Chapter 14- Archival Objects, Pp
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[, F/ V C Edna Hammer Cooley 1986 APPROVAL SHEET
WOMEN IN AMERICAN THEATRE, 1850-1870: A STUDY IN PROFESSIONAL EQUITY by Edna Hammer Cooley I i i Dissertation submitted to the Faculty of the Graduate School of the University of Maryland in parti.al fulfillment of the requirements for the degree of Doctor of Philosophy ~ /, ,, ·' I . 1986 I/ '/ ' ·, Cop~ I , JI ,)() I co uI (~; 1 ,[, f/ v c Edna Hammer Cooley 1986 APPROVAL SHEET Title of Dissertation: Women in American Theatre, 1850-1870: A Study in Professional Equity Name of Candidate: Edna Hammer Cooley Doctor of Philosophy, 1986 Dissertation and Approved: Dr. Roger Meersman Professor Dept. of Communication Arts & Theatre Date Approved: .;;Jo .i? p ,vt_,,/ /9Y ,6 u ABSTRACT Title of Dissertation: Women in American Theatre, 1850- 1870~ A Study_ in Professional Equi!:Y Edna Hammer Cooley, Doctor of Philosophy, 1986 Dissertation directed by: Dr. Roger Meersman Professor of Communication Arts and Theatre Department of Communication Arts and Theatre This study supports the contention that women in the American theatre from 1850 to 1870 experienced a unique degree of professional equity with men in the atre. The time-frame has been selected for two reasons: (1) actresses active after 1870 have been the subject of several dissertations and scholarly studies, while relatively little research has been completed on women active on the American stage prior to 1870, and (2) prior to 1850 there was limited theatre activity in this country and very few professional actresses. A general description of mid-nineteenth-century theatre and its social context is provided, including a summary of major developments in theatre in New York and other cities from 1850 to 1870, discussions of the star system, the combination company, and the mid-century audience. -
The Routledge Companion to African American Theatre and Performance
The Routledge Companion to African American Theatre and Performance Edited by Kathy A. Perkins, Sandra L. Richards, Renée Alexander Craft , and Thomas F. DeFrantz First published 2009 ISBN 13: 978-1-138-72671-0 (hbk) ISBN 13: 978-1-315-19122-5 (ebk) Chapter 20 Being Black on Stage and Screen Black actor training before Black Power and the rise of Stanislavski’s system Monica White Ndounou CC BY-NC-ND 4.0 124 125 Being Black on stage and screen Worth’s Museum, the All- Star Stock Company was the fi rst professional Black stock company and training school for African American performers (Peterson, “Profi les” 70– 71). Cole’s institution challenged popular perceptions of Black performers as “natural actors” 20 lacking intellect and artistry (Ross 239). Notable performers in the company demonstrated expertise in stage management, producing, directing, playwriting, songwriting, and musical composition. They did so while immersed in the study of voice and vocal music (i.e. opera); BEING BLACK ON STAGE movement through dance (i.e. the cakewalk); comedy, including stand-up and ensemble work in specialty acts (i.e. minstrelsy), and character acting. Examples of the performance styles AND SCREEN explored at the All- Star Stock Company include The Creole Show (1890–1897), the Octoroons Company (1895– 1900), the Black Patti Troubadours (1896– 1915), the Williams and Walker Company (1898– 1909), and the Pekin Stock Company (1906– 1911), which performed Black Black actor training before Black Power musicals and popular comedies (Peterson, “Directory” 13). Some of the Pekin’s players were and the rise of Stanislavski’s system also involved in fi lm, like William Foster, who is generally credited as the fi rst Black fi lm- maker ( The Railroad Porter , 1912) (Robinson 168–169). -
I86 Ms]BRH I
I i86 BRH [THE CENTENARY OF COLLEGE OF ms] THE SURGEONS. [JULY 21, 1900. In the of our LL.D., D.C.L., Professor of Clinical Surgery University of Laval; Surgeon- present state very limited knowledge of the General James Jameson, C.B., M.D., LL.D., Director-General, Army complicated processes which take place in the decomposition Medical Service; William Williams Keen, M.D., LL.D., Professor of the and ultimate oxidation of sewage, it is premature to dogma- Principles of Surgery and of Clinical Surgery, Jefferson Medical College, tise with regard to all the details of these but from Philadelphia; Theodor Kocher, Professor of Surgery, University of Bern; processes; Professor Dr. Franz Konig, Geh. Med. Bath, Berlin; Professor Dr. Ernst what is known with regard to the life-history of bacteria, it-is Georg Ferdinand Kuster, Geh. Med. Rath, Marburg: Elie Lambotte, plainly indicated that excessive anaerobic action may greatly Brussels; Odilon Marc Lannelongue, Professor of Surgical Pathology, modify and inhibit the work of anaerobic as well as of aerobic Faculty of Medicine of