Choreographer Jonathan Burrows Behind the Scenes of 'Watchmen'

Total Page:16

File Type:pdf, Size:1020Kb

Choreographer Jonathan Burrows Behind the Scenes of 'Watchmen' FRIDAY - SUNDAY, MARCH 6 - 8, 2009 Leo Potma Aachen art “The Great Virtuoso from Amsterdam: Jacob Adriaensz Backer (1608/09-1651)” shows about 40 paintings and 20 drawings by the Dutch painter. Suermondt-Ludwig-Museum March 12-June 7 % 49-241-4798-00 www.jacob-backer.de Amsterdam design “Animal-Inspired Bags” presents bag designs based on animals, including work by Beverly Feldman and Corine Haacke. Museum for Bags and Purses—Tassenmuseum Hendrikje March 16-Aug. 23 % 31-20-5246-452 www.tassenmuseum.nl Antwerp art “Goya, Redon, Ensor—Grotesque Paint- ings and Drawings” shows a selection of works by the three painters. Koninklijk Museum voor Schone Kunsten March 14-June 14 % 32-3-2387-809 www.kmska.be fashion “Paper Fashion” showcases a collec- tion of 1960s paper dresses from the Atopos collection. Modemuseum Until Aug. 16 % 32-3-4702-770 www.momu.be Berlin Private collection, photo: Lars Engelhardt/Prins Eugens Waldemarsudde art ‘Karin and Esbjörn’ (1909), by Carl Larsson, in Stockholm; above, leopard skin handbag made in Botswana, 1962, by an unknown designer, on show in Amsterdam. “The Art of Interpretation—Italian Re- productive Prints from Mantegna to Carracci” shows drawings, paintings, works by Irish artist James Coleman www.ok-centrum.at by the Irish born painter (1909-1992). exhibits photography by Swedish printing plates and faience works. (born 1941), featuring works from the Museu Nacional del Prado photographer Bengt Wanselius Kupferstichkabinett 1970s up to the early 2000s. Ljubljana Until April 19 (born 1944). Until June 14 Irish Museum of Modern Art archaeology % 34-91-3302-800 Dansmuseet % 49-30-2662-951 March 7-April 26 “Pre-Columbian Mexico: Eternal Life” www.museodelprado.es Until April 19 www.smb.museum % 353-1-6129-900 brings together some of the most im- % 46-8-4417-650 www.modernart.ie portant archaeological finds recently Paris www.dansmuseet.nu art discovered in Mexico. archaeology “Picturing America: Photorealism in Edinburgh Cankarjev dom Cultural and “The Gates of Heaven—Visions of art the 70s” presents 32 large-scale real- photography Congress Centre the World in Ancient Egypt” is a ma- “Carl Larsson” presents 100 works ist paintings by 17 artists. “Helmand: Faces of Conflict” presents March 10-July 24 jor exhibition of 350 ancient Egyp- by the Swedish artist Carl Larsson Deutsche Guggenheim a series of haunting portraits showing % 386-1241-7299 tian artifacts in their social, religious (1853-1919). Until May 10 British soldiers in the Helmand prov- www.cd-cc.si and artistic context. Prince Eugens Waldemarsudde % 49-30-2020-930 ince of Afghanistan by photographer Musée du Louvre Until May 31 www.deutsche-guggenheim.de Robert Wilson. London Until June 29 % Building 46-08-5458-3700 National War Museum, art % 33-1-4020-5050 www.waldemarsudde.se Bonn Edinburgh Castle “Gerhard Richter Portraits” shows por- www.louvre.fr photography Until Jan. 31, 2010 traits by the German artist Gerhard Turin “Czech Photography of the 20th Cen- % 44-131-2257-534 Richter (born 1932) from the 1960s to art film tury” exhibits photographs by Czech www.nms.ac.uk the present. “Italian Primitives” displays 50 “Rodolfo Valentino: The Seduction artists, ranging from avant-garde to National Portrait Gallery works by Italian masters of the of the Myth” pays tribute to the Ital- photojournalism. Until May 31 13th, 14th and 15th centuries. Frankfurt ian-American actor (1895-1926). Kunst- und Austellungshalle art % 44-20-7306-0055 Musée Jacquemart-André a new look Museo Nazionale del Cinema March 13-July 26 “Darwin: Art and the Search for Ori- www.npg.org.uk March 