 8°, were founded. New York: Duf field & NGA Company, 1907. xi, 349 p. illus. 8°. NAFM 248. Hone, William. Ancient mysteries described, especially the English miracle Illustrations of mystery plays. See chapter 7 (The secular representation of the English cycles). plays. . . London: William Hone, 1823. x, 298 p. illus. 8°. MW 239. Genee, Rudolph. Lehr- und Wander- Opposite p. 138 is a copy of Hearne's print of jahre des deutschen Schauspiels vom Be- the descent into Hell — a stage mechanism also referred to on p. 173. The Cornwall mystery stage ginn der Reformation bis zur Mitte des 18. is described on p. 217. Jahrhunderts. Berlin: A. Hofmann & Co., 1882. vii, 400 p. 12°. NGA 249. Hrotsvit. Theatre de Hrotsvitha, At back of book a stage plan for an Easter play religieuse aliemande du x^ siecle, traduit (1583). pour la premiere fois en frangais avec le DEVELOPAIENT OF SCENIC ART AND STAGE MACHINERY 15

Mediaeval Stage, continued. 259. Le theatre du peuple en Basse Bretagne. (Le correspondant, tome 216 texte latin revu sur le manuscrit de Mu- [uouv. serie, tome 180], 1904, p. 1167-1189.) nich, precede d'une introduction et suivi de *DM notes, par Charles Magnin. Paris: Benja- min Duprat, 1845. 3 p.l., Ixiv, 484 p. illus. 260. Lemire, Charles. Un grand seigneur 8°. NGA artiste au xv siecle. (Revue d'art drama- Brief reference to scenery on p. 456. 7 wood-cuts. tique, nouv. serie, tome 8, 1899, p. 150-153, 220-227.) NAFA 249a. Huard, Abel. Le theatre orleanais Describes Le mystire d'Orleans staged by Gilles a travers les ages jusqu'a la fin du xviii'^ de Rais in the fifteenth century. siecle. (Societe d'agriculture. . .d'OrJeans. Pitt. Plays, IMemoires, serie 3, tome 3, 1903, p. 181-273.) 260a. Lennox, Lord William *EN players and plaj'houses at home and abroad, with anecdotes of the drama and 250. Jubinal, Achille. Mj^steres inedits du the stage... London: Hurst & Blackett. quinzieme siecle publics pour la preiniere 1881. 2v. 12°. NCOM fois avec I'autorisation de M. le Alinistre Chapter 1 has brief references to mediaeval and de rinstruction Publique... Paris: Te- Elizabethan staging. chener, 1837. 2 v. 8°. NKN 261. Lindner, Gerhard. Die Henker und See preface. ihre Gesellen in der altfranzosischen Mi- 251. Jusserand, Jean Jules. A note on rakel- und Mysteriendichtung (xiii.- xvi. pageants and "scaffolds hye." (In: An Tahrhundeft). Greifswald: Hans Adler, English miscellany. Oxford, 1901. 8°. p. 1902. Sip. 8°. NKLp.v.2,no.3

183-195.) RNB p. 75-81: Die Inscenierung der Folter- und Hin- Good description. richtungsscenen. 252. Kasser, H. Xotizen iiber dramatische 262. M., A. de. Hubert Cailleau, peintre Auffiihrungen und militarischen Jugendun- de Valenciennes, 1547. (Archives de I'art terricht im alten Bern, illus. (Anzeiger frangais . . . tome 4, 1855-56, p. 209-212.) fiir schweizerische Altertumskunde, N. F. MAA Bd. 5, 1903-04, p. 177-186.) GDA Describes a manuscript illustrated by Cailleau. mystery Pictures of skeleton masks and costumes. "A real indication of the decorations of a play of the sixteenth century." 253. Kelly, William. Notices illustrative 263. Male, fimile. Le renouvellement de of the drama, and other popular amuse- I'art par les "mysteres" a la fin du moyen ments, chiefh' in the sixteenth and seven- age. illus. (Gazette des beaux-arts, peri- teenth centuries... London: J. R. Smith, ode 3. tome 31, 1904, p. 89-106, 215-230, 1865. viii, 310p. illus. 8°. NCOM 283-301, 378-394.) MAA See p. 76 for reference to scenery. There are also illustrated study based largely upon contem- accounts of pageants, passion plays, and puppet An manuscripts. plays. porary for the performance 254. Klein, David. A contribution to a 264. The Mansions Valenciennes, 1547. bibliography of the mediaeval drama. of the passion play at

( : Shakespeare in France. (Modern language notes, v. 20, Nov., 1905, In J. J. Jusserand, London, 1899. 8°. p. 63.) *R-*NDD p. 202-205.) RAA One of the "mansions" is the famous "Hell 255. Kuehl, Gustav. Ueber die Bordes- mouth." See p. xiii. holmer Marienklage. . . Norden: D. Sol- 265. Matthews, James Brander. The de- tau, 1898. 40 8°, (Inauguraldisser- p. velopment of the French drama. (Interna- tation, Christian-Albrechts-Universitiit zu tional quarterly, v. 7, March, 1903, p. 14-31.) Kiel.) NAFM p.v.3, no.8 *DA See p. 5-6 for description of the staging. 265a. The folk theatre, illus. (Cos- 256. Villemarque, Theodore Hersart, La mopolitan, V. 30, March, 1901, p. 535-543.) vicomte de. Le grand mystere de Jesus: *DA passion et resurrection; drame breton du p. 542, picture of a mountebank's stage of the moyen age; avec une etude sur le theatre fifteenth century. chez les nations celtiques. Paris: Didier et 266. The mediaeval drama. (Mod- Cie., 1865. cxx.xv, 263 p. illus. 8^ NKN ern philology, V. 1, June, 1903, p. 71-94.) 257. Lawson, Robb. The story of the NAA Scot's stage. Paisley: A. Gardner, 1917. 267. Miracle play seen at the IMetropoli- 303 p. illus. 12°. *R-NCOM tan. Joseph Urban describes producer's See 43-45 for brief account of staging of a p. task in St. Elizabeth. Liszt oratorio in mystery play, with a picture of the presentation. living pictures. (New York Times, Jan. 258. Le Braz, Anatole. Representations 13, 1918, section 4, p. 8.) *A de mysteres bretons. (Revue des tradi- 268. Le Mistere du Viel Testament, pu- tions populaircs, annce 3, 1888, p. 222-226.) ZBA blic, avec introduction, notes et glossaire, Modern representations in Brittany. par le baron James de Rothschild. Paris: LIBRARY 16 THE XEW YORK PUBLIC tapisseries de Mediaeval Stage, continued. 279. Toiles peintes et la ville de Reims; ou. La mise en scene 8°. (Societe Didot et Cie.. 1878-85. 5 v. du theatre des Confreres de la passion. des anciens textes frangais.) NKD Planches dessinees et gravees par C. Le- 22-27, 69, See tome 1, p. xxxix, 2, 3, 16, 17, 44, berthais; etudes des mysteres et explica- 140, 191, 286; tome p. xxi; tome 5, p. 178. 3, tions historiques par Louis Paris. Paris: compi- 269. Mooney, Margaret Sullivan, Chez AI. le V" Hyp. de Bruslart, 1843. 2 v. plays. Fifteen ler. A rosary of mystery and atlas. f°. f NAFM and ftt NAFM plays selected from the York cycle of mysteries, performed by the crafts on the 280. Parrott, Sir James Edward. The London: day of Corpus Christi, in the 14th, 15th, pageant of English literature. viii, 480 and 16th centuries. Translated from the Thomas Nelson & Sons, 1914. p. Middle English of the originals into our illus. 8°. NCB mother tongue. Albany: F. H. Evory & See chapter 21 (A miracle play), and chapter 24 (The stage in Shakespeare's day). Co.. 1915. 150 p., 15 pi. 8°. NAFM For brief reference to staging see introduction. 281. Peacock, Matthew H. The Wake- mvsteries. (Anglia, Bd.24, 1901, p. 270. Moore, E. Hamilton. English mir- field 509-524.') RNA acle plays and moralities. London and Manchester: Sherratt & Hughes, 1907. vi. 282. Pearce, Airs. Duncan. Christiana and 199 p. 12°. NAFM her children; a mystery play, adapted... See chapter 4 (The actors and the stage). from Bunyan's Pilgrim's progress: Taith 271. Morice, fimile. Histoire de la mise y Pererin, given for the first time in Wales, en scene, depuis les mysteres jusqu'au Cid. at the Town Hall, Holyhead, 24 March Co., tome 1. Paris: Librairie frangaise, alle- 1914. London: Longmans, Green and mande et anglaise, 1836. 12°. NAP 1914. 74 p., 22 pi. 4°. NAFM Twenty-one attractive full-page photogravures. 272. Mornand, Felix. Le mystere de la Passion. Jubilc dramatique, celebre de dix 283. Petit de Julleville, Louis. Les mys- ans en dix ans dans un village de Baviere. teres. Paris: Hachette et Cie.. 1880. 2 v. illus. (L'illustration, v. 16, Nov. 22, 1850, 8°. (Histoire du theatre en France.) p. 326-330.) * DM NKN

From the German in Illustricrte Zeitung. V. 1, chapter 11 (La mise en scene et les specta- teurs). 273. Mortensen, Johan Martin. Le theatre Erfurter Theatervor- frangais au moyen age. . . Traduit de sue- 283a. Pick, Albert. dois par E. Philipot. Paris: A. Picard & stellungen in der guten alten Zeit. Ham-

Fils, 1903. xxi, 254 p., 1 1., 1 pi. 12°. NKL burg: Verlag & Druck. A.-G., 1899. 29_p. 8°. (Sammlung gemeinverstandlicher wis- 274. Mueller, C. Zur Geschichte der Hir- senschaftlicher Vortrage. N. F., Serie 13, tenspiele in den Entertainments der Koni- Heft 308.) *C gin Elisabeth und Konig Jakobs i (1573- 1625). (Germanisch-romanische Monats- 284. Pollard, Alfred William. English schrift, Jahrg. 2, 1910, p. 456-483.) RAA miracle plays, moralities, and interludes. See section 8 (Die szenischen Darstellungsmittel). Specimens of the pre-Elizabethan drama, edited, with an introduction, notes, and 275. OUanescu, Dimitrie C. Teatrul la glossarv... Oxford: Clarendon Press, Romani. (Academiei Romane. Analele, 1904. Ixiv, 250 p., 6facs. 4. ed. 8°. Seria 2, tomul 18, 1895-96, p. 71-155; tomul NAFM 20, 1897-98, p. 27-349.) * EW See introduction, p. xxv-xxix. 276. Ordish, Thomas Fairman. Folk 284a. Robert, Ulysse. Les origines du drama. (Folk-lore, v. 2, 1891, p. 314-335.) theatre a Besangon. (Societe nationale des ZBA antiquaires de France. Memoires, serie 6, 277. Ormerod, George. The history of tome 9, 1900, p. 60-76.) DA the county palatine and city of Chester... Interesting list of properties. London: printed for Lackington, Hughes, 285. Robert le Diable. Le mystere de flavor 1819. 3 v. f°. Harding, and Jones, Robert le Diable, mis en deux parties, avec ttco transcription en vers modernes. en regard See V. 1, p. 300 for brief reference to staging of du texte du xiv" siecle et precede d'une in- the Chester plays. troduction, par fidouard Fournier. Paris: 278. P., C. Representation d'un mystere E. Dentu [1907,. xxx, 105 p. 12°. NAFM a I'eglise Saint Roch. illus. (L'illustra- See introduction. tion, V. 61, Feb. 15, 1873, p. 116, 119.) * DM 286. Rouse, William Henry Denham. Re- 278a. Paris, Louis. Le theatre a Reims ligious tableaux in Italian churches with depuis les Romains jusqu'a nos jours. some notes on votive offerings. (Folk- Reims: F. Michaud, 1885. 3 p.l., 314 p.. 4 pi. lore, V.5, 1894, p. 4-13.) ZBA 4°. NKL 287. Roy, fimile. fitudes sur le theatre Opposite p. 12, picture of fifteenth century mys- franqais du xiv* et xv" siecle. tery play. Opposite p. 58, picture and description du La come- of stage used by a medicine vendor. die sans titre publiee pour la premiere fois DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 17

Mediaeval Stage, continued. meries, pageants, processions, and pom- pous spectacles, from the earliest period d'apres le manuscrit latin 8163 de la Bi- to the present time: illustrated by engrav- bliotheque nationale et les miracles de ings selected from ancient paintings... Notre-Dame par personnages. Paris: London: T. Bensley, 1810. xlix, 357 p. Bouillon, 1902. ccxviii, 359 p. 8°. NKN illus. 2. ed. f°. tMNK See p. cxxx-cxiiv for a discussion of staging and stage mechanics. See especially chap. 2 (Miracles, court plays, puppets, pantomimes, etc.), and chap. 4-6 (jugglers, etc.). 288. Le jour du jugement; mystere 297-298. frangais sur le grand schisme, public pour Stuart, Donald Clive. Stage dec- in la premiere fois d'apres le manuscrit 579 oration France in the middle ages. New de la Bibliotheque de Besangon et les York: Columbia University Press, 1910. i.x, 230 p. 12°. (Columbia University stud- mysteres Sainte-Genevieve. . . Paris: E. ies in philology and literature.) Bouillon, 1902. viii, 268 1 pi. 8". romance p., NAFM MWE See p. 107-119. 299. Symonds, John Addington. Shak- 289. Scherr, Johannes. Allgemeine Ge- spere's predecessors in the English drama. schichte der Literatur... Stuttgart: Carl London: Smith, Elder & Co., 1900. xix, Conradi, 1875. 2v.ini. 5. ed. 8°. NAB 551 p. new ed. 8°. NCOD Chapter 3, miracle plays; chapter 8, Elizabethan See V. 1, p. 161-168, Das mittelalterliche Theater; also index for references to English, Greek, Indian, theatres, etc.; chapter 9, masques. and Spanish dramas. 300. Tisdel, Frederick Monroe. The in- 290. Sepet, Marius Cj^rille Alphonse. Le fluence of popular customs on the mystery drame chretien au moj^en age. Paris: plays. (Journal of English and Germanic Didier et Cie., 1878. xii, 293 p. 12°. NKN philology, V. 5, 1903-05, p. 323-340.) RKA See p. 40. Footnote references.

291. Origines catholiques du theatre 301. Studies in literature. New moderne. Les dranies liturgiques et les York: Macmillan and Co., 1913. ix, 333 p. jeux scolaires; les mysteres; les origines illus. 12°. NCD de la comedie au moyen-age; la renaissance. See p. 158-160, masques; p. 209-212, mysteries, Paris: P. Lethielleux [1901]. viii, 576 p. 8°. * R - NAF 302. Tittmann, Julius. Schauspiele aus 292. Les prophetes du Christ, fitude dem sechzehnten Jahrhundert. Leipzig: J. sur les origines du theatre au moyen age. A. Brockhaus, 1868. 2 v. 8°. (Deutsche (Bibliotheque de I'ficole des chartes, serie Dichter des sechzehnten Jahrhunderts. 6, tome 3, 1867, p. 1-27, 211-264; serie 6, Bd. 2.) NFN tome 4, 1868, p. 105-139, 261-293.) DA See introduction to each volume.

See tome 3, p. 228-232; tome 4, p. 266-274, for accounts of costumes and staging. 303. Viollet Le Due, Emmanuel Louis Nicolas. Ancien theatre frangois, ou, Col- 293. Sharp, Thomas. A dissertation on the lection des ouvrages dramatiques les plus pageants or dramatic mysteries anciently remarquables depuis les mysteres jusqu'a performed at Coventry, by the trading Corneille... Paris: P. Jannet, 1854-57. companies of that city; chiefly with ref- 10 V. 12°. NKM erence to the vehicle, characters, and See V. 1, p. xi for brief account of mystery repre- dresses of the actors. . . Coventry: Merri- sentations. dew and Son, 1825. 226 p. illus. 4°. fNAFM 304. Vismar, Jean. Le mystere de la passion a Nancv. illus. (Revue illustree, 294. Sorel, Alexandre. Notice sur les mys- annee 20, no. 21, Oct. 15, 1905.) * DM teres representcs a Compiegne au moyen- age. (Societe historique de Compiegne, 305. Wynne, Arnold. The growth of Bulletin, tome 2, 1875, p. 35-55.) DPV English drama. Oxford: Clarendon Press, 1914. 281 p. 12°. NCOD 295. Spencer, Lyle. Matthew Corpus -See p. 44-48 for staging of miracle plays; p. 270- Christi pageants in England; a dissertation 276 for an account of the Elizabethan stage. submitted. . .in candidacy for the degree of Doctor of Philosophy... [University 306. York plays: the plays performed by of Chicago.) New York: Baker & Tavlor the crafts or mysteries of York on the day Company, 1911. 6 p.L, 276 p. 12°. NCOM of Corpus Christi in the 14th, 15th, and 16th centuries; now first printed from the See chapters S and 6 for an account of stages and scenery. A good biI)Iiography of pageants. unique manuscript in the library of Lord Ashburnham; edited with introduction and 296. Strutt, Joseph. Glig-gamena angel- glossary by Lucy Toulmin Smith. Oxford: deod; or. The sports and pastimes of the Clarendon Press, 1885. Ixxviii, 557 p. illus. people of England; including the rural and 8°. NAFM (Smith) domestic recreations. May-games, mum- See introduction, p. xxxv-xxxviii. 18 THE NEW YORK PUBLIC LIBRARY

English Stage

307. Angelo, Henrj-. Reminiscences of 318. History of the Haymarket The- Henry Angelo, with memoirs of his late atre. (Era almanack. London, 1873. 8°. father and friends, including numerous 1873, p. 1.) NCOA original anecdotes and curious traits of the of the Theatre most celebrated characters that have flour- 319. History Lyceum (Era almanack. London, 1875. ished during the last eighty years. Lon- fLondou). 8°. 1875, p. 1-7.) don: Henry Colburn, 1828-30. 2 v. 8°. NCOA AN 320. History of the Olympic The- See index for references to Philip James de atre [London]. (Era almanack. London, Loutlierhourg. 1879. 8°. 1879, p. 31-34.) NCOA 308. The Art movement, act-drops by Mr. 321. History of the Prince of Wales A. J. Black for the new metropolitan the- Theatre. (Era almanack. London, 1874. atres, illus. (Magazine of art, 1899-1900, 8°. 1874, p. 1-6.) NCOA p. 519-521.) MAA

322. -— HistorA^ of the Princess' The- 309. Art in the theatre. (Builder, v. 82, — atre [London]. (Era almanack. London, Feb. 8, 1902, p. 126-127.) MQA 1876. 8°. 1876, p. 1-6.) NCOA Account of Mr. Tree's presentation of Stephen Phillips's Ulysses at His Majesty's Theatre, London. 323. History of Sadler's Well's The- 310. The Art of the theatre' according atre. (Era almanack. London, 1872. 8°. to the gospel of Gordon Craig. illus. 1872, p. 1-6.) NCOA (Graphic, v. 86, Nov. 16, 1912, p. 741.) * DA 324. History of the Strand Theatre. Burlesque view of Craig's studio. (Era almanack. London, 1872, 8°. 1872, 311. Astley's new amphitheatre. illus. p. 6-10.) NCOA (Illustrated London news, v. 2, April 1, 325. History of the Surrey Theatre 1843, 222.) * p. DA [London]. (Era almanack. London, 1876. "The proscenium forms a magnificent triumphal 8°. 1876, p. 6-10.) arch, and has been designed and erected by Mr. NCOA Evans, John the inventor and builder of the stage 326. Scenery and scene painters. and proscenium of the St. James." (Era almanack. London, 1871. 8°. 1871, 312. B., J. M. Gordon Craig and what p. 35.) NCOA he wants to do. illus. (Graphic, v. 84, A brief, but excellent, resume of the history of English scene painting. "De Loutherbourg was the Dec. 30, 1911, p. 1036-1037.) * DA first to increase the effect of scenery by lighting Has an excellent full-page portrait of Craig. from above the proscenium." "Movable scenes were first used in Rome in 1508." 313. Baker, Henry Barton. History of the London stage and its famous players 327. Vauxhall Gardens. (Era al- (1576-1903). London: G. Routledge and manack. London, 1870. 8°. 1870, p. 9-16.) Sons, Ltd., 1904. xiv, 557 p. illus. [2. ed.i NCOA 8°. *R-NCOM 328. Boaden, James. Memoirs of Mrs. See p. 22-26 for account of early use of scenery Siddons, interspersed with anecdotes of in England. authors and actors. London: Henry Col- 314. Banishing the actor from the stage, burn, 1827. 2v. illus. 8°. AN illus. (Current literature, v. 52, April, 1912, See v. 2, p. 292-293 for Boaden's ideas of scenery. p. 454-457.) *DA 329. Borsa, Mario. Review of Edward Gordon Craig's On the art The English stage of the theatre. of today. Translated from the original Italian and edited with a prefatory note 315. Behn, Mrs. Aphra. The plays, his- by Selwyn Brinton. London: John Lane, tories, and novels of the ingenious Mrs. 1908. xi, 317p. 8°. NCOD Aphra Behn... London: John Pearson, See p. 277-279 for an appreciation 12°. of Henry 1871. 6v. NCP Irving's scenic art. In V. 3, p. 273 is a stage direction for The forced marriage (1670), both for within and without the 330. Bourdon, Georges. Les theatres scene. See W. Lawrence's The J. Elizabethan play- anglais. house, V. 1, 1912, p. 176-177. (Revue de Paris, annee 7, tome 1, 1900, p. 859-894.) * DM 316. Bell, Hamilton. Contributions to See p. 876-887 for discussion of scenery. the historv of the English playhouse, illus. (Architectural record, v. 33, 1913, p. 263- 331. Bradley, Edward. Eminent artists 267, 359-368.) MQA who have been scene painters. [By] Cuth- 1. On a plan by Tnigo Jones. 2. On three plans bert Bede (pscud.]. (Notes and queries, by Sir Christopher Wren. London, series 2, v. 3, 1857, p. 46, 477; v. 4, 1857, 398; v. * - * 317. Blanchard, E. L. History of the p. 7, 1859, p. 327.) R DE Adelphi Tiieatrc [London). (Era almanack. Mentions Stanficld, Roberts, David Cox, Thomas London, Sidney Cooper, Philip James de Loutherbourg, Cana- 1877. 8^ 1877, p. 1-10.) NCOA letto, Bernardo, and Inigo Jones. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 19

English Stage, continued. 342. Craig, Edward Gordon. Etwas uber den Regisseur und die Biihnen-Ausstat- 332. Bulloch, J. M. A new theory of stage tung. illus. (Deutsche Kunst und Dekora- production. 1 port. (Lamp, v. 27, Aug., tion, Darmstadt, Bd. 16, Heft 10, July, 1905, 1903, p. 23-27.) * DA p. 596-605.) MAA Discusses Edward Gordon Craig, of whom there t is an excellent frontispiece portrait. 343. (In: Freier Bund, 13. Ausstellung, Mannheim, 1913. 333. C, L. Philip James Loutherbourgh. Moderne Geleitworte. fin: Dictionary of national biography. Theaterkunst. [Mannheim, 1913?) 4°. p. 22-24.) London, 1893. v. 34, p. 154-155.) MWE *R-AGH Plates at back of volume show designs by Craig. theatre. Chi- 333a. Carter, Huntly. Enter the new 344. On the art of the cago: Browne's Bookstore [1911). xix, 296 coming spirit. (Colour, v. 4, 1916, p. 62-67.) *DA p- illus. 8°. NAFD Refers to work of London artists: Hugo Rumbold, 344a. The theatre and the new civili- Marc Henri, Laverdet, George de Feure, Arthur zation. (Theatre arts magazine, v. 3, no. 1, Weigall. Jan., 1919, p. 3-7.) NBLA 334. Chapman, John Kemble. A com- 345. a theatre: forty plete history of theatrical entertainments, Towards new designs for stage scenes with critical notes dramas, masques, and triumphs, at the the inventor... M. Dent English court, from the time of King by London: J. Sons, Ltd., 1913. xvi, 89 40 pi. i\ Henry the Eighth to the present day, & p., including the series of plays performed tt MWE Represents work done between 1900 and 1910. before Her Majesty at Windsor Castle, 346. ]\Iinton. Charles Christmas, 1848-9. London: J. Mitchell Cundall, Herbert [185-?]. 86 p. illus. f°. fNCOM Kean, F. S. A., and theatrical scenery, illus. On page 17 a reference to the first painted and (Art journal, 1903, p. 199-206.) f MAA movable scenes (Oxford, 1605) — stated to have been Decorations by W. Gordon, H. Cutbbert, F. contrived by Inigo Jones. Lloyds, W. Telbin, T. Grieve, and L Dayes. 335. Cheney, Sheldon. Gordon Craig's 347. Desprez, Frank. The new scenery; service to the theatre, illus. (Theatre Mr. Kemp Prossor's theories. (Era. v. 77, magazine, New York, v. 20, Sept., 1914, p. April 1, 1914, p. 17.) ttt NAFA 120.) ttNBLA "It is my belief that everyone has an individual

aura or atmosphere. . .and it is my aim in designing, 336. Clarence, Reginald. The "stage" for instance, a room, to do so in accordance with cyclopaedia; a bibliography of plays. An that aura." alphabetical list of plays, and other stage 348. Dibdin, James C. The annals of the pieces of which any record can be found Edinburgh stage, with an account of the since the commencement of the English rise and progress of dramatic writing in stage, together with descriptions, authors' Scotland. Edinburgh: Richard Cameron, names, dates and places of production, and 1888. viii, Slip, illus. 4°. NCOM in all other useful information, comprising See p. 55 and 284 for references to theatre light- nearly 50,000 plays, and extending over a ing; p. 93 and 123, to scenery. period of upwards of 500 years. London: 349. Disraeli, Isaac. Curiosities of litera- "The Stage," 1909. 503 p. 8°. ture... London: F. Warne and Co., 1867- Pub. Cat. Room 68. 3 v. new ed. illus. 12°. NABO 337. Coleman, John. A gossip about Ast- Mysteries, moralities, farces, and sotties, v. 1, p. v. 40-43. ley's. illus. (Graphic, v. 47, March 18, 352-361. The early drama, 2, p. Panto- mimical characters, v. 2, p. 116-130. Masques, v. 3, 1893, p. 275-276.) * DA p. 4-13. Two pictures. 350. Downes, John. Roscius Anglicanus; 338. Colman, George, and Bonnel Thorn- or, An historical review of the stage from ton. clear the performers.] [A stage to 1660 to 1706. . . A fac-simile reprint of the (In: A. Chalmers, British essayists. Bos- rare original of 1708, with an historical ton, 1856. 16°. V. 25, p. 285-291.) preface by Joseph Knight. London: J. \V. *R-NCY Jarvis & Son, 1886. xxxv, 52 p. 8°. A protest (1754) against the custom of permitting NCOM spectators in the side scenes. On p. 20 is a brief reference to the importation of the first scenery into England for Sir 339. Cooper, Courtney R. Gordon Craig, (1662) William D'Avenant theatre. genius? (Green book album, v. 6, Aug., 1911, p. 388-393.) NAFA 351. .'\ Dream of the future theatre, illus. (Current literature. New York, v. 41, Aug., 340. Cournos, Gordon Craig and John. 1906, p 177-180.) *DA the super-theatre, illus. (Independent, v. Review of Craig's Art of the theatre. 75, July 24, 1913, p. 187-190.) * DA 352. The Duke's Theatre, London. (Pall 341. Gordon Craig and the theatre Alall magazine, v. 4, Sept., 1894, p. 88-89.) of the future. (Poetry & drama, London, *DA V. 1, Sept., 1913, p. 334-340.) * DA Views of exterior and stage. 20 THE XEW YORK PUBLIC LIBRARY

English Stage, continued. earliest to the latest times. New York: Welch, Fracker Co., 1890. 227 p. 12°. 353. The (Englishi drama. (Family maga- NCOD zine, V. 8, 1840. p. 309-31 L) * DA school. (Era, v. A brief review of English stage history to time 363. The Gordon Craig of Charles ii, with references to scenery and lighting. 76, March 8, 1913, p. 19.) fft NAFA

354. The English stage. (Quarterly re- 364. Grabo, Carl Henry. The stage for view, V. 155, April, 1883, p. 354-388.) * DA which Shakespeare wrote, illus. (Chau- Historical review. On p. 376-378 are criticisms tauquan. v. 44. 1906, p. 98-106. 211-219, 354- Charles Kean and Charles of the scenic lavishness of 366; V. 45, p. 79-89, 206-218, 331-343.) * DA Fechter. 1. The mystery plays. 2. The ancestry of the Elizabeth's Lon- 355. Fairholt, Frederick William. Lord English theatre. 3. The theatres of 4. Stage properties and costumes. 5. The collections don. mayors' pageants: being staging of Macbeth and Romeo and Juliet. 6. Some towards a history of these annual celebra- effects of Elizabethan stage conventions upon Shake- tions, with specimens of the descriptive speare's method. pamphlets published by the city poets. 365. Zur englischen Biihne um 1600. London: printed for the Percy Society, ( Deutsche Shakespeare-Gesellschaft. Jahr- 8°. 1843-44. 2 parts in 1. CO buch, Jahrg. 38, 1902, p. 230-236.) * NCK Part 1: History of lord mayors' pageants. Part 2: Reprints of lord mayors' pageants. 366. Great Britain. — Public Record Of- fice. Letters and papers, foreign and do- 356. Faulkner, Thomas. The history and mestic, of the reign of Henry viii. Lon- antiquities of Brentford, Ealing, aiid Chis- don, 1862-1910. 21 V. in ZZ. 4°. C wick, interspersed with biographical no- See indices under heading Revels, of which many 1845. tices... London: Payne & Foss, details are given. xvi. 504 p. illus. 8°. CO illus. Brief references to De Loutherhourg. 367. H. Edward Gordon Craig, (Kunst und Kiinstler. Jahrg. 3, Nov., 1904, 357. The history and antiquities of p. 71-79.) MAA the parish of Hammersmith, interspersed with biographical notices... London: 368. Hamilton, Clayton. Granville Bar- Nichols & Son, 1839. xiv, 446 p. illus. 8°. ker's compromise between the platform CO stage which made audience and play one See p. 345-349 for reference to De Loutherbourg. and the picture-frame stage which creates the "eavesdropping convention." illus. 358. Feuillerat, Albert. Documents relat- (Vogue, V. 45, no. 6, March 15, 1915, p. 61- ing to the revels at Court in the time of 63, 98.) * DA King Edward vi and Queen Mary (the Loselej' manuscripts). Louvain: A. Uyst- 369. Harris, Augustus. Art in tlie the- pruyst," 1914, xv, 339 p. 4°. (Materialien atre; spectacle, illus. (Magazine of art, V. zur Kunde des alteren englisclicn Dramas. 12, 1889, p. 109-113.) tMAA Bd. 44.) NCO (Materialien) Scenes from The Armada and Puss in boots at Excellent source material, with commentaries and Drury Lane Theatre. complete indexes. 370. Harvey, Martin. Dramatic evolution. 359. Fitzgerald, Percy Hetherington. A (Era, V. 77, Oct. 1, 1913, p. 21.) ftt NAFA new history of the English stage, from the His ideas on stage simplicity. Restoration to the liberty of the theatres, in connection with the patent houses, from 371. Hatton, Joseph. The Lyceum original papers in the Lord Chamberlain's "Faust". . .with illustrations from draw- Office... London: Tinsley Bros., 1882. ings by W. Telbin, Hawes Craven, W. H. Margetson, Bernard Partridge, and 2 v. 8°. NCOM J. Helen H. Hatton. 44th thousand. . . Lon- See V. 1, p. 62-68 for a brief account of early scenery in England and other countries; also v. 2, don: J. S. Virtue and Co., Limited (1886 ?i. p. 233-234 for the introduction of modern footlights 32 p. ob. 16°. NCOM i)y David Garrick. A detailed account of the scenery. 360. Fleay, Frederick Card. On the his- 372. Her Majesty's Theatre. (Builder, tory of theatres in London, from their first v. 9, March 29, 1851, p. 201.) 3-MQA opening in 1576 to their closing in 1642. Scenery by C. Marshall for the ballet L'ile des (Roval Historical Society. Transactions, amours. v. 10. 1882. p. 114-133.) ' CA 373. Her IMajesty's Theatre. (Builder, v. 361. Foss, Frederick. Theatrical proper- 9, June 21, 1851, p. 394.) 3-MQA ties. (Notes and queries, series 5. v. 6. 1876. Memphis scenes said to have been begun and fin- p. 64.) *R-*DE ished in one day. "An [amusing] inventory of the properties at Liv- 374. Herkomer, Sir Hubert von. Scenic etpool, taken Sept. 11, 1780. by Thomas Singleton." Among the items are: A Lyor for Orphoous, and art. (Arciiitect and contract reporter, v. King Lear's mop. 54. Dec. 13, 1895, p. 383-388.) MQA

362. Golden, William Echard. A brief 375. Scenic art. (Building news. v. history of the English drama from the 69, Dec. 13, 1895, p. 844-845.) MQA I)i;vi;i.oi'mi;nt (jf scknic art and stagr macminkry 21

8". luif/lish SliKji', continued. Paris: J. I'.. Dumoulin, 1851 60. 6 v. (Archives d(- I'.iil frau(,ais. tome 2, 4, 6, 8, 376. Scenic art. illiis. (MaKa/iiK! of 10, 12.) MAO art, V. 52, 1892, p. 259-264.) t MAA SrtT loHiP .1, p. K 1.1, fr)r life of IiiiKo Jonm; tonic 377. tScciiic effect.] (I'.niMcr, v. 69, .1, p. 223-224 for that of I-outhcrl)our({. Dec. 1895, 433-434.) 14, I). MQA 389. Marston, R. The f)Idest theatre.

illus. ( .\'ew Voik dramatic mirror, v. 378. Historical skctcli of tlu: rise aii

379. History of Her Majesty's Thcalrc 390. Mawson, ll.irry I'. hi( kens on the (iCra almanack, 1868, p. 34-37.) NCOA stage. illus. Cl'healre magazine, v. 15, Jan., 1912, !>. 46 49.) tt NBLA 380. Jenkinson, Wilberforce. The e;irly |)lay-liouscs and tiie drama as referred to 391. Mein, W. Cf)rdon. A maker of images, illus. in Tndor and .Stnart lilcralnrt;. ((!onlcm- (Art chronicle, v. 7, Jan. 12, 1912, 108-111.) jjorary review, v. 105, Jnnc, 191 t, p. 817- I). tMAA (). 856.) * DA An .ippri-ci.ilion of I'",. ('rain's On tlu- art of till.' tluiili,-. 381. Kempe, Alfred John, editor. The 392. Mr. Alheit Iv'-.t lienslein's work. i-oseley mannscripls. Mannscripts and (.Stage ye.'ir hook, 191 I, i)lates hetwecn p. other rare dfjcnmenls, ilhistrativc of some 23 and 24.) NAFA of the more niinnle jjartieidars of ICnKlisii I'orlr.iit aniography, and manners, from tlie 393. Mr. Charles Kean. illus. (Illus- reiKn of Henry viir to that of James i, pre- 1859, served in the mnninient r(jom of James trated London news, v. 35, Aug. 6, p. * More Molyneux, at l.oseley House, in 131.) DA A'.,, Mill of hi-i .111, with poili.iil. Surrey. London : Joini Murray, 1836. xxiv, 8'. 506 p. illus. CN 394. Mr. Cr.nrad Tritschler's work. I).-I;iils of Ihi: riv

1). 172 177.) tMAA alic, new series, v. 15, 189(J, opp. p. 107.; * DA • ICn^lish 383. The i)ioneers of modern I'.x. .Ilriil |)lioto(.;ta|ih. staKe-mountiuK: William Capon. illns. 395. Mr. Jose))li Marker's work. CStage (Magazine of art, v. 18, 1895, p. 289 292.) tMAA ye;ir hook, 1914, pl.ites between !>. 23 and 24.) NAFA 384. Windows on the prc-Restora- I'orli.iit ami ^ccncH from Kismvt and lU'llti iJonna, tion stage. CAiiKlia, I5d. 36 (N. F., Iid.24|, 396. Mr. I'lanche's. . .The king of the pea- 1912, p. 4.50 478.) RNA cocks. (Iluihler, v. 6, Lee. 30, 1848, ]). 627.) 384a. Linnell, Gertrufle. The greatest 3-MQA imagist of the theatre. iJiseouraged in Uifr,; (,, work of W. Ucvi-rlcy. London, (jordon Craig finally cr>mi>els 397. Mr. R. C. McCicery's work. (Stage recognition in Florc-nce. illus. ri'lualre ycir hook, 191 I, plates between p. 23 and magazine, v. 29, April, 1919, p. 21H, 23).) NAFA NBLA 21.) it I'orlrail and •,< < ii<- from 'lltr liarhu/uin Itinu.

385. Lowe, Rfdjert W . A hihliographical 398. Mr, W. T. He!msl(;y's work. (Stage account of l-lnglish theatrical literature year book, 1911, pl.ites between \i. 23 ;infl from the earliest times to the present day. 24.) NAFA L". 1888. x, 384 Li-uidon: John Nimmo, p. I'orlrail and hcrnc from I.Trrywoman ; alio an H'\ NCOD art drop at the l.r.ndf.n fJp

386. The Lyceum Theatre. CHuiMer, v. 9, 399. A New art (A decoration for the (( 'iirrent Inly, Jan. 4, 1851, p. 13.) 3 -MQA stage, illus. oi)inion, v. 57, l'M4, |). .10 ''DA |{i!V';rliy .'iii'l .M<:;i'l<)W.s hcj'-ncry for lUiiy (.'hartti- 31.) in (I. KcfcT* liricfly to the work of KonKin in ihr net- liiJKH for Sari; alHo to ponti-r HcttitiK of U. Krmp 387. MacFall, Hahlane. Sf>me tlioughts I'loivr. on the art of Cordon C>aig, with particular 400. 'i'lie New Royal Amphitheatre, Hol- ("Studio, reference to stage-craft, illus. born. (Illustrated i-ondon news, v. 50, V.23, p. 246-257.) MAA 1901, June 22, 1867, p. 6.30; illus. on p. 616.) * DA 388. Marietta, Pierre Jean. Ahecedarif) 401. Norman, (Jertrude. Fdward (iordon illus. (Tlu-- de I'. J. .Mariette et autres notes ineditcs dc (.'raig, a ntrw stage genius, cet amateur .sur les arts et les artistes... atre, v. 5, Jinie, 1905, p. 147 149.) tt NBLA 22 THE NEW YORK PUBLIC LIBRARY

English Stage, continued. of the three principal winter theatres. (Annals of the fine arts, v. 3, 1819, p. 147- 402. O'Keeffe, John. Recollections of the 153.) 3 -MAA life of John O'Keeffe written by himself. Inconsistencies of effects at Covent Garden. "A 8°. London: Henry Coltjiirn, 1826. 2 v. library, an historical painter, and an architect, should AN be on the establishment of every national theatre." See V. 421 for to Carver, Louther- 2, p. a poem 415. Richardson's Theatre. (Graphic, v. bourg, and Richards. 56, Sept. 25, 1897, p. 418; illus. on p. 420- 403. Old Drury. (All the year round, 421.) *DA new series, v. 22, March 29, 1879, p. 346- Double-page illustration showing a scene at the 352.) * DA entrance. 416. The Royal Italian Opera House. 404. Oliver, D. E. The English stage, its (Builder, v. July 19, 1851, p. 448.) origins and modern developments. Lon- 9, 3-MQA don: John Ouseley, Ltd. [1912.] xv, 152 p. Grieve and Telbin's work for Die Zauberflote. [2. ed.'i 12°. NCOD 417. Ryan, Richard. Dramatic table talk; 405. Osborn, Max. Edward Gordon Craig, or, Scenes, situations & adventures, seri- Berlin, illus. (Deutsche Kunst und Deko- ous and comic, in theatrical history & bi- ration, Tahrg. 16, Heft 10, July, 1905, p. 589- ography. London: John Knight & Henry 595.) tMAA Lacey, 1825. 3 v. illus. 16°. NCOM See v. 2, p. 72-76 for a brief reference to early 406. Paint and canvas. (All the year scenery and effects in England. round, new series, v. 13, Jan. 30, 1875, p. Recollections the scenic 376-381.) * DA 418. S., G. of effects of Covent Garden Theatre during Excellent brief history of scene painting. Inter- esting account of De Loutherbourg. the season of 1838-9. . . no. 2, 5-14. Lon- don: James Fattie, 1839. 11 numbers, 33 pi. 407. Palmer, John Leslie. Footlights and 8°. NCOM the super-doll. (Saturday review, v. 113, Sketches of the Macready performances of Vir- Jan. 20, 1912, p. 74-76.) * DA ginius, 'I'zvo Foscari, Henry v (part \), King Lear, William Tell, Coriolanus, Macbeth, Othello, Werner, 407a. The future of the theatre. Lon- }lamlet, and Ion. don: G. Bell Sons, Ltd., 1913. p.l.. iii- & 3 419. Scene from Le corsaire, the new bal- xi, 196p. 12°. NCOD let at Her Majesty's Theatre, illus. (Il- See especially chapter 5: The future of theatrical lustrated London news, v. 29, 19, 1856j haberdashers, in which methods of Sir Herbert Tree, July Granville Barker, Gordon Craig, \Vm. Poel, and Max p. 67.) *T3^' Reinhardt are discussed. Shows a shipwreck scene by Marshall. "The complete withdrawal of the wings, and the substitution 408. The Poney races at the Theatre Roy- of a broad expanse of panoramic atmosphere, extending over al, Crow-Street, illus. (Walker's Hiber- the whole area of the stage, is a new, bold, and successful idea." nian magazine, Nov., 1795, p. 385.) * DA A quaint view of the interior of the theatre. 420. Scenery and costumes in Meyerbeer's Le Prophete. (Builder, v. 7, Aug. 4, 1849, 409. The Princess's Theatre, (Builder, p. 370.) 3-MQA v. 10, Feb. 14, 1852, p. 107.) 3-MQA Appreciation of work of Grieve and Telbin. Charles Kean's presentation of King John. "The 421. Scenery and decorations. (Builder, first scene, a hall in the i)alace, with open wood roof, stained windows in the sides, and tiled floor, is very V. 10, 1852. p. 11, 29. 124, 155, 183, 245, 283, effective." 326, 411, 521, 642, 709, 757, 789.) 3-MQA Brief notes on scenery of London plays. 410. Professor Herkomer's Idyl. (Graph- ic, V. 39, June 8, 1889, p. 630; illus. on p. 422. Scenery at the Italian Opera House, 628.) * DA Covent Garden. (Builder, v. 6, June 3, 1848, p. 268-269.) 3-MQA 411. Hekkomer, Sir Hubert von. The pic- Refers to work of Grieve and Telbin for Doni- torial music-play: An idvl. illus. (Alaga- zetti's La favorita. zine of art, v. 12, 1889, p. 316-324.) f MAA 423. The Scenery. . .for Mr. Planche's... 412. Redgrave, Samuel. A dictionary of Theseus and Ariadne at the Royal Lyceum artists of the English school... London: Theatre. (Builder, v. 6, April 29, 1848, p. Longmans, Green, & Co., 1874. vii, 473 p. 205.) 3-MQA 8°. MAO Refers to work of W. Beverly. Lives of De Loutherbourg and Inigo Jones. 424. Scenery at the Princess's Theatre. (Builder, 413. Review of the costume of the King's v. 14, Sept. 6, 1856, p. 489.) Theatre Haymarket, and the two Winter 3-MQA Charles Kean's Theatres Royal. (Annals of the fine arts, presentation of Sheridan's Picarro. Scenery by Messrs. Grieve, Gordon, and Lloyds. v. 4, 1820, p. 142-146.) 3 -MAA 425. Scenery at Princess's Theatre. Interesting comments on the scenery and effects (Builder, v. 17, April at Covent Garden Theatre. 2, 1859, p. 240.)3-MQA 414. Review of the costume, scenery, Charles Kean's presentation of King Henry V — decorations, and other pictorial accessories a brief notice. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 23

English Stage, continued. 438. The Stage. (Builder, v. 24, 1866, p. 723, 848.) 426. Scenery of the stage. (Builder, v. 3-MQA Notes on decorations for London plays. Page 12, 1854, p. 89, 214, 225, 294, 324, 562, 666.) 723, a criticism of Beverley's decorations for King 3-MQA John at Drury Lane. A series of brief notes on scenery in London theatres. On page 225 is an account of Mr. Kean's 439. The Stage. (Builder, v. 25, 1867, p Faust; on page 666, an account of William Callcot's 695, 806.) scenery for Little Bo-Pecp, and a reference to Bur- 3-MQAMQA ford's panorama. Notes on London plays of the year. Page 695 refers to the decorations for Mrs. Scott-Siddons' Ro- 427. Scenery and the stage. (Builder, v. meo and Juliet. 14, Oct. 18, 1856, p. 573.) 3-MQA An account of the scenery used by Charles Kean 440. The Stage as an instructor in art. in his presentation of A midsummer night's dream. (Builder, v. 15, Jan. 3, 1857, p. 14-15.) 3-MQA 428. Scenery and the stage. (Builder, v. An appreciation of the improvement in stage 15, 1857, p. 354, 396.) 3-MQA scenery, with notes on London presentations. Notes on scenery for London plays: p. 354, a revival of Mozart's Doti Giovanni; on p. 396, Charles 441. Stahl, Ernst Leopold. Das englische Kean's Tempest. Theater im 19. Jahrhundert; seine Biihnen- 429. Scenery and the stage. (Builder, v. kunst und Literatur. Miinchen: R. Olden- 16, 1858, p. 32, 250, 282, 299, 420, 487, 622.) bourg, 1914. X, 258p. illus. 8°. (Die Kul- 3-MQA tur des modernen England. Bd. 5.) Brief notes on scenery for current London plays. NCOD On p. 299, description of decorations by Charles p. 239-246, an excellent bibliography. See especi- Marshall for Meyerbeer's Huguenots ; on p. 282, of ally chapter 2 (Die Theater), chapter 4 (Die Biihne), Charles Kean's King Lear ; on p. 420, of Grieve and and chapter 10 (Die Zeit der Bancrofts und Henry Telbin's decorations for Charles Kean's Merchant of Irvings). Venice.

430. Scenery and the stage. (Builder, v. 442. Steell, Willis. Granville Barker may 17, Oct. 8, 1859, p. 668.) 3-MQA head the New Theatre here, illus. (The- Scenery by Grieve, Telbin, and Beverley for atre magazine, v. 21, Feb., 1915, p. 63, 97.) Dinorah; also for Love and fortune. ttNBLA Interview and portrait. 431. Scenery and the stage. (Builder, v. 18, 1860, p. 5, 30, 742.) 3-MQA 443. Stopes, Marie Charlotte Carmichael. "Most of our scenery wants finish, completeness, Burbage's "Theatre." (Fortnightly review, solidity..." plays. Criticism and Notes on London V. 86, July 1, 1909, p. 148-159.) * DA of Mr. Beverley.

432. Scenery and the stage. (Builder, v. 444. Strange, Edward F. The scenery of Charles Kean's plays and the great scene- 21, April 11, 1863, p. 264.) 3-MQA painters of his day. illus. (Magazine of Refers to journey of William Telbin and son to the Orient for the purpose of making sketches to be art, 1901-02, p. 454-459, 514-518.) f MAA used in the panorama at the Haymarket illustrating Scenes by F. Lloyds, W. Gordon, H. Cuthbert, the tour of the Prince of Wales. J. Days, and W. Telbin.

433. Scenery and the theatre. (Builder, 445. Symons, Arthur. A new art of the V. 22, Oct. 22, 1864, p. 783.) 3-MQA stage. (In his: Studies in seven arts. Lon- protest against the chronological incongruities A don, 1910. 8°. p. 347-367.) NCZ of a presentation of Cymhcline at Drury Lane The- atre. Discusses the work of E. G. Craig.

434. Scenic anachronisms. Royal Italian 446. Telbin, William. Art in the theatre: Opera House, Covent Garden. (Builder, act drops, illus. (Magazine of art, v. 18, V. 7, May 19, 1849, p. 233.) 3-MQA 1895, p. 335-340.) f MAA Refers to some absurdities by Grieve and Telbin Examples of work of W. Telbin, Henry Emden, in scenery for Robert le Diable. D. T. White, John O'Connor, F. Harker, and Hawes Craven. 435. The Scenic deficiencies of Covent 447. Art in the theatre: the question Garden. (Builder, v. 74, June 18, 1898, p. of reform, illus. (Alagazine of art, v. 17, 583.) MQA 1894, p. 44-48.) f MAA 436. Sights and scenery. (Builder, v. 11, 1853, p. 11, 27, 136, 166, 307, 341, 389, 421, 448. Terry, Ellen. Some ideas on stage 453, 622, 681, 781.) 3-MQA decoration. (AlcClure's magazine, v. 36, * A series of brief notes on scenery in London Jan., 1911, p. 289-294.) DA theatres. On p. 136 is an account of the scenery by Charles Marshall for the diorama^ of Napoleon; 449. The Theatre, (Builder, v. 27, 1869, on 389, reference to scenes by Grieve, Lloyds, p. p. 823, 884.) 3-MQA Gordon, and Dayes for Kean's Sardanapalus. Notes on decorations for current London plays. 437. Sights and scenery. (Builder, v. 13, 450. The Theatres. (Builder, v. 22, 1864, Jan. 6, 1855, p. 10.) 3-MQA Describes scenes of Messrs. Gordon and Bcvcrky p. 18, 818.) 3-MQA for current London pieces; also the use of wooden Page 18, reference to Mr. F. Lloyds; p. 818, to rods for conducting the sounds of a band. Mr. H. Craven. 24 THE NEW YORK PUBLIC LIBRARY

English Stage, continued. 459. Wilhelm, C. Art in the theatre: art in the ballet, illus. (Magazine of art, v. 451. The Theatres... The Princess's. 18, 1895, p. 12-16, 48-53.) f MAA (Builder, \:23, March 25, 1865, p. 214.) 3-MQA Costume designs by author and scene from Orfeo by Telbin. An appreciation of the scenery by Tclbin and Lloyds for Arragh-na-Pogue. 460. Wilkinson, Robert, publisher. The- atrum illustrata; graphic and historic me- 452. Theatres and scenery. (Builder, v. morials of ancient playhouses, modern the- 14, Jan. 5, 1856. 9.) p. 3-MQA atres and other places of public amusement Deplores the lack of "solid, honest, first class paintiiiR." in the cities and suburbs of London & Westminster with scenic and incidental il- 453. Theatrical... Covent Garden. (Build- lustrations from the time of Shakspear to er, V.23, Jan. 7, 1865, p. 19.) 3-MQA the present period. London: Robt. Wil- Brief reference to decorations for Cinderella exe- kinson, 1825. illus. f°. (Binder's title: cuted by Mr. T. Grieve "the Nestor of scene Wilkinson's Londini illustrata. v. 2.) painters." ttco An exceptionally fine collection of plates, with 454. A Theatrical exhibition. (London interesting texts. Times, May 18. 1911, p. 10.) *A 461. Telbin: artist in A good account of the exhibition of the Vienna William tempera, Theatrical Costume and Scenic Studio. illus. (Magazine of art, 1901-02, p. 371- 375.) t MAA 455. A Theatrical exhibition. (London 462. Wright, James. Historia histrionica. Times, Nov. 22. 1911, p. 11.) *A An historical account of the English stage; E.xtract from letter from Sir Herbert Tree ap- proving such an exhibition; also from Mr. Guy Lak- showing the ancient uses, improvement, ing stating that the London Museum will have a and perfection of dramatic representations, section on the drama. in this nation. (In: A select collection of old English plays originally published by 456. Wall, James W. Rise and progress Robert Dodsley in the year 1744. 4th ed. . . of the modern drama. (Knickerbocker, v. now first chronologically arranged. . .by 44, July, 1854, 59-71.) * p. DA W. Carew Hazlitt. London, 1874-76. 8°. References to mystery and Elizabethan staging. V. 15, p. 399-431.) On p. 70 an old poem describing properties in 1640. NCO 463. Wylie, Charles. First actress and 457. Ward, Sir Adolphus William. A his- first scene. (Notes and queries, series 2, tory of English dramatic literature to tlie V. 3, 1857, p. 257.) *R-*DE death of Queen Anne. London: Alacmii- Extract from Evelyn's Diary of May S, 1659, in lan & Co., 1875. 2 v. 8°. NCOD which reference is made to "a new opera after ye See V. 2, p. 423-424 for an account of early use Italian way in recitative music and sceanes." of scenery in England. 464. Wyndham, Henry Saxe. The an- 458. Warton, Thomas. History of Eng- nals of Covent Garden Theatre from 1732 lish poetry from the twelfth to the close of to 1897. London: Chatto & Windus. 1906. the sixteenth century... Edited by W. 2v. illus. 8°. NCOM Carew Hazlitt... London: John Russell See the index under the headings Scene-painters and Scenic Smith, 1871. 4 v. 4°. NCID effects. Reference is made to the new lime light of Frederick Gye and the first use of See V. 2, p. 217-234; v. 3, p. 292-323. elephants on the stage.

Elizabethan Stage

(I.NXLUDixG Modern Shakespeare.\n Representations)

465. Adams, Joseph Quincy, jr. The four ton Mifflin Co. [Cop. 1917.) xiv, 473 p. pictorial representations of the Elizabeth- illus. 8°. *R-NCOM ;^an stage. (Journal of English and Ger- An extensive bibliography, p. 433-456. ' manic philologv, v. 10, 1911, p. 329-333.) RKA 468. Albright, Victor Emanuel. The Discusses Albright's theory of proscenium doors Shaksperian stage. New York: [Columbia and windows. University Press,] 1909. xii, 195 p. illus. 8°. 466. Hamlet's "brave o'erhanging (Columbia University studies in Eng- I'sh.) firmament." (Modern language notes, v. NCOM Doctor's dissertation, 30. March, 1915, p. 70-72.) f RAA Columbia University. Interesting illustrations and plans, and an excel- 467. Shakespearean playhouses. A lent critical bibliography. Has chapters on morality history of English theatres from the begin- and miracle plays. Reviewed in Jahrbuch der Deut- onn^^'Vv!P5='''^"^*^^'^"^'^''3ft> Jahrg. 46, 1910, p. nings to the Restoration. Boston: Hough- ^yi-^92,on, ' NCK. DEVELOPMENT OF SCENIC ART AND STAGE AIACHINERY 25

Elizabethan Stage, continued. Macmillan Company, 1907. x, 329 p. illus. 12°. *R-*NCL 469. Allen, Bruce. Shakespeare's Globe See chapter 2 (The stage of Shakespeare). There Theatre. (Building news, v. 26, May 1, are views of Elizabethan theatres, as well as of 1874, p. 489.) MQA modern replicas, notably of the Elizabethan Stage Reference to Mr. Allen's article in Art journal. Society, and that of Harvard University. The ap- Briefly describes the building. pendix contains copies of the contracts for building the Fortune and Hope Theatres. 470. Almost as famous as the Globe of Shakespeare: the Fortune Theatre — a 482. Hamlet on an Elizabethan stage. (Deutsche Shakespeare-Gesell- section of it. illus. (Illustrated London schaft. Jahrbuch, Jahrg. 21, p. 296- news, V. 139, 1911, p. 276-277, 402.) * DA 1905, 301.) Theatre reconstructed by A. Forestier. *NCK Description and illustration of Harvard Univer- 471. Andrews, Charlton. Shakespeare as sity Shakespeare stage. a stage manager. (Green book album, v. 483. Baker, Henry Barton. The London 4, Nov., 1905, p. 1025-1031.) NAFA stage: its history and traditions from 1576 472. Archer, William. The Elizabethan to 1888. London: W. H. Allen & Co., 1889. stage. illus. (Quarterly review, v. 208, 2v. illus. 12°. NCOM April, 1908, p. 442-471.) * DA See v. 1, p. 24-25 for a brief discussion of the use of scenery in the Elizabethan drama. A critical review of the works of Cecil Brod- meier, Paul Monkemeyer, Richard Wegener, George Reynolds, George P. Baker, and E. K. Chambers. 484. Bang-, W. Zur Biihne Shakespeares. illus. (Deutsche Shakespeare-Gesellschaft. 473. The Fortune Theatre, 1600. Tahrbuch, Jahrg. 40, 1904, p. 223-225.) illus. (Deutsche Shakespeare-Gesellschaft. *NCK Jahrbuch, Jahrg. 44, 1908, p. 159-166.) *NCK 485. Barker, Granville. Golden thoughts. Drawings, ground plan, and section. From Lon- (Play pictorial, v. 21, no, 126, 1913.) don Tribune, Oct. 12, 1907. fNCOA 474. A sixteenth century playhouse. Discusses the scenery for his presentation of Tzi'elftk night. illus. (Universal review, May - Aug., 1888, p. 281-288.) * DA 486. Baskervill, C. R. The custom of sitting on the Elizabethan stage. (Modern 475." Archer, William, and W. J. Law- rence. The [Shakesperiau] playhouse, philology, v. 8, April, 1911, p. 581-589.) illus. (In: Shakespeare's England. Ox- NAA ford, 1916. 8°. V.2, p. 283-310.) 487. Baughan, E. A. The background of *R-*NCLD drama. (Nineteenth century, v. 61, Feb., the title-page of William Alabaster's Rox- Shows 1907, p. 256-264.) * DA ana, 1630, depicting a stage; also the frontispiece of F. Kirkman's The wits (1672-73). A good bibliog- Discusses scenic requirements for Shakespearean raphy. plays.

476. Archer, William, and R. W. Lowe. 488. Bell, Robert. The first playhouse. Alacbeth on the stage, illus. (English il- (Littell's living age, v. 64 [Series 3, v. 8], * lustrated magazine, v. 6, Dec, 1888, p. 233- 1860, p. 249-255.) DA 252.) * DA 489. Bell, Walter George. Fleet street in 477. Ashton, A. F. Henry the Eighth at seven centuries; being a history of the the Princess's Theatre. (Builder, v. 13, growth of London beyond the walls into May 19, 1855, p. 237.) 3 -MQA the Western Liberty, and of Fleet street An account of the scenery by Lloyds, Gordon, and to our time... London: Sir Isaac Pit- Grieve for the Kean presentation. man & Sons, Ltd., 1912. xiv, 608 p. illus. 478. Shakespeare's Winter's tale at 8°. CO the Princess's Theatre. (Builder, v. 14, See chapter 14 (The Whitcfriars playhouse). May 3, 1856, p. 249.) 3 -MQA Charles Kcan's presentation. "A perfectinii in 490. Bergengren, Ralph. The Elizabeth- scenic art, and gorgeousness of costume, which far an theatre at Harvard University, illus. surpasses even his former efforts." (Theatre magazine, New York, v. 7, Dec, 479. B., J. M. Twelfth night at its best, 1907, p. 345.) tfNBLA illus. (Graphic, London, v. 86, Nov. 23, Shows setting of ghost scene in Hamlet. 1912, p. 772-773.) * DA Account of Granville Barker's presentation at 491. Besant, Sir Walter. London in the the Savoy Theatre, London, with decorations. time of the Tudors. London: A. & C. Black, 1904. x, 430 p. illus. 4°. f CO 480. Baker, George Pierce. The children •See chapter 7 for Elizabethan theatres. of Paule's. (Harvard monthly, v. 12, May, 1891, p. 85-98.) STG 492. Binz, Gustave. Londoner Theater See 94-95. p. und Schauspiele im Taiire 1599. (Anglia. 481. The development of Shake- Bd.22, 1899, p. 456-464.) RNA speare as a dramatist. New York: Thp Quotes from the diary of Thomas Platter of Basel. 26 THE NEW YORK PUBLIC LIBRARY

Elizabethan Stage, continued. 505. Cargill, Alexander. Shakespeare as an actor, illus. (Scribner's magazine, v. 493. Blind, Karl. A theatre in Shake- 9, May, 1891, p. 613-635.) * DA speare's time. (Academy, v. 33, June 9, for its views of the Bear Garden, * Interesting 1888, p. 390-391.) DA Globe, and Swan Theatres. A review of Giidertz's Zur Kcnntniss dcr alt-cng- lischen Biihne. 506. Chalmers, George. A supplemental apology for the believers in the Shak-

494. Boas, Frederick Samuel. University speare-papers. . . London: Thomas Eger- drama in the Tudor age. Oxford: Claren- ton, 1799. viii, 654 p. 8°. * NDA don Press, 1914. x, 414 p. illus. 8°. On p. 191, a poetical quotation from Henry Hut- NCOD ton's In Folly's Anatomy, referring sarcastically to the cust(jm of silting on the stage. --— 495. Bormann, Walter. Shakespcares 507. Chambers, Edmund Kerchever. The scenische Technik und dramatische Kunst. stage of the Globe. (In: The works of Tahr- (Deutsche Shakespeare-Gesellschaft. William Shakespeare. Stratford-on-Avon: buch, Jahrg. 37, 1901, p. 181-208.) * NCK Shakespeare Head Press, 1904-07. 10 v. 4°. V. 10, p. 351-362.) * NCM 496. Bradley, Andrew Cecil. Shake- speare's theatre and audience. (In his: 508. Chief rival to Shakespeare's theatre, Oxford lectures on poetry. London, 1909. the Globe: the Fortune, illus. (Illustrated ^ 8°. p. 361-393.) NCID London news, v. 139, Aug. 12, 1911, p. 276- 277.) *DA 497. Brandes, Georg Morris Cohen. Wil- Shows sketch and cross section reconstructed by liam Shakespeare; a critical study. New A. Forestier. York: The Macmillan Company, 1898. 2 v. 509. Child, Harold. The Elizabethan the- 8°. *R-*NCV atre. (Cambridge history of English lit- See V. 1, chapter IS (The theatres, their situation erature. Cambridge, 1907-16. 14 v. 8°. and arrangements, etc.). v. 6, 1910, p. 240-278; bibliography, p. 459- 467.) *R-NCB 498. Brand!, A. Eine neue Art, Shake- speare zu spielen. (Deutsche Rundschau, 510. Christmas entertainments at the Bd. 123, April, 1905, p. 122-129.) * DF Crystal Palace, illus. (Illustrated Lon- don news, V. 46, Jan. 7, 1865, p. 1-2.) * DA 499. V. E. Albright, The Shake- A ballet with Shakespeare's house in the back- sperian stage. (Deutsche Shakespeare- ground. Gesellschaft. Jahrbuch, Jahrg. 46. 1910, p. 291-292.) * NCK 511. Collins, John Churton. Posthumous essaj's, edited by L. C. Collins. London: 500. Brooke, Charles Frederick Tucker. T. M. Dent & Sons, Ltd., 1912. vi, 287 p. The Tudor drama; a history of English na- 8°. NCZ tional drama to the retirement of Shake- Chapter 1 (Shakespearean theatres). speare. Boston: Houghton Mifflin Co. 512. Conrad, Hermann. Bemerkungen zu [Cop. 1911.] xii, 461 p. illus. 12°. W. J. Lawrence' Aufsatz im 45 Jahrbuch: *R-NCOD Title and locality boards. (Deutsche x See especially chapter 12 (The nature of Eliza- Shakespeare - Gesellschaft. Jahrbuch, bethan drama). Jahrg. 46, 1910, p. 106-113.) * NCK

SOL Brown, Frank Chouteau. Modern 513. Shaksperes Biihne. illus. (Wes- stage settings, Shakespearian and other- termann's Monatshefte, Bd. 101, Dec, ^ wise, illus. (Harvard engineering journal, 1906, p. 377-387.) * DF V. 5, 1907, p. 158-174; v. 6, no. p. 17-34, 1, 514. Corbin, John. Shakespeare his own no. p. 11-30.) 2, VDA stage-manager; a new method and import- Two of the papers describe and illustrate scenery ant discoveries in of designed by Mr. Brown for Much ado about nothing. productions the New ^ Theatre, illus. (Century magazine, v. 83, \ 502. A new series of stage settings Dec, 1911, p. 260-270.) * DA for Shakespeare's Romeo and JuHet. illus. "The time is at hand when no playgoer, no student (Architectural record. New York, v. 18, of Shakespeare, can regard himself as well informed who has not a general knowledge of Shakespeare's Sept., 1905, p. 175-191.) MQA stagecraft and of the problem, by no means diffi- cult or abstruse, of giving it due artistic effect in 503. Buckley, Eric Rede. The staging of the modern theatre." plavs 300 years ago. (Gentleman's maga- Has plan and illustrations of the Elizabethan stage. zine, y. 291, 1901, p. 288-297.) * DA 515. Shakespeare and the plastic stage. (Atlantic monthly, v. 97, March, 504. Caffin, Ciiarles Henry. The appre- 1906, p. 369-383.) * DA ciation of the drama. New York: The Baker & Taylor Company, 1908. ix. 280 p. 516. Cortissoz, Royal. The new idea in illus. 8°. *R-NAFD stagecraft, illus. (New York Tribune, Chapters 2 and 3 give an excellent epitome of Feb. 22, 1915, p. 7.) *A stage history. Quaint illustrations of mystery plays; Criticism of work of Granville Barker. Illustra- also a sketch of the Swan Theatre. tion of a scene from A midsummer night's dream. DEVELOPAIENT OF SCENIC ART AND STAGE MACHINERY 27

Elizabethan Stage, continued. Baudry's European Library, 1843. 660 p. illus. 8°. * 517. Coward, Edward Pales. Barker's NCL See chapter 7 for references to Shakespearean spectacles. illus. masques and ma- new chinery. (Theatre magazine, New York, April, 1915, V. 21, p. 196-198, 203.) ft NBLA 526. Durand, W. Y. Palaemon and Arcyte, Progne, Marcus Geminus, and the theatre Creizenach, 518. Wiihelm Alichael Anton. in which they were acted, as described by English drama in the of The age Shake- John Berebiock (1566). (Modern Lan- 1 speare.T.' Philadelphia: B. Lippincott T. guage Association. Publications, v. 20, '/ Co. [1916.] XV, 454 p. illus. 8°. 1905, p. 502-528.) RAA \ *R-NCOD

' "The present volume corresponds to Dooks 1-8 of 527. Eichler, Albert. Die friihneueng- volume of Gcschichte the 4th des neiieren Drainas." lische Volksbiihne. illus. (Germanisch- See chapter 8: Staging and histrionic art. romanische Monatsschrift, Jahrg. 3, 1911, 519. Geschichte des neueren Dra- p. 461-475, 542-557.) RAA mas. Halle a. S.: Alax Niemeyer, 1893- 528. An Elizabethan play at Yale, illus. 1909. 5 v., including index. 8°. *R-NAF (Werner's magazine, v. 27, June, 1901, The Shakespeare stage is described in detail in p. Bd. 4, p. 401-489. For description of stages during 266-267.) MWA the Renaissance, see Bd. 2, p. 296-300. See also Scenery represents the Swan Theatre as used in Bd. 3, p. 464, 470, for performances in Ghent (1539) Yale production of The fair maid of the West. and Antwerp (1561). Hans Sachs' stage described in Bd. 3, p. 435-437. 528a. Elizabethan stage theories. (Liv- 520. Die Schauspiele der englischen ing age, series 7, v. 29, 1905, p. 547-552.) Komodianten. Berlin and Stuttgart: W. *DA Spemann, n. d. cxviii, 352 p. 8°. (Deutsche A review in London Times of the various ideas. National-Litteratur, Bd. 23.) NGA 529. Elze, Karl. Eine Auffiihrung im 521. Crosby, M. R. Under the walls of Globus Theater. (Deutsche Shakespeare- Alacbeth's castle, illus. (Theatre maga- Gesellschaft. Jahrbuch, Jahrg. 14, 1879, p. 1-20.) * zine. New York, v. 5, Feb. 5, 1905, p. 47- NCK 48.) ttNBLA 530. Feuillerat, Albert. Blackfriars rec- Description and view of Glamis Castle. ords [edited by Albert Feuillerat]. [Ox- ford: H. Hart, 1913.] 136 p. 8°. (Malone 522. Dekker, Thomas. The non-dramat- Societv. Collections, v. 2, parti.) ic works of Thomas Dekker. For the first (Malone) time collected and edited with memorial NCO "It simply offers a selection of such documents introduction, notes and illustrations, etc., which are sufficient to locate Shakespeare's Black- by the Rev. Alexander B. Grosart. . . Lon- friars and to show its relation to the earlier theatre don: printed for private circulation only conducted by Farrant —- a point of sufficient importance in itself to — [by Hazell, Watson and Viney, Limited), deserve a separate study." Preface. 1884-86. 5 v. A\ (The Huth Library.) NCF 531. Documents relating to the office See in v. 2, The Guls Horn-booke, chapter 6, p. of the revels in the time of Queen Eliza- __^^ 246-255: How a Gallant should behave himself in a beth, edited, with notes and indexes, by J^Play-house (referring to the custom of sitting upon Albert Feuillerat. Louvain: A. Uystpruyst, the stage). 1908. xvii, 512 p. 4°. (Materialien zur 522a. Delius, Nicolaus. Ueber das eng- Kunde des alteren englischen Dramas. lische Theaterwesen zu Shakspere's Zeit Bd.21.) NCO (Materialien) wealth information concerning properties ... Bremen: G. Hense, 1853. 19 p. 8°. A of J. used. * NCV p.v.6, no.9 532. The origin of Shakespeare's 523. Ditchfield, Peter Hampson. The Blackfriars Theatre. Recent discovery of England of Shakespeare. London: Methu- documents. (Deutsche Shakespeare-Ge- Co., Ltd. [1917.] xiii, 315 illus. 12°. en & p. sellschaft. Jahrbuch, Jahrg. 48, 1912, p. 81- *NCLD 102.) *NCK See chapter 15: Plays and players. 532a. Fitzgerald, Percy. Shakespearean 524. Dr. Burson's new stage front of the representations, their laws and limits. Theatre Royal, Covent Garden (1821). (Gentleman's magazine, v. 294, 1903, p. 323- --. (In: W. J. Lawrence, The Elizabethan 345.) * DA ''^ playhouse. Philadelphia, 1912-13. 8°. v. Discusses the ghost scenes of Hamlet and Mac- 1, opp. 184.) p. NCOD beth. Protests against "built-up" scenery and advo- Shows proscenium doors, — an Elizabethan heri- cates cloths with special lighting. An excellent ar- tage. ticle.