Paris; Kar Gustaf Lennander, M.D., Professor of Surgery and Obstetrics, University of Upsala; William Macewen, M.D. bacteria; that septic tanks and contact beds may become LL.D., F.R.S., Regius Professor of Surgery, University of Glasgow, " sewage sick" as well as the land used for sewage puri- Colonel Kenneth MacLeod, M.D., LL.D IMS Professor of Clinical fication. and Military Medicine, Armiy Medical School. Netley; Julius Nicolaysen, It is conceivable, therefore, that in cases in which the flow Professor of Surgery, Royal University of Christiania ; Sir Henry Frederick NorburY K.C.B., Director-General, Medical Department of the Royal of sewage to the septic tank is hindered and delayed by low Navy; Leopold Ollier, Professor of Clinical Surgery, UniversitY of Lyonos; gradients, or faulty conditions of the sewers, or other causes, Victor Pactioutine, President, Imperial Military Academy of Medicine, the interposition of a septic tank previous to treatment by St. -
Regency Actors and the Inspiration Behind Romantic Drama
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2017 Fit for the Stage: Regency Actors and the Inspiration Behind Romantic Drama James Armstrong The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2317 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] FIT FOR THE STAGE: REGENCY ACTORS AND THE INSPIRATION BEHIND ROMANTIC DRAMA by JAMES ARMSTRONG A dissertation submitted to the Graduate Faculty in Theatre in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2017 ii © 2017 JAMES ARMSTRONG All Rights Reserved iii Fit for the Stage: Regency Actors and the Inspiration Behind Romantic Drama by James Armstrong This manuscript has been read and accepted for the Graduate Faculty in Theatre in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. May 12, 2017 ______________________________ Date Chair of Examining Committee Marvin Carlson Distinguished Professor May 12, 2017 ______________________________ Date Executive Officer Peter Eckersall Professor ______________________________ Jean Graham-Jones Professor ______________________________ Annette J. Saddik Professor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract Fit for the Stage: Regency Actors and the Inspiration Behind Romantic Drama by James Armstrong Adviser: Distinguished Professor Marvin Carlson In this dissertation, I argue that British verse tragedies of the Romantic era must be looked at not as "closet dramas" divorced from the stage, but as performance texts written with specific actors in mind. -
Esler Part 2
Transcribed from the Dublin Journal of Medical Science, Vol. LXXXII, July to December, 1886. TRANSACTIONS OF THE ULSTER MEDICAL SOCIETY. SESSION 1885-86. President—JOHN FAGAN, F.R.C.S.I. Hon. Secretary—JAMES A. LINDSAY, M.D., R.U.I Wednesday, June 2, 1886. Sketch of the Ulster Medical Society and its Presidents. By ROBERT ESLER, M.D., Belfast. IN a paper which I read before the Ulster Medical Society in January, 1885,I gave some account of medical matters in Belfast during a period of two centuries.* That paper concluded with a hope that, on a future occasion, I should be enabled to ask this Society to accept the custody of the portraits of its former presidents. It is with that pleasing object we have now met. The Ulster Medical Society was constituted on May 4th, 1862, by the amalgamation of the Belfast Medical Society—a Society which had been in existence from 1806—with the Clinical and Pathological Society, which was originated in 1853 by Dr. Malcolm. Another Society, called the Ulster Medical Protective Association, with Dr. W. M'Gee as President, and Dr. Samuel Browne as Secretary, was in active operation up to that time. It is also merged into the new Society. For our present purpose it will be necessary to ante-date the union by a few years, so as to include some of the presidents of the old association who had been instrumental in the formation of the Ulster Medical Society. The first portrait to be uncovered is that of Dr. Thomas Reade. -
IRISH MASTERS of MEDICINE No
CORE Metadata, citation and similar papers at core.ac.uk Provided by PubMed Central perforation. The position is a greater meenace than the obstruction. This has one small crumb of comfort, in that the obstruction does not give rise to definite signs and symptoms, whereas each positioIn of the appendix gives a train of signs and symptoms that are capable of interpretationi. Everv anatomical conditionl of the appen(lix an(d its surroundinigs has tllhen a (lefiniite bearitng oni the symptoms whlien the appendix becomiles diseased. Whlienl a suspecte(l case of appetndicitis is approached, the diagnosticiani shouldl ask limself wvhat is the probable anatomical cond(ition present, and are the signs and( sy-mptoms of the patient coincident with such a conI(litionl. If the anatomical conditions agree with thc signls anidl symiptoms, the diagnosis is correct. Knowing the anatomical conditions, the diagnosticianl can wvith greater confidelnce determine the next step to be takien. An appenidix in the splenic positioIn brooks no delay, neither does a pelvic one. On the other halnid, if there is reasonable doubt about a lateral cecal append(iix, a few houirs' (lelav for thc examniniationi of the urine, or an X-ray examinationi of the urinarv tract, xvill not lowe r appreciably the chlainces of the patienit. For the surgeon the position of the appendiix ill detei-nille tihe incision to be used, Ihis great aim being to deliver the appcndix with least (listtlrbatnce to t-hec peritoneal cavity ani(l to the abdominal wall. In conclusion, I shouldi like to thank my colleagues at the Ulster Hospital for Children, Templemore Avenue, for permission to include some of their cases in the figures, andl also to the house-surgeon, Dr. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L. -
“Revenge in Shakespeare's Plays”
“REVENGE IN SHAKESPEARE’S PLAYS” “OTHELLO” – LECTURE/CLASS WRITTEN: 1603-1604…. although some critics place the date somewhat earlier in 1601- 1602 mainly on the basis of some “echoes” of the play in the 1603 “bad” quarto of “Hamlet”. AGE: 39-40 Years Old (B.1564-D.1616) CHRONO: Four years after “Hamlet”; first in the consecutive series of tragedies followed by “King Lear”, “Macbeth” then “Antony and Cleopatra”. GENRE: “The Great Tragedies” SOURCES: An Italian tale in the collection “Gli Hecatommithi” (1565) of Giovanni Battista Giraldi (writing under the name Cinthio) from which Shakespeare also drew for the plot of “Measure for Measure”. John Pory’s 1600 translation of John Leo’s “A Geographical History of Africa”; Philemon Holland’s 1601 translation of Pliny’s “History of the World”; and Lewis Lewkenor’s 1599 “The Commonwealth and Government of Venice” mainly translated from a Latin text by Cardinal Contarini. STRUCTURE: “More a domestic tragedy than ‘Hamlet’, ‘Lear’ or ‘Macbeth’ concentrating on the destruction of Othello’s marriage and his murder of his wife rather than on affairs of state and the deaths of kings”. SUCCESS: The tragedy met with high success both at its initial Globe staging and well beyond mainly because of its exotic setting (Venice then Cypress), the “foregrounding of issues of race, gender and sexuality”, and the powerhouse performance of Richard Burbage, the most famous actor in Shakespeare’s company. HIGHLIGHT: Performed at the Banqueting House at Whitehall before King James I on 1 November 1604. AFTER: The play has been performed steadily since 1604; for a production in 1660 the actress Margaret Hughes as Desdemona “could have been the first professional actress on the English stage”. -
The History Ulster Medical Society
[Reprinted from the Ulster Medical Journal, Volume XXXVI, Summer 1967] THE HISTORY of the ULSTER MEDICAL SOCIETY by R. W. M. STRAIN B.Sc., M.D., Ph.D., F.R.C.P.I. ADDRESS delivered to THE ULSTER MEDICAL SOCIETY 9th FEBRUARY, 1967 Prepared at the request of the Council Introduction THIS is quite literally two papers. When the Council of the Ulster Medical Society invited the writer to bring R. H. Hunter's account of its history up to date, it was to cover a period entirely within his own membership of the Society, and he had at his disposal primary sources of information in the Minutes of the Society, of the Council and of the Trustees of the Whitla Medical Institute. As it was 30 years since Richard Hunter delivered his address to the Society, and outside the experience of many of the present Fellows and Members, the author was further asked to review the entire span of the Society's existence. For this latter purpose there was no need to go deeper than the secondary sources of information already available, and reference to these is made in the bibliographical note at the end of this communication. Peace, it is said, is indivisible. So too, it is difficult to separate the history of the Society from that of the community it serves or from the activities and person- alities of its individual members. Selection is both difficult and invidious. On this occasion it is nice to be able to say that if any one disagrees with the landmarks the writer has selected, he can lay the blame on the Council for inviting him to take on this task. -
Rssacongress Levovist Presentations
REPORT BACI< RSSACongress levovist presentations September 99 Dr Pat Morton, consultant radiologist, City Park Hospital, Cape Town, presented his findings on the use of Levovist for the detection of cancer in the prostate gland. He described his experience with endorectal ultrasound of the prostate and the difficulties in detecting early cancer. He demonstrated his technique for using Levovist to improve the specificity of the examination. As the product enhances the vascularity of solid organs, such as the prostate, focal lesions are more easily detected after its administration. The optimum enhancement is attained with a slow infusion of Levovist over 2 to 3 minutes while scanning. This requires an assistant or an injector pump. Dr Morton believes that the product improves the sensitivity of the examination in difficult cases, however the examination takes longer to perform. Professor Corr, radiologist from King Edward Hospital, Durban and the University of Natal presented his work on the applications of Levovist for improving the specificity of liver lesions, the detection of portal vein patency and renal artery stenosis. Levovist is useful to improve the sensitivity and specificity of ultrasound examinations of the liver when focal cancer and inflammatory disease is suspected. Levovist can reliably differentiate hypervascular focal lesions such as hepatoma from hypovascular metastases and abscesses. Itis very useful in difficult cases where portal vein stenosis or occlusion is suspected, and greatly improves detection of renovascular stenosis in difficult cases with suboptimal visualisation of the renal arteries. Both presenters felt more local research was required and the cost effectiveness of the use of Levovist must be assessed compared to other investigations such as MR and CT. -
And Performance
and Performance THE REPERTORY SYSTEM PLAYS A successful play would typically run for eight to twelve performances over a period of four to Playing companies in six months the 1590s presented a different play each AUDIENCES day, selecting from a The demand from repertoire of usually London audiences twenty to forty plays ACTING for new plays forced COMPANIES companies to add a new play every two weeks Two most significant (and rival) acting companies: the Admiral’s Men and the Lord Chamberlain’s Men Typical types of plays included: tragedies (Othello, Romeo and Juliet), comedies (Twelfth Night), and histories (Henry VIs All classes of society and Richards) visited public theatre PLAYWRIGHTS ACTORS Richard Burbage, 1568-1619 A member of the Lord Chamberlain’s Men from 1594, a close collaborator with Shakespeare, and a frequent player in his plays William Ben Shakespeare Jonson William Kemp, 1585-1603 A prominent comic actor in Shakespeare’s company in 1590s Robert Armin, 1563-1615 A writer and comic actor in Christopher John Shakespeare’s company who Marlowe Fletcher most notably portrayed the wise fools TH 17 CENTURY1642-1660 1660 Interregnum, Restoration period, when period when theatre going became a public theatres fashionable and social were closed experience POPULAR TYPES OF PLAYS HEROIC DRAMA PATHETIC TRAGEDY RESTORATION COMEDY (The Conquest of Granada (The Orphan (The Country Wife by John Dryden) by Thomas Otway) by William Wycherly) INNOVATION Special effects on stage became increasingly technical with the introduction of scenery -
A Tribute to Joseph Lister
Annals of the Royal College of Surgeons of England (1977) vol 59 150 years after A tribute to Joseph Lister O J A Gilmore MS FRCS FRCSEd Consultant Surgeon, St Bartholomew's Hospital, London Introduction theory of disease. From Pasteur's work Lister The 5th of April I977 marked the Isoth anni- learnt that putrefaction could be prevented versary of the birth of Joseph Lister, Britain's either by the exclusion of germs from the greatest surgeon and the founder of the anti- putrefactive material or by their destruction. septic principle. Modern surgery as we know At the time that Louis Pasteur published it evolved because of the efforts, patience, the results of his elegant experiments wound and determination of this man. infection was still thought to be the direct Joseph Lister was born in i827 at Upton result of the chemical action of oxygen on House, Essex, the fourth child of Joseph Jack- exposed tissues. This resulted in numerous son Lister, a London wine merchant and a and various tight dressings being employed in distinguished microscopist. He qualified at all hospitals in a vain attempt to keep air University College Hospital, London, after from the wound. Despite this, or perhaps which, under the guidance of the physiologist because of it, every ward-in particular every William Sharpey, he studied inflammation, on surgical ward-was faced with the horrors of which subject he addressed the Royal Society 'hospital gangrene'. Few wounds escaped the in I857. Lister had become a Fellow of the effects of this endemic putrefaction. Sir Charles Royal College of Surgeons of England in Illingworth' describes the prevalent conditioins I852, at the age of 25, but later he decided thus: 'The foetid atmosphere of wards, the to move to Edinburgh to study surgery wounds dripping with pus, the convulsions of under Syme, whose eldest daughter, Agnes, lockjaw, the angry fire of erysipelas, the morti- he subsequently married.