11-June 21 Until May 24 % 49-228-9171-0 gins” exhibits 150 paintings, drawings % 33-1-4562-1159 % 39-011-8138-564 www.kah-bonn.de and lithographs by artists with an in- Maastricht www.musee-jacquemart-andre.com www.museonazionaledelcinema.org terest in the natural sciences. art Big-name architects Budapest Schirn Kunsthalle “Jordaens—The Making of a Master- Sofia art Until May 3 piece” exhibits the restored master- film Vienna “A Land of Myths—The Art of Gustave % 49-69-2998-820 piece ‘The Tribute Money: Peter Find- “Sofia International Film Festival design start designing fashion Moreau” displays 120 works by the www.schirn-kunsthalle.de ing the Silver Coin in the Mouth of 2009” shows more than 100 fea- “Jean Prouvé: The Poetics of the French symbolist painter (1826-1898) the Fish” by Flemish Baroque painter ture films, 30 documentaries and Technical Object” presents furniture depicting mythological figures. Linz Jacob Jordaens (1593-1678). two programs of short films. and architecture by the French de- Museum of Fine Arts art Bonnefanten Museum Sofia International Film Festival signer. Until May 3 “Biennale Cuvée 09” showcases a se- March 13-June 14 March 5-March 15 Hofmobiliendepot % 36-1-4697-100 lection of artistic projects from the % 31-43-3290-190 % 359-2952-6467 March 11-June 21 www.szepmuveszeti.hu most important international biennials www.bonnefanten.nl www.cinema.bg/sff/2009/eng % 43-1-5243-357 of 2008. www.hofmobiliendepot.at Dublin OK Center for Contemporary Art Madrid Stockholm art Until April 26 art photography Source: ArtBase Global Arts News “James Coleman” shows a selection of % 43-732-7841-780 “Francis Bacon” presents 78 paintings “Stockholm—Tokyo and in between” Service, WSJE research. Choreographer Jonathan Burrows Behind the scenes of ‘Watchmen’ W16 FRIDAY - SUNDAY, MARCH 6 - 8, 2009 | WEEKEND JOURNAL v Taste 8-9 | Cover story Fashion 10-11 | Food & Drink A difficult love affair with Barolo U2’s Latest Experiment in Sound Contents Building a new look 3 | Fashion Sibling rivalry makes great liqueur By Jim Fusilli U2 adds dance beats to fatten the known Caller.” In some songs, the tained guitar. “Unknown Caller” forgiveness where forgiveness is groove on “Achtung Baby” (1991), most prominent lines are played develops patiently to a big cho- not/Only the lamb as white as Big-name architects 12 | Travel As its new album, “No Line on home to the masterpiece “One,” a on synthesizers rather than on the rus, as Bono sings over raw, echo- snow.” Said to be the thoughts of Mixed messages in Milan design fashion the Horizon” (Universal), demon- simmering down-tempo ballad. It Edge’s guitar or Mr. Clayton’s bass, ing guitars and a syncopated per- a dying soldier in Afghanistan, the strates, U2 is the only rock band marries rock and electronica on and at times Bono seems like he’s cussion pattern. “Cedars of Leba- song concludes with “If only a 4 | Top Picks An unsung Florida getaway of its stature and authority that “Zooropa” (1993) and “Pop” fighting the tumult rather than non” is whispered and spoken by heart could be as white as snow.” is so willing to toy with its for- (1997), and with “Rattle and gliding through a cleared, shining Bono over snappy drumming by In “Breathe,” he writes: “Sing your 13 | Books mula for success. Hum” (1988) takes on the Beatles, path. It’s controlled chaos, and Mr. Mullen and whistling strings. heart out, sing my heart out/I’ve Art as interior design By the standards of today’s Bob Dylan, gospel and the blues. when all the pieces fit—as in the It’s easy to comb the lyrics of found grace inside a sound.” iPod shuffle mentality, “No Line” All this is accomplished with extraordinary “Magnificent”—it’s “No Line” for allusions to Bono’s Even when the reference isn’t Translating the Holocaust is a great album, though it has no one of rock’s most inventive exhilarating. globetrotting politi- explicit, the words can be inter- ‘Dr. Atomic’ is hot consistent flow and no musical rhythm sections: bassist Adam The title track, cal adventures. preted as spiritually minded. In Clayton, drummer Larry Mullen which opens the al- When the They’re there in “I’ll Go Crazy,” whose lyrics open | arc. Rather than presenting a co- 14 Sports hesive statement, it’s a collection Jr., and the guitarist known as the bum, is a charging subject of ‘No small doses and as as a standard slice of rock rebel- 5 | Dance of songs held together by an effec- Edge—a distinctive musician capa- piece of rock that ex- often as not are self- lion, Bono asks, “Is it true that per- Golf Journal: Sponsorship trouble tive and slightly experimental ble of playing plodes rather than Line on the deprecating. When fect love drives out all fear?” “Mo- sound. It tops the band’s most re- exactly what the develops, and “Get Horizon’ isn’t the subject of “No ment of Surrender” may be about Taking dance a few steps farther cent recordings, “How to Disman- performance re- On Your Boots” and Line” isn’t love, lust romantic love, or about man’s eter- tle an Atomic Bomb” (2004) and quires. Bono’s “Stand Up Comedy” assorted good and assorted other nal link to God, or a tribute by The sound of one finger pulling “All That You Can’t Leave Behind” soaring voice place the band in con- times, it’s good times—still Bono to his late father, who was a Collecting: A preview of Tefaf (2000). But, like them, it features and tenacious text: During the the meat of the singer: “I was born to sing for 15 | Taste memorable performances along- personality give verses of the former, spiritual rock ’n’ roll vocabu- you/I didn’t have a choice but to side others that fall a bit short. the band its op- the melody mimics exploration. lary—it’s not geopol- lift you up/And sing whatever song 6-7 |Film “No Line” also fits in the contin- eratic qualities Mr.
Recommended publications
  • Meine Familie Hatte Es Gut in Auschwitz“ 26 Das Leben Der Lager-SS in Auschwitz-Birkenau Nach Dienstschluss
    02/2018 S: I. M. O. N. SHOAH: INTERVENTION. METHODS. DOCUMENTATION. S:I.M.O.N. – Shoah: Intervention. Methods. DocumentatiON. ISSN 2408-9192 Issue 2018/2 DOI: 10.23777/SN.0218 http://doi.org/cztw Board of Editors of VWI’s International Academic Advisory Board: Peter Black/Gustavo Corn/Irina Sherbakova Editors: Éva Kovács/Béla Rásky/Marianne Windsperger Web-Editor: Sandro Fasching Webmaster: Bálint Kovács Layout of PDF: Hans Ljung S:I.M.O.N. is the semi-annual e-journal of the Vienna Wiesenthal Institute for Holocaust Studies (VWI) in English and German. The Vienna Wiesenthal Institute for Holocaust Studies (VWI) is funded by: © 2018 by the Vienna Wiesenthal Institute for Holocaust Studies (VWI), S:I.M.O.N., the authors, and translators, all rights reserved. This work may be copied and redistributed for non-commercial, educational purposes, if permission is granted by the author(s) and usage right holders. For permission please contact [email protected] S: I. M. O. N. SHOAH: I NTERVENTION. M ETHODS. DOCUMENTATION. TABLE OF CONTENTS ARTICLES Sarah A. Cramsey Jan Masaryk and the Palestinian Solution 4 Solving the German, Jewish, and Statelessness Questions in East Central Europe Anna-Raphaela Schmitz „Meine Familie hatte es gut in Auschwitz“ 26 Das Leben der Lager-SS in Auschwitz-Birkenau nach Dienstschluss Nicola D’Elia Far-Right Parties and the Jews in the 1930s 39 The Antisemitic Turn of Italian Fascism Reconsidered through a Comparison with the French Case SWL-READER Rebecca Jinks Representing Genocide: The Holocaust as Paradigm? 54 CONTEXT: REFUGEES & CITIZENS Michal Frankl Refugees and Citizens.