525. Drake, Nathan. Shakespeare and 533. Fleay, Frederick Gard. A biographi- his times, including the biography of the cal chronicle of the English drama. 1559- poet... and a history of the manners, cus- 1642. London: Reeves and Turner, 1891.

toms, amusements. . .of his age. Paris: 2v. 8°. NCOD 28 THE NEW YORK PUBLIC LIBRARY

Eiisabethan Stage, continued. of Elizabeth. Menasha, W^is.r Collegiate Press, 1913. 93 p. 8°. NCO p.v.396, no.l4 534. A chronicle history of the Lon- Doctor's dissertation. University of Chicago. don stage, 1559-1642. London: Reeves & Turner, 1890. x, 424 p. 8°. NCOD 545. Night scenes in the Elizabethan

See p. 114-116 for Henslowe's inventory of proper- tiieatres. (Englische Studien, Bd. 47, 1913- ties belonging to the Admiral's Men, 1598. 14, p. 63-71.) RNA 535. Shakespeare manual. London: 546. A note on the Swan Theatre. Macmillan Co., 1876. xxiii, 312 p. 8°. & (Modern philology, v. 9, Jan., 1912, p. 431- *NCV 434.) NAA See chapter 6: On the manner in which jilays were presented. 547. The origin of the custom of sitting on the stage. (Journal of English and 536. Foster, Frances A. Dumb show in Germanic philology, v. 13, 1914, p. 104-109.) Elizabethan drama before 1620. (I"2ns- RKA lische Studien, Bd. 44, 1912, p. 8-17.) RNA 548. —— Shape of the first London the- scenische Einrich- 537. Frenzel, K. Die atre. (South Atlantic quarterly, v. 13, July, der Shakespeare-Dramen. (Deutsche tung 1914, p. 280-282.) * DA Shakespeare-Gesellschaft. Jahrbuch, Jahrg. 36, 1900, p. 256-266.) * NCK 549. Greenstreet, James. The Blackfriars plavliouse: its antecedents. (Athengeum, 538. Genee, Rudolph. Ueber die sceni- July 17, 1886, p. 91-92; Jan. 7, 1888, p. 25- schen Formen Shakespeare's in ihrem Ver- 26; April 7, 1888, p. 445-446; April 21, 1888, haltniss zur Biihne seiner Zeit. (Deutsche p. 509.) * DA Shakespeare-Gesellschaft. Jahrbuch, Tahrg. Official documents mainly. 26, 1891, p. 131-149.) * NCK 550. Greet, Ben. Shakespeare and the 539. The Globe Theatre, Southvvark. and modern theatre, illus. (Harper's weekly, its site. (Builder, v. 97, Sept. 25, 1909, p. V. 49, Nov. 4, 1905, p. 1604.) * DA 2,i2>.) MQA Shows a scene from Hamlet in the Elizabethan manner. 540. Godfrey, Walter H. A new light the construction and architecture of on 551. Hagmann, J. G. Die englische Buhne a Shakespearean theatre. illus. (New zur Zeit der Konigin Elisabeth. Hamburg: Shakespeareana, v. 7, Oct., 1908, p. 95-102.) Verlagsanstalt und Druckerei A.-G., 1889. *NCK 36 p. 8°. (Sammlung gemeinverstand- From the London Tribune of Oct. 12th, 1907. licher wissenschaftlicher Vortrage. N. F. 541. Godwin, Edward W. The architec- Serie 4, Heft 88.) * C ture and costume of Shakespeare's plavs. 552. Hale, Edward Everett, jr. Influence (Architect, 12-13, 1874-75.) V. f MQA of theatrical conditions on Shakespeare. V. 12, p. 224-225, Hamlet; p. 252-254, Romeo and (Modern philology, v. 1, 1903, p. 171-192.) Juliet; p. 267-269, Cymbeline ; p. 281-283, King Lear and Macbeth; p. 298-299, King John; p. 314-315, NAA King Richard II; p. 331-332, King Henry IV; p. 349- 351, King Henry V. 552a. Hallett, W. Hughes. Shakespeare V. 13, p. 46-47, 60-61, 73-74, King Henry VI; p. in the fifties. (Fortnightlv review, v. 75 87-88, A'i)ij7 Richard III; p. 116-117, 133-134, King [new series, v. 69], 1901, p. 553-558.) * DA Henry VIII; p. 151-152, Othello; p. 168-169, The A picturesque account of Charles Kean's presenta- Two gentlemen of Verona; p. 182-184, 196-197, The tion of King Henry V, in 1859. Merchant of Venice; p. 210-211, The Taming of the shrew and The Tempest; 224-225, Measure p. 552b. The staging of Shakespeare. for measure; p. 240-241, Tzvelfth night and Much ado about nothing ; p. 255-256, As you like it, All's A reply to Mr. Beerbohm Tree. (Fort- well that ends well, and Love's labour's lost; p. 270- nightly review, v. 74 [new series, v. 68], 271, 284-285, 298-299, 328-329, the Greek plays, 1900, p. 504-512.) comprising A Midsummer night's drcatn, Troilus *DA and Cressida, The IVinter's talc, Timon of Athens, 553. Halliwell-Phillipps, James Orchard. Pericles, and Comedy of errors; p. 344—345, 358-359, 372-373, the Roman plays, comprising Coriolanus, Illustrations of the life of Shakespeare in Julius Caesar, and Antony and Cleopatra. a discursive series of essays on a variety An important series of authoritative articles which of subjects connected with the personal have been extensively in quoted Furness's Variorum and literary history edition of Shakespeare's works. of the great dramatist. London: Longmans, Green & Co., 1874. 542. Going to the play with Shakespeare. viii, 128 p. illus. i\ tt*NCL (.All the year round, v. 6, Jan. 11, 1862, p. 554. Outlines of the life of Shake- 379-382.) * DA speare. London: Longmans, Green & Co., Interesting list of stage properties. 1890. 2v. 9. ed. 4°. *R-*NCL 543. Goodwin, Alfred T. Court revels in See v. 1, p. 304-306 for a copy of the contract for the reign of Henry the Seventh. (Shake- the erection of the Globe Theatre. The staging of the Coventry mysteries is described on p. 335-343. speare Society. Papers, v. 1, 1844, p. 47- 51.) *NCK 555. Hamlet at the Lyceum. (Builder, x.i7, Jan. 4, 1879, p. 11-12.) 3 -MQA 544. Graves, Thornton Shirley. The court Irving's presentation. Criticism of the scenery and the London theatres during the reign and costumes. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 29

Elizabethan Stage, continued. 564. Jenks, Tudor. In the days of Shake- speare. York: A. S. 556. Harrison, William. Harrison's de- New Barnes & Co., 1905. X, 288 illus. 12°. * scription of England in Shakspere's youth. p. NCLD See chapter 4: The theatres Being the second and third books of his and actors. Description of Britaine and England. 564a. Joseph-Renaud, Le theatre de Edited from the first two editions of J. Shakespeare en France. (Grande revue, Holinshed's Chronicle, a.d. 1577, 1587, by- annee 8, tome 4 [V. 32,, 1904, p. 5-25.) * DM Frederick J. Furnivall. London: publisht Account of M. Antoinc's presentation of A'l)!^ for the New Shakspere Society by N. Lear. Triibner & Co., 1877-81. 3 v. 8°. (New Shakspere Society. [Publications.] series 565. Jusserand, Jean Jules. Shakespeare 6, no. 1, 5, 8.) * NCK in France under the ancien regime. Lon- In part 2 are quotations from Stowe, Howsc, don: T. Fisher Unwin, 1899. xxviii, 496 p. Busins, and Coryat relating to stage representations. illus. 8°. *R-*NDD There is also a long paper by William Rendle entitled: The Bankside, Southwark, and the Globe See the headings Scenery and Theatre in the Playhouse. index. Has a large number of illustrations reproduced from old engravings. 557. Hatcher, Orie Latham. A book for 566. Les theatres de Londres au Shakespeare plays and pageants; a treas- temps de Shakespeare. (Revue de Paris, ury of Elizabethan and Shakespearean de- annee 9, tome 6, Nov. -Dec, 1902, p. 713- tail for producers, stage managers, actors, 749.) * DM artists and students. New York: E. P. An excellent account. Dutton & Co., 1916. x, 339 p. illus. 8°. *NCLD 567. Keller, Wolfgang. Nochmals zur Biihne Shakespeares. illus. (Deutsche 558. Hawkins, Frederick. Henry viii on Shakespeare-Gesellschaft. Jahrbuch, Jahrg. the stage, illus. (English illustrated mag- 40, 1904, p. 225-227.) * NCK azine, V. 9, 1891-92, p. 291-298.) * DA Portraits of Harris, the Kembles, Phelps, and 568. Knight, Charles. William Shake-

Charles Kean. speare, a biography. . . London: C. Knight, 1851. X, 329p. illus. 8°. * NCL 559. Lear on the stage, illus. (Eng- See book 1, chapter 8: Pageants (i. e. miracle lish illustrated magazine, v. 10, 1892-93, p. plays); book 3, chapter 2: A new play; and other 157-165.) *DA references to Elizabethan stage. Portraits of Barry and Dancer, Mrs. Cibber, Gar- rick, Edmund Kean, and Macready. 569. Koester, Albert. Die Einrichtung der Biihne zu Shakespeares Zeit. (Deutsche 560. Helmholtz-Phelan, Anna Augusta. Shakespeare-Gesellschaft. Jahrbuch, Tahrg. The staging of the court drama to 1595. 50, 1914, p. xxvii-xxx.) * NCK (Modern Language Association of Amer- 570. Koppel, R. Die unkritische Behand- ica. Publications, v. 24 [new series, v. 17|, lung dramaturgischer Angaben und Anord- 1909, p. 185-206.) RAA nungen in den Shakespeare-Ausgaben und 561. Henslowe, Philip. Henslowe's di- die Beirrung der Erkenntnisse in Bezug der arj', edited by Walter W. Greg. London: auf die archaische Gestaltungsweise A. H. Bullen, 1904-08. 2 v. 4°. NAF altenglischen Dramatik. (Englische Stu- dien, Bd.34, 1904, p. 1-17.) Parti: Text; Part 2: Commentary. RNA "Of all documents illustrating the external his- 571. Koster, Edward B. Het leven, het tory of the Elizabethan drama the most important that has escaped the ravages of time is undoubtedly the tooneel en het drama ten tijde van Shake- volume of miscellaneous accounts and memoranda deel " speare. (Groot Nederland, Jaarg. 12, commonly known as 'Henslowe's diary.' 2, 1914, p. 227-256, 330-369.) NHA Excellent notes. See especially v. 2, chapter 2 (Henslowe and the stage). 572. Laneham, Robert. Robert Lane- 561a. Hudson, William Henry. At the ham's letter; wherein, part of the enter- old Globe ])layhouse. (The theatre, Lon- tainment vntoo the Queens Maiesty at Kil- in Sheer in this don, new series, v. 15, 1890, p. 179-185.) lingworth Castl, Warwik *DA Soomers Progress 1575 is signified: from a freend officer attendant in the Coourt, 562. In the manner of Shakespeare's time. vnto his freend a Citizen, and Mcrchaunt (Outlook, V. 94, April 9, 1910, p. 784-785.) of London. Re-edited, with forewords de- *DA scribing all the accessible books, talcs, and Account of the presentation of A winter's tale at ballads, in Captain Cox's list, and The the New Theatre, New York. Complaynt of Scotland, by Frederick J. Furii'vall. London: republisht for the 563. Irving, Henry Brodribb. The mount- New Shakspere Societv by Kegan Paul, ing of Shakespeare. (Era, \.77, Nov. 26, Trench, Trubner & Co., Limited. 1890. 1913, p. 21.) tttNAFA clxxxii, 87 p. illus. 4°. (New Shakspere Remarks concerning the acc|uisition liy the Brit- Society. [Publications.] series 6, no. 14.) ish Museum of Mr. Talbot Hughes' collection of eighteenth and nineteenth century English costumes. *NCK 30 THE NEW YORK PUBLIC LIBRARY

Elizabethan Stage, continued. 586. Lowe, Robert W. How the old actors dressed Shakespeare, illus. (Illus- 573. Lathrop, £lise L. Where Shake- trated London news, v. 102, 1893, p. 179, speare set his stage. [New York: James 214, 283, 371, 434, 467, 635, 666, 699.) * DA Pott & Co., 1906.1 247 p. illus. 8°. . Some early stage illustrations. Costume pictures *NDD of famous actors. 574. Lawrence, William John. The Eliza- 587. Lyiy, John. The complete works of bethan playliouse, and other studies. Jolm Lyly, now for the first time collected the earliest quartos, with Philadelphia: J. B. Lippincott Company, and edited from 1912-13. 2v. illus. 8°. NCOD life, bibliography, essays, notes, and index, These two volumes contain a wealth of informa- by R. Warwick Bond. Oxford: Clarendon tion. See especially v. 1, chapter 5 (The mounting Press, 1902. 3 v. illus. 8°. *R-NCF

,of the Carolan masques) ; chapter 6 (The story of See V. 2, p. 265-270 for the editor's account of peculiar ; origin a stage curtain) v. 2, chapter 5 (The Lyly's stage management. of the English picture stage) ; chapter 8 (Louis Xiv's scene painters). Excellent bibliographies. 588. M., J. E. G. de. Shakespeare's battle scenes. (Contemporary review, v. 102, 575. The evolution and influence of Dec, 1912, p. 885-890.) * DA the Elizabethan playhouse. (Deutsche Also in Era, v. 5, p. NAFA. Shakespeare-Gesellschaft. Jahrbuch, Bd. 76, July 1913, 11, ttt 47, 1911, p. 18-41.) *NCK 589. Mabie, Hamilton Wright, William Has a chronological list of Elizabethan and quasi- Shakespeare; poet, dramatist, and man. Elizabethan playhouses (1576-1663). New York: The Macmillan Co., 1900. xviii, 421 illus. 8°. 576. A forgotten stage conventional- p. *NCL Sec chapter 5: The London stage. ity. (Anglia, Bd. 26, 1903, p. 447-460.) RNA 590. Macbeth at the Princess' Theatre. Refers to proscenium doors. illus. (Illustrated London news, v. 22, * 577. Light and darkness in the Eliza- 1853, p. 142, 165.) DA bethan theatre. (Englische Studien, Bd. "In treating the supernatural scenes, an abundant use has been made of gauze, so that the witches are 45, 1912, p. 181-200.) RNA continually enveloped in a thick mist." 578. Music in the Elizabethan the- 591. Macbeth on the stage. (All the year atre. (Deutsche Shakespeare-Gesellschaft. round, new series, v. 15, Oct. 16, 1875, p. Jahrbuch, Jahrg. 44, 1908, p. 36-50.) * NCK 52-59.) * DA Historical. 579. Night performances in the Elizabethan theatres; a reply to Dr. T. S. 592. MacCracken, Henry Noble, and Graves. (Englische Studien, Bd. 48, 1914- others. An introduction to Shakespeare, 15, p. 213-230.) RNA by H. N. MacCracken, F. E. Pierce and W. H. Durham. New York: The Macmil- 580. Some characteristics of the lan Co., 1913. viii, 222 p. illus. 12°. Elizabethan-Stuart stage. (Englische Stu- *R-*NCL dien, Bd. 32, 1903, p. 36-51.) RNA See chapter 3 (The Elizabethan theatre). 581. Lee, Sir Sidney. A life of William 593. Malone, Edmond. An historical ac- Shakespeare. London: Smith, Elder & count of the English stage. (In: The plays Co., 1898. xxiii, illus. 12°. * 479p. NCL of Shakespeare. . .by Alexander Chalmers. See chapter 4; On the London stage, especially London, 1811. 9 v. new ed. 8°. v. 1. p. p. 38-39 for references to Elizabethan scenery. 42-104.) * NCM 582. New ed., rewritten and en- References to scenery and stage history of Shake- speare's plays. larged. New York: The Alacmillan Com- pany, 1916. xxviii, 758 p. illus. 12°. 594. Martin, William. The site of the *R-*NCL Globe playhouse of Shakespeare, illus. See chapter 6 (On the London stage). (Surrey archaeological collections, v. 23, 1910, p. 149-202.) CO (Surrey) 583. Shakespeare and the modern Little in text concerning the construction. Has stage, with other essays. New York: interesting views. Charles Scribner's Sons, 1906. xv, 251 p. 595. Martin Harvey's 8°. *NDB new setting of Hamlet. (Era, v. 76, April 12, 1913, p. 17.) Title essay first appeared in Nineteenth century, V. 47, Jan., 1900, p. 146-1S6, * DA. ttt NAFA From designs by Max Reinhardt. King's Theatre, 584. Logeman, H. Johannes de Witt's Glasgow. No pictures. visit to the Swan Theatre. (Anglia, Bd. 596. Marx, Paul. Shakespeare und die 19, 1897, p. 117-134.) RNA modcrnen Biihnenprobleme (seit 1907). (Deutsche Shakespeare-Gesellschaft. Jahr- 585. A London theatre temp. Queen buch, Jahrg. 51, 1915, p. 53-70.) * NCK Elizabeth. (Builder, v. 82, May 10, 1902, p. 468-469.) MQA 597. Mr. Graham Robertson's new dress- Interesting description of the Globe Theatre shown ing of As you like it. illus. (Magazine of in model at Hall of Clifford's Inn, London. art, V. 20, 1896-97, p. 272-273.) t MAA DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 31

Elizabethan Stage, continued. 612. Some notes on Shakespeare's stage and plays. Manchester: University 598. Mr. Norman Wilkinson's work. Press, 1916. 16 p. illus. 4°. * NCLD (Stage vear book, 1904, plates between p. 23 and 24.) NAFA 613. Porter, Charlotte. How Shakespeare Portrait and scenes from Twelfth night and The set and struck the scene for Julius C;esar winter's tale. in 1599. (Modern language notes, v. 31, 599-600. Mr. Walter H. Godfrey's recon- May, 1916, p. 281-287.) f RAA struction of the Fortvme Theatre. (In: W. J. Lawrence, The Elizabethan playhouse. 614. Playing Hamlet as Shakespeare Philadelphia, 1912-13. 8°. series 2, opp. staged it in 1601. illus. (Drama, v. 5, 1915, p. 50.) NCOD p 511-526, 675-689.) NAFA 601. Neuendorff, B. Die englische Volks- 615. Possart, Ernst von. Welches Sys-

biihne im Zeitalter Shakespeares. . . Ber- tem du Scenerie is am Besten geeignet fiir lin: Emil Felber, 1910. viii, 230 p. 8^ die Darstellung verwandlungsreicher klas- (Literarhistorische Forschungen. Heft sischer Dranien. insbesonderc der Shake- 43.) NABM speare'schen? (Deutsche Shakespeare-Ge- sellschaft. Jahrbuch, Jahrg. 2)7, 1901, p. 602. A New kind of scenery. (Outlook, xviii-xxxvi.) * NCK V. 99, Oct. 21, 1911, p. 398.) * DA Refers to E. G. Craig's London presentation of 616. Powell, Francis. Shakespeare after Macbeth. the new manner at Harvard. (Theatre 603. A New way of presenting Romeo and magazine, V. 18, Sept., 1913, p. 98-99.) Juliet. (Sphere, v. 12, March 7, 1903, p. tt NBLA 242.) * DA 617. Proelss, Robert. den altesten Mrs. Osborne's Playhouse, following the features Von of the Swan Theatre of Shakespeare's time. Drucken der Dramen Shakespeares und dem Einflusse, den die damaligen Lon- 604. Old London theatres, illus. (Era doner Theater und ihre Einrichtungen auf almanack, 1891, p. 33-34.) NCOA diese Dramen ausgeiibt haben... Leip- Interesting illustrations, especially the interior of zig: F. A. Berger, 1905. iv, 141 p. 8". the Red Bull Playhouse of 1672. *NCI 605. Ordish, Thomas Fairman. Early London theatres. (In the fields.) Lon- 618. Reese, Georg Hermann, Studien und don: Elliot Stock, 1899. xvi, 298 p. illus. Beitriige zur Geschichte der englischen 8°. NCOM Schauspielkunst im Zeitalter Shakespeares. Deals principally with theatres of the sixteenth Jena: G. Neuenhahn, 1911. 36 p. 8°. and seventeenth centuries. NKL p.v.2, no,4 606. London theatres, illus. (An- Deals with costuming; also with stage wars and horses. tiquary, V. 11. 1885, p. 89-97, 212-218, 243- 249; V. 12. 1885, p. 41-49. 192-198, 245-248; 619. Reynolds, George F. Another study V. 14, 1886, p. 22-27, 55-58, 108-113, 205-211, of Shakespeare's stage. (Modern language 236-241; v. 15, 1887, p. 93-97, 262-265; v. 16, notes, V. 29, March, 1914, p. 75-76.) f RAA 1887, p. 244-247.) CA 620. Some principles of Elizabethan 607. a study Shakespeare's London; staging. Chicago: University of Chicago of London in the reign of Queen Elizabeth. Press, 1905. 2 parts in 1 v. 34, 29 p. illus. London: J. M. Dent & Co., 1897. xi, 258 p. 8°. NCOM illus. 16°. (The Temple Shakespeare .Mso published in Modern philology, v. 2, April, * manuals.) NCLD 1905, p. 581-614; v. 3, June, 1905, p. 69-97, NAA. 608. The Origin of Hamlet. (All the year 621. Trees on the stage of Shake- round, new series, v. 22, Feb. 8, 1879, p. speare. (Modern philology, v. 5, 1907, p. 173-178.) *DA 153-168.) NAA On p. 177-178 are interesting notes on the proper costuming of the play. 622. What we know of the Eliza- bethan stage. (Modern philology, v. 9, 609. Pictures from Shakespeare. illus. July, 1911, p. 47-82.) NAA (Windsor magazine, v. 46, 1917, p. 75-92, Has an excellent bibliography. 175-192, 416-433, 645-662.) * DA Pictures are reproductions of famous paintings. 623. William Percy and his plays, with of the customs of Eliza- 610. Piatt, Livingston. Decorating Shake- a summary bethan staging. (Modern philology, v. 12, speare, illus. (Theatre magazine, v. 23, Oct., 1914, p. 109-128.) NAA April, 1916, p. 219-220.) ft NBLA .Shows parapet scene in Antony and Cleopatra. 624. Sampson, Martin W. The interior notes, 611. Poel, William. Shakespeare in the of the Fortune. (Modern language theatre. London: Sidgwick & Jackson. V. 30, June, 1915, p. 195.) f RAA Ltd., 1913. vii, 247p. 8°. * NCV 625. Sanborn, .-Mvan F. Macbeth at Saint- See chapter 1 : The stage of Shakespeare. Also Wandrille. illus. (Book news monthlv, p. 222-227 for account of Gordon Craig's work in Shakespearean scenery. V. 28, Nov., 1909, p. 149-151.) * DA 32 THE NEW YORK PUBLIC LIBRARY

Elicabethan Stage, cont'mucd. 636. Shakespeare without scenery. (New Shakespeareana, v. 6, Oct., 1907, p. 127- 626. The Scenery and decoration of Mac- 129.) * NCK beth at the Princess's. (Builder, v. 11. Feb. A criticism of Mrs. Slopes' article in the Fort- 19, 1853, p. 120.) 3-MQA nightly review. Grieve, Decorations by Gordon, Dayes, Lloyd, and Shakespeare's Globe Theatre and our for the Charles Kean presentation. 637. gaffs, illus. (Builder, v. 28, Oct. 1, 1870, 627. The Scenic setting of Tubus C.-esar. p. 780-781.) 3-MQA (Builder, v. 74, Feb. 5, 1898, p. 127-128.) MQA 638. Shakespeare's theatre, illus. (Popu- Mr. Tree's performance. Stated that the scenery lar mechanics, v. 15, Feb., 1911, p. 222.) was understood to have been designed under the VFA advice .Mnia Tadcma. of Mr. Interesting picture of a model of the Globe The- 628. Schelling, Felix Emmanuel. Eliza- atre as shown in the London exhibition. the bethan drama, 1558-1642; a history of 639. The Shakspearean miscellany: con- drama in England from the accession of taining a collection of scarce and valuable Queen Elizabeth to the closing of the tracts... Printed chiefly from manu- theatres, to which is prefi.xed a resume of scripts in the possession of, and with oc- the earlier drama from its beginnings. casional notes by, F. G. Waldron. Lon- Boston and New York: Houghton, jMifflin don: Lackington, Allen, and Co., 1802. 50. 1908. 8°. & Co., 2v. *R-NCOD 45, 3, 84 p. illus. 4°. NCOM Scenery; Jones. Inigo; Mir- See the index under .See chapter on the English stage. acle play: Pageants; Realism; and Theater. See V. 2, p. 457-461 for a bibliographical essay on the Lon- 640. A Shakespearean revival: Julius playhouse. don Cicsar. illus. (Magazine of art, v. 22, 629. The Elizabethan playhouse. 1897-98, p. 331-333.) f MAA illus. (Numismatic and Antiquarian So- .An account of the scenery used by Mr. Tree at ciety of Philadelphia. Proceedings, no. 25, Her Majesty's Theatre. 1907/09, p. 143-155.) MHA 641. Sieper, Ernst. Shakespeare und seine 630. The English chronicle play; a Zeit. Leipzig: B. G. Teubner, 1907. 140 p. study in the popular historical literature illus. 12°. (Aus Natur und Geisteswelt. environing Shakespeare. New York: Mac- Bd. 185.) *NCLD millan Co., 1902. xi, 310p. illus. 12°. See chapter 5: Die englische Buhne zur Zeit *R-NCOD Shakespeares. See index heading: Scenery and scenic dci'iccs. 642. Skemp, Arthur R. Some characteris- the Res- 631. —— English drama. London: J. M. tics of the English stage before Dent & Sons, Ltd., 1914. 341 p. 8°. (The toration, illus. (Deutsche Shakespeare- channels of English literature.) NCOD Gesellschaft. Jahrbuch, Tahrg. 45, 1909, p. A history down to the year 1779. References to 101-125.) *NCK staging of miracle plays and of Elizabethan plays. In this excellent discussion it is decided that on pre-Restoration theatres there was no curtain at 632. English literature during the the the front of the stage; that the background was lifetime of Shakespeare. New York: formed by curtains, behind which was an inner stage. Henry Holt & Company, 1910. xv, 486 p. Other details are discussed. 8°. NCB 643. Some notes on the staging of Julius See p. 76-79 for the staging of court masques; p. CcPsar as produced by Lewis Casson at the 81-87 account of staging in the Elizabethan for an Gaiety Theatre, Manchester, illus. (Stage theatres. year book, 1914, p. 45-46.) NAFA 633. Some features of the supernatu- 644. Spielmann, M. H. Shakesperian ral as represented in plays of the reigns of A revival: illus. (Magazine of Elizabeth and James. (Modern philology, IMacbeth. art, V. 12, 1889, p. 98-100.) f MAA V. 1, June, 1903, p. 13-17.) NAA Drawing of banquet room scene, also costume de- 634. Shakespeare, William. A new vario- signs by C. Cattermole for the Irving revival. rum edition of Shakespeare. Edited by 645. The Stage and music. (Builder, v. 15, Horace Howard Furness. v. 1-18. Phila- Dec. 5, 1857, p. 714.) 3-MQA delphia: B. Lippincott Co., 1873-1913. J. Includes a reference to the decorations for Charles 4°. *R-*NCM Kcan's Richard n. See appendices for staging and costuming of the several plays, especially the abstracts from a series 646. The Stage and music. (Builder, v. of articles by Edward \V. Goodwin originally pub- 16, Oct. 30, 1858, p. 729.) 3 - MQA lished in the Architect during 1874-75, which may Brief description of decorations for Charles Kean's be consulted in the Art Room. King John. 634a. Henry v. stage-plot. Direc- 647. Staging Shakespeare. (Nation, v. for curtains, drops, etc., tions scenery, 82, March 8, 1906, p. 192-194.) * DA diagrams. 18 ? ms. with drawings and — Reviews Mr. John Corbin's article in the Atlantic sheet 14 x 42 in., folded. 8°. * NDB monthly. Interesting stage plans. 648. Stephenson, Henry Thew. Shake- 635. The Shakespeare pavilion at Strat- speare's London. New York: Henry Holt ford-on-Avon. illus. (Illustrated London & Co., 1906. X, 357 p. illus. 12°. news, v. 44, April 2, 1864, p. 311-312.) * DA *R-*NCLD Used in the Commemoration festival. See chapter 14 (The theatres), p. 286-330. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 33

Elizabethan Stage, continued. 660. Wallace, Charles William. The children of the chapel at Blackfriars, 1597- 649. The study of Shakespeare. New 1603. Introductory to The children of the York: Henry Holt & Co., 1915. i.x. 300 p. revels, their origin, course and influences; illus. 12°. *R-*NCV a history based upon original records, See chapter 3 (The playhouses), p. 25-48. documents and plays, being a contribution 650. Stern, Ernst. Wie man heute Shake- to knowledge of the stage and drama of Shakespeare's time. [Lincoln, ^ speare spielt. illus. (Ueber Land und Neb.: the '^ author, 1908,, xvi, 207 illus. 8°. Meer, Bd. 105, 1911, p. 682-683.) * DF p. NCOM 651. Stopes, Marie Charlotte Carmichael. See the subject index under the headings: Stage; Elizabethan stage scenery. (Fortnightly Candle-light ; also the names of the various theatres. Opposite p. SO are suggested plans of the Fortune and review, new series, v. 81, June 1, 1907, ]). the Blackfriars Theatres. 1107-1117.) *DA 661. The evolution of the English 652. Sturmhoefel. Eine vereinfachte drama up to Shakespeare: with a history Shakespeare-Biihne. (Centralblatt der of the first Blackfriars Theatre. Berlin: Bauverwaltung, Jahrg. 9, April 27, 1889, p. George Reimer, 1912. xxi, 246 p. 8°.

153-155.) 3-ttVEA ( Deutsche Shakespeare-Geselischaft. Schriften. Bd. 4.) * NCK (Deutsche) 653. Thornbury, George Walter. Shake- spere's England; or, Sketches of our social 662. The first London theatre: ma- history of the reign of Elizabeth. London: terials for a history. Lincoln, Neb., 1913. Longman, Green, and Longmans, 1856. 2 297 p. 8°. (University of Nebraska. Uni- V. \2\ *NCLD versity studies. V. 13, nos. 1-3.) * EA See V. 2, chapter 10: The theatre. 663. Shakespeare and the Black- 654. Thorndike, Ashley Horace. Shake- friars. based on documents lately discov- speare's theatre. New York: The ]Mac- ered by the writer, illus. (Century maga- millan Co., 1916. xiv, 472 p. illus. 8°. zine, v. 80, Sept., 1910, p. 742-752.) * DA *R-NCOM Has plans of Blackfriars and Fortune Theatres. A comprehensive, well illustrated survey vi^ith good bibliographies in appendix 2. Appendix 1 com- 664. The Swan Theatre and the earl prises a list of stage directions illustrating the use of Pembroke's servants. (Englische Stu- of the curtains and the inner stage in plays acted 340-395.) 1576-1642. dien, Bd.43, 1911, p. RNA of 655. Tolman, Albert Harris. Alternation 665. Three London theatres (University of in the staging of Shakespeare's plavs. Shakespeare's time. Ne- braska. University studies, v. 9, 1909, p. (Modern philology, v. 6, 1909, p. 517-518.) NAA 287-342.) * EA

655a. Tree, Sir Herbert Beerbohm. The 666. Wegener, Richard. Die Biihnenein- staging of Shakespeare. A defence of the richtung des Shakespeareschen Theaters public taste. (Fortnightly review, v. 74 nach den zeitgenossischen Dramen. Halle [new series, v. 68], 1900, p. 52-66.) * DA illus. a. S.: Alax Niemever,' 1907. iv, 164 p. Reprinted in Living age, series 7, v. 8, 1900, p. 8°. *NDB 352-363, * DA.

656. Tupper, Frederick, jr. The Shake- 667. Wheatley, Henry Benjamin. The spearean mob. (Alodern Language Asso- London stage in Elizabeth's reign. (Royal ciation of America. Publications, v. 27 Institution of Great Britain. Proceedings, * [new series, v. 20], 1909, p. 486-523.) RAA V. 13, 1890-92, p. 27-33.) EC

657. Ulrici, Hermann. Shakespeare's dra- 668. On a contemporary drawing of matic art; and his relation to Calderon the interior of the Swan Theatre, 1596. and Goethe. Translated from the German. illus. (New Shakspere Societv. scries 1: 215- London: Chapman Brothers, 1846. xiv, Transactions, no. 12, 1887-92, part 2, p. 554 p. 8°. *R-*NCV 225.) *NCK See p. 27-30 for a brief account of stage art before and including Shakespeare's time. 668a. Wood, .Alice Ida Perry. The stage history of Shakespeare's King Richard the 658. Wade, George A. a queen sees How Third. New York: Columbia University a play; a peep into English court life, illus. Press, 1909. xi, 187 p. 8°. * NDB (Everj^body's magazine, v. 2, 1900, p. 336- See p. 70-75 for account of early use of scenery 341.) *DA in I'.iigland. 659. Waite, Charles E. Play acting in the Elizabethan era. (Gleason's pictorial 669. Wood, T. AFartin. Norman Wilkin- decoration of .\ midsummer night's /' drawing-room companion, v. 7, Aug. 19, son's at the Theatre, illus. (In- ^ 1854, p. 99.) *DA dream Savoy ternational studio, V. 52, Tune, 1914, p. 301- \ "personally conducted" visit to the Globe The- atre. 307.) tMAA 34 THE NEW YORK PUBLIC LIBRARY

Post-Elizabethan Stage

670. Ancient English architects: Inigo Restoration. London: John Murray, 1831. Jones. (Magazine of the fine arts, v. 1, 3v. 8°. NCOM 1832-33, p. 51-56, 222-227, 292-297. 477- See especially v. 3, p. 261-332 (an account of of 333-450 484; V.2, 1833, p. 47-55, 133-140, 225-233, the old theatres London); and p. (details connected with the performance of plays). 331-336.) 3-MAA 680. Cunningham, Peter. Extracts from 671. Aronstein, PliiHp. Ben Jonson. the accounts of the revels at court in the Berlin: Emil FeH)cr, 1906. x, 278 8°. p. reigns of Queen Elizabeth and King James (Literarhistorische Forschungen. Heft I., from the original office books of the 34.) NABM masters and yeomen. London: Shake- See chapter 10 (Ben Jonson's Maskenspiele) ; also speare Society, 1842. li, 228p. 8°. NCOD the index for references to Inigo Jones. Among quaint items of properties furnished is one concerning John Izarde (p. 11) "for money to 672. Bacon, Francis, Viscount St. Albans. him due for his device in counterfeting Thunder Of masques and triumphs. (In his: Works. & Lightning in the play Narcisses."

Philadelphia, 1841. 3 v. 8\ v. 1, p. 44-45.) NCF 681. Inigo Jones; a life of the architect... Remarks on some of his sketches "These things are but toys to come amongst such for masques and dramas, by R. Planche, serious observations; l)Ut yet, since j)riiic<.s will J. have such things, it is better they should be graced Esq... London: Shakespeare Societv, with elegancy, than daubed with cost." 1848. xxi, 148 p. illus. 8°. MQZ Also in various editions of the Essays. Quotes a description of Ben Jonson relative to scenery painted by Jones. There are also other 673. Bayne, Ronald. Masque and pastor- references to scenery devised by him. al. (Cambridge history of English litera- 682. Cunningham's extracts from the ture. Cambridge, 1907-16. 8°. v. 6, 1910, Revels' Books, 1842. (x^thenaeum, v. 138, p. 328-372; bibliography, p. 487-491.) *R-NCB 1911, p. 101-102, 130-131, 421-422; 1912, part 1, p. 469-470, 654-655; 1912, part 2, p. 143- 674. Besant, .Sir Walter. London in the 144.) * DA time of the Stuarts. London: A. & C. Signed Audi Alteram Partem. Black, 1903. xiii, 400 p. illus. 4^ f CO A discussion with Mr. Ernest Law as to genuine- See chapter 5 (Theatre and art). ness of the documents. 683. D'Avenant, Sir William. Dramatic 675. Boas, Frederick Samuel, and W. W. works. Edinburgh: William Paterson; Greg. James i at Oxford in 1605. Property London: Sotheran & Co., 1872-74. 5 v. 8°. lists from the University archives. (Ma- (Dramatists of the Restoration.) lone Society. Collections. Part 3. Lon- NCO (Dramatists) don [1909|. 8°. p. 247-259.) ' NCO The introduction of movable scenery into England Invcnturics of costumes and properties. has been attributed to D'Avenant. See the prefa-

tory memoir in v. 1 ; also the detailed descriptions 676. Boulton, William B. The amuse- of settings for the various masques and plays. Li- ments of old London; being a survey of brary has other copies of D'Avenant's works in NCP and NCF. the sports and pastimes, tea gardens and tt parks, playhouses and other diversions of 684. Evans, Herbert Arthur, editor. Eng- the people of London from the 17th to the lish masques... London: Blackie & Son, beginning of the 19th century. . . London: Ltd., 1897. Ixiii, 245 p. 8°. NCO John C. Ximmo, 1901. 2 v. illus. 8°. CO See introduction. Of the sixteen masques printed, See chapter 6 (The play and the opera). Has ten are Ben Jonson's. Sir William D'Avenant's a colored i)rint showing interior of Sadler's Wells Salmacida Spolia, with its wealth of scenic descrip- Theatre. A brief history of the London stage since tion is also included. the Restoration. 685. Genest, John. Some account of the 677. Brotanek, Rudolf. Die englischen English stage from the Restoration in Maskenspiele. Vienna and Leipzig: Wil- 1660 to 1830. [By John Genest.] Bath: helm Braumiiller, 1902. xiv. 371 p. 8°. H. E. Carrington, 1832. 10 v. 8°. NCOD (Wiener Beitrage zur englischen Philolo- See V. 1, p. 1-9, for a short account of the stage gie. Bd. 15.) NCB (Wiener) previous to 1660. Sec especially p. 223-272. Has many references 686. Hazlitt, to stage directions. William Carew, editor. The English drama and stage under the Tudor 678. Carleton, Dudley. The Queen's and Stuart princes, 1543-1664, illustrated mask. (In: Sir Ralph Winwood, Memo- by a series of documents, treatises, and rials poems. of affairs of state. . . London, 1725. With a preface and index. [Lon- 3v. i°. v.2, p. 44.) fCH don:] printed for The Roxburghe Library [by Whittingham and WilkinS], 1869. 7, 679. Collier, John Payne. The history of xvi, 289 p. 8°. (Roxburghe library, [no. English dramatic poetry to the time of 4.)) NCOD Shakespeare, and annals of the stage of the See p. 280-281 for remarks on staging. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 35

Post-ElizabctJian Stage, continued. century (1642-1780). New York: Macmil- lan 12°. 687. Inigo Jones's design for the prosceni- Co., 1914. xv, 366 p. *R-NCOD um of Shirley's masque The triumph of See index heading Scenery. peace (In: (1634). W. J. Lawrence, 698. Nichols, John. The progresses, pro- The Elizabethan playhouse. Philadelphia, cessions, and magnificent festivities of 1912-13. 8°. V. 1, opp. p. 101.) NCOD King James the First, his royal consort, famil}-, and court, collected from original 688. Inigo Jones's design for triumphal manuscripts, scarce pamphlets, corpora- chariots. (In: W.J. Lawrence, The Eliza- tion records, parochial bethan playhouse. Philadelphia, 1912-13. registers, etc., comprising forty masques and entertainments, 8°. V. 1, opp. p. 103.) NCOD ten civic pageants, numerous original let- 689. Jonson, Ben. An expostulation with ters... Illustrated with notes, historical,

Inigo Jones. (In: The works of Ben Jon- topographical, and bibliographical. . . Lon- son, with notes... by W. Gifford. Lon- don: J. B. Nichols, 1828. 4 v. of text; 1 v. 4°. don, 1816. 9v. 8°. V. 8, p. 116-122; prefa- of plates. CI tory notes, p. 113-115.) NCP 699. Pepys, Samuel. Pepys on the res- 690. Masques at court. (In: The toration stage, by Helen McAfee. New

works of Ben Tonson, with notes. . .by W. Haven: Yale University Press, 1916. viii, Gifford. London, 1816. 9 v. 8°. v. 7.) 353 p. illus. 8°. NCOM NCP Extracts from Pepys' diary relating to the theatre. Jonson describes his scenery with some detail. See footnote on p. 315-316 for a quotation from Richard Flecknoe relative to the earliest use of "The masques of Jonson were exhibited with all scenery in England. the magnificence of scenery which the taste and splendor of a court could bestow." — W. Gifford in a footnote to the above, p. 302. 700. Reyher, Paul. Les masques anglais; etude sur les ballets et la vie de cour en 690a. Keith, William Grant. The designs Angleterre (1512-1640). Paris: Hachette for the first movable scenery on the Eng- et Cie., 1909. x, 563 p. illus. 8°. NCOD lish public stage, illus. (Burlington maga- Unusually complete and has an extensive bibliog- zine, V.25, 1914, p. 29-33, 85-98.) f MAA raphy on p. S33-547. See especially chapter 5 en- Relates to work of Sir William D'Avenant and titled: La mise en scene. Stage plans of Inigo Jones. John Webb. Plan of stage at Rutland House. De- tails of staging. 701. Rhys, Ernest. The masques of Inigo 691. Law, Ernest. Cunningham's extracts Jones. (Nineteenth century and after, v. * from the Revels' Books, 1842. (Athenae- 54, July, 1903, p. 157-165.) DA um, V. 138, 1911, p. 297-299, 324-325, 388- 702. Rimbault, Edward F. First actress 389; 1912, part 1, p. 470-471.) * DA and first scene. (Notes and queries, series Reply to articles signed Audi Alteram Partem. 2, V. 3, 1857, 471-473.) Discussion as to genuineness of documents. p. *R-*DE Interesting references to early use of scenery in 692. Lawrence, William John. A forgot- England. Description of the elaborate setting used ten Restoration playhouse. (Englische in the Lord's masque. Studien, Bd. 35, 1905, p. 279-289.) RNA 703. Simpson, Percy. The masque, illus. Reference to the old Phoenix or Cockpit. (In: Shakespeare's England. Oxford, 1916. 693. Title and locality boards on the 8°. V. 2, p. 311-333.) *R-*NCLD Restoration stage. (Deutsche Shake- Includes an account of the art of Inigo Jones. speare-Gesellschaft. Jahrbuch, Jahrg. 45, A good bibliography of masques. 1909, p. 146-170.) * NCK 704. Sullivan, Mary. Court masques of 694. Lee, Sir Sidney. Inigo Jones (1573- James i; their influence on Shakespeare 1652). (In: Dictionary of national biog- and the public theatres. New York: G. P. raphy. London, 1892. v. 111-119.) Putnam's Sons, 1913. xi, 259 p. illus. 8°. 30, p. *R-AGH NCOD Opposite 184 is a copy of Inigo Jones's plan 695. Lowe, Bet- p. Robert William. Thomas for tile production of Floriinciic in the hall at White- terton. London: Kegan Paul, Trench, hall, Dec. 23, 1635; also descrii)tions of a masque Trubner & Co., Ltd., 1891. vi, 196 p. 12°. stage by Campion. The Library has an earlier edi- AN tion, containing a bibliography. Chapters 1 and 2 have interesting details of the 705. Thorndike, Ashley Horace. Influ- pre-Restoration and Restoration stage. ence of tiic court-masques on the drama, 696. Mann, Dorothea Lawrance. The 1608-15. (Modern Language Association new stagecraft: illustrated by Josef Ur- of America. Publications, v. 15, 1900, p. ban's imaginative setting of Shakespeare. 114-120.) RAA ilius. (Craftsman, v. 30, May, 1916, p. 168- 706. Triggs, Harry Inigo, and Henrv 178.) MNA T.wxKK, }u. Some architectural works of Tailpiece shows his setting for the Shakespeare masque. Inigo Jones... London: B. T. Batsford, 1901. xiv, 36p. plates. f°. ftMQWK 697. Nettleton, English George Henry. .Sec p. 1-5 for brief account of scenery devised drama of the Restoration and eighteenth by him for masques. 36 THE NEW YORK PUBLIC LIBRARY

American Stage The coming 707. A., S. The art societies and theatre 718. Buckland, Wilfred. art. illus. (Harper's art. illus. (Theatre arts magazine, v. 1. revolution in scenic NBLA weekly, v. 62, March 25, 1916, p. 306-307.) Nov., 1916, p. 30-34.) *DA Describes and illustrates the theatre of the Detroit Society of Arts and Crafts. Designs by R. E. Jones. 718a, Carr, Michael Carrmichael. The 708. Adding art to music for comedy's scenic art of J. Blanding Sloan. illus. Feb. 1, sake, ilhis. (Vogue, v. 47, no. 3, (Theatre arts magazine, v. 2, no. 3, 1918, p. 1916, p. 50-51. 112.) *DA 159-163; illus. on p. 155-158.) NBLA Colored settinp and costumes designed by Robert McQuinn for Stop, look, listen. 719. Chapin, Anna Alice. Joan of Arc at Harvard, illus. (IMetropolitan magazine. 709. Allard, Stephen. William Peel in New York, V.30, Aug., 1909, p. 516-526.) America. (Theatre arts magazine, v. 1. *DA Nov., 1916, p. 24-26.) NBLA 720. Cheney, Sheldon. The art theatre; 709a. America's first great war pageant, a discussion of its ideals, its organization illus. (Theatre magazine, v. 26, Oct.. 1917, and its promise as a corrective for present

. six- p. 199.) ft NBLA evils in the commercial theatre. .with View of Greek theatre on estate of Mr. Roland teen photographs of productions at the Conklin at Huntington, L. I. Portraits of Joseph Arts and Crafts Theatre of Detroit. New Stevens. L. Smith and Thomas W. York: Alfred A. Knopf, 1917. 249 p. illus. 12°. NBL 710. Andrews, Charlton. Stage realism. (New York dramatic mirror, v. 68, no. 1745, 721. Sam Hume's adaptable settings. May 29, 1912, p. 5, 12.) * DA illus. (Theatre arts magazine, v. 1, Mav, 1917, p. 119-127.) NBLA 711. Arthur, Helen. The Neighborhood classic spirit Plavhouse. (Play-book, v. 2, no. 8. Jan., 722. Corbin, John. The and Times, Feb. 191o, p. 15-19.) NAFA Margaret Anglin. (New York 17, 1918, section 5, p. 10.) * A the theatre 711a. The Artist in American 722a. Sanitv and stage settings. illustrated by the work of American stage (New York Times, April 20, 1919, section 4, craftsmen., illus. (Touchstone, v. 5, no. 1, p. 2.) *A April, 1919, p. 44-50, 77-78.) * DA Comments on Craig, Copeau, Reinhardt, R. E. Examples of the work of Rollo Peters, Robert Jones, Livingston Piatt, and scenery for current Johnson, John Wenger, J. B. Sloan, Herbert Paus, New York productions. J. Urban, and Norman Belgeddes. 723. The Urban scenery and some 712. Behind a Watteau picture; an adven- other matters. (New York Times, Sept. ture, and a debut, in Greenwich village, 30, 1917, section 3, p. 8.) *A illus. (Vanity fair, v. 9, no. 5, Jan., 1918, 723a. Coward, Edward Fales. The staging p. 51.) fVSM of "Chu Chin Chow." illus. (Theatre Reference to the work of Messrs. Wenger, Hew- lett, Basing, and Robert Locher. magazine, v. 26, Oct., 1917, p. 198, 256.) ft NBLA 713. Belasco, David. How I stage my ^24. Crane, William H. Some develop- plavs. (Theatre magazine, New York, v. 2, ments of the American stage during the no.'22, Dec, 1902, p. 31-32.) ft NBLA past fifty years. (University of California 714. Stage management in theory chronicle, v. 15, April, 1913, p. 207-220.) and practice, illus. (New York dramatic STG mirror, v. 65, no. 1677, Feb. 8, 1911, p. 5.10.) *DA Interesting references to lighting and scenery. 725. Davis, Washington. Successful Cali- 715. Stage realism of the future. fornia scenic artists. illus. (Overland illus. (Theatre magazine. New York, v. 18, monthlv, San Francisco, v. 45, Jan., 1905, Sept., 1913, p. 86-88, 90, ix.) NBLA ft p. 171-174.) *DA 716. Stagecraft, wherein the wizard ** 726. Denig, Lynde. The Rialto: a the- of the theatre discusses his theories of pro- atre without a stage. illus. (Theatre duction, illus. (Green book album, v. 14, magazine. New York, v. 23, May 19, 1916, Aug., 1915, p. 353-361.) NAFA p. 282.) ttNBLA 717. Brown, Frank Chouteau. Scenery 726a. Dramatic arts at Carnegie Institute and furniture. illus. (House beautiful. of Technology, illus. (Theatre magazine, New York, v. Z6, Nov., 1914, p. 180-183.) tMLA V. 29, April, 1919. p. 231.) ff NBLA Setting from ".\ Constant lover" executed by J. Describes and illustrates furniture used in the Woodman Thompson. Portrait of Director Thomas presentation of She stoops to conquer. Wood Stevens. Setting by K. S. Goodman. .

DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY Z7

American Stage, continued. 738. Howe, Samuel. Stage setting; realis- 727. Eaton, Walter Prichard. The lesson tic and impressionistic, illus. (Interna- tional studio, of a failure, illus. (American magazine, V. 47, Oct., 1912, p.xlix-liv.) New York, v. 79, 1915, p. 42-45, 76-80.) MAA *DA Scenes designed by Mr. J. Monroe Hewlett for Chanticleer. Account of the staging of The Garden of Para- disc. Decorations by Joseph Urban. 739. An Indictment of David Belasco as 728. Evolving a new scenic art. (Current the evil genius of the theatre, illus. (Cur- opinion. New York, v. 55, Oct., 1913, p. 251- rent opinion, v. 58, Feb., 1915, p. 96.) * DA 252.) * DA Extracts from Sheldon Cheney's The new movement in the theatre. Notes present tendencies, with reference to Bel- asco, Voegtlin, and La pisanelle. 740. Jones, Robert Edmond. The future 728a. Four stage designs by John Wen- decorative art of the theatre, illus. (The- ger. illus. (Theatre arts magazine, v. 3, atre magazine, v. 25, May, 1917, p. 266.) no. 1, Jan., 1919, p. 31-34.) NBLA tt NBLA "John Wenger is a Russian artist who has been 741. Julius Cahn's official theatrical guide, in America several years. . . He has been carrying on interesting experiments with sets and colored containing information of the leading the- lights, in 'scenic interludes' at the Rivoli Theatre, atres and attractions in America, v. 1, 4, New York." 8-9, 17 (1896/7, 1899/1900, 1903/4-1904/5, 729. The Gentleman of the decoration. 1913/14). New York, 1896-1905. 8°. (New York Times, Feb. 14, 1915, part 7, MWA p. 4.) * A Gives stage dimensions and equipment of Ameri- Brief account of life and work of Robert E. Jones. can theatres.

730. Gorham, Mercy. Grand opera be- 742. Keane, A. H. J. Novel stage decora- yond the curtain line. (Theatre magazine, tions; a new branch of textile industry. V.21, Jan., 1915, p. 21-22, 41.) ft NBLA (Scientific American, v. 103, Nov. 5, 1910, An interview with Mr. Edward Siedle, technical p. 358.) VA director of the Metropolitan Opera House, New York City. 743. Krows, Arthur Edwin. The theatre's 731. Gotthold, Rozel. Smartness in stage debt to America. (New York Times, Dec. settings. (Theatre magazine, v. 23. Feb., 2, 1917, part 9, p. 5.) *A 1916, p. 82-84.) ft NBLA Claims that the "new movement" started forty years ago. Scenes from A pair of silk stockings, Tivin beds. Under fire, and The boomerang. 744. The Latest exponent of the Delsar- 732. Gottholdt, Ruth. New scenic art of tian school. (Illustrated London news, v. the theatre. illus. (Theatre magazine, 133, Oct. 31, 1908, p. 601.) * DA V. 21, May, 1915, p. 248, 250.) ft NBLA Striking decoration used by Miss Ruth St. Denis. Account of Robert E. Jones, designer of costumes rise and decorations for The man icho married a dumb 744a. Lawrence, W. J. The of spec- 'ijife. Has reference to the lighting effects produced tacle in America. (Theatre magazine, v. 25, D}' Dalcroze. Jan., 1917, p. 44.) ft NBLA 733. Hamilton, Clayton. The arts and 744b. A Living American art. (New York craft theatre, illus. (Theatre magazine, Tribune, April 24, 1919, p. 10.) * A V. 25, June, 1917, p. 2>2,2-2,2>2,.) f NBLA Editorial appreciation of R. E. Jones' scenery for Refers to theatre of this name in Detroit, Mich. The Jest and of Jacques Copeau. 734. The "new" stagecraft ceases to 744c. Logan, Olive. Before the footlights be new and is immediate and necessary. . and behind the scenes, a book about "The illus. (Vogue, V. 47, no. 4, Feb. 15, 1916, show business" in all its branches: from p. 62-63, 118, 120.) *DA puppet shows to grand opera. . .exhibiting An account of Robert E. Jones' scenery for The the "show world" as seen from within. devil's garden, with two drawings. Philadelphia: Parmelee & Co., 1870. xv, 735. settings in America. Scenic 17-612 p., 24 pL, 10 ports. 8°. MWE 20-29.) (Bookman, v. 43, March, 1916, p. Brief sketches. See especially chapter 13, The *DA property man and his curious duties; chapter 14, .Scenes from The red cloak. The roadhousc in The scenic artist. Arden, The clod, The tenor, The fear market, and 745. Lowrey, Edward The staging Literature. W. of grand opera. illus. (New England 736. Spectacle and drama. (Book- magazine, v. 50, Dec, 1913, p. 415-418. 423- man, V. 40, Jan., 1915, p. 547-552.) * DA 427.) * DA /Vccount of The garden of Paradise, and of Joseph Descri1)is nutlinds of Joseph Urban. Urban. America's first V37. Harrod, B. M. Herr Wagner's the- 746. Macgowan, Kenneth. cxliibition of the stage-craft, illus. atre, illus. (Builder, v. 30, Aug. 31, 1872, new (Tiicatre magazine, v. 21, Jan., 1915, p. 28.) p. 689.) 3-MQA Correspondent, an architect of New Orleans, tfNBLA claims to have antedated Wagner in the use of an Exhibition given l)y the Stage Society of New "invisible orchestra." York. Refers to the "sky-dome." 38 THE NEW YORK PUBLIC LIBRARY

Auirricau Stage, continued. 756a. Roche, H. The yellow jacket, illus. (American Institute of Architects. Jour- 746a. A Gordon Craig from Broad- nal. V. 5, Aug., 1917, p. 389-395.) MQA way. (Dial, V.64, May 23, 1918, p. 478- Description of play with colored costume designs. 479.) * DA Criticism of Mr. Arthur Hopkins' How's your 757. Role of the costume in the new second act!" The stagecraft. illus. (Vogue, v. 45, no. 6, 747. The myth of Urban. illus. March 15, 1915, p. 65, 106, 108.) * DA (Theatre arts magazine, v. 1, May, 1917, p. Account of the work of Robert E. Jones. Scenes 98-109.) NBLA and costumes from The wan who married a dumb 748. The new stage-craft in America. ivifc. illus. (Century magazine, v. 87, Jan., 1914, secrets of the p. 416-421.) *DA 758. Smith, Saqui. The Discusses the work of Joseph Urban. stage. (Leslie's weekly, v. 88, May 25, 406-407.) * 748a. Repertory and the Broadway 1899, p. DA article the art of David Belasco. season, a review of the new plays in New A very general on York, illus. (Theatre arts magazine, v. 3, 759. The Stage designs of A. A. Andries. no. 1, Jan., 1919, p. 19-21.) NBLA (Theatre arts magazine, v. 1, Nov., 1916, Notes on scenery for Ideal husband, The better 'ale. The Betrothal, and Redemption. p. 23; illus. on p. 21-22, 42.) NBLA "Winthrop Ames [has] demonstrated that one Illustrations for Othello and Haensel und Gretel. easel artist with l)rains and style is worth a dozen ordinary scene-painters." 760. Steell, Willis. The art of Joseph 749. Marston, Richard. Art in the the- LTrban; the designer of the exquisite stage atre: the decline of scenic art in America. settings in the "Ziegfeld Follies" talks in- illus. (Magazine of art, v. 17, 1894, p. 163- terestingly of his life and work. illus. 168.) t MAA (The Theatre, New York, v. 22, Sept., 1915, 750. Meier, AI. W. A theatrical labora- p. 124-125, 140.) ttNBLA tory for testing plays, illus. (Popular 760a. Stevens, Thomas Wood. non- mechanics, y. 28, July, 1917, p. 8-9.) VFA A Players' Workshop, Chicago, described. commercial theatre. Pittsburgh's unique repertory institution where the players 751. Moderwell, Hiram Kelly. The art make their own costumes and paint their (Theatre arts of Robert Edmond Jones. own scenery, illus. (Theatre magazine, magazine, y. 1, Feb., 1917, 50-61; illus. p. v. 27, June, 1918, p. 350-351.) ttNBLA on p. [72-75.]) NBLA 752. Moses, Montrose Jonas. The Ameri- 761. The plan of a laboratory theatre, illus. (Play-book, v. 2, no. 3, Aug., can dramatist. Boston: Little, Brown & 1914. 16-18.) Co., 1917. xii, 409p. 2. ed., rev. illus. 12°. p. NAFA *R-NBL Describes the theatre of the Carnegie Institute of Technology, Pittsburgh. See chapters entitled David Belasco and the psychology of the switchboard; The card board play; Sunlight, moonlight, and footlight; The craze for 762. Thompson, Alta E. Staging "The little tlu-atres. lady of the lake." illus. (School arts 752a. Murdoch, James Edward. The magazine, v. 15, April, 1916, p. 535-541.) stage; or, Recollections of actors and act- SSA ing from an experience of fifty years. A As presented by the Training Department of the Western Illinois State Normal School. series of dramatic sketches. Philadelphia: M. Stoddart & Co., 1880. 510 p. illus. J. 763. Turnbull, 8°. NCOM Hector. An appreciation of Winthrop Ames's art. (New York Tri- p. 290-291 tell of stage thunder and lightning and a ludicrous blunder. bune, Feb. 14, 1915, part iii, p. 4.) * A 753. O., F. For an Irish theatre in J. 764. Two scenes for a poetic play, de- America, illus. (Theatre magazine, v. 22, signed by Samuel Hume. (In: Moderwell, July, 1915, 14.) p. ttNBLA H. K., The theatre of today. New York, Decorations for Irishy and Lonesome like. 1914. 12°. opp. p. 210.) MWE 754. Patterson, Ada. David Belasco. the "These scenes show how a rearrangement of the man. illus. (Creen book album, v. 7, May, same simple elements will produce a different effect 1912, p. 961-966.) NAFA and create quite a different mood."

755. Psychological stage scenery. (Lit- 764a. The Ultra-new in stage decoration, erary digest, V. 46, 25, Jan. 1913, p. 183; illus. (Upholsterer, y. 53, no. 4, April, 1915, illus., p. 182.) *DA p. 71-72.) tMOFB Discusses the decorations of Edward Sheldon's Brief reference to Granville High road. Barker's Androcles and the lion. 756. Ranck, Edwin Carty. An American stage wizard, illus. (Theatre magazine, 765. The Vanderbilts and the players, y. 22, Aug., 1915, p. 83, 92-93.) ft NBLA illus. (Theatre, v. 2, no. 20, Oct., 1902, p. An account of the work of Livingston Piatt on 18-19.) ttNBLA Shakespeare decorations and for the Toy Theatre. Account of the Beaulieu Theatre at Newport. ,

DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 39

French Stage

766. Arnavon, Jacques. Le misanthrope; 47. 1900. p. 121-149, 232-249; tome 48, 1900. mise en scene, decors, representation... p. 61-85.) DPP Ouvrage orne de trois dessins de AI. Leo Has copy of painting by Pater (1729) showing Devred et de reproductions. Paris: Plon- the arrival of a troupe in Mans. Brief account of theatre and decorations. Nourrit et Cie., 1914. xi, 304 p. illus. 8°. NKC 774a. Dickinson, Thomas Herbert. The See p. 125-136 for an account of the scenery. case of American drama. Boston and New York: Houghton Mifflin Co., 1915. ix, 766a. Bapst, Germain. La decoration the- 223 p. 8°. NBL atrale a la cour de Louis xiv. illus. (Ga- Chapter 4: The theatre in the open; chapter 5: beaux-arts, 34, zette des periode 3, tome Festivals and pageantry. 1892, p. 484-495.) MAA 775. Duquesnel, Felix. La mise en scene 767. Beaulieu, Henri. La mise en scene. — les decors — les costumes, illus. (Le d'art dramatique. 1905, se- (Revue annee theatre, Paris, no. 268, Feb., 1910, p. 16-26.) mestre 1, Feb., 1905, p. 97-106.) NAFA tfNKL Abstract of conference held at the ILcole des This richly illustrated number of he theatre is sociales. Iiautes etudes devoted exclusively to Chanteclcr, 768. La mise en scene et I'interpre- 775a. Eliot, Samuel A., jr. Le Theatre du repertoire classique. (Revue tation du vieux columbier. (Theatre arts magazine, d'art dramatique, annee 1906, semestre 1, V. 3, no. 1, Jan., 1919, p. 25-30.) NBLA p. 277-291.) NAFA Account of performances and staging in New Principally devoted to staging of Moliere's plays. York theatre. 769. Boschot, Adolphe. Un essai de the- 776. Epstein, Bennett. The blue bird in atre nouveau. Les cuirs de boeuf par M. Paris, London, and New York. (Play- Georges Polti. (Revue d'art dramatique, book, V. 1, no. 6, Sept., 1913, p. 3-6.) NAFA nouv. serie, tome 7, Aug. 5, 1899, p. 369- 777. Filippi, Joseph de. Essai d'une bib- 382.) NAFA liographic gencrale du theatre; ou. Cata- Twelve scenes representing church windows, with logue raisonne de la bibliotheque d'un ama- some of the stage directions. Sketch on p. 375. teur completant le Catalogue Soleinne. 769a. Bourdon, Georges. La nouvelle (By Joseph de Filippi.] Paris: Chez Tresse, d'art dra- Comedie-frangaise. (La revue 1861. vii, 223 p. 8°. NAF v. 138-149.) matique, 10, p. NAFA .^n important list, containing many very old Description of stage. works. See the headings: Architecture theatrale; Decorations et costumes; Histoire du theatre. 770. Staging in the French and Eng- lish theatre. (Fortnightly, London, v. 11 778. Le Foyer du Theatre Frangais. illus. Jan. 1, 1902, p. 154-169.) * DA (L'illustration, v. 4, Dec. 21, 1844, p. 248- 251.) *DM 771. Charlanne, Louis. L'influence fran- Has reprint of old engraving in collection of the gaise en Angleterre au xvii" siecle: la vie Cardinal de Luynes. Shows Moliere and famous sociale, la vie litteraire. fitude sur les re- characters. lations sociales et litteraires de la France 779. Gaiffe, F. Le drame en France au et de I'Angleterre surtout dans la seconde xvin" siecle. Paris: Armand Colin, 1910. moitie du xvii" siecle. Paris: Societe fran- 600 p. illus. 8°. NKL gaise d'imprimerie et de librairie, 1906. xix, Sec p. 537-545 for a discussion on scenery of the 614 p. 4°. NCB time. See chapter 3 for account of French influence on English stage scenery. 780. Gondy de Seinprez. Le peintre decorateur Jambon; son atelier — comment 771a. Claretie, Jules. La Comedie-fran- on brosse un decor, illus. (Revue illus- gaise. illus. (Figaro illustrc, annee 29. no. trcc, annex 22, ]ulv 27, 1907, p. 465-469.) 247, 1910, p. 1-24.) ttMAA *DM Plans and sections of old buildings. On p. 1, a Illustrations show the studio of Messrs. Jambon setting of 1670. and liailly, with portraits of the two. 772. Copeau, Jacques. The true spirit of 781. Hawkins, Frederick, .\nnals of the the art of the stage as it is being inter- French stage from its origin to the death of preted at the Vieux-Colombier. 1 port. Racine, 789-1699. London: Chapman & (Vanity fair, v. 8, April, 1917, p. 49.) Hall, 1884. 2v. illus. 8°. NKL

fVSM .See v. 2, p. 315-318, for account of the early use of scenery in France. 773. Corbin, John. Moliere reborn. (New in the eigh- York Times, Dec. 2, 1917, section 9, p. 4.) 781a. The French stage *A teenth centurv. London: Chapman & Hall, 1888. 2v. 8°. NKL 774. Deschamps la Riviere, Robert. Le v. 1, 1699-1750. V. 2, 1750-1799. xviii" siecle. (Revue theatre au Mans au .See v. 1, p. 26 and v. 2, p. 125 for references to historique et archeologique du Maine, tome gorgeousness of scenery. 40 THE NEW YORK PUBLIC LIBRARY

French Stage, continued. 791. • L'art decoratif au Theatre des Arts. L'oeuvre decorative du peintre 782. Herold, A. Ferdinand. M. Antoine Maxime Dethomas. illus. (L'art decora- > and the theatre libre. (International tif, tome 27, 1912, p. 307-314.) MLA :^ monthly, v. 3, May, 1901, p. 511-525.) * DA Decorations from Frcrcs Karamasov, Dominos, - and Carnaval des enfants. 783. Houssaye, Arsene. La Comedie Fran(;aise, 1680-1880. [Paris:] Ludovic 792. Lotheissen, Ferdinand. Moliere: Baschet, 1880. 174 illus. f°. NKL p. fft sein Leben und seine Werke. Frankfurt Has two full-page illustrations showing scenes in a. Riitten Loening, 1880. xii, 418 p. the Hotel de BourgoRne; also copies of Moliere M.: & scenes from old engravings by F. Boucher. 8°. AN See chapter 10. 783a. Jacques Copeau and his theatre, illus. (Theatre magazine, v. 26, Dec. 1917, 793. M., V.-F. Le nouvel opera par Ch. p. 342.) ttNBLA Xuitter. illus. (Le monde illustre, annee Describes his scenery. Picture of Louis Jouvet 19, tome 26, Jan. 9, 1875, p. 10.) * DM and a model of the Copeau stage. A review of Nuitter's work on the Paris opera hfiuso. Has four illustrations. 784. Jullien, Adolphe. La comedie a la cmir. Lcs theatres de societe royale pen- 794. Maeterlinck, Georgette Leblanc. Our dant le siecle dernier... Paris: Firmin- production of Pelleas and Melisande. illus. Didot et Cie. [1883 ?j vii, 323 p. illus. 4°. (Century, v. Jan., 1911, 325-327.) NKL 81, p. *DA p. 235-247 give a good idea of expenses covering Account of performance at the Abbey of Saint the court performances. Opp. p. 272 is a double- Wandrille. page picture of the interior of Marie Antoinette's theatre in the Trianon. For a review see L'art, 795. Pelleas und Alelisande in Saint 1S83, annee 9, tome 4, whole series 35, p. 198. Wandrille. illus. (Buhne und Welt, Tahrg. 784a. Les grandes nuits de Sceaux, 13, Halbjahr 2, 1911, p. 133-140.) f NGA le theatre de la duchesse du Maine... Paris: J. Bauer, 1876. 2 p.l., 75 p. 8°. 796. Mantzius, Karl. Moliere; les the- NKL atres, le public & les comediens de son See p. lS-19 for brief description. temps. Traduit du danois par Maurice Pellisson. Paris: Colin, 1908. xvi, 785. King Louis xiii at the play... in the A. 315 p. 8°. AN theatre of Richelieu's palace. (In: J. J. Tusserand, Shakespeare in France. Lon- Has interesting illustrations of the Moliere stage and plan of the Theatre Frangais in 1752. See don, 1899. 8°. p. 93.) *R-*NDD chapter 7. Encrravins; gives an excellent representation of auditorium and stage. the 797. Marsan, Jules. La pastorale drama- 786. Lacaze, Leon. La decoration sce- tique en France a la fin du xvi" et au com- nique. (Revue d'art dramatique, annce 23, mencement du xvii'' siecle. Paris: Hach- ette et Cie., 1905. xii, 524 illus. 8°. June, 1908, p. 197-199.) NAFA p. Brief account of the Florentine artist Servandoni NKL who in 1734 staged performances in the Tuileries. p. 445-448, a discussion of costumes. In the Appendice iconographiqiie : a scene satyriqiie after 787. Laurent, Gaston. Gustave Larrou- Vitruvius; an engraving showing scenery for the Ballet coiniqne de la Royne; and five plates directeur des Beaux-Arts. (Revue of met, sketches from the Ulemoire of Mahelot; also five illustree, v. 9, Jan. 15, 1890, p. 120-125.) engravings by Michel Lasne for Sih'anire. *DM Bibliographies on p. 492—494. Discusses bis relation to the theatre. 797a. Modern comedies at the French the- 788. Lawrence, William John. Early atre. (Theatre magazine, v. 28, Nov., 1918, French plavers in England. (Anglia, Ed. p. 292.) ttNBLA 32 [N. F. Bd. 20|, 1909, p. 61-89.) RNA See p. 75-77 for scenery used by them, especially 798. Moliere, Jean Baptiste Poquelin. for Le mariagc d'Orphee ct d'Eurydice. CEuvres de Moliere. Nouvelle edition revue sur les plus anciennes impressions et 789. Lestrange, Robert. L'art decoratif augmentee de variantes, de notices, de an Theatre des Arts. L'oeuvre decorative notes, d'un lexique des mots et locutions de Georges d'Espagnat, de Georges Delaw, remarquables, de portraits, de fac-similes, etc. illus. (L'art decoratif, tome 28, 1912, etc., par MM. Eugene Despois et Paul Mes- p. 197-204.) MLA nard. Paris: Hachette et Cie., 1873-1900. Decorations from Fantasia and Lc marchand de 8°. passions. 13 v. and album. (Les grands ecrivains de la France.) NKO 790. L'art decoratif au Theatre des V. 1-3 edited by Eugene Despois. Arts. L'oeuvre decorative du peintre See the Album for portraits of Moliere, decora- Dresa. illus. (L'art decoratif, tome 28, tions, and costumes. 1912, p. 5-12.) MLA Decorations from Xuit pcrsane and Ma indre 799. Moliere's play-house, as represented i'oye. by Coypel in his Suites d'Estampes to DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 41

French Stage, continued. 807. Scenery and drama. (Nation, v. 92, Alarch 23, illustrate Moliere's comedies, 1726. (In: 1911, p. 300.) *DA Jusserand, Shakespeare in France. A criticism of the ideas of Rouche, Dethomas, J. J. and Dresa. London, 1899. 8°. p. 155.) *R-*NDD "Shows the standing pit, the chandeliers hjwertd to the level of the boards, as they used to be during 808. Schneider, Louis. La grande saison the intervals of the acts." de Paris au Theatre du Chatelet. (Le theatre, tome 15, no. 322, May 2, 1912, 4-9.) p.NKL 800. Noverre, Jean George. Lettres sur Settings by Bakst for Hclcne de Sparte (\'cr- les arts imitateurs en general, et sur la haeren) and Le dicii bleu. danse en particulier. Paris: L. Collin, 1807. 2v. illus. 12°. MZDB 809. Smolian, Arthur. Emile Jaques-Dal- See V. 2, lettre xvi, p. 214-250: Observations sur croze und seine kiinstlerische Erziehungs- la construction d'une salle d'opera. lehre. illus. (Illustrierte Zeitung, Bd. 134, May 26, 1910, p. 1010-1011.) * DF 801. Parville, Franqois Henri Peudefer de. Three decorations are shown. Le chevauchee des valkyries, a I'Opera. illus. (Revue encyclopedique, Aug. 1, 1893, 810. Steell, Willis. Jacques Copeau — p. 778-780.) * t AP author, actor and producer. 1 port. (The- Describes and illustrates stage effects. atre magazine, v. 25, May, 1917, p. 288.) ttNBLA 802. Performance of a comedy at the 810a. Stuart, Hotel de Bourgogne, time of Louis xiii. Donald Clive. Stage decoration and the unity of place in France in (In: J. J. Jusserand, Shakespeare in France. the seventeenth century. London, 1899. 8°. p. 85.) *R-*NDD (Modern philology, V. 10, Jan., 1913, p. 393-406.) NAA Engraving by Abraham Bosse. See p. xiv-xv.

810b. Taphanel, Achille. Le theatre de 803. R., Felix. Une repetition generale. Saint-Cyr (1689-1792); d'apres des docu- illus. (L'illustration, v. 8, 1870. p. 55, Jan. ments inedits... Versailles: Cerf et fils, 28-29.) * DM 1876. 2 p.l., (i)vi-xi, 288 p., 1 plan, 1 port. Behind the scene pictures at the Theatre du 8°. NKL Chatelet, Paris. The theatre of Mme. de Maintenon. Decorations were painted by Jean Berain. 803a. Raymond, Antonin. The Theatre du vieux columbier in New York. (Ameri- 811. Thiebault-Sisson. Decors et decora- •an Institute of Architects. Journal, v. 5, teurs de theatre, illus. (L'illustration. Aug., 1917, p. 384-387.) MQA V. 103, Feb. 24, 1894, p. 155-157.) * DM Describes New York and Paris theatres. Describes scene painting, with portraits of Chap- y eron and Rube.

804. A Revolution in the art of scene 811a. Tourneux, Alaurice. L'exposition painting, illus. (Theatre magazine, v. 3, thcatrale au Musee des arts decoratifs. Oct., 1903, p. 256.) ttNBLA illus. (Gazette des beaux-arts, serie 3, v. Brief account of Victor Dangon. 40, 1908, p. 231-241.) MAA

805. Riat, Georges. La decoration the- 812. Trollope, Henry Merivale. The life atrale au xviii" siecle. (Revue d'art dra- of Moliere. London: Archibald Constable matique, annee 17, 1902, 401-408.) & Co., Ltd., 1905. xviii, 578 p. illus. 8". p. NAFA NKC See chapter 9 entitled Stage customs, which includes (p. 245-247) an account of scenery. 806. Roche, Henri Pierre. Arch-rebel of French theatre coming here. Jacques Copeau, whose scorn of traditions has 813. Vauxcelles, Louis. Au salon d'au- brought him fame, to explain his theories tomne. illus. (L'art decoratif, tome 26, on the drama to Americans, illus. (New 1911, p. 241-295.) MLA York Times magazine section, Jan. 28, 1917, See p. 271-295 for scenery and costumes by Rene Pint for Chagrin dans le palais dc Han. p. 9.) * A

813a. W., C. H. The double staircase. 506a. Sarcey, Francisque. De la mise en (American Institute of .'Xrchitects. Tour- scene, illus. (L'art, annee 1, tome 1, 1875, nal, V. 6, March, 1918, p. 109-110.) MQA p. 181-185, 200-203, 248-250.) MAA ft Describes the scene in Lcs Fri^rcs Karamazov at A plea for simplicity. the New York Theatre du vieux colombicr. —

42 THE NEW YORK PUBLIC LIBRARY

German Stage

814. Amundsen, Gerhard. Dekorations- 827. Bethge, Hans. Karl Walser — Ber- __^

kunst unci Inszenierung. (Biihne iind lin. illus. (Deutsche Kunst und Dekora-" ^ Welt. Jahrg. 14, Halbjahr 2, July, 1912, p. tion, Bd.23, 1909, p. 329.) f MAA 278-280.) t NGA Costumes and wall decorations. Reference to circular horizon and diminished proscenium in Munich. 828. Bie, Oskar. Alte und neue Opern- dekorationen. illus. (tJber Land und^^^ 815. die "Zauberflote." Schinkel und Meer, Bd. Ill, 1914, p. 639-641.) * DF^ illus. (Biihne Welt, 13, Halb- und Jahrg. Interesting typical designs of the old and new jahr 1, 1910-11, p. 456-458.) tNGA schools. 829. Das Theater. Biihnenbilder 816. Appia, Adolphe. Comment refor- und Kostiime von K. Walser. Mit Text mer notre mise en scene. (La revue, Paris, von Oskar Bie. Berlin: B. Cassirer [1913]. tome 50, June 1, 1904, p. 342-349.) * DM 2p.l., 34p., 34pl. f°. tMMY 817. Entwiirfe zu Parsifal-Dekora- Contains lithographs of costumes and eight photo- tionen. illus. (Dekorative Kunst, Rd. 16, graphic reproductions of settings. March, 1908, p. 278-280.) f MLA 830. Biermann, Georg. Fritz Erler und ^ .^ 818. Die Inszenierung als Ausdruck- das Theater, illus. (Illustrierte Zeitung/f— mittel. illus. (Freier Burid. Moderne Bd. 134, May 12, 1910, p. 883-890.) * DF y Theaterkunst. Geleitworte. [Mannheim, Colored designs for Faust and Hamlet in the,>-^« 1913?) 4°. p. 19-22.) MWE Miinchner Kiinstlertheater. Plate at end of book shows designs by Appia for 831. Borneman, Wilhelm. Die Hugenot- Prometheus unbound and Parsifal. ten ini neuen Gewande. illus. (Illustrierte 819. Die Musik und die Inscenierung Zeitung, Bd. 130, April 30, 1908, p. 852-853.) Miinchen: F. Bruckmann, 1899. xvi. *DF 278 p., 18 pi. 4°. *MFC Describes the presentation at Kgl. Opernhaus, Discusses the relation of stage decorations and Berlin. lighting to the opera (notably Wagnerian). Eighteen plates show scenes from Tristan und Isolde, Rhein- 832. Brandt, F. Die Reformbiihne. illus. gold, Walkiirc, Siegfried, Cotterddmmcrung. and (Biihne und Welt, Jahrg. 3, Halbjahr 1, Jan., 1901, p. 311-318.) f NGA 820. Apthorp, F. William W^agner and Interesting diagrams and illustrations relative to scenic art. illus. (Scribner's magazine, modern staging with particular reference to Die V.2, Nov., 1887, p. 515-531.) * DA IValkiirc. Excellent illustrations of scenery used in Bay- 833. Schein und W^ahrheit im Biih- reuth presentation. nenbild. illus. (Biihne und Welt, Jahrg. 1, Halbjahr 1, Jan., 1899, 320-325.) 821. Archer, William. The mounting of p. the Ring. (In his: Theatrical W'orld of tNGA 1896. London, 1897. 12°. p. 237-244.) 834. Brown, Frank Choteau. The "inti- NCOA mate" theatre and modern stage-setting in Discusses the scenery for the Festspiel at Bay- Germanv. illus. (Architectural review, reuth. Boston, v.2 [Old series, v. 19], Nov., 1913, p. 269-272.) ttMQA"—^ 822. .\n Artist in crowds: Professor Alax Scenes and stage plans. "^"^ Reinhardt. 1 port. (Illustrated London news, V. 140, March 2, 1912, p. 309.) * DA 835. Bruckmann-Cantacuzene, E. tJber Full-page portrait head by Arthur Kampf. die Notwendigkeit einer kiinstlerischen Reform der Biihne. (Dekorative Kunst, 823. Bauer, Eva Elsie vom. Max Rein- Bd.8, 1901. p. 271-278.) f MLA hardt and his famous players, illus. (The- 836. Carter, Huntly. The theatre of atre magazine, v. 14, Aug., 1911, p. 56-60, Max Reinhardt. London: F. C. Palmer vi.) ttNBLA & [1914,. 332 p. illus. 8°. Portraits of the Reinhardt actors. Scenes from NAFD Oedipus and Hamlet. Has much of interest concerning Reinhardt's development, work, and influence upon the contemporary 824. Baughan, E. A. Drama of the vear. stage. References to Edward Gordon Craig are numerous. (Stage yearbook, 1913, p. 5-12.) NAFA p. lU-ll: Sliakcspeare and Rcinhardtisms. 837. Cloesser, Arthur. Reinhardt im Miinchner Kiinstlertheater. (Siiddeutsche 825. Behrens, Peter. Die Dekoration der ^.lonatsliefte, Bd. 6, Theil 2, 1909, p. 286- Bnhne. (Deutsche Kunst und Dekoration, 300.) *DF Bd. 6, May, 1900, p. 401-405.) f MAA 838. Cohn, Albert. Shakespeare in Ger- 826. (Freier Bund. Moderne many in the sixteenth and seventeenth cen- Tlieaterkunst. Geleitworte. [Mannheim. turies: an account of English actors in 1913?j 4°. p. 16-19.) MWE Germany and the Netherlands, and of the -

DEVELOPAIEXT OF SCENIC ART AND STAGE MACHINERY 43

German Stage, continued. 851. Fred, W. Ein neuer Weg der Biih- nenkunst. plays performed by them during the same (Westermanns Monatshefte, Bd. 113, Jan., 1913, p. 727-738.) * DF period. London: Asher & Co., 1865. iii, Shows a cxxxvii, 422 col. 4°. * NDD scene and several costume designs by t Ernst Stern for Ariadne auf Naxos at Stuttgart References to early German stage. Hoftheatcr. 839. Corbin, Reinhardt, John. Max ar- 852. Der Rosenkavalier. illus. (Vel- tistic showman. 1 port, ilhis. (Aletro- hagen und Klasings Monatshefte, Jahrg. politan magazine, v. 37, Nov., 1912, p. 45- 25, Heft 8, April, 1911, p. 569-576.) * DF 46, 51.) * DA Costumes and decorations designed by Roller for Has a portrait of Reinhardt. performance at Dresden Hoftheater.

•840. Daudert, B. Gedanken zur Ins- J. 853. Freier Bund, 13. Ausstellung, Mann- zenierung Hebbelscher Dramen. (Biihne heim, 1913. Moderne Theaterkunst. Ge- und Welt, Jahrg. 16, Halbjahr 1, Dec, 1913, leitworte. 13. Ausstellung des Freien p. 269-273.) NGA ^ t Bundes, Ktnisthalle, ^Mannheim. Januar- / — 841. Desprez, Frank. Oscar Asche's ideas. Februar, 1913. [Mannheim, 1913?) 69 p. / illus. 4°. /^^''^ (Era, V. 77, Feb. 25, 1914, p. 17.) ftt NAFA MWE Articles by F. Wichert, F. von Schiller, Peter 842. Drossong, Albert. Goethe's Faust in Behrcns, Adolphe .Xppia, E. G. Craig, Ottomar Starke, der Inszenierung Alarstersteigs im Schau- K. Honn, Max Krugcr, Fr. Walter, E. L. Stahl, Maria Netter, Ivo Puhonny, Heinrich von Kleist, illus. spielhaus zu Koln. (Illustrierte Zei- W. F. Storck. Has some interesting plates, a cata- tung, Bd. 132, April 1, 1909, p. 554-557.) logue of exhibits shown at this exposition, and a *DF selected bibliography. Striking decorations by Kraby and Rosenberg. 854. Freund, Frank E. W. The stage and 843. Droste, Carlos. Neue deutsche Biih- the arts in Germanv. illus. (Stage year nenleiter. illus. (Illustrierte Zeitung, Bd. book, 1909. p. 112-119.) NAFA 125, Nov. 2, 1905, p. 663-664, 666.) * DF Dr. Hagemann's new illusive and ideal stage. Brief account of leading German stage directors, Max Martersteig. Max Reinhardt. Savit's Shake- with portraits. sperian stage. The Munich Artistic Theatre. The- atre architecture. The changeable proscenium. A 844. Duesel, Friedrich. Das Miinchner double theatre (Littmann's). Helbig's panic-proof theatre. Kiinstlertheater. illus. (Westermanns '~ Monatshefte, Bd. 104, Sept., 1908, p. 893- 855. The theatrical year in Germany. ' * ^ 9pl.) DF illus. (Stage year book, 1910, p. 58-69.) ,' General description. NAFA

centre of art and [i. e. Diisseldcirf]. 845. —'— Die neue Sezession in der dra- A culture Art on the stage, with several illustrations from' matischen Kunst und das Volksfestspiel. notable presentations. illus. (Westermanns Monatshefte, Bd. 110, June, 1911, p. 603-607.) * DF 856. The theatrical year in Germany (up to Dec. 1, 1913). illus. (Stage year 846. Dumoulin, Maurice. Schauspiel- Le book, 1914, p. 81-96.) NAFA haus de Diisseldorf a Paris, illus. (L'il- Description of Daleroze's school at Hellerau. The lustration, tome 133, Feb. 27, 1909, p. 150- simplified style of mounting in opera as shown by 151.) *DM Professor Willy Wirk. The mounting of Parsifal. Theatrical exhibition in Mannheim. Shows a decoration by Grillpartzer for Medee.

847. Erler, Fritz. Meine Entwiirfe zu 857. Fuchs, Georg. Das "Bunte Theater" Faust und Hamlet im Miinchener Kiinstler- von August Endell. illus. (Deutsche theater. (Kunstgewerbeblatt, N. F. Tahrg. Kunst und Dekoration, Jahrg. 5, March, 21, 1909-10, p. 97-98, 106-110.) f MAA 1902, p. 275-289.) t MAA Excellent interior views of this bizarre theatre. 848. Esswein, Hermann. Ludwig Kainer — Aliinchen. illus. (Deutsche Kunst und 858. Die Revolution des Theaters. Dekoration, Bd. 31, 1913, p. 463-466.) Ergebnisse aus dem Miinchener Kiinstler- tMAA Theater. Aliinchen: Georg Miiller, 1^09. Scenes by Kainer from the ballets Karncval, Der 291 p. illus. 8°. NGA Geist der Rose, and Scheherecade. 859. Zur kiinstlerischen Neugestal- 849. Eulenspiegel, pseud. Shakespeare tung der Schau-Biihne. (Deutsche Kunst and the modern German stage. (Contem- und Dekoration, Bd. 7, "Tan., 1901, p. 200- /porary review, v. 95, June, 1909, p. 726-737.) 214.) tMAA * DA 850. Fellner, Richard. Was Ihr wollt 859a. Genee, Rudolph. Das deutsche auf einer neuen Shakespeare-Biihne. Theater und die Reform-Frage. Berlin: 8°. (Deutsche Shakespeare-Gesellschaft. Tahr- Carl Habel. 1878. 1 p.!.. (1)4-36 p. Zeit- Streitfragen. buch, Jahrg. 32, 1896, p. 289-294.) * ISTCK (Deutsche und Jahrg. " 7, Heft 99.) Presentation in Das Deutsche Volkstheatcr, *C "Vienna, constructed after the ideas of Immermann. See p. 10-16 for his discussion of scenery. .

44 THE NEW YORK PUBLIC LIBRARY

German Stage, continued. 872. Howard, Percy. Deutsche Regis- seure. illus. (Velhagen und Klasings 860. Gesellschaft fur Theatergeschichte. Monatshefte, Jahrg. 17, 1902-03, p. 293- Archiv fur Tlieatergcschichte. Hrsg. von 312.) *DF Hans Devrient. Bd. 1-2. Berlin: Kgon Portraits of German theatre managers. Fleischel, 1904-05. 8°. NGA Valuable for extensive bibliographies both on the- 873. Jacobsohn, Siegfried. Das Jahr der atrical history and current material. Biihne. Berlin: Oesterheld & Co., 1912. 861. Goldmann, Paul. Einiges iiber Max 216 p. 8°. NGA Reiiihardts Direktionsfiihrung. (In his: Reviews important German presentations of the year, with references to Max Reinhardt. \'om Riickgang der deutschen Biihne. Frankfurt a. M., 1908. 8°. p. 223-235.) 874. Max Reinhardt. Berlin: Erich ^ NGA Reiss tl910]. x, 173 p. illus. 8°. AN- 862. Das Wintermarchen bci Alax Has a portrait of Reinhardt and halftones of notable decorations, with descriptive texts. Reinhardt. (In his: Vom Riickgang der deutschen Biihne. Frankfurt a. M., 1908. F. 875. Joehlinger, Theater und Werk- j^ 8°. p. 236-248.) NGA bund, illus. (Das Theater, Jahrg. 5, Heft 444-446.) /^ 863. Gos, Frangois. Fritz Erler. illus. 22, July, 1914, p. ft NGA Describes the building designed by Henry van (Art et decoration, tome 28, 1910, p. 79-96.) der Velde for the Werkbundausstellung, Cologne. tMAA Illustrations show two scenes from Faust.

864. Haenel, Erich. Neue deutsche Biili- 876. K., E. Das Josef Kainz-Theater. nenkunst. illus. (Dekorative Kunst, Bd. illus. (Das Theater, Jahrg. 4, Heft 23, Aug., . 18, Jan., 1910, p. 181-190.) MLA ^ t 1913, p. 485-486.) tt NGA Stage plans and scenes from Hamlet, as produced Brief description and interesting pictures. in Dresden by Fritz Schumacher. 865. Hagemann, Carl. Moderne Biihnen- 877. Kahane, Arthur. Max Reinhardt's kunst. Bd. 1. Berlin: Schuster & Loeffler, Shakespeare-Zj'klus im Deutschen Theater 1916. illus. 8°. MWE zu Berlin. (Deutsche Shakespeare-Gesell- 107- Contents: Bd. 1. Regie; die Kunst der szenischen schaft. Jahrbuch, Jahrg. 50, 1914, p. Darstellung. 4. ed. 120.) *NCK An excellent review and discussion of the new Appreciation of his work and brief descriptions of j tendencies in stage art. settings for five Shakesperean presentations. 866. Richard Wagner und die Deko- Kiefer, rationskunst. illus. (Illustrierte Zeitung, 878. Wilhelm. Die Ziiricher The- ,;- aterkunst-Ausstellung. (Biihne Welt, "^ Bd. 140, May 15, 1913, supp., p. 12-14.) und *DF Jahrg. 16, Halbjahr 1, March, 1914, p. 549- 554.) Three colored settings: Lohengrin by Fr. Liitke- t NGA meyer; and Tristan und Isolde by Heinrich Lcfler. 878a. Kienzl, Hermann. Die Biihne ein 867. tJber Versuche moderner Shake- Echo der Zeit (1905-1907). Berlin: Con- speare Inszenierung. (Deutsche Shake- cordia Deutsche Verlags-Anstalt H. Eh- speare-Gesellschaft. Jahrbuch, Jahrg. 45, bock [1907). viii, 383 p. 8°. NGA 1909, p. xv-xxxii. * NCK ^ See p. 124-138 for discussion of German Shake- 868. Hampe, Theodor. Die fahrenden speare staging and revolving stage.

Leute in der deutschen Vergangenheit. . 879. Kilian, Eugen. Antonius und Kleo- Leipzig: Diederichs, 1902. 128 Eugen p. patra auf der deutschen Buhne. (Deutsche illus. 4°. (Alonographien zur deutschen Shakespeare-Gesellschaft. Jahrbuch, Jahrg. Kulturgeschichte. Bd. 10.) 51, 1915, p. 82-97.) * NCK t EAS (Monographien) See p. 110-113 for old cuts of scenery, open-air 880. Aus der Praxis der modernen theatre, and marionette theatre. Dramaturgic. Der Dramaturgischen Blat- 869. Hecht, Hans. Shakespeare und die ter zweite Reihe. Aufsatze und Studien deutsclie Biihne der Gcgenwart. (German- aus dem Gebiete der praktischen Drama-

turgic, / isch-romanische Monatsschrift, Jahrg. 2, der Regiekunst und der Theater- . 1910, p. 288-299, 348-357.) RAA geschichte. Miinchen: Georg Miiller, 1914. 1/ 343 p. 8°. NAFD '\ 870. Herald, Heinz. Max Reinhardt; ein Notable chapters on the natural stage picture, the - Yersuch iiber das Wesen der modernen staging of Hamlet, Timon of Athens, As yon like ~^-- Regie. Mit 11 Szenenbildern nach Ent- it, Don Carlos, VVallenstcin, Gcnoveva, and other wiirfen der Maler des Deutschen Theaters plays, English Shakespeare festival plays, Georg von Meiningen and his stage reforms. und einem Portrat. Berlin: Fritz Lehmann tl915]. 236 p. illus. .8°. MWE 881. Hamlet in neuer Inszenierung. (Deutsche Shakespeare-Gesellschaft. Tahr- -- 871. Hoefer, Conrad. Alax Bruckner im buch, Jahrg. 47, 1911, p. 106-123.) * NCK Dienstc Bavreuth. illus. (Illustrierte Zei- tung, Bd. 137, July 20, 1911, supp. p. iv-ix.) 882. Moderne Ausstattungskunst. *DF (Biihne und Welt, Jahrg. 16, Halbjahr 2, .Shows decorations for Cdttcrd'dmmcrung and Die July, 1914, p. 309-311.) f NGA Meistcrsinger. Portrait of Bruckner. A plea for simplicity in stage directions. DEVELOPMENT OF SCENIC ART AND STAGE AIACHINERY 45

German Stage, continued. 893. Lehner, Gilbert. Theater-Decora- tionen. [.Abth. 1, Serie Shakespeare's 883. Die Miinchener Shakespeare- 2.i Lear. Berlin: Hessling Biihne. (Deutsche Shakespeare-Gesell- Konig & Spiel- meyer [1891]. 51., 12 pi. f°. MBO schaft. Jahrbuch, Jahrg. 32, 1896, p. 109- f Plates with stage plans. 132.) * NCK 894. 884. Die scenischen Formen Shakes- Lessing, Theodor. Theater-Seele. Studie peare's in ihrer Beziehung zu der Aiiffiih- iiber Biihnenasthetic und Schau- rung seiner Dramen auf der modernen spielkunst. Berlin: Briber & Lammers, Biihne. (Deutsche Shakespeare-Gesell- 1907. 176 p. illus. 8°. MWE See chapter 103-109: Technische Neuerun- schaft. Jahrbuch, Jahrg. 28, 1893, p. 90- 6, p. gen. 110.) *NCK 895. Littmann, Max. Das Grossherzog- 885. Shakespeare auf der modernen liche Hoftheater in Weimar. Denkschrift Bithne. (Deutsche Shakespeare-Gesell- zur Feicr der Eroffnung. Miinchen: L. . schaft. Jahrbuch, Jahrg. 36, 1900, p. 228- Werner, 1908. 49 p. illus. f°. MRE 248.) * NCK f 896. Die koniglichen Hoftheater in 886. Klaar, Alfred. Herzog Georg von Stuttgart. Darmstadt: A. Koch, 1912. 80 Meiningen. (Deutsche Shakespeare-Ge- p. illus. f°. fMRE 7 sellschaft. Jahrbuch, Jahrg. 51, 1915, p. 193-204.) * NCK 897. Kiinstlerische Fragen der Schaubiihne. (Schweizerische Bauzeitung, 887. Der Wandel in der Darstellung Bd. 40, April 6, 1907, p. 172-176.) VEA —Sliakespeares. illus. (Illustrierte Zeitung, —Bd. 142, April 23, 1914, p. 846-849.) * DF 898. Das !Munchner Kunstlertheater. / Shows design for Hamlet scene of 1S71; also a Miinchen: L. Werner, 1908. 39 p. illus. modern decoration in the Konigliches Schauspielhaus 4°. MRE in Dresden. 888. Der Wandel der Szene. (Ueber 899. Loewenfeld, Hans. Die Inszenie- Land und Meer, Bd. 103, 1910, p. 458-460.) rung der "Zauberflote." illus. (Biihne und / *DF Welt, Jahrg. 12, Halbjahr 1, Oct., 1909, p. 1-10; pi. opp. p. 16.) fNGA 889. Koester, Albert. Das Bild an der Colored decorations by H. Lefler for the Leipzig Wand. (Biihne und Welt, Jahrg. 14, Halb- Stadttheater. jahr2. Aug., 1912, p. 401-421.) f NGA 900. M., W. Deutsche Kiinste in Paris, Slightly abridged reprint of paper read before the Royal Scientific Society of Saxony. A valuable con- illus. (Ueber Land und Meer, Bd. 105, tribution discussing the relation of scenic art to the 1911, p. 277-278.) * DF drama. Decorations for Was Ihr wollt (Julius Diez), Hamlet (Fritz Erler), IVolkenkiickiickslieim (Adolph 889a. Kopp, Heinrich. Die Biihnenlei- Hengeler). tung Aug. Klingemanns in Braunschweig 901. Martersteig, IMax. Die Biihne der . . . Hamburg: L. Voss, 1901. 3 pj., 105 p. 8°. (Theatergeschichtliche Forschungen. Neuzeit. (In his: Das deutsche Theater im neunzehnten Tahrhundert. Leipzig, [no.] 17.) NAF 1904. 8°. p. 631-696.) .See chapter 3 for his ideas on scenery. NGA 902. Reinhardt hypnotizing the 889b. Krauss, Rudolf. Das Stuttgarter Max world. illus. (Current literature, v. 52, Hoftheater von den altesten Zeiten bis zur March, 1912, p. 337-338.) * DA Gegenwart. Stuttgart: J. B. Metzlersche Buchhandlung, 1908. vi p., 1 1., 351 p. illus. 903. Max Reinhardt, the maker of a new 8°. NGA mimic world, illus. (Current literature, See p. 43, 44, 50, 54, 64-66, 69, 92, 137 for refer- V. 51, Sept., 1911, p. 311-315.) * DA ences to the scene painter Innozenz Colombo. Two of his decorations on p. 65, 66. Reference to Chris- 904. Mentzel, E. Geschichte der Schau- tian Keim, eminent machinist. spielkunst in Frankfurt a. M. von ihren .\n- 890. Krueger, Max. Geschichtliche Biih- fangen bis zur Eroffnung des stadtischen Th. )\ nenreformen. (Freier Bund. Moderne Komodienhauses. Frankfurt a. AL: K. 4°. " Theaterkunst. Geleitworte. [Alannheim, Volcker, 1882. vi, 544 p. illus. (Archiv 4°. 28-29.) fiir Frankfurts Geschichte. N. F. Bd. 9.) , 1913?) p. MWE 1. Die mittelaltcrliche Biihne. 2. Die Shakes- EKZ Biihne, Dckorationcn. peare-Biihne. 3. Die perspective Biihne. Sec index under Michel, Theaterbau- 891. Kuehn, Walter. Die neue Miinchener 905. W. Deutsche Littmann. illus. (Biihne " Shakespeare-Biihnc. (Biihne und Welt, mcister: Max und Welt, Jahrg. 13, Halbjahr 1, I'lld-ll, ?^Jahrg. 14, Halbjahr 2, July, 1912, p. 281- p. 107-116.) fNGA 285; illus. on p. 304.) t NGA 892. Kutscher, Artur. Die .Xusdrucks- 906. Mieszner, Wilhclm. Das Bild der kunst der Biihne. Leipzig: Fritz Eckardt. Biihne. illus. (Ueber Land und Meer, * 1910. 223 p. 24°. MWE Bd. 103, 1910, p. 177-179.) DF )

46 THE NEW YORK PUBLIC LIBRARY

German Stage, continued. 919. R., P. Zurich: the theatre exhibition. (Mask, Florence, Italy, v. 6, April, 907. Moderwell, Hiram Kelly. Impres- 1914, p. 364-367.) NAFA sionistic settings for modern opera, illus. Brief reference to work of such artists as: Appia, (Harvard musical review, v. 4, no. 1, Oct., Craig, Gliese, Nitsche, Stern, Heine, Diez, Lieber- Erler, Moser, Orlik, 1915, p. 1.) *MA mann, Bakst, Sievert, Isler, Pankok, Starke, Strom, Voigt, Voltmer, Walser, Hel- — -Vn appreciation of .\iiulplie .\ppia, with two Wag- big, Kaufmann, Poelzig, Schmitz, and Karow. nerian decorations. Charlotte Engel. Die 908. Das Muenchener Kiinstlertheater; 919a. Reimers, ihre Angehorigen. Nachspiel auf dcm Lande. (Kunst und deutschen Biihnen und LIntersuchung iiber ihre wirtschaft- Kiinstlertheater, Jahrg. 6, Aug., 1908, p. Eine 445-448.) MAA liche Lage. Leipzig: Duncker & Hum- 1911. xix, 772 p., 1 table. 4°. TDK Dialnprue between Ma.x Martersteig and Wiiliclni blot, von Scholz. Deals chiefly with finances. See, however, p. 35-42 for discussion of lighting, scenery, and ma- 909. Natter, Maria. Theaterbaukunst. chinery. (Freier J^Ioderne Theaterkunst. Bund. 920. Rosenbaum, Richard. Alfred Frei- Geleitworte. [Mannheim, 1913?) 4°. p. herr von Berger. illus. (Deutsche Shake- 39-47. MWE speare-Gesellschaft. Jahrbuch, Jahrg. 49, 150-156.) *NCK 910. Oechelhaeuser, Wilhelm. Zur Sce- 1913, p. nierungsfrage. (Deutsche Shakespeare- Von Berger was director of the Hamburger Burgs- theater 1910-1912. The illustration is a copy of a Gesellschaft. Jahrbucli, Jahrg. 27, 1892, p. design by him for King Richard ill. 108-114.) *NCK 921. S., O. Eine neue Biihnenbearbeitung Griitz- 911. Oppenheim, Adolf. Eduard des I. Teils von Goethe's Faust, illus. ner iiber das moderne Theater. 1 port. (Illustrierte Zeitung, Bd. 138, March 28, fBiihne und Welt. Jahrg. 6, Halbjahr 1, 1912, p. 666.) *DF4 Dec, 1903, p. 183-187.) t NGA Designs by Lefler for the Hoftheater at Braun- Interview with Eduard Griitzner concerning his schweig. artistic views. 922. Savits, Jocza. Von der Absicht des 912. Ostini, Fritz von. Fritz Erler. illus. Dramas; dramaturgische Betrachtungen (Velhagen Klasings Monatshefte, .Jahrg. & viber die Reform der Szene, namentlich im -^ 1914, 1-16.) * DF 28, Heft 5, Jan., p. Hinblick auf die Shakespearebiihne in 913. Julius Diez, Miinchen. illus. Miinchen... Miinchen: Etzold & Co., (Deutsche Kunst und Dekoration, Bd.25, 1908. xi, 397p. 12^ *R-NAFD Oct., 1909, p. 3-26.) t MAA 7 923. Scheffler, Karl. Biihnenreform Fest- Scenes and costumes designed by him for Measure ^ (Biihne^;^ for measure and As you like it. spielhaus, L'nterhaltungstheater. und Welt, Jahrg. 10, Halbjahr 1, 1907-08, 914. Pagenstecher, Karl. Die Wiesbade- p. 451-458.) tNGA ner Maifestspiele 1905. illus. (Biihne und 924. Theaterdekorationen. (Ueber Welt, Jahrg. 7, Halbjahr 2, 1905, p. 811- 452-456.) 816.) tNGA Land und Meer, Bd.99, 1908, p. Scenes from Freischiits and Coppelia. *DF 925. Schlag, Hermann. Das Drama: 915. Peters, Gustav Werner. Die erste Wesen, Theorie und Technik des Dramas Ausstellung fiir bildende Kunst des The-

. . . Essen (Ruhr): Fredebeul und Koenen, aters. (Das Theater, Bd. 4, Heft 11. Feb.. 1909. xxiv, 451p. 12°. *R-NAFD 1913. p. 222.) tNGA For his ideas on scenery see p. 59, 324, 393-396. 916. Pierce, Lucy France. Max Rein- 926. P. Expeditus. Die Biih- hardt, the greatest producer in the world Schmidt, nenverhaltnisse des deutschen Schuldra- to-day. (Green book album, v. 7, March, mas und seiner volkstiimlichen Ableger in 1912, p. 513-518.) NAFA sechzehnten Jahrhundert. Berlin: Alexan- 8°. 916a. Peel, William. Shakespeare's pro- der Duncker, 1903. viii, 193 p._ illus.

, fession. (Royal Society of Arts. Journal. (Forschungen zur neueren Litteraturge- / London, 1915, v. 63, p. 325-337.) VA schichte. Bd. 24.) NABM '^ Comments on German staging. Bibliography opp. p. viii. Illustrations, with comments, at back of volume. 917. Poppenberg, Felix. Professor Emil Orlik — Berlin, illus. (Deutsche Kunst 927. Schur, Ernst. Biihne und Kunst. -^ und Dekoration, Bd.25, 1909-1910, p. 99- (Dekorative Kunst, Bd. 18, July, 1910. p. 103.) tMAA 456-469.) t MLA Decorations for IVintcrmdrchen, Die Rdiiber, and Refers to the work of Emil Orlik. Michael Kramer. 928. Schwabe, Ernst. Johann Rassers 918. Porter, Charlotte. The new stage Schuldrama von der 'Kinderzucht.' Ein art: Fuchs. (Drama, v. 4, no. 15, Aug., 1915, Beitra.g zur Biihnentechnik der Schul- p. 469-479.) NAFA komodie. illus. (Xeue Jahrbiicher fiir DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 47

German Stage, continued. 940. Stephenson, Nathaniel Wright. Mr. Reinhardt's discovery. (Drama, no. 10, das klassische Altertum Geschichte und May, 1913, p. 225-233.) NAPA deutsche Literatur, Bd. 30, 1912, p. 196- 206.) t NAA 941. Stern, Ernst. Penthesilea. illus. Six old cuts reproduced. (I'eber Land und Meer, Bd. 107, 1912, p. 219-221.) * DF 929. Servaes, Franz. Richard Teschner — Has sketches and designs for the presentation at Wien. illus. (Deutsche Kunst und Deko- the Deutsches Theater, Berlin. . ration, Bd.28, 1911, p. 391-402, 404-408.) MAA 942. Storck, W. F. Die neue Biihnen- Scenes from Pclleas and Melisande, and Basticn bildkunst zur Ausstellung moderner The- and Bastienne. aterkunst in Mannheim, illus. (Dekora- tive Kunst, Bd.21, April, 1913, p. 297-312.) 930. Sieper, Ernst. Shakespeare und das MLA Kiinstlertheater. (Siiddeutsche Monats- Examples of the work of Hcinrich Lefler, K. hefte, Bd. 6, Theil 2, 1909, p. 463-471.) * DF .Strohm and R. Glicse, Ottomar Starke, L. F. Graf, Emil Orlik, Eduard Sturm, G. Wunderwald, and 931. Singer, Hans W. Alodern stage Ernst Stern. - — mounting in Germany. (International 943. Streit, Armand. Geschichte des ber- ;?> studio, V. 30, Jan.. 1907, p. 244-247; v. 32, nischen Biihnenwesens vom 15. Jahrhun- Sept., 1907, p. 219-223.) t MAA dert bis auf unsere Zeit... Bern: Selbst- 1. Mr. Fanto's work in Berlin. 2. Orlik's A verlags des Vcrfassers, 1873-74. 2 v. 8\ JVinter's talc at Berlin. NGA 932. The new mounting of Wag- See V. 1, p. 275-276 for statement of expenses for ner's Ring as adopted at Dresden, illus. candles, clouds, etc., for performances in 1801. (Graphic, V. 88, Aug. 16, 1913, p. 314-315.) *DA 944. Stuemcke, Heinrich. Die neue Ber- liner "Zauberflote" und das Konigliche > Scenes from Siegfried, Gbtterddnimerung and Das Rheingold. Opernhaus. illus. (Biihne und Welt, Jahrg. 13, Halbjahr 1, March, 1911, p. 459-465.) 932a. Six designs by Adolphe Appia for fNGA act III of The Valkyrs, illus. (Theatre 945. Teutenberg, .\dolf. Die Urfaust-In- arts magazine, v. 2, no. 3, summer no., 1918, szenierung im Hoftheater zu Weimar, illus. p. 131-134.) NBLA (Illustrierte Zeitung, Bd. 138, June 13, 1912, 933. Sonne, Otto. Eine neue szenische p. 1231-1232.) *DF Einrichtvmg der Zauberflote. illus. (Illus- 945a. Die Theater Wiens. Bd. 1-4. Wien: trierte Zeitung, Bd. 132, April 22, 1909, p. (iesellschaft fur vervielfaltigende Kunst, 804-805.) * DF 1899-1909. 4v. in 6. f°. NGA Designs by Lefler and Zehme. ff These six macnificent volumes contain rnany pic- 934. St. Szenerie Entwiirfe. illus. tures of historical interest. In v. 3, description of the Hoftheater's wall decoration, with plates, show- Dekoration, Bd. 25, (Deutsche Kunst und ing (1) Greek theatre, (2) a performance of Romeo 1909, p. 221-228.) f MAA and Juliet at Shakespeare's Globe Theatre, (3) theatre at Taormina, (4) a Hans Wurst scene. In this vol- / Shows examples of the work of E. J. Wimmer of Vienna. ume (p. lSS-174) a chapRT'describing the Hofthe- ater's stage and scenic equipment, especially p. 162- 935. Stahl, Ernst Leopold. Die Inszenie- 163 showing sections of the stage. rung des Parsifal. (Velhagen & Klasings 946. Thumser, Karl. Vom Dasein des 321- Monatshefte, Jahrg. 28, March, 1914, p. Schauspielers. Fragmente fiir Kunst- 331.) *DF freunde. Leipzig: F. Deuticke, 1910. 110 p. Several decorations in color. 8°. MWE 936. Shakespeare Biihne; Eine neue 947. Versuchsbiihne zu Berlin. (Volks- Hamlet auf der Alannheimer Idealbiihne. bildungsarchiv, Bd. 3, 1912-13, p. 556-557.) (Deutsche Shakespearc-Gesellschaft. Talir- SSA buch, Jahrg. 44, 1908, p. 229-239.) * NCK 948. Walzel, Oskar F. Biihnenfragen der 937. Die Szene im neunzehnten Jahr- (jegenwart. (Internationale Wochenschrift hundert. (Freier Bund. Moderne The- fiir Wissenschaft, Kunst, und Technik, Bd. aterkunst. Geleitworte. [Alannheim, 1913 ?i 3, 1909, p. 493-506, 523-535.) * DF 4°. p. 35-39.) MWE 949. Weddigen, Otto. Geschichte der 938. Stahl, Fritz. Ernst Stern und die Theater Deutschlands in hundert .\bhand- neue Piiilnienbildkunst. illus. (Velhagen lungen dargestellt nebst eincm einleiten- & Klasings Monatshefte, Jahrg. 26, Heft 6, den Riickblick zur Geschichte der drama- Feb., 1912, p. 225-239.) * DF tischen Dichtkunst und Schauspielkunst. Berlin: E. Frensdorff il906|. 2 v. 8^ 939. Starke, Ottomar. Biihnenbilderre- *R-NGA form. (Freier Bund. Moderne Theater- V. 2, p. 1074, plan and description of unique four kunst. Geleitworte. [Mannheim, 1913?] erected Furttenbach in L'lm in 1650 ' stage theatre by '^ . '^ 4°. p. 24-26.) MWE for school comedies. LIBRARY 48 THE NEW YORK PUBLIC Leipzig. (Deutsche German Stage, continued. schen Theatern zu Shakespeare-Gesellschaft. Jahrbuch, von. Der Dres- 950. Weilen, Alexander Jahrg. 51, 1915, p. 71-81.) * NCK dener "Hamlet." illus. (Biihne und Welt, :^:^7- neue Dresdner Jahrg. 12, Halbjahr 1, Jan., 1910, p. 954. Zeiss, Karl. Der Halb- 344.) t NGA Faust. (Biihne und Welt, Jahrg. 16, 224-227.) NGA Decorations by Fritz Schumacher. Stage plans. jahr 2. June, 1914, p. f Konigliches Schauspielhaus, Dresden. Direction 951. Weingaertner, Felix. Bayreuth, 1876- ofnf Karl Zeiss. nouv. serie, 1896. (Revue d'art dramatique. 955. Zieler, Gustav. Moderne Biihnen- 634-653, 726-736.) tome 9, 1900, p. 463-467, NAFA Dekoration. (Schweizerische Bauzeitung, Ul. 51, 1908, p. 36-38, 46-47.) VEA

952. Westheim, Paul. Wege und Ziele der Biihnen Ausstattung. (Deutsche Kunst und Dekoration, Bd.28, 1911, p. 56-68. 179- -ischen Theatergeschichte 187.) tMAA R. Sauerlander & Co., 1909. y- y. u . NOB p.v.65, no.7 953. Winds, Adolf. Inszenierung auf mitt- See p. 51-64: Nationaltheater und Biihnenreform. lerer Linie. Auffiihrungen an den stadti- Bibliography.

Italian Stage

primi- 957. Ancona, Alessandro d'. Origini del 962. Lawrence, William John. A teatro in Italia. Studi~sulle sacre rappre- tive Italian opera, illus. (Connoisseur, sentazioni. seguiti da un' appendice suUe V. 15, 1906, p. 235-240.) t MAA

rappresentazioni del contado Toscano. Shows seven scenes from II giuditio di Paride. > Firenze: Successori Le ^lonnier, 1877. 2 v. 12°. NNP famous scene-painters. 963. Some \ 28 42- See V. 1, chapter 27 (Assetto scenico) ; chapter illus. (Magazine of art, v. 12, 1889, p. (Intermezzi pompe (Gringegni teatrali) ; chapter 29 45.) t MAA sceniche). Examples of the work of Servandoni and Bibiena 958. Browne, C. Elliot. Early stage sce- Galli. nerv. (Notes and queries, series 5, v. 5, 1876, p. 381-382.) *R-*DE 964. M., F. L'esposizione del teatro a Quotations from Pcake's translation (l611) of Parma. illus. (L'illustrazione italiana, Sebastian Serlio's Architettura (1584). Mention of anno 40, Sept. 28, 1913, p. 308-309.) Jeronimo Genga. tfNNA 959. Coryate, Thomas. Coryat's crudi- 964a. Pinto, Giuseppe del. Per la storia ties, reprinted from the edition of 1611. To del teatro Argentina nel 1700. (Rivista which are now added, his letters from In- d'ltalia, anno 16, v. 1, 1913, p. 93-128.) . for Cater, dia, etc. . London: printed W. NNA 1776. 3v. illus. 8°. KBI See p. 96-102 for description, lighting, machinery, V. 2, p. 16-18, account of a visit to a Venetian playhouse; p. 50-54, of the mountebanks of Venice; p. 86-87, of the Olympic Theatre at Vicenza; p. 102- 110, of the amphitheatre at Verona. 965. Ricci, Corrado. I Bibiena; architetti di Napoli. teatrali. Con circa cento illustrazioni in- 959a. Croce, Benedetto. I teatri j tercalate ed in tavole fuori testo. Milano: Secolo xv-xviii. Napoli: L. Pierro, 1891. | Alfieri & Lacroix, 1915. [34] p., 94 pi. f°. ! xi p., 1 1., 786 p., 1 plan, 3 pi. 4°. NNP Interestinjj plates, especially that showing the MQWH j interior of the Teatrino di Corte (1747). The family Galli da Biliiena was prominent during the seventeenth and eighteenth centuries as 960. Durm, Josef. Die Baukunst der theatrical architects and scene painters. Examples their are in this attractive book of Renaissance in Italien. Leipzig: J. M. Geb- of work shown plates. hardt, 1914. x, 1014 p. illus. 2. ed. 4°. Theil 2. P.d. (Handbuch der Architektur. 966. I teatri di Bologna nei secoli 5.) MQD XVII e XVIII. Bologna: Successori Monti, 621-640. See p. 1888. xxi, 736 p. illus. 8°. NNP Plans of Palladio, Parma, La Fenise, and Heilig- y ten-Theater (Pozzo). Out of door theatre after Old cuts of Italian settings. Dumont. Diagram of Pozzo for placing of scenery. Luigi. the- 961. Ferrari, Giulio. Scenografia; diversi 967. Riccoboni, Histoire du atre italien depuis la decadence de la come- soggetti fantastici . . . Torino: C. Crudn 8c dic latine; avec un catalogue des tragedies Co. [191-?i 1 1., 30cord pi. f°. fMBO et comedies italiennes imprimees depuis A collection of thirty colored designs, each llj/j x dis- 8J4 inches. I'an 1500, jusqu'a I'an 1660 et une DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 49

Italian Stage, continued. 970. T., W. AI. Early stage scenery. (Notes and queries, series 5, v. 6, 1876, p. sertation sur la tragedie moderne. tv. l.i 153.) [Paris: Delormel, 1728.] illus. 8°. NNP *R-*DE Refers to scenery used in 1486 in the Ducal See p. 114-117 for description and engraving of Theatre of Ferrara. the stage of the Olympic Theatre at Vicenza. Also has full-page costume designs for Harlequin, Pan- 971. Tartt, William MacDowall. Mem- talon, etc. oirs connected with the life and writings of Pandolfo Collenuccio da Pesaro... 968. Royer, Alphonse. Histoire univer- [Cheltenham?] 1868. 329 p. illus. 8". AN selle du theatre. Paris: A. Franck, 1869- p. 31-34, reference to the gorgeous presentations 78. 6v. 8°. NAF by the duke of Ferrara in the fifteenth century.

Little on staging. See v. 2, p. 90-93 for brief ac- 972. Valentini, Francesco. Trattato su of painters, costume designers, and count mechani- la commcdia dell' arte, ossia improvvisa. cians of the sixteenth century. Maschere italiane, ed alcune scene del carnevale di Roma. Berlino: L. C. Wit- 969. Sand, Maurice. The history of the tich, 1826. 32, 36 p., 20 pi. 4°. f MMY Harlequinade. Philadelphia: B. Lippin- J. Text in Italian and German. cott Co., 1915. 2 V. illus. 8°. NAF 973. Valsecchi, Fausto. Teatro ed arte: Introduction has some interesting notes on stage history — especially on p. 33. The celebrated theatre I'arcoscenico dell' avvenire. illus. (Em- of Palladio is described. porium, V. 39, 1914, p. 197-213.) MAA

Russian Stage

974. Alexandre, Arsene. L'art decoratif 983. Copeau, Jacques. The new school de Leon Bakst; essai critique... Notes of stage scenery and word on the art of sur les ballets par Jean Cocteau. Paris: Joseph Urban and Richard Ordynski. Maurice de Brunoff, 1913. 49 p., 77 pi., 1 illus. (\^anity fair, v. 8, no. 4, June, 1917, port. f°. ttMCZ p. 36, 114.) ttVSM Discusses the scenery for the Russian play Nju. 975. Alkonost. Kn. 1. St. Petersburg. 1911. 8°. *QDA 984. Desprez, Frank. The marvellous Yevreinov, N. N., Khudozhniki v teatrye V. O. Aluscovites. (Era, v. 77, Jan. 7, 1914. p. 17.) Kommissarzhevskoi. Karatygin, V., Drama i muzyka. ttt NAFA 976. Auvergne, Jean d'. The Moscow art An interview with Lydia Yavorska who says: "The Moscow Art Theatre is the highest achievement of theatre. (Fortnightly review, v. 101, Mav human enterprise in the matter of art." 1, 1914, p. 793-803.) * DA 985. Goldmann, Paul. Das Moskauer 977. Bakshy, Alexander. The path of the kiinstlerische Theater. (In his: Vom stage other essays. modern Russian and Riickgang der deutschcn Biihne. Frank- London: C. Palmer & Hayward [1916). furt a. M., 1908. 8°. p. 290-311.) NGA xxiii, 243 p. illus. 8°. * QDK An excellent account of the history of this theatre. See especially the section entitled: Living space and the theatre; also a note on Gordon Craig's the- 986. Istoriya russkavo teatra. Pod re- ories. Noteworthy illustrations. daktziyei V. Kallasha i N. Ye. Efrosa, khu- 978. Barchan, Paul. Leon Bakst. illus. dozhestvcnnoi chast\'u zavyeduyet K. \. (Illustrierte Zeitung, Bd. 142, Jan. 1, 1914. Korovin. Tom 1. Moscow: "Obvedine- p. 24-26.) * DF niye," 1914. illus. 4°. * QDK Portrait of Bakst; scene from Dcr Gcist dcr Rose; Many old cuts of the early Russian stage. and a full-page costume design. 987. Ivanof, Viacheslof. The theatre of 979. Bakst. illus. (Kunst und Leon the future, translated from the Russian by Kiinstler, Jahrg. 11, March, 1913, p.313- Stephen Graham. (English review, v. 10, 321.) tMAA Alarch, 1912, p. 634-650.) * DA 980. Birnbaum, Harry. Bakst and the Sec- also Current literature, v. .S3, Oct., 1>MJ, p. 452-454, ' D.-l. Russian ballet, illus. (Harper's weeklv, * V. 58, no. 2971, 1913, p. 13.) DA 988. Koretzki, N. V. Rezliisser. Sbornik 981. Burton, Percy. Going to the theatre ncobkhodiniykh rukovodstv dlya lyubitelei in St. Petersburg. (Green book album, v. dramaticlicskavo iskusstva. St. Peters- 1199-1203.) NAFA burg: "Gramatnost," n. d. 255 p. 3. ed. 12°. 5, June, 1911, p. *QDK colour 982. By one who "orchestrates" Discussion of scenery and stage effects. Repro- and is master of a wordless region... ductions of elaborate decorations. illus. (Illustrated London news, v. 142, 989. Kurbatov, B. Gonzago. illus. (Yez- June 28, 1913, p. 966-967.) * DA hcgodnik Imp. Teat., 1912, part 4, p. 1-13.) Reproductions from The decorative art of Leon Bakst. *QCA 50 THE NEW YORK PUBLIC LIBRARY

Russian Stage, continued. 1003. Representation d'un ballet dans les appartements de Tsarkoe-Selo. (L'illus- 990. Ocherki po istorii dekoration- tration, v. 8, Dec. 12, 1846, p. 232.) * DM navo iskusstva. [History of decorative art.] illus. (Yezhegodnik Imp. Teat., 1913, 1004. Ritter, William. Ballettskizzen von part 7, p. 1-38.) * QCA Leon Bakst — Paris. illus. (Deutsche 309- 991. Leon Bakst. (Sketch, London, v. 84, Kunst und Dekoration, Bd. 31, 1913, p. Dec. 17, 1913, supplement, p. 5.) * DA 324.) t MAA designs. Tortrait. Chiefly costume

992. Leon Bakst and the renaissance of 1005. The Russian ballets. (Theatre color, illus. (Current opinion, v. 55, Nov. magazine, v. 14, July, 1911, p. 2-4.) 13, 1913, p. 350-352.) * DA tt NBLA Decorations for Clcopatre and Scheherasade. 993. Leon Bakst on the revolutionary aims of the Serge de Diaghilev ballet. 1006. The Russian stage; some general (Current opinion, v. 59, Oct., 1915, p. 246- tendencies. (Times Russian supplement, * 247.) DA London, no. 8, April 27, 1914, p. 10.) *A Extracts from an interview with Isadora Duncan On the work of Stanislavsky and Meyerhold. in the New York Tribune.

1007. Scenic effects [in Russia], (Times 994. Meyer, Annie Nathan. The art of Russian supplement, London, no. 7, Feb. Leon Bakst. illus. (Art & progress, v. 5, 16, 1914, p. 16.) *A March, 1914, p. 161-165.) MAA Refers to the Moscow Art Theatre.

995. The Moscow Art Theatre. (Era, v. 1008. Schneider, Louis. 6° saison de bal- 76, Feb. 15, 1913, p. 19.) NAFA fff let russe au Theatre du Chatelet. illus. An excellent two column account. (Le theatre, no. 298, May, 1911, p. 12-18.) tt NKL 996. Moskovski Khudozhestvenny Teatr Shows an elaborate setting by A. Golovin for . . . Istoricheski ocherk yego zhizni i dye- L'oiscaic de feu; also a portrait of Leon Bakst. yatelnosti. Moscow: Rampa i Zhizn, 1914. 2v. illus. f°. *QDK 1009. Siordet, Gerald C. Leon Bakst's A history of the Moscow Art Theatre with nu- designs for scenery and costume, illus. merous illustrations. (International studio, v. 51, Nov., 1913, p. 3.) t MAA 997. Orleneff, Paul. Play producing in Russia. illus. (Harper's weekly, v. 49, 1010. Tevis, May. The scenic art of Leon April 8, 1905, p. 514-516.) * DA Bakst. illus. (Theatre magazine, v. 19, Jan., 1914, 11-12.) 998. Ostrovsky, N. The Moscow Art p. tt NBLA A portrait of Bakst and decorations for La Pi- Theatre: a model, illus. (Theatre arts sanelle. magazine, v. 1, no. 4, Aug., 1917, p. 178-182.) NBLA 1011. Too much and too little on the Rus- ' 999. Peladan. Les arts du theatre; un sian stage. (Literary digest, v. 48, May 30, maitre du costume et du decor: Leon 1914, p. 1316-1317.) *DA Bakst. illus. (L'art decoratif, tome 25, Discusses the work of Stanislavsky and Meyerhold. 1911, p. 285-300.) MLA Striking plates of costumes; also a decoration from 1012. Varneke, B. Ocherki iz istorii drev- Clcopatrc. nerimskavo teatra. St. Petersburg: I. N. Skorokhodov, 1903. vii, 235(1) p. 8°. 1000. Penfield, Cornelia S. Bakst aside. * Ql p.v.ll (Harper's weekly, v. 62, April 15, 1916, p. 396-397.) * DA 1013. Vaudoyer, Jean-Louis. Leon Bakst. illus. References to the work of Golovin, Soudeikin, (Art et decoration, tome 29, 1911, p. Doboujinsky, and Nathalie Gontcharova. 33-46.) t MAA Scene from Schcheraaade and costume designs. 1001. Popov, Nikolai. Stanislavski evo znacheniye dlya sovremennavo teatra. 1014. The Vital art of the Russian (The importance of Stanislavski to the con- dancers. illus. (Current opinion, v. 55, temporary theatre.) port. (Yezhegodnik Sept., 1913, p. 172-174.) * DA Imp. Teat., 1909, part 2, p. 71-85.) * QCA Decoration for Les preludes.

1002. Rainey, Ada. Leon Bakst, brilliant 1015. Where Bakst leads, illus. (Literary Russian colorist. illus. (Century, v. 87, digest, V. 47, Nov. 29, 1913, p. 1064-1065.) March, 1914, p. 682-692.) * DA *DA DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 51

Spanish Stage

1016. Amador de los Rios y Villalta, Rod- 1021. Las Joyas de luz electrica. illus. rigo. Ruinas del teatro de Merida vulgar- (La ilustracion espanola, ano 28, no. 9, mente llaniado las Siete Sillas. (Museo March 8, 1884, p. 160.) * DR espanol de antigiiedades, tomo 10, 1880, p. System Trouve of electrically lighted jewels. 497-509.) MAVZ tt 1022. Merimee, Henri. L'art dramatique a Valencia, depuis les origines jusqu'au 1017. Benavente y Martinez, Jacinto. El commencement du xvii* siecle. Toulouse: teatro del Pueblo. Madrid: F. Fe, 1909. fi. Privat, 1913. 734 p. 4°. (Bibliotheque 288 p. 8°. NPM mcridionale. serie 2, tome 16.) NPM See p. 29-34, Mise en scene. See p. 49 for staging of mysteries; p. 96, the Fetes de mai; p. 263, the comedies of Palmyreno; p. 1018. Calaza, Jose Maria. Teatros; su 523, the comedies of Tarrega and of Aguilar. construccion, sus incendios y su seguridad. 1023. Rennert, Hugo Albert. The Span- Buenos Aires: Talleres graficos de la Peni- ish stage in the time of Lope de Vega. tenciaria nacional, 1910. 3 v. illus. 4°. MRE New York, 1909. xv, 635 p. 8°. ((His- panic Society of America. Publications, Has plans and sections of prominent South Ameri- can theatres and deals primarily with fire protection. no. 77.i) NPM See chapters 5 and 6 for an excellent account of staging and costumes. 1019. Causse, J. Le theatre populaire en Espagne. Le "genero chico." (La re-vue, 1024. Schack, Adolf Friedrich, Graf von. V. 60, 1906, p. 244-253.) * DM Geschichte der dramatischen Literatur imd Kunst in Spanien. Berlin: Duncker & 1020. Comedians acting before Prince Humblot, 1845-46. 3 v. 8°. NPM Charles at Madrid, 23 Mar. 1623. From a See Bd. 2, p. 118-127 for account of scenery and German print in Grenville Library, B. M. costumes. (In: W. B. Rye, England as seen by for- 1025. Ticknor, George. History of Span- eigners in the age of Elizabeth and James ish literature. London: John Murra3% 1849. the First. London, 1865. 8°. p. ex.) CN 3 V. 8°. NPB

Picture with short description. See V. 1, p. 17, 34-35, 405-406; v. 3, p. 291.

Oriental Stage

1026. A., J. K. A peep at Chinese theatri- 1034. Baxter, Katharine Schuyler. [The cals. (Era almanack, 1876, p. 27.) NCOA Japanese theatre.] illus. (In her: In bam- lands. York 8°. 328- 1027. Abell, Frank. Tragedy in Japan. boo New [1895]. p. 332.) (Eclectic magazine, new series, v. 39, BEW March, 1884, p. 349-352.) * DA "Attendants with candles fastened on long poles illuminate the faces of the actors while speaking." 1028. An Afternoon at a Pekin theatre. (London society, v. 31, June, 1877, p. 501- 1035. Bazin, Antoine Pierre Louis. Chine * 506.) DA moderne. Arts, litterature et moeurs. The- 1029. At a Japanese theatre. (Graphic, atre. (In: J. P. G. Pauthier, Chine mo- V.40, 6, 1889, illus. on p. 24.) derne... Paris, 1853. 8°. p. 391-554.) July p. 6; *DA BEL 1030. Austin, Henry. The Japanese stage. p. 397-398, a description of the Chinese theatre. illus. (New England magazine, new series, theatre au V. 42, July, 1910, p. 659-667.) * DA 1036. Benazet, Alexandre. Le Tapon, ses rapports avec les cultes locaux. 1031. Ball, James Dyer. Things Chinese; Paris: E. Leroux, 1901. v, 302 p. illus.^ 8°. or. Notes connected with China. London: (Musee Guimet. Annates: Bibliotheque John Murray, 1904. xii, 816 p. 4. ed. 8°. *R-BEM d'etudes. tome 13.) * OAH 264-271 especially. Revolving stage and See section on theatre, p. 703-707. p. SSeeraps illustrated and described. Bibliography, p.| 1032. Banzemont, G. de. The contem- 95-300. porary theatre in China. (American review of reviews, v. 46, Dec, 1912, p. 734- ,037. La vie theiitrale au Japon 735.) * DA (Nouvelle revue, nouv. serie, tome 13, 1901, * Abstract of article in La revue. p. 486-496.) DM 1033. Barrow, Sir John. Travels in China 1038. Bishop, Isabella Lucy Bird. The- . . . London: printed for T. Cadell and W. atrical. (In her: Unbeaten tracks in Tapan. Davies, 1804. ix, 632 p. illus. 4°. BEM New York, 1881. 2 v. 8°. v. 1, p. 55-63.) See chapter 5, especially p. 218-223 for account of the Chinese theatre, including shadow pictures. BEW 01 THE NEW YORK PUBLIC LIBRARY

Oriental Stage, continued. 1052. Le theatre japonais et son role national, illus. (Revue illustree, annee 1039. Bousquet, GeorRes. Le theatre [ja- 22, May 5, 1907, p. 322-329.) * DM ponaisi. (In his: Le Japon de nos jours. 1053. Le theatre et la litterature chez Paris, 1877. 2 v. 8°. v. 1, p. 356-370.) BEW les Chinois. (La nouvelle revue, nouv. * General description. serie, tome 6, 1900, p. 335-352.) DM Chinese amusements. (All the year 1040. Le theatre au Japon. (Revue 1054. round, V. 13, Jan. 28, 1865, p. 12-16.) * DA des deux mondes, periode 3, tome 4, 1S74, p. 720-760.) * DM 1055. Chinese sketches, illus. (Harper's weekly, v. 23, Jan. 25, 1879, supplement, p. 1041. Traditions japo- Brauns, David. 77.) * DA et la naises sur la chanson, la musique Scene in San Francisco theatre. danse. Paris: Maisonneuve, 1890. x, J. 1056. Chinese sketches. illus. (Illus- 106 p. 16°. (Collection internationale de trated times, V. 6, March 27, 1858, p. 235- la tradition, v. 4.) ZBG 236.) * DA 1042. Breton de la Martiniere, Jean Bap- Description and picture of the Sun and moon — "the most favourite of the Chinese dramas." tiste Joseph. An account of the dramas and theatrical representations of the Chi- 1057. The Chinese stage. (Stage year nese. (In his: China: its costume, arts, book, 1911, p. 79-81.) NAFA manufactures. London, 1813. 4 v. in 2. Brief article by the Shanghai correspondent of 4. ed. 12°. V. 3, p. 28-40.) BEL "The Stage." Chinese theatre, illus. (Illus- 1043. A buffon, dressed like a wom- 1058. A trated news, v. 4, Feb. 17, 1844, an, apparently rowing a boat on land. (In London p. 101.) his: China: its costume, arts, manufactures. *DA London, 1813. 4 v. in 2. 4. ed. 12°. v. 3, 1059. The Chinese theatre. (Spectator, v. p. 133-135.) BEL 59, Dec. 11, 1886, supplement, p. 1683-1684.) Has a quaint colored plate. *DA A review of Tcheng-Ki-Tong's book Le theatre 1044. Brinkley, Frank. Japan; its history, chinois. The Spectator calls this "probably the most reliable account. . .of plays, playgoers and playgoing art and literature. Boston and Tokyo: T. in the Flowery Land." B. Millet Company [Cop. 1901-02,. 9 v. 8°. *R-BES 1060. The Chinese theatre in the Paris exposition park. (Illustrated news, See V. 6, chapter 3, especially p. 112-116. London v. 50, June 29, 1867, p. 641-642; illus. on p. 1045. Brockhaus, .Mbert. Netsuke. Ver- 640.) * DA such einer Geschichte der japanischen 1061. Chinese theatres in San Francisco, Schnitzkunst. Leipzig: F. A. Brockhaus, illus. (Harper's weekly, v. 27, May 12, 1883, 1905. xiv, 482 p. illus. 4°. MAG f p. 295-296.) * DA See p. 435-464 for a discussion of masks. 1062. Chodiko, Aleksander Borejko. The- 1046. Brunetiere, Ferdinand. A propos du atre persan; choix de teazies ou drames theatre chinois. (Revue des deux mondes, traduit pour la premiere fois du persan. * periode 3, tome 74, 1886, p. 212-224.) DM Paris: Ernest Leroux, 1878. 219 p. 12°. A review of Le theatre des Chinois by Tcheng- *OAD Ki-Tong. See p. XV et scq. 1047. A Burmese ballet, as performed be- 1063. Cleveland, George. The theatre in fore H. R. M. Prince Albert Victor, illus. Japan. (Green book album, v. 2, Oct., 1909, (Graphic, v. 41, :March 8, 1890, p. 273.) p. 827.) NAFA *DA 1064. Compiegne, Victor Louis Alphonse, 1048. Cecil, George. The Parsee drama. marquis de. Le theatre javanais a I'Ex- (Drama, v. 5, Aug., 1915, p. 459-467.) position des sciences geographiques. (Le NAFA monde illustre, annee 19, tome 37, Aug. 21, * 1049. Chamberlain, Basil Hall. Things 1875, p. 120; illus. on p. 125.) DM Japanese: being notes on various subjects 1065. A Coolie operatic performance. connected with Japan... London: John (Graphic, v. 17, June 22, 1878, p. 622; illus. ^Murrav, 1905. vi, 552 p. 5. ed. 8°. on p. 621.) *DA *R-BEW 1066. A Coolie operatic performance in See p. 462-474. Ceylon. (Frank Leslie's illustrated news- 1050. Character sketches in San Fran- paper. V. 46, July 20, 1878, p. 335; illus. on cisco; an evening in the Chinese quarter, p. 333.) * DA illus. (Frank Leslie's illustrated ncwsna- 1067. Corbett-Smith, A. The Chinese per, v. 46, Aug. 24, 1878, p. 421-422.) * DA drama, vesterday and today. (Fortnight- ly review, v. 99, June, 1913, 1200-1212.) 1051. Charpentier, Leon. Le theatre chez p. *DA les Chinois. (Revue britannique, annee 77, .\lso in Living age, series 7, v. 60, Aug. 9, 1913, * tome 2, 1901, p. 102-113.) DM p. 330-340, * DA. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 53

Oriental Stage, continued. 1086. —— The popular drama of Japan. (Drama, no. 23, Aug., 1916, p. 385-398; no. 1068. Corner, Julia. The [Chinese] the- 24, Nov., 1916, p. 568-581.) atre. (In his: China; pictorial, descriptive, NAFA 12°. and historical. London, 1853. p. 181- 1087. Enjoy, Paul d'. Le theatre en pays 184.) BEL chinois. (Societe d'anthropologie de Paris. Bulletins 1069. Courant, Alaurice. Le theatre en et memoires, serie 5, tome 8, 1907, p. 353-363.) Chine. (La Revue de Paris, annee 7, tome QOA 3, 1900, p. 328-350.) * DM 1088. Exner, A. H. Japan as I saw it. Description of private theatricals. London: Jarrold & Sons [1913]. 259 p. 1070-72. Le theatre [chinoisj. (In illus. 8°. *OSD his: En Chine. Paris, 1901. 12°. p. 140- See p. 148-157. 169.) BEM 1089. Exterior and interior of the theatre 1073. Dauncey, Enid Campbell. In a Chi- at Macao. illus. (Illustrated London nese theatre. (Stage year book, 1911. p. 81- news, V. 48, March 17, 1866, p. 264.) * DA 84.) NAFA Interesting text and illustrations concerning this Chinese theatre. 1074. In a Philippine theatre, illus. (Badminton magazine, \.27, 1913, p. 276- 1090. Exterior and interior of the theatre 284.) MVA at Macao, China, illus. (Frank Leslie's illustrated newspaper, v. 22, Mav 12, 1866, 1075. Davis, Sir John Francis. [Chinese] ' p. 116.) theatrical performances. (In his: The Chi- *DA nese... London, 1840. 2 v. new ed. 16°. 1091-92. Fenollosa, Ernest Francisco, and V.2, p. 178-182.) BEL EzR.A. Pound. 'Noh'; or. Accomplishment, a 1076. The Death-stone: a lyric drama studv of the classical stage of Japan. New from the Japanese. (Cornhill magazine, York: A. A. Knopf, 1917. viii, 268 p. 8°. V. 34, Oct., 1876, p. 479-488.) * DA *OSH See introduction and appendix. 1077. Doolittle, Justus. [Chinese] play- 1093. Fisher, Adams. Miracle making in acting, illus. (In his: Social life of the Japan, illus. (Overland monthly, v. 41, Chinese. New York, 1865. 2 v. 12°. v. 2, Jan., 1903, p. 33-38.) * DA p. 292-298.) BEL 1094. Fitch, 1078. Douglas, Sir Robert Kennaway. So- George H. In a Chinese theatre. (Centurv magazine, v. ciety in China. London: A. D. Innes & 24, June, 1882, p. 189-192.) * Co., 1894. xvi, 415p. illus. 2. ed. 8°. DA *R-BEM 1095. Giles, Herbert Allen. A history of .See chapter 24 for account of the Chinese theatre. Chinese literature. New York: D. Apple- Co., 1901. viii. 8°. 1079. The Drama in China, illus. (Illus- ton & 448 p. (Short histories of the literatures of the trated London news, v. 113, Dec. 10, 1898, world.) p. 876.) * DA *OVB See chapter 2 of Book 6: The drama. 1080. Un Drama japonais au Grand The- 1096. Godwin-Austen, Henry Haversham. atre de Saint-fitienne. (Le monde illustre, Description of a mystic play, as performed tome 2)7, Nov. 20, 1875, p. 327; illus. on p. m.) * DM in Ladak, Zaskar, etc. illus. (Asiatic So- ciety of Bengal. Journal, v. 34, part 1, 1865, 1081. Du Halde, Jean Baptiste. Descrip- p. 71-76.) * OHA tion geographique. . .de I'empire de la Detailed description with photographs. Chine... Paris: P. G. Lemercier. 1735. 1097. Going to the play in China. (Lit- 4v. f°. ft BEL tell's living age, v. 52 [series 2, v. 16|, 1857, See V. 96-97 for description of shadow play; 2, p. 717-718.) see also his Genera! history of China, London, 1741, p. *DA V. p. 167-169, BEL. 2, 1098. Gonse, Louis. L'art japonais. Paris: 1082. Eden, Charles Henry. The [Chi- A. Quantin, 1883. 2 v. illus, f°. f MAG nese] drama, illus. (In his: China. Lon- See V. 2, p. 76-83 for description of masks. don, 1877. 16°. p. 229-231.) BEM 1099. Les masques japonais. illus.

1083. Edwards, Osinan. Japanese plays ( Le monde moderne, v. 12, Dec, 1900, p. and playfellows. London: W. Heinemann, 745-754.) * DM 8°. * 1901. viii, 306p. illus. OSD 1100. Green, E. M. The Chinese theatre. See the chapters on religious and popular plays. illus. (Overland monthlv,' v. 41, Feb.. 1903, 1084. Religious plays in Japan, illus. p. 118-125.) *DA (Studio, V. 18, 1900, p. 156-163.) MAA f 1101. Griffis, William Elliot. Corea, the Illustrated by prints by Kogyo. hermit nation. New York: Charles Scrib- 1085. Emerson, Gertrude. The Japanese ner's Sons, 1889. xxi.x, 474 p. illus. 3. ed. play of the centuries. (Drama, v. 5, Mav, 8°. *R-BEO 1915, p. 333-344.) NAFA See p. 291-292. 54 THE NEW YORK PUBLIC LIBRARY

Oriental Stage, continued. 1114. Hitomi, J. Le theatre japonais. illus. (Revue des revues, v. 35, 1900, p. 174-182.) 1102. Grosier, Jean Baptiste Gabriel Alex- *DM andre. De la Chine; ou. Description generale de cet empire... Paris: Pillet, 1818- 1115. House, E. H. A day in a Chinese 20. 7v. 3.ed. 8°. BEL theatre. (Cornhill magazine, v. 26, Sept., 341-356.) * See V. 5, p. 386-387; v. 6, p. 50-57. 1872, p. DA Also in Atlantic monthly, v. 30, Sept., 1872, p. 257- 1103. Gruenwedel, Albert. Sinhalesische 271, *DA. Masken. (Internationales Archiv fiir Eth- 1116. Hughes, Mrs. Thomas Francis. Chi- nographie, Bd. 6, 1893, p. 71-88; plates vi- nese theatricals. (In her: Among the sons X.) t QOA of Han. London, 1881. 8°. p. 65-72.) Colored plates. BEM (L'illus- 1104. Guignol en Alandchouri. 1117. Irwin, Will. The drama in China- 60, tome 120, Dec. 6, 1902, p. tration, annce town, illus. (Everj'body's magazine, v. 456; illus. on p. 449.) * DM 20, June, 1909, p. 857-869.) * DA Picture of Chinese puppet apparatus. 1118. Japanese theatres, illus. (Apple- faites 1105. Guimet, fimile. Conferences ton's journal, v. 2, Nov. 27, 1869, p. 449-451.) an Musce Ciuimet. Paris: E. Leroux, 1905. *DA 277 p. illus. 12°. (Musee Guimet. An- Quaint illustrations. nales: Bibliotheque de vulgarisation, v. 1119. [Japanese theatres.] (New York 17.) * OAH mirror, v. 3, no. 75, June 12, 1880, p. 9, under See chapter entitled: Le theatre en Chine. the heading "Floating"; no. 77, June 19, 1106. Hardy, Edward John. [The Chinese 1880, p. 9, under the heading "Driftwood.") theatre.) illus. (In his: John Chinaman *DA at home. New York, 1905. 8°. p. 86-88.) BEM 1120. Japanese theatricals. (Illustrated London news, v. 62, Feb. IS, 1873, p. 145- 1107. Harrison, E. J. The fighting spirit 146.) * DA of Japan; and "other studies. New York: Full-page illustration of Japanese ballet at Kyoto. Charles Scribner's Sons [1913]. 352 p. illus. 8°. *R-BEW 1121. Johnston, Reginald Fleming. [Chi- illus. (In his: and See chapter 17. Good illustrations. nese drama.) Lion dragon in northern China. London, 1910. 1108. Hartmann, Sadakichi. Japanese 8°. p. 130-133.) BEM drama. (Forum, v. 47, June, 1912, p. 724- Picture of a temple stage. 734.) * DA Describes the stage of the early no plays. "There 1122. Joly, H. L. Random notes on was no scenery, — as in Shakespeare's time, placards dances, masks, and the early forms of the- announcinR the change of locality were deemed suf- atre in Japan, illus. (Japan Society, Lon-\ i ficient; extreme care, however, was bestowed upon don. Transactions and proceedings, v. 11, \^ tlie costuming, which was as gorgeous as it was elaborate and archeologically accurate." 1912-13, p. 28-74.) * OSA \ Pictures of masks and stages, and an account of 1109. Hartshorne, Anna C. The [Japan- Japanese puppets. Detail drawings are given for ese) theatre. (In her: Japan and her peo- the construction of the latter. ple. Philadelphia, 1902. 2 v. 8°. v. 2. p. 229-246.) BEW 1123. Journal d'un officier de marine. (Revue des deux mondes, serie 4, v. 23, Brief reference to stage arrangements and the revolving stage. Sept. 15, 1840, p. 850-855.) * DM An account of a visit to a Chinese theatre. 1110. Hearn, Lafcadio. Glimpses of un- familiar Japan. Boston: Houghton, Mifflin 1124. Juynboll, H. H. Das javanische & Co., 1894. 2 V. 8°. BEW maskenspiel. (Internationales Archiv fiir Account of shadow play, v. 2, p. 646-647. Ethnographic, Bd. 14, 1901, p. 41-70, 81-110; plates v-viii.) f QOA 1111. Helsdingen, R. van B. van. The Ja- vanese theatre: W'aj'ang Purwa and Wa- 1125. Keith, Arthur Berriedale. Profes- yang Gedog. illus. (Royal Asiatic Soci- sor Ridgeway's theory of the origins of ety. — Straits Branch. Journal, no. 65. Indian drama. (Roval Asiatic Society. Dec, 1913, p. 19-28.) * OAA Journal, 1916, p. 335-350.) * OAA Good illustrations of puppets. 1126. Kemble, E. W. In the Java village. 1112. Henderson, Jessie E. The drama in (Harper's weekly, \.Z7, Sept. 30, 1893, p. Tokyo. (Lippincott's monthly magazine, 930; illus. on p. 936.) * DA V.94, Dec, 1914, p. 111-115.) * DA Describes theatre at the World's Fair, Chicago.

1113. Hillmann, H. Kinderspielzeug in 1127. Kemp, Miss E. G. [Chinese the- Siam. illus. (Globus, Bd. 78, July 7. 1900, atres.] (In her: The face of China. New p. 191-193.) tKAA York, 1909. 8°. p. 82, 250.) BEM Picture of a Siamese presentation for children — Opp. p. 82 a reproduction in color of a temple acted by women only. stage. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 55

Oriental Stage, continued. etudes. Bibliotheque: Sciences philolo- giques et historiques. fasc. 83.) * 1127a. Kincaid, Zoe. "Flower path" act- EN See p. 367-392, La pratique du theatre; also p. ing in Tapan. Illustrations by Torii. (Asia, 324-325, 414-415, Les marionettes. V. 18, July, 1918, p. 576-578.) t TLA 1143. Little, Archibald. The Chinese The illustrator, Torii, is stated to be the most famous Japanese actor-illustrator. drama. (Nineteenth century and after, v. 51, June, 1902, p. 1017-1022.) * DA 1128. Knosp, Gaston. Das annainitische 1144. Theater, illus. (Globus, Bd. 82, 1902, p. Lloyd, Arthur. The Japanese stage. 11-15.) KAA (In his: Every-day Japan. London. 1911. 8°. Colored costume drawings and a stage plan. p. 157-160.) BEW 1145. Notes on the Japanese drama. 1129. Le theatre en Indochine. illus. (Asiatic Society of Japan. Transactions, (Anthropos, Bd. 3, 1908, p. 281-293.) QOA 1908, p. 97-112.) *OSA 1130. Koehler, Fritz. Das chinesische 1146. Mabie, Hamilton Wright. Theatres Theater. illus. (Das Theater, Jahrg. 4, and plavs. (Outlook, v. 107, May 30, 1914, Heft 20, June, 1913, p. 420-422.) t NGA p. 251-255.) *DA 1131. Kunos, Ignaz. Tiirkisches Volks- 1147. (In his: Tapan, to-day and schauspiel. Orta ojnu. illus. (Keleti to-morrow. New York, 1914. 8°. p. 201- szemle, tome 8, 1907, p. 1-93, 261-306.) 219.) BEW Plan of stage, p. 28. * OAA General description. 1132. Ladd, George Trumbull. At the 1148. McBride, Walter S. Japan and theatre. The no, or Japanese miracle- modern drama, illus. (Overland monthlv, * plav. illus. (In his: Rare days in Tapan. V. 63, April, 1914, p. 329-335.) DA NeW York, 1910. 8°. p. 156-216.) BEW 1149. Maceron, D. Le theatre en Chine et au Japon. (Societe des etudes japo- 1133. Lamplugh, G. W. In a Chinese the- naises. ^Mcmoires, tome 6, 1887, p. 42-50.) atre. (Macmillan's magazine, v. 57, Nov., *OAA 1887, p. 36-40.) * DA 1150. Macgowan, John. [Chinese] plays 1134. Laurens, Jules. Tazieh, ou lecture and plaj'-actors. illus. (In his: Men and dramatique a Tauris. illus. (L'illustra- manners of modern China. New York. tion, V. 28, Nov. 8, 1856, p. 295-298.) * DM 1912. 8°. p. 201-215.) BEM Describes and illustrates religious drama at Te- 1151. Markino, Yoshio. 'Sly thoughts heran, Persia. about the drama in Japan and England. 1135. Lawson, Kate, lady. The Japa- (Nineteenth century, v. 72, Dec, 1912, p. nese] drama. (In her: Highways and 1184-1201.) *DA homes of Japan. London, 1910. 8°. p. p. 1200-1201 have interesting remarks about Jap- 199-207.) BEW anese and Western scenery. 1152. Menpes, Mortimer. Art and the 1136. Lay, George Tradescant. Dramat- drama. (In .his: Japan. London [1902]. ic entertainments of the Chinese. (In his: 8°. p. 3-27.) BEW Chinese as they are. . . London, 1841. The An excellent account of the spirit of Japanese 8°. p. 106-115.) BEL stage decoration. 1137. Leclere, Adhemard. Le theatre 1153. Menpes, Mortimer, and Sir H. A. cambodgien. illus. (Revue d'ethnographie Blake. [Chinese] theatres. (In their: 4°. 79-81.) sociologie, tome 1, 1910, p. 257-282.) China. London, 1909. p. et de QOA BEM 1138. Paris: Ernest Leroux, 1154. Meyners d'Estrey, Guillaume Henry comte. L'art dramatique en Extreme 1911. 26 p. illus. 4°. NAF Jean, Orient. (Annales de I'Extreme Orient, Reprint of the preceding article. tome 8, 1885-86, p. 5-8, 33-42, 65-74. 97- 1139. Lequeux, A. The theatre in Japan. 102.) *OWB villus. (In: Samuel Bing, Artistic Japan. Outlines of dramatic history in China. 1888-91. 6 v. i°. v. 4, part 24, p. London, 1155. L'art dramatique dans I'lnde. 303-312.) (Bing) t MAG (Annales de I'Extreme Orient, tome 8, excellent description and illustrations (especial- An 1885-86, p. 289-293.) * OWB ly a large colored plate). 1156. L'art dramati<|ue au Japon. 1140. Le theatre japonais. Paris: E. (Annales de I'Extreme Orient, tome 8. Leroux, 1889. 79 p. 12°. (Bibliotheque 1885-86, p. 225-236.) * OWB orientale elzevirienne. tome 63.) * OAD See p. 233-235. Chinese play. 1141. Lesoir, George. The 1157. Migeon, Gaston. In Japan; pil- 1889, (Theatre, New York, v. 5, June 29, grimages to the shrines of art. Translated p. 350-351.) *DA from the French by Florence Simmonds. 1142. Levi, Sylvain. Le thefitre indien. Lon

Oriental Stage, continued. 1173. Reading the heart of the East through the drama, illus. (Current opin- 1158. Monico, Uniberto. II teatro giap- ion, V. 54, Jan., 1913, p. 34-36.) * DA poiifse. italiana. Bol- (Societa geofjrafica An account of The yellow jacket, with excellent Icttino, serie 4, v. 11, parte 2 [anno 44. vol. illustrations. 47,. 1910, p. 1182-1202.) KAA 1174. Redesdale (1. baron). A. B. Free- 1159. Morse, Edward Sylvester. A Chi- man-Mitford. [Pekingese theatres.) (In nese theatre and prison. (In his: Glimpses his: The attache at Peking. London, 1900. 1902. of China and Chinese homes. Boston. 8°. p. 347-355.) BEL 8°. p. 83-91.) BEM 1175. Regamey, Felix filie. Japan in art the- 1160. Moule, Arthur Evans. [Chinese and industrj', with a glance at Japanese atres. (In liis: China and old. Lon- i New manners and customs. Authorized trans- don. 1892. 2.ed. 8°. p. 69-70, 116.) BEM lation by M. French-Sheldon and Eli Le- 1161. Mueller, F. W. K. Einiges iiher mon Sheldon. New York: G. P. Putnam's N6-Masken. illus. (T'oung pao, v. 8, 1897, Sons, 1893. ix, 349 p. illus. 8°. MAG 1^1 p. 1-52.) *OSA See p. _'59-268. Illustrations of masks with comments. 1176. Reinsch, Paul Samuel. Intellectual

1162. Nakagawa, T. J. The theatres of and political currents in the Far East. Japan, illus. (Scrihner's magazine, v. 7, Boston and New York: Houghton Mifflin "May, 1890, p. 603-620.) * DA Co., 1911. viii, 396p. 8°. *R-BE Noteworthy illustrations, especially of the re- See p. 316-320 for account of the old and new volving stage. theatres. 1163. Nevius, John Livingston. [The pup- 1177. Remarks on the Chinese theatre, pet shows of Cliina.i (In his: China and with a translation of a farce, entitled: The the Chinese... New York, 1869. 12°. p. mender of cracked chinaware. (Chinese 273-274.) BEL repository, v. 6, April, 1838, p. 575-579.) 1164. Noguchi, Yone. A chrysanthemum *OVA slunv in lapan. illus. (Graphic, v. 80, 1178. Representation theatrale a Hong- Dec. 18, 1909, p. 856-857.) * DA Kong. ( L'illustration, v. 83, March 15, * Excellent illustrations of these quaint perform- 1884, p. 167; illus. on p. 173.) DM ances. 1179. Roeszler, Arthur. Vom japani- 1165. The Japanese mask play. (Na- sclien Theattjr. illus. (Biihne und Welt, tion, York, v. Sept. 12, 231- New 95, 1912, p. Jahrg. 4, Halbjahr 1, 1901-02, p. 225-232.) 232.) * DA tNGA "How can you call yourself an artist if you can- not put your soul of art within the limit of a small 1180. Rogers, Eustace B. The hara-kiri stage, and within a short period of time?" of Yenva Hanguwan. (Harper's weekly, 1166. The Japanese mask plays, illus. V. 38, Aug. 18. 1894, p. 777-778.) * DA (Graphic, v. 82, Aug. 13, 1910, p. 256-257.) 1181. The Japanese theatre. illus. *DA (Outing, v. 25, Dec, 1894, p. 191-199.) Quaint scenes from the Shimbasi Theatre, Tokyo. MVA 1167. Shakespeare a la Taponaise. Interesting pictures. ilhis. (Graphic, v. 84, Aug. 12, 1911, p. 246.) 1181a. Rosse, Hermann. Sketches of *DA Oriental theatres. (Theatre arts magazine, Timon of Athens on the Tokyo stage. Amusing v. 2, no. 3, summer no., 1918, p. 141-143; v. pictures. 3, no. 1, Jan., 1919, p. 38-41.) NBLA 1168. Notices of Japan. 3. No. (Chinese Descrijition of no and Javanese performances. repository, v. 9, Nov., 1840, p. 503-504.) *OVA 1182. Rudelsberger, Hans. Schauspiele General description of performance at Ohosaka. und Schauspieler im heutigen China, illus. (Buhne und Welt, Jahrg. 13, Halbjahr 1, 1169. Perzynski, Friedrich. Japanisches 1910-11, p. 487-500.) tNGA Theater. (Die Zukunft, Bd. 53, 1905, p. 429- 436.) *DF 1183. Safford, M. Y. The Japanese ballet, illus. (Potter's American monthly, 1170. Porter, Robert Percival. Japan, the V. 15, no. 103, July, 1880, p. 96-99.) * DA new world power; being a detailed account of the progress and rise of the Japanese 1184. Salwey, Charlotte M. On pastimes

empire. London : Humphrey Milford, 1915. and anuisements of the Japanese, illus. 24, 789 p. [2. ed.i 8°. *R-BES (Japan Societv, London. Transactions and Chapter 31, especially p. 538-540. proceedings, v. 5, 1899, p. 76-93.) * OSA 1171. Japan's stage and greatest ac- See p. 88-90 for a brief account of the stage. tor, illus. (Cosmopolitan, v. 23, Aug., 1184a. Sayler, Oliver M. Behind the 1897, p. 347-362.) * DA scenes in Tokio. illus. (Theatre maga- 1172. Pound, Ezra. The classical stage zine, V.27, May, 1918, p. 298.) ft NBLA of Japan. (Drama, v. 5, May, 1915, p. 199- 1185. Scidmore, Eliza Ruhamah. The 247.) NAFA Japanese theatre, illus. (Cosmopolitan, Compilation of notes by Ernest Fenollosa. V. 10, April, 1891, p. 685-693.) * DA DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 57

Oriental Stage, continued. 1199. Townley, Lady Susan. [Chinese theatres.] (In her: Chinese note 1186. Sketches in Burmah. illus. (Illus- My book. London (1904). 2. ed. 8°. p. 193-196.) trated London news, v. 69, Oct. 14, 1876. p. 363, 365.) * DA BEM Picture of a "poay" at Meuhla. 1200. Townsend, Edward W. The foreign stage in New York: iv: The Chinese the- 1187. Sladen, Douglas Brooke Wheelton. atre, illus. (Bookman, v. 12, Sept., 1900, Theatres without seats. (In his: Queer p. 39-42.) * DA things about Japan. London, 1904. 8°. p. 192-213.) BEW 1201. Vassal, Gabrielle M. On & off duty in Annam. London: William Heinemann, 1188. Smith, Arthur Henderson. Village 1910. xi, 283 p. illus. 8°. *R-BFX life in China; a study in sociology. Edin- See p. 16S-169. Novel footlights produced by burgh and London: Oliphant, Anderson the spraying of petroleum from men's mouths. and Ferrier, 1900. 360 p. illus. 8°. *R-BEM 1202. A Visit to the Batavian theatre. (The drama, or theatrical pocket magazine, See chapter 8 for an account of the theatre. V. 7, April. 1825, p. 340-341.) NCOA 1189. Stanton, William. The Chinese drama. Hong Kong: Kelly and Walsh, 1203. Volpert, P. A. Das chinesische Schauspielwesen in Siidschantung. illus. Ltd., 1889. 130 p. 8°. * OVK (Anthropos, Bd. 5, 1910, p. 367-380.) QOA 1190. Stopes, Alarie Charlotte Carmichael. Excellent illustrations. A Japanese mediaeval drama. (Royal So- 1204. W., L. Oriental stage-craft. (Lip- ciety of Literature. Transactions, new pincott's monthly magazine, v. 62, 1898, p. series, v. 29, 1909, p. 153-178.) * EC 711-715.) *DA Has a description of the no stage, with theatre plan. 1205. A Western theatre in Japan. (Lit-

1191. Plays of old Japan; the No. . . erary digest, V. 42, May 6, 1911, p. 887.) London: W. Heinemann [1912j. 102 p. *DA illus. 8°. *OSH .Abstract translation from article by J. C. Balet in L' illustration (Paris). Describes briefly the Terkoku- Brief, but good, description of the theatre, with za or Imperial Theatre at Tokyo. a plan. Interesting illustrations. 1206. Williams, Frank S. The Chinese 1192. Stranger than "Barkerized" Shake- theatre. A romantic institution fettering speare: an all-night "pwe." illus. (Illus- the past and the present in China, illus. trated London news, v. 141, Oct. 12, 1912, (Asia, V. 18, April, 1918, p. 314-322.) TLA p. 535.) *DA Excellent article and illustrations. Illustrated account of a native performance at Rangoon. 1207. Williams, Samuel Wells. [Chinese theatres.] (In his: The middle kingdom. 1193. Tagore, Sir Rabindranath. The Now York, 1904. 2 v. 8°. v. 1, p. 820-825.) stage. (Drama, v. 5, Nov., 1915, p. 664- BEL 668.) NAFA "The danger of the West, in modern times, ap- 1208. Wingfield, Lewis. Playgoing in pears to me to consist in the spectator wishing his China and Japan. (Murray's magazine, truth to be too concrete... The best thing... is to V. 89-98, 232-247.) * regain freedom by making a clean sweep of the 2, 1887, p. DA costly rubbish that has accumulated and is now 1209. Wirgam. theatricals at clogging the stage." Japanese Osaka, illus. (Illustrated London news, 1194. Thalasso, Adolphe. Le theatre V. 52, Jan. 11, 1868, p. 2,6, 42.)'^ * DA turc contemporain. illus. (Revue encyclo- A full-page illustration on p. 36. pedique, annee 1899, p. 1036-1044.) *R-t* AP 1210. Yamasaki, Keiichi. Japanese drama, illus. (Japan Society, London. Transac- Describes the Theatre de I'Orta Oyounou. tions and proceedings, v. 12, 1912-14, p. 112- 1195. Le Theatre annamite. illus. (L'il- 126.) *OSA lustration, v. 93, June 15, 1889, p. 500-501.) An excellent account of extraordinary effects *DM produced. 1211. The Yokyokukai. .\ magazine of 1196. The Theatre in China. (Cornhill the Japanese Ivrical drama. v. 5 -date magazine, v. 9, March, 1864, p. 297-303.) *DA duly, 1916 -date). Tokyo, 1916 -date. 8°. * OSA 1197. Le Theatre chinois a Shanghai, Text in English and Japanese. illus. (L'illustration, v. 64, Nov. 21, 1874, This periodical has Japanese stage pictures. p. 329, 330.) * DM 1212-24. YusufAli, A. The modern Hin- Full-page illustration. dustani drama. ( Roj'al Society of Litera- 1198. Thomson, John Stuart. (Chinese ture. Transactions, series 2, v. 35, 1917, p. (In his: The Chinese. Indian- 79-99.) * EC theatres. 1 apolis [1909]. 8°. p. 281-283.) BEM Some interesting references to scenery. 58 THE NEW YORK PUBLIC LIBRARY

Scenery axd Scene Painting

1225. Alber. L'illusion par les toiles 1239. Burmester, L. Grundlehren der metalliques. illus. (La nature, annee 18, Theatcrperspektive. (Allgemeine Bauzei- no. 913. Nov. 29, 1890, p. 413-414.) OA tung, Tahrg. 49, 1884, p. 39-40, 44-49, 53-57; plates 25-27.) S-ffVEA 1226. Allen, Walter T. The art decoration of the stage. (Building news, v. 36, 1240. Burns, Shirley. The scenic artist March 14, 1879, p. 286-287.) MQA at work. (Green book album, v. 2, Oct., Gives an excellent resume of the history of stage 1909, p. 723-728.) NAFA decoration. 1241. Calvert, Louis. Problems of the 1227. Anderson, Aladge. Costumes for actor. New York: Henry Holt and Com- plays and festivals, illus. (School arts pany, 1918. xxvii, 274 p. 8°. MWE magazine, v. 15, May, 1916, p. 620-626.) realistic See chapter 10: The effect of sceneryand" , SSA lighting on the actor.

1228. The play and its setting, illus. 1242. Carlisle, Henry Wilson. Where (School arts magazine, v. 13, Feb., 1914, dream-worlds become pseudo realities. p. 423-435.) SSA illus. (Theatre magazine, v. 11, Feb., 1910, Practical directions for school settings. A photo- p. 49-53, vi.) ft NBLA graph of a model stage. Interesting account of the painting of the canvas 1229. A setting for a school play. cyclorama drop at the New Theatre, New York City. illus. (School arts magazine, v. 14, Alarch, 1243. Carter, Huntly. Instruments of the 1915, p. 467-473.) SSA drama. (Drama, v. 5, Aug., 1915, p. 495- Practical directions. 505.) NAFA 1230. Anderson, Percy. Art in the the- An interesting article on "passive" producers, "passive" actors, and "passive" scenery. atre : -costume on the stage, illus. (Maga- zine of art, V. 17, 1894, p. 7-12.) f MAA 1244. Carter, Mrs. Leslie. The value of the painter's genius in stage productions, 1231. Archer, William. The limitations illus. (Burr Mcintosh monthly, v. 19, no. of scenery. (Magazine of art, v. 19, 1896, ' 74, May, 1909, p. t46-50j.) f MFA p. 432-436') t MAA 1245. Cheney, Sheldon. The most im- 1232. — Scene painter and actor. portant thing in the theatre. (Theatre arts (Magazine of art, v. 6, 1883, p. 314-316.) magazine, v. 1, no. 4, Aug., 1917, p. 167-171.) tMAA NBLA 1232a. The Art of scene painting. By 1245a. The new movement in the practical scenic artists. London: Samuel theatre. New York: Mitchell Kennerley, French, cop. 1879. 24 p. 12°. (French's 1914. 303 p. illus. 8°. NAF acting edition.) 3- MBO p.v.2, no.2 See especially chapters entitled: The aesthetic Brief descriptions of operations for amateurs. movement; The new stagecraft; Failure of the Ameri- can producer; The real progress of the American 1233. Art on the stage. (Building news, theatre; Some thoughts on theatre architecture; Gor- don Craig's service V. 41, July 29, 1891, p. 150-151.) MQA to the theatre. A notable book with excellent illustrations. 1234. Art on the stage. (Scientific Ameri- 1246. The new movement in the the- can supplement, v. 12, no. 290, July 23, 1881, atre. (Forum, v. 52, Nov., 1914, p. 749-763.) p. 4622.) VA *DA Describes scene painting. 1247. Chesshire, John K. C. Bethlehem tableaux from behind the scenes; with 1235. Art-lover. Our theatres. (Builder, practical hints and illustrations... With May 6, 1865, v. 23, p. 317-318.) 3 - MQA a preface by the bishop of Worcester. A protest against the absurdities of "stage wings." London: J. M. Dent & Sons, Ltd.. 1913. 1236. Atkinson, Frank H. Scene paint- X, 101 p. illus. sq. 8°. NAFM ing and bulletin art. Chicago: F. Drake J. 1247a. Clark, Barrett Harper. How to Co. [1916., 254 illus. f°. & p. f MBO produce amateur plays; a practical manual. 1237. British Fire Prevention Committee. Boston: Little, Brown, and Co., 1917. vii, 144 p. illus. 12°. MWE Fire tests with textiles... [ and] scenic can- See chapters 7-9 for advice as vas. London: the committee, 1912. 34 p. to stage, lighting, scenery and costumes. illus. 8°. (British Fire Prevention Com- mittee. Red book. no. 167.) SX 1248. Coquiot, Gustave. Nouveau manuel coniplet du pcintre-decorateur de theatre 1238. Browne, Dyke. Secrets Van of ... Paris: L. Mulo, 1910. 213 p. illus. scene painting and stage effects. London: 16°. (Manuels-Roret.) MBO George Routledge & Sons, Ltd. (191 - ?| Several historical chapters. A practical work tell- 2p.l., 75 p., 6 pi. illus. 8°. MBO ing how to paint and manipulate the scenes. DEVELOPAIENT OF SCENIC ART AND STAGE MACHINERY 59

Scenery and Scene Painting, continued. 1263a. Edwards, Henry Sutherland. His- 1249. Corbould, William. Illuminated tory of the opera, from Monteverde to Donizetti. scenery for a stage. (Work, v. 28, Dec. London: Wm. H. Allen & Co. 1862. 2v. 2.ed. 8°. 31, 1904, p. 432.) VA * KZ 31111 -31177 See Practical directions. especially v. 1, for Rousseau's account of scenery and decorations in the Paris Opera House. Reference to Peruzzi v. 1. See index under head- 1250. Painting a fire scene for the ing Stage decoration for interesting references to stage. (Work, v. 27, April 9, 1904, p. 231.) Servandoni and Bernino. VA 1264. Stage anomalies. (Appleton's 1251. Stage perspective. illus. journal, v. 8, April, 1880, p. 358-362.) * DA (Work, V. 3, 1891, p. 417-418, 455-456, 499- "Many reforms or innovations, supposed to be 500.) VA "f thu i)rcscnt day, are but returns to ancient prac-

--^252. Craven, Arthur Scott. Alodern sce- 1265. Elster, Alexander. Bilderrahmen >nrc art. illus. (Stage year book, 1914, p. und Biihnenrahmen; eine 17-26.) NAFA vergleichende Betrachtung. (Kunstgewerbeblatt, N. F. A symposium by Albert Rotlienstein, Norman Wil- Jahrg.21, 1909-10, p. 111-114.) kinson, Gordon Craig, Conrad Tritschler, R. C. Mc- MAA Cleery, Joseph Harker and \V. T. Helmsley, with portraits. 1266. Everth, Erich. Malerei und Biihne. (Buhne und Welt, Tahrg. 14, Halbjahr2, 1253. Crozier, Gladys Beattie. The art of 1912, p. 315-321, 371-374.) f NGA stage costume designing, illus. (English 1267. illustrated magazine, v. 33, July, 1905. p. Rahmen und Rampe beim Biih- 303-312.) *DA nenbild. (Biihne und Welt, Jahrg. 13, Halbjahr 1, 1910-11, p. 147-152.) f NGA 1254. D., A. J. Visite aux ateliers; atelier de decorations des menus-plaisirs. illus. 1268. Ferrari, Giulio. La scenografia. (L'illustration, v. 15, June 15, 1850, p. 373- Milano: U. Hoepli, 1902. xxiv, 326 p., 11.. 375.) *DM 4 plans, 128 pi. 16°. (Manuali Hoepli.) Has large woodcut showing interior of studio. MBO Historical review of scene painting.

1255. Dale, Alan. Our overdressed drama. 1269. Fire-proofing stage scenery. (Sci- (Cosmopolitan, v. 43, May, 1907, p. 64-66.) *DA entific American supplement, v. 81, Jan. 22, 1916, p. 51.) VA 1256. Dallas, Mary Kyle. Scenery and 1270. Fitzgerald, Percy. The true prin- the elevation of the drama. (New York ciples of stage scenery. (Journal of the mirror, v. 5, no. 130, June 25, 1881, p. 8.) *DA Society of Arts, v. 49, May 3, 1901, p. 445- 451.) VA 1257. Davy, Marie. Tissu en enduit pour 1271. Freeman, John Ripley. The safe- les decors de theatre. (Le genie civil, tome guarding of life in theatres; a study from 11, June 4, 1887, p. 79.) VA the standpoint of an engineer, illus. (En- gineering news, V. 54, Dec. 14, 1905, p. 624- 1258. A Day at a floor cloth factory, illus. 630.) VDA (Penny magazine, v. 11, Aug. 27, 1842. p. Data on fire-proofing of scenery. 337-344.) * DA 1272. Furtenbach, Joseph. Architcctura

1259. Dickinson, Thomas Herbert. Com- recreationis. . . Augsburg: J. Schultes, ment on the new staging. (Play-book, v. 2, 1640. 120 p. illus. f^ fMQD no. 10, March, 1915, p. 19-27.) NAFA Has quaint designs of curtains and scenery witli instruction in perspective. 1260. Eaton, Walter Prichard. Acting 1272a. Gad, Emma Halkier, and .'\i.ri:rt and the new stage craft. (Theatre arts GxuDTZMANN, editors. Teater-Bogen. ud- magazine, v. 1, Nov., 1916, p. 9-12.) NBLA givet af Emma Gad og .Mbcrt Guudtz- mann. K0benh'avn: E. Bojescn, 1901. 2 1261. The man of letters and the p.l.. 155 ilhis. 8°. new art of the theatre. (Century maga- p. NIV A scries of articles on the modern st.Tge. Sec zine, V. 87, Dec, 1913, p. 284.) * DA especially those by Otto Sinding (Den dtkurntive Iscenes aettelse; Julius Lehniann (Dekoration, 1262. The theatre: the new stage- Maskinori, Helysning); Isrik Schii^dte (Malersalen). craft, illus. (American magazine, v. 74, May, 1912, p. 104-113.) * DA 1272b. Ginisty, Paul. La vie d'un theatre. Paris: Schleicher frcrcs, 1898. 176 p.. 4 pi. 1263. The theatre: the qtiestion of 16°. (Livrcs d'or de la science.) MWE scenery, illus. (American magazine, v. See chapter 2 for a general description of scene 72, July, 1911, p. 374-384.) * DA painting. .

60 THE NEW YORK PUBLIC LIBRARY

Scenery and Scene Painting, continued. 1286. The History of scene painting. (Dramatic magazine, v. 1, May, 1880, p. 53- 1273. Gosset, Alphonse. Theatre. (In: 56.) MW Encyclopedic de I'architecture et de la 4°. construction... Paris [1890-93?]. v. 6, 1287. Hoecker, Paul Oskar. Kulissenzau- partie2, p. 599-618.) MQC ber. illus. (\'elhagen & Klasings Monats- Illustrated historical and descriptive article. hefte, Jahrg.20, Heft 8, April, 1906, p. 161- 176.) *DF 1274. Gradenwitz, Alfred. A glimpse of Describes the preparation of scenes and properties. a scenic painter's studio; a profession that calls for an intimate acquaintance with his- 1288. Hopkins, Arthur. A job for a 1913 toric conditions, illus. (Scientific Ameri- Shakespeare, illus. (Green book album, 348-349, 355.) V. 10, Sept., 1913, p. 377-385.) NAFA can, V. 107, Oct. 26, 1912, p. ^ VA Pictures show the preparation of scenery from ^ models. 1275. Hale, F^dward E., Jr. Modern ideas on stage setting. (Dial, v. 55, Dec. 16, 1913, 1289. Hunt, Elizabeth Roxana. Acting p. 520-522.) * DA scenery. (In her: Play of today. New 1913. 12°. 188-198.) Reviews of Huntly Carter's New spirit in drama York, p. NAFD and art, E. G. Craig's Toward a new theatre, and Siegfried Jacohsnhn's Max Rcinhardt. 1290. Hurst, George Henry. Colour \n decoration and design. illus. (In his: / '^ 1276. Hamilton, Clayton. Attention in Colour; a handbook of the theory of colour. theatrical performances. (North Ameri- London, 1916. 2. ed. 8°. p. 123-146.) PEX can review, v. 187, April, 1908, p. 513-522.) *DA 1291. Ideen zur einer festichen Schau- Biihne. (Deutsche Kunst und Dekoration, 1277-78. The decorative drama, illus. Bd. 9, Dec, 1901, p. 108-123.) MAA (.Bookman, v. 35, April, 1912, p. 167.) * DA 1292. Iron scenery for theatre made in 1279. The new art of stage direction. record time, illus. (Popular mechanics, (Bookman, v. 35, July, 1912, p. 481-488.) *DA v. 23, June, 1915, p. 900-901.) f VFA Designed and made in thirty-six hours. 1280. Some plays require "four boards, two actors and a passion," — 1293. Is the realism of the stage running literature, v. others require all the kingdoms of the sea to seed? (Current 52, Jan., 88-89.) * and all the glorv of them, illus. (Vogue, 1912, p. DA Epitomizes Mr. John Palmer's article in the V. 45, no. 1, Jan. 'l, 1915, p. 49-50, 54.) * DA Saturday review. 1281. Studies in stagecraft. New 1294. K., W. G. Notes on the history of York: H. Holt & Co., 1914. 298 p. 12°. NAFD scenic decoration, illus. (The builder, v. 107, 1914, p. 46, 152-154, 312; v. 108, 1915, p. Chapter 2: The pictorial stage, Chapter 3: The 331-333.) decorative drama. MQA Good account of Serlios scenery. 1282. Henderson, .Mice Corbin. The the- 1295. Katsch, H. Die Entstehung einer atre of today — and tomorrow. (Drama, Theaterdekoration. illus. (Velhagen & V. 5, May, 1915, p. 307-315.) NAFA Klasings Monatshefte, Jahrg. 13, Bd. 2. Criticism of Moderwcll's The theatre today, of 1898-99, 85-96.) * Cheney's The new movement in the theatre, and p. DF Carter's The theatre of Max Rcinhardt. 1295a. La Goumerie, Jules de. Traite de 1283. Herman, Henry. Art in the theatre; perspective lincaire, contenant les traces the stage as a school of art and archae- pour les bas-reliefs et les decorations theatrales, ology, illus. (Magazine of art, v. 11, 1888, avec une theorie des effets de perspective. Paris: Gauthier-Villars et fils, p. ii2-2,Z7.) t MAA 1898. 2 v. 3. ed. 4° and f°. 1284. Herts, Benjamin Russell. Stage MBFandttMBF settings from a decorator's standpoint, 1296. Landriani, Paolo. Osservazioni sui illus. (House and garden, v. 28, Dec, 1915, difetti prodotti nei teatri dalla cattiva con- p. 29-32.) tt MSA struzione del palco scenico e su alcune in-

Decorations designed by Mr. Herts and Mr. avvertenze nel dipingere le decorazioni. . O'Kane Conwell. Milano: dalla Cesarea Regia Tipografia, 1815. 53 p., 3 pi. 4°. 1285. Hexamer, C. John. The construc- tMRE An excellent work on perspective as applied to tion and interior arrangements of build- stage scenery. ings designed to be used as theatres, illus. (Franklin Institute. Journal, v. 134, Tulv, 1297. Aggiunta alle osservazioni " 1892, p. 43-57.) VA sui teatri e sulle decorazioni di Paolo Has information on the impregnation of scenery Landriani. Milano: dalla Cesarea Regia for fireproofing purposes. Tipografia, 1818. 43 p., 7 pi. 4°. f MRE DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 61

Scenery and Scene Painting, continued. on stage limitations, toy theatres, the history of scene painting, pantomimes, the method of modern ^298. Lawrence, William John. Stage magic, Punch and Judy shows, the puppet play, and shadow pantomimes. y^scenery in the eighteenth century, illus. Attractively illustrated. (Magazine of art, v. 18, 1895, 385-388.) p. 1311. The evolution of scene-paint- MAA ing; illustrations from drawings after 1298a. Lethe. Hamlet, illus. (Colour, models and from contemporary prints. V. 5, 1916, p. 48-49.) * DA (Scribner's magazine, v. 58, July, 1915. p. 82-94.) * Scene, by George Sheringham, for Martin Har- DA vey's production. 1311a. Stage devices. Development 1299. The Limits of scenic effect. (Graph- of theatrical effects from the time of the ic, V. 1, Dec. 4, 1869, p. 11.) * DA Greeks down to the present day. (The- c atre magazine, v. 29, Feb. -March, 1919, p. 1300. The Limits of stage illusion. (Liv- 82, 150-152.) tfNBLA ing age, V.267, Dec. 3, 1910, p. 587-591.) *DA 1312. Mawson, Harry P. The evolution of illus. 1301. Lindegren, Axel Johan. Konsten a play, (Theatre magazine, v. 2, no. Nov., 14-18.) och samhiillet vardagslivets estetik; med 21, 1902, p. tfNBLA flera uppsatser. Stockholm: Broderna 1313. Milligan, Thomas R. Enlarged lan- Lagerstrom, 1913. x, 173 p. 8°. MAM tern pictures as guides for scenic painting, See p. 87-122: Scenkonstens tidsenliga fornyelse illus. for discussion of Craig, also open-air theatres. (Popular mechanics, v. 27, Feb., 1917, p. 317.) tVFA 1302. Lloyds, F. Practical guide to scene painting and painting in distemper. Lon- 1314. Modern scenes and scenery. (All don: George Rowney & Co. [1875.] 97 p. the year round, v. 16, Nov. 10, 1866, p. 424- illus. 4°. MBO 427.) * DA An excellent book by one of England's best known scene painters of the nineteenth century. 1315. Moderwell, Hiram Kelly. Mr. Si- monson's big idea. (New York Times, 1303. Londe, Albert. Jeanne d'Arc a June 18, 1916, p. 6.) * A I'Hippodrome de Paris, illus. (La nature, Describes "telescopic" scenery used in The farce annee 18, no. 895, July 26, 1890, p. 125-126.) of Maltre Patclin by the Washington Square Players OA of New York. Scenery painted on a metallic net. 1316. The theatre of to-day. New 1304. Lucas, Seymour. Art in the theatre: York: John Lane Co., 1914. 322 p. illus. the art of dressing an historical play, illus. 12°. MWE

(Magazine of art, v. 17, 1894, p. 276-281.) "This book is intended as a description and ex- tMAA planation of the new forces which have entered theatrical production in the last ten years, judged in 1305. M., F. J., Jr. The stage versus the the light of their prol)able historical importance as as of their growing contemporary influence." drama. (Nation, New York, v. 97, Dec. 18, well 1913, p. 596-599.) * DA 1317. Moses, Montrose Jonas. The art of A review of Huntly Carter's New spirit in drama and art. the theatre. (Book news monthlv, v. 30, " May, 1912, p. 638-641.) * DA 1306. McArdle, John F. A nasological 1318. The cardboard plav. illus. drama. (Era almanack, 1877, p. 30-31.) NCOA (Independent, v. 68, Feb. 17, 1910. p. 353- 358.) * DA Would please the nose as well as the eye and ear. Describes in a general way the preliminary work 1307. Mackay, Constance D'Arcy. Cos- of staging a play. tumes and scenery for amateurs; a practi- vision of the future theatre. cal working handbook... New York: H. 1319. A New illus. (Current opinion, v. 54, Feb., 1913, Holt and Co., 1915. viii, 258 p. illus. 8°. MMY p. 120-121.) *DA Reviews articles by Charles Ricketts and Rob 1308. Mackaye, Steele. Stage-setting. Mallet-Stcvins. > (Theatre, v. 5, Feb. 16, 1889, p. 154-155.) *DA 1320. Lcs Nouveaux decors de I'Opera. illus. (L'illustration, v. 04, Sept. 2(), 1S74. 1309. Matthews, James Brander. The art p. 196.) * DM of the stage manager. (North American Has view of sccncpainting stmiio. review, v. 178, Feb., 1904, p. 257-269.) * DA

1310. A book about the theatre. 1320a. .'\ Novel play with a decorative sot- New York: Charles Scribner's Sons, 1910. ting, illus. (Decorative furnishrr. v. .?_'. 46-47.) xii, 334p. illus. 8°. *R-NAF no. 1, April, 1917, p. f MOFB An exceptionally well written book for the wander- Description and settings for The Willow tree. er in theatrical by-ways. Notable are the chapters Six-fold screen takes place of curtain. 62 THE NEW YORK PUBLIC LIBRARY

Scenery and Scene Painting, continued. new fashions in home decoration, illus. (Theatre magazine, v. 28, Aug., 1918, p. 90- 132L Old scenes and scenery. (All the 91.) ttNBLA year round, v. 16, Oct. 20, 1866, p. 353-356.) *DA Pictures of old and new style stage decorations. Discusses the meaning of the word scene. Pleads 1329. Sage, William F. Ideality in the for simplicity and imagination in settings. drama. (Theatre, v. 4, Sept., 1888, p. 359- 1322. Palmer, John Leslie. The future of 361.) *DA the theatre. London: G. Bell & Sons, Ltd., 1330. Scene painting. (Builder, v. 20, July 1913. xi, 196 p. 12°. NCOD 5; 1862, p. 476.) 3-MQA See especially chapter 4 (The future of production) and chapter 5 (The future of theatrical haber- .An interesting account of the improvements, by V dashers). Foucault in replacing side scenes with a circular \ panorama. Also reference to Beverley's endeavors 1322a. Peters, Rollo. The newest art. in this respect. illus. (Theatre arts magazine, v. 2, no. 3, 1331. Scene painting. (Knight's English summer no., 1918, p. 119-130.) NBLA cvclopa?dia. London, 1854-61. 4°. v. 7, p'. 232-233.) *AL 1323. Pick, George. Biihne und Textil- industrie. (Biihne und Welt, Jahrg. 12, 1332. Scene painting at the Haymarket Halbjahr 1, Oct., 1909, p. 83-84.) NGA f Tiicatre. (Graphic, v. 8, Dec. 27, 1873. p. Discusses briefly the use of textiles for scenic illus. * purposes. 599; on p. 597.) DA

1324. Planche, James Robinson. The 1333. Scene-painting. (Builder, v. 37, 3 - progress of theatrical pageantry. (Era al- March 8, 1879, p. 269.) MQA scenic artist. manack, 1874, p. 65.) NCOA A plea for the recognition of the References to the genius of Schinkel, the Lavastres, Carpezat, Daran, and Rube. 1325. Popular triumph of the new school of scene painting, illus. (Current opinion, 1334. Scenery extended beyond limits of * V. 59, Aug., 1915, p. 103.) DA stage. (Popular mechanics, v. 18, Dec, Chiefly concerns the art of Joseph Urban. 1912, p. 860-861.) VFA Use of motion pictures as scenery. 1326. Price, William Thompson. The technique of the drama; a statement of the 1335. Scenes for amateur theatricals, illus. principles involved in the value of dramatic (Work, V. 42, Oct. 28, 1911, p. 67.) VA material, in the construction of plays, and Practical directions. in dramatic criticism. New York: Bren- tano's, 1892. viii, 287 p. 8°. NAFD 1336. Scheible, Albert. A suggestion for See p. 138-148 for a discussion of scenery. stage scenery. (Electrical world, v. 57, April 6, 1911, p. 849.) VGA 1326a. Renton, Edward. The vaudeville Use of a wire screen illuminated alternately from theatre, building, operation, management front and rear.

. . . New York: Gotham Press, Inc. rl918.i 4p.I., 11-308 p. 8°. MWE 1337. Schi^dte, Erik. Malersalen. illus. (In: See chapter 3, especially p. 184-205 for stage and Emma Gad and Albert Gnudtzmann, scenery requirements. Teater-Bogen. K0benhavn, 1901. 8°. p. 68-73.) NIV 1326b. Riccoboni, Luigi. An historical and critical account of the theatres in Eu- 1338. The Size of the stage. (Academy, rope, viz: the Italian, Spanish, French, V. 69, Aug. 5, 1905, p. 810-811.) * DA English, Dutch, Flemish, and Gentian the- Plea for a small stage. atres... London: printed for T. Waller, 1339. in the Temple; and R. Dodsley, in Pall- A Sketch of the history of scene painting. (Builder, Mail, 1741. 33 p. 8°. NAF v. 17, May 28, 1859, p. 353.) Brief references to scenery and machinery. See 3-MQA p. 74-77, 92-93, 152, 188-189. A comprehensive article.

1327. Ricketts, Charles. Stage decora- 1340. Some easily painted scenes for ama- tion. (Fortnightly review, v. 89, Dec. 2. teur theatricals. (Work, v. 40, Dec. 24, 1912, p. 1083-1091.) *DA 1910, p. 237-238.) VA Discusses the new movement with references to Bakst, Craig, and Appia. 1341. Spielmann, M. H. The development of spectacle, as exemplified in the ballet of 1328. Robinson, C. D. Painting a Yosem- Faust, illus. (Alagazine of art, v. 19, 1896, ite panorama. illus. (Overland, v. 22, p. 25-28.) tMAA Sept., 1893, p. 243-256.) * DA 1341a. Spiers, A. G. H. Modern stage- 1328a. Rothschild, Zeta. The home fol- setting. (Nation, v. 105, Dec. 27, 1917, p. lows the stage. Just as the stage intro- 726-727.) * DA duces new styles in dress, so it introduces Discusses art of Jacques Copeau. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 63

Scenery and Scene Painting, continued. 1348. Tweddell, George. The scene paint- 1342. Stage perspective. — Ritchie versus er's progress. (Era, v. 76, Jan. 11, 1913, p. 13.) __, Stanfield. (Library of the fine arts, v. 2, tNAFA Dec, 1831, p. 374-378.) 3 - MAA Last of an excellent series of articles. Library lacks the earlier numbers. 1343. Stage scenery. (Builder, v. 17. Dec. 17, 1859, p. 822.) 3-MQA 1349. W., A. R. Enlarging mural decora- 1344. Storck, Willy F. Literarische Rand- tions, illus. (Harper's weekly, v. 41, Nov. 13. 1897, * . p. 1122, 1124.) DA bemerkungen. (Freier Bund. . Moderne - Theaterkunst. Geleitworte. [Mannheim, Use of stereopticon. ^;i-913?] 4°. p. 53-61.) MWE ^?>*'^ Bibliographies as follows: General and historical; 1350. Webb, O. R. Making stage scenery —"TlTeatre buildings; the trend of the modern stage; for school purposes, illus. diagrs. (In- modern theatrical art; management; stage artists; marionette theatres; miscellaneous. dustrial arts magazine, v. 6, Nov., 1917, p. 456-457.) t SSM 1345. Telbin, William. Art in the the- Detailed drawings. atre; scenerv. illus. (Magazine of art, v. 12, 1889, p. 92-97, 195-201.) t MAA 1351. Weichardt, Carl. Drama und Deko- 1346. Testing incombustible theatrical ration. (Deutsche Kunst und Dekoration, scenery, illus. (Frank Leslie's illustrated Bd. 34, 1914, p. 12-22.) f MAA newspaper, v. 43, Tan. 13, 1877, p. 311, 316.) *DA References to E. G. Craig and Max Reinhardt. Exhibition by Dion Boucicault. 1352. Wingfield, Lewis. Art in the the- 1347. Theatre's scenery is made of black atre; costume designing, illus. (Maga- sheets. Black iron forms an attractive and zine of art, V. 11, 1888, p. 403-409.) MAA absolutely fireproof stage setting for a t large new "movie" house, illus. (Sheet 1353. Zur Reform der Biihnendekoration. metal, v. 5, Nov., 1914, p. 197-201.) VIA (Biihne und Welt, Jahrg. 6, Halbjahr 1, 1347a. Turning a manuscript into a play, Jan., 1904, p. 320-334.) f NGA illus. (Theatre magazine, v. Sept., 1918, 28, A symposium by Heinrich Deiters, Hanns Fech- p. 153.) tfNBLA ner, Arthur Fitger, Ferdinand von Miller, Georg Pictures show scene making, manipulation of Papperitz, Felix Possart, K. Raupp, Sascha Schnei- lights and a fly gallery. der, Hans Thoma, Willy Slower, and Lesser Ury.

Little Theatres

1354. Arvold, Alfred G. The little coun- 1359. Browne, Maurice. The new rythmic try theatre. (Drama, Chicago, no. 21, Feb., drama. (Drama, v. 4, no. 16, Nov.. 1914, p. 1916, p. 87-98.) NAPA 616-630; v. 5, no. 17, Feb., 1915, p. 146-160.) Describes the rural theatre movement in North NAFA Dakota. "Drama is the rythmic fusion of movement, light, 1355. (Play-book, v. 2, no. 10, and sound... Art, in common with all religions, March, 1915, p. 10-18.) NAFA needs its ritual and priesthood."

1356. Auquier, Philippe. Le petit-the- 1360. The temple of a living art; be- atre, illus. (L'illustration, v. 99, Feb. 13. ing a plea for an American art theatre... 1892, p. 140-141.) *DM (Drama, no. 12, Nov., 1913, p. 160-178.^ NAFA 1357. An Automobile theatre, illus. (The Has a brief history of the little theatre movement magazine, v. 1911, p. 168, theatre 13, May, in America. vi.) tt NBLA Describes an experiment to be made in France. 1361. Bullard, F. Lauriston. Boston's toy Cars are to carry scenery, lights, costumes, and the magazine, v. 15, March, auditorium. theatre. (Theatre 1912, p. 84, 86.) tfNBLA 1358. L'Automobile de Thespis. illus. (L'illustration, tome 137, Jan. 21, 1911. p. 1362. Butler, Robert Gordon. "The Ways" 45.) *DM at Mattapoisctt. A model amateur the- Description and illustrations of the Gemier travel- atre, and its manager, illus. (Harper's ling theatre. weekly, v. 40, Nov. 21, 1896, p. 1156.) * DA 1358a. Brown, Warren Wilnier. The vag- 1363. C, S. The nine o'clock theatre. abond theatre, illus. (Theatre magazine, (Theatre arts magazine, v. 1, Feb., 1917, p. V.26, July, 1917, p. 32-33.) tfNBLA NBLA View of interior and a scene from A merry death. 78-80.) 64 THE NEW YORK PUBLIC LIBRARY

Little Theatres, continued. 1376. Eliot, Samuel Atkins, jr. The new art of the theatre, illus. (Century, v. 96, 1364. Chamber drama in Germany, illus. May, 1918, p. 46-60.) * DA (Current literature, v. 46, March, 1909, p. Scenes from several of the "little" theatres. 313-314.) *DA Illustration shows a scene from Wedckind's 1377. Elson, Thomas H. Stage craft in a Sfritig's awakening. Description of setting for Mae- school. illus. (Manual training terlinck's Aglavaine ct Sclysettc. small magazine, v. 18, Jan., 1917, p. 196-198.) 1365. Cheney, Sheldon. Cloyd Head's SSM Grotesques, illus. (Theatre arts maga- Effective but cheap settings for The fortune illustrated. zine, V. 1, Nov., 1916, p. 13-20.) NBLA hunter described and Design by Raymond Johnson. 1378. Farjeon, B. L. A theatre in a stable. 1366. Jacques Copeau. About the (Era almanack, 1878, p. 94-96.) NCOA Portmanteau Theatre. The Theatre work- Humorous account of an improvised theatre in Dunedin, Zealand, during the gold craze. shop... (Theatre arts magazine, v. 1, New May, 1917, p. 133-136.) NBLA 1378a. Ford, R. Clyde. The little theatre arts 1367. The Children's theatre, illus. (Wer- and the small town. (Theatre maga- no. no., p. 144- ner's magazine, v. 27, March, 1901, p. zine, V. 2, 3, summer 1918, 25-31.) MWA 148.) NBLA Ypsilanti Players. -Vccoitnt of presentation of The forest ring under Describes theatre of the direction of Mr. F. H. Sargent. 1379. Frame, Virginia. Little theatres in 1368. Chubb, Percival. The new drama foreign lands. (Theatre magazine, v. 8, and the theater of the future. (American July, 1908, p. 175.) ft NBLA Institute of .Architects. Journal, v. 5, Aug., 1380. French travelling theatre. illus. 1917, p. 387-388.) MQA (Popular mechanics, v. 15, May, 1911, p. "The most palpable outcome of the new rationalism 637.) is the little theatre." VFA Requires twenty-one specially constructed cars 1368a. Chubb, Percival. and others. Fes- drawn by eight traction engines. tivals and plays in schools and elsewhere. 1380a. Gerstenberg, Alice. The Players' New York: Harper & Brothers, 1912. xxi, Workshop of Chicago, illus. (Theatre 403 p. illus. 12°. MW magazine, v. 26, Sept., 1917, p. 142-143.) Interesting simple decorations. Appendices in- clude excellent bibliographies on open-air plays, music, tt NBLA costumes, etc. 1381. The Grotesques: Cloyd Head's triumph in decorative dramaturgy. illus. 1369. Davis, Paul. The intimate theatre. (Current opinion, v. 60, March, 1916, p. illus. (Theatre magazine, v. 14, Sept., 1911, 177-178.) *DA p. 102-105, i.x, xiii.) ft NBLA Account of presentation at Little Theatre, Chi- Interior views of several of York's little New cago — a decoration in black and white. theatres. 1382. Hackett, Karleton. The little the- 1370. Dece, H. Le Theatre de Monsieur, atre in Chicago, illus. (Theatre magazine, illus. (Le theatre, no. 288, Dec, 1910, p. v. 17, March, 1913, p. 84, 86, vii.) NBLA 30-32.) tt NKL tt Account of this little theatre — replica of one in 1383. Hagen, Claude L. The intimate the- the Tuileries in 1789. atre idea... with an introductory note by 1371. Dickinson, Thomas Herbert. The Robert Grau. illus. (Architecture and case of American drama. Boston and New building, V. 45, Jan., 1913, p. 100-109.) York: Houghton Mifflin Co., 1915. ix, MQA 223 p. 8°. NBL 1384. Hamilton, Clayton. The advent of See chapter 4: The theatre in the open; chapter S: the little theatre, illus. (Bookman, v. 35, Festivals and pageantry. May, 1912, p. 239-249.) * DA 1372. The insurgent theatre. New 1384a. The art and crafts theatre. York: B. W. Huebsch, 1917. 251 p. 12°. NBL illus. (Theatre magazine, v. 25, June, 1917, p. 332-333, 373.) tt NBLA 1373. Recent tendencies in theatre Includes an account of Sam Hume and the Detroit building. (Play-book, v. 2, no. 3, Aug., .\rts and ("raft Theatre. 1914, p. 24-31.) NAFA 1385. Head, Cloyd. The Chicago Little 1374. Dieck, Herman L. Philadelphia's Theatre, illus. (Theatre arts magazine, little theatre, illus. (Theatre magazine, v. 1, May, 1917, p. 110-116.) NBLA V. 18, Aug., 1913, p. 60, vii.) NBLA ft 1386. Howard, Homer Hildreth. The toy 1375. Dolls' houses for the drama. (Cur- tlieatre of Boston. (Drama, v. 4, no. 14, rent literature, v. 52, Jan., 1912, p. 93-94.) May, 1914, p. 264-269.) NAFA *DA Little theatre of Mrs. Lyman W. Gale. Stage is i\ discussion of little theatres. IS feet in width by 23 feet in depth. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 65

Little Theatres, continued. 1397. Our little theatres, illus. (Theatre magazine, 1387. Irvin, F. The little theatres of v. 22, Aug., 1915, p. 64-65.) Paris. illus. (Theatre magazine, v. 5, ft NBLA Aug., 1905, p. 202-204.) ft NBLA 1398. Patterson, Ada. The Little Theatre and its big director, illus. (Theatre maga- 1388. The Jericho Theatre. {AW the year zine, V. 17, April, 1913, p. 122, 124. 126.) round, new series, v. 5, Dec. 31, 1870, p. 111- ttNBLA 114.) *DA 1398a. The theatre workshop, illus. Amusing account of a church theatre in Jericho Rooms, London. (Theatre magazine, v. 27, Jan., 1918, p. 30- 31.) ttNBLA 1389. Life on board the Serapis [Prince 1399. Les Petits theatres, illus. (L'illus- of Wales' voyage from Indiai. (Illustrated tration, v. 7, 1846, p. 163-164, 259-262.) London news, v. 68, April 8, 1876, p. 357.) *DA *DM Picture of stage used for minstrel show. 1400. Pierce, Lucy France. The grotesques, illus. (Theatre magazine, v. 23, 1390. The Little theatre in the Haymar- June. 1916, p. 349-350. 364.) ft NBLA ket. (All the year round, series, v. 24, new Black and white decorations in the Little Theatre, Jan. 31, 1880, p. 230-235.) * DA Chicago.

1391. Mackay, Constance D'Arcy. The 1401. The littlest theatre. (Drama, V. 4, Feb., 1914, 84-92.) little theatre in the United States. New p. NAFA Pollock's toy theatre at 7i Hoxton Street, London. York: H. Holt & Co., 1917. viii, 277 p. illus. 12°. NBL 1402. The pill-box theatre. (Green Interesting illustrations. See index under su])jcct book album, v. 7, April, 1912, p. 846-849.) Scenery. NAFA 1392. The theatre that comes to you. 1403. A Play at the Theatre of the Little illus. (Independent, v. 92, Oct. 13, 1917. p. Comedians, on the boulevards, with gentle- 98-99.) * DA men seated on the stage. (In: J. J. Jus- Describes Stuart Walker's Portmanteau Theatre. serand, Shakespeare in France. London, 1899. 8°. p. 253.) *R-*NDD 1392a. Why not a little community theater for your town? illus. (Art world, 1404. A Portable theatre. (Outlook, v. V. 3, March, 1918, p. 526-528.) MAA 98, Aug. 12, 1911, p. 812.) * DA Discusses expenses. Constructed by M. Gcmicr at a cost of $82,500.

1393. McNally, Marie. New York's lit- 1405. "The Portmanteau" — a theatre that tlest theatre. (Theatre magazine, v. 21, travels with its actors, illus. (Popular May, 1915, p. 240.) ft NBLA science monthly, v. 87, Oct., 1915, p. 413.) Brief account and two views of the Branihall Theatre. *DA 1405a. Private theatres in millionaire 1394. The Miniature stage at Windsor, homes, illus. (Theatre magazine, v. lu, illus. (Illustrated London news, v. 104, July, 1917, p. 37.) ft NBLA June 9, 1894, p. 710.) * DA Interior of playhouse on estate of Mr. and Mrs. Prepared for the Duse presentation of La Locan- Charles C. Goodrich, Llewellyn Park, X. J. dicra.

1406. S., R. The smallest theatre in the 1395. Moses, Alontrose The little Jonas. world. illus. (Theatre magazine, v. 8. theatre, illus. ( Independent, v. 72, March Dec, 1908, p. 342.) ft NBLA 21, 1912, p. 615-619.) * DA Brief account of the \'ukes Theatre owned by Beatrice Herford. 1395a. Mr. Belasco's quarrel with the experimental theatres. (Current opinion, v. 1407. Sowers, W. L. Some American ex- 62, March, 1917, p. 184.) * DA j)erimcntal theatres. (Texas review, v. 2. June, 191(), p. 2()^40.) * DA 1395b. Neighborhood Playhouse, Grand Street, New York, illus. (Brickbuilder, 1408. Stuart Walker's Portmanteau The- V. 24, April, 1915, plates 58-60; text, p. 103.) atre — the most compact playhouse in the MQA world, illus. (Current opinion, v. 59, Sept., Plans, views, and longitudinal section. 1915, p. 175.) * DA

1396. The Old wive's tale, a drama for 1409. Theatre portatif de Campagiie. children, ilhis. (Theatre magazine, v. 14, illus. (L'illustration, v. 2, Sept. 2, 1843. p. Sept. 11, 1911, p. 106, vi.) ff NBLA 16.) *DM Account of presentation at Middlebury College, Description and pictures of portable theatre with with a picture of the quaint setting. folding scenery. 66 THE NEW YORK PUBLIC LIBRARY

Little Theatres, continued. 1411a. Warsden, Rancholt. Little theatres and big ideas, illus. (Theatre maga- 1410. The Theatre that comes to you. zine, V.25, Feb., 1917, p. 92-93.) illus. (Theatre magazine, v. 24, July, 1916, ft NBLA p. 21.) ttNBLA Scenes from "The queen's enemies" and "Gammer Cnrton's needle." Describes the Portmanteau Theatre designed by Mr. Stuart Walker. 1412. Wilson, John. Noctes ambrosianae. 1411. Walker, Stuart. Portmanteau plays. magazine, v. Edited, and with an introduction, by No. Ixiv. (Blackwood's 32, Edward Hale Bierstadt. Cincinnati: Nov., 1832, p. 846-874.) * DA Stewart & Kidd Co., 1917. xl, 137 p. illus. On p. S62-S68 is a discussion of the comparative 12°. NBM merits of large and small theatres.

Marionettes, Shadow Pictures, Living Pictures, Etc.

1413. Actors as puppets; puppets as ac- 1423. Battle of the Amazons. illus. tors, illus. (Illustrated London news. v. (Frank Leslie's illustrated newspaper, v. 2, * 134. Alarch 13, 1909, p. 383.) * DA June 14, 1856, p. 11-12.) DA Pictures show the wooden and human puppets, Living pictures. as well as the shadow actors, of the Javanese theatre. 1424. Beckmann, Johann. A history of 1414. Akhondzade, Mirza Feth 'All. Deux inventions and discoveries... Translated comedies turciues de Alirza Feth-Ali Ak- from the German by William Johnston.

hond-Zade. Traduites pour la premiere London : J. Walker & Co., 1814. 4 v. 2. ed. 8°. fois en frangais. . .par .A.lphonse Cilliere. V

Paris: Ernest Leroux, 1888. 1, 246 p. 16°. See V. 3, p. 264-315, chapter on jugglers, for his- (Bibliotheque orientale elzevirienne. [tomc] tory and description of marionettes and automata. 55.) * OAD 1425. Bie, Oskar. Pantomime. illus. See introduction for excellent account of Turkish (Uber Land und Meer, Bd. 107, 1912, p. and Persian theatres. 5-7.) * DF 1415. Alber. Le theatre d'ombres; son Brief historical survey with a scene from Sar- installation, personnages, eclairage, effets, danapalus — as presented at the Royal Opera, Berlin. accessoires, etc. illus. (La nature, annee 1426. The Black Cat, a unique Paris cafe 20, no. 988. May 7, 1892, p. 2,6^-2,66.) OA and theatre, illus. (Leslie's weekly, v. 81, Nov. 21, 1895, p. 334.) * DA 1416. Algerie; ombres chinoises. . . illus. Shadow-picture theatre described. (L'illustration, v. 6, Jan. 10, 1846, p. 301- 302.) * DM 1427. Bonaparte, Prince Roland. Le the- Shows .Algerian shadow pictures. atre javanais. illus. (La nature, annee 13, no. 625, May 23, 1885, p. 390-394.) OA 1417. Anet, Claude. Les marionettes de Madame Forain. illus. (Le theatre, no. 1428. Beyer, Jacques. Les automates et 225, May, 1908, p. 22-24.) ft NKL leur fabrication actuelle. illus. (Cosmos, Refers to the Theatre des Nabots in the Theatre tome 58, March 7, 1908, p. 262-267.) VA Rejane, Paris. 1429. Breitenstein, H. 21 Jahre in Indien. 1418. Artistic shadow dancing. illus. Aus dem Tagebuche eines Militararztes. (Popular electricity, v. 3, April, 1911, p. Leipzig: Th. Grieben's Verlag (L. Fernau), 1085.) VGA 1899-1902. 3v. 8°. BFB Effects produced at the Palace Theatre, London. See Theil 2: Java, p. 119-120 and illus. opp. p. 96. 1419. Auriol, George. Au Chat-Noir. illus. 1430. Breton de la Martiniere, Jean Bap- (Revue encyclopedique, Feb. 1, 1894, p. 2>7- tiste Joseph. Puppet show. (In his: 39.) t*AP China: its costume, arts, manufactures. Decorations by Henri Riviere and Louis Morin, London, 1813. 4 v. in 2. 4. ed. 12°. v. 3, with an account of the methods of the former. p. 127-132.) BEL 1420. Avery, A. H. Making a stage dim- Has a quaint colored plate. mer, illus. (Work, v. 46, Jan. 17, 1914, p. 1431. • Broadbent, R. J. A history of pan- 354.) VA tomime. London: Sirnpkin, Marshall, Hamilton, Kent, 1421. Bache, Rene. .-Xrt works mimic life, & Co., Ltd. [1901.] 226 p. 12°. illus. (Technical magazine, v. 10, Oct., NAP Occasional references 1908, p. 203-208.) VDA to scenery. 1432. Champfleury, pseud, of Jules Fleury. 1422. Bastian, Adolf. Reisen in Siam im Le musce secret de la caricature. Paris: Jahre 1863. Jena: Hermann Costenoble, E. Dentu, 1888. x, 249 p. illus. 12°. 1867. XX, 540 p. 8°. (Die Volker des ost- MDY lichen Asien. Bd. 3.) BE Account of shadow pictures in Turkey, Algeria, See .^28-330, p. 502-SOS. and Tunis. For interesting picture see p. 72. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 67

Marionettes, Sliadotv Pictures, etc., cont'd. 1445. Dummies that dance and play. Wonderful mechanical musicians that 1433. Church, Virginia. The original toy- smoke, bow, wink and pirouette. illus. theatre, ilkis. (Theatre magazine, v. 21, (Popular science monthly, v. 89, Nov., 1916, May, 1915, p. 255-256, 262.) ft NBLA p. 666-667.) * DA An account of the shop of Benjamin Pollock in London. 1446. Duranty, Louis fimile Edmond. 1434. Collins, Charles. The artists of Theatre des marionnettes du jardin des pantomime. (Green book album, v. 4. Tulv, Tuileries... Paris: Dubuisson et Ce. 1910, p. 197-201.) NAFA il863.i 387 p. illus. 4°. MWF Texts of several plays, with quaint colored illus- 1435. Columbia University. — Dramatic trations. Museum. A catalog of models and of stage-sets in the Dramatic ]Museuni of Co- 1447. Dwight, Harrison Griswold. Con- lumbia University. New York: printed for stantinople, old and new. New York: the Dramatic Aluseum of Columbia Uni- Charles Scribner's Sons, 1915. xxi, 567 p. illus. 8°. versity, 1916. 55 p. 8°. (Publications of GIL .See 270-272 for account of shadow show. the Dramatic Museum, no. 5.) NAFD p. brief Introduction by Brander Matthews on theatrical 1448. Experiments with stage puppets. museums. (Poetrj' and drama, v. 1, June, 1913, p. 131.) 1436. Corbould, William. How to make *DA mechanical figures for stage performances, 1449. Feise, Ernst. The puppet theatre. illus. (Work, V. 7, April 21, 1894, p. 212- (Plavbook, V. 1, no. 9, Dec, 1913, p. 20-23.) 213.) VA NAFA jr. to 1437. Crilly, William M., How make 1450. Freska, Friedrich. Personliche a miniature stage, illus. (Popular me- Pantomimenerfahrungen. (Velhagen und chanics, V. 11, Feb., 1909, p. 187.) VFA Kiasings Monatshefte, Jahrg. 27, Heft 10, 223-228.) * 1438. Cunliffe, John W. Italian proto- June, 1913, p. DF show. types of the masque and dumb 1451. Gaismaier, Josef. Uber Justinius (Modern Language Association of Amer- Kerners "Reiseschatten." Ein Beitrag zur series, v. ica. Publications, v. 22 [new 15], Geschichte der Romantik. (Zeitschrift fiir 1907, p. 140-156.) RAA vergleichende Litteraturgeschichte, Bd. 13, 492-513; Bd. 14, 1900, 76-148.) 1439. D., F. Renacimiento de un juguete. 1899, p. p. NAA (La ilustracion espaiiola, aho 29, no. 2, Jan. .Sec Bd. 503-510: Schattenspiele; Marionet- 15, 1885, p. 26; illus. on p. 32.) * DR 13, p. ten. Old marionette pictures in National Museum, Paris. 1452. Gautier, Theophile. Constantinople. the French... by Robert Home 1440. Description of the plates, represent- From Gould. American ed. York: Henry ing the itinerant trades of London in their New Holt & Co., 1875. 363 p. 12°. GIL ordinary costume. . . London [:R. Phillips, See chapter 14 for account of Turkish shadow 1804]. 63 1., 31 col'd pi. 4°. MMK play. A colored plate near the end of the volume shows with a peep-box. a showman 1453. Gayet, Albert. Comment j'ai re- . constitue des scenes de vie antique, illus. 1441. Dickens, Charles. Memoirs of illustree, annee 23, Feb. 5, 1908, p. Joseph Grimaldi, edited by "Boz," with (Revue 121-133.) *DM illustrations by George Cruikshank. Lon- don: Richard Bentley, 1838. 2v. illus. 12^ Living pictures. AN 1454. Les dernieres decouvertes ar- cheologiques faites en f.gypte et le theatre 1442. Dix, R. S. The history of marriage; des marionnettes d'.Xntinoc. (La revne, suggestions for pantomimes. (Frank Les- V. 52, 1904, p. 420-430.) * DM lie's weekly, v. 74, March 3, 1892, p. 83; illus. on p. 85.) *DA 1455. Gerard de Nerval, Gerard Labrunie, Three tableaux. known as. Voyage en Orient. Paris: Char- pentier, 1851. 2 v. 3. ed. 12°. BLE 1443. Driesen, Otto. Der Ursprung des for account of shadow Prob- See V. 2, p. 198 ct scq. Harlekin; ein kulturgeschichtliches theatre. lem. Berlin: Alexander Duncker, 1904. puppet show. (.Ml the xii, 286 p. illus. 8°. (Forschungcn zu 1456. .\ Greek neueren Litteraturgeschichte. Heft 25.) vear round, series 3, v. 11, March 3, 1894. p. NABM 206-209.) *DA

1444. Duesel, Friedrich. Von den Schwa- 1458. "Gregorius," pseud. The marionette binger Schattensi)ielen und dem Tiroler tlicatre. (Green book ail)uni, v. 2. Ani,'., Krippenspiel. illus. (Westermanns Mo- 1909, p. 405-409.) NAFA

natshefte, Bd. 103, Feb., 1908. p. 769-771.) .\ visit to the little theatre of Signer Tremposini *DF in New York's cast side. 68 THE NEW YORK PUBLIC LIBRARY

Marionettes, Sliadozv Pictures, etc., cont'd. 1470. Jacob, Georg. Erwahnungen des Schattentheaters in der Welt-Litteratur. 1459. Grimm, Jakob Ludwig Karl, and Berlin: Mayer & Muller, 1906. 49 p. 3. ed. W. K. Grimm. Scliattcnspiel. (In their: 12°. MZ Deutsches Worterbuch. Leipzig, 1893. .\n excellent bibliography, eleventh century to 4°. Bd. 8, p. 2266-2267.) *R-RLI date. Definitions Riven by different writers. 1471. Geschichte des Schattenthe- 1460. Les Grotesques; fragments de la vie aters... Berlin: Mayer & Muller, 1907. nomade, recueillis par un archeologue, viii, 159 p. 12°. MZB petit-fils de Turlupin. Paris: L'editeur. 1472. tiirkische Schattentheater. 1838. 176 p. illus. 16°. MW Das Quaint engravings of puppet show, jugglers, op- Berlin: Alayer & Miiller, 1900. iii, 105 p. tical shows, etc. illus. 8°. (His: Tiirkische Litteraturge- schichte in Einzeldarstellungen. Heft 1.) 1461. Halle, Johann Samuel. AIagie;oder, *OPA Die Zaubcrkriifte der Natur... Berlin: T. 1473. Zur Geschichte des Schatten- Pauli. 1784-86. 4 v. 12°. 3 - OAL spiels. (Keleti szemie, tome 1, 1900, p. Theil 1 is 2. ed. 233-236.) *OAA See Theil 1, p. 267-269, and plate SO at back of volume, for description of Chinese shadow picture. 1474. Jameson, Margaret Storm. The 1462. Hamilton, Cla3'ton. Where puppets scene models of Norman Macdermot. outplay players. Dramas of old masters (Egoist, v. 4, Jan., 1917, p. 3-4.) * DA are interpreted in Germany by wooden Account of his designs for Macbeth and Andrey- dolls with a sympathy to make new masters ev's A merry death. envious and actors fearful, illus. (Vogue, 1475. Jurinek, Josef M. Das Heim der V. 44, no. 1, July 1, 1914, p. 39, 82.) * DA (leutschen Puppenspiel. illus. (Illustrierte Account of the Marionetten-Theater, Miinchner Zeitung, Bd. 138, Jan. 25, 1912, p. 164-165.) Kiinstler, Paul Brann, director. *DF 1463. Hamilton, Walter. Skclt and Webb: 1476. Juynboll, Hendrik Herman. In- penny plain or two-pence coloured. (Notes donesische en Achterindische tooneelvoor- and queries, series 7, v. 10, 1890, p. 343.) stellingen uit het Ramayana. illus. (Bij- *R-*DE dragen tot de taal-, land-, en volkenkunde, makers of theatres in Skelt and Webb were toy V. 10, 1902, p. 501-565.) * OAA London. Illustrations of shadow puppets.

1464. Hazeu, G. A. J. Eine Wajang Beber 1477. Wajang Kelitik oder Kerutjil. Vorstellung in Jogjakarta. (Internation- (Internationales Archiv fiir Ethnographic, ales Archiv fiir Ethnographic, Bd. 16, 1904, Bd. 13, 1900, p. 4-17, 97-119; plates v-xiv.) p. 128-135; plates xvii-xviii at back of vol- tQOA ume.) t QOA Remarkable colored plates. Description and pictures. 1478. K., P. Aus der Bayrischen Landes- 1465. Hewlett, J. Monroe. Scenery and Tubilaumausstellung in Niirnberg. (Illus- stage decoration, illus. (American archi- trierte Zeitung, Bd. 127, Oct. 11, 1906, p. tect, V. 112, 1917. p. 41-47, 225-231.) MQA 596-598.) * DF 1: A recent exhibition at the Brooklyn Museum Scenes from the Marionettentheater of Munich. illustrating "The scenic art of the theater." 2: Tradition, composition, scale. 1479. Kanitz, F. Donau-Bulgarien und der Balkan. Historisch-geographisch-eth- 1466. Hirsch, Gilbert. A master of mari- nographische Reisestudien. . . Leipzig: onettes, illus. (Harper's weekly, v. 62, Hermann Fries, 1877-79. 3 v. 4°. GIV April 29, 1916, p. 475-476.) * DA Bd. 1 is 2. ed. Describes the work of Ivo Puhonny. .See Bd. 2, p. 191-192 for account of gypsy mari- 1467. Hirth, Friedrich. Das Schattcn- onette performance. spiel dcr Cbincsen. (Keleti szemie, tome 1480. Kern, Friedrich. Das egyptische 2, 1901, p. 77-78.) *OAA Schattentheater. (In: Joseph Horovitz, Brief reference based on article in Chinese cyclo- Spurcn griechischer Alimen im Orient. pedia. Berlin, 1905. 8°. p. 98-104.) NSA 1468. Husk, W. H. Fantoccini. (Notes 1481. Klemperer, Victor. Schattenspiele. and queries, series 3, v. 5, 1864, p. 52-53.) *R-*DE illus. (Biihne und Welt, Tahrg. 10, Halb- jahr 2, 1908, p. 705-712.) " f NGA Has an announcement of a performance at no. 22, Piccadilly, London, for Jan. 18, 1780. It is stated 1482. Koudacheff, E. Les marionettes en that the "valuable edifice" is an "exact model of the superb Teatro Nuovo at BoUjgna, and the scenery Russie. ( Revue des traditions populaires, are [is?] the painting of the celebrated Bibbiena." annce 1, 1886, p. 84-85.) ZBA 1469. Introduction of the pantomime into 1483. Kunos, Ignaz. tjber tiirkische England. (Era almanack, 1868, p. 81.) Schattenspiele (Karagos). (Ungarische NCOA Revue, Jahrg. 7, 1887, p. 425-435.) * DF DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 69

Marionettes, Shadow Pictures, etc., cont'd. 1497. Maindron, Ernest. Marionncttes et gnignols. illus. (Revue encvclopedique, 1484. L,, A. S. [Marionette theatre.] illus. 1897, p. 445-449, 473-477.) '*R-t*AP (International studio, v. 30, Dec, 1906, p. 174-178.) tMAA 1498. Marionnettcs et guignols; les Shows designs of Kolo Moser for the Wiener poupees agissantcs et parlantes a travers Werkstiitte. les ages. Paris: Fcli.x luvcn [1901]. 381 p. illus. 4°. fMWF 1485. L., \V. J. Pantomime a hundred Well illustrated. years ago. (Graphic, v. 33, Jan. 9, 1886, p. 43.) * DA 1499. Majang, das Schattenspiel der Ja- vaner. illus. (Illustrierte Zeitung, Bd. 1486. The Latest rival of the "Punch and 140, Jan. 2, 1913, p. 36-37.) * DF Judy" show. (Popular science monthly, v. 90, March, 1917, p. 348.)* * DA 1500. Maltzan, Heinrich, Frciherr von. Toy actors mounted upon an endless belt. Drei Jahre ini Xordwesten von Afrika. Reisen in Algerien und Marokko... Leip- 1487. Leclercq, Paul. Theatre des Na- zig: Diirr'sche Buchhandlung, 1868. 4 v. bots: les marionettes de Madame Forain. in 2. 2. ed. 8°. BKN illus. (Le theatre, no. 174, March, 1906. p. See V. 3, p. 58 for brief reference to shadow 21-24.) tt NKL theatre. 1501. Reise in den Regentschaften 1488. Le Goffic, Charles. Le petit-the- Tunis und Tripolis. Leipzig: Dvk'sche atre des marionettes, illus. (Revue en- Buchhandlung, 1870. 3 v. illus. \2\ cyclopedique, June 15, 1894, supplement, p. BKP 253-259.) t*AP See Bd. p. 233-238 for account of shadow the- Describes the work of Maurice Bouchor. 1, atre. 1489. Lehnert, Georg. Aus alten Pup- 1502. Das Marionetten-Theater Miinch- penstuben. illus. (Velhagen & Klasings ner Kiinstler. illus. (Deutsche Kunst und Monatshefte, Jahrg. 1901-02, p. 400-411.) Dckoration, Bd. 19, 1906, p. 89-93.) MAA *DF Scenes by Alexander Salzmann for the Hans Interesting colored pictures. Sachs Theater, Niirnburg.

1490. Lemercier de Neuville, Louis. Sou- 1503. Les Marionnettcs de !M. Sand. (Le venirs d'un montreur de marionettes. monde illustre, annee 2, April 24, 1858, p. Paris: M. Bauche, 1911. 348 p. illus. 8°. 270; illus. on p. 269.) * DM AN See especially chapter 14. 1504. Matthews, James Brander. The dramatic museum, illus. (Columbia L'ni- 1491. Littmann, Enno. Arabic humor. versity quarterly, v. 14, March, 1912, p. 137- (Princeton University bulletin, v. 13, May, 145.) STG 1902, p. 92.) STG Discusses the importance of stage models and Account of shadow pictures. describes those in the Columbia University Museum. 1505. lamentable tragedy of 1492. Living pictures. illus. (Electrical The Punch and With reproductions from world, V. 25, Jan. 12, 1895, p. 45-48.) VGA Judy. George Cruikshank. (Book- Lighting effects by Charles Muelenbergh; and drawings by scenery by Albert Operti. man, V. 38, 1913, p. 367-374.) * DA 1493. Living pictures and how they are 1506. Mess, P. F. Les fetes du Ramadan produced, illus. (Leslie's weekly, v. 79, a Tunis, illus. (L'illustration, tome 119, July 12, 1894, p. 20.) * DA Jan. 11, 1902, p. 22-26.) * DM Pictures of presentations at Koster and Bials, Short description and colored picture of shadow New York. play.

1494. Luschan, F. von. Das tiirkische 1507. Metamorphosis of pantomime. (.Ml Schattenspiel. (Internationales Archiv tlie voar round, new scries, no. 1005, Marcli * fur Ethnographic, Bd. 2, 1889, p. 1-9, 81- 3, 1888, p. 197-200.) DA 90, 125-141: illus. at end of volume.) 1508. Mick, Hettic Louise. Puppets at tQOA the Cliicago Little Theatre, illus. (The- Describes apparatus. Illustrations are noteworthy. atre arts magazine, v. 1, no. 4, .'\ug., 1917, p, 1495. M. Keller's representation of the 161-164.) NBLA Descent of the cross, illus. (Frank Les- 1509. Miles, Dudley H. The dramatic lie's illustrated newspaper, v. 1, April 19, museum at Columbia University. illus. * 1856, p. 302, 304.) DA (.\nierican review of reviews, v. 4(i, Julv, Living pictures. 1912, p. 67-70.) *DA

1496. Magnin, Charles. Histoire des 1510. Miller, lUTuard. Hand sliadnws. marionncttes en Europe depuis I'antiquite ilhis. (Strand, v. 14. Dec, 1897, p. 625-632.) jusqu'a nos jours. Paris: Michel Li'vy DA freres, 1862. 356 p. 2. ed. 12°. MW Shows methods of Mr. David Devant. 70 THE NEW YORK PUBLIC LIBRARY

Marionettes, Sliadozi.' Pietures, etc., cont'd. 1523. Paul Branns Marionettentheater Miinchner Kiinstler. illus. (Wester- 1511. Moderwell, Hiram Kelly. Stage mann's Monatshefte, Bd. 115, Tan., 1914, scenery in the making, illus. (Theatre p. 813-815.) *DF magazine, v. 24, July, 1916, p. 33, 38.) ft NBLA 1525. Pierce, Lucy France. The panto- Shows four stage models. mime man of Drury Lane. (Drama, v. 4, 1512. Moses, Montrose Jonas. A drama no. 15, Aug., 1914, p. 459-468.) NAFA museum, illus. (Theatre magazine, v. 16, 1526. Pischel, Richard. Die Heimat des Sept., 1912, p. 92-93.) ft NBLA Puppenspicls. Halle a. S.: M. Nieme3^er, The umlcrtaking of Prof. Brander Matthews. 1900. 28 p. 8°. (Hallesche Rcktorreden. 1513. Mueller, Friedrich Wilhelm Karl. Bd. 2.) MWFp.v.l,no.l4 Nang, siamesische Schattenspielfiguren im Account of puppet shows in India. Kgl. Museum fiir V(>lkerkunde zu Berlin. 1527. Platel, Leiden: E. J. Brill, 1894. 26 p. illus. f^ J. Voyage autour du The- (Internationales Archiv fiir Ethnographic. atre Miniature. (Le monde illustre, tome Supplement zu Bd. 7.) f QOA 32. Jan. 4, 1873, p. 7; illus. on p. 4.) * DM Pictures are noteworthy. 1528. Poensen, C. De wajang. illus. (Ne- 1514. Niebuhr, Carsten. Reisebeschrei- derlandsche Zendelinggenootschap. Mede- bung nach Aralnen und andern umliegen- dcolingen. Jaarg. 16. 1872, p. 59-115, 204-222, den Landcrn. Bd. 1-2, Kopenhagen: Nico- 233-280; Jaarg. 17, 1873, p. 138-164.) ZKVA laus Moller. 1774-78; Bd. 3, Hamburg: Friedrich Perthes, 1837. 8°. * OFW 1529. Polkinghorne, Ruby Kathleen, and

See Bd. 1, p. 187-188 for brief account of per- M. I. R. Polkinghorne. A theatre, illus. formances in Cairo, especially of puppet shows. (In their: Toy-making in school and home. 1515. Ortleb, Alexander, and Gustav Ort- London, 1916. 8°. p. 295-299.) VNR LEB. Die schwarze Kunst; eine leichtver- How to make a toy-theatre. standliche Anleitung zur Herstellung von 1530. Pruefer, Max Curt. Ein agyptisches Schattenl)ildcrn und Schattenspielen. . . Schattenspiel. Erlangen: [M. Mencke,] Miilheim a. d. Ruhr: J. Bagel [19— ?,. 77 1906. xxiii, 151 p. 8°. *OFC p. illus. 12°. MZB Bibliography, p. xxi-xxiii. 1516. Ouseley, Sir William. Travels in Brief description of the theatre on p. vi. various countries of the East; more par- 1531. Puhonny, Ivo. Vom Puppentheater. ticularly Persia... London: Rodwell and (Freicr Bund... Moderne Theaterkunst. Martin, 1819-23. 3 v. 4°. t BCR Geleitworte. [Mannheim, 1913?] 4°. p. 404-405 puppet shows at Tabriz. See V. 3, p. for 47-49.) MWE 1517. Oxenford, John. The toy theatre. 1532. Punch and Judy, with illustrations (Era almanack, 1871, p. 67-68.) NCOA designed and engraved by George Cruik- 1518. Pain, Wellesley. Living Liliputians. shank. Accompanied by the dialogue of illus. (Strand, v. 25, Feb., 1903, p. 220-224.) the puppet-show, an account of its origin, *DA and of puppet-plavs in England. London: Description nf stage. S. Prowett, 1828.' Ill p. illus. 8°. 1519. Pantomime at a soldier's theatre. MEM C955pu (Illustrated London news, v. 80, Jan. 14, The Library has several editions of this work. 1882, p. 38; illus. on p. 37.) * DA 1533. Raffles, Sir Thomas Stamford. The Picture of entertainment at Royal Artillery Bar- racks. history of Java. London: J. Murray, 1830. 2v. 2. ed. 8°. Stuart 6803 1520. Pantomimes. (.Ml the year round, See V. 374-378; also atlas (Stuart 10S7), plate * 1, p. V. 17, Feb. 16, 1867, p. 189-192.) DA 19, for pictures of masks and shadow puppets. Interesting historical article. 1534. Rath, Willy. Das Marionetten The- 1521. Pantomimes. (Graphic, v. 3, 1871, ater Miinchner Kiinstler. illus. (Velhagen p. 30-31, 59.) *DA t'v Klasings Monatshefte, Jahrg. 27, Heft 4, A brief history of pantomimes in England. Dec, 1912, p. 533-544.) * DF 1522. Pantomimes and burlesques. (Illus- Attractive colored reproductions. Portrait of Paul Brann. trated London news, v. 38, Jan. 5, 1861, p. 22; illus. on p. 1.) * DA 1535. Miinchner Miniaturbiihnen. Account of performances at various the- London illus. ( Wcstcrmann's Monatshefte, Bd. atres, with a brief history of pantomimes. 107, Oct., 1909, p. 99-110.) * DF 1522a. Patterson, Ada. The puppets are coming to town, illus. (Theatre maga- 1536. Rehearsing for the pantomime at zine, V.26, Sept., 1917, p. 138-139.) Drurv Lane Theatre, illus. (Graphic, v. Christmas no. 14-15.) * tt NBLA 32, for 1885, p. DA Considers the work of Tony Sarg. .A double-paged collection of colored sketches. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY '1

Marionettes, Shadon' Pictures, etc., cont'd. 1550. Russell, Alexander. The natural

histor\- of Aleppo. . . London: printed for 1537. Rehm, Hermann Siegfried. Das G. G. and Robinson, 1794. 2 v. 2. Bucli dcr Marionetten: ein Beitrag zur Ge- J. ed. A\ schichte des Theaters aller Volker. Berlin: tPQL See V. p. 147-148 for brief description of shad- Ernst Frensdorff [1905,. 307 p. illus. 4°. 1, MWF ow play. 1538. Die Puppenspicle in Frank- 1551. S., L. Ombres chinoises. (La grande reich. illus. (Biihne und Welt, lahrg. 7, encyclopedic, tome 25, p. 377-378.) Halbjahr 2, 1905, p. 745-752.) " f NGA *R-t*AP Good historical review, with brief description of 1539. Das Schattentheater dcr Ori- api>aratus. entalen. illus. (Biihne und Welt, Jahrg. 1552. Saal, Anton. Javanische Literatur 13, Halbjahr 1, 1910-11, p. 45-53.) f NGA und Sprache. illus. (Asien, Jahrg. 2, Mav, 1540. Reich, Hermann. Allgemeine imd 1903, p. 117-120.) ttBBA orientalische Philologie und Literatur- Four shadow scenes. geschichte. (Deutsche Literaturzeitung, 1553. Saglio, Andre. Marionnettes java- lahrg. 25, March 12, 1904, p. 597-603.) NAA naises. illus. (L'illustration, v. 105, Feb. 23. 1895, p. 161.) Reviews of shadow picture literature (Jacob, I.itt- *DM mann, and Pischel). 1554. Schaumberg, Georg. Die Schwabin- 1541. Der Alimus. Ein litterarent- ger Schattenspiele. illus. (Biihne und wickelungsgeschichtlicher Versuch. Bd. 1. Welt, Tahrg. 10, Halbjahr 2, 1908, p. 712- Berlin: Weidmann, 1903. xii, 900 p. illus. 715.) tNGA 8°. NSA 1555. Scheible, Part 1 deals with ancient mimes; part 2 with the Johann. Die gute alte Zeit Orient. India, and the West during the middle ages, Stuttgart: Verlag des Herausgebers, and with Shakespeare. 1847. 1106 p. illus. 18°. (J. Scheible. Das Kloster. Bd. 1542. A Remarkable chess exhibition. 6.) NFF See chapter 5. p. 347-378 for an interesting ac- illus. (Frank Leslie's illustrated newspa- count of the history of puppet plays. Plates 102- per, V. 48, May 3, 1879, p. 129, 135.) * DA 103 show means of manipulating dancing dolls. Chess with living figures at New York Academy of Music. 1556. Schwarz, Franz von. Turkestan, die Wiege dcr indogermanischen Volker... 1543. Rhein, Mededeeling omtrent de J. Freiburg im Breisgau: Herder. 1900. xx, Chineesche Poppenkast. (Internationales 606 p. illus. 8°. BDE Archiv fiir Ethnographic, Bd. 2, 1889. p. Pupjiet thcatrc-s described. 277-282; illus. at back of volume.) f QOA Doll costumes in color. 1556a. Seabrook, W. B. Marionette world premiere. Tony Sarg presents Thackeray's 1544. Richardson, T. W. A marionette pantomime with puppet players. illus. illus. V. April 4. 1901, show, (Showman, 2, (Theatre magazine, v. 29, March. 1919. p. p. 216-217.) MCZA 162.) ttNBLA Practical directions. 1557. "Selbit," pseud. Black art up to 1545. Roessler, Arthur. Das Miinchener date, illus. (Showman, v. 2, 1901. p. 248- Marionetten-Theater. illus. (Buhne und 249, 281-282. 312-313, 348-349, 402-403.) Welt. Jahrg. 3, Halbjahr 2, April, 1901. p. MCZA 562-567.) ft NGA Black and white performances described.

1546. RoUand, Charles. La Turquie con- 1558. Soper, Mabel B. Our toy theatre. illus. (School arts magazine, v. 14, Nov.. temporaine. . . Paris: Pagnerre, 1854. 426 p. 8°. GIO 1914. p. 103-165.) SSA Practical directions. Shadow pictures described on p. 144 et scq. L. Pantomime in 1547. Roskiewicz, Johann. Studien iiber 1559. Sowers, W. .'Xnurica. (Texas review, v. 2, 1916-17. Bosnicn und die Herzegovina. Leipzig and p. 235-247.) *DA Wien: F. A. Brockhaus, 1868. xiv, 424 p. 8°. GIVL 1560. Stahl, 1'.. L. Marioiu'ttcnthcatcr. Brief reference to shadow pictures on p. 265. \'on der hcutigcn l'upi)enbuhne inid ihre *^ 1548. The Royal Marionette Theatre, (k-schichte. (Biihne und Welt. J.ihrg. 1906. 227-230.) illus. (Illustrated London news, Ian. 17, Halbjahr 1. Doc. p. f NGA 1852, p. 53-54.) * DA 1561. riu' Startling dcveloiiment of thr i)i- 1549. Roze, A. A profile puppet show. dimensional theatre, illus. (Current liter- illus. (Scientific American supplement, v. ature, v. 44. May, 1908, p. 546-549.) * DA 69, 1910, p. 348, 356, 2,72.) VA Edward Gordon Oaig's ideas. Account of shaclow von Dernus of Munich. - Practical directions. theatre directed by .Me.vander 72 THE NEW YORK PUBLIC LIBRARY

Marionettes, Shadoiu Pictures, etc., cont'd. 1567. Weed, Inis. Puppet-plays for children, illus. (Century magazine, v. 91, 1562. Stumme, Hans. Erwahnuiiffen dcs .March, 1916, p. 717-725.) * DA Schatteiithcaters in der Welt-Littfratur, Little Theatre, Chicago. Pictures from several etc. (Gottinyische selehrte AnzeiRcn, plays. Jahrg. 168. 1906, p. 817-828.) * DF Reviews of the works of Jacob, Wetzstcin, Jahn, 1568. Weindel, Henri de. Le "Chat-Noir." and Pruefer. illus. (L'dlustration, v. 103, Jan. 20, 1894, p. 51-53.) *DM 1563. Sumner, A. E. The smallest the- "La Comedie-Fran^aise des ombres. . .chinoises." atre in the world, illus. (F"rank Leslie's illustrated newspaper, v. 71, Oct. 25, 1890, 1569. Weisstein, Gotthilf. Die kleinen p. 206.) *DA draniatischen Kiinste. illus. (In: Spe- theatre in Brooklyn. Italian marionette manns goldenes Buch des Theaters... 1564. Teall, Gardner. Punch and Judy Stuttgart, 1912. 12°. p. 426-468.) shows. illus. (Theatre magazine, v. 8, NAF (Spemann) Sept., 1908, p. 240-242.) ft NBLA Treats of mysteries, marionettes, pantomimes, shadow plays, etc. 1565. Thomson, Mortimer. Rehearsing a rantomimc. By Doesticks, P. B. [pseud.] 1569a. Williamson, Hamilton. Tony illus. (Frank Leslie's illustrated newspa- Sarg's marionettes, illus. (Theatre arts * per, V. 5, Jan. 9, 1858. p. 8-10.) DA magazine, v. 2, no. 3, summer no., 1918, p. Amusing lieliind-thcsccnes pictures. 151-154.) NBLA 1566. Vambery, Armin. Sittenbilder aus 1570. Wurzbach, Constant, Ritter von.

Lighting and Lighting History

1571. Ack, E. Machinerie electrique du Zwecken dienenden Lampen. illus. (Zeit- theatre de Drury Lane a Londres. illus. schrift fiir Gasbeleuchtungswesen, Jahrg. 7, (Genie civil, tome 34, Jan. 28, 1899, p. 204- Dec. 20, 1901, p. 424.) VOKA 205.) VA 1577. Behind the wings in the Hoftheater 1572. Alberti, Giuseppe Antonio. La piro- in Dresden, illus. (Scientific American 21812- technia; o sia, Trattato dei fuochi d'arti- supplement, v. 53, Feb. 1, 1902, p. ficio. Venezia: G. B. Recurti, 1749. viii, 21815.) VA From lllnstricrtc Zeitung. 128 p., 20 folded pi. 8°. VOG in 1578. Besant, Sir Walter. London in the 1573. Application of the electric light '^ eighteenth centurv. London: A. and C. theatres, illus. (Scientific American sup- Black, 1902. xvii, 667p. illus. 4°. \ QQ plement, V. 16, no. 410, Nov. 10, 1883, p. See p. 431 for Garrick's resolve to clear the stage^, - 6535-6536.) VA of spectators; also for his introduction of footlights."--- 1574. Arc lamp and color screens for stage 1579. Biscan, Wilhelm. Elektrische Licht- illumination, illus. (American electrician, effekte nebst einem Anhange: Die elek- v. 13, Sept., 1901, p. 463.) VGA trische Notbeleuchtung in Theatern und Fox, Brooklyn, Device, manufactured by Baker & Festraumcn. . . Leipzig: Carl Scholtze, be placed beneath the balcony rail and operated may 1909. 4p.l., 184p., 4pl. illus. 8°. VGS from tlie stage switchboard. f An excellent treatise with good illustrations. For 1575. Arrowsmith, John. An improved a review see Illinninatiiig engineer, London, v. 2, Sept., 1909, 631-634. mode of puhlically exhibiting pictures or p. painted scenery of every description, and 1580. Bissing, H. Electricity on the stage. for distributing or directing the day-light (Electrical world, v. 30, July 3, 1897, p. 3.) upon, or through them, so as to produce VGA many beautiful effects of light and shade; Objections to the use of "electro calciums." which he denominates diorama. illus. 1581. Storage batteries on the stage. (London journal of arts and sciences, v. 9, (Electrical world, v. 30, Oct. 30, 1897, p. no. 54, 1825, p. 337-340.) VA 536.) VGA 1576. Begas, Paul, & Co. Selbstthiitige 1582. The switchboard for stage Ein- und .\usschaltvorrichtung fiir elek- lighting, illus. (Electrical world, v. 31, trische Reklame-, Bijhnen- und ahnlichen Feb. 19, 1898, p. 246.) VGA "

DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY

Lighting and Lighting History, continued. 1596. Cox, Richard S. Effect of light and 1583. Bonnafont. Sur quelqucs modifica- surroundings on color, adapting patterns to conditions tions a introduire dans les salles de spec- under which fabrics will be used 9 tacle au point de vue de I'hygiene des ar- (Textile world record, v. 52, no. z, Dec. tistes et de I'eclairage de la scene. (Aca- 9, 1916, p. 29.) VLA demic des sciences. Comptes rendus. . .des 1596a. Cram, Mildred, Those stage set- seances, v. 52, Jan. 7, 35-36.) * 1861, p. EG tings. illus. (Theatre magazine. V. 27, 1584. The Boston Opera House: elaborate April, 1918. p. 228.) ft NBLA electrical equipment provided for the needs 1597. Croft, Terrell Williams. Wiring for and embellishments of musical drama, light and power; a detailed and fully illus- illus. (Electrical world, v. 55, May 12, 1910, trated commentary on the more important 1197-1202.) p. VGA positions of the National Electrical Code 1585. Bourdon, Georges. Les theatres ... New York: McGraw-Hill Book Com- anglais. Her Majesty's Theatre. (Revue pany, Inc., 1917. xii, 426p. illus. 12°. d'art dramatique, nouv. serie, tome 9, 1900, VGM p. 199-218.) NAFA See p. 352-379 for application of the code to theatre lighting. Well illustrated. 1585a. Brown, Frank Chouteau. Lighting 1598. Curious use of colored lights. in early playhouses, illus. (Theatre maga- (Pop- ular mechanics, v. 21, April, 1914, 551 zine, V. 28. July, 1918, p. 36.) NBLA p. ) ff VFA 1586. Burns, S. Electric theatre installa- When each kind of light was in turn thrown upon tions. (Electrician, v. 70, March 7, 1913, p. colored placards at the New York Electrical Show 1002-1004.) VGA portions of the picture seemed to disappear owing to the neutralizing influence of the colored lights A good article giving the various requirements. employed. 1587. Carter, Huntly. The new spirit in 1599. D., M. Elektrische Beleuchtung des drama and art. New York: Mitchell Ken- ungarischen Nationaltheaters in Budapest, 4°. nerley, 1913. x, 270 p., 49 pi. NAFD illus. (Elektrotechnischer Verein in Wien. An outline survey of the ideas in the prin- new Zeitschrift, Jahrg. 1, 1883, p. 39-42.) VGA cipal European centers. Well illustrated. The chapter on Warsaw refers to the open-air presentations 1600. Darimon, G. L'eclairage electrique of Wyspianski. dc rfidon Theatre. (Annales industrielles, 1588. Castle Garden, New York, illus. annee 16, Jan. 6, 1884, p. 9-15; illustrations (Gleason's pictorial drawing-room com- in atlas.) 3 - VA panion, V.2, Alarch 6, 1852, p. 148.) * DA 1601. Davies, W. W. Electric light in An illustration of the stage during a benefit to Max Maretzek, leader of the Italian opera troupe. the theatre. (Notes and queries, series 8. v. 8. 1895, p. 288-289.) * R - * DE 1589. Chalmares, G. L'eclairage au the- Stated to have first been (l«teifc>at the Tcatro I'ay- atre par le procede Fortuny. illus. (La ret, Havana on Sept. 23,t 1880.' See Xotcs and -nature, annee 37, no. 1879, May 29, 1909. p. queries, series 9, v. 8, 1901. pi.29J>29S. 411-414.) OA 1602. De Cordova, Rudolph. Nearly roast- ' Excellent illustrations give a good idea of the ed alive in the great chandelier of Drury 'apparatus. Lane, illus. (Strand, v. 23, Jan., 1902. p. 1590. Chavannes, Roger, ficlairage elec- 113-115.) *DA trique du Grand Theatre de Geneve, illus 1603. Desfontaines, A. C. Le nouvel eclai- (Lumiere electrique, tome 32, April 6, 1889, rage elcctri(|uc du Theatre du Palais-Roj-al. p. 7-15.) VGA illus. (Lumiere electrique, tome 22, Oct. 2, 1591. Colombo, G. ficlairage electrique 1886, p. 42-45.) VGA •du theatre de la Scala. (Lumiere electrique, Gives early history of this interesting old struc- tome 11. Jan. 12, 1884, p. 116.) VGA ture, originally lighted with candles.

Desprez, .'Kn R. .'\.'s 1592. Color changes in early stage light- 1604. Frank. ideas of scenery. (Era, v. 77, Oct. 15. 1913. p. 21.) ing, illus. (Popular electricity, v. 3, May, 1910, p. 32.) VGA ttt NAFA .\n interview with Sir Hubert von Herkomer de- 1593. Coloring electric light globes. (Pop- scribing his lighting experiments at lUislu-y. Eiiglat\d. ular mechanics, v. 21, April, 1914, p. 613.) 1604a. Details of electrical installation in VFA iHw I'aMtages theater (Salt Lake City). 1594. Corbould, William. Stage lights and (Electrical review, Chicago, v. 74. no. 1. Tan. other effects. (Work, v. 6, 1893, p. 245-246. 4. 1919. p. 37.) VGA 278.) VA 1605. Dieudonne, E. L'eclairage elec- 1595. Corkran, Alice. Professor Herko- trique des theatres de I'aris. illus. (Lu- miere electriciue, tome 28. 1888, p. 551-500. b^mer's pictorial music-play, illus. (Scottish 608-614; 29, p. 116-127, 209-220.) art review, v. 2, July, 1899, p. 41-45.) MAA tome 1888, Account of the Idyl as presented in his little VGA theatre at Dyreham with "scenic effects of marvellous A well illustrated series describing the cciuipmcnt 'beauty. of the several Parisian theatres. 74 THE XEW YORK PUBLIC LIBRARY

Lighting and Lighting History, continued. 1620. Electric lighting at the Briinn 'The- atre. (Engineering, v. 35, April- 13, 1883^. 1606. Dimmer with colored plates, illus. 345.) (Ellectrical world, v. 59, June 1, 1912. p. 1223-1224.) VGA 1621. Electric lighting at Drury Lane The- Cutler-Hammer apparatus. atre Roval. illus. (Electrician, v. 52, Feb. 1607. Dimmers for realistic stage effects. 12, 1904,' p. 640-644.) VGA illus. (Electrical world, v. June 22. 1915, 57, 1622. The Electric lighting of Drury Lane p. 1626.) VGA Theatre Roj-al. illus. (Electrician, v. 61, Noiseless apparatus manufactured by the General 865-867.) Electric Company. Sept. 18, 1908, p. VGA Describes the battens in some detail. 1608. Disappearing footlights for school or church, illus. (Popular mechanics, v. 1623. Electric lighting of the Illinois The- 27, March, 1917, p. 438.) VFA atre, illus. (Western electrician, v. 27, Dec. 15, 1900, p. 377-2,7%.) VGA 1609. Dwyer. Scener}^ and decorations in theatres. (Builder, v. 5, May 8, 1847, p. 216- 1624. Electric lighting in the new Iroquois 217; with comment on p. 281.) 3 - MQA Theatre, illus. (Western electrician, v. 33, Abstract of paper read before the Decorative Art Dec. 12, 1903, p. 437-438.) VGA Society. On p. 281 is a suggestion for overhead lighting of tile stai;c. 1625. Electric lighting at the New The- 1610. L'Eclairage electrique de I'Opera. atre [London], illus. (Electrician, v. 50, (L'illustration, v. 89, June 18, 1887, p. 438; Alarch 13, 1903, p. 856-857.) VGA illus. on p. 432-433.) * DM Picture shows both gas and electric lighting of the 1626. The Electric lighting of the theatre borders. at Earl's Court Exhibition, illus. (Engi- neer, V.82, Nov. 6, 1896, p. 463.) VA 1611. Economy in stage lamps. illus. Has interesting pictures of the choking coils. (Electrical engineer, London, new series, V. 44, .\ug. 20, 1909, p. 221.) VGA 1627. Electric lighting on the Urania The- Brief description of apparatus introduced by atre stage, illus. (Electrical engineer, v. Messrs. T. Francis and Sons, Bolton. 13, March 9, 1892, p. 254-255.) VGA 1612. Electric light at the Criterion The- Effects in A trip to the moon. atre, illus. (Electrician, v. 13, Oct. 11, 1628. Electric lighting at The world in 1884, p. 490-491.) VGA Boston. (Electrical world, v. 57, May 18. 1613. The Electric light at the Eden The- 1911, p. 1207.) VGA atre, Paris, illus. (Engineering, V. 35, June Describes the lighting for the Pageant of darkness. 22, 1883, p. 587-589.) VA 1629. Electric stage lighting apparatus, 1614. Electric light in oj-d-time theatres. illus. (Popular mechanics, v. 10, Aug., 1908, (Popular electricity, v. 4, (Oct., 1911, p. 527- p. 563-564.) VFA 528.) VGA . ...Vl^ 1630. Electrical equipment of a Buffalo 1615. The Electric light at the theatre. theatre. illus. (Electrical world, v. 46, (Builder, V. 42, Jan. 7, 1882, p. 10.) 3 -MQA Nov. 4, 1905, p. 778-779.) VGA States that electric light was used for the first Shea's Theatre. Cuts show sections through the time in a theatre l)oth for the auditorium and on the border lights and footlights, also elevation showing stage. Suggests that the new light will make new adjustment of border lights. demands on the scenic artists. 1616. The Electric light in theatres. 1631. Electrical equipment of the Palla- (Electrical world, v. 4, Oct. 18, 1884, p. 148.) dium, illus. (Electrician, v. 66, Jan. 20, VGA 1911, p. 574-581.) VGA Results of an inquiry by the New York Tribune 1632. Electrical as to the comparative advantages of gas and elec- equipment of the . Stuy- > tricity for stage lighting. vesant Theatre, New York City. illus. ^^^ 1617. The Electric light in a theatrical per- (Electrical world, v. 50, Dec. 21, 1907, pf^===^ formance, illus. (Electrical world, v. 16, 1219-1220.) VGA Oct. 4, 1890. i). 245.) VGA 1633. Electrical stage appliances at Drury Primrose and West Minstrels using electrically- lighted batons. Lane Theatre, illus. (Electrician, v. 42, Dec. 30, 1898, p. 325-326.) VGA 1618. Electric lighting at the Alhambra Theatre, illus. (Western electrician, v. 35, 1634. Electricity at the New York Hip- Aug. 20, 1904. p. 129.) VGA podrome, illus. (Electrical world, v. 47, 1619. The Electric lighting of the BriitTH May 5, 1906, p. 911-916.) VGA Theatre. (Electrician, v. 31, July 28, 1893, 1635. Electricity and stage pictures. p. 339.) VGA (Electrical review, v. 54, June 26, 1909, p. "Probably one of the first — if not the first — theatre to have been electrically lit." Installation is 1171.) VGA described. Editorial briefly reviewing the subject. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY

Lighting and Lighting History, continued. 1647. Fox, Edward Lyell. Drainatizing electricity, illus. 1636. Electricity at the theatres, illus. (Greenbook album, v. 7, June. 1912, p. 1120-1126.) (Electrical engineer, new series, v. 11, Feb. NAFA 24, 1893, p. 198-200.) VGA 1647a. Frisch, Gustav. Bericht iiber die Describes and illustrates effects at London the- elektrische atres. Beleuchtungsanlage des K. K. Hof-Burgtheatcrs und iiber die an derscl- 1637. Die Elektrische Beleuchtung der K. ben vorgenommen Control-Messungen. Theater in Miinchen. (Polytechnisches illus. (Zeitschrift fiir Elcktrotcchnik, Notizblatt, Jahrg. 40, no. 6, 1885, p. 81-83.) Jahrg. 6. Dec. 1. 1888, p. 545-549; Jahrg. 7, VA Jan. 1, 1889. p. 21-29.) VGA 1638. Die Elektrische Beleuclitungsanlage 1648. Furber, William Copcland. lllu- des Koniglichen Opernhauses in Berlin, niination and architecture. (Illuminating illus. (Zeitschrift fiir Bauwesen, Jahrg. 39, Engineering Society. Transactions, v. 5, 1889, p. 458-470; plates 59 and 60 in atlas.) Nov., 1910, p. 822-838.) VOK 3-VEA References to stage lighting on p. 830-8J3. Gives information in detail. 1639. Die Elektrischen Anlagen im Prinz- 1649. Furtenbach, Joseph. Sciena di regenten-Theater zu Miinchen. (Elektro- comoedia. illus. (In his: Architectura civilis. Ulm, 1628. f°. technische Rundschau, Jahrg. 20, June 15, p. 28-30.) f MQD Description 1903, p. 180-182.) VGA of stage decoration in which oil lamps are used for illumination. 1640. Ely. Die elektrischen Anlagen moderner Theater mit besonderer Beriicksich- 1650. Geraldy, Frank. L'eclairage des arenes tigung der Einrichtungen des neuen Stadt- nauti(|ues. illus. (Lumiere electrique, tome 21, theaters. (Verein deutscher Ingenieure. luly 10, 1886, p. 70-75.) Zeitschrift, Bd. 51, July 27, 1907, p. 1191- VGA 1192.) VDA 1651. — L'electricite au theatre. (Lu- miere electrique, tome 45, Aug. 13, 1892. p. 1641. Equestrian amphitheatres. (Illus- 301-304.) VGA trated London news, v. 59, Oct. 28, 1871, p. 407.) *DA 1652. Glare as an aid to stage illusions. Briefly describes Astley's Theatre. "200,000 jets (Electrical world, v. 57, Jan. ^20, 1911. p. of gas add to the glittering effect of the auditorium." 182.) VGA

1642. (Experiences d'eclairage electrique 1653. Goerz. Ueber elektrische Theater- sur un scene de theatre. (Lumiere elec- i beleuchtung. illus. (Elektrotechnische trique, tome 15, 1885, p. 238.) Jan.. VGA Zeitschrift, Jahrg. 9, Heft 2, Jan., 1888. p. Experiments at the Munich Electrical Exhibition. 17-24.) VGA 1642a. Fagan, B. The art of stage J. 1654. Gradenwitz, A. Un nouveau sys- lighting. (Electrician, v. 82, April 18, 1919, teme d'eclairage des scenes de theatre. p. 477.) VGA illus. (Cosmos, v. 63, Sept. 10, 1910, p. 292- Paper read before Illuminating Engineering So- 295.) ciety. Author is connected with the Royal Court VA Theatre. Has interesting historical data. Fortuny system.

1643. Feeney, James M. New method of 1655. Grau, Robert. The electrical side stage lighting, illus. (Lighting journal, of the theatre, illus. (Electrical world, v. V. 3, Oct., 1915, p. 217-219.) VGA 60, July 27, 1912, p. 215-216.) VGA Describes improvements at the Belasco Theatre, A good general article. New York. Footlights are eliminated. 1656. The stage in the twentieth cen- 1644. Feuerlein, Die elektrische The- O. turv. V. 3. New York: Broadway Publish- aterbeleuchtung unter besonderer Beriick- ing Co., 1912. xxvii, 360p. 8°. NAF sichtigung der Fabrikate von Siemens & Chapter 18. p. 344-350, is entitled The electrical Halske. illus. (Elektrotechnische Zeit- side of the theatre. schrift, Bd. 17, May 7, 1896, p. 279-288.) VGA 1657. Grimshaw, Robert. Lighting of the stage of the Berlin Grand Opera House, 1645. Footlights for small theatres, illus. illus. (Illuminating engineer, v. 6. Oct., (Motion picture news. Accessory news sec- 1911, p. 432-436.) VOKA tion, V. 16, July 28, 1917, p. 703-704.) t MFL 1658. Describes the Kliegel disappearing footlight. Guerout, -'\ug. Ai)plicalion de la lumiere electri(|uc aux theatres. illus. 1646. Fortuny, Vorrichtung zur Mariano. (Lumiere electri(|ue, tome 9, Aug. 2S, 1883. Beleuchtung von Biihnen mittels indirekten P 525-532.) VGA Lichtes. illus. (Zeitschrift fiir Beleuch- 1659. — — L'eclairage electri(|ue de iT'dcn tungswesen, Jahrg. 8, Jan. 20, 1902. p. 16- illus. electri(|iu', tome 17.) VOKA Theatre. (Lumiere Describes German patent no. 125671. 9, July 7, 1883, p. 302-306.) VGA 76 THE NEW YORK PUBLIC LIBRARY

Lighting and Lighting History, continued. 1670. Installation of flaming arc lamps in a theatre. (Electrical review, v. 57, Sept. 1660. L'eclairage electrique des the- 3, 1910, p. 488.) VGA atres par les lampes a incandescence, illus. Produces a yellow stage light said to be pleasing (Lumiere electrique, tome 12, April 12, 1884, in musical comedy. p. 63-72.) VGA 1670a. Jones, Bassett. Mobile color and 1660a. Hadley, Grace T. Electricity — stage lighting, illus. (Electrical world, v. the modern staple artist. Success of many 6. 1915,' p. 245-249, 294-297, 346-349, 407- recent productions depends upon unusual 409, 454-456.) VGA effects. v. lightinpr (Theatre magazine, 29, 1. Analysis of the color, intensity and tone of April, 1919. p. 212.) ft NBLA light, and a discussion of their practical application in stage lighting. 1661. Harris, H. C. Theatre illumination. 2. Further description of apparatus. Parabolic strip units and color-mixing strips. The lamp prob- (Electrical review, v. 62, April 19, 1913, p. lem in modern stage illumination. 805-807.) VGA 3. Specifications for lamps. Synthesis of color effects. Selection of scenery. 1662. Hartmann, Siegfried. [Das Theater.] 4. Principles involved in the selection of pigments illus. (Uehcr Land und Meer, Bd. 105, and dyes. Advantages of spectroscopic studies of 1911, p. 564-565.) * DF absorbing media. 5. Problems to be solved in the selection and pro- Briefly describes a typical lighting plant. duction of color filters. Transmission coefficients and energy distribution curves. 1663. Heydemann, \., and E. Kasch. An excellent series of articles. Der Biihncn-Umhau dcs Kgln. Schauspiel- haus in Berlin. (Zcitschrift fiir Bauwesen, 1671. The possibilities of stage light- Jahrg. 42, 1892, p. 483-511; illus. in atlas.) ing, together with an account of several 3 - VEA recent productions, illus. (Illuminating <^ The atlas has some interesting plans and sections. Society. Transactions, v. 11, July 20, 1916, p. 547-572.) VOK 1664. Hornemann, H. La lumiere electri(|uc dans les theatres de I'Europe. (Lu- 1672. Jones, Robert Edward. Stage light- miere electrique, tome 28, May 26, 1888. p. ing. (New York Times, Nov. 21, 1914, p. 369-371.) VGA 12.) *A <= References to chief installations to the year 1888. A letter describing experimental model exhibited at the Stage Society exhibition. 1665. Horstmann, Henry Charles, and V. H. TousLEV. Modern illumination; theory 1673. Juppont. ficlairage electrique de rfiden Theatre a Paris, illus. (Genie civij, and practice. A handbook of practical in- tome 4, Jan. 19, 1884, p. 191-194.) VA formation for the users of electric light. . . Chicago: F. J. Drake & Co. [1912., 273 p. 1674. Kitchen, Karl B. A revolution in illus. 12°. VGS stage scenery, illus. (Theatre magazine, > Has a few pages on stage lighting and lightning. v. 13, April, 1911, p. 113, viii.) ft NBLA ^ 1666. The Illumination of the Prince of Use of colored lights in Chantecler — the inven- tion of Mr. John W. Alexander. Wales Theatre, Birmingham. (Electrician, V. 68, Oct. 27, 1911, p. 108-109.) VGA 1675. Klausmann, A. Oskar. Moderne Biihncnbelcuchtung. illus. (Velhagen & 1667. An Improved theatre dimmer, illus. Klasings Monatshefte, 1899-1900, p. 97- (Electrical world, v. 39, Feb. 22, 1902, 354- p. 102.) *DF 356.) VGA Wirt Electric Co., Philadelphia. 1676. Koester, Frank. European practice in the electric equipment of theatres, illus. 1668. Incandescent lamps used for pageant (Electrical review, v. 52, June 27, 1908, p. lighting, illus. (Popular mechanics, v. 27, 1023-1026.) VGA Jan., 1917, p. 79.) VFA Shakespearean masque at College of the City 1677. Lantern for spot and colored lights, of New York. illus. (Popular mechanics, v. 22, Nov., 1914, 790-793.) 1669. Increasing use of dimmers particu- p. VFA Directions and larly adapted for use in theatres, halls and detailed drawing for device for amateur theatricals. churches. (Electrical review, v. 58, March 18, 1911, p. 550-552.) VGA 1677a. Large theater-dimmer installation in Oakland's new municipal auditorium, 1669a. Indoor An and outdoor stage-light- illus. (Electrical review and western elec- ing outfit. A comparatively simple and in- trician, V. 69, July 1, 1916, p. 40.) VGA expensive equipment used for an outdoor production under tent covering, but also 1678. Lavi^rence, William John.~ First use suitable for indoor theatricals, etc. illus. of limelight on the stage. (Notes and (Electrical review and western electrician, queries, series 7, v. 8, 1889, p. 225-226.) V. 69, Oct. 14, 1916, p. 678-680.) VGA *R-*DE Equipment designed by Mr. Glen Marston. Com- Mr. James R. Anderson's statement tTiat the light plete description with stage diagram. was used as early as the season of 1837-38. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY //

Lighting Lighting and History, continued. Book Company, Inc.. 1917. ix, 229 p. illus. 8°. VOK 1678a. Levy, M. J. Theatre illumination. See chapter 20, Stage-lighting; chapter 21. Spec- (.A.rchitecture and building, v. 50, no. 1, Tan., tacular lighting; chapter 24, The language of color. 1918, p. 3-5.) MQA 1693. Lux, H. Moderne Theater-Beleuch- 1679. The Lighting of the Savoy Theatre. tung. illus. (Zeitschrift fiir Beleuchtungs- (Engineering, \.2,2,, March 3, 1882, p. 204- wesen, Heizungs- und Liiftungstechnik, 205.) VDA lahrg. 20, 1914, p. 154-157, 168-172. 184-188. 200-202,216-220.) VOKA 1680. Lighting the stage. (Builder, v. 30, ft Notable illustrations. May 4, 1872, p. 342.) 3 - MQA Refers to lighting of Mr. Fletcher's New York 1694. Mackenzie, John D. Emergenc}' theatre lighted by a lime-light from the auditorium. lighting in theatres and other buildings, 1681. Lighting the stage. New theatre in illus. (Electrician, v. 69, Aug. 16, 1912, 781-783.) Paris. (Builder, v. 9, June 28, 1851, p. 406.) p. VGA 3 -MQA Abstracted in Electrical re'-ie~v, Chicago, v. 61, Sept. 21, 1912, p. 544-546. An early mention of dioramic scenery for the- Describes methods at two Glasgow theatres. atres and the tise of electric light. 1695. Maleini, .'Mfredo. L'eclairage dans 1682. The Lighting of theatres. (Builder, les theatres. (La revue technique, tome 26, V. 19, Aug. 3, 1861, p. 521.) 3 -MQA Nov. 25, 1905, p. 904-905.) VA Describes stage lighting at the Paris Opera House. Fortuny system briefly described. 1683. The Lighting of theatres. (Build- 1696. Marston, Glenn. Decorative flood er, V. 20, Dec. 13, 1862, p. 888-889.) 3 - MQA ligliting of formal landscape, illus. (Light- Refers to the float (rampe d'avant scene) at the ing journal, v. 216-218.) Paris Opera House; also account of accident to Mile. 4, Oct., 1916, p. Livry whose dress caught fire in the wings. VGA Has interesting suggestions for open-air presenta- 1684. Lights in theatres. (Builder, v. 24, tions. Reprinted in Architect and engineer, Dec, 111-113. Oct. 27, 1866, p. 800.) 3 -MQA 1916, V. 47. p. Use of the Defries floating gas footlights in the 1697. Masner, Karl. Die schlesischen Prince of Wales Theatre, Liverpool. Use of electric Stammlnicher und ihre kiinstlerische Aus- light in the crowns of the ballet at The.-itre dc la Porte St. Martin, Paris. schmiickung. (Schlesiens Vorzeit in Bild und Schrift,""Bd. 4, 1907, p. 137-161.) ft EIY 1685. Lockett, lights for a A. Coloured Interesting theatre scene showing candles as foot- small stage. (Work, v. 50, Jan. 1, 1916, p. lights. 225.) VA 1698. Michaelis, H. ficlairage electrique 1686. Theatrical lighting box. illus. du Theatre Royal [Berlin]. (Lumierc elec- (Work, V. 46, Oct. 25, 1913, p. 79.) VA trique, tome 17^ Sept. 12, 1885, p. 513-514.) VGA 1687. Loebrecke, E. Rheostats for stage lighting. (Institution of Civil Engineers. 1699. Modem stage lighting. (Era. v. 76, Proceedings, v. 101, 1890, p. 39^397.) VDA Pel). 8, 1913, p. 19.) tttNAFA /Abstract of a paper in Elektrotcchnische Zeit- 1700. theatre lighting. {V.va. v. schrift. Modern 76. Feb. 15, 1913, p. 19.) ftt NAFA 1688. Die Verwerthung des physiolo- Refers to use of a limelight in the centre of the gischen Grundgesetzes von H. u. W. Weber auditorium "nearly forty years ago." hei der Biihnenbeleuchtung. (Elektrotcch- nische Zeitschrift, Bd. 11, April 18, 1890, p. 1700a. Morris, J. T. Recent developments 234-235.) VGA in electric incandescent lamps in relation (Illu- A mathematical discussion of the relation of the to illuminating engineering, illus. to scene. minating engineer, v. Jan., 1916, p. 6-26.) eye the 9, VOKA 1689. Luckiesh, M. Color effects for the p. 9-12 contain particulars of stage and auditorium stage and displays. (Tn his: Color and its liRliting of the Queen's Hall, Peoples Palace, London. applications. New York, 1915. 8°. p. 272- 1701. Moses, Montrose Jonas. David Bel- 281.) PEX asco and tlie psychology of the switchboard. 1690. Color in lighting. (In: Illu- (In his: Tlie -American dramatist. Boston, minating engineering practice. New York, 1911. 8°. p. 111-134:) NBL 8°. 267-296.) VOK 1917. p. 1702. The psychology of the switch- useful contribution for scene painters. Kxccl- A board, illus. (Theatre magazine, v. 10, Icnt bibliography, p. 294-296. Aug., 1909. p. 64-65, vii.) ft NBLA in stage-craft. 1691. Light and shade Has a light plot for the second .net of 7 /i.- inrl of (In his: Light and shade. New York, 1916. the (lolden West. 8". p. 186-189.) MA 1703. Sunlight, moonlight, and foot- dramatist. 1692. The lighting art; its practice light. (In his: The .American 8°. 227-238.) and possibilities. New York: McGraw-Hill Boston, 1911. p. NBL 78 THE NEW YORK PUBLIC LIBRARY

Lighting and Lighting History, continued. 1716. Porter, Charlotte. The new stage art: Fortuny. (Drama, v. 4, May, 1914, p." 1704. Neuburger, A. Modern stage illu- 292-301.) NAFA mination; tlic ])assing of the old footlight. illus. (Scientific American supplement, v. 1717. Pougin, Arthur. L'eclairage au the- 69, April 6, 1910, p. 244-245.) VA atre, etc. (In his: Dictionnaire du theatre. 1705. A New dimmer for theatre work, Paris, 1885. 4°. p. 318-321, 480-482, 532, illus. (Electrician, v. 54, Nov. 11, 1904, p. 602.) MW 131-132.) VGA p. 31S-32L L'eclairage au theatre, Defries type. p. 480-482. Lumiere electrique. p. 532. Moucheurs de chandelles. 1705a. .A. New disappearing footlight fur- p. 602. Plafond lumineux. nished in complete finished sections, illus. (Electrical review and western electrician, 1718. Powerful light produced with nitro- V. 69, Nov. 11, 1916, p. 86; Electrical world, gen lamp, illus. (Popular mechanics, V. 24, V. 68, Nov. 11, 1916, p. 969-970.) VGA Nov., 1915, p. 646-647.) VFA Apparatus of Universal Electric Stage Lighting Co. When fitted with a 1000-watt nitrogen-filled globe produces a penetrating light rated at 500,000 candle- 1706. A New method of stage lighting. power. (Scientific American, v. 94, May 19, 1906, p. 414.) VGA 1718a. Rae, F. B. Stage lighting by zones. Hrief notice of the Fortuny system. iUus. (Illustrated world, v. 27, Aug., 1917, p. 875-876.) NBLA 1707. The New method of stage represen- tt Remarkable economy claimed. tation. (Era, V.77, Oct. 15, 1913, p. 21.) ttt NAFA 1719. Reeves, H. H. Construction and One of the essays sent to Mr. Martin Harvey for a competition in connection with two Shakespeare installation of stage lighting equipment, productions "in the new way." illus. (General Electric review, v. 7, 1914, 1708. New system of lighting theatres in p. 412-422.) VGA excellent article well illustrated. 414 Paris. (American gas light journal, v. 4, An On p. is a stage diagram showing rigging and stationary Jan. 1, 1863, p. 197.) 3 -VGA equipment, and the relative locations of the various Does away with chandelier. Jets of gas are ar- parts. ranged in a concentrated mass behind the ceiling of ground glass. 1719a. Reyval, J. L'eclairage electrique 1709. A New type of theatre dimmer, il- au theatre. illus. (Revue generale de lus. (Electrical world, v. 36, June 21, 1900, I'electricite, v. 5, Jan. 25, 1919, p. 133-145.) p. 108-109.) VGA VGA Wirt Electric Co., Philadelphia. An excellent description of the recently installed plant at the Comedie-Framjaise. 1710. A New type of theatre dimmers, illus. (Electrical world, v. 35, April 14, 1720. Robbins, Alfred. Electric light in 1900, p. 562-563.) VGA the theatre. (Notes and queries, series 9, Wirt Electric Co., Philadelphia. v. 8, 1901, p. 294-295.) *R-*DE The Savoy Theatre, London, on Oct. 10, 1881, 1711. New types of theatre dimmers, illus. was lighted both behind and in front with the new (Electrical world, v. 34, Sept. 23, 1899, p. light. See Notes and queries, series 8, v. 8, 1895, 465.) VGA p. 288-289. Each unit independent. Iron Clad Resistance Company of Westfield, N. J. 1721. Rose, S. L. E., and H. E. Mahan. 1712. Paetow, V. Biihnenregulatoren. The requirements of theatre lighting, illus. (General Electric review, v. 16, Oct., illus. (Elektrotechnische Zeitschrift, Jahrg. 1913, p. 745-749.) VGA 29, Oct. 22, 1908, p. 1024-1030.) VGA Detailed description of typical apparatus. Authors are connected with the illuminating engineering laboratory of the General Electric Com- 1713. Moderne Biihnenbeleuchtung. pany. illus. (Elektrotechnische Zeitschrift, Jahrg. 30, July 29, 1909, p. 695-698, 720-723.) VGA 1722. Rosenfeld, Maurice. The electrical Detailed description of the Fortuny lighting sys- factor in grand opera productions. (Popu- tem, with excellent illustrations. lar electricity, v. 4, March, 1912, p. 977-980.) 1714. Parville, Frangois Henri Peudefer VGA de. L'eclairage des theatres... (In his: 1723. Rouche, Jacques. L'art theatral Causeries scientifiques, annce 27, 1887, p. modern. I'aris: fidouard Cornely Cie., 178-191.) VA & 1910. 79 p. illus. 4°. MWE Lighting of the Paris Opera described with some brief historical references. A well illustrated review of the new movement in Germany and Russia, with remarks on Fritz Erler, 1715. Pollock, Arthur. Illumination and Meycrkhold, Stanislavsky, Edward Gordon Craig, and Adolphc Appia. Also a chapter on the Fortuny light- the drama. (Drama, v. 4, no. 13, Feb., 1914, ing system and on the triple scene of Jeno Kemendy, p. 93-109.) NAFA as well as plans of the Kiinstler Theater, Munich. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 79

Lighting and Lighting History, continued. 1734. Series stage arc lamp, illus. (Elec- trical review, v. 67, July 15, 1910, p. 89-<>0.) 1724. Rupprecht, Heinrich. Die Elektri- VGA zitat im Buhiienwesen. illus. (Elektro- Describes apparatus of Austin Walters & Son, technische und polytechnische Rundschau, Manchester, England. / Jahrg. 22, 1904, p. 34-37, 52-53.) VGA Excellent account of German lighting practice, 1735. Shaw, Eyre M. Theatres. (Practi- with detailed drawings. cal magazine, v. 2, 1873, p. 84-90.) VA Gives a good idea of the fire hazard in gas-lighted 1725. Ryan, \V. D'A. Illumination of the theatres. Panama-Pacific International Exposition. .^^^^illus. (American Institute of Electrical 1736. Siemens-Schuckertwerke G. m. b. H., /'Engineers. Proceedings, v. 36, June, 1917, and SiKMKXs & H.m.skk .\.-(j. lluhnen- / p. 415-440.) VGA regler, Biihnenscheinwerfer, und Buhnen- While not directly concerned with theatrical HkIu- Steckvorrichtungen. illus. (In their: ing this exceptionally illustrated article should prove Nachrichten... [Berlin,) 1912. 4^ p. 130- suggestive. "Many beautiful effects were obtained 149.) VGA by the various installations which are described, and one of the most original features was the successful effort to preserve the curvature and detail in relief 1737. Simon, Arthur. Biihnenregulatoren.

by the use of lights of different strengths and colors illus. 1 P21ektrotechnische Zeitsclirift, different or opposite directions upon thrown from Jahrg. 30, Aug. 26, 1909, p. 806-808.) VGA the same object." Describes American apparatus.

1726. S., H. Biihnenregulator. Neuer 1738. Smith, Irving B. A modern the- illus. (Elektrotechnische Zeitschrift, Jahrg. atre installation in New York City, illus. 29, June 25, 1908, p. 637.) VGA (Electrical world, v. 41, March 14, 1903. p. .Apparatus of the firm of F. Klockner, Cologne- 455-458.) VGA Bayenthal. .\ccount of the lighting of the stage at the Belasco Theatre. 1727. Sarcia, Jules. L'eclairage electrique de I'Ambigu. (Lumiere electrique, tome 1739. Soulages, C. C. L'eclairage elec- 14, Oct. 11, 1884, p. 60-61.) VGA trique des theatres, illus. (Lumiere electrique, tome 13, Sept. 20, 1884, p. 454-457.) 1728. Saunders, George. A treatise on VGA theatres. London: printed for the author, 1740. L'electricite appliquee aux 1790. X, 94 p., 13 pl. f°. MRE effets de scene a I'Opcra de Francfort. Considers the problems of light and acoustics and illus. electrique, tome 10, Sept. has brief descriptions and plans of celebrated the- (Lumiere atres. Refers to Patte's method of lighting the 1, 1883, p. 20-21.) VGA avant scene. 1741. La lumiere electrique au Grand 1729. The Savoy Theatre. (Building Opera. (Lumiere electrique, tome 9, lune 16, 1883, p. 199-200.) VGA news, V.41, Sept. 23, 1881, p. 389-390.)MQA 1741a. Special stage lighting and flood use of electric light Interesting reference to early lighting of a great outdoor pageant. Use in theatres. of Kliegl floodlight and other special re- 1730. Schoonmaker, N. M. New Theatre, flectors, illus. (Electrical review and wes- 483- New York City. Electrical equipment and tern electrician, v. 69, Sept. 9, 1916, p. illumination of the most artistic theatre in 484.) VGA America, illus. (Electrical world, v. 55, 1742. Spectacular stage lighting at the Jan. 6, 1910, p. 31-38.) VGA Circus Schumann, Berlin, illus. (Electri- Described somewhat in detail. Reference to the cal world, v. 55, Feb. 10, 1910, p. 361.) VGA pockets invented by Mr. C. L. Hagen. Brief reference to a canopy of 17,000 lights and stage elevating mechanism. 1731. Scott, Graham. Stage lighting by to electricity, illus. (Electrical engineer, v. 1743. Spot-lamp dimmer, illus. (Electri- 13, March 9, 1892, p. 259.) VGA cal world, V. 67. June 24. 1910. p. 14S8; Elec- Notice of lens box, color box, and reflector made trical review and western electrician, v. 0'), by the Scott Electric Co. of New York. July 22, 1916. p. 173.) VGA .Apparatus of Ward Leonard Electric ('». 1732. Seager, J. A. Electrical equipment (Elec- of a modern English theatre, illus. 1743a. Spot-light dimmer, illus. (Elec- 4, 1911, p. 1114- trical world, V. 57, May trical world. V. 58. Julv 22, 1911. p. 235.") 1118.) VGA VGA Cutler Ilainnier apparatus. 1733. Semper, Alanfrcd. Beleuchtung und Electrical Beleuchtungseffekte auf der Biihne. illus. 1744. Sprague Electric Co. e(|uii)nu'nt .ind acces- (Biihne und Welt, Jalirg. 10, Hall)jahr 2, theatrical devices. sories. iNevv York. 1016.) 23 p. illus. A\ 1908, p. 661-674, 720-732.) t NGA no. 49200.) VGF p. b. Treats the subject with considerable detail. (Bulletin 80 THE NEW YORK PUBLIC LIBRARY

Lighting and Lighting History, continued. 1758. A Theatre electrical plant. illus. (Electrical world, v. 27, March 7, 1896, p. Star lighting, illus. (Edison month- 1745. 250-252.) VGA ly, V. 9, .March, 1917, p. 389-392.) VGA Describes installation at Olympia Theatre, New Has a lighting scheme for The ball of the gods, York. Regulation apparatus invented by Mr. John also scenes from Peter Pan and Bushido. Thompson.

1746. Stage lighting apparatus. illus. 1759. Theatre fittings: improved safety 566- (Electrical world, v. 31, May 7, 1898, p. footlights, illus. (Builder, v. 20, Oct. 18, 567.) VGA 1862, p. 745.) 3-MQA Apparatus of the Universal Electric Stage Light- Note on U. S. patent by G. W. Lloyd, with state- ing Company, New York City. ment that it closely resembles arrangement adopted in Paris. 1747. A Stage lighting plug, illus. (Elec- trical engineering, v. 10, Jan. 29, 1914, p. 1760. Theatre illumination battens and 52.) VGA stage arc lamps, illus. (Electrical review, v. 59, Oct. 19, 1906, p. 626.) VGA 1748. Stehley, J. C. Lighting a theatre Advertising note of apparatus manufactured by in Wilkinsburg, Pa. illus. (Lighting jour- Messrs. Cecil Hodges & Co., London. nal, V. 1, Aug., 1913, p. 199-201.) VGA 1761. Theatre lighting. (Era, v. 76, April Describes cove, footlight, and border lighting equipment of a mtidern theatre near Pittsburgh. 19, 1913, p. 11.) tttNAFA Describes devices of several English firms. 1749. Stoker, Bram. Irving and stage lighting. ( Nineteenth century and after, v. 1762. Theatre lights of the past, illus. 69, May, 1911, p. 903-912.) * DA (Edison monthly, v. 9, Feb., 1917, p. 338- Of historical interest chiefly. 341.) VGA

1750. A Striking use of electric lights on 1763. Theatre lit by gas. (Notes and the stage, illus. (Electrical world, v. 19, queries, series 11, v. 7, 1913, p. 469; series March 12, 1892, p. 182.) VGA 11, V. 8, p. 11, 96, 153-154.) *R-*DE Brief reference to use of colored lights in presen- A discussion as to the first use of gas in theatres. tation of Faust at the Metropolitan Opera House, New York. 1764. Trudelle, V. La lumiere electrique et ses differentes applications au theatre. 1751. Stuemcke, Heinrich. Licht und Installation et entretien. Paris: H. Dunod Schaubiilme. (Zeitschrift fiir Beleuch- et E. Pinat, 1914. vi, 295 p. illus. 8°. tungswesen. Heizungs- und Liiftungstech- VGS nik, Jahrg. 20, 1914, p. 43-44, 53-54.) ttVOKA 1765. Universal Electric Stage Lighting History of theatre lighting. Company, New York. Nitrogen stage lamps and flood lights, for the stage, out- 1752. Le Systeme Krizik de reglage de la door theatricals and pageant lighting, lumicre clectrique pour I'eclairage des floodlighting of architectural structures, scenes de theatre, illus. (Lumiere clec- theatre fronts, buildings, fountains, flags, trique, tome 14, Nov. 8, 1884, p. 229-231.) sign boards, etc., etc... New York: the VGA company, cop. 1917. 15 p. illus. 8°. (Its: Bulletin. — N.) VGF p. box 1753. Theaterbeleuchtung nach dem Sys- tem der Elektrizitatsgesellschaft Richter, 1766. Urban, Joseph. Modern decora- Dr. Weil & Co., Frankfurt a. M. illus. tive stage craft. (Century Opera weekly, (Elektrotechnische Rundschau, Jahrg. 17, V. 1, no. 10, Nov. 6, 1913, p. 6-7.) * MBD April 1, 1900, p. 129-130.) VGA 1767. The Vaudeville Theatre, Strand. 1754. Theatre dimmer, illus. (Electrical (Builder, v. 28, April 23, 1870, p. 319.) world, V. 27, March 7, 1896, p. 264.) VGA 3-MQA Apparatus of Washington Electric Company, Chi- Brief reference to the lighting. "The footlights cago. burn downwards, the produce of the combustion being taken away in an iron cylinder." 1755. Theatre dimmer, illus. (Electrical 1768. Vaughn, F. A., and G. H. Cook. world. V. 45, Jan. 14, 1905, p. 118.) VGA Theatre illumination, illus. (Illuminating "Ajax" apparatus invented by O. G. Grindell. Societv. Transactions, v. 6, Dec, 1911. p. 1756. Theatre dimmer, illus. (Electrical 961-1003.) VOK world, V. 54, Tuly 29, 1909, p. 269; v. 56, An interesting paper on general theatre lighting with brief reference to stage lighting. Abstracted in 1910, p. 696, 1492.) VGA Electrical zcorld, v. 58, p. 1308, VGA. Ward Leonard apparatus. 1769. Ventilation and lighting of theatres 1757. Theatre dimmers, illus. (Electri- and hospitals. (Builder, v. 19, March 16, cal world, V. 43, May 14, 1904, p. 928; v. 58, 1861, p. 172-173.) 3-MQA July 29, 1911, p. 289-290.) VGA Reviews Le theatre et I'architecte, by fimile Cutler Hammer type. Trelat, also a memoir by Bonnafont. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 81

Lighting and Lighting History, continued. 1774. Winds, .-\dolf. Eine Versuchsbuhne fiir 1770. Waller, Alfred E. Dimmers for Bcleuchtungsproben. (Biihne und Welt, tungsten lamps, illus. (American Insti- Jahrg. 12, Halbjahr 2, April, 1910, tute of Electrical Engineers. Proceedings P-569.) tNGA V. 34, Feb. 18, 1915, p. 221-228.) VGA .\ccount of a model theatre devised by \V. Burg- man of Leipzig for studying light effects. 1771. Ward Leonard Electric Co. Rheo- 1775. Zur Inszenierung von Schillers stats. (Mt. Vernon, N. Y., 1916?] Jungfrau von Orleans. (Biihne und Welt. Patent Room Jahrg. 10. Halbjahr 1. 1907-08, p. 335-.vV). > A catalogue containing information about dim- tNGA mers manufactured by this company. Discusses the lighting and scenic requirements for the play. 1771a. Weber, F. D. Electrical features of Portland rose festival, illus. (Journal 1775a. Winter, William. The life of David of electricity, power and gas, v. Z7, July 8. Belasco... New York: Moffat. Yard & 1916. p. 25-28.) VGA Co., 1918. 2v. illus. 8^ AN See V. 2, p. 244-248 for subject of lighting. First 1772. Weil, Theodor. Die elektrische recorded use of electric light for lighting a theatre throughout stated to have been in the BiJhnen- und- Effekt-Beleuchtung; ein Savoy, Lon- don, 1882. Arc light used to illuminate a cyclorama tjberblick iiber die Methoden und neuesten in Paris in 1857. Apparate der elektrischen Biihnenbeleuch- 1775b. The Wiring of a theatre, illus. tung. Wien: A. Hartleben, 1904. 256 p. (Electrical review and western electrician. illus. 8°. (Elektrotechnische Bibliothek. V. 65, Oct. 10, 1914. 708-709.) Bd.62.) 3 - VGF (Elektro) p. VGA Brief description of installation in Orpheum The- 1773. Wheatley, Henry Benjamin. Sam- atre, Detroit, Mich. uel Pepys and the world he lived in. . . 2d 1776. Wirt, Charles. Theatre dimmers. Bickers viii, ed. London: & Son, 1880. (Electrical world, v. 1^7, March 9. 1901. p. 311 p. 12°. CN 411.) VGA For brief reference to lighting and machinery see Abstract of paper read before the Chicago Electri- p. 222. cal -Association.

Machinery, Equipment, Effects, etc.

1777. Aida, vue des coulisses de I'Opera. 1785. Australia. — Patents Department. (L'illustration, v. 76, Oct. 30, 1880, p. 28.3- Complete specifications "Improvements in 286; illus. on p. 292.) * DM and relating to apparatus for the production of color music." Inventor .-Mexander 1778. Alber. Trues de theatre; une femme I5urnett Hector. [\'ictoria: .\. T. Mullett. escamotee; les etoffes lumineuses. illus. 1912.1 4 1., 2 pi. 4°. *Vp.v.l4, no.2 (La nature, annee 19, no. 919, Jan. 10, 1890, p. 95-96.) OA 1786. Avenel, G. d'. Le mechanisme de la vie moderne. Le theatre; machincrie. 1779. Amundsen, Gerhard. Die Garten- decors et costumes. (Revue des deux baukunst auf der Biihne. (Biihne und mondes, periode 5, tome 3, 1901, p. 840-873.) 14, March, 1912, Welt, Tahrg. Halbjahr 1, *DM p. 507-509.) t NGA 1787. B., C. W. D. Hollow wooden rol- 1780. An Aquatic circus, illus. (Engi- ler for stage curtain. (Work, v. 24, Tan. neer, V. 61, March 19, 1886, p. 221-223.) VA 17, 1903, p. 442.) VA Describes the installation in the Rue St. Ilonore, Paris. 1788. B., E. Les amies a feu au theatre. (La nature, annee 15, semestre 1, 1887. p. 1781. Army stage illusion, illus. (Popu- 229-230.) OA lar mechanics, v. 10, 1913, p. 34.) VFA 1789. Les nouvcaux amcnagcments 1782. Asperanti. Decoration theatralc; (In Theatre Fran<;ais. illus. (L'illustra- les decors lumineux d'Eugene Frey. illus. tion, tome 117, Jan. 5, 1901, p. 4-5.) * DM (Le theatre, no. 216, Dec, 1907, p. 14-17.) ft NKL 1790. La scene tournante du theatre Describes the production of shimmering water de la Residence a Munich, illus. (Le genie effects. civil, tome 29. Sept. 1(\ 1S<)(), p. 349-350.) 1783. The Astra trunk mystery explained, VA illus. (Popular electricity, v. 29, Sept., 1914, 1791. Basset, Serge. .Au Chatclet. Deux p. 283-284.) VGA 'cldus": le volcan et le combat naval de la 1784. Audra, R. Theatre de la Gaitc, a "Course au dollars." illus. (L'illustration. Paris. Trues et machines dans la feerie tome 138, Nov. 18. 1911. p.394-.396.) * DM du Petit Poucet. illus. (Le genie civil, Describes sonic intercstinR spectacular effects, volcanic eruption. tome 8, Jan. 9, 1886, p. 150-151.) VA among which is a 82 THE NEW YORK PUBLIC LIBRARY

Machinery, Equipment, etc., continued. 1805. Berthelot, Ph. Theatre, ii. Tech- nique et histoire. (La grande encvclope- 1792. L'Opera. illus. (L'illustration. die, tome 30, p. 1161-1166.) *R-t*AP tome 128, Dec. 29, 1906, p. 433-441; tome 129, Jan. 5, 1907, p. 7-14.) * DM 1806. Birch, J. B. Description of Stephen- Describes effects produced at the Paris Opera. son's theatre machinery. (Institution of 1793. Bates, William. Actors who have Civil Engineers. Proceedings, v. 1, June 4, died upon the stage. (Notes and queries, 1841, p. 153.) VDA series 4. v. 11, 1873, p. 338-340.) *R-*DE 1807. "Black art" redivivus. illus. (Sci- Includes accounts of accidents due to defects in, or failures of stage machinery. entific American, v. 97, Aug. 31, 1907, p. 148.) VA 1794. Begg, S. Afaking the Rhinegold's Effects made by using a room draped with black (guardian natural, illus. (Illustrated Lon- fabrics. don news, V. 142, April 26, 1913, p. 556-557.) *DA 1808. Boistel, E. Theatre a deux salles. Interesting pictures of the suspending device. illus. (La nature, annee 25, semestre 1, 1897, p. 351-352.) OA cur- 1795. Behind, above, and below the Account of Proctor's Pleasure Palace. tain. (Graphic, v. 9, Jan. 3, 1874, p. 3; illus. on p. 1.) *DA 1809. Booth's Theatre; behind the scenes. Sketches at the London Christmas pantomime. New York: Henry L. Hinton, 1870. 16 p. illus. 4°. MW 1796. Behind, below, and above the scenes, Illustrations show the mechanical devices used. illus. (Appleton's journal, v. 8, Mav 28, * 1870, p. 589-594.) DA 1810. Boullet. Essai sur I'art de con- Interesting description, with illustrations ot struire les theatres, leurs machines et leurs Booth's Theatre, New York. mouvemens. Paris: Ballard, 1801. Ill p. 4°. 1797. Behind the scenes. (Builder, v. 75, 3-MRE July 23, 1898. p. 71-74.) MQA 1811. Brandt, Fritz. Biihnentechnisches. A lengthy criticism of Stage construction, by Edwin O. Sachs, 1898. illus. (Moderne Kunst, Bd. 16, 1901-02, p. 114-116.) ttMAA 1798. Behind the scenes, illus. (Plym- Has cross sections of the stage of the Royal Opera, outh products, no. 27, June, 1914, p. 8-10; Berlin. no. 44, Nov., 1915, p. 1.) VLA 1812. • Das Konigliche Opernhaus in Interesting pictures of scene lofts in three modern theatres. Berlin nach dem Umbau im Jahre 1910. illus. (Illustrierte Zeitung, Bd. 136, Mav 1799. Behind the scenes at Drury Lane; 18, 1911, p. 1038-1041.) *DF how the scenery of the pantomiine is il- Shows some of the mechanical features. Especial- . luminated, illus. (Graphic, v. 81, Jan. 1, ly interesting is the view of the circular horizon on.^ 1910, p. 13.) * DA p. 1040. 1800. Behind the scenes at Drury Lane 1813. Die Technik im Koniglichen pantomime: rehearsing for the giants in Opernhaus [Berlin]. (Das Theater, Tahrg. Tack and the beanstalk, illus. (Graphic, 4, Heft 19, June, 1913, p. 374, 377, 381.) V. 82. Dec. 31, 1910, p. 1057.) * DA fNGA .\uthor is mechanical director of the institution. 1801. Behind the scenes at Her Alajesty's Theatre, illus. (Electrician, v. 15, Aug. 1814. LTeber Biihnentechnik und Ent- 21, 1885, p. 272-273.) VGA wickelung der maschinellen Einrichtungen Electrical effects in the Excelsior ballet. von den Biihnen der alteren Theater bis zur Neuzeit. illus. (Annalen fiir Gewerbe 1802. Behind the scenes at the opera, und Bauwesen, Bd. 47, 1900, p. 138-141, 153- illus. (Sphere, v. 88-89.) 36, Jan. 23, 1909, p. 158.) VDA *DA A well illustrated review of the history and pres- Shows method of producing a conflagration by ent state of stage mechanics. the aid of magic lantern slides — also how volley firing is effected — at Covent Garden, London. .\lso 1815. Brayley, Edward Wedlake. His- shows a striking scene from Wagner's Siegfried. torical and descriptive accounts of the

1803. (Behind the scenes at the Stuyvesant theatres of London. . .illustrated with a Theatre, New York.] (In a collection en- view of each theatre, elegantly coloured, titled: Photographs of the stage.) drawn and engraved bv the late Daniel tfMWE Havell. London: J. Taylor, 1826. vi. 92 p. Two photographs showing switchboard and fly illus. 4°. tNCOM gallery. See p. 55 for a description of aquatic displays at Sadler's Wells Theatre, London. 1804. Bertall. L'envers du theatre. Le personnel, les trues grands et petits; etude 1816. Brown, Theodore. Stage effects. sccnique. illus. (L'illustration, 24, annee (Work, V. 45, July 12, 1913, p. 297.) VA V. 48, Sept. 29, 1866, 204-205.) * p. DM Describes the production of the sounds of cart- Amusing illustrations. wheels, horses, and the stage cricket. )

DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 83

Machinery, Equipment, etc., continued. containing manv theatrical anecdotes... Dublin: 12'. 1817. Buckle, James George. Theatre E. Rider. 1749. 259 p. illus. construction and maintenance; a compen- NCOM dium of useful hints and suggestions on the On p. 73 is a paragraph concerning a machine "to move the scenes regularly all together." subjects of planning, construction, lighting, fire prevention, and the general struc- 1829. Child, Theodore. The praise of tural arrangements of a model theatre in- I'aris. New York: Harper & Brothers. cluding the regulations prepared by the 1893. viii, 299p. illus. 8°. DOR Metropolitan Board of Works and the Lord See p. 227-234 for a description of "behind the Chamberlain, together with a set of model scenes" at the ("omedie Fran(;aise. rules, based upon the metropolitan, pro- 1830. Clair-Guyot, Feerie nioderne vincial, American, and continental theatre Jean. au Chatelet. illus. (L'iliustration, tome regulations. London: "The Stage" Office. """ 133, Feb. 6, 1909, p. 100-101.) * DM 157 p. illus. 8°. MWE Shows mechanics of the aeroplane and ship scenes 1818. Building a giant for Jack and the in Les az'eittiires de Garochc. beanstalk: a peep behind the scenes at 1831. Clericeau, .\. La mise en scene de Drury Lane. (Graphic, v. 83, Jan. 7, 1911, -Siegfried a rOpcra. illus. (L'iliustration. p. 25.) *DA tome 119, Jan. 4, 1902, p. 6.) * DM 1819. Bunnell, H. O. The mysterious Describes and illustrates the mechanism of the dragon. skeleton, illus. ( Popular electricity magazine, V. 5, April, 1913, p. 1374.) VDA 1832. Color music: Scriabin's attempt to 1820. Burnside, R. H. Problems of stage compose a rainbow symphonj'. port. 332- management, port. (New York dramatic (Current opinion, v. 58, May, 1915, p. ?,?,}.) *DA mirror, v. 65, no. 1694, Tune 7, 1911, p. 5.) *DA 1833. Color music introduced at New Describes methods at the New York Hippodrome. York concert, illus. (Popular mechanics, v. 836-837.) VFA 1821. C, T. F. D. The stage snuff-box. 23, June, 1915, p. (Era almanack, 1880, p. 31-32.) NCOA 1834. Contant, Clement. Parallele des l)rincipaux theatres modernes de I'Europe 1822. Cameron, Don Byrne. The great- et des machines theatrales frangaises, alle- est orchestra in the world, illus. (Illus- mandes et anglaises dessins par C. Contant, trated world, V. 25, July, 1916, p. 593-596.) VDA text par Joseph de Filippi. • Paris: -A.. Lew fils, 1859. 163 p., 42 pi. f°. ft MRE A "gigantic one man" orchestra controlled from a single keyboard. M. Contant was mechanical engineer for the Academie royal de musique. 1823. Carpentier, J. Sur un appareil per- 1835. Cook, Dutton. A book of the play: mettant de transmettre la mesure a des studies and illustrations of histrionic story, executants places de maniere a ne point life, and character. London: Sampson voir le chef d'orchestre. (La nature, annee Low, Marston, Searle & Rivington, 1S7(>. IS, no. 705, Dec. 4, 1886, p. 6.) OA 2v. 2. ed. 12°. NCOM 1824. Carrington, Hereward. The crystal Historical chapters relating to various phases of especially Footlights, Paint and coffin, illus. (Modern mechanics, v. 30, theatrical work. See canvas, Stage banquets, Stage wigs. Stage storms, March, 1915. p. 393-394.) VGA Keal horses, Correct costumes. Harlequin & Co.

1825. Carter, Lincoln J. Inventor tells 1836. Corbould, William. Building a port- the secret of amazing stage effects, port. able theatrical stage, illus. (Work, v. 25. (New York Times, Nov. 9, 1913, part 5, June 13, 1903, p. 294-295.) VA 12.) *A p. 1837. Constructing a portable stage. 1826. Caused by black and white: the iUus. (Work, V. 17, April 8. 1899, p. 20.v ghost girls, illus. (Sketch, v. 85, Feb. 11. VA 1914, supplement, p. 8.) DA 1838. Drop curtain for a portable Hippodrome produced Effects at the New York stage. (Work, v. 26, Dec. 12. 1903, p. 302.) by the use of soft leather garments coated with VA phosphorescent salts. 1839. How to make a model stage. 1827. Chalmares, G. Theatre miniatm-c: (Work, V. 18. Oct. 14, IS')'), p. 214.) personnages vivants plus petits que nature, illus. VA illus. (La nature, annee 39, semestre 2. 1911, p. 288.) OA 1840. How to make a snow box for tlu' stage, illus. (Work, v. 26, Jan. 30. 1828. Chetwood, William Rufus. A gen- VA l')()4, i>. 413.) eral history of tlie stage (more particular- antient, 1841. How lo make a star trap for ly the Irish theatre). . .with notes, modern, foreign, domestic, serious, comic, the stage, illus. (Work. v. 10, .\iig. .H. moral, merry, historical, and geographical, 1895, p. 104.) VA 84 THE NEW YORK PUBLIC LIBRARY

Machinery, Equipment, etc., continued. 1856. Electricity in stage-craft: construction of a welding transformer, illus. 1842. to make a theatrical snow How (Modern mechanics, v. 30, Alarch, 1915, p. March 27, 1897, box. illus. (Work, v. 13, 402-403, 407.) VGA p. 178.) VA 1857. Electricity in stage-craft: ex- build, and fit a 1843. How to mould, periments with the low voltage transfor- portable stage, illus. (Work, v. 4, Aug. mer, illus. (World's advance, v. 30, April, 20, 1892, p. 361-362.) VA 1915, p. 546-547, 550.) VGA 1844. a hanging front stage Making 1858. Electricity in stage-craft: pre- curtain, illus. (Work, v. 28, Dec. 31, 1904, paring the lecture, illus. (World's ad- p. 433.) VA vance, v. 30, May, 1915, p. 690-691, 695.) 1845. Stage carpentry, illus. (Work, VGA V. 3, 1891, 561-562, 632-634, 712-713, 792- p. VA 1859. High frequency apparatus; its 794.) construction and practical application... 1846. Stage draperies, illus. (Work, New York: Everyday Mechanics Co., Inc. 12°. V. 4, 1892, p. 390-391.) VA [Cop. 1916.] xvi, 243p. illus. VGC See section on High tension electrical stagecraft 1847. W^orking stage curtain. (Work, (chapters 17-21 inclusive). V. 36, Jan. 16, 1909, p. 396.) VA 1860. —— The preparation of an electri- 1848. Les Coulisses de I'Opera. illus. cal act in vaudeville; "a million volts (World's advance, (L'illustration, tome 4, Nov. 16, 1844, p. through the body." 170-175.) *DM V. 31, Aug., 1915, p. 239-240, 246.) VGA Has a behind-the-scenes sketch of the Paris Opera 1861. D., L. Making Switzerland on Sixth House. .\venue. illus. (Theatre, New York, v. 23, 1849. La Course de chevaux dans la revue Jan., 1916, p. 15.) ft NBLA des Varietes. Coupe de la scene represen- Describes the ice-making plant at the New York Hippodrome. tant le mecanisme interieur qui met les pistes en mouvement. illus. (L'illustra- 1862. Decor for turns; new art for the tion, V. 97, March 14, 1891, p. 236.) * DM halls, illus. (Sketch, V. 85. March 18, 1914, p. 327.) * DA 1850. Covent Garden's new stage, illus. Curtains and scenes of a new type designed for (Sphere, v. 5, May 11, 1901, p. 167.) * DA the London Coliseum by Mr. H. Kemp Prossor. .\n interesting view of the lift system. Also has a portrait of Mr. E. O. Sachs, who reconstructed the 1863. Device operates theatre curtain au- stage. tomatically, illus. (Popular mechanics, V. 26, Sept., 1916, p. 324.) f VFA 1851. Cozic, Henri. L'appareil Rumkorff et la science au Theatre Robin. illus. 1864. Device for producing stage illusion,

(L'illustration, v. 44, July 23, 1864, p. 63- illus. ( Popular mechanics, v. 20, Nov., 1913, 64.) * DM p. 693.) VFA Actor chasing stationary train which apparently is 1852. Craig, Edward Gordon. The thou- in motion. sand scenes in one scene: a note on ancient 1865. Les Diademes electriques du nou- and modern scenery, illus. (Mask, Flor- veau ballet de I'opera La Farondole. illus. ence, Italy, v. 7, May, 1915, p. 142-158.) NAFA (La nature, annee 12, 'no. 555, Tan. 19, 1883, p. 127-128.) OA Descriptions of the screens patented by the author.

1866. DK., J. S. Realism on the stage. 1853. Curing an auditorium of echoes. (Notes and queries, series 4, v. 10, 1872, p. Hairfelt padding mounted on thin furring 28.) *R-*DE strips over the dome and walls solved the Quotes from The World of Feb. 8, 1753, a pas- problem for the University of Illinois, sage written by Horace Walpole relative to a real illus. (Popular science monthly, v. 90, cascade ctting by David Belasco for The goi'ernor's lady. vance, V. 30, Tune, 1915, p. 829-830; v. 31.

July, 1915, p. 109, 116.) VGA 1868. • Staging a sandstorm. illus. (Theatre magazine, v. 15, Jan., 1912, p. 15- 1855. Electricity in stage-craft: ap- 16, viii.) ttNBLA paratus for a spectacular vaudeville act. Account of the method at the Century [New] illus. (Popular electricity, v. 29, 1914. p. Theatre, New York. 324-325, 452-453. 580-581. 583, 708-709; 1869. the sub- Modern mechanics, v. 30, 1915, p. 116-117.) Under water with VGA marine actors. (Theatre magazine, v. 10, 140, X.) Describes the making of apparatus for an "electri- Nov., 1909, p. tt NBLA cal" act. Magazine changes its name with v. 30. Describes the tank at the New York Hippodrome. - 1

DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 9:

Machinery, Eqniluncnt, etc., continued. 1882. Electric stage mechanism at the 1870. Donnet, Alexis. Architectono- Covent Garden Opera House. illus graphie des theatres de Paris; ou, Paral- (Electrician, v. 47, May 10, 1901, p. 85-88. lel historique et critique de ces edifices VGA consideres sous le rapport de I'architec- .\n interesting article for the general reader. ture et de la decoration. Commence par 1883. Electric torch at the Paris Opera Alexis Donnet et Orgiazzi et continue par House, illus. (Scientific American sup- Jacques-Auguste Kaufmann. Paris: La- plement, v. 30, Aug. 2, 1890, p. 12162.) VA croix et Baudry [1840-57]. 2 v. of text, 8° Used in the ballet of Ascanio. Translation from and 2 V. of plates, f°. MREandftMRE La itatiirc. V. 2 of the plates contains some drawings of stage mechanics. 1884. Electrical aids to the drama, illus. (Scientific .\merican, v. 59, Dec. 21, 1888. 1871. La Double scene theatrale. (L'illus- p. 390-391.) VA tration, tome 129, Mav 25, 1907, p. 350.) How electrical effects are produced at the Metro- *DM politan Opera House, New York.

1872. Drehbuehne ini Hoftheater zu Aliin- 1885. The Electrical manipulation of chen. illus. (Uhland's technische Rund- theatrical macliinery. illus. (Scientific schau [Praktischen Maschinen-Construk- -American supplement, v. 48, Oct. 7, 1899, p 19873.) teurj, 1897, Gruppe 2. No. 3, p. 17.) VDA . VA Describes apparatus at Drurv Lane Theatre. Lon- 1873. Drehbuehne des "Theatre des Varie- don. tes" zu Paris, illus. (Uhland's technische 1886. Electrical stage mechanism at Drury Rundschau [Praktische Maschinen-Con- Lane Theatre, illus. (Engineering, v. 6b. ^ strukteur], 1898, Gruppe 2, No. 12, p. 89.) -^=^^ VDA Dec. 2i, 1898, p. 834-836.) VDA 1887. Electricity behind the stage, illus. 1874. Drury Lane stage, its machiner\' and (Scientific American supplement, v. 29, no. mechanical equipment, illus. (Stage year 748, May 3, 1890, p. 11954-11955.) VA book, 1910, p. 20-23.) NAFA Describes devices used in Xeil Burgess's plav The county fair at Union Square Theatre, New York. 1875. Duesel, Friedrich. [Die Drehbiihne.i illus. (Westermanns Monatshefte, Bd. 107. 1888. The Elements on the stage; thun- Nov., 1909, p. 315-316.) * DF der, lightning, wind, rain, and fire, illus. Has a plan of revolving stage for Faust setting. (Scientific .American, v. 108, .-\pril 26. l'M.\ p. i7i-2>7A.) VA 1876. Dumont, Gabriel Pierre Martin. Les installations hydrauliques de I'Hippo- 1889. Emden, Walter. [Hydraulic power for drome. illus. (Revue encyclopedique. working the stage.) (Institution of Civil Engineers. 1891, p. 784-785.) *R-t*AP Proceedings, v. 94. 18S7, 66.) Describes and illustrates the hydraulic machinery p. VDA used in connection with animal cages. 1890. Theatres. (Building new -^. \. 1877. La machinerie [of Paris port 44, March 23, 1883, p. 350-352.) MQA de mer]. illus. (Revue encvclopcdique, .\ general article on theatre construction. 1891, p. 543.) *R-t*AP 1891. En el Teatro Real de Madrid, illus. Picture shows details of race track mechanism. (La ilustracion espanola, afio 25, no. 44. 1878. Parallele de plans des plus Nov. 30, 1881, p. 325.) * DR belles salles de spectacles d'ltalie avec des Hehind-the-scene pictures.

details de machines theatrales. . . Paris 1892. Ernst, Alfred. Bayreuth. illus. [1763j. 1 1., 15 pi. i\ tttMRE (Revue encvclopcdique, 1896, p. 565-571.) 1879. The Effect and the cause: stage il- R-t*AP lusions, illus. (Illustrated London news, Description of theatre with portrait of Julius Kniese, the scenic director. v. 134, June 5, 1909, p. 819.) * DA Shows pictures of illusions for motor car, steam- 1893. Stages mobiles dans les theatres. ship, and aeroplane. illus. ( Lc genie civil, v. 5, June 14, 1884. p. 108-10'). 1880. Electric pony shoots sparks, illus. I VA (Electrical e.xperimenter, v. 3, Sept., 1915, 1894. Evans, M. P.lakemore. .\\\ early p. 194.) VGA tvi)c of stage. (Modern philologv. v. 9, High voltage currents applied to the animal "which Ian., l'>12, p. 421-42(); illus. opp. p.43().) is now able to withstand tlie shocks without any out- ward or visible sign of emotion." NAA .\ discussion roRnrding the illu.ttration which >li>\\^ 1881. Electric power in theatres. (Elec- a si-\ tntfcnth century sI.ik'' trical review, v. 56, May 21, 1910, p. 1026 1895. Farlow, L. S. The mechanism of 1027.) VGA grand opera, illus. (Tiieatre mai,;:i/iiu\ A general article showing the varied uses of electricity in modern theatres. V. 7, Dec. 1907, p. iiZ-Hd.) ft NBLA 86 THE NEW YORK PUBLIC LIBRARY

Machinery, Equipment, etc., continued. 1908. Fonvielle, W. de. Le decor de leanne d'Arc. illus. (Lumiere electrique, 1896. Farwell, E. L. The latest stage re- tome 38, Oct. 4, 1890, p. 45-46.) VGA alism, illus. (Technical world, v. 19, June. Use of metallic screen. 1913, p. 512-519, 620.) VDA Effects in The zvhip. The daughter of Heaven, 1909. For scores as complex as Salome: SiimiiriDi, and other plays. imusual musical instruments, illus. (Il- lustrated London news, v. 137, Dec. 10, 1897. Les Filles du Rhin a I'Opera de 1910. p. 917.) *DA Budapest, illus. (L'illustration. tome 129, Feb. 16, 1907. p. 115.) * DM 1910. Fournier, Lucien. Le nouveau the- Shows mechanism for the Rliine maiden scene in atre des Champs-Elvsees. illus. (La na- Lohengrin. ture, annee 41, no. 2082, April 19, 1913, p. 1898. Film figures appearing as actors on 323-328.) OA an ordinary stage. (Illustrated London 1911. Frezier, Amedee Frangois. Traite 3, 1913, 601.) * news, V. 142, May p. DA des feux d'artifice pour le spectacle. Nou- The figures on cinematograph fihiis are so pro velle edition, tout changee, & considerable- jected that, shown before ordinary scenery set on a lighted stage, they appear as living actors. ment augmentee . . . Paris: C. A. Jombert, 1747. Hi, 496 p., 13 pi. 8°. VOG 1899. Film figures seem real through A standard treatise of the eighteenth century. illusion, illus. ( Popular mechanics, v. 20, 1912. Friedrich, Karl. Die Elemente auf Aug., 1913, p. 246-247.) VFA der .Szene. illus. (Ueber Land und Meer, 1900. Fire-making at Olympia; steam Bd,109, 1913, p. 625-627.) * DF smoke and silk flames, illus. (Sketch, Excellent pictures of stage devices used in the Deutsches Opernhaus. V. 76, Jan. 3, 1912, p. 389.) * DA Details of effects produced in The miracle. 1913. Froham forestalled: the buskin and the barge, illus. (Graphic, v. 81, Feb. 19, 1901. The First theatre in London to 1910, 249.) adopt electrical power. (Building news, p. *DA Illustrated account of the floating equipment of V. Sept. 30, 1898, p. 483.) 75, MQA the Internationa! Marine Theatre. Drury Lane Theatre, London. 1914. Fyles, Franklin. The theatre and 1902. Fitzgerald, Percy. On scenic illu- its people. New York: Doubleday, Page & sion and stage appliances, (journal of the Co., 1900. 259 p. illus. 12°. MWE Society of Arts, v. 35, March 18, 1887, p. Chapter 16: Behind the scenes. 456-463; with discussion, p. 463-466.) VA 1915. G., W. P. The revolving stage at A good general discussion of the art at that time. the Munich Royal Residential and Court 1902a. Flagg, Edwin H. Some practical Theatre, illus. (American architect and suggestions for the design and equip- building news, v. 53, Sept. 12, 1896, p. 83- ment of theatre and school stages, illus. 84.) MQA (Architect and engineer of California, v. Two stage plots for Don Giovanni. 79-85.) 48, no. 1, Jan., 1917, p. MQA 1916. Gaehde, Christian. Das neue Dresd- ner Konigliche Schauspielhaus. (Biihne 1903. Le Flambeau d'Appolon dans As- und Welt, Jahrg. 16, Halbjahr 1, Oct., 1913, canio. illus. ( L'electricien, tome 14, April p. 37-38.) 19, 1890, p. 374-376.) VGA fNGA Brief description of the stage. 1904. Fletcher, Banister Flight. Andrea 1917. Garnier, Jean Louis Charles. Le Palladio; his life and works... London: nouvel Opera de Paris. Paris: Duchei; & George Bell & Sons, 1902. xvi, 132 p. illus. Cie., 1878-81. 2 v. of text, 4° ; 2 v. of plates, 4°. MQZ f°. MREandffMRE See p. 31-37 for plan, views, and description ot V. 2 has a chapter on the machinery of this build- the Teatro Olimpico, Vicenza. ing.

1905. Flight of steps which gives thrills, 1918. Genee, Rudolph. Geschichte der illus. (Popular electricity, v. 6, Dec, 1913, Biihneneinrichtungen, der Thfeatergebaude, p. 883.) VGA und Dekorationen. illus. (In: Spemanns Used in Winter Garden, New York. Top en- goldenes Buch des Theaters... Berlin, trance from the ''flies." 1902. 12°. p. 838-860.) NAF (Spemann) 1906. Flirt. L'incendie des decors de An excellent, though brief, history of stage technique. rf)pera. (L'illustration. v. 103, Jan. 13. 1894, p. 36; illus. on p. 24.) * DM 1919. (In: Spemanns goldenes Two of the pictures taken before the fire. Buch des Theaters... Stuttgart, 1912. 12°. p. 486-524.) NAF (Spemann) 1907. Folding jitney bus new stage feature, illus. (Popular mechanics, v. 24, 1920. German projector for stage effects, July, 1915, p. 15.) VFA illus. (Popular electricity, v. 6, Sept., 1913, Can be folded up in the form of a trunk. p. 468-469.) VGA DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 87

Machinery, Equipment, etc., continued. 1933. Hammitzsch, Martin. Der nioderne Theaterbau. 1921. Ginisty, Paul. La vie d'un theatre. Theil 1. Berlin: E. Wasmuth A.-G.. 1906. viii, 207p. illus. Paris: Sclileicher freres, 1898. 175 p. ilhis 4^ fMRE 16=. MWE Theil 1. Der hofische Theatcrhau, der .\nfang der modernen Theatirl.aukunst, ihre Entwicklung Pictures of machines. und Portrait of M. Jambon. Cetutigung zur Zeit der Renaissance, des Barock und des Rokoko. 1922. A Glance behind the scenes. (Ap- pleton's journal, v. 15, April 1, 1876, p. 433.) 1934. Hawks, Wells. How theatres are *DA managed, illus. (Theatre magazine, v. 4. Describes effects at the Gaite Theatre, Paris. 1904, p. 90-92, 126-128, 151-152. 165-166. 1923. Goldston, Will. Sand, smoke, and 195-196.) ttNBLA rag pictures. London: The Magician, Ltd. The last installment has a brief account of the duties of the carpenter, [1913.1 illus. 12°. property man, and elec- 112 p. MW trician. Practical directions. Also directions for shadow pictures, cartoon drawing, and clay modelling. 1935. Held, Berthold. Die DrehbUhne. (Biihne und Welt. 1924. Gradenwitz, Alfred. How daylight Jahrg. 7, Halbjahr 1. Dec, 1904, p. 241-244.) and moonlight are imitated, illus. (Popu- f NGA lar electricity, v. 2, Jan., 1910, p. 555-556.) 1936. Henderson, W. J. Preparing Ben- VGA Hur for the stage, illus. (Harper's week- N^ Describes the Fortuny system. ly, V. 43, Nov. 18, 1899, p. 1167-1168.) * DA ^^1925. Grainger, Hector. Alarvels of Briefly describes the work of scenic artist, car- ^ sleight of hand, illus. (Everybody's mag- penter, and property man. * azine, V. 1, 1899, p. 321-326.) DA 1937. Her Majesty's Theatre, Haymarket. Describes tricks of Servais Le Roy and Leon illus. (Builder, Hermann. v. 27, 1869, p. 507, 509. 525- 526.) 3 -MQA 1926. The Grand Opera at Paris, illus. Descril)cs and illustrates stage arrangements of the new building. (Illustrated London news, v. 23, Oct. 1, * 1853, p. 280.) DA 1938. Hidden orchestra feature of modern Refers to electric moonlight effect. theatres, illus. (Popular mechanics, v. 22. 1927. A Great stage and a great curtain; Aug., 1914, p. 172-173.) VFA in front and behind the scenes at the Coli- 1939. Hines, G. C. The mysterious cage. seum [London], illus. (Sphere, v. 57, May illus. (Modern mechanics, v. 30, Feb., 1915, 1914, 170-171.) 9, p. *DA p. 251-252.) VGA Has a view of the revolving stage. 1940. The Hippodrome mystery' revealed. 1928. Grossherzogliche Das Hoftheater in illus. (Scientific American, v. 96, April 20, Weimar, illus. (Zentralblatt der Bauver- 1907, p. 332-333.) VA V w;waltung, Bd. 28, Jamais, 1908, p. 36-40.) 3-VEA Descrilics tile diving bells used in the tank. Has views of the variable proscenium arranged for 1941. Hoeber, Fritz. Peter Behrens. orchestra, Shakespeare stage, and fur Wagnerian Miinchen: Georg Miiller und Eugen Rentsch, 1913. 249 p. illus. i°. (Mo- " 1929. H., F. Un plancher de theatre a derne Architekten. Bd. 1.) fMQZ ^ fetournement. illus. (L'illustration, tome See p. 216-218 for an account of his work for the theatre, showing a plan for a circular theatre. ^29, April 13, 1907, p. 242.) * DM Description and diagrams of the revolving audi- 1942. Holliday, Carl. The .American show torium floor of the Apollo Theatre, Paris. boat, illus. (Theatre magazine, v. 25, Mav. 1930. Hadley, Grace T. The blue bird, 1917, p. 296.) ttNBLA illus. (Popular electricity, v. 1913, 5, Jan., 1943. Holmes, George. "The deluge" — 946-947.) p. VDA the show that electricity made possible. Brief reference to electrical effects at New The- illus. (Electrical experimenter, v. 5, I-"ob., atre, New York. 1918, p. 668-669.) VGA 1931. Haenel, G. [Beschreibung der navy on the stage, illus. Maschinerie des Dresdener Theaters.] (In: 1944. Our experimenter, v. 5, 1''17, Gottfried Semper, Das konigliche Hofthe- (Electrical Sept., 294.) VGA ater zu Dresden. Braunschweig, 1849. f°. p. Si)ectacle invented by Langdun McCorniii k. p. 15-16.) tfMRE 1945. Hopkins, -Albert Allis. Magic; stage 1931a. Hagen, Claude L. Theatrical equip- illusions and scientific diversions, includ- niont of the stage. (.A.rchitecture and ing trick photography... New N'mk: building, V. 45, Nov., 1913, p. 457-461.) MQA Munn & Co., 1901. 556 p. illus. 8°. MZC Book hi: chapter I, Behind the srcnrs of an uprra rcni.Trkablc .slagrs, ancient 1932. • The twentieth century stage house; chapter 2, Some and modern; chapter 3, StaRc effect.^; chapter 4, mechanically, illus. (In: Robert Grau: Theater .secrets; chapter S, Tlie nnuticnl arena; chap- The stage in the twentieth century. New ter (i, A trip to the nunMi; chapter 7. ("ycloramas; York, 1912. 8°. p. xxiii-xxvii.) NAF chapter 8, Fireworks with dramatic accessories. 88 THE XEW YORK PUBLIC LIBRARY

Machinery, Equipment, etc., continued. 1960. Improved stage appliances at Drury Lane. (Builder, ^j.72., March 13, 1897, p. theatre of Pal- 1946. The Olympian 245.) MQA ladio at Vicenza. illus. (Scientific Ameri- Refers to two large "bridges" worked by hy- can. V. 79, July 16, 1898, p. 43.) VA draulic rams. "The oldest permanent theatre in Europe, at least of those built since the time of the Romans." Pal- 1961. An Improved theatre. (Building ladio was born 1518, died in 1580. news. V. 42, Jan. 6. 1882, p. 8.) MQA 1947. The Horse race on the stage, illus. "There is no sliding scenery. The stage is of great height, and when a set of scenery has been < (Scientific American, v. 64, April 25, 1891, used it can be lifted entirely out of the way." p. 263-264.) VA 1962. Indoor fountains. (Edison month- 1948. Horstmann, Henry Charles, and V. ly. V. 8. Feb., 1916, p. 358-359.) VGA TousLEY. Alotion picture operation, H. Shows the stage of the Strand Theatre, New stage electrics and illusions: a practical York, with two self-contained fountains. hand-book and guide for theatre elec- 1963. Interior of submarine vividly por- tricians, motion picture operators and man- traved. illus. (Popular mechanics, v. 28, agers of theatres and productions. Chi- Dec, 1917, p. 904-905.) VFA cago: F. J. Drake and Co. [1914., 393 p. illus. 16°. Desk - Tech. Div. 1964. Jaros, Samuel. Mystery and magic. illus. and countrv magazine, v. 8, 1949. How the audience at the Shubert is (Home * taken nightly to top of the Jungfrau. Jan., 1893, p. 489-503.) DA is through aid many stage Summit reached 1965. Jennings, John J. Theatrical and hands and electricians. (Evening sun. circus life; or, Secrets of the stage, green- New York, Jan. 13, 1916, p. 11.) *A room and sawdust arena, embracing a history the theatre Shakespeare's 1950. How mechanical progress influ- of from time to the present . .the mysteries of ences drama, illus. (Popular mechanics, day. the stage, showing the manner in which V. 22, Nov., 1914, p. 733-735.) VFA the wonderful scenic and other effects are Interesting pictures of models showing the Palais Royal, Fortune Theatre, Passion play, and Shake- produced. Chicago: Laird & Lee. 1893. speare's Globe Theatre. 608 p. illus. 12°. MWE 1951. How the Rhine maidens are able to 1966. Jevons, Henry R. New art of mod- swim, illus. (Sphere, v. 29, May, 1907, p. el-making, illus. (Technical world maga- 133.) *DA zine, V. 15, June, 1911, p. 438-449.) VDA 1952. How a stage ship is made to roll on Refers to the model used in the planning of the New Theatre, New York. a stage sea. (Sketch, v. 84, Dec. 31, 1913, p. 402.) *DA 1967. Jocelyn, S. E. Falling leaves in a nature scene. (Popular mechanics, v. 20, 1953. How stage sounds and storms are Nov., 1913, p. 762.) VFA made illus. (Popular mechanics, v. 10, Aug., 1908, p. 522-523.) VFA 1968. A theatrical night scene with the appearance of fireflies. (Popular me- 1954. Hume, D. C. M. The electrical chanics, V. 20, Oct., 1913, p. 604.) VFA equipment of a modern theatre. illus. (Electrician, v. 67, 1911, p. 206-209, 253- 1969. Jonas, Maurice. Stage curtain. 257.) VGA (Notes and queries, series 9, v. 4, 1899, p. Describes revolving, sliding, and lift stages, pano- 45.) *R-*DE and mechanical flies, rama gears, special scenic gear, Disputes Haigh's statement that no curtain was regarding stage lighting. with details used on the Elizabethan stage. little the- 1955. Humphrey, Grace. Our 1970. Julian, Louis. La transformation (Drama, no. 25, Feb., 1917, p. 136- atre. NAPA de I'opera de Dresde. illus. (Genie civiU 143.) tome 65, July 11, 1914, p. 209-214.) VA arrangements in the South Bend Account of stage Diagrams of mechanical features. High School. Biihne. (Biihne 1956. The Portmanteau Theatre. 1971. K., H. Die ovale Welt, Jahrg. 16, Halbjahr 2, April,.^ (The drama, v. 5, Nov., 1915, p. 644-650.) und NAFA 1914, p. 37.) fNGAN E-xperiments of Hans Heinz Ewers. 1957. Huth, Friedrich. Blitz und Don- ner auf der Biihne. (Das Theater, Jahrg. 1972. Karl Lautenschlaeger. port. (Illus- trierte Zeitung. Bd. 127, July 12, 1906, p. 5. Heft 5, Nov., 1913, p. 82-83.) f NGA 66.) *DF at Drury Lane 1958. Hydraulic bridges Biographical notice and portrait of the technical Theatre, illus. (Engineering, v. 65, June director of the Konigliches Theater, Munich. 17, 1898, p. 754.) VDA 1973. Kenyon, R. L., & Co. The Kenyon 1959. Imitation arms and armor, illus. take-down houses. Waukesha, Wis. (Cat- (Popular mechanics, v. 12, Dec, 1909, p. alogue no. 50.) Patent Room 831-832; v. 13. 1910, p. 138-140, 286-288. On p. 25 is a description and plan of a portable 447_448, 597-598, 747-748, 892.) VFA theatre made by this firm. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 89 Machinery, Equipment, etc., continued. 1984. Krehbiel, Henry Edward. Wag- ner's 1974. Kingston, Gertrude. Of things Das Rheingold. (Harper's weekly, \.ii, theatrical in Germany and England. Jan. 26, 1889, p. 70-71; illus. on p. 73.) (Nineteenth century, v. 66, *DA ' Dec, 1909 p T, u , 99D-1007.) *bA Behind-thc-sccne pictures. Interesting chiefly on account of the description 1985. Krows, Arthur Edwin. Play proof the practical workings of the Kiinstler Theater, Munich. duction in .America. New York: Henry Holt & Co., 1916. 414 p. illus. 8\ NBL M 1975. Kinsila, Edward Bernard. Modern .\uthor formerly on the staff of Winthrop .Vmcs at the Little Theatre, New York. Gives a good idea theatre construction. . . [New York: Chal- (if what the theatre is trying to do and what it doe» mers Publishing Co., 1917.] viii, 9-269 p. in practice. illus. plans. 12°. MRE 1986. Well illustrated and up-to-date. Traces theatre L., \. de. Le nouvel Opera, illus. history, discusses design and construction, and has (L'illustration, v. 55, Feb. 12, 1870. p. ll.U special chapters on the stage and lighting, as well as 114.) *DM lirief descriptions of theatres designed along the new lines. Woodcut of the 3d grill. 1987. Lacour, 1976. Klein, R. Die technischen Einrich- Alfred. L'optique ct I'acoustique au theatre. illus. (Societe tungen des Deutschen Opernhauses. illus. d'encouragement pour I'industrie nationale. (Das Theater, Bd. 4, Heft 4, Oct., 1912. p. Bulletin-, annce 107 -.102-104.) tNGA (tome llOj. Jan.. 1908, p. 943-976.) VA >" Author is mechanical director of the institution. On p. 84 is a view of the Fortuny device for lighting. 1988. L'optique au theatre. ( Nou- velle revue, nouv. serie, tome 41. Julv 15. 1977. Kliegel, J. H. Electricity applied 1906, 169-181.) to stage lighting, illus. (Electrical re- p. *DM view, V. 51, Nov. 16, 1907, p. 801-805.) VGA 1989. Lahm, Carl. Rheingold in der Gros- Describes lighting and effects at the Metropolitan sen Oper zu Paris. illus. (Illustrierte Opera House, New York. Zeitung, Bd. 133, Nov. 25, 1909, p. 1041b.) 1978. Kobbe, Gustav. Behind the scenes DF working of an opera house, illus. (Scribner's mag- Shows of the Rhine maidens' scene. azine, V. 4, Oct., 1888, p. 435-454.) * DA 1990. Lajarte, Theodore de. Coupe longi- 1979. Wagner from behind the tudinale de I'Opera. illus. ( Le monde scenes, illus. (Century magazine, v. 59, illustre, tome 36, Feb. 6, 1875, p. 95-97.) Nov., 1899, p. 63-76.), * DA *DM Longitudinal view of the stage. Describes effects produced at the Metropolitan Opera House, New York. This article is criticized by B. H. Gausseron in Le monde modcrne, tome 14, 1991. A Large asbestos theatre curtain Sept., 1901, p. 362-372, * DM. and steel work, illus. (Engineering record, V. 51, March 25, 1905, p. 336.) VDA 1980. Koberstein, August. Dramatische New Amsterdam roof garden stage. Dichtung. (In his: Grundriss der Ge- schichte der deutschen Nationalliteratur 1992. Lautenschlaeger, Carl. Fine ncue 5. ed... Leipzig, 1872-73. 5 v. in 4. Biihne. (Biihne und Welt, lahrg. 1. Halb- 8°. Bd. 2, p. 232-284.) NFC jahr 1. Nov.. 1898. p. 186-188.) f NGA For references to stage machinery in seventeenth Describes revolving stage of the Rcsidcnz Theater, and eighteenth centuries see p. 242, 248, 276-277. Munich.

1981. Koerner, Erich. Die Siegfried Auf- 1993. Theatrical engineering past fiihrung in Paris, illus. (Illustrierte Zci- and present. (Scientific .American supple- tung, Bd. 118, Jan. 23, 1902, p. 133-134.) ment. V. 60, 1905, p. 24080-24687, 24701- *DF 24703.) VA Illustration shows the mechanism of the dragon. .\n c.xcclKiit history of stage tcihnii|Uc.

1982. Koester, Franz. The electrical and 1994. Lautenschlager's new revolving mechanical equipment of a modern Euro- stage, illus. (Scientific .Xmcrican supple- pean theatre. illus. (Electrical review, ment. V. 42. Aug. 29. 1896. p. 17230.) VA V. 44, May 14, 1904, p. 729-732.) VGA lias interesting pictures, incluiliiig scene pl(il>t for Don Juiit). Describes the efiuipmcnt of the Prinzregenten Theater, Munich. 1995. Lawrence, William John. .Scenery 1983. Krafft, Johann Karl. Traite sur on tour, illus. (.Magazine of art, v. 1'*. I'art de la charpente; plans, coupes et ele- 1896. p. 470-479.) f MAA vations de diverses productions exccutees .'\n appreciation of llir stage technique of K. R. tant en France que dans les pays ctrangcrs HcnsDU. aine, 184(). 2 v. plates. ... Paris: Bance 1996. Lchmann. Julius. Dekoration. Mas- 3.ed. f°. ttVEN kineri, I'.elysning. illus. (In: Kmma Gad details for several V. 1, plates 67-77 give carpentry and Albert Gnudtzmann. Tcatr-Hogcn. French theatres, plates 74 and 75 showing the stage 1901. 8". 52-67.) of the Paris Odeon. Kpbenhavn. p. NIV 90 THE NEW YORK PUBLIC LIBRARY

Machinery, Equipment, etc., continued. 2012. Trues de theatre; la feerie des "Pilules du diable." illus. (La nature, 1997. "Lighting up" the ghost at the Roy- annee 18, semestre 2, 1890, p. 48, 95-96, 155- Polvteclinic. (lUustrated London news, al 157.) OA V. 66, Jan. 16, 1875, p. 54; ilkis. on p. 52.) *DA 2013. Masterpieces as stage properties, Describes lime-IiRht effects in the Mystic scroll. illus. (The upholsterer, v. 49, no. 4, April 15, 1913, p. 81-82.) 1998. The London Coliseum, illus. (Elec- fMOFB Describes historical properties used in The high trician, V. 54, Jan. 27, 1905, p. 575-580.) VGA road. Also a picture of the setting. 2014. The Mechanical in grand opera. 1999. Lugne-Poe. L'art du machiniste. illus. ( Popular mechanics, v. 13, April, (Revue d'art dramatique, nouv. serie, 1910, p. 530-531.) VFA tome 9, 1900, p. 871-880.) NAFA Shows operation of Rhine maidens' scene at the for school of stage machinists. Plan a Paris Opera. 2000. M., F. De la prestidigitation, illus. 2015. Mechanical plant of the New York (L'illustration, v. 19, Jan. 19, 1852, p. 47- Hippodrome, illus. (Engineering record, 48.) *DM V. Aug. 26, 1905, p. 229-234.) An account of the magician Bosca. 52, VGA Description of stage lifts and scenery hoisting 2001. M., M. Das Schillertheater in Char- apparatus. lottenhurg. illus. (Deutsche Techniker- 2016. The Mechanism of grand opera. Zeitung, Jahrg. 24, May 25, 1907, p. 237- The scenerj^ from behind, illus. (Illus- 242. 249-252.) VFA trated London news, v. 124, May 7, 1904, 2002. McCafferty, Grattan. The mechan- supplement, p. 4.) * DA ics of grand opera, illus. (Popular mechanics, V. 20, Dec, 1913, p. 885-889.) VDA 2017. Meloy, Arthur S. Theatres and mo- Describes methods at Metropolitan Opera House, tion picture houses... New York: Archi- New York. tects' Supply & Pub. Co., 1916. 121 p. illus. 4°. MRE 2003. The Mackaye spectatorium. illus. Has a section on stage construction, with diagrams. (Engineering news, v. 30, Aug. 24, 1893, p. 158.) VGA 2018. Merton, H. R. Trick ventriloquism. Some mechanical details of the abandoned pano- illus. (Technical world, v. 19, April, 1913, rama of Columbus, the scenic effects requiring twen- 226-227.) ty-two movable stages. p. VDA Effected by means of a loud speaking telephone. 2004. Macrae, F. G. H. Bristol Hippo- drome stage, its machinery and mechani- 2019. A Million-piece theatre curtain. cal equipment, illus. (Stage vear book, illus. (Popular mechanics, v. 16, July, 1911, 1916, p. 37-39.) NAFA (Stage) p. 24-25.) VFA Describes glass curtain of the National Theatre of 2005. Making the Rhinegold's guardians Mexico. natural. (Illustrated London news, v. 142, April 26, 1913, p. 557.) * DA 2020. Mr. Hammerstein's new London Describes the methods at the Covent Garden The- Opera House; a view behind the stage atre, Loiuloii. showing the working of the stage, illus. (Graphic, v. 84, Nov. 11, 1911, 705.) 2006. Making a stage ocean with green p. *DA silk and an electric fan. illus. (Popular science monthly, v. 90, March, 1917, p. 372.) 2021. Mr. Macallister, the so called wiz- *DA ard of the age. illus. (Gleason's pictorial 2007. Manning, William. Recollections drawing-room conipanion, v. 1, Nov. 1, of Robert-Houdin. London: Chiswick 1851, p. 417.) *DA Interesting setting for act of the time. Press, 1891. 81 p. illus. 16°. (Sette of magical no. Odd Volumes, 24.) AN 2022. Modern stage mechanism. illus. 2008. Manoeuvering the guardians of the (Scientific American, v. 81, Oct. 7, 1899, Rhinegold. illus. (Illustrated London p.ioz.: VA news. V. 130, Feb. 23, 1907, p. 285.) * DA 2023. Moderwell, Hiram Kelly. The me- Methods used at the Budapest Opera House. chanical forces: improvements in stage 2009. Mantle, Burns. Weather on the equipment, illus. (In his: The theatre stage. (Green book album, v. 1, Jan., 1909, of today. New York, 1914. 12°. p. 38- p. 151-156.) NAFA 58.) MWE An interesting chapter showing plans of Rein- 2010. Mareschal, G. La boule mysterieuse. hardt's revolving stage, also descriptions of the illus. ( La nature, annee 17, no. 853, May wagon and sliding stages. Brief reference to the 18, 1889, p. 399-400.) OA Fortuny lighting system. 2011. Un combat naval en miniature. 2024. Monster motor truck to carry sce- (La nature, annee 17, no. 817, Jan. 26, 1889, ner}-. illus. (Popular mechanics, v. 17, p. 141-142.) OA Jan., 1912, p. 22-23.) VFA )

DEVELOPAIEXT OF SCENIC ART AND STAGE MACHIXERY 91

Machinery, Equipment, etc., continued. 2035. Moynet, J. L'envers du theatre; 2025. Morel, Eugene. Projet de theatres machines et decorations. Paris: Hachette populaires. (Revue d'art dramatique. et Cie., 1873. 290 p. illus. 12°. (Bibli- (thil(|uo (Its nouv. serie, tome 9, 1900, p. 1115-1188. merveilles.) MWE

NAFA 2036. Munro, J. La lumiere electrique See p. 1164-1168 for his idea of revolving plaques dans la representation de Faust. (Lumiere in the Greek manner. electrique, tome 19, Jan. 30. 1886, p. 232- 2026. Moritz. Die Entwicklung des 233.) VGA Effects modernen Theaterbaues. (Zentralblatt produced by Sir Francis Bolton. 2037. der Bauverwaltung. "Tahrg. 24, 1904, p. 477- Murray, Fred S. Light biggest aid 479,485-486.) 3 - VEA to sta.uf wizards. (New York Times. -May 16, 1915, part 2. p. 12.) * A 2027. Moroges, Pierre. Tables parlantes. .\n interview. Mr. Murray is stated to have sup- illus. (L'ilhistration, v. 109, Feb. 20, 1897, plied effects for more than four hundred productions. p. 127.) * DM 2038. Music in colors, illus. (Electrical Discussion and pictures of apparatus used in .Sar- experimenter, v. dou's Spiritismc. 3, May, 1915. p. 1.) VGA 2039. Nansouty, Max de. .Application de 2027a. The Most ingenious act in the reJectricite a la machinerie thcatrale. illus. Lyceum pantoinime; the rolling cabin of (Societe internationale des clectriciens. the "Roley-Poley good ship Alice." illus. Bulletin, tome 7. 1890, p. 440-446.) VA (Sketch, Y.77. Jan. 10, 1912, supplement, Briefly describes effects produced in several the- p. 5.) * DA atres. 2040. Le fer la 2028. A Motor-car and train accident on dans construction et la machination thcatrales. ( Le genie civil. the stage. (Sketch, v. 84, Dec. 31, 1913. p. tome 11, June 4, 1887, 78-79.) 402.) * DA p. VA 2041. La manoeuvre du vaisseau de 2029. Moulton, Robert H. Putting on L'Africaine a I'Opcra de Paris, illus. (Le illus. a play. (Technical world, v. 16, genie civil, tome 4, Feb. 2, 1884, p. 221-225.) Jan., 1912, p. 571-579.) VDA VA

2030. .\ Movable sectional theatre stage. 2042. Les trues du theatre, du cirque ilkis. (Engineering record, v. 50, Oct. 29, et de la foire. Voyage dans les dessous d'un theatre; 1904, p. 523.) VA un incendie. un naufrage et une sur la Tilting stage at New Amsterdam Theatre, New tempete scene; illusions et com- York City. ment on les obtient; acrobates et automates; les trues du cinematographe; tous 2031. Movable theatre stages, illus. (Sci- les phenomenes expliqucs. Paris: .Armand entific American, v. 50, April 5, 1884, p. 209- CoHn, 1909. 159 p. illus. 8°. ("La petite 210.) VA bihiiotheque." serie C: science recreative.) Also in Ilnginecr, v. 57, April 25, 1884, p. 311, VA. MWE 2032. Movable theatre stages, illus. (Sci- 2043. Tile Nautical arena, or aquatic the-

. entific American supplement, v. 18, Aug. atre, illus. (Scientific .Vmerican sujiple- ^-30, 1884, p. 7210-7211.) VA ment, v. 21, no. 5.59, May 1, 1886. p. 8599- Describes installation at the Madison Square The- 8601.) VA atre, New York. Designed by Mr. Nelson Waldron Describes the installation at the Salle Valentino, and based on Mr. Steele Mackaye's patent of 1879. rari>.

2033. Moving panorama gives effect of 2044. .\ Naval battle and a volcanic erup- real life, illus. (Popular mechanics, v. 22, tion on the stage, illus. (Theatre mat;a- Sept., 1914, p. 378-379.) VFA zine, V. 15, Feb.. 1912. p. S3.) ft NBLA Moving iiicture adapted .o the purpose. 2045. Naval life on the stage. illus. 2034. Moynet, Georges. La machinerie (Sphere, v. 51. Oct. 26, 1912, p. 106.) * DA Subm.irine boat scene at the Palladium Theatre. thcatrale. Trues et decors. Explication l.,MHlun. raisonnee de tous les moyens employes pour produire les illusions thcatrales. Pa- 2046. Neumann. Der Tnibau des Koiiig- rallele des differentes machineries; the- lichen Opernhauses zu Dresden. illus. Ingeiiieurc. Zcitschrift. atres en hois et en fer; applications de la (Verein deutscher l'>14. 401 408. 447-454, 4<>4 4<)7.) vapeur, de I'hydraulique et de I'electricite; Bd. 58. I.. les grandes scenes d'opcra en France et a VDA I'etranger; equipes et trues des feeries et 2047. The New ballet of Electra at Her des pantomimes a clowns; les appareils Majestv's Theatre. illus. (Illustrated d'optique; les theatres gcants; le vol de la London news, v. 14, Mav 5. 1S4'». p.2'>3.) mouche d'or; la Loie Fuller; I'eclairage; •DA les grands trues recents; le decor et la mise "Then from iho cloud below bk'ht is srrn to project upward in starliRht rays, and a centre fJKUrc en scene, etc. Paris: La librairie ilhistree rises into the scenic heavens dartinK "Ut that intense [1893|. 408 p. illus. 4°. MWE light so long the secret of nature and which i« the An excellent well illustrated work showing a large only luminous power to eclipse the theatrical lighl variety of stage apparatus. of ijas." 92 THE NEW YORK PUBLIC LIBRARY

Machinery, Equipment, etc., continued. 2063. L'Or du Rhin a I'Opera. illus. (L'illustration, tome 134, Nov. 20, 1909. 2048. A New sensation at the Hippo- p. 366.) * drome; how the elephants came down the DM Descriljcs and illustrates the Rhine maiden setting. slide. (Sphere, v. 16, Tan. 9, 1904, p. 45.) *DA 2064. Page, Brett. Writing for vaudeville 2049. The New standard theatre, illus. ... Springfield, Mass.: Home Correspon- (illustrated London news, v. 6, May 17, dence School [Cop. 1915]. xvi, 639 p. illus. 1845. p. 320.) *DA 12°. (The writer's library.) NAFD Shows a scene from The eagle rider of Cir cassia. Chapter 3: The vaudeville stage and its dimensions; chapter The equestrian performances. . .are not given in the 4: The scenery commonly found in auditory but on the stage; "for which purpose the vaudeville theatres. flooring is, by ingenious machinery, removed upon a kind i)f railway." 2065. Pageant stage screened by curtain of steam. illus._ (Popular mechanics, v. 2050. The New stage of the Metropolitan 24, Sept., 1915, p. 342-343.) VFA Opera House, illus. (Scientific American, V. 90, Feb. 6, 1904, p. 113, 117-118.) VDA 2066. The Pantomime giant who is too 2051. A New stage stride. (All the year bic for the stage at Drury Lane, illus. round, V. 10, Oct. 31, 1863, p. 229-234.) (Illustrated London news, v. 138, Jan. 7, *DA 1911, p. 13.) *DA Describes with considerable detail Fechter's im- Shows a decoration for Jack and the beanstalk. provements at the London Lyceum. 2067. Pantomime preparations, illus. (Il- 2052. The New York Hippodrome, illus. lustrated times, V. 3, Dec. 27, 1856, p. 439- (Scientific American, v. 92, March 25, 1905, 441.) *DA p. 241-243.) VA Quaint pictures of the fly gallery, green room, pioperty room, workshop, painting room, and traps. 2053. Newlin, T. J. The decapitation mystery explained, illus. (Popular elec- 2068. Paris. Le nouvel Opera. £tat tricity, V. 29, July, 1914, p. 28-30.) VGA actuel des travaux de la scene et des des- 2054. The mysterious levitation act sous. (Le monde illustre, tome 2,2,, Dec. * explained, illus. (Popular electricity, v. 6, 27, 1873, p. 408.) DM Jan., 1914, p. 974-975.) VGA Picture only. 2055. The mystery of the chamber 2069. The Paris stage. (All the year of death, illus. (Popular electricity, v. 6, round, V. 20, June 20, 1868, p. 33-35.) * DA Aug., 1913, p. 372-374.) VGA Describes a movable stage. .\ "disappearing" act with plan and elevation. 2070. Parville, Frangois Henri Peudefer 2056. Some secrets of electrical de. La science au theatre, illus. (Cause- stagecraft, illus. (Popular electricity, v. 4, ries scientifiques, annee 3, 1863, p. 334-350.) 1912, p. 982-988, 1094-1098; v. 5, 1912, p. 13- VA 18, 221-226, 422-426, 548-551.) VGA Describes stage phantoms. 2057. Noise makers for the futurist con- 2071. Person, Charles W^ Seeing music cert of noises. (Sketch, v. 86, June 17, 1914, in color, illus. (Illustrated world, v. 24, p. 324.) *DA Sept., 1915, p. 44-45.) VDA Martinetti performance at the London Coliseum. 2072. Perugini, Mark E. The art of bal- 2058. Novel effects used by Beerbohm let. Philadelphia: J. B. Lippincott Co. Tree in liis London production of Stephen (1915.] 339 p. illus. 8°. MZDC Phillips' tragedy Nero, illus. (Theatre See chapter 8: Scenic effect; the English masque magazine, v. 6, April, 1906, p. 94.) as ballet. Has interesting pictures. NBLA tt 2073. Phipps, C. History and arrange- Describes the use of the gramophone. J. ment of theatres. (Builder, v. 21, Aug. 25, 2059. A Novel project. (Architectural 1863, p. 291-292.) 3 -MQA record, v. 2,2,, May, 1913, p. 474-475.) MQA Abstract of paper read before the Bristol Archi- Designs for a floating civic theatre, with descrip- tectural Society. tive text. 2074. Pierron, Ed. Le nouvel opera de 2060. Old and new stage shown. Models Buda-Pesth; amenagement de la scene and costumes of famous actors in Drama d'apres le systeme Asphaleia. illus. (Le League's exhibit. (New York Times, Feb. genie civil, tome 7, Oct. 31, 1885, p. 421- 6, 1917, p. 10.) *A 425.) VA 2061. Old theatres. (New York mirror, See also Oesterreichischer Ingenieur- und- Archi- V. 3, no. 75, June 5, 1880, p. 8.) * DA tekten-Verein. Zeitschrift, 1885, p. 4-10, VDA. A brief description of the theatres of the seventeenth and eighteenth centuries. 2075. Pirate ship that rolls and pitches on the stage. (Popular mechanics, v. 26, July, 2062. Operti, Albert. Imitating arctic ice 1916, p. 21.) VFA and snow. (Popular mechanics, v. 19, -'\s presented in Treasure island at Punch and March, 1913, p. 448-449.) VFA Judy Theatre, New York City. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 93

Machinery, Equipment, etc., continued. 2089. Prunieres, Henry. Le ballet de cour en 2076. A Playhouse in section: design France avant Benserade et Lully, suivi du ^ showing the interior arrangement, stage, ballet de la delivrance de Renaud. Paris: r- and accessories of the new Prince Regent H. Laurens, 1914. vi, 283 p. illus. 4^ Theatre, Munich, ilkis. (Ilkistrated Lon- MZDC See p. 144-163 for an account of decorations don news, V. 119, Dec. 7, 1901, p. 875.) * and DA machinery. Has interesting reprints of old engravings. 2077. Plummer, Harry Chapin. Color music, a new art created with the aid of 2090. Queruel, A. La machinerie the- science. The color organ used in Scria- atrale a propos du nouvel Opera, illus. bine's symphony "Prometheus." illus. (Gazette des architectes. annee 7, 1869-70, (Scientific .American, v. 112, April 10, 1915, p. 217-222, 233-244, 272-278.) MQA p. 343.) VA 2091. Memoire sur la machinerie

theatrale a propos du nouvel Opera. ( So- _2078. Pneumatic scenery built for the ciete des ingenieurs civils. Memoires. ^Tierman stage, illus. (Popular mechanics, 1874, p. 617-634; plates 66-67.) VDA >^. 22, Oct., 1914, p. 483.) VFA 2092. Radel, and Gir.wd. Machines de 2079. Pomeroy, W. H. Effects on the theatre, contenant quarante-neuf planches stage, illus. (Home and country maga- ...dessinees et expliquees par M. Radel, zine, V. 9, Nov., 1893, p. 1743-1754.) * DA pensionnaire du roi. & architecte-expert, sous la direction de M. Giraud, architecte 2080. Pottecher, Maurice. Shakespeare des menus plaisirs, & machiniste de I'Opera au theatre du peuple. (Revue d'art drama- de Paris. (In: Recueil de planches sur les tique, annee 17, 1902, p. 355-361.) NAFA sciences, les arts liberaux et les arts me- Discussion of machinery and decorations. chaniques. Paris, 1772. f°. tome 10.) * 2081. Pougin, Arthur. Gloire. (In his: tt AP .\ remarkable collection of drawings showing de- Dictionnaire historique et pittoresque du tails of stage apparatus at the I'aris Opera. theatre. Paris, 1885. 4°. p. 404-405.) MW 2093. Real antiques as stage properties. illus. (Upholsterer, v. 57, no. 2, Feb. 15. A mechanical term to denote the appearance of 1917, 59-60.) the gods in the heavens. The illustration shows a p. tMOFB "double gloire" taken from an old engraving of a Pictures from The little lady in blue as prcsciitid representation in 1689. by David Belasco.

2082. Machinerie theatrale, etc. (In 2094. Real nautical scene in opera per- --v^his: Dictionnaire historique et pittoresque formance, illus. (Popular mechanics, v. Vdu theatre. Paris, 1885. 4°. p. 485-492.) 16. Sept.. 1911, p. 316-317.) VFA / MW I'scd in iiresentation of Pinafore, Long Island, Has interesting historical illustrations. N. Y. 2095. Remarks on the scenery introduced 2083. Preparing for the pantomime, illus. at Drury Lane Theatre in the comedy of (Illustrated London news, v. 78, Jan. 1, .\ bold stroke for a wife. (Monthly mir- 1881, p. 6.) *DA ror, v. 17, 1804. p. 42-43.) * DA 2084. Preparing for the pantomimes. (Il- .\ letter on "the unconnected manner in which scenes arc lirnught to view." lustrated London news, v. 53, Dec. 26, 1868, p. 641-642.) * DA 2096. Remarks on theatres; with pro- Interesting full-page illustration of behind the posed plans, etc., etc., on two plates. Sug- scenes at the Lyceum Theatre, London. gested by a "Report from the Select Com- mittee on Dramatic Literature; with the 2085. Pridmore, E. O. The mechanical J. minutes of the evidence. — Ordered by the development of the modern German stage, Mouse of Comnjons to be printcii, 2(1 illus. (Architectural review, v. 2 |old se- August. 1832..." (Magazine of the fine i^^ries, y. 19,, Nov., 1913, p. 263-268.) ft MQA arts, v. 1.1833. p. 200-211.) 3 - MAA ^ Plans of Lautenschlager's turntable stage, Brandt's "-—-reform stage, and the Asphaleia stage, as well as 2097. Renel, G. O. Les "courses de che- details of Fortuny reflecting silk borders. vaux" sur la scene du Theatre des Varietcs,

a Paris, illus. ( Le genie civil, tonic 18. 2086. The Prince Regent Theatre, Mu- April 11, 1891, p. 381-383.) VA s. nich. illus. (Scientific American supple- Kkctrically controlled race track scene. :r.ment, v. 53, March 29, 1902, p. 21940.) VA .Albert. stag- Interesting sectional view in perspective. 2098. Rennert, Hugo The

ing of the comedia. . .the curtain, scenery, 2087. The Production of grand opera. stage machinery... The I*"rench stage... 29, illus. (Scientific American, \.76, May (In his : The Spanish stage in the time of 1897, p. 346-347.) VA Lope de Vega. New York, 1909. 8°. p. Describes effects at the Metropolitan Opera House 76-103.) NPM of New York. Siegfried's forge and Wotan's spear. 2099. The staging of Lope dc \"ega's 1''06, comedias. ( Revue hispaniciuc, v. 15, 2088. The Prompter's box. (Era, v. 76, RGA Jan. 11, 1913, p. 10.) fff NAFA p. 453-485.) 94 THE NEW YORK PUBLIC LIBRARY machinery. Equipment, etc., continued. 2113. La nouvelle Heloi'se. Paris: Firmin Didot freres, 1845. 690 p. 12°. 2100. The Revival of The whip at Drury NKT Lane: a glimpse of the hunting men from Part 2, letter 23, 253, 261, describes mechani- 1910, p. the flies. (Graphic, v. 81, March 26, cal devices at the Paris Opera. p. 432.) * DA 2114. Rousseau, Pierre Joseph. Code 2101. The Revolving stage of the Variety theatral, ph3'siologie des theatres. Manuel Theater at Paris, illus. (Scientific Ameri- complet de I'auteur, du directeur, de I'ac- 28, can supplement, v. 45, no. 1169, May teur et de I'amateur. . . Paris: T. P. Roret, 1898. p. 18713-18714.) VA 1829. 301 p., 1 port. 16°. NKL Has also a plan of the revolving stage of a Jap- See chapter 8: Du machiniste. anese theatre. 2115. Sabine, Wallace Clement. Acous- 2102. Revolving stages long used in tics, illus. (American Institute of Archi- Japan. Clippings - Room 115 tects. Journal of proceedings, 32d annual .\'e\vsi)aper clipping. convention, 1898, p. 32-49.) MQA 2103. Richou, G. La cascade du Bois de 2116. Architectural acoustics, illus. Boulogne, illus. (La nature, annee 26, (American architect and building news, v. no. 1287, Jan. 29, 1898, p. 129-130.) OA 68, 1900, p. 3-5, 19-22, 35-37, 43-45, 59-61, Fountain scene designed by Janibon for a ball 75-76, 83-84.) MQA given at the Paris Opera House. A series of articles by the assistant professor of physics at Harvard University. 2104. Les installations mecaniques du panorama Le vengeur. illus. (Le genie 2117. Architectural acoustics, illus. civil, tome 21, Sept. 24, 1892, p. 341-342.) (Engineering record, v. 41. 1900, p. 349- VA 351, 376-379, 400-402, 426-427, 450-451, 477- Details of ship scene. 478, 503-505.) VDA 2105. Le panorama Le vengeur et 2118. Theatre acoustics. illus. ses installations mecaniques. illus. (La (American architect, v. 104, Dec. 31, 1913, nature, annee 20. no. 1000, July 30, 1892, p. 257-279.) MQA-i p. 129.) OA Has a section and plan of the Kuppel-horizont ^^ with Fortuny system of lighting. Acoustical photo- 2106. La scene a plaque tournante graphs. Sections of the Little Theatre and New du Theatre des Varietes. illus. (La na- Theatre, New York; Scollay Square Theatre, Bos- ton; and Harris Theatre, Minneapolis. ture, annee 26, no. 1295, March 26, 1898, p. 267-270.) OA 2119. Sachs, Edwin O. Modern construction at the Court Theatre, Vienna, illus. 2107. Robert-Houdin, Jean Eugene. Mem- (Engineering, v. 1901, 225-226, 240, oirs of Robert Houdin, ambassador, au- 71, p. 529-530, 532-533.) thor, and conjuror, written by himself. VDA London: Chapman and Hall, 1859. 2 v. 2120. Modern theatre stages, illus. 12°. AN (Engineering, v. 61, Jan. 17, 1896, p. 71-72; Jan. 31, 1896, p. 139-142.) VDA 2108. Rochas, A. de. Les theatres a pivot de Curion. illus. (La nature, annee 11, 2121. Stage alterations at Covent illus. semestre 2, no. 533. Aug. 18. 1883. p. 181- Garden Theatre, London, (Engi- 182.) OA neering, V. 71, 1901, p. 636, 640, 659-660, 674, 724-725.) VDA 2109. Rolland, Romain. Le theatre du Describes the Brandt counterweight system. peuple; essai d'esthetique d'un theatre nou- 2122. Stage construction. Examples veau. Paris: Hachette et Cie., 1913. xii. of modern stages selected from playhouses 221 p. new ed. 12°. NKL recently erected in Europe, with descrip- See p. 118-129 for a discussion of decorations and supplement machinery. A good bibliography of popular theatres tive and critical text, being a at back of book. to "Modern opera houses and theatres." London: B. T. Batsford, 1898. 5 p.l., 85 p.. 2110. The Rolling stone in Parsifal; how 6 plans. f°. tfMRE it is worked, illus. (Sphere, v. 56, Jan. 31, 1914, p. 131.) *DA 2123. Stage mechanism, illus. (Jour- Description of apparatus at Covent Garden, Lon- nal of the Societv of Arts, v. 46, April 22, don. 1898, p. 512-528.) VA < 2111. Roseyro, Jean. Le neo-occultisme. Describes Asphaleia and revolving stages. George Bernard Shaw takes part in the discussion. illus. (L'illustration, v. 109, April 10, 1897. p. 275.) *DM 2124. Sachs, Edwin O., and E. A. Wood- Discussion of electrical spirit manifestation, with ward. Modern opera houses and theatres. reference to its use in Spiritisme and Hamlet. Examples selected from playhouses re- 2112. Rousseau, Jean Jacques. Diction- cently erected in Europe. With descriptive text. A treatise on theatre planning naire de musique. . . Paris: V^'" Duchesne, and construction, and supplements on 1768. ix, 549 p. illus. 4°. * MD stage machinery... London: B. T. Bats- Under the heading Opera, p. 344-357, the author gives his ideas on scenic effects. ford, 1896-98. 3v. f°. tfMRE DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 95

Machinery, Equipment, etc., continued. 2136. Science in the theatre, illus. (Sci- entific .American 2125. Sadler's Wells Theatre. (In: E. supplement, v. 53, May 24. 1902, p. 22068.) L. Stahl, Das englische Theater im 19. VA Jahrhundert. Miinchen, 1914. 8\ opp Describes effects in Wagner's Siegfried. From La Nature. p. 161.) NCOD Picture shows an early setting for a tank drama. 2137. Scored for all operas; the marked boards 2126. Saint-Edme, Ernest. La science au of Covent Garden. (Illustrated London news, v. 138, .April 29, 1911, p. 017.) theatre, illus. (Cosmos, tome 23, 1863, p. 365-368, 532-536; tome 24, 1864, p. 103-107.) *DA VA 2138. Seasonable scenes at tlie Hippo- Describes effects with the Drummond liglit; also drome: performances and mechanical de- with the electric arc. vices, illus. (Illustrated London news, 2127. Salomons, Edward. A description V. 124, Jan. 2, 1904, p. 10.) * DA of the Ale.xandra Theatre of Liverpool, and on the construction of theatres gen- 2139. Semper, Manfred. Theater. Stutt- gart: .Arnold liergstrasser, 1904. viii. 523 erally. (Builder, v. 29, March 25, 1871, p. 4". 221-223, 242-243.) 3 - MQA p. illus. (Handbuch der .Architektur. Teil 4, Halb-Band 6, Heft 5.) Contrasts English and Continental methods of MQD setting their decorations. States that there are no Exceptionally complete in its treatment of stage grooves in Continental theatres. construction and mechanics. Devotes considerable space to the revolving stage and has a good bibliog- 2128. Saussure, Rene de. On the con- raphy. of theatres struction from an optical point 2140. Theatermaschinen. illus. of view, illus. (Association of Engineers (Biihne und Welt, Jahrg. 8, Halbjahr 1, 135- of Virginia. Transactions, 1892-93, p. 1905-06, p. 197-204, 239-244, 285-289.) 165.) VDA fNGA

2129. Schallenmueller. Neuere maschi- 2141. Sensational magical illusions; the nelle Biihneneinrichtungen. (Elektrotech- most complete expose ever published. nische Zeitschrift, Jahrg. 30, June 3, 1909, illus. (Strand, v. 24, Dec, 1902, p. 754-762; p. 530-532.) VGA V. 25, Jan., 1903, p. 63-66.) * DA Describes the electrical and mechanical features of the Stadttheater in Nuremberg. 2142. The Ship in the new French ballet 2130. Schaumberg, Georg. Das Prinzre- of The tempest, illus. (Scientific .Ameri- gententheater in Miinchen. illus. (Biihne can supplement, v. 28, Sept. 1^, 1889. p. und Welt, Jahrg. 3, Halbjahr2, Sept., 1901, 11450-11451.) VA of at the Paris p. 981-989.) NGA Description and diagram device Opera. Describes the stage and has two interesting pictures of the fly-galleries. 2143. The Siegfried performance in Paris. 2131. Schilling, B. Das neue Stadttheater (Scientific .American supplement, v. 53. in Koln. illus. (Zeitschrift fiir Bauwesen, March 29, 1902, p. 21941.) VA Jahrg. 53, 1903, p. 342-351, 447-455, 579-587; From lUustricrtc Zeitung. Picture shows ma- plates 47-50, 61-64 in atlas.) 3 - VEA chinery for operating the dragon. Describes the lighting and stage arrangement. 2144. The Sights and sounds of the 2132. Schroeter, Rudolf. Das Liebhaber- Christmas season in London: the Hagen- theater. illus. (In: Spemanns goldenes beck circus and zoo. illus. (Sphere, v. 56, Buch des Theaters... Stuttgart, V)\2. Jan. 3, 1914, p. 14-15.) * DA 12°. p. 747-760.) NAF (Spemann) Shows constiuction of the wild animal pens. Practical directions for equipping a private theatre. 2145. Sitting on chairs chalked on a black- (Illustrated London news, 2133. Science in antiquity. — Curio's piv- board, illus. v. Jan. 8, 1910, p. 53.) * DA oted theatres, illus. (Scientific Ameri- 136, can, v. 49, Oct. 20, 1883, p. 246.) VA 2146. .A Sketch beneath the stage during Two theatres which could be transformed into oiiera of Hamlet. a single theatre. a performance of the illus. ((iraphic. v. 21. Ian. 24. 1880, p. 100.) 2134. Science in the theatre, illus. (Sci- *DA entific American supplement, v. 30, Dec. 20, Roger. .Acoustics 1890, p. 12475-12476.) VA 2147. Smith, Thomas and Ijuililing; Describes the fan scene at the Paris Opera for in relation to architecture the ballet The dream. Painted by Lavastie. the 'aws of sound as applied to the arrangement of buildings. London: Crosby 2135. Science in the theatre, illus. (Sci- Lockwood & Son. 1895. vi. 167 p. illus. entific American supplement, v. 53, March new ed. 12°. (Weale's scientific & tech- 22, 1902, p. 21924.) VA nical series, ino.i 116.) PFD From La nature. Describes effects at Theatre du For acoustics of theatres sec p. 95-111. Chatelet, Paris. 96 THE NEW YORK PUBLIC LIBRARY

Machinery, Equipment, etc., continued. 2160. Stage doors. (All the year round, new series, v. 17, Oct. 7, 1876, p. 85-91.) 2148. Smith, Winifred. The commedia *DA deir arte; a study in Italian popular comedy. New York: Columbia University 2161. Stage effects. (Theatre, v. 3, Dec. Press, 1912. xv. 290 p. illus. 12°. (Co- 12, 1887, p. 432.) * DA lumbia University studies in comparative From Saturday review, London. Describes light- literature.) *R-NNP ing effects. account of old Italian Chapter 4 has interesting 2162. Stage effects in Ben-Hur. illus. stagecraft. (Werner's magazine, v. 26, Oct., 1900, p. 2149. Some stage effects and how they 161-164; Dec, 1900, p. 311-327.) MWA are done, illus. (Theatre magazine, v. 10, 2163. fire illusions, illus. (Popular Aug., 1909, p. 55.) ttNBLA Stage Pictures show a racing motor car, a moving steam- electricity, v. 4, Oct., 1911, p. 525.) VGA ship, and an aeroplane. 2164. The Stage of the Little Theatre in 2150. Sounding board for a large audito- the Haymarket, 1735-6. (In: C. E. Pearce, rium. illus. (Popular mechanics, v. 26, "Polly Peachum." New York, 1913. 8°. Nov., 1916, p. 772.) VFA opp. p. 72.) NCOD Copy of an old engraving in the collection of 2151. Les Spectres du Theatre-Robin, Mr. A. M. Broadley. illus. (Le monde illustre, tome 16, Jan. 21, at 1865, p. 48.) DM 2165. [Stage machinery Wiesbaden.] (Builder, v. 65, Nov. 25, 1893, p. 388.) 2152. Spemanns goldenes Buch des The- MQA fiir aters; eine Hauskunde Jedermann. Discussion in the town-council regarding advis- Berlin: W. Spemann, 1902. 382 1. illus. ability of installing an hydraulic lift for the stage. 12°. NAF 2166. Stage managing by megaphone and 2152a. Stuttgart: W. Spemann, 1912. telephone, illus. (Popular mechanics, v. 767 p. 12°. NAF 16, Sept., 1911, p. 412.) VFA These richly illustrated handbooks contain much In this instance thirty-two scenes were staged of historical and technical interest. with 15,000 people.

2153. The "Spirit shadow" illusion, illus. 2167. Stage notes. (Builder, v. 27, 1869, 77.) (World's advance, v. 31, July, 1915, p. p. 411, 991.) 3-MQA VGA Notes on decorations for several London plays of the year. 411 states that a "real" river is to be accident at Drury Lane. p. 2154. The Stage introduced into the Munich Theatre in Das Rhein- (Builder, v. 7Z, Oct. 2, 1897, p. 255.) MQA gold. Collapse of "bridges" which were worked by hydraulic power. 2168. Stage sound cabinet made in form of trunk, illus. (Popular mechanics, v. at Garden, 2155. Stage alterations Covent 24. Oct., 1915, p. 508.) VFA illus. (Engineering, v. 71, May 24, 1901, p. 659-660.) VDA 2169. Stage storms. (All the year round, Shows plans and elevations. new series, v. 8, Aug. 10, 1872, p. 304-308.)

2156. Stage architecture. Covent Garden. Historical. (Builder, v. 28, May 7, 1870, p. 359.) 3-MQA 2170. Sturmhoefel, A. Das Prinzregen- ten-Theater in Miinchen. illus. (Central- Discusses anachronisms in presentation of Cheru- bini's Medea. blatt der Bauverwaltung, Jahrg. 21, Nov. 2i, 1901, p. 565-569.) S-ffVEA 2157. Stage automobile constructed to Excellent plan and section. blow up. illus. (Popular mechanics, v. 2171. • Scene der Alten und Biihne 19, March, 1913, p. 462.) VFA der Neuzeit. Ein Beitrag zur Losung der Brief reference to British patent. Volkstheaterfra'ge, zugleich ein Versuch 2158. Stage bridges at the Covent Garden zur Raumgestaltung grosser Zuschauer- Opera House, London, England. illus. raume, aus den bisher iiblichen Theater- (Scientific American supplement, v. 52, formen entwickelt. illus. (Zeitschrift fiir Sept. 21, 1901, p. 21511-21512.) VA Bauwesen. Jahrg. 38, 1888, p. 309-339, 454- 2159. The Stage at Covent Garden, cir. 495.) 3-ttVEA 1770. (In: C. E. Pearce, "Polly Peachum." 2172. A Submarine setting on the stage, 8°. New York, 1913. opp. p. 160.) NCOD illus. (Popular mechanics, v. 16, Dec, of old engraving in the collection of Copy an 1911, p. 890.) VFA Mr. A. M. Broadley. .Scene from Le sous-marin I'Hirondelle. 2159a. A Stage deluge, illus. (Literary 2173. Summers, Carolyn Wilson. Pho- digest, V. 56, no. 9, March 2, 1918, p. 25.) *DA tography aids sculpture, illus. (Popular electricity, v. 29, Oct., 1914, p. 337-339.) From Electrical experimenter, Feb., 1918. De- scribes effects in the play "The Deluge." VGA DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 97

Machinery, Equipment, etc., continued. 2187. Theatre. (In: Penny cyclopaedia, 2174. Sylvester, Alfred. Improvements London, v. 24. 1842, p. 292-300.) * AL in apparatus to be used in the exhibition of A genera! history of theatre buildings with tabu lated (lata cnnctrning dramatic and other like performances. well-known structures. (Newton's London journal of arts, new 2188. Theatre arrangements. (Builder, series, v. 19, March 1, 1864, p. 154.) VA V. 21, Aug. 15, 1863, p. 580.) 3-MQA English patent for device for exhibiting phantom Correspundent suggests the possibility of placing images. the orchestra under the stage; also refers to the sli.wness in adopting "float" footlights. 2175. Symons, Stephen W. Alechanical joys of Coney Island, illus. (Popular sci- 2189. Le Theatre de Bayreuth. (Le mondc ence monthly, v. 89, Sept., 1916, p. 394.) illustre. tome 39, Aug. 19, 1876, p. 119; illus. *DA on p. 125.) *DM Description of staging of Coney Island Zeppelin Illustrations show exterior and a sectional view. raid. 2190. Le Theatre illustre: les coulisses du 2176. Talansier, Ch. L'eventail bal- du Chatelet. (Le monde illustre, tome 45, let Le reve a I'Opera de Paris, illus. (La Dec. 6, 1879, p. 363; illus. on p. 369.) * DM nature, annee 18, no. 908. Oct. 25, 1890. p. Behind the scenes at presentation of La I'enuj 335-336.) OA noire. 2177. L'eventail du ballet Le reve 2191. Theatre secrets, illus. (Scientific au Theatre de I'Opera. a Paris, illus. (Le .American supplement, v. 31, no. 522, Jan. 2, genie civil, tome 17, June 28, 1890, p. 140.) VA 1886, p. 8336; no. 525. p. 8375.) VA Illustrates effects for Sicilian vespers, Das Rhein- 2178. Le flambeau electrique du (lolJ. Hans llcilig, Don Juan, l-'reischiits, and Lohen- ballet d'Ascanio a I'Opera de Paris. Par grin. T. illus. civil, C. (Le genie tome 16, April 2192. A Theatre on the stage, illus. (Pop- 19, 1890, p. 495.) VA ular mechanics, v. 13, March, 1910, p. 379.) 2179. La manutention des decors a VFA rOpera de Paris. (Genie civil, tome 9, Shows a representation of the stage of the Gaitc Theatre, Paris, of 1800. June 5, 1886, p. 81-85.) VA 2180. L'orchestra invisible du The- 2192a. The Theatre of a thousand mys- atre du Chateau d'Eau, Paris. Par Ch. T. teries. (Theatre magazine, v. 27. March, illus. (Genie civil, tome 41, June 14, 1902, 1918. p. 136.) ttNBLA p. 110-112.) VA Hciudini's proposed national theatre of magic. Diagrams clearly describe the principle. 2193. Theatric representation, mechan- 2181. Scene tournante du Theatre ism, and decoration. (Dublin University des Varietes, a Paris. (Le genie civil, v. magazine, v. 61, June, 1863, p. 715-730.) 32. March 12, 1898, p. 320-322.) VA *DA 2182. Taylor, Emerson Gifford. Practi- 2194. Theatrical firearms, illus. (Scien- cal stage directing for amateurs... New tific .American supplement, v. 23, Mav 14, ' York: E. P. Button & Co. il916.| 194 p. 1887, p. 9477.) VA 12°. MWE Translation from La nature.

2183. Teatro "Des Varietes" en Paris, 2195. Theatrical maciiinery in the Paris illus. (La ilustracion espanola, afio 35, no. Opera House, illus. (Engineer, v. 57, 12, March 30, 1891, p. 205.) * DR Feb. 29, 1884, p. 162-164.) VA Description and illustrations of race track mechanism. 2196. Theatrical mechanism at the Lyce- um Theatre. (Engineer, v. 61, April 22, 2184. Die Technischen Einrichtungen des 1886. p. 260.) VA neuen Schauspielhausen am Noilendorf- .\lso in .Scicnlific /Unerican supplement, v. Jl. no. platz in Berlin. illus. (Der praktische 542, .May 22, 1886, p. 86-48, I'A. Maschinen-Konstruktcur, 1907, section l-Tir 2197. Theatrical meteorology. (Graphic, Jedermann, Jahrg. 3, 1907, p. 1-4.) VDA V 11, Ian. 23. 1875, p. 78; illus. on p. 85.) Illustrates the revolving stage. *DA 2185. A Temple, a forest, and a palace in Describes effects prnihui-d at Drury I..inc The- one room created by reflection in the pal- atre, London. (Illustrated Lon- ace of mirages, illus. 2198. Theatrical water plays, illus. (Sci- 24, 596- don news, V. 134. April 1909, p. entific .Anu-rican Mippleinent, v. 31, nn. 7S7. * DA 597.) Jan. 31, IS'Jl, p. 12578.) VA Terrible to the eye alone; a boy's 2186. 2199. Thomas, Frank 1). The realism of can do more harm than one bean-shooter stage effects. (Circen book album, v. 5. of these stage guns, despite their formi- May, P'll. p. 100()-I011.) NAFA dable appearance, illus. (Popular science Author is inventor of big utAgc effect*. Divcussci monthly, v. 90, March, 1917, p. 379.) * DA the scenery of the future, using moving picture* on Describes "Krupp guns" used in the movies. white drops and wings. 98 THE NEW YORK PUBLIC LIBRARY

Machinery, Equipment, etc., continued. 2213. Vanderbilt, Homer. An electro- magnetic skull, illus. (Electrical experi- 2200. Thompson, Paul. The theatre of menter, V. 3, March, 1916, p. 638.) VGA a thousand souls, illus. (The Burr Mcin- tosh monthly, v. 18, no. 69, Dec, 1908. p. 2214. Vaulabelle, Alfred de. and C. Hemar- [61-65.,) fMFA DiNQUER. La science au theatre; etude sur Describes the workings of the New York Hippo- drome. les procedes scientifiques en usage dans le theatre moderne. Paris: Henry Paulin 2201. Tidal-wave making on the stage. et Cie., 1908. 291 p. illus. 8°. MWE illus. (Scientific American, v. 100, Jan. 2, 1909, p. 8.) VA 2215. Le Vengeur. (L'illustration, v. 2, Describes the apparatus used in TIte sands of Dee Dec. 23, 1843, p. 261.) * DM at the Hippodrome. London Two pictures showing the production of sea-wave effects. 2202. Tiraboschi, Girolamo. Storia della letteratura italiana. Firenze: Molini, 2216. Versenkbares Orchesterpodium. Landi e Co., 1805-1813. 9 v. in 15. 8°. (Der praktische Maschinen-Konstrukteur, NNB Jahrg. 38, 1905, p. 151; illus. on Tafel 48.) See especially v. 7, p. lo22. VDA 2203. Transforming the Metropolitan Opera House, New York. (Harper's 2217. Viennot, L. Grille hydraulique de I'Hippodrome, a Paris, illus. (Le genie weekly, v. 47, Aug. 8, 1903, p. 1295.) * DA civil, tome 19, May 23, 1891, p. 53-55.) VA Full-page sketch showing the double stage. Wild animals are transferred from their cages to 2204. Trapp, Ed. Clucks "Orpheus" auf an elevator which lifts them to the stage. dem Theatre du Forat in Mezieres 2218. Vincent, Harley. Stage sounds, (Schweiz). illus. (Biihne und Welt, illus. (Strand, v. 28, Oct., 1904, p. 417-422.) Jahrg. 13, Halbjahr 2, 1911, p. 417-418.) tNGA *DA

2205. Treasure Island's realistic ship, 2219. Vitoux, G. Le cygne de Lohengrin, illus. (Scientific American, v. 114, Feb. 19, illus. (Le genie civil, tome 19, Oct. 3, 1891, 1916, p. 201, 206.) VA p. 375-376.) VA Description of swan transformation mechanism at 2206. Trelat, fimile. Le theatre et I'archi- the Paris Opera. tecte... Paris: A. Morel et Cie., 1860. 2220. L'incendie du a I'Opera. 118 p. 8°. 3-MRE Mage illus. civil, 18, 28, 1891, See chapter entitled La scene. (Genie tome March p. 361-362.) VA 2207. The Trunk mystery, illus. (Popu- 2221. La science au theatre; l'in- lar mechanics, v. 22, Oct., 1914, p. 621-622.) VFA cendie du Mage a I'Opera de Paris, illus. (La nature, annee 19, no. 932, April 11, 1891, 2208. Unique dance given in a London p. 301-302.) OA theatre, illus. (Popular mechanics, v. 20, Describes effects in Massenet's opera Mage. Sept.. 1913, p. 412.) VFA A dance in which only the hats, shoes, and oc- 2222. La traversee du Niagara au casionally the teeth are visible. Theatre de la Gaite. (Genie civil, tome 20, Feb. 20, 1892, p. 265.) VA 2209. A Unique stage setting, illus. (The upholsterer, v. 47, no. 4, April 15, 1912, p. 77.) tMOFB 2223. Vitruvius Pollio. The civil archi- Describes "a real room" used in the presentation tecture of Vitruvius. Comprising those of Passers by at the Criterion Theatre, New York. books of the author which relate to the public and private edifices of the ancients. 2210. United States. — Patent Office. Translated by William Wilkins. London: [Collectioti of eighty-three patents on ap- Longman, Hurst, Rees, Orme, and Brown. paratus for theatrical illusions and gym- 1812. Ixxvi, 282p. illus. f°. f MQD nastic performances. Washington, D. C. Section 3 discusses Greek and Roman theatres. 1874-1901.) 119 1., 172 diagrs. 4°. f MWE On p. 149 are references to sliding and revolving scenes. Excellent plates. 2211. [Collection of patents on apparatus for producing illusory effects. 2224. VoegtIin, Arthur. The Hippodrome Washington, D. C, 1903-09.] 115 1., 179 and its electrical stage effects, illus. diagrs. 4°. ft MWE (Popular electricity magazine, v. 5, Tan., 2212. The Unknown fairyland and the 1913, p. 900-905.) VDA known; Jack and the beanstalk's famous home. (Illustrated London news, v. 137, 2225. Volcanic eruptions on the stage, Dec. 31, 1910, p. 1042-1043.) * DA illus. (Popular mechanics, v. 17, March, Sectional view of Drury Lane Theatre, London. 1912, p. 415.) VFA )

DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 99

Machinery, Equipment, etc., continued. for the recreation of ingenious spirits... as also variety of recreative fire-works 2226. W. Theatrical architecture and both for land. air. and water... London: stage mechanics. (Athenaeum, v. 58, 1871, Printed for William Whitwood. loS'». 7 p. 440-441, 472-473.) * DA p.l.. 128 p. illus. 6. ed. 24°. Reserve 2227. Wagner's German national theatre 2238. "White art" and the automobile at Bavreuth. illus. (Builder, v. 30, Tune leap at the Hippodrome, illus. (Scientific 15, 1872, p. 466.) 3-MQA American, v. 110, Feb. 28, 1914. p. 181.) Gives plan. Reference to "invisible orchestra." VA 2228. Walzel, Oskar. Neue Biihnentechnik im Dienste Shakespeares. illus. (Deutsche 2239. The Winter theatres, as connected Shakespeare-Gesellschaft. Jahrbuch, lahrg. with the fine arts. (.Xnnals of the fine arts, 50, 1914, p. 74-87.) *"NCK V.4, 1820, p. 491-495.) 3-MAA Illustrations show sections of the Xeues Dresdener On p. 495 reference to "vast machinery that raises Hoftheater. all the upper part of the proscenium."

2229. Warington, Alphonse. Theatrical 2240. Welters, Wilhelm. Hinter den stage arrangements and machinery. Couiissen der Dresdener Hoftheater. illus. (Builder, v. 19, April 20, 1861, p. 261.) (Illustrierte Zeitung, Bd. 117, Nov. 14. 108-310, 382-384. 418-419. und (Circus), illus. ( Elektrotechnische 44c)_450, 555-558. 590-592. 095-697, 765-76b, Rundschau, Jahrg. 24, 1907, polytechnische 802-803. 932-934; v. 64, 1893, p. 122-124. 188- 276-278, 319-325.) VGA p. 246-249, 189, 330-331, 398-399, 500-501. 830-831: v. circus and theatre building. Describes combination 65. 1893, p. 37-39. 131-1.^4. p)8 200. 313- 31S. 366-368. 426-427. 608-(.(l'), 713-715, 850- 2235. Where the fairies roost during the 852; V. 66. 1894. p. 76-78, 107-110, 247-249. holidays, illus. (Sphere, v. 52. Christmas ?91_,?94 526-529. 667-670; v. 67. 1804. p. .?(>- * Jan. 4, 1913, p. 30-31.) DA ?'.'.- 37, 64-65. 104-105. 243-240, 422-423. Illustration of the stage lift at the Drury Lane 569, 638-640. 708-709, 780-781. 912-91.vi Theatre. Also shows the pirate scene in Peter Pan at the Duke of York's Theatre. MQA v\ detailed exposition of llir.-itrical cniiKtruction in 2236. The Whip and its mechanism: a 1892, with much inforni.ition conccrninu stage ma- melodrama with dogs, horses, chinery. In number of Oct. 26, 189-J. v. 67, p. 566- ponderous account of gas lighting in the inove and are 569, is an interesting automobiles and trains that thcalrc. wrecked. illus. (Scientific American, New York, v. 108. Jan. 25, 1913, p. 89, 102.) 2245a. "Works" d the Chantcclcr cos- VA news, tumes illus. ( lllustratfd London 20. 1910. p. 321.) * DA 2237. White, John. A rich cabinet, with V. 136. I-eb. animals. variety of inventions, unlock'd and opcn'd, Shiiw> mechanism of the 100 THE NEW YORK PUBLIC LIBRARY

Miscellaneous

2246. A., G. L. Theatrical slang. (Graph- 2258. Bisland, Elizabeth. The passion ic, V.33, April 10, 1886, p. 399.) * DA play at Oberammergau. illus. (Cosmo- politan, V. 10, Dec, 1890, p. 131-141.) * DA 2247. The Afghan war: a lyric theatre in the camp, Jellalabad. (Illustrated London 2258a. [The Blackstone Theatre, Chicago.] news, V. 74, May 17, 1879, p. 472.) * DA illus. (Theatre magazine, v. 13. March, Full-page picture. 1911. p. 80.) tfNBLA 2247a. Aktvorhang im neuen Hoftheater Picture and brief description of the fifteen thousand dollar tapestry curtain. zu Aleiningen. illus. (Biihne und Welt, Jahrg. 12, Halbjahr 1, Jan., 1910, opp. p. 2259. Blakeslee, F. G. Stage fights, illus. 292.) fNGA (Theatre magazine, v. 3, Jan., 1903, p. 16- 2248. Alarums and excursions. (All the 18.) ft NBLA swordmaster. First Regiment, Con- year round, new series, v. 7, March 9, 1872, Author was necticut National Guard. p. 354-358.) * DA Historical account of stage battles and combats. 2260. Blondel, Georges. Le drame de la passion a Oberammergau... Paris: V. 2249. Alexander, Victor. Confessions of Lecoffre, 1900. vi, 69 p. illus. 16°. a handcuff king. illus. (Popular me- NAFM chanics, V. 13, June, 1910, p. 855-860.) VFA Plan of the theatre on p. 57. 2249a. Amateur theatricals, illus. (The- 2261. Browne, William Hand. Synopsis atre magazine, v. 28, 1918, p. 227, 297. 365; of the passion play of Ober-Ammergau. V. 29, 1919, p. 39, 99, 165, 178, 229. 240.) Philadelphia: Covenant Publishing Com- tfNBLA pany, 1880. 16 p. 8°. NAFM p.v.3, no.5 Practical directions. Brief description of amphitheatre and stage.

2250. Amateur theatricals at the front, 2262. Bruno. Le drame de la passion a illus. (Windsor magazine, v. 46, 1917. p. Selzach (Suisse), illus. (Revue encyclo- * 455-462.) DA pedique, Sept. 15, 1895, p. 344-345.) 2251. The Art of making up. (All the *R-t* AP year round, new series, v. 13, Jan. 16, 1875, 2263. Burford's panorama. (Builder, v. 318-322.) p. *DA 9, Jan. 4, 1851, p. 13.) 3 - MQA Historical. Panorama of Lake Lucerne. 2252. Art movement; de- The costume 2264. The Coliseum, Regents Park. signing for the ballet, illus. (Magazine ( Builder, v. 9. Jan. 4, 1851, p. 13.) 3 - MQA of art, V. 20, 1896-97, p. 162-164.) MAA f Panoramic view of the Lake of Thun by Danson. Costume designs by C. Wilhelm, and a scene by J. Harker, for the ballet Monte Crista. 2265. Come, the recorders. (All the year 2253. Ballard, Anna. American clog round, new series, v. 6, Sept. 16, 1871, p. * manufacture. (Dramatic magazine, v. 1, 369-373.) DA Oct., 1880, p. 317-320.) MW "A theatre devoted to acting, and intrusting its actors with the best works obtainable, need not en- 2254. Lace on the stage. (Dramatic cumber itself with a useless orchestra." magazine, v. 1, May, 1880, p. 12-16.) MW 2266. Correct costumes. (All the year 2255. Bapst, Germain. Essai sur I'his- round, new series, v. 12, May 30, 1874, p. toire des panoramas et des dioramas... 163-168.) *DA Paris: G. Masson, 1891. 30 p. illus. 4°. MBO Historical. Bibliographical footnotes are noteworthy. 2267. The Cyclorama of Lisbon. (Build- 2256. Les panoramas. illus. (La er, v. 6, Dec. 30. 1848, p. 627.) 3 -MQA nature, annee 19, no. 930, March 28, 1891, Painted by the Messrs. Danson from designs by Bradwcll. p. 266-267; no. 932, April 11, 1891, p. 293-

295.) OA 2268. D., C. I. Preparing the stage meal Historically of interest, with bibliographical refer- behind the scenes. (Theatre magazine, v. ences. 18, Sept., 1913, p. 96, 98.) tfNBLA 2257. Barker, Robert. An entire new con- 2269. Dall, passion play at trivance, which I call a coup d'oeil, for the James. The purpose of displaying views of nature at Oberammergau. (Queen's quarterly, v. 23, * large by oil painting, fresco, water colours, 1916, p. 261-279.) DA crayons, or any other mode of painting or Describes the theatre. drawing. (English patent, A.D. 1787, no. 2270. Deaths and disasters on the stage. 1612.) Patent Room (Chambers' journal, series 4, v. 13, 1876, Said to be the first patent for the panorama. p. 12-15.) These specifications are also in Repertory of arts and *DA manufactures,, \. 4, 1796, p. 165, VA. A record of stage accidents. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 101 Miscellaneous, continued. 2283. Kellar, Philip R. The only church theatre 2271. Diorama; par MM. Bouton et Da- in the world. (Green book album guerre. (Archives des decouvertes et des V. 1, May. 1909. p. 978-982.) NAFA inventions "A church nouvelles, 1822, p. 272-273.) VA in Chicago owns one of the most beautiful theatres in the country." 2272. Diorama; interieur de I'eglise de 2284. Lace on Saint-Marc a Venise. the stage. (New York mir- illus. (L'illustra- ror, v. 3, no. 75, June 5, 1880, p. 9.) • DA tion, V. 5, July 12, 1845, p. 320.) * DM 2285. Le Fevre, Gilbert. The story of 2273. Dubois, Felix. Le theatre d'Ober- the stage. (Gleason's pictorial drawing- ammergau. (L'illnstration, v. 95, 1890 p room companion, v. 6, June 24. 1854. p. 394- 486-487; illus. on 488-489, p. 506-507, 521- 395.) « d;^ 523.) DM A contrast between the front and behind. "A smell of gas, and oil, and 2274. Eating oranRC peel will unpleasant- on the stage. (Nation, v. 94, ly affect his olfactory nerves." June 13, 1912, p. 583-584.) * DA 2286. Lochemes, Michael Joseph. Recol- 2275. Eude, Robert. Le theatre sur le lections of Oberammergau. Davton, Ohio: theatre de la guerre, illus. George .\. p.' (La nature, Pflaum 1 1892). 64 ilhi-. ,3. annee 33, no. 1647, Dec. ed.i 12°. 17, 1904, p. 43-44 ) NAFM OA 2287. Madame Patti's Equipment used in the Russo-Japanese war. theatre, illus. (Il- lustrated London news. v. 97, Sept. 6, 1890. 2276. Frohman, Gustave. America's p. 303.) *DA Oberammergau. illus. (Overland, v. 56, 2288. Mareschal, G. Causerie scientifique. 1910, p. 215-221.) *DA illus. (Le monde moderne, v. 12, Oct.. 2277. Le Georama des Champs-filysees. 1900, p. 538-546.) •DM illus. (L'illustration, v. 7, May 2, 1846, p. Illustrated description of the Transsiberian pan- 133-134.) * DM orama at the Paris exposition. 2289. Millet, Marcel. The theatre at the 2278. Gilbert, N. G. When the Hippo- front. illus. (New France, v. 2. .\pril. drome grins. (Green book album, v. 5, 1918, p. 48-49.) * DA Jan., 1911, p. 61-66.) NAFA Xotes on a French traveling companj "Recounts divers accidents that have been more amusing than really disastrous." 2289a. Moses, Montrose Jonas. Keeping the soldier amused, illus. 2279. Havemeyer, Loomis. The drama (Theatre magazine, V. of savage peoples. New Haven: Yale Uni- 27, Jan.. 1918, p. 16-17.) ft NBLA versity Press, 1916. viii, 274p. 12°. NAF 2289b. The Most beautiful theatre in the

Contents : 1. The early development of the drama; world, illus. (Theatre magazine, v. 13. 2. Ceremonies connected with the animal food; 3. June, 1911, p. 206-208.) ft NBLA Ceremonies dealing with plant food; 4. Points of comparison between the savage drama and that of the Mexico City. Exterior and interior views, with a picture of the Greeks' and Japanese; 5. Initiation ceremonies; 6. large mosaic glass curtain. Dramatic war ceremonies; 7. The pleasure plays of 2289c. Music and drama diverts the savage peoples; 8. Summary. world Has an excellent bibliography. at war. illus. (Theatre magazine, v. 2'>. Oct.. 1917, p. 215.) ft NBLA 2280. Henry, Leigh. Kriegsgefangenen- Pictures only. sendung. (Drama, no. 23, Aug., 1916, p. 399-405.) NAFA 2290. The Napoleon circus. Paris. ( I'r.iM- 2'\ Describes the presentations of Twelfth niyht, /Is er, V. 10, Dec. 1852, p. 810.) 3-MQA you like it, and Othello, by interned civilians at Ruhlc- ben, Germany. 2291. The Napoleon circus, Paris, illus. (Huilder, V. 11, I\l). 12. 1853. p. 105.) 228L Hittorf, J. J. Description de la 3-MQA rotonde des panoramas, elevee dans les I'l.m .mcl elevation with brief text. Champs-filysees, precedee d'un apergu his- 2291a. Le Nouveau rideau de la Conula\- ;il < )l)cr-.\niniergau, with the whole drama translated into English, 2281a. Holliday, Carl. The American and the songs of the chorus, in (iermat) show boat, illus. (Theatre magazine, v. and i'lnglish. by the author of "C'iiarlcs 25, May, 1917, p. 296.) ft NBLA Lowder" i.Maria Trcnchi. London: XW H. 1890. xiii. 128 plans. 8". 2282. Janer, Florencio. Mascara teatral .Mien (S: Co., p. de los indios del Pent, illus. (Museo es- NAFM .st.ige - Il.is plans. panol de antigiiedades, tomo 1, 1872, p. 101 108.) ttMAVZ 2293. The passion play at Obcr .\m- text Five illustrations in color. nicrgau, 1900. The complete German 102 THE NEW YORK PUBLIC LIBRARY

Miscellaneous, continued. 2305a. Re-decoration of Her Majesty's Tlieatre. (Illustrated London news, v. 8, of the play with EngHsh translation printed March 7, 1846, p. 163-164; illus. on p. 153.) side by side. Copiously illustrated with a *DA of 1900. complete series of the photographs A picture of a drop scene by Stanfield. London: Offices of the "Review of Re- 2306. Regnault, Felix. Masques, illus. views" il900i. viii, 309 p. illus. 12°. NAFM (Revue encyclopedique, 1896, p. 192-194.) '\ AP Completely illustrated. Theatre described on p. *R-t* 19-2.3. 2307. Reinhardt, Ludwig. Kulturge- 2294. The Ober-Ammergau passion play, schichte des Menschen. Miinchen: E. illus. (Illustrated London news, v. 97, Reinhardt, 1913. viii, 709 p. 8°. (Die 1890, p. 304-305, 436, 517.) * DA Erde und die Kultur. Bd. 2.) BAP Pictures. See chapter 22: Tanz und Schauspiel. 2295. On cosmoramas, dioramas, and 2308. Reopening of the Colosseum, Re- panoramas. (Penny magazine, v. 11, Sept. gent's Park, illus. (Illustrated London * 17. 1842, p. 363-364.) DA news, V. 6, 1845, p. 265, 276-277.) * DA Shows the model scenery of the Mer de Glace, 2296. Padding; how it is done upon the by Danson; designs by Mr. Bradwell, of the classic stage. (New York mirror, v. 4, no. 97, world; and has references to the great London pan- * orama by Parris and Horner. Nov. 6, 1880, p. 10. ) DA 2296a. Paget, P. Le rideau de manoeuvres 2309. Representation a bord de la frigate du Theatre de la Gaite. illus. (L'illus- la Nemesis, a I'occasion de la fete du 15 tration, v. 40, Dec. 20, 1862, p. 405-406.) aout... (Le monde illustre, tome 5, Nov. *DM 5, 1859, p. 300.) *DM Full-page reproduction of curtain painted by Louis Duveau. 2310. Une Representation a bord du Gomer, dans la rade de Therapia. (L'illus- 2297. Panoramas. (Chambers' journal, tration, v. 6, Oct. 18, 1845, p. 97.) * DM V. 13, Jan. 21, 1860, p. 33-35.) * DA Description of the work of Messrs. Barker and 2311. Representation de I'operette Vent Burford. du soir, a bord du d'Assas. (Le monde illustre, tome 14, 25, 1864, p. 404.) 2298. The Passion plav. (Graphic, v. 2, June July 9, 1870, p. 34; illus. on p. 28.) * DA *DM Full-page view of the theatre at Oberammergau. 2312. I'ue Representation du mystere de la passion a (L'illustra- 2299. The Passion play, illus. (Harper's Oberammergau. tion, V. 75, June 5, 1880, p. 359; illus. on weekly, v. 24, July 24, 1880, p. 469-470.) p. *DA ?>S7.) * DM Presentation at Oberammergau. Picture of the- 2313. Richards, Louise Parks. Oberam- atre. mergau; its passion play and players. A 2300. A Passion play by British Colum- 20th century pilgrimage to a modern Jeru-

bia Indians, illus. (Graphic, v. 47, April salem and a new Gethsemane. . . Munich: 1, 1893, p. 335-336.) * DA Piloty & Loehle, 1910. 258 p. illus. 2. ed. 12°. NAFM 2301. The Passion play at Selzach. illus. A well written synopsis of the play. Interesting (Graphic, v. 58, July 16, 1898, p. 90.) * DA details regarding the staging and the actors. 2302. Pinafore as hippodrama. illus. 2313a. Le Rideau du Theatre des Bouffes, (Current opinion, v. 56, June, 1914, p. 436- peint par M. Lucien Jusseaume. (Le the- * 437.) DA atre, no. 265, Jan., 1910, p. 18.) ft NKL Has a portrait of Arthur Voegtlin. 2314. Robinson, Edith Day. Be it ever so 2303. Prevost. Patent... for improve- savory, the most loathed food on record is ments in the art of painting panoramas. . . that served on the stage, illus. (Evening (Repertory of patent inventions, v. 6, 1828, sun, New York, Feb. 6, 1917, p. 8.) *A p. 314-318.) VA 2315. Robinson, Nugent. The passion 2303a. Proscenium front and pictorial play in 1880. illus. (Frank Leslie's illus- curtain of the Pergola Theatre. Florence, trated newspaper, v. 50, June 26, 1880, p. 1657. (In: W. Lawrence, The Eliza- J. 282-285.) * bethan playhouse. Philadelphia, 1912-13. DA 2 v. 8°. series 2, opp. p. 128.) NCOD 2316. Die Rotunde des Panorama's in den filvsees. (Zeitschrift fiir prak- 2304. Ravoux, Paul. Les costumes de Champs tische Baukunst, Bd. 2, 1842, p. 5-13; plates tragedie. illus. (Le monde moderne, v. 1-4.) 3-ttVEA 14, 1908, p. 139-148.) * DM De'tails of construction with interesting drawings. 2305. Real horses. (All the year round, 2317. Rous. Holland. Victor new series, v. 6, Oct. 28, 1871, p. 510-513.) Samuel The *DA book of the opera; stories of one hundred Historical account of horses on the stage. and ten operas with seven hundred illus- )

DEVELOPMENT OF SCENIC ART I AND STAGE MACHINERY 103 Miscellaneous, continued. 2329. Stage kissing. (Dramatic maga- zuie, trations and descriptions of twelve hun- series 2, no. 3, Oct.. 1881. p. 127-1-"'.) dred Victor opera records. [By S. H. MW Rous.] Camden, N. J.: Victor Talking 2330. Stage traditions. (.-MI the year Machine Company [Cop. 1915). round, new I 558 p. scries, v. 19, Jan. 12. 1878. p. illus. [3. ed.] 8°. * MGN 533-538. • DA Has many photographic reproductions of decora- 2331. Stage tions for well-known operas. whispers. (.\ll the vear round, new series, v. 6, Oct. 14. 1871 p. 2318. Schmitt, Eduard. Zirkus- und Hip- 468-473. * DA podromgebaude. Stuttgart: A. Bergstras- 2332. Stage wigs. (.Ml the year round. ser, 1904. 113 p. 4°. (Handbuch der new series, v. 8, June 15, 1872, p. 103-108.) Architektur, Teil 4, Halb-Band 6, Heft 6 ) * „. . DA MQD Historical. Has an excellent bibliography on p. 112-11.1. 2332a. Steel theatre curtains, illus. ilrdu 2319. Schoeberl, Franz. Das Oberam- age, V. 7i, March 31, 1904, p. 24-25.) VDA mergauer Passions-Spiel, mit den Pas- 2332b. sionsbildern von A. Diirer... Eichstatt Steele, Charles M. Say. let's have a show. In spite of the the and Stuttgart: Kriill, 1870. 90 p. illus Hun, dough- 16°. NAFM boys manage to amuse themselves in the war zone, illus. { Theatre magazine, v. 28, Reproductions of twenty-eight Durer picture;. Nov., 1918. p. 284, 286.) tfNBLA 2320. Das Sedan-Panorama am .Mexan- 2333. Stevenson, Edward Irenxus derplatz in Berlin. illus. (Centralblatt Prime. Tlie passion play lat Oberammergau). der Bauverwaltung, Bd. 4, March 22. 1884, illus. (Harper's weeklv, v. 44, July 7. 1900. p. 114-116.) 3-ttVEA p. 634.) * Plan and section. DA 2334. Tassin, .Mgernon. Concerning 2321. Sellar, Alexander Craig. The pas- stage viands. (Bookman, v. 31. 177-178. sion play in the highlands of Bavaria. 1910, p. 311-312.) Edinburgh and London: William Black- *DA wood & Sons, 1871. 62 p. 16°. 2334a. Tedeschi, .\. I sipari del Tcatro

NAFM p.v.3, no.l della Scala. illus. ( L'illustrazione itali- An excellent description. ana, anno 29, Mav 4, 1902, p. 357-360.)

2322. Shubert, Lee. What it costs to pro- tfNNA Photograph and sketches of duce a plav. illus. (Theatre magazine, the Scala's curtain executed by Casnedi and Bcrtini. V. 19, Jan., "1914, p. 22, 24-25, 39-40.) tfNBLA 2335. Telbin, W. The painting of panoramas, illus. (Magazine of art, 1899-1''00. 2324. Simpson, J. Palgrave. James Rob- p. 555-558.) fMAA inson Planche. (New York mirror, v. 4, no. 86, Aug. 21, 1880, p. 2.) * DA 2335a. Ten Broeck, Helen. .V real sol- "In historical costume he was considered the great dier's chorus, .\tmosphere given patriotic authority of the time." A three column biography. plays by mcmliers of L'ncle Sam's national 2325. Sketches on board the troop-ship arniv. ilhis. (Theatre magazine, \.27, Nubian for the Kaffir war. (Illustrated May. 1918. p. 282.) ff NBLA London news, v. 72, March 30, 1878, p. 297.) 2336. Theatre construit par les soldats au *DA camp devant Daya. illus. (Le monde entertainment. Picture of a negro minstrel illustre, tome 17, 'Oct. 7, 1865, p. 228.) 2326. Sleet, T. R. Skelt and Webb: penny •DM plain or two-pence coloured. (Notes and 2337. Theatre des Zouaves before Sebas- queries, series 7, v. 11, 1891, p. 314.) topol. illus. (Illustrated London m-ws, *R-*DE V. 27, Aug. 18. 1855. p. 195-196.) • DA See also Notes and queries, series 7, v. 10, 1890, p. Description and ciiKraviiiK of war thralrc in tlic 343 for a further account of these makers of toy Crimean war, with a playbill. theatres. 2338. Theatre du camp. (Lc niondc iilus- 2326a. Smile and the world smiles with ti V. tome 4. March 26. 1859. p. 196.) * DM National theatre created by the U. S. you. Picture of soldier's theatre at Salhonav nr.ir government to inspire the ideals of the I.ynns. the training camps, illus. (The- men in 2339. The Theatre; how actors, authors 280-281.) atre magazine, v. 27, May, 1918, p. and producers divide the people's money. tfNBLA illus. (.\inorican maga/ine. v. 76. no. 5, 2327. Spears, Raymond S. The Missis- Nov., 1913. p. 47-52. 102 106.) 'DA v. sippi boat theatres. (Harper's weekly, .Sec also Current ofinion, v. SS, Dec., l**!.', p. 414- 53, Sept. 4, 1909, p. 13.) * DA 41.S, • /).-/. 2328. Stage banquets. (All the year 2340. Theatre militaire du premier reni- grt-nadicrs la (iardc Imperinic, round, new series, v. 7, Jan. 20, 1872. p. nuiit de dc 185-187.) * DA a Courbevoie. (L'iilustration. v. 30, .^cpt. • Interesting historical article. 5, 1857, p. 160.) DM 104 THE NEW YORK PUBLIC LIBRARY

Miscellaneous, continued. (Societe d'encouragement pour I'industrie nationale. Bulletin, annee 71, serie 2, tome 2341. The Theatre of the Naval Brigade 19, 1872, p. 9-11.) VA before Seliastopol. ilhis. (Illustrated * times, V. 2, March 8. 1856, p. 165.) DA 2346. Vaudeville beneath the trenches in Sketch of a military open air theatre. France, illus. (Popular mechanics, v. 28, 2342. Theatricals on board the Alert Sept., 1917, p. 368.) VFA [North Pole expedition). (Illustrated Lon- Picture of interior of small theatre near Verdun. don news, V. 69, Nov. 11, 1876, p. 465, 468.) *DA 2347. Watson, Arthur. Conjurers, illus. (Reliquary, y. 15, 1909, p. 81-100, 176-191.) Picture of the stage. CA old theatres of 2343. Thorpe, T. B. The Historical, with copies of some old illustrations. New York, illus. (Appleton's journal, V. 8, Nov. 23, 1872, p. 576-581.) * DA 2348. Jugglers. illus. (Reliquary, v. 13, Jan.. 1907, p. 1-16.) CA 2344. The Tiring room. (All the year Historical. round, new series, v. 14, July 17, 1875, p. * 367-373.) DA 2349. Tumblers, illus. (Reliquary, Historical. V. 9, July, 1903, p. 186-202.) CA 2345. Les Travaux du diorama des Historical, with a bibliography. Champs-filysees. illus. (Le monde illus- 2349a. Witkowski, Georg. Vorhang und tre, tome 31, Nov. 2, 1872, p. 274, 276.) *DM Aktschluss. (Biihne und Welt, Jahrg. 8, Halbjahr 1, 1905, p. 18-22, 73-76, 104-108.) Full-page illustration showing the work of construction.' tNGA 2345a. Tresca. Rapport fait par M. 2350. The Zouaves' theatre in the Crimea, Tresca...sur I'appareil hydraulique ap- illus. (Illustrated times, v. 2. Feb. 2, 1856, plique a la scene de la Gaite pour deter- p. 68.) *DA miner le deplacement des rideaux. illus. A sketch of a military open air theatre.

Open Air Theatres

2351. Abric, Leon. Les theatres popu- 2358. Barn as stage of outdoor theatre. laires des Vosges. (Revue illustree, v. 30, illus. (Popular mechanics, v. 19, May, no. 23, Nov. 15, 1900.) * DM 1913, p. 634.) VFA Not paged. 2359. Barnes, James. Fair Rosamund, the 2352. Armstrong, Selene Ayer. Under the pastoral play produced at Albany, tree with Ben Greet and his greenwood illus. (Harper's weekly, v. 39, June 15, woodland players. . . illus. (Crafts- merrv 1895, p. 558.) *DA man,' v. 12, Sept., 1907, p. 620-628.) MNA 2360. The Basque pastorals. (Graphic, 2353. Armstrong, William. Schliersee V. 20, Nov. 29, 1879, p. 531; illus. on p. 529.) and its peasant players, illus. (Theatre *DA magazine, v. 14, Oct., 1911, p. 140-142.) 2361. as tt NBLA The Beauty of outdoor drama Exterior and interior view of the peasants' the- presented bv the Coburn Players, illus. atre. (Craftsman, v. 18, Aug., 1910, p. 570-573.)

2354. As you like it, in the open air. illus. MNA (Illustrated American, v. 7, July 13, 1891. p. 2362. Beziers. — El circo donde se ha rep- 157.) *DA resentado al tragedia Deyanira. illus. (La Reference to presentation given by Lady Archibald ilustracion espafiola, aiio 42, no. 34, Sept. Campbell in 1884. Also announcement of perform- 15, 1898, p. 155.) *DR ance at Stevens Point, N. J. Good picture of the arena. 2355. As you like it, the pastoral play, 2363. Boissy, Gabriel. Au Theatre An- illus. (Illustrated American, v. 7, July 4, tique d'Orange. illus. (Le theatre, tome 1891, p. 289, 292-301.) * DA Account of open-air presentation at Stevens Point, 14, no. 306, Sept., 1911, p. 14-16.) ft NKL N. J. 2364. La fille du soleil. illus. (Le 2356. Asperanti. Theatre gallo-romain theatre, no. 259, Oct., 1909, p. 14-19.) de Champlieu. illus. (Le theatre, no. 185, tfNKL 19-24.) Sept., 1906, p. ft NKL Lyrical tragedy presented at the Theatre des 2357. Barker, Anthony. R. I. B. A. ined- Arenes de Beziers. al design for an open-air theatre. (Build- 2365. Heliogabae. (Le theatre, no. ing news, V.95, Nov. 20, 1908, p. 725; illus. 283, Oct., 1910, p. 17-19.) ft NKL opp. p. 744.) MQA Account of open air presentation at the Theatre Double-page illustration of this design. des Arenes de Beziers. ,

DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 105 Open Air Theatres, continued. 2379. Carrara. Jules. Le theatre national dans 2366. Le premier glaive, illus. (Le la Suisse romand. illus. (Le theatre, no. 234, Sept., monde moderne, v. 12, Julv, 1900. p. 24-32 ) I 1908, p. 20-23 ) ttNKL •DM Open air setting at the Theatre des .\rencs do 2379a. Cheney, Sheldon. The open air ' Beziers. theatre. New York: Mitchell Kenncrlcv, 2367. Theatre des Arenes de Beziers. 1918. XV. 188 p. illus. S". MRE Complete illus. (Le theatre, no. 307, Oct., 1911 p with fifty-one illustration*. 10-11.) ttNKL 2380. City eyesore transformed into a Greek theatre, illus. 2368. Le theatre en plein air. Le (Popular mechanics. V.28. Cid au Chateau de la Reine Jeanne a Salon, Dec. 1917. p. 865.) VFA Municipal outdoor illus. (Le theatre, tome 14, no. 306. Sept theatre "of Pomona. Cal. 1911, p. 19-20.) ttNKL 2381. The Coburn Players in "Canterbury pilgrims." illus. (Theatre v. in 2369. Le theatre en plein air en magazine, Sept., 1909, p. 96-97.) Provence, illus. (Le theatre, tome 15, no. ttNBLA 332, Oct., 1912, p. 19-23.) ttNKL 2382. The Coburn Players in the "Elcc- Views of Arenes de Nimes; Theatre tra" _ Antique of Euripides, illus. (Theatre maga- d'Orange; Theatre d'Athena, Marseilles. zine, V. 13. Jan., 1911, p. 10-11.) ttNBLA Describes 2370. Le theatre en plein air en the presentation at the Hudson I laattr. New York. Provence, illus. (Le theatre, tome 16, no. 352, Aug., 1913, p. 21-24.) ttNKL 2382a. Craig, Anne Throop. The outdoor plav. (Drama, v. 8, Mav. lOlS, 2371. Ville de Nimes. Theatre des p 263-279.) ' NAPA Arenes. illus. (Le theatre, tome 14, no. 305, Sept., 1911, p. 18-19.) tt NKL 2383. Curzon, Henri de. .-Krenes de Nimcs. Mefistofele. illus. (Le theatre, no. 163. 2372. Bonneau, Alcide. Le theatre en Oct., 1905, p. 22-24.) tt NKL plein air. illus. (Revue encvclopedique, '* .\ccount of open air presentation at Nimts. 1898. p. 902-904.) R - 1 * AP Account of presentation of Erinna at La Mothe 2384. Dagan, Henri. Village plays in Saint-Heray, France. France. (International, v. 3, Nov.. 1908, p. 279-280.) 'DA 2373. Bourdon, Georges. Pelleas et Me-

lisande. ( Le theatre, no. 283, Oct.. 1910, 2385. Davol, Ralph. .\ handbook of p. 11-16.) ttNKL .\merican pageantry. Taunton. Mass.: Account of the presentation at the Abbey of Saint Davol Publishing (Tompany [Cop. 1''14 Wandrille. 236 p. illus. 12^ NAFM 2374. Bourgeois, Alfred. Le theatre du 2386. Delgado, F. P. The famous open peuple a Bussang. illus. (Revue encvclo- air theatres of France. (Theatre ma^'a- pedique, 1896, p. 635-637.) *R-t*AP zine, V. 4, June. 1904. p. 153-154.) Good illustrations. ttNBLA 2375. Bragdon, Claude. Artificial light- 2387. Design by Hermann Rosse for the ing for out-of-doors, illus. (Theatre arts stage of an open-air theatre, illus. (The- magazine, v. 1, no. 4, Aug., 1917, 189-195.) atre arts magazine, v. 1, Nov.. 1916. p. 41.) p. NBLA NBLA Dickinson, Herbert, 2376. Brooke, Charles W. A. A Roman 2388. Thomas and air theatre. illus. amphitheatre with a modern audience, others. The open (Play-book, v. 1, no. 3, lune. 1913, p. 3 .>2. > illus. (Sphere, v. Sept. 7, 1907, p. 224.) 30, *DA NAFA Scenes from Schiller's Bride of Messina as pre- 2389. The Drama of tiie open, illus. (Cur- Switzer- sented in the open air theatre at Windisch, rent literature, v. 4'). Aug.. 1^10, p. 201.) land. •DA 2377. Budd, Katherine C. Every lawn a 2390. The Drama's invasion of the amphitheatre, illus. (World's work, v. 22, Oct., theatre, illus. (Current literature, v. 50. * 1911, p. 14927-14939.) DA March. P'll, p. 311-313.) •DA

2377a. Burroughs, Clyde H. The Greek 2391. Electricity in the production of theatre at Bloomfield Hills, Michigan, loan of .\rc. (IClcctrical world, v. 5.>. Iiinr illus. (Art and archaeology, v. 5, March, 24, 100«). p. 1573-1574.) VGA 1917, p. 173-179.) MTA Dcscrilir* effects produced at tlir oprii air pel Description and excellent pictures of Mr. Gcorse fornKincr, June 23. 1909. C. Booth s open air theatre. 2392. Falena, Ugo. II tcatro del jmpolo.

2378. Caristie, Auguste. Notice surl'ctat (L'illustrazione italiana. anno 32. ( )( t S actuel de I'Arc d'Orange et des theatres 1905. p. 360-361.) ttNNA antiques d'Orange et d'Arles... (Paris: Shows a view of the DuAvans Thralrr and a Firmin Didot frcres, 1839.) 4°. MRE portrait of its manager, Maurice I'ottcchrr. 106 THE NEW YORK PUBLIC LIBRARY

Open Air Theatres, continued. 2406. Holding the mirror up to nature; the new open air theatre for Copenhagen. 2393. Fischer, Theodor. Festbiihne fur illus. (Graphic, v. 82, July 30, 1910, p. 175.) die Schillerfeier in Stuttgart, illus. (Zen- *DA tralblatt der Bauverwaltung, Jahrg. 25, May 20. 1905, p. 258.) 3-VEA 2407. Joan of Arc in the stadium of Har- Gives plan, elevation, and halftone view of this vard, illus. (Theatre magazine, v. 10, beautiful open air theatre. Aug., 1909, p. 38-39.) ft NGA Decoration for the Rheims cathedral. 2394. Fitzgerald, \V. G. Pastoral plays and plavers in England, illus. (Theatre 2408. Joan of Arc's beatification at Har- magazine, v. 7, Dec, 1907, p. 326-328.) vard, illus. (Current literature, v. 47, tfNBLA Aug., 1909, p. 196-199.) * DA 2395. The Forest theatre, illus. (The- 2409. Johnston, William. The out-of- atre magazine, v. 16, Dec, 1912, p. 185.) door play at Skansen. illus. (Theatre tt NBLA magazine, v. 15, Feb., 1912, p. 66.) Open air theatre at Carmel-by-the-Sea, California. tt NBLA A view of the amphitheatre. 2396. Fuchs, C. Waldopernfestspiele in Zoppot. illus. (Illustrierte Zeitung, Bd. 2410. Kesser, Hermann. Volkskunst und 135, Aug. 11, 1910, p. 237.) * DF Drama in der Schweiz. illus. (Velhagen An exceptionally interesting outdoor setting for & Klasings Monatshefte, Jahrg. 19, Heft Das goldene Kreuz by Brull. 12, Aug., 1905, p. 683-697.) * DF Open air scenes at Schaffhausen. 2397. A Garden terrace theater on a college campus, illus. (Scientific American 2411. Kienzl, Hermann. Die Naturthe- supplement, v. 84, Nov. 17, 1917, p. 308.) ater in der Mark, illus. (Biihne und Welt, VA Jahrg. 13, Halbjahr 2, 1911, p. 230-234.) At Yankton College. tNGA 2398. Gausseron, B. H. Le mystere de 2412. Kyle, Howard. Experiences of an bre- Saint Gwennole et les regionalistes open air actor, illus. (Harper's weekly, tons. illus. encyclopedique, 1898, (Revue V. 55, Dec 23, 1911, p. 12-13.) * DA p. 792-795.) *R-t*AP 2413. Lawn made into open-air theatre, 2399. Le theatre breton. illus. (Le illus. (Popular mechanics, v. 23, April, monde moderne, tome 10, July, 1899, p. ii- 1915. p. 505.) VFA 46.) * DM View and brief description of open air theatre at a northern college. 2400. Grand opera under the shadow of the great pyramid. (Sketch, v. 77, March 2414. M., J. E. G. de. The September 20, 1912, p. 333.) *DA players. (Contemporary review, v. 102, Shows a dress rehearsal of Axda. Literary supplement, no. 60, 1912, p. 433- 437.) * DA 2401. A Greek pageant in Tennessee, English open air company. illus. (Current opinion, v. 55, Sept., 1913, p. 174-175.) *DA 2415. McBride, Raymond. The play of Account of The fire regained, written and staged Hiawatha — the Indian epic, illus. (The- by .Sidney M. Hirsch. atre magazine, v. 8, Sept. 8, 1908, p. 253- 254.) 2402. Harcourt, Eugene d'. Aux fetes ttNBLA d'Orange & de Beziers. (Gazette des 2416. Mackay, Constance D'Arcy. Plays beaux arts, periode 3, tome 24, 1900, p. of the pioneers; a book of historical pag- 366-373.) MAA eant-plays. . .illustrated from photographs of historical pageants. New York: Harper 2403. Harrington, Helen. Poetic drama & Bros., 1915. 175 p. illus. 12°. NBM and pageantry. (Overland, v. 60, Nov., See p. 161-175 for practical stage directions. 1912, p. 409-418.) *DA 2417. Marieton, Paul. Les representa- 2404. Harrod, Henry. A few particulars tions du Theatre d'Orange. illus. (Le concerning early Norwich pageants. (Nor- theatre, no. 43, Oct., 1900, p. 6-8.) tt NKL folk archaeology, v. 3, 1852, p. 3-18.) CO Views of this open air theatre. 2404a. Harts, William W. The new na- 2418. Matthews, James Brander. The tional sylvan theatre. (American Insti- dramatist and the theater, illus. (Cen- tute of Architects. Journal, v. 5, Aug., tury magazine, v. 79, Nov., 1909, p. 3-19.) 1917, p. 396.) MQA *DA Chiefly historical. Provided by War Department. 2419. Mortier, Pierre. Theatre de la na- 2405. Hecker, Max. Das Goethe-Fest in ture de Cauterets. illus. (Theatre maga- Tiefert. illus. (Illustrierte Zeitung, Bd. zine, no. 209, Sept., 1907, p. 20-23.) 134, June 30, 1910, p. 1223-1225.) * DF ttNKL Open air presentation of Fisclierin. Scenes from Velleda. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 1U7 Open Air Theatres, continued. son developpement et son but exposes par 2420. Moses, Alontrose Jonas. Pastoral son fondateur. Paris: P. V. Stock, I'M.i 34 p. illus. 12°. players, illus. (Theatre magazine, v. 8. NKL Dec, 320-321.) 1908, p. ft NBLA 2434a. Praviel, Armand. Le theatre en plcin 2421. Sunlight, moonlight and foot- air. (Correspondant, v. 240 (iiouv. serie. v. 204,, 1910. • light, illus. (Book news monthly, v. 28, p. 264-287.) DM Long May, 1910, p. 663-669.) * DA article dealing mainly with theatre-, ut Orange, Cautcrcfs,, and Bcziers. 2422. Moses, Vivian. Shakespeare al 2435. .\ Private outdoor theatre, illus. fresco, illus. (Cosmopolitan, v. 49, .A.ue., (.Vrchitect and engineer, v. 47, Nov.. 1916, 1910, p. 375-380.) * DA p. 95-100.) tMQA 2423. N., B. von. Die Ems-Nassauer Describes and illustrates the beautiful theatre of Mr. Cieorge G. Booth, near Detroit, Michigan. Stein-Festspiele. illus. (Das Theater, Jahrg. 4, Heft 23, Aug., 1913, p. 455-458.) 2436. Rath, Willy. Die Freilichtbuhne. tNGA illus. (\elhagen & Klasings Monatshctte. * Brief description of out-of-door theatre at Bad Jahrg. 25. June, 1911, p. 230-241.) DF Nassau, with two illustrations. 2437. Reparaz, G. Bussang (Francia). 2424. Nature theatres. (Era, V. 76, April El teatro del popolo. (La ilustracion es- 5, 1913, p. 13.) ttt NAFA panola, ano 40, no. 33, Sept. 8, 1896, p. 131; Account of the work of Mistral, Lorcnz, ami Dr. illus. on p. 141.) *DR Ernst Wachler. View of the theatre and portraits of M. and Mmc. Pottecher. 2425. Nightingale, E. L. The Julius Caeser production at Beechwood Amphi- 2438. The Return of the drama to nature. theatre, illus. (Lighting journal, v. 4, illus. (Current literature, v. 47, Sept.. 1909. July, 1916, p. 141-142.) VGA p. 312-315.) *DA Has a view of the open air setting for Scheffaui-r's 2426. An Open-air theatre at Paris, illus. The so>\s of Baldur. (Illustrated London news, v. 55, Sept. 4, 2439. Roberts, Mary Fenton. The value of 1869, p. 232-233.) * DA out-door plays to .America, illus. (Crafts- 2427. Outdoor theatre is built in Califor- man, V. 16, Aug., 1909, p. 491-506.) MNA nia canon, illus. (Popular mechanics, v. 2440. Roney, Henry B. Pageantry, a 26, Sept., 1916, p. 365.) VFA t civic pastime, illus. (Popular mechanics. Describes the theatre near San Diego. V.27, March, 1917, p. 337-344.) f VFA 2428. Pfeiffer, Wilhelm. Dramaturgische Illustrated description of South Bend celebration. Aufsatze. Leipzig: Xenien-Verlag, 1912. 2441. Row, Arthur. Open air theatres in 114 p. illus. 12°. NAF .America. (Harper's weekly, v. 58, Oct. 4. Among these seven papers are (1) The staging 1913. p. 21.) *DA of Die Meistersingcr ; (2) The history of Schiller's Glocke on the stage; (3) .\ history of the open air Refers mainly to the Brooksidc Theatre at Mount theatre, accompanying which are four illustrations. Kisco, N'. V. 2429. Zur Geschichte der Naturthe- 2442. The Rustic theatre. Montgomery ater. illus. (Biihne und Welt, Jahrg. 13, Falls, near Quebec. (Theatre magaziiu-, Halbjahr2, 1911, p. 221-229.) f NGA V. 8, July, 1908, p. 189.) ft NBLA Has pictures of modern and former open air the- 2443. St. Louis to retain big outdoor theatres. That of the Mannheim Exposition is of special note. atre, illus. (Popular mechanics, v. 26, Aug., 1916, p. 262.) tVFA 2430. Pierce, Lucy France. Secessionists Stage is ISO feet by 60 feet. Theatre aciunio- in the arena. (Drama, no. 11, Aug., 1913, dates 10.000 persons. p. 127-137.) NAFA 2444. Salters, James. The wild men of An appreciation of the open air theatre. (Jbcrstdorf. illus. (Strand, v. 25, ,\pril, 2431. A Playhouse made of living trees, 1903, p. 386-390.) * DA illus. (Theatre magazine, v. 16, Nov.. 1912, Open air dance show in Bavaria. p. 158.) ttNBLA 2445. Saviotti, Alfredo. Festc c spctta- Two views and a plan of the Theatre dc Cliar- millcs. coli ncl sciceiito. (Giornalc storico dclla Ictteratura italiana, v. 41, 1903, p. 42-77.) 2432. Port Sunlight. (Building news. v. NNA 84, June 19, 1903, p. 856.) MQA Spectacles at Parma, P.idun, Venice, BoloKna, and Description of open-air theatre near Birkinlicail, Rome during the sixteenth century. England. 2446. Savits, Joc/a. Das Naturtlicatcr: 2433. Porter, L. C. Pageant lighting, cine- I^tudic . . .iiiit bcsoudcror Hcriicksich- illus. (Lighting journal, v. 3, .^ug., 1915. VGA tigimg dcr Naturthcater in Thalc am Harz p. 169-172.) niid in Hcrtcnsteiii bci I.iizcrn. Munchrn:

2434. Pottecher, Maurice. Le theatre du R. I'ipcr it Co. |1')10., 44 p. ilhiv 8 . peuple de Bussang (Vosges); son origine. MWEp.v.l,no.3 108 THE NEW YORK PUBLIC LIBRARY

Open Air Theatres, continued. 2460. Waillv, L. de. Nouveaux voyages en zigzag, par R. Topffer. illus. (L'illus- 2447. Scheffauer, Herman. The forest tration, v. 22, Oct. 24, 1853, p. 267-270.) plays of California, illus. (Theatre maga- *DM zine, V. 10, Sept., 1909, p. 88-94, viii.) A review of Toepffer's book in which open air the- tt NBLA atricals at Stalden are described. 2448. Seifert, Shirley L. An improvised 2461. Tompkins, Frank. The Cranbrook stage for an out of doors fairy play, illus. masque, illus. (Theatre arts magazine, (Popular science monthly, v. 91, July, V. 1, Nov.. 1916. p. 3-8.) NBLA 1917, p. 131-132.) *DA Description, views, and plan of Mr. George Booth's Light furnished by automobile headlights. out-of-door theatre, near Detroit. 2449. Staging the Indian scene in Shane- 2462. Tyrrell, pastoral plays wis. (New York Times, Feb. 17, 1918. Henry. The of the Basque shepherds, illus. (Theatre section 5, p. 9.) * A v. 4, Sept., 219-220.) Describes staging contemplated. magazine, 1904, p. ft NBLA 2450. Stahl, Ernst Leopold. Shakespeare 2463. Shakespeare's tercentenary auf der Naturbiihne. . .im Bergtheater am Using Harz. (Deutsche Shakespeare-Gesell- to awake the spirit of civic cooperation, schaft. Tahrbuch, Jahrg. 44, 1908, p. 239- illus. (Current opinion, v. 60, June, 1916, * 243.) " *NCK p. 408-409.) DA Two scenes by Robert E. Jones for Percy 2450a. Stevens, Arthur S. The open air Mackaye's Caliban. theatres of France, illus. (Metropolitan magazine, v. 24, 1906, p. 133-143.) * DA 2464. Vair, S. The Tyrolese national Orange, Beziers, Cauterets, Aries, and Nimes, plays in Meran. (Harper's weekly, x.Zl, with excellent illustr.itions. Jan. 21, 1893, p. 64-65; illus. on p. 56.) * DA 2451. Stoll, Horatio F. California's mis- 2465. Vesper, T. L. Design for open- sion theatre, illus. (Theatre magazine, an air theatre. folded pi. (Builder, v. 94, V. 17, May, 1913, p. 153.) ft NBLA April 18, 1908, p. 458.) MQA 2452. Notable open air theatres in America, illus. (Theatre magazine, v. 2466. Vincent, Ephrem. Theatre du peu- 14. July, 1911, p. 18-22, vi.) ft NBLA ple a Bussang (Vosges). illus. (Le the- Views of the theatres at Berkeley, Carmel-by-theatre, no. 42, 1900, p. 15-19.) ft NKL Sea, and Tacoma; also of several forest theatres. Interesting open air theatre. 2453. Where theatres are out-of- doors, illus. (Technical world, v. 20, 2467. Wade, George A. The theatre in the public illus.- illus- Nov., 1913, p. 403-408.) VDA schools, (English trated magazine, v. 34, Jan., 1906, p. 355- 2454. Summer resort entertainments, 361.) *DA illus. (Leslie's weekly, v. 81, Aug. 22, 1865, Pictures of the open air theatre at Bradfield Col- p. 123-124.) * DA lege. Brief account of presentation of the comic opera Dorothy at Lake George. 2467a. Waugh, Frank Albert. Outdoor theaters. The design, construction and theatre Phalerum 2455. A Summer at use of open-air auditoriums. Boston: R. Bay, near Athens. (Frank Leslie's Sunday G. Badger [1917j. 151 p., 16 pi. illus. 8°. magazine, v. 22, July, 1887, p. 61.) * DA MRE Wood engraving of an open air theatre (1887). 2468. Where Paris leads the way. illus. 2456. A Theatre of hornbeams; a garden- (Black and white, v. 43, Aug. 12, 1911, p. made playhouse. (Sketch, v. 79, Aug. 7, 273.) *DA 1912, p. 152-153.) * DA Full-page illustrations of the back and front of Leeuwergem, Belgium. the open air theatre of the Comedie Frani;aise. 2457. Theatre roofed by the stars, illus. 2469. Wiegerhaus, Friedrich. Die Pfingst- (Literary digest, v. 47, July 5, 1913, p. 20- 21.) *DA festspiele im Harzer Bergtheater bei Thale am Harz. illus. (Buhne und Welt, Jahrg. 2458. This is not Venice, just a glimpse 7, Halbjahr2, 1905, p. 844-846.) f NGA of "Song and light." illus. (Musical America, v. 26, no. 22, Sept. 29, 1917, p. 5.) 2470. A Woodland theatre, illus. (The- *MA atre magazine, v. 16, July, 1912, p. 9.) Description and pictures of open air night scene ft NBLA in Central Park, New York. Riverdale-on-Hudson, N. Y. Ben Greet presenta- 2459. Toepffer, Rodolphe. Nouveaux voy- tion of As yon like it. ages en zigzag... Paris: Victor Lecou, 2471. Wright, Willard Huntington. Cali- 1854. xvii, 454p. illus. 4°. f GDK fornia's mission play, illus. (Harper's See p. 249-267 for an account of open air theatricals at Stalden, Switzerland. weekly, v. 56, July 6, 1912, p. 19.) * DA INDEX OF AUTHORS

Numbers refer to individual entries.

Banzcmont, G. de, 1032. Bapst. Germain, 766a. 2255-2256. A., G. L., 2246. Barchan, Paul, 978-979. A., S., 707. Barkt-nbom, Magnus, 19. Abell, Frank, 1027. Barker, -Xnthony, 2357. Abric, Leon, 2351. Barker, Granville. 485. Ack, E., 1571. Barker. Robert, 2257. Adams, J. Q., jr., 465-468. Barnes, James, 2359. Aimond, Charles, 203. Barrow, Sir John. 1033. Akhondzade, M. F. A., 1414. Baskervill. C. R.. 486. Alber, 1225, 1415, 1778. Basset, Serge. 1791-1792. Albert!, G. A., 1572. Bastien. Adolf, 1422. Albright, V. E., 468. Bates, William, 1793. Alexander, Victor, 2249. Bateson, Mary, 206. Alexandre, Arstne, 974. Bauer, E. E. von, 823. Alkonost, Kn. I., 975. Baughan, E. A., 487. 824. Allard, Stephen, 709. Baunu-istcr. August. 20. Allen, Bruce, 469. Baxter, K. S., 1034. Allen, \V. J., 1226. Bayne. Ronald. 673. Allison, F. G., 10. Bazin. A. P. L., 1035. Altman, Wilhelm, 11. Beaulieu, Henri, 767-768. Amador de los Rios y Villata, R., 1016. Beck, Th., 21. Amundsen, Gerhard, 814-815, 1779. Becker, Ileinrich. 22. Ancona, Alessandro d', 957. Beckmann, Johann, 1424. Anderson, Madge, 1227-1230. Begas. Paul, & Co., 1576. Andre, Pierre, 15. Begg. S., 1794. Andrews, Charlton, 471, 710. Behn. Aphra. 315. 853. .•\net, Claude, 1417. Behrens. Peter. 825-826, Angelo, Henry, 307. Belasco, David. 713-716. Appia, Adolphe, 816-819, 853. Bell, Hamilton. 316. Apthorp, W. F., 820. Bell. Robert. 488. Archer, William, 472-476, 821, 1231-1232. Bell, W. G., 489. 1017. Armstrong, S. A., 2352. Benavente y Martinez, J., Armstrong, William, 2353. Benazet, Alexandre, 1036-1037. Arnavon, Jacques, 766. Benson. R. H.. 207. Aronstein, Philip, 671. Bergengren. Ralph. 490. Arrowsmith, John, 1575. Bergk, Theodor. 23. Gottfried. 24. Art lover, 1235. Bernhardy. Arthur, Helen, 711. Bcrret. Paul. 208. 209. Arvold, A. G., 1354-1355. Berriat-Saint Prix. Ashton, A. F., 477-478. Bcrtall. 1804. Asperanti, 1782, 2536. Berthelot. Ph.. 1805. Walter. 491. 674. 1578. Atkinson, F. H., 1236. Besant, Sir 25-27. Aubertin, Charles, 204. Bethe. Erich. Hans. 827. Audra, R., 1784. Bethgc. 828-829. 142S. Auquier, Philippe, 1356. Bie. Oskar. Georg. 830. .\uriol, George, 1419. Biermann. Gustav. 492. Austin, Henry, 1030. Binz, 1806. .\uvergne, Jean d', 976. Birch. J. B.. Birnbaum. Harry. 980. .\venel, G. d', 1786. Wilhelm, 1579. Avery, A. H., 1420. Biscan. Bishop. I. L. B.. U).?8. Bisland, Elizabeth. 2258. Bissing. H.. 1580-1582. Blake, Sir H. A., 1153. B Blakeslee. F. G.. 2259. Blanchard. E. I... 317-327. B., C. W. D., 1787. Blind. Karl. 493. B., E., 1788-1790. Blondrl. Grnrgcd, 2260. B., J. M., 312. Bhiemncr. Hugo. 28. Bache, Rene, 1421. Boaden, James. 328. Bacon, Francis, 672. Bcias, V. S.. 494. 675. Bader, Franz, 16. Bochius. Ji.nnncn. 2'». Baker, G. P., 480-482. Bodcnslciiier. Ernul, 30. Baker, H. B., 313, 483. Bochni. Anna, 210. Bakshy, Alexander, 977. Bnissy. Gabriel. 2363-2371. Ball, J. D., 1031. Boistcl. E.. 1808. Ballard, Anna, 2253-2254. Bolingbrokc, L. G., 211. Bang, W., 484.

[ 109] no THE NEW YORK PUBLIC LIBRARY

Bonaparte, Prince Roland, 1427. Carrara, Jules, 2379. Bond, R. W., 212. Carrington, Hereward, 1824. Bonnafont, 1583. Carter, Huntly, 333a, 836, 1243, 1587. Bonneau, Alcide, 2372. Carter, L. J., 1825. Borlase, William, 213. Carter, Mrs. Leslie, 1244. Bormann, Walter, 495. Causse, J., 1019. Borneman, Wilhelm, 831. Cecil, George, 1048. Eorsa, Mario, 329. Chaignet, A. E., 38. Boschot, Adolphe, 769. Chalmares, G., 1589, 1827. Boullet, 1810. Chalmers, George, 506. Boulton, W. B., 676. Chamberlain, B. H., 1049. Bourdon, Georges, 330, 769a-770, 1585, 2373. fhambers, E. K., 218, 507. Bourgeois, Alfred, 2374. Chamonard, J., 39. Bousquet, Georges, 1039-1040. Champfleury, 1432. Bover, Jacques, 1428. Chapin, A. A., 719. Bradley, A. C, 496. Chapman, J. K., 334. Bradley, Edward, 331. Charlanne, Louis, 771. Bragdon, Claude, 2375. Charpentier, Leon, 1051-1053. Brandes, Georg, 497. Chavannes, Roger, 1590. Brandl, Alois, 214, 498-499. Cheney, Sheldon, 335, 720-721, 1245-1247, 136S- Brandstctter, Renward, 215. 1366, 2379a. Brandt, Fritz, 832-833, 1811-1814. Chessire, J. K. C, 1247. Brauns, David, 1041. Chetwood, W. R., 1828. Brayley, E. W., 1815. Chevalier, L'lysse, 241. Breitenstein, H., 1429. Child, Harold, 509. Child, Theodore, 1829. Breton de la Martiniere, J. B. J., 1042-1043, 1430. Brink. B. A. K. ten, 216. Chodzko, A. B., 1062. British Fire Prevention Committee, 1237. Christ, Wilhelm, 40-42. Christie, James, 43. Broadbent, R. J., 1431. Brockhaus, Albert, 1045. Chubb, Percival, 1368-1368a. Brooke, C. F. T., 500. Church, Virginia, 1433. Brooke, C. W. A., 2376. Clair-Guyot, Jean, 1830. Brotanek, Rudolf, 677. Clarence, Reginald, 336. Brown, F. C, 501-502, 717, 834, 1585a. Claretie, Jules, 771a. Brown, Theodore, 1816. Claretie, Leo, 44. Brown, W. W., 1358a. Clark, B. H., 1247a. Browne, C. E., 958. Clericeau, A., 1831. Browne, Maurice, 1359—1360. Cleveland, George, 1063. Browne, Van Dyke, 1238. Cloesser, Arthur, 837. Browne, William, 2261. Clouzot, Henri, 45. Bruckmann-Cantacuzene, E., 835 Cohen, Gustave, 220-222. Bruening, Ida, 216a. Cohn, Albert, 838. Brumoy, Pierre, 31. Coleman, John, Z57. Brunetiere, Ferdinand, 1046. Collier, J. P., 679. Bruno, 2262. Collins, Charles, 1434. Buckland, Wilfred, 718. Collins, J. C, 511. Colman, George, 338. Buckle, J. G., 1817. Buckley, E. R., 503. Colombo, G., 1591. Budd, K. C, 2377. Columbia University. — Dramatic Museum, 1435. Bullard, F. L., 1361. Compiegne, V. L. A., marquis de, 1064. Conrad, Hermann, 512-513. Bulloch, J. M., 332. Bunnell, H. O., 1819. Contant, Clement, 1834. Burmester, L., 1239. Cook, A. B., 47. Burns, Shirley, 1240, 1586. Cook, Dutton, 1835. Burnside, R. H., 1820. Cook, G. H., 1768. Burroughs, Clyde, 2377a. Cooper, C. R., 339. Burton, Percy, 981. Copeau, Jacques, 772, 983. Butler, R. G., 1362. Coquit, Gustave, 1248. Corbett-Smith, A., 1067. Corbin, John, 514-515, 722-723, 773, 839. Corbould, William, 1249-1251, 1436, 1594, 1836-1847. Corkran, Alice, 1595. Corner, Julia, 1068. Cortissoz, Royal, 516. C, S., 1363. Coryate, Thomas, 959. C, T. F. D., 1821. Courant, Maurice, 1069-1070. Caffin, C. H., 504. Cournos, John, 340-341. Cahn, Julius, 741. Coward, E. F., 517, 723a. Calaza, J. M., 1018. Cox, R. S., 1596. Calvert, Louis, 1241. Cozic, Henri, 1851. Cameron, D. B., 1822. Craig, A. T., 2382a. Capps, Edward, 32-37. Craig, E. G., 342-345, 853, 1852. Cargill, Alexander, 505. Cram, Mildred, 1596a. Caristie, Auguste, 2378. Crane, W. H., 724. Carleton, Dudley, 678. Creizenach, W., 224, 518-520. Carlisle, II. W., 1242. Crilly, W. M., jr., 1437. Carnahan, D. H., 217. Croce, Benedetto, 959a. Carpentier, J., 1823. Croft, T. W., 1597. Carr, M. C, 718a. Croiset, Maurice, 47a. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY m Crosby, R., M. 521. Duruy, Victor, 68. Crosier, J. B. G. A., 1102. Dwight, H. G., 1447. Crosse, Gordon, 226. Dwycr, 1609. Crozier, G. B., 1253. Dvcr, Louis, 69-70. Cundall, H. M., 346. Dyer, T. H.. 71. Cunliffe, J. W., 1438. Cunningham, Peter, 680-682. Curtis, T. S., 1854-1860. Curtius, Ernst, 47b. E Curzon, Henri de, 2383. Eaton, W. P., 727, 1260-1263. Cushman, L. W., 227. Ebert, Adolf, 233-234. Eden. C. H., 1082. Edwards, H. S., 1263a-1264. Edwards, Osman, 1083-1084. Eichler, Albert, 527. Eliot, S. A., jr., 775a, 1376. Elson, T. H., 1377. D.. C. I., 2268. Elster, Alexander, 1265. D., F., 1439. Ely, 1640. D., L., 1861. EIze, Karl, 529. D., 1599. M., Emden, Walter, 1889. Dagan, Henri, 2384. Emerson, Gertrude, 1085-1086. Dale, Alan, 1255. Engelmann, Richard, 72. Dall, James, 2269. Enjoy, Paul d', 1087. Dallas, M. K., 1256. F!pstein, Bennett, 776. Darimon, G., 1600. Erler, Fritz, 847. Darley, J. R., 49. Ernst, Alfred, 1892. Daudert, J. B., 840. Esswein, Hermann, 848. Dauncey, E. C, 1073-1074. Eude, Robert, 2275. D'Avenant, .Sir William, 683. Eulenspiegel, pseud., 849. Davidson, Charles, 228. Evans, H. A., 684. Davies, W. W., 1601. Evans, M. B., 1894. Davis, Paul, 1369. Everth, Erich, 1266-1267. Davis, Washington, 725. Exner, A. H., 1088. Davol, Ralph, 2385. Davy, Marie, 1257. Dece, H., 1370. De Cordova, Rudolph, 1602. Deiters, Heinrich, 1353. De Kay, Charles, 50. Fagan. J. B., 1642a. Dekker, Thomas, 522. Fairholt, F. W., 355. Delgado, F. P., 2386. Falena, Ugo, 2392. Delius, Nicholaus, 522a. Farjeon, B. L.,1378. Denig, Lynde, 726. Farlow, L. S., 1895. Deschamps la Riviere, R., 774. Farwcll. E. L., 1896. Desfontaines, A. C, 1603. Faulkner, Thomas, 356-357. Desprez, Frank, 347, 841, 984, 1604. Fechner, Hanns, 1353. Devrient, Eduard, 229. Fceney, J. M., 1643. Dewey, Melvil, 51. Feise, Ernst, 1449. Dibdin, J. C, 348. Fellner, Richard, 850. Dickens, Charles, 1441. Fenollosa, E., 1091, 1172. Dickinson, T. H., 774a, 1259, 1371-1373, 2388. Fernand Michel, F. F., 73. Dieck, H. L., 1374. Ferrari, Giulio, 961, 1268. Dieudonne, E., 1605. Feucrlein, O., 1644. Disraeli, Isaac, 230, 349. Feuillerat, Albert, 358, 530-532. Ditchfield, P. H., 523. Ficoroni, Francesco de, 73a. Dix, R. S., 1442. Filippi, Joseph de, 777. Dk., J. S., 1866. Fischer, Theodore, 2393. Dodge, W. P., 1867-1869. Fisher, Adams, 1093. Dodgson, E. .S., 231. Fitch. G. H., 1094. Doerpfeld, Wilhelm, 55-64. Fitger, Arthur, 1353. Donnet, Alexis, 1870. Fitzgerald, P. H., 359. 532a, 1270, 1902. Doolittle, Justus, 1077. Fitzgerald, W. G., 2394. Douglas, Sir R. K., 1078. Flagg, E. H., 1902a. Downes, John, 350. Fleay. F. G., 360, 533-535. Drake, Nathan, 525. Fletcher, B. F., 1904. Drerup, E., 65. Flcury, Jules. Svf Champflcury. Driesen, Otto, 1443. Flickingcr, R. C, 73b-74. Drossong, Albert, 842. Flirt, 1906. Droste, Carlos, 843. Floegcl, K. F., 75-76. Dubois, Felix, 2273. Fontana, Carlo, 77. Duesel, Fricdrich, 844-845, 1444, 1875. Fonvillc, W. dc. 1908. Ford, R. C, 137«a. Du Halde, J. B., 1081. Dumont, G. P. M., 1876-1878. Foresticr, A.. 235. Dumoulin, Maurice, 846. I'"ortuiiy, Mariano, 1646. Duquesnel, Felix, 775. Foss, Frederick, 361. 78-79. Durand, W. Y., 526. Fossum, Andrew, Duranty, L. E. E., 1446. Foster, F. A., 536. Durm, Josef, 66-67, 960. Fournicr, Lucicn, 1910. 112 THE NEW YORK PUBLIC LIBRARY

Fox, E. L., 1647. Greet, Ben, 550. Frame, Virginia, 1379. Greg, W. W., 675. Fred, W., 851-852. "Gregorius," 1458. Griffis, E., Freeman, J. R., 1271. W. 1101. Freier Bund, 853. Grimm, J. L. K., 1459. Frenzel, K., 537. Grimm, W. K., 1459. PVeska, Friedrich, 1450. Grimshaw, Robert, 1657. Freund, F. E. \V., 854-856. Griswold, F. H., 94. Frezier, A. F., 1911. Gruenwedel, Albert, 1103. Friedlaender, Ludwig, 80. Guerout, .\ug., 1658-1660. Friedrich, Karl, 1912. Guhl, E. K., 95. Frisch, Gustav, 1647a. Guimet, femile, 1105. Frohman, Gustave, 2276. Froude, J. A., 236. Fuchs, C, 2396. Fuchs, Georg, 857-859. H Furber, W. C, 1648. Furley, J. S., 81. H.. 367. Furtenbach, Joseph, 1272, 1649. H., F., 1929. Fyles, Franklin, 1914. Hackett, Karleton, 1382. Hadley, G. T., 1660a, 1930. Haenel, Erich, 864. Haenel, G., 1931. Hagemann, Carl, 865-867. Hagen, C. L., 1383, 1931a-1932. Hager, Herman, 97. G., W. P., 1915. Hagmann, J. G., 551. Gad, Emma, 1272a. Haigh, A. E., 98-103a. Gaehde, Christian, 1916. Hale, E. E., jr., 552, 1275. Gaiffe, F., 779. Hallam, Henry, 243. Gaismaier, Josef, 1451. Halle, J. S., 1461. Gandy, J. P., 88. Hallett, \V. H., 552a-552b. Gardner, E. A., 82-85. Halliwell-Phillips, J. O., 553-554. Gardner, Percy, 86. Hamilton, Clayton, 104, 368, 733-736, 1276-1281, Garnier, J. L. C, 1917. 1384-1384a, 1462. Gausseron, B. H., 2398-2399. Hamilton, Walter, 1463. Gautier, Theophile, 1452. Hammitzsch, Martin, 1933. Gayet, Albert, 1453-1454. Hampe, Theodor, 868. Gayley, C. M., 237-238. Harcourt, Eugene d', 2402. Ceffcken, Johannes, 87. Hardy, E. J., 1106. Gell, William, 88. Harrington, Helen, 2403. Genee, Rudolph, 239, 538, 859a, 1918-1919. Harris, Augustus, 369. Genelli, H. C, 89. Harris, H. C, 1661. Genest, John, 685. Harrison, E. J., 1107. Geppert, K. E., 90. Harrison, J. E., 105. Geraldy, Frank, 1650-1651. Harrison, William, 556. Gerard de Nerval, 1455. Harrod, B. M., Til. Gerstenberg, Alice, 1380a. Harrod, Henry, 2404. Gesellschaft fiir Theatergeschichte, 860. Hartmann, Sadakichi, 1108. Gilbert, N. G., 2278. Hartmann, Siegfried, 1662. Giles, H. A., 1095. Harts, W. W., 2404a. Ginisty, Paul. 1272b, 1921. Hartshorne, A. C, 1109. Girardot, A. T., 240. Harvey, Martin, 370. Giraud, 2092. Harzmann, Friedrich, 105a. Giraud, P. E., 241. Hastings, Charles, 1. Godfrey, W. H., 540. Hatcher. O. L., 557. Godwin, E. W., 541. Hatton, Joseph, 371. Godwin-Austin, H. H., 1096. Havemever, Loomis, 2279. Goerz, 1653. Hawkins, Frederick, 558-559, 781-781a. Golden, \V. E., 362. Hawks, Wells, 1934. Goldmann, Paul, 861-862, 985. Hazeu, G. A. T., 1464. Goldston, Will, 1923. Hazlitt, W. C, 686. Gonse, Louis, 1098-1099. Hearn, Lafcadio, 1110. Goodell, T. D., 91. Hecht, Hans, 869. Goodwin, A. T., 543. Hecker, Max, 2405. Gorham, Mercy, 730. Heemardinqucr, 2214. Gos, Frangois, 863. Heinzel, Richard, 244-245. Gosset, Alphonse, 1273. Held, Berthold, 1935. (iotthold, Rozel, 731. Helmholtz-Phelan, A. A., 560. Gottholdt, Ruth, 732. Helsdingen, R. van B. van, 1111. Gow, A. S. F., 92. Henderson, A. C, 1282. Grabo, C. H., 365. Henderson, J. E., 1112. Gradenwitz. Alfred, 1274, 1654, 1924. Henderson, W. J., 1936. Grainger. Hector, 1925. Henry, Leigh, 2280. Grau, Robert, 1655-1656. Henslowe, Philip, 561. Graves, T. S., 544-548. Herald, Heinz, 870. Greban, Arnoul, 242. Herkomer, Sir Hubert von, 374-377. Green, E. M., 1100. Herman, Henry, 1283. Greenstreet, James, 549. Herold, A. F., 782. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 113

Herrmann, Max, 247. Julien, Louis, 1970. Herts, B. R., 1284. Jullien, Adolphe, 784-7S4a. Hessen, Robert, 2. Juppont, 1673. Hewlett, Monroe, 1465. Jurinek, J. M., 1475. Hexamer, C. 1285. J.., Jusserand, J. J., 251, 565-566. Heydemann, A., 1663. Juynboll, H. H., 1124. 1476-1477. Hiller von Gaertringen, FricJrich, Freiherr von, 106. Hillmann, H., 11 U. Hines, G. C, 1939. Hippeau, Celestin, 107. Hirsch, Gilbert, 1466. Hirth, Friedrich, 1467. K.,H., 1971. Hitomi, J., 1114. K., P.. 1478. Hittorf, J. J., 2281. Hoeber, Fritz, 1941. K., \V. G., 1294. Hoecker, P. O., 1287. Kahane, Arthur, 877. Hoefer, Conrad, 871. Kanitz, F., 1479. Hoenn, K., 108, 853. Kasch, E., 1663. Hofflund, Bertha, 109. Kasser, H., 252. Holliday, Carl, 1942, 2281a. Katsch, H.. 1295. Holmes, George, 1943-1944. Kawerau, Georg, 113.

Holwerda, J. H., jr., 110. Keane. A. H. J., 742. Hone, William, 248. Keith, A. B., 1125. Hopkins, A. A., 1945-1946. Keith, W. G., 690a. Hopkins. Arthur, 1288. Kellar, P. R., 2283. Hornemann, H., 1664. Kelly, William, 253. Horovitz, Josef, 111. Kemble, E. W., 1126. Horstmann, H. C, 1665, 1948. Kemp, Miss E. G., 1127. House, E. H., 1115. Kempc, A. 381. Houssaye, Arsene, 783. J., Kenyon, R. L., Co., 1973. Howard, H. H., 1386. & Howard, Percy, 872. Kern, Friedrich, 1480. Howe, Samuel, 738. Kern, O., 106. Hrotsvit, 249. Kesser, Hermann, 2410. Huard, Abel, 249a. Kiefer, Wilhelm, 878. Hudson, W. H., 561a. Kienzl, Hermann, 878a, 2411. Hughes, Mrs. T. F., 1116. Kilian, Eugen, 879-885. Hume, D. C. M., 1954. Kincaid, Zoe, 1127a. Humphrey, Grace, 1955-1956. Kingston, Gertrude, 1974. Hunt, E. R., 1289. Kinsilia, E. B., 1975. Hurst, G. H., 1290. Kirchhoff, Christian, 114. 1674. Husk, VV. H., 1468. Kitchen, K. B., 886-888. Huth, Friedrich, 1957. Klaar. Alfred, Klausmann, A. O., 1675. Klein, David, 254. Klein. J. L.. 3. Klein, R., 1976. Klcist, Heinrich von, 853. Klempcrcr, Victor, 1481. Tnama, Vigilio, 112. Kliegel, J. H., 1977. Irvin, F., 1387. Knapp, Charles. 1 15. Irving, H. B., 563. Knight. Charles, 568. Irwin, Will, 1117. Knosp, Gaston, 1128-1129. Ivanof, Viacheslof, 987. Kobbe, Gustav, 1978-1979. Kobcrstein, August, 1980. Koehlcr, Fritz, 1130. Kocrncr, Erich, 1981. Koerte, Alfred, 116-117. Ko.rting. G. C. O.. 118. Albert, 569. 889. Jacob, Georg, 1470-1473. Koester, Jacobsohn, Siegfried, 873-874. Koestcr, Frank, 1676, 1982. D.. 95. Jameson, M. S., 1474. Koncr. W. Heinrich, 889a. Janer, Florencio, 2282. Kopp. Knpp.l. K.. 570. Jaros, Samuel, 1964. Jenkinson, Wilberforce, 380. Koretzki, .\. V., 988. B., 571. Jcnks, Tudor, 564. Kostcr, E. K(-ub. Jocelyn, S. E., 1967-1968. Kr.hbicl. H. E.. 1984. Joehlinger, F., 875. Kn.ws. A. E.. 743. 1985. Johnston, R. F., 1121. Max, 853, 890. Johnston, William, 2409. KrucRcr. Kuchl. Gustav, 255. joly, H. L., 1122. Kuehn. Walter. 891. Tonas, Maurice, 1969. KutL.s. Tgnaz. 1131. 1483. Tones, Bassett, 1670a-1671. Kiinz. G. F.. 119. Jones, R. E., 740, 1672. Kurbalnv. B.. 989-990. Jonson, Ben, 689-690. Kutschcr. Arthur. 892. Joseph-Renaud, J., 564a. Kyle. H<.war

M., V.-F., 793. Mabie, H. W., 589, 1146-1147. McArdle, J. F., 1306. L., A. de, 1986. McBride, Raymond, 2415. L., A. S., 1484. McBride, Walter D., 1148. L., W. J., 1485. McCafferty, Grattan, 2002. Lacaze, Leon, 786. MacCracken, H. N., 592. Lacour, Alfred, 1987-1988. Maceron, D., 1149. Ladd, G. T., 1132. MacFall, Haldane, 387. La Gournerie, Jules de, 1295a. Macgowan, John, 1150. Lahm, Carl, 1989. Macgowan, Kenneth, 746-748a. Lajarte, Theodore de, 1990. MacKay, C. D'-\., 1307, 1391-1392a, 2416. Lamplugh, G. \V., 1133. Mackaye, Steele, 1308. Landriani, Paolo, 1296. MacKenzie, J. D., 1694. Laneham, Robert, 572. MacKenzie, W. M., 124. Lathrop, E. L., 573. Macrae, F. G. H., 2004. Laurens, Jules, 1134. Maeterlinck, G. L., 794-795. Laurent, Gaston, 787. Magnin, Charles, 125. Lautenschlaeger, Carl, 1992-1993. Mahaffy, J. P., 126. La Villemarque, T. H., 256. Mahan, H. E., 1721. Law, Ernest, 691. Maindron, Ernest, 1497-1498. Lawrence, \V. J., 382-384, 475, 574-580, 692-693, Malani, Alfredo, 1695. 744a, 78S, 962-963, 1298, 1678, 1995. Maiden, R. H., 127. Lawson, Kate, lady, 1135. Male, femile, 263. Lawson, Robb, 257. Mallard, Gustave, 128. Lay, G. T., 1136. Malone, Edmond, 593. Le Braz, Anatole, 258-259. Maltzan, Heinrich, 1500-1501. Leclercq, Paul, 1487. Mangin, Charles, 1496. Leclere, Adhemard, 1137-1138. Mann, D. L.. 696. Lee, Sir Sidney, 581-583, 694. Manning, William, 2007. Le Fevre, Gilbert, 2285. Mantle, Burns, 2009. Le Goffic, Charles, 1488. Mantzius, Karl, 4, 796. Lehmann, Julius, 1272a, 1996. Mareschal, G., 2010-2012, 2288. Lehner, Gilbert, 893, 1489. Marieton, Paul, 2417. Lemercier de Xeuville, Louis, 1490. Mariette, P. J., 388. Lemire, Charles, 260. Markino, Yoshio, 1151. Lennox, Lord \V. P., 260a. Marsan, Jules, 797. Leo, Friedrich, 120. Marstersteig, Max, 901. Lequeux, .\., 1139-1140. Marston, Glenn, 1696. Lesoir, George, 1141. Marston, Richard, 749. Lessing, Theodor, 894. Martin, William, 594. Lestrange, Robert, 789-791. Marx, Paul. 596. Lethe, 1298a. Masner, Karl, 1697. Levi, Sylvain, 1142. Masquery, Paul, 129.

Levy, M. J., 1678a. Matthews, J. B., 5, 130, 265-266, 1309-1311a, 1504- Light, William, 121. 1505, 2418. Lindegren, A. J., 1301. Mau, August, 131. Lindner, Gerhard, 261. Mawson, H. P.. 390, 1312. Linnell, Gertrude, 384a. Meier, M. W., 750. Little, Archibald, 1143. Mein, W. G., 391. Littmann, Eno, 1491. Meloy, A. S., 2017. Littmann, Max, 895-89S. Menard, R. J., 132. Lloyd, Arthur, 1444-1445. Menpes, Mortimer, 1152-1153. Llovds, F., 1302. Mentzel, E., 904. Lochemes, M. J., 2286. Meriden, Orson, 133. Lockett, A., 1685-1686. Merimee, Henri, 1022. Loebrecke, E., 1687-1688. Merriam. A. C, 134. Loewenfeld, Hans, 899. Merton, H. R., 2018. Logan, Olive, 744c. Mess, P. F., 1506. Logeman, H., 584. Meyer, A. N., 994. Lohde, Ludwig, 122. Meyners d'Estrey, G. H. J., 1154-1156. Londe, Albert, 1303. Michaelis. H., 1698. Lowe, R. W.. 385, 476, 586, 695. Michel, W., 905. Lowrey, E. \V., 745. Mick, H. L., 1508. Lucas, Seymour, 1304. Middleton, J. H., 135. Luckiesh, M., 1689-1692. Mieszner, Wilhelm, 906. Lugne-Poe, 1999. Migeon, Gaston, 1157. Lumisden, .\ndrew, 123. Miles, D. H., 1509. Luschan, F. von, 1494. Miller, Bernard, 1510. Lux, H.. 1693. Miller, Ferdinand von, 1353. Lyly, John, 587. Millet, Marcel, 2289. Milligan, T. R., 1313. Moderwell, H. K., 136, 751, 907, 1315-1316, 1511, M 2023. Moliere, J. B. P., 798. M., A. de, 262. Monico, L'mberto, 1158. M., F., 964. 2000. Monnier, Marc, 137. M., J. E. G. de, 2414. Montfaucon. B. de, 138. M., M., 2001. Mooney, M. S., 269. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 115

Mooney, W. VV., 138a. Papperitz, Georg. 1353. Moore, E. H., 270. Paris. Louis. 278a-279. Morel, Eugene, 2025. Parker. J. H., 154. Morice, femile, 271. Parrot, J. E., 280. Moritz, 2026. Parville. F. H. P. de, S^l, 1714, 2070. Mornand, Felix, 272. Patterson. Ada. 754, 1398-1398*, 1522a. Moroges, Pierre, 2027. Pausanias. 155. Morris, J. T., 1700a. Peacock. M. H., 281. Morse, E. S., 1159. Pearcc. Mrs. D., 282. Mortensen, Johan M., 273. Peladan, 999. Mortier, Pierre, 2419. Penfield, C. S., 1000. Moses, M. J., 139, 752, 1317-1318, 1395, 1512, 1701- Pcpys, Samuel, 699. 1703, 2289a. 2420, 2421. Perrot, GeorR, 156. Moses, Vivian, 2422. Person, C. \V.. 2071. Moule, A. E., 1160. Perugini. .M. E., 2072. Moulton, B. H., 2029. Pcrrynski, Friedrich, 1169.

Moynet, Georges, 2034-2035. , Peters, G. W.,91S. Mueller, Albert, 140-147. Peters. Rollo, 1322a. Mueller, C, 274. Petit de Jullcville, I^uis, 283. Mueller, F. W. K., 1161, 1513. Pfeiffer, Wilhelm. 2428-2429.

Munro, J., 2036. Phipps. C. J., 2073. Murdoch, J. E., 752a. Pick, Albert. 283a. Murray, F. S., 2037. Pickard. John, 157. Pick, George, 1323. Pierce. L. F., 916. 1400-1402, 1524, 2430. N Pierron.'Ed.. 2074. Pierron. P. A., 158. N., B. von, 2423. Pinto. Giuseppi del, 964a. Piranesi, Francesco, 159. Nakagawa, T. J., 1162. Xansouty, Max de, 2039-204^ Pischel. Richard, 1526. Netter, Maria, 853, 909. Planche. J. R., 1324. Nettleton, G. H., 697. Platel, J.. 1527. Neuburger. A., 1704. Piatt, Livingstone. 610. Neuendorff, B., 601. Plummcr, H. C.. 2077. Neumann, 2046. Poel. William. 611-612. Poensen, C, 1528. Nevius, J. L., 1163. Polkinghorne, M. L R., 1529. Xewlin, T. J., 2053-2056. K., 1529. Newton, C. T., 148. Polkinghorne, Ruby Nichols, John, 698. Pollard, Alfred W.. 284. Xiebuhr, Carsten, 1514. Pollock. Arthur. 1715. IL. 2079. Nightingale, E. L., 2425. Pomeroy. W. Popov, Nikolai, 1001. Nissan, Heinrich, 149. Poppenberg. Felix, 917. Noack, Ferdinand, 150. Noguchi, Yone, 1164-1167. Porter, Charlotte, 613-614, 918, 1716. Porter, L. C, 2433. Norman, Gertrude, 401. Porter, R. P., 1170-1171. Noverre, J. G., 800. Possart, E. von, 615. Possart, Felix, 1353. Pottecher, Maurice. 2080, 2434. Pougin, .\rthur, 6, 1717, 2081-2082. Pound, Ezra. 1091, 1172. O., F. J., 753. Powell, Francis. 616. Wilhelm, 910. Oechelhaeuser, PravicI, .Xrmand, 2434a. Oehmichen, Gustav, 151. Prevost. 2303. 402. O'Keeffe, John, Price. W. T., 1326. Oliver, D. E., 404. Pridniorc. J. E. O.. 2085. 275. Ollanescu, D. C, ProcIss, Robert, 617. Operti, Albert, 2062. Prucfcr. M. C, 1530. Adolf, 911. Oppenheim, I'runicrcs, Henry. 2089. 605-607. Ordish, T. F., 276, Puhonny. Ivo. 853, 1531. Orleneff, Paul, 997. Ormerod, George, 277. Ortleb, A., and G., 1515. Osborn, Max, 405. Ostini, Fritz von, 912-913. Ostrovosky, N., 998. Qucrucl. A.. 2090-2091. Ouseley, Sir William, 1516. Overbeck, J. A., 152. Oxenford, John, 1517.

R., Iciiv. Mi.i. R-jdcl. 2092. Paetow, v., 1712-1713. Rar, F. B., 1718.1 Page, Brett, 2064. Raffles. Sir T. S. 1533. Pagenstecher, Karl, 914. Raincy, Ada, 1002. Paget, P., 2296a. Ranck. E. C. 756. Pain, Wellesley, 1518. Ranking, John, 160, Palmer, J. L., 407-407a, 1322. 116 THE NEW YORK PUBLIC LIBRARY

Rath, Willy, 1534-1535, 2436. Raupp, K., 1353. Ravoux, Paul, 2304. Raymond, Antonin, 803a. Reber, F. von, 161. S., G., 418. Redesdale (1. baron), A. B. Freeman-Mitford, 1174. S., H., 1726. Redgrave, Samuel, 412. .S., L., 1551. Redon, Gustave, 162. S., R., 1406. Rees, Kelly, 163. Saal, Anton, 1552. Reese, G. H., 618. Sabine, W. C, 2115-2118. Reeves, H. H., 1719. Sachs, E. O., 2119-2124. Regamey, F. E., 1175. Safford, M. Y., 1183. Regnault, Felix, 2306. Sage, W. F., 1329. Rehm, H. S., 1537-1539. Saglio, Andre, 1553. Reich, Hermann, 1540-1541. Saint-Edme, Ernest, 2126. Reimers, C. E., 919a. Salomons, Edward, 2127. Reinhardt, Ludwig, 2307. Salters, James, 2444. Reinsch, P. S., 1176. Sahvey, C. M., 1184. Reisch, Emil, 164. Sampson, M. W., 624. Renel, G. O., 2097. Sanborn, A. F., 625. Rennert, H. A., 1023, 2098-2099. Sand, Maurice, 969. Renton, Edward, 1326a. Sarcey, Francisque, 806a. Reparaz, G., 2437. Sarcia, Jules, 1727. Reyher, Paul, 700. Satz, Sigmund, 174. Reynolds, G. F., 619-623. Saunders, Catherine, 175-176. Reyval, J., 1719a. Saunders, George, 1728. Rhein, J., 1543. Saussure, Rene de, 2128. Rhys, Ernest, 701. Saviotti, Alfredo, 2445. Riat, Georges, 805. Savits, Jocza, 922, 2446. Ribbeck, Otto, 166. Sayler, O. M., 1184a. Ricci, Corrado, 965-966. Schack, A. F. von, 1024. Riccoboni, Luigi, 967, 1326b. Schallenmueller, 2129. Richards, L. P., 2313. Schaumberg, Georg, 1554, 2130. Richardson, T. W., 1544. Scheffauer, Herman, 2447. Richou, G., 2103-2106. Scheffler, Karl, 923-924. Ricketts, Charles, 1327. Scheible, Albert, 1336, 1555. Ridgeway, William, 167-167a. Schelling, F. E., 628-633. Rimbault, E. F., 702. Scherr, Johannes, 289. Ritter, William, 1004. Schidte, Erik, 1337. Robbins, Alfred, 1720. Schiller, F. von, 853. Robert, Karl, 168-170. Schilling, B., 2131. Robert, Ulysse, 284a. Schi0dte, Erik, 1272a. Schlag, Robert-Houdin, J. E., 2107. Hermann, 925. Roberts, M. F., 2439. Schmidt, P. E., 926. Robinson, C. D., 1328. Schmitt, Eduard, 2318. Schneider, Louis, Robinson, E. D., 2314. 808, 1008. Schoeberl, Franz, 2319. Robinson, Nugent, 2315. Schoenborn, A., 177. Rochas, A. de, 2108. J. Schoener, Reinhold, 178. Roche, H. P., 756a, 806. Schoonmaker, N. M., 1730. Roessler, Arthur, 1179, 1545. Schroeter, Rudolf, 2132. Rogers, B. B., 171. Schur, Ernst, 927. Rogers, E. B., 1180-1181. Schwabe, Ernst, 928. Holland, Charles, 1546. Schwarz, Franz von, 1556. Rolland, Romain, 2109. Scidmore, E. R., 1185. Roney, H. B., 2440. Scott, Graham, 1731. Rose, S. L. E., 1721. Seabrook, W. B., 1556a. Rosenbaum, Richard, 920. Seager, J. A., 1732. Rosenfeld, Maurice, 1722. Seifert, S. L., 2448. Roseyro, Jean, 2111. Seinprez, G. de, 780. Roskiewicz, Johann, 1547. "Selbit," 1557. Rosse, Hermann, 1181a. Sellar, A. C, 2321. Rothmann, J. G., 172. Semper, Manfred, 1733, 2139-2140. Rothschild, Zeta, 1328a. Sepet, M. C. A., 290-292. Rouche, Jacques, 1723. Servaes, Franz, 929. Rous, S. H., 2317. Shakespeare, William, 634-634a. Rouse, W. H. D., 286. Sharp, Thomas, 293. Rousseau, J. J., 2112-2113. Shaw, Eyre M., 1735. Rousseau, P. J., 2114. Shubert, Lee, 2322. Row, Arthur, 2441. Siemens-Schuckertwerke, 1736. Roy, femile, 287-288. Sieper, Ernst, 641, 930. Royer, Alphonse, 968. Simon, Arthur, 1737. Roze, A., 1549. Simpson, J. P., 2324. Rudelsbergcr, Hans, 1182. Simpson, Percy, 703. Ruggiero, Michele, 173. Sinding, Otto, 1272a. Rupprecht, Heinrich, 1724. Singer, H. W., 931-932. Russell, Alexander, 1550. Siordet, G. C, 1009. Ryan, Richard, 417. Skemp, A. R., 642. Ryan, W. D'A., 1725. Sladen, D. B. W., 1187. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 117

Sleet, T. R., 2326. Thomson, Mortimer, 1565. Smith, A. H., 1188. Thornbury, G. W., 653. Smith, Cecil, 180. Thorndike, A. H., 654, 70S. Smith, I. B., 1738. Thornton, Bonne). 338. Smith, Saqui, 758. Thorpe, T. B.. 2343. Smith, T. R., 2147. Thumser, Karl, 946. Smith, Winifred, 2148. Ticknor, George, 1025. Smolian, Arthur, 809. Tiraboschi, Girolamo, 2202. Sonne, Otto, 933. Tisdel. F. M.. 300-301. Soper, M. B., 1558. Tittmann, Julius, 302. Sorel, Alexandre, 294. Todt, B., 185. Soulages, C. C, 1739-1741. Toepfer, Rodolphe. 2459. Sowers, W. L., 1407, 1559. Tolman. A. H., 655. Spears, R. S., 2327. Tompkins, P'rank, 2461. Spencer, M. L., 295. Tourncux, Maurice, 811a. Spielmann, M. H., 644, 1341. Touslcy. V. H., 1665. 1948.

Spiers, A. G. H., 1341a. Toutain. J.. 186. Sprague Electric Co., 1744. Townlcy, Lady S., 1199. Stahl, E. L., 441, 853, 935-937, 1560, 2450. Townley mysteries, 234. Stahl, Fritz, 938. Townsend, E. W., 1200. Stanton, William, 1189. Trapp, Ed., 2204. Starke, Ottomar, 853, 939. Tree, Sir H. B., 65Sa. Steele, C. M., 2332b. Trelat. femile, 2206. Steell, Willis, 442, 760, 810. Tresca, 2345a. Stehley, J. C, 1748. Triggs, H. ].. 706. Stephenson, H. T., 648-649. Trollopc, H. .M., 812. Stephenson, N. W., 940. Trudelle, V., 1764. Stern, Ernst, 941. Tupper, Frederick, jr.. 656. Stevens, A. S., 2450a. Turnbull, Hector, 763. Stevens, T. W., 760a-761. Tweddell, George, 1348. Stevenson, I. P., 2333. Tyrrell, Henry, 2462. Stoker, Bram, 1749. Stoll, H. F.. 2451-2453. Stopes, M. C. C, 443, 651, 1190-1191. Storck, W. F., 853, 942, 1344. u Strange, E. F., 444. Stratton, Clarence, 181. Ulrici, Hermann, 657. Streit, Armand, 943. Universal Electric Stage Lighting Co., 1765. Strutt, Joseph, 296. Urban, Erich, 7. Stuart, D. C, 297, 810a. Urban, Joseph, 267, 1766. Stuemcke, Heinrich, 944, 1751. Stumme, Hans, 1562. Sturmhoefel, A., 652, 2170-2171. Sullivan, Mary, 704. Summers, C. W., 2173. Sumner, A. E., 1563. Vair, S., 2464. Sylvester, Alfred, 2174. Valentini, Francesco, 972. Symonds, A., 299. J. V'alsecchi, Fausto, 973. Arthur, 445. Symons, Vambery, .\rmin, 1566. W., 2175. Symons, S. Vandcrbilt, Homer. 2213. Varncke, B., 1012. Vassal, G. M,, 1201. Vaudoycr, J.L., 1013. X'aughn, F. A., 1768. \aulabclle. A. dc. 2214. X'auxcclles, Louis, 813. T., W. M., 970. Venuti, Marccllo dc, 187. Rabindranath, 1193. Tagore, Sir Vesper, T. L.. 2465. 2176-2181. Talansier, Ch., Viennot, L., 2J17. Tallant, Hugh, 182a. Vincent, Ephrcni, 2466. Tanner, Henry, jr., 706. Vincent, Harlcy, 2218. A., 810b. Taphanel, Violett Ic Due. E. L. N., 303. Tartt, W. M., 971. Visniar, Jean, 304. 2334. Tassin, Algernon, Vitoux, G.. 2219-2222. 2182. Taylor, E. G.. X'itruviu.H, I'lillio, 2223. Teall, Gardner, 1564. Nocgtlin, Arthur, 2224. 2334a. ']-cdeschi. A., Volpcrt. V. .v.. 1203. Telbin, William, 446-447, 1345, 2335. Ten Broeck, Helen, 2335a. Terence, 183. Terry, Ellen, 448. w Teutenberg, Adolf, 945. 1010. Tevis, May, W.. 2226. Adolphe, 1194. Thallasso, W, A. K.. 1349. 811. Thiebault-Sisson, W.,r. H.. 81 3a. F. D., 2199. Thomas, W.. L.. 1204. Thompson, A. E., 762. Wadr, G. A. 658, 2467. Thompson, Paul, 2200. Wagciiingcn, Jacobui van, 188-189. Thomson, J. S., 1198. 118 THE NEW YORK PUBLIC LIBRARY

Wailly, L. de, 2460. Wilhelm, C, 459. Waite, C. E., 659. Wilkinson, Robert, 460. Walker, Stuart, 1411. .Williams, F. S., 1206. W., 1207. Wall, J. W., 456. Williams, S. Wallace, C. W., 660-665. Williamson, Hamilton, lS69a. Waller, A. E., 1770. Wilson, John, 1412. Walter, Fr., 853. Winckelmann, J. J., 199. Walzel, O. P., 948, 2228. Winds, Adolf, 953, 1774-1775. Ward, A. W., 457. Wingfield, Lewis, 1208, 1352. Ward Leonard Electric Co., 1771. Winter, William, 1775a. Warington, Alphonse, 2229. Wirgam, 1209. Warsden, Rancholt, 1411a. Wirt, Charles, 1776. Warton, Thomas, 458. Witkowski, Georg, 2349a. Waters, Theodore, 2230. Witzschel, Augustus, 200. Watson, Arthur, 2347-2349. Wolter, Wilhelm, 2240. Watson, F. R., 2231-2232. Wood, A. L, 668a. Waugh, F. A., 2467a. Wood, T. M., 669. Webb, O. R., 1350. Woodhouse, W. J., 201. Weber, F. D., 1771a. Woodrow, E. A. E., 2243-2245. Weber-Robine, Friedrich, 2233. Woodward, E. A. E., 2124. Weddigen, Otto, 949. Wright, James, 462. Weed, Inis, 1567. Wright, W. H., 2471. Wegener, Richard, 666. Wurzbach, C. R. von, 1570. Weichardt, Carl, 1351. Wylie, Charles, 463. Weil, Julius, 2234. Wyndham, H. S., 464. Weil, Theodor, 1772. Wynne, Arnold, 305. Weilen, Alex, von, 950. Weindell, Henri de, 1568. Weingaertner, Felix, 951. Weissmann, Karl, 189a. Weisstein, Gotthilf, 1569. Westheim, Paul, 952. Yamasaki, Keiichi, 1210. Wheatley, H. B., 667-668, 1773. Yavorska, Lydia, 984. White, John, 2237. Yusuf AH, A., 1212. White, J. M., 2232. White, J. W., 191. Whitney, C. W., 192. Wichert, F., 853. Wiegand, Th., 193. Wiegerhaus, Friedrich, 2469. Zeiss, Karl, 954. Wieseler, Friedrich, 194-195. Zieler, Gustav, 955. Wilamowitz-Mollendorff, Ulrich von, 197-198. Zollinger, Max, 956. INDEX OF SUBJECTS

Numbers refer to individual entries.

Artists and producers (before 1800) — Continued. Pcsaro, Collenuccio da, 971. Accidents, stage, 441, 1602, 1683, 1793, 1931a, 2154, Rich, John, 464, 2193. 2270, 2278. Rooker, M. A., 378. Acoustics, 437, 1728, 18S3, 1987, 2115-2118, 2147, Sangallo, 962. 2150, 2214, 2231-2232. See also Sounds, stage. Serlio, 1294. Acrobats, 2042, 2349. Servandoni, J. \.. 378, 464. 786. 963. IJ6Ja. Actor and scenery, 1241. Van Brugh, John, 378. Adelphi theatre, London, 317. Wren, Sir Christopher, 316. Aeroplanes, airships, etc., 1830, 1879, 2149, 2175. Zuccarelli, Francesco, 378. Aeschylus, 9, 17, 68, 185, 197. Alexandra theatre, Liverpool, 2127. Artists and producers (since 1800). Algerian theatre, 1416, 1432. Alexander, J. W.. 1674. Alma-Tadema, Sir Lawrence, 627. Ames, Winthrop, 748a, 763, 1398. Amateur theatricals, 207, 1228-1229, 1232a, 1247- Andries, A. A., 759. 1247a, 1307, 1335, 1340, 1350, 1362, 1368a, 1377, Anglin, Margaret, 722. 1567, 1677, 1685-1686, 1787, 1836-1838, 1840- -Antoine, Andre, 564a, 782, 1248. 1847, 1902a, 1955, 2132, 2182, 2448. Appia, .\dolphe, 907, 919, 932a, 1327, 1723. American stage, 707-765. See also names of theatres .\sche, Oscar, 841. and artists; air theatres. Open Bakst, Leon, 728, 808, 824, 919, 974, 978-980. 982, Amphitheatres, 45, 48, 77, 88, 96, 119, 123, 124, 125, 991-994. 999-1000. 1002, 1004, 1008-1010, 1013, 131, 132, 135, 138, 149, 153, 154, 160, 161, 192, 1015, 1327. 213, 311, 338, 400, 959, 2318, 2362-2367, 2369, Barker, Granville, 104, 139, 368. 407a. 442. 479, 2376, 2378, 2383, 2390, 2409, 2425. 516-517, 757, 764a, 1280. Animals, 2245a. Basing, Charles, 712. Annam stage, 1128, 1195, 1201. Behrens, Peter, 1^41. Apollo theatre, Paris, 1929. Belasco, David, 713-716, 728, 739, 752. 754, 758. Aristophanes, 68, 171, 191. 1317, lS96a, 1643, 1701-1702, 1715, 1738, 177Sa. Aries, Theatre at, 96, 2378, 2450a. 1867, 2093. Armor, 1959. Benson, F. R., 1995. Arrowsmith's diorama, 1575. Bernus, Alexander von. 15til. Art theatre, Moscow, 976-977, 984-985, 995-996, 998, Bertini, 2334a. 1006-1007. Beverley, W., 386, 396, 423, 430-431, 437-438. Artists and producers (before 1800). 446, 464, 1330. Bastiano, 968. Bolton, Sir Francis. 2036. Berain, Jean, 810b. Booth, G. G., 2377a. 2435, 2461. Bernardo, 331. Bouchor, Maurice, 1488. Bernino, 1263a. Boucicaulf, Dion, 724, 1346. Bibiena. See Galli da Bibiena. Boutun and Daguerre, 2271. Brunelleschi, Philippo, 968. Bradwell, 2267, 2308. Buonacorsi, Timante, 968. Brandt, Carl, 1993, 2085, 2121. Canaletto, pseud, of Antonio Canal, 331. Braun, Paul, 1462, 1523, 1534. Carver, Robert, 378, 402, 464. Brown, F. C, 501-502. Casanova, Francesco, 378. Brueckncr, Max, 871. Catton, Charles, the elder, 378. Buergman, W., 1774. Christofano, Buonamico di, 968. Callcot, William, 426. Cipriani, G. B., 378. Cami'l)ell, Lady .Archibald, 2354. Colomba, Innozenz, 889b. Capon, William, iV'i. D'Avenant, Sir William, 350, 460, 683-684, 690a. Carpczat, 1333. Galli da Bibiena, 963, 965, 1468, 1933. Casnedi, 2334a. Garrick, David, 359. Casson, Lewis, 643. Genga, Girolamo, 212, 958. Caftcrmolc, ("., 644. Hogarth, William, 378. Catton, Charlrs, i7^. Jones, Inigo, 316, 331, 334, 349, 388, 412, 533, 628, Chaperon, 811. 670-671, 673, 677, 679, 681, 687-689, 694, 698, Cnburn Players, 2361. 2381-2382. 700-701, 703-704, 706. Conklin, Roland, 709a. Keim, Christian, 889b. Conwcll, O'Kanc, 1284. Lambert, George, 378, 464. Cooper. T. C. 331. Lancia, Baldassare, 968. Copcau. Jac(iuc», 722a. 7441). 772, 77Sa, 783«, 80J«, Maine, Duchesse du, 784a. 806, KI3n. 1341a. Maintenon, Mme. de, 810b. Cox, David, 331. Novasielski, 378. CraiK. K. G.. 310. 312. 314. iM. J3S. 367. 384a. Oram. William, 378. 387, 391. 394a. 401. 405. 407-407«. 445. M2. Palladio. Andrea, 959-960, 967, 969, 1435, 1946. 611. 722a. 834. 836. 864-865. 9X1.

[ 119] 120 THE NEW YORK PUBLIC LIBRARY

Artists and producers (since ISOO) — Continued. Artists and producers (since 1800) — Continued. Cruikshank, George, 1532. Kainer, Ludwig, 848. Cuthbert, H., 444. Kainz, Jos., 876.

Dalcroze, E. J., 732, 809, 856. Karow, 919. Dangon, Victor, 804. Kaufmann, 919. Danson, 2264, 2267, 2308. Kean, Charles, 346, 354, 393, 409, 424-429, 436. Daran, 1333. 444, 477, 478, S52a, 558, 626, 645. Dayes, J., 346, 444, 626. Kemble, John, 378. Delaw, Georges, 789. Kniese, Julius, 1892. Despouy, 2291a. Kommissarzhevskoi, V. O., 975, 977. Dethomas, Maxima, 791, 807. Korovin, K. A., 986. Dibdin, Charles, 378. Kraby, 842. Diez, Julius, 900, 913, 919. Kramer, Michael, 917. Dobuzhinski, M. V., 996, 1000. Larroumet, Gustave, 787. Dresa, 790, 807. Lautenschlaeger, Karl, 1637, 1972, 1994. Duncan, Raymond, 181. Lavastre, 1333, 2134. Duveau, Louis, 2294a. Laverdet, 333a. Emden, Henry, 446. Lefler, Heinrich, 866, 899, 921, 933, 942. Endell, Aug., 857. Le Roy, Servais (magician), 1925. Erler, Fritz. 830, 863, 882, 900, 912, 919, 1723. Liebermann, 919. Espagnat, Georges d', 789. Littmann, Max, 905. Evans, John, 311. Lloyds, F., 346, 424, 436, 444, 450, 451, 477, 626. Ewers, H. H., 1971. Locher, Robert, 712. Fanto, Leonhard, 931. Lorenz, 2424. Fechter, Charles, 354, 2051, Loutherbourg, P. J. de, 307, 326, 331, 2oj, 356-357, Feure, George de, 333a. 378, 382, 388, 402, 406, 412, 464. Forain, Madame, 1417, 1487. Macallister (magician), 2021. Frey, Eugene, 1782. McCleery, R. C, 397, 1252. Fuchs, Georg, 918. McCormick, Langdon, 1944. Gliese, R., 919. Macdermot, Norman, 1474. Godwin, E. W., 93a. MacFarren, John, 93. Golovin, A., 1000, 1008. Mackaye, Steele, 2032. Gontcharova, Nathalie, 1000. McQuinn, Robert, 708. Gonzago, 989. Margetson, W. H., 371. Goodman, K. S., 726a. Marshall, C, 372, 419, 429, 436, 447, 464, Gordon, W., 346, 424, 436-437, 444, 477, 626. Marstersteig, Max, 842, 854, 908. Graf, L. F., 942. Marston, Glen, 1669a. Greene, Thomas, 446. Meadows, 386. Greene, William, 446. Meiningen, Georg von, 880, 886, 1993. Greenley, Howard, 1660a. Meyerhold, 728, 977, 984, 1011, 1723. Greet, Ben, 2352. Mistral, 2424. Grieve, T., and W., 346, 416, 420, 422, 424, 429- Morax, Rene, 956. 430, 434, 436, 453, 464, 477, 626. Morin, Louis, 1419. Grillpartzer, Franz, 846. Moser, Kolo, 919, 1484. Gruetzner, E., 91 1. Muehldorfer, Josef, 1993. Hagemann, Carl, 854. Muelenbergh, Charles, 1492. Hagen, C. L., 1730. Murray, F. S., 2037. Harker, Joseph, 395, 1252. 2252. Nitsche, 919. Harvey, Martin, 595, 1298a, 1707. Nuitter, Ch., 793. Hatton, H. H., 371. O'Connor, John, 446. Haug, Professor, 956. Operti, Albert, 1492. Head, Cloyd, 1365, 1381. Ordynski, Richard, 983. Heine, 919. Orlik, Emil, 917, 919, 927, 931, 938, 942. Helbig, 919. Ott, Arnold, 956. Helmsley, \V. T., 398, 1252. Pankok, B., 919. Hengeler, Adolph, 900. Partridge, J. B., 371. Henri, Marc, 33a. Parvis, 2308. Herkomer, Sir Hubert von, 410-411, 1595, 1604. Paus, Herbert, 711a. Hermann, Leon (magician), 1925. Peters, Rollo, 711a. Herts, B. R., 1284. Piot, Rene, 813. Hewlett, J. M., 712. Planche, J. R., 396, 423, 2324. Hirsch, S. M., 2401. Piatt, Livingstone, 610, 722a, 756. Hopkins, Arthur, 746a. Poel, William, 407a, 709. Horner, 2308. Poelzig, 919. Houdini, Harry, 2192a. Pottecher, Maurice, 2109, 2374, 2384, 2392, 2434, Hume, Sam, 721, 746, 764. 2437, 2466. Immermann, 850. Pozzo, 961. Irving, Sir Henry, 329, 371, 441, 555, 644, 1715, Prossor, Kemp, 347, 399,1862. 1749. Puhonny, Ivo, 1466. Isler, 919. Reinhardt, Max, 46, 407-408a, 595, 722a, 742, 822- Jambon and Bailly, 780, 1921, 2103. 824, 836-837, 839, 849, 851, 854, 861-862, 870, Johnson, Raymond, 1365. 873-874, 877, 881, 902-903, 916-916a, 938, 940, Johnson, Robert, 711a. 1246, 1275, 1282, 1317, 1351, 1450, 1974. Jones, Basset, 1660a. Richards, J. L, 378, 402, 464. Jones, R. E., 718, 729, 732, 734, 740, 744b, 751, Ritchie, Leitch, 1342. 757, 1985, 2463. Riviere, Henri, 1419. Jouvet, Louis, 783a. Robertson, Graham, 597. Jusseaume, Lucien, 2313a. Rosenberg, 842. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 121

Artists and producers (since 1800) — Continued. Bear garden, 505. Rosse, Hermann, 2387. Beaulieu Theatre, Newport. 765. Rothenstein, Albert, 392, 764a, 1252. Beechwood amphitheatre. 2425. Rouche, 807. Belasco Theatre, New York. See Bclas<.'j. L>j\ia, in list (since 1800). Rube", 811, 1333. of Artists and producers Rumbold, Hugo, 333a. Berger, .A If red von. 920. Bezicrs. Theatre at. 2362. 2364-2367. 2402. 2434». St. Denis, Ruth, 744. Sarg, Tony, 1522a, 15S6a, 1569a. 2450a. Birkenhead. Theatre at, 2432. Sargent, F. H., 1367. and white, 1557. Savits, Jocza, 854. Black Blackfriars' Theatre. 530. 532. 660-662. Schinkel, K. F., 815, 944, 1333. Blackstonc Theatre. Chicago. 2258a. Schmitz, 919. Ernst. 99. Scholz, Wilhelm von, 908. Rodensteiner, Bologna, I'heatres at, 966. Schumacher, Fritz, 864, 950. Bonnafont. 1769. Scott-Sidilons, Mrs., 439. Booth's Theatre. New York. 1796. 1809. Sheringham, George, 1298a. Bosca (magician). 2000. Siedle, Edward, 730. scenes, 724. Sievert, Ludwig, 919. Box Bradfield Cullcge, 2467. Simonson, Lee, 1315. Bramhall Players. 1393. 1397. Sloan, J. B., 711a, 718a. British Museum. 14. Smith, L., 709a. J. Brittany stage. 258-259. Soudeikin, 1000. Brodmeicr, Cecil. 472. Stanfield, 321, 464, 1342, 2305a. Brookside Theatre, Mt. Kisco. N. Y.. 2441. Stanislavsky, S65, 985, 996, 1001, 1006, 1011, 1723. Das "Bunte Theater," 857. Starke, Ottomar, 919, 942. Burbage's Theatre, 443. Stern, Ernst, 851, 919, 938, 942. Burford's panorama. 426, 2297. Stevens, T. \V.. 709a, 726a. Burmese stage, 167. 1047. 1186. 1192. Strom, Knut, 919, 942. Bussang. Theatre at. Sec Poltecher. Maurice, in Sturm, Eduard, 942. list of Artists and producers (since 1800). Telbin, W., and Son, 346, 371, 416, 420, 422, 429- 430, 432, 434, 444, 446, 451, 459, 461, 464. Teschner, Richard, 929. Thompson, J. W., 726a. Thompson, John, 1758. Torii, 1127a. Cages for animals. 1876. 2144, 2217. Tree, Sir H. B., 407a, 455, 552b, 627, 640, 849, California scenic artists, 725. 2058. Carmel by-theSea, 2395, 2452. Tritschler, Conrad, 394, 1252. Carnegie Institute of Technology, Pittsburgh. — Dra Urban, Joseph, 696, 711a, 723, 727, 736, 745, 747- matic Department, 709, 726a, 760a-76l. 748, 760, 983, 1280, 1325. Carnivals, 972. Voegtlin, Arthur, 728, 2224, 2238, 2302. Carpentry, 1845. 1934, 1936. 1983. Voigt, 919. Carter. Huntly. 1275. 1282. 1305. Voltmer, 919. Carter, L. 1825. Wachler, Ernst, 2424. J., Caserte, Theatre at. 199. Karl, 827, 829, 919. Walser, Castle Garden. New York. 1588. Arthur, 333a. Weigall, Cauterets. Theatre at. 2419. 2434a. 2450a. 711a-712, 728b. Wenger, John, Cecil Hodges & Co., 1760. T., 446. White, D. Ceylon stage, 1103. 459, 2252. Wilhelm, C, Chambers. E. K.. 206. 472. Norman, 133, 139, 598, 669, 1252. Wilkinson, Chat noir, Paris. 1419, 1426. E. 934. Wimmer, J., Chateau de la Reinc, 2368. Wirk, Willy, 856. ( heney. Sheldon. 128'2. Wunderwald, G,. 942. 1542. Chess. Living. ^ Wyspianski, 1587. Chester plays. 219. 277. Zehme, Werner, 933. Children of the Chapel. 660. Zeiss, Karl, 954. Children of Paulc's. 480. Asclepieum, 82. Chinese stage, 3. 4. 167. 1026. 1028. 103I-103J. 1035. 2085, 21-J. Asphaleia system of scenery, 2074, 1042-1043. 1046. 1050-1051. 10S3-106I. 1067. 460, 1641. Astley's amphitheatre, 311, 337, 1073 1075, 1077-1079. 1081-1082. 1087. 1089- 1445, 2042. Automatons, 21, 174, 1424, 1428, 1090 1094-10'JS. 1097. 1100. 1102-1103. IIOS- 1907, 2028. 2149, 215/. Automobiles, stage. 1879, 1106, 1115-1118, 1121. 1123. 1127. 1129-1130. 2236. 2238. 113? 11.56-1138. 1141. 1143. 1149-1150. 1153- Aztec stage, 3. 1154. 1159-1160. 1163. 1168. 1173-1174. 1177- 1178. 1182. 1188-1184. 11'>6-I200. 1203. 1206- 1208. 1430. 1435. 1461. 1467. 1541, 1543, 196S. B Christ. W.. 35. 147. Church thcalreii. 2283. Circular theatre. l'»41. Baker. G. P., 472. Circus Schumann. Berlin. 1742. 2234. Baker and Fox, 1574. Circuses. DbS. 2(142. 2290-2291. 2318. Balcony lights, 1574. Clogs. Mniiufaclurc, 2253. Baldwin, G., 18. (loud effects. 74J.

1 122 THE NEW YORK PUBLIC LIBRARY

Comedie Frangaise, Paris, 769a, 771a. Effects, illusions, magic, etc. — Continued. Commedia dell' Arte, 76, 972, 2148. sions; Lighting; Lightning; Luminous scenes; Coney Island, 2175. Sounds; Spot lights; Storms; Thunder; Water Corbin, John, 647. effects. For additional references see the head- Cornwall, England, 21.^ 248. ings: Magic and Legerdemain in the main Cata- Cost of producing plays, 2322, 2339. logue of the Library. Particular attention is Costumes, 7S6a, 766a, 1227, 1230, 1253, 1255, 1304, directed to the Ellison scrapbook collection (25 1307, 1352, 1368a, 1835, 2252, 22(56, 2304, 2324. volumes) of manuscripts, letters, magazine arti- See also catalogues in Art Room (313) and cles, newspaper clippings, etc. ft MZC). Public Catalogue Room (315). Egyptian theatre. 111, 167, 1454, 1480, 1514, 1530. < Covent Garden, London, 46, 93, 413-414, 416, 418, Eidophusikon (De Loutherbourg's), 378. 422, 434, 435, 460, 464, 1802, 1850, 1882, 2005, Eiskyklema, 78. <' 2110, 2121, 2137, 2155-2156, 2158-2159. Electric light, Early use of, 1590-1591, 1600, 1601, Coventry plays, 223, 293, 554. 1603, 1610, 1612-1616, 1619-1620, 1642, 1658- Crete, 13. 1660, 1664, 1674, 1681, 1684, 1727, 1729, 1739- Criterion Theatre, London, 1612. 1741, 1750, 1752, 1758, 1762, 1775a, 1993. Criterion Theatre, New York, 2209. Electric light globes, 1593. Curtains, 1, 152, 574, 580, 642, 1320a, 1787, 1838, Electric Stage Lighting Co., 1746. 1844, 1847, 1862-1863, 1902a, 1969, 1991, 2019, Electrical shows, 1854-1860, 1880. 2247a, 2258a, 2289b, 2291a, 2296a, 2303a, 2305a, Electricity vs. gas, 1616. 2313a, 2332a, 2334a, 2345a, 2349a. See also Electro-calciums, 1580. Steam Curtain. Elephants on stage, 464, 2048. Cutler-Hammer Mfg. Co., 1606, 1743a, 1757. Eleusinian mysteries, 43. Elizabethan playhouses. List of, 575. Elizabethan stage, 1, 3, 4, 5, 136, 235, 260a, 280, 299, D 305, 315, 362, 364-365, 380, 456, 460, 462, 465- 669, 838, 867, 890, 1918, 1969. Dances, 167. English stage, 1, 3, 46, 93, 223, 234-238, 246, 248, Defries floating footlights, 1684. 284, 289, 295-296, 305-464, 577, 770-771, 788, Delos, Theatre at, 39, 61. 1326b, 1815. See also Elizabethan stage; Post- Detroit Society of Arts and Crafts, 707, 720, 733, Elizabethan stage; names of theatres and artists; 1384a. Open air theatres. Das Deutsche Volkstheater, Vienna, 850. Epidauros, Theatre at, 41, 114, 147. Deutsches Theater, Berlin, 941. Eretria, Theatre at, 58, 78-79. Devant, David, 1510. Euripides, 68, 104. Dickens on the stage, 390. Exhibitions, 454-455, 746, 811a, 853, 856, 875, 878, Dictionaries, 6. 915, 919, 942, 964, 1672. Dimmers and rheostats, 1420, 1606-1607, 1667-1667a, Experimental theatres, 750, 761, 947, 1395a, 1398a, 1669, 1687, 1705, 1709-1711, 1743-1743a, 1754- 1407, 1774. See also Little theatres. 1757, 1770-1771, 1776, 2056. Dionysia, Theatre at, 34, 44, 52, 63, 68, 91, 102, 143. Dioramic scenery. See Horizon, Circular; Wings. Doerpfeld, Dr., 54, 81, 82, 91, 100-101, 105, 155, 156, 179. Filipino stage, 1074. Doors, 138a, 2160. Fire scenes, 1802, 1888, 1900, 2042, 2163, 2220-2221. Doors, Proscenium, 465,524, 576. Firearms, cannon, etc., 1788, 1802, 1959, 2186, 2194. Dragons, 1831, 1981, 2143. Fireflies, 1968. Drevant, Theatre at, 128. Fires and fire protection, 1018, 1237, 1269, 1271, Drops, 308, 446, 580. 1285, 1346-1347, 1735, 1817, 1906, 1931a. Drummond light, 2126. Fireworks, 1572, 1911, 1945, 2214, 2237. Drury Lane Theatre, London, 246, 369, 403, 433, 438, Flaming arc lamps, 1670. 460, 1435, 1525, 1536, 1571, 1602, 1621-1622, Floating theatres, 1389, 1913, 1942, 2059, 2094, 2104, 1633, 1799-1800, 1818, lS74, 1885-1886, 1901, 2281a, 2309-2311, 2325, 2327, 2342. 1958, 1960, 2066, 2095, 2100, 2154, 2197, 2212, Flood lighting, 1696, 1718a, 1725, 1741a, 1765. 2235. Floor cloth, 1258. Duke of York's Theatre, London, 2235. Floors, 2137. Duke's Theatre, London, 352, 460. Fly galleries, 1347a, 1803, 1954, 2130. See also Dutch and Flemish theatre, 1326b. Lofts. Folk theatres, 259, 276, 601, 845, 850, 916a, 2351, 2353, 2392. See also Pottecher, Maurice, in E list of Artists and producers (since 1800). Footlights, 359, 752, 1201, 1578, 1608, 1630, 1643, Earls Court, London, 1626. 1645, 1684, 1697, 1703-1704, 1705a, 1748, 1759, Easter plays, 239. 1767, 1835, 2188. Effects, illusions, magic, etc., 801, 943, 1210, 1225, Forestier, A., 470, 508. 1310-1311a, 1424, 1579, 1581, 1594, 1598, 1627, Fortune Theatre, 5, 460, 470, 473, 481, 508, 599, 624, 1646-1647, 1671, 1674, 1689-1693, 1703, 1722, 660, 663, 1435, 1950. 1733, 1740, 1772, 1774, 1778, 1781-1783, 1791- Fortuny system of lighting, 746, 814, 1330, 1383, 1792, 1801-1802, 1807, 1816, 1819, 1824-1827, 1587, 15S9, 1654, 1693, 1695, 1704, 1706, 1713, 1835, 1864, 1879, 1884, 1888, 1895-1897, 1900, 1715-1716, 1723, 1912, 1924, 1976, 2023, 2085, 1912, 1914, 1922, 1925, 1930, 1939, 1943, 1945, 2118. See also Wings; Horizon, Circular. 1948, 1951, 1957, 1964-1965, 1967, 1977, 1979, Fountains. See Water effects. 1985, 1996-1997, 2000, 2007, 2010, 2021, 2027, Francis, T., and Sons, 1611. 2029, 2034, 2036-2037, 2042, 2047, 2053-2056, French stage, 1, 4, 228, 241-243, 249a, 258, 273, 278a, 2058, 2074, 2079, 2107, 2126, 2135, 2140-2141, 284a, 287, 291, 297, 303. 766-813, 1326b, 1538, 2145, 2149, 2161-2162, 2185, 2191, 2199, 2207- 1918, 2098. See also Moliere stage; Open air 2208, 2213-2214, 2224, 2230, 2239-2240, 2249, theatres; names of theatres and artists. 2347, 3291. See also Clouds; Ghosts; Glare; lUu- Furniture, 717. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 123

Indian (Asia) sUge, 3, 4, 167, 289. 1048. 1065-1066, 1125, 1129, 1137-1138, 1142, 1155. 1193. 1212. 1526, 1541. Gardens, Stage, 1779. Indians of British Columbia, 2300. Gas, First use of, 1763. Inner stage, 654. Gas lighting. See Lighting, History (especially no. Irish theatre, 753, 1262. 2245). Irishy, 753. General Electric Co., 1607, 1721. Iron (Tlad Resistance Co., 1711. German school dramas, 926, 928, 949. Iron scenery, 1292, 1347. German stage, 216a, 228, 239, 244-245, 247, 283a, Iroquois Theatre, ChicaRo, 1624. 302, 577, 814-956, 1326b, 1723-1724. See also Italian stage, 3, 210, 212, 228, 233. 286, 957-973. Open air theatres; names of theatres and artists. 1326b, 1438, 1878. 1918, 2202, 2303a, 2445. See Ghosts, 532a, 1997, 2056, 2070, 2111, 2151, 2153, also Commcdia dcU' Arte; names of theatres and 2174. artists. Giants, 2034, 2066. Glare, 1652. Globe Theatre (Shakespeare's), 469, SOS, 507, 529, 539, 554, 556, 561a, 585 (model), 594, 637-638, 659, 94Sa, 1950. Godfrey, W. H., 599. Jacob, Georg. 1540, 1562. 493. Goedertz, Jacobsohn, Siegfried, 1275. Goodrich, Mr. and Mrs. C. C., 1405a. Jahn, 1562. Grand theatre, Geneva, 1590. Japanese stage, 3, 4, 167, 1027, 1029-1030. 1034. Greek and Roman stage, including modern perform- 1036-1041. 1044-1045. 1049, 1052, 1063. 1076, ances, 3-5, 8-201, 1, 289, 709a, 723, 922, 945a, 1080, 1083-1086, 1088. 1091. 1093. 1098, 1107- 1311a, 1431, 1456, 1541, 2025, 2193, 2223, 2307, 1110, 1112, 1114, 1118-1120. 1122, n27a, 1132. 2356, 2377a, 2380, 2382, 2401, 2452-2453. 1135, 1139-1140, 1144-1148. 1151-1152. 1156- Greek theatres, Restorations, 82. 1158, 1161-1162, 1164-1172, 1175-1176. 1179- Grindell, O. G., 1755. 1181, 1183-1185, 1187, 1190-1192, 1205, 1210- Grooves for scenery, 2127. 1211, 1965, 2101-2102. Guide, Theatrical, 741. Javanese stage, 167, 1064, 1111, 1124. 1126, llSla. 1202, 1413, 1427, 1429, 1464, 1477. 1499. 1S28. 1533, 1541, 1552-1553. Jewels, 1021, 1865. H Jonson, Ben, 533, 671, 681, 684. Juggling, 296, 1424, 1460, 2348. Haigh, A. E., 179. Handcuffs, 2249. Hans Sachs Theater, Niirnburg, 1502. Harvard University, 9, 17, 482, 490, 616, 719, 2407- 2408. Haymarket Theatre, London, 318, 432, 460. Khuencl, .Xnton, 1570. Hebbel, Friedrich, 840. King's Theatre, Haymarket, 460. Hell, 246, 248, 1804, 2035. Kissing on stage, 2329. Hell mouth, 227, 264. Klocckner, F., 1726.

Her Majesty's Theatre, London, 372, 379, 640, 1585, Korean stage, 1101. , 1801, 1937, 2305a. Krizik system of lighting, 1752. Herculaneum, 159, 173, 199. Kuenstlerthcater, Munich. 495, 830, 834. 837. 844. Hero of Alexandria, 174. 854. 858, 881, 883. 891, 898, 908. 922. 930. 1248, Hippodrome, Bristol, 2004. 1723, 1918, 1974. Hippodrome, London, 2048, 2138, 2201. Kuppel horizon, 2118. Hippodrome, New York, 1634, 1820, 1826, 1861, 1869, 1940, 2015, 2052, 2200, 2224, 2238, 2302. Hippodrome, Paris, 1876, 1908, 2217. Histories, General, 1-7, 76, 130. Hoepken, Julius, 10. Hoftheater, Braunschweig, 921. Lace. 2254, 2284. Hoftheater, Dresden, 852, 1577, 2228, 2240. La Mothe St.Heray, Theatre, 2372. Hoftheater, Meiningen, 2247a. Leaves, Falling. 1967. Hoftheater, Munich, 1872. Lighting. 447. 732. 742, 752, 919a, 1241. 1347a-i:4.'<. Hoftheater, Stuttgart, 851, 889b, 896. 1312, 1316, 1336. 1347a, 1571-1776, 1805. 1817, Hoftheater, Vienna, 945a, 1647a, 2119. 1851, 1884, 1902a, 1914. 1934. 1948. 1054. 1975. Hoftheater, Weimar, 895, 1928. 1977, 1993. 2034. 2036, 2039. 2051, 2056, 2126. Hope Theatre, 481. 2171. 2214. 2245. 2375. See alio name* of Horizon, Circular, 419, 1330, 1681. theatres; K.lectrical iihnwii; Gas tiKhlinK; For- Horses, 618, 1835, 2049, 2236, 2305. tuny system; Effects; Dimmers; Living pictures; Hotel de Bourgogne, 766a, 783, 802, 1435. Tiirches; Footlights. Hudson Theatre, New York, 2382. Lightiiig, Knirrgency. Ib'M. Hydraulic machinery, 1876, 1889, 1958. 1993, 2034. Lighliiig. Hiitory. 731.. 348. 353. 464. $77. $79, 660. 2154, 2165, 2217, 2235, 2345a. 67'». 700. 724. 799. 943. 964a, 1572. 1$7S, 1578. 1583, lS8Sa. 1SH8, 1592. 1596a, I60I-1603. 1600, 1612-1616, 1641, U.42a. 1640. 1678-1684, 1697. 1700. 1708. 1714-1715. 1717. 1728. 1735. 1749. 1751. 1762-1763. 1767, 1773. 1026. 2047. 2126. 2245. See alto F.lrrtric IikIiI. Karly use of. Lightning. 680. 752a, 1572. 1665, 1888. 19S7. 2056. Ice, 2062. Lilliptiti.iM Ixiilirs with living heads, 1518. Idealbiihne, Mannheim, 936. Lime linlit. 1678. lOHil. Hlinois Theatre, Chicago, 1623. 124 THE NEW YORK PUBLIC LIBRARY

Little Theatre, Chicago, 1359, 1365, 1382, 1385, 1400, Moonlight, 1703, 1924, 1926. 1508, 1567. Morality plays. See Mediaeval stage. Little Theatre, Ilaymarket, 460, 1390, 2164. Moveable and revolving stages, 133, 650, 770, 836, Little Theatre, Philadelphia, 1374. 854, 878a, 922, 949, 1036, 1109, 1162, 1316, 1383, 1723, 1790, 1808, 1836-1838, 1843, 1871-1873, "Little" theatres, 752, 1354-1412, 1458, 1508, 1563, 1893, 1915, 1927, 1929, 1932, 1935, 1954, 1595, 1932, 1955. See also names of little the- 1875, 1961, 1992-1994, 2003, 2023, 2030-2032, 2052, atres. 2069, 2085, 2101-2102, 2106, 2108, 2133, 2139, Littmann, Eno, 1540. 2181, 2184, 2203, 2223, 2241-2242. Living pictures, 1423, 1453, 1492-1493, 1495, 1542. Moving pictures as scenery, 1334, 1898-1899, 2033, 1798. Lofts, Scene, 2199. 100. Logeion, Mueller, A., 97, 179. scenes, 1225, 1249, 1575, 1778, 1782. Luminous Multiple stages. See Moveable and revolving stages. Theatre, London, 319, 371, 386, 460, SSS, Lyceum Museums, Dramatic, 1435, 1504, 1509, 1512. 2051, 2196. Music, 578, 737, 819, 1785, 1822-1823, 1832, 1909. 587. Lyly, John, 1938, 2038, 2071, 2077, 2180, 2188, 2216, 2227, 2265. Mystery plays. See Mediaeval stage. M Macready, W. C, 418. N >Madison Square Theatre, New York, 2032. Magnesia, Theatre at, 106. Napoleon Circus, Paris, 2290-2291. Making up, 2251. "Nasological" drama, 1306. Mallet-Stevens, Robert, 1319. National Theater, Budapest, 1599. Mans, Theatre at, 774. National theatre of Mexico, 2019. Marie Antoinette's theatre, 784. Navarre, 102. Marionetten Theater, Munich, 1462, 1478, 1502, 1523, Neighborhood Playhouse, New York, 711, 1395b. 1534-1535, 1545. New Amsterdam Theatre, New York, 1991, 2030. Marionettes, 167, 253, 296, 868, 1062, 1086, 1104, New Theatre, London, 1625. 1122, 1142, 1163, 1310, 1356, 1413, 1417, 1421, New Theatre, New York, 442, 562, 1730, 1868, 1930, 1424, 1428, 1430, 1436, 1439, 1445-1446, 1448- 1932, 1966. 1462, 1464, 1449, 1451, 1454, 1456, 1458, 1460, New York City, Modern theatres in, 1993. 1468, 1475, 1477-1479, 1482, 1484, 1487- 1466, New York City, Old theatres in, 2343. 1490, 1496-1498, 1502-1503, 1508, 1514, 1516, New York Stage Society, 746. 1518, 1523, 1526-1527, 1531-1532, 1534-1535, Niagara Falls, 2222. 1537-1538, 1541, 1543-1545, 1548-1549, 1553, Nimes, Arena at, 153, 2369, 2371, 2383, 2450a. 1555-1556, 1560, 1563, 1567, 1569. See also Au- Nine o'clock theatre, 1363. tomatons; Punch and Judy; Shadow plays; and Nitrogen lamp, 1718, 1765. Toy theatres. Norfolk, England, Players at, 211. Masks, 8, 50, 73a-73b, 103a, 120, 168, 176, 180, 183, 189, 252, 1045, 1098, 1099, 1103, 1122, 1161, 1165-1166, 2282, 2306-2307. Masques and revels, 296, 299, 301, 334, 349, 358, 362, 366, 381, 458, 525, 531, 543, 557, 574, 632, 654, 672-673, 675, 677-684, 687-688, 690-691, 696, Odeon theatre, Paris, 1983. 698, 700-706, 1438, 2072. See also names of Olympia Theatre, York, 1758. artists, as Jones, Inigo. New Olympic Theatre, London, 320, 460. Matthews, J. B., 1512. Olympic Theatre, Vicenza. See Palladio, Andrea, Mediaeval stage, including mysteries, 1, 3, 4, 5, 76, in list of Artists and producers (before 1800). 130, 202-306, 349, 362, 364, 456, 458, 468, 500, air theatres, 133, 228, 719, 774a, 553, 568, 628, 679, 890, 926, 943, 957, 1022, Open 17, 109, 868, 1435, 1541, 1918, 2398, 2399, 2418. 960, 1248, 1301, 1368a, 1371, 1407, 1587, 1669a. 2166, 2204, 2318, 2351-2471. See also Pageant- Megalopolis, Theatre at, 59, 64, 69, 84-85, 182. ry; Flood lighting. Megaphone, 2166. Opera House, Berlin, 831, 1638, 1657, 1811-1813. Metropolitan Opera House, New York, 730, 1750, Opera House, Boston, 1584. 1884, 1977-1979, 2002, 2050, 2087, 2203. Opera House, Budapest, 2008, 2074. Mexican stage, 349, 2289b. Opera House, Dresden, 932, 954, 1970, 2046. Middlebury College, 1396. Opera House, Paris, 801, 1263a, 1264, 1682-1683, Military theatres, 1519, 2247, 2250, 2275, 2280, 2289- 1714, 1792, 1831, 1848, 1883, 1917, 1926, 1986, 2289c, 2326a, 2332b, 2335a-2338, 2340-2341, 1990, 2014, 2063, 2090-2092, 2103, 2113, 2134, 2346, 2350, 2404a. 2142, 2176-2179, 2195, 2219-2221. Mimes, 1541. Operas, Scenes from, 2317. See also names of Mobs, 656. operas under heading Plays and operas. Models, 1228, 1288, 1295, 1311-1312, 1318, 1435, Optical shows, 1440, 1460. 1465, 1474, 1504, 1509, 1511, 1774, 1839, 1950, Optics, 57, 1688, 1987-1988, 2034, 2128. 1966, 2060. Orange, Theatre at, 73, 96, 1435, 1987, 2363, 2369, Moderwell, H. K., 1282. 2378, 2417-2418, 2434a, 2450a. Moenkemeyer, Paul, 472. Oriental stage, 167, 1026-1212, 1541. See also Jap- Moliere stage, 4, 130, 766-766a, 768, 773, 778, 783, anese, Chinese, etc., stage. 792, 796, 798-799, 812, 2418. Osborne's (Mrs.) Playhouse, 603. Money, Stage, 127. Ostie, Theatre, 15. Montgomery Falls, Open air theatre, 2442 Oval stage, 1971. DEVELOPMENT OF SCENIC ART AND STAGE MACHINERY 125

Plays and operas — Continued. Cleopatre, 999. 1005. The Clod, 735. Padding, 2296. Comedy of errors, 541. Padua, Theatre at, 210. Comedy of masques, 1435. Pageantry, 253, 295, 355, 557, 572, 628, 698. 774a, A Constant lover, 726a. 1371, 1628, 1668, 1771a, 2065, 2385, 2403-2404, I'oppelia. 914. 2440. 2416, 2433, See also Flood lighting; also ("oriolanus. 418, 541. Bulletin of the New York Public Library, Oct., Le Corsaire, 419. 1916, V. p. 753-791, for a list of 20, references to The County fair, 1887. Pageants in Great Britain and the United States. Les Cuirs de boeuf, 769. Palladium Theatre, London, 1631, 2045. Cymbelinc, 433, 541. Panama-Pacific International Exposition, 1725. The Daughter of Heaven, 1896. Panic proof theatres, 854. The Deluge, 1943, 21S9a. Panoramas, 426, 432, 436, 1328, 1330, 1945, 2003, The Devil's garden, 734. 2255-2257, 2263-2264, 2267, 2271-2272, 2277, Le Dieu bleu, 808. 2281, 2288, 2295, 2297, 2303, 2308, 2316, 2320. Dinorah, 430. See also Horizon, Circular. Dominos, 791. Pantomimes, 76, 107, 296, 349. 441, 536, 1413. 1425, Don Carlos. 880. 1431, 1434, 1441-1443, 1450, 1469, 1485, 1507, Don Giovanni. 428. 1915. 1519-1522, 1542, 1559, 1565, 1569, 1795, 1800, Don Juan. 1994, 2191. 2067, 2083-2084, 2193, 2212. See also Living Electra, 2382. pictures. Elektra, 11, 136, 181. Parodoi, 163. Erinna, 2372. Passion plays, 5, 253, 272, 1918, 1950, 2258, 2260- Fantasio, .789. 2262, 2269, 2273, 2276, 2286, 2292-2294, 2298- Faust, 371, 426. 830. 837. 842. 847, 875. 903. 921. 2301, 2312-2313. 2315. 2319, 2321, 2333. 945. 954. 1341, 1750. 1875, 2036. Pastoral plays, 274, 2360, 2394, 2420, 2462. La Favorita, 422. Patents, 2210-2211. The Fear market, 735. Patti, Adelina, Theatre of, 2287. Fischcrcin, 2405. Penthesilea, 941. The Forest ring. 1367. Pergola Theatre, Florence, 2303a. Der Freischuctr, 914, 2191. Persian stage, 1062, 1134, 1414, 1516. Freres Karamazov, 791, 813a. Peruvian Indians, 2282. Gammer Gurton's needle, 1411a. Phonograph, 2058. Garden of Paradise, 727, 736. Phosphorescence, 1826. Der Geist der Rose, 848, 978. Picture frame stage, 368. See also Portmanteau The- Genoveva, 880. atre. The Girl of the golden West, 1702. Pischel, Richard, 1540. Die Glocke, 2428. Player's Workshop, Chicago, 750, 1380a. Goettcrdammerung, 819, 871. 932. Plays, List of, 336. The Governor's lady. 1867. Plays and operas. The reader is also referred to The Grotesques, 1365, 1381. "Stage scenery, a list of references to illustra- Haensel und Gretel. 759. tions since 1900" in New York Public Library Hamlet. 418, 466. 482. 490. 532a. 541, 550, 555, Bulletin, May and June, 1917, v. 21, nos. 5 and 595, 608. 614. 823. 837, 864, 880-881, 887, 900. 6; also issued as a separate. Pictures antedat- 936. 950. 953. 1298a. 2111, 2146. ing 1900 are listed in a manuscript available in Hans Wurst, 945a. Room 115. Hclene dc Sparte, 808. Adam (Mystery), 202. Hiawatha, 2415. L'Africaine, 2041. The High road, 755. 2013. Agamemnon of Aeschylus, 9, 17. Les Huguenots. 429. 831. Aglavaine et Selysette, 1364. The Ideal husband, 748a. Aida, 1777, 2400. Ion, 419. All's well that ends well, 541. Iphigenia in Taurus, 104, 139. Androcles and the lion, 392, 764a. The Jest, 744b. 2407-2408. Antigone, 93. Joan of Arc, 719, 1908, 2391, Antony and Cleopatra, 541, 610, 879. Julius Caesar, 541, 613. 627. 640, 643, 2425. Ariadne auf Naxos, 851. Jutinfrau vrin Orleans, 1775. Arrah na Pogue, 451. kariicval, 848. 953, King Henry IV, 541. As you like it, 542, 597, 837, 850, 900, 913, 2280, 2354-2355, 2470. King Henry V, 418, 425. 541, 55Ja. 634a. Ascanio, 1883, 1903. 2178. King Henrv VL 541. Les Avcnturcs de Garoche, 1830. King Henry VIM. 477. 541, 558. The Ball of the gods, 1745. King John, 40«>. 438. 541. Bastien and Basticnne, 929. King Lear, 418. 42'*. 541. 559, 564a, 893. 645. Bella Donna, 395. King Kiihar.l II. 541, 'J.'O Ben Hur, 1936, 2162. King Richard III, 541, 66H,-«. The Betrothal, 748a. Kiiimrt. 3VS. of the lake, 762. The Better 'ok-, 748a. The Lady The Blue bird, 776, 1930. Literature. 735. The Boomerang, 731. The I.illlc lady in blue, 2093. 1394. Bushido, 1745. La L.u-andicra. Lohrngrin, 8h6, 1897, 2191. 2219. Caliban, 2463. Canterbury pilgrims, 2381. Lonesome like, 753. fortune, 430. Carnaval des enfants, 791. Love and Lovr'» labor lom, 542. Chagrin dans le palais de Han, 813. m^rc I'oye, 790. Chanticler, 738, 775, 1674. 2245a. M« 5.12a, 541, y)0-^')l, Chu Chin Chow. 723a. .Macbeth, 364. 418. 476. 521. 602, 625-626, 1474. The Cid, 130, 2368. 126

Plays and operas — Continued. Mage, 2220-2221. The man who married a dumb wife, 73^, Le Marchand de passions, 789. Marcus Geminus, 526. Measure for measure, 541, 913. The .'>. Medea, 2156. Willi: Die Meistersinger, 871, 2428. The Willow tre^r Merchant of Venice, 429, 541. Winter's tale, 478, o-,,. /, 931. A Merry death, 1358a, 1474. Wolkcnkuckucksheim, 900. / Midsummer night's dream, 427, 516, 541, 669, 743, The Yellow jacket, 756a, 1173. / 837, 922. Die Zauberfloete, 416, 815, 899, 933, 944. The Miracle, 1900. Plutarch, 74. Le Misanthrope, 766. Pneumatic scenery, 2078. Much ado about nothing, 501, 541, 953. Point I-oma, Cal., Theatre at, 109. Nero, 2058. Pollock's Toy Theatre, 1401, 1433. Nju, 983. Pomona, California, Theatre at, 2380. Nuit persane, 790. ' Pompeii, Theatres at, 71, 88, 121, 124, 131, 149, 178, Oedipus, 46, 48, 53, 823. 199. L'Oiscau de feu, 1008. Portable stage. See Revolving and moveable stages. The Old wive's tale, 1396. Portable theatres, 1357-1358, 1380, 1404, 1409, 1973. Orfeo. See Orpheus. See also Portmanteau Theatre. Orpheus, 459, 2204. Portmanteau Theatre, New York, 1366, 1392, 1405, Othello, 418, 541, 759, 2280. 1408, 1410-1411, 1956. A Pair of silk stockings, 731. Post-Elizabethan stage, 580-606. See also Masques. Palaemon and Arcyte, 526. Posters, 746. Parsifal, 817, 818, 935, 2110. Priene, Theatre at, 193. Pelleas and Melisande, 794-795, 929, 2373. Primitive stage, 167-167a, 2279, 2282, 2300, 2307. Pericles, 541. Primrose and West's minstrels, 1617. Peter Pan, 1745, 2235. Prince of Wales Theatre, Birmingham, Eng., 1666. Philoktetes (Sophocles), 201. Prince of Wales Theatre, Liverpool, 1684. Pinafore, 2094, 2302. Prince of Wales Theatre, London, 321. La Pisanelle, 728, 1010. Princess's Theatre, London, 322, 409, 424, 425, 477, Pizarro, 424. 478, 590, 626. Les Preludes, 1014. Prinzregent Theatre, Munich, 94, 1639, 1982, 2076, Progne, 526. 2086, 2130, 2170. Prometheus unbound, 818. Proctor's Pleasure Palace, 1808. Le Prophete, 420. Prompt bo.x, 2088. The Queen's enemies, 1411a. Properties, 284a, 361, 364, 531, 534, 542, 675, 679, Die Raeuber, 837, 917. 680, 744c. 1287, 1934, 1936, 2013, 2093, 2148. The Red cloak, 735. Proscenium, 814, 854, 1928, 2303a. Redemption, 748a. Proskenion, 150. Das Rheingold, 819, 932, 1794, 1951, 1984, 1989, Pruefer, 1562. 2005, 2008, 2014, 2063, 2167, 2191. Puchstein, 82, 103. The Roadhouse in Arden, 735. Punch and Judy, 1310, 1397, 1486, 1505, 1564. Robert le Diable, 285, 434. Punch and Judy Theatre, New York, 2075. Romeo and Juliet, 364, 439, 502, 532a, 541, 603, Puppets. See Shadow pictures, etc. 945a, 953. Der Rosenkavalier, 852. St. Elizabeth (opera), 267. Sardanapalus, 436, 1425. Sari, 399. R Scheherezade, 848, 1005, 1013. Shanewis, 2449. Race tracks, 1877, 1947, 2097, 2183. She stoops to conquer, 717. Rag pictures, 1923. Sicilian vespers, 2191. Railway trains, 1864, 2028, 2236. Siegfried, 819, 932, 1802, 1831, 1981, 2087, 2136, Rainbows, 2056, 2230. 2143, 2230. Red Bull Theatre, 460, 474, 604. Silvanire, 797. Regency Theatre, London, 460. Spring's awakening, 1364. Reich, Hermann, 117, 156. Stop, look, listen, 708. Renaissance stage, 4, 291. Sumurun, 1317, 1450, 1896. Restaurants, Stage, 1867. Taming of the shrew, 541, 953. Restoration stage. See Post-Elizabethan stage. The Tempest, 541. Revolving plaques, 2025. stages The Tenor, 735. Revolving stages. See Moveable and revolving Theseus and Ariadne, 423. Reynolds, George, 472. Timon of Athens, 541, 880, 1167. Rezidenztheater, Munich, 1790, 1915, 1992. Treasure island, 2075, 2205. Rheostats. See Dimmers and rheostats. Trinummus (Plautus), 190. Rialto Theatre, New York, 726. A Trip to the moon, 1627, 1945. Richardson's Theatre, London, 415. Tristan and Isolde, 819, 866. Richter, Dr. Weil & Co., 1753. Troilus and Cressida, 541. Ricketts, Charles, 1319. The Trojan women, 104, 139, 165. RobertHoudin, 2007, 2107. Twelfth night, 479, 485, 541, 598, 2280. Roman stage. See Greek and Roman stage. Twin beds, 731. Roman theatres. Restorations, 115. Two Foscari, 418. Royal Amphitheatre, London, 400. Two gentlemen of Verona, 541. Royal Coburg Theatre, Surrey, 460. Ulysses, 309. Royal Marionette Theatre, 1548. Velleda, 2419. Royal Theater, Munich, 1637. AA 000 I