    [Show full text]
  • Starring Hitler! Adolf Hitler As the Main Character in Twentieth-First Century French Fiction," Studies in 20Th & 21St Century Literature: Vol
    Studies in 20th & 21st Century Literature Volume 43 Issue 2 Article 44 October 2019 Starring Hitler! Adolf Hitler as the Main Character in Twentieth- First Century French Fiction Marion Duval The College of Wooster, [email protected] Follow this and additional works at: https://newprairiepress.org/sttcl Part of the French and Francophone Literature Commons, Holocaust and Genocide Studies Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Duval, Marion (2019) "Starring Hitler! Adolf Hitler as the Main Character in Twentieth-First Century French Fiction," Studies in 20th & 21st Century Literature: Vol. 43: Iss. 2, Article 44. https://doi.org/10.4148/ 2334-4415.2076 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Starring Hitler! Adolf Hitler as the Main Character in Twentieth-First Century French Fiction Abstract Adolf Hitler has remained a prominent figure in popular culture, often portrayed as either the personification of evil or as an object of comedic ridicule. Although Hitler has never belonged solely to history books, testimonials, or documentaries, he has recently received a great deal of attention in French literary fiction. This article reviews three recent French novels by established authors: La part de l’autre (The Alternate Hypothesis) by Emmanuel Schmitt, Lui (Him) by Patrick Besson and La jeunesse mélancolique et très désabusée d’Adolf Hitler (Adolf Hitler’s Depressed and Very Disillusioned Youth) by Michel Folco; all of which belong to the Twenty-First Century French literary trend of focusing on Second World War perpetrators instead of their victims.
    [Show full text]
  • Pour Une Littérature-Monde En Français”: Notes for a Rereading of the Manifesto
    #12 “POUR UNE LITTÉRATURE-MONDE EN FRANÇAIS”: NOTES FOR A REREADING OF THE MANIFESTO Soledad Pereyra CONICET – Consejo Nacional de Investigaciones Científicas y Técnicas Instituto de Investigaciones en Humanidades y Ciencias Sociales (UNLP – CONICET). Facultad de Humanidades y Ciencias de la Educación. Universidad Nacional de La Plata – Argentina María Julia Zaparart Instituto de Investigaciones en Humanidades y Ciencias Sociales (UNLP – CONICET). Facultad de Humanidades y Ciencias de la Educación. Universidad Nacional de La Plata – Argentina Illustration || Paula Cuadros Translation || Joel Gutiérrez and Eloise Mc Inerney 214 Article || Received on: 31/07/2014 | International Advisory Board’s suitability: 12/11/2014 | Published: 01/2015 License || Creative Commons Attribution Published -Non commercial-No Derivative Works 3.0 License. 452ºF Abstract || The manifesto “Pour une littérature-monde en français” (2007) questioned for the first time in a newspaper of record the classification of the corpus of contemporary French literature in terms of categories of colonial conventions: French literature and Francopohone literature. A re-reading of the manifesto allows us to interrogate the supplementary logic (in Derrida’s term) between Francophone literatures and French literature through analyzing the controversies around the manifesto and some French literary awards of the last decade. This reconstruction allows us to examine the possibilities and limits of the notions of Francophonie and world-literature in French. Finally, this overall critical approach is demonstrated in the analysis of Atiq Rahimi’s novel Syngué sabour. Pierre de patience. Keywords || French Literature | Francophonie | Transnational Literatures | Atiq Rahimi 215 The manifesto “Pour une littérature-monde en français” appeared in the respected French newspaper Le monde des livres in March NOTES 1 2007.
    [Show full text]
  • 1 Matt Phillips, 'French Studies: Literature, 2000 to the Present Day
    1 Matt Phillips, ‘French Studies: Literature, 2000 to the Present Day’, Year’s Work in Modern Language Studies, 80 (2020), 209–260 DOI for published version: https://doi.org/10.1163/22224297-08001010 [TT] Literature, 2000 to the Present Day [A] Matt Phillips, Royal Holloway, University of London This survey covers the years 2017 and 2018 [H2]1. General Alexandre Gefen, Réparer le monde: la littérature française face au XXIe siècle, Corti, 2017, 392 pp., argues that contemporary French literature has undergone a therapeutic turn, with both writing and reading now conceived in terms of healing, helping, and doing good. G. defends this thesis with extraordinary thoroughness as he examines the turn’s various guises: as objects of literature’s care here feature the self and its fractures; trauma, both individual and collective; illness, mental and physical; mourning and forgetfulness, personal and historical; and endangered bonds, with humans and beyond, on local and global scales. This amounts to what G. calls a new ‘paradigme clinique’ and, like any paradigm shift, this one appears replete with contradictions, tensions, and opponents, not least owing to the residual influence of preceding paradigms; G.’s analysis is especially impressive when unpicking the ways in which contemporary writers negotiate their sustained attachments to a formal, intransitive conception of literature, and/or more overtly revolutionary political projects. His thesis is supported by an enviable breadth of reference: G. lays out the diverse intellectual, technological, and socioeconomic histories at work in this development, and touches on close to 200 contemporary writers. Given the broad, synthetic nature of the work’s endeavour, individual writers/works are rarely discussed for longer than a page, and though G.’s commentary is always insightful, specialists on particular authors or social/historical trends will surely find much to work with and against here.
    [Show full text]
  • Becoming Legendary: Slate Financing and Hollywood Studio Partnership in Contemporary Filmmaking
    Kimberly Owczarski Becoming Legendary: Slate Financing and Hollywood Studio Partnership in Contemporary Filmmaking In June 2005, Warner Bros. Pictures announced Are Marshall (2006), and Trick ‘r’ Treat (2006)2— a multi-film co-financing and co-production not a single one grossed more than $75 million agreement with Legendary Pictures, a new total worldwide at the box office. In 2007, though, company backed by $500 million in private 300 was a surprise hit at the box office and secured equity funding from corporate investors including Legendary’s footing in Hollywood (see Table 1 divisions of Bank of America and AIG.1 Slate for a breakdown of Legendary’s performance at financing, which involves an investment in a the box office). Since then, Legendary has been a specified number of studio films ranging from a partner on several high-profile Warner Bros. films mere handful to dozens of pictures, was hardly a including The Dark Knight, Inception, Watchmen, new phenomenon in Hollywood as several studios Clash of the Titans, and The Hangoverand its sequel. had these types of deals in place by 2005. But In an interview with the Wall Street Journal, the sheer size of the Legendary deal—twenty five Legendary founder Thomas Tull likened his films—was certainly ambitious for a nascent firm. company’s involvement in film production to The first film released as part of this deal wasBatman an entrepreneurial endeavor, stating: “We treat Begins (2005), a rebooting of Warner Bros.’ film each film like a start-up.”3 Tull’s equation of franchise. Although Batman Begins had a strong filmmaking with Wall Street investment is performance at the box office ($205 million in particularly apt, as each film poses the potential domestic theaters and $167 million in international for a great windfall or loss just as investing in a theaters), it was not until two years later that the new business enterprise does for stockholders.
    [Show full text]
  • A SONY PICTURES CLASSICS RELEASE Www
    A SONY PICTURES CLASSICS RELEASE www.itmightgetloudmovie.com Running time: 97 minutes *Official Selection: 2008 Toronto International Film Festival *Official Selection: 2009 Sundance Film Festival Publicity Distributor PMK/HBH Sony Pictures Classics Allen Eichhorn Carmelo Pirrone 622 Third Avenue Lindsay Macik 8th Floor 550 Madison Ave New York, NY 10017 New York, NY 10022 212-373-6115 Tel: 212-833-8833 [email protected] Short Synopsis Rarely can a film penetrate the glamorous surface of rock legends. It Might Get Loud tells the personal stories, in their own words, of three generations of electric guitar virtuosos – The Edge (U2), Jimmy Page (Led Zeppelin), and Jack White (The White Stripes). It reveals how each developed his unique sound and style of playing favorite instruments, guitars both found and invented. Concentrating on the artist’s musical rebellion, traveling with him to influential locations, provoking rare discussion as to how and why he writes and plays, this film lets you witness intimate moments and hear new music from each artist. The movie revolves around a day when Jimmy Page, Jack White, and The Edge first met and sat down together to share their stories, teach and play. Long Synopsis Who hasn't wanted to be a rock star, join a band or play electric guitar? Music resonates, moves and inspires us. Strummed through the fingers of The Edge, Jimmy Page and Jack White, somehow it does more. Such is the premise of It Might Get Loud, a new documentary conceived by producer Thomas Tull. It Might Get Loud isn't like any other rock'n roll documentary.
    [Show full text]
  • Pourriez-Vous M'indiquez Des Auteurs De Romans Historiques
    Pourriez-vous m’indiquez des auteurs de romans historiques ? Les auteurs qui sont à connaître ? Cordialement Réponse apportée le 03/12/2014 par La Médiathèque de Levallois -révisée 25/09/2017 Nous vous conseillons dans un premier temps de consulter les ouvrages de référence suivants car ceux-ci vous permettront de comprendre les limites et enjeux du roman historique. – Georges Lukacs, Le Roman historique, Payot,‎ 2000, -Dominique Peyrache-Leborgne, Le Roman historique, Pleins Feux,‎ 2000 -Gérard Gengembre, Le Roman historique, Klincksieck,‎ 2006 -Brigitte Krulic, Fascination du roman historique : intrigues, héros et femmes fatales, Autrement, 2007 -Isabelle Durand-Le Guern, Le Roman historique, Armand Colin,‎ 2008, -Gérard Vindt et Nicole Giraud, Les Grands Romans historiques, Bordas, 1991 Egalement un article du blog Liseur des médiathèques de Levallois consacré au genre et ce, à l’occasion du Salon du roman historique qui s’est tenu les 8 et 9 mars 2014 (de nombreux auteurs contemporains étaient invités, en consultant le programme vous aurez ainsi une bonne idée de l’offre éditoriale). Le roman historique est-il un genre ? Votre question étant très vaste, nous avons opté pour une sélection non exhaustive de romans historiques classés par époque. Vous y retrouverez quelques auteurs classiques mais surtout des auteurs contemporains, français ou étrangers, qui ont su plonger leurs lecteurs dans l’aventure de leurs personnages avec pour toile de fond la grande Histoire. Préhistoire Les enfants de la Terre Jean M. Auel, Odyssée du dernier
    [Show full text]
  • Revue D'études Françaises French Studies Journal
    Revue d’Études Françaises French Studies Journal ~ 2.ª série, nº 9, 2016 Instituto de Estudos Franceses da Faculdade de Letras da Universidade do Porto INTERCÂMBIO Revue d’Études Françaises French Studies Journal 2.ª série, nº 9, 2016 FACULDADE DE LETRAS DA UNIVERSIDADE DO PORTO Título: Intercâmbio 2ª série, vol. 9, 2016 Propriedade: Instituto de Estudos Franceses da Faculdade de Letras da Universidade do Porto Diretor: José Domingues de Almeida Organizadores do presente número Ana Paula Coutinho (Universidade do Porto – ILC Margarida Losa) José Domingues de Almeida (Universidade do Porto – ILC Margarida Losa) Maria de Fátima Outeirinho (Universidade do Porto – ILC Margarida Losa) Comissão Científica da revista Cristina Robalo Cordeiro (Un. Coimbra) Jean-Yves Mollier (Un. de Versailles Saint-Quentin-en-Yvelines) Paul Aron (Un. Libre de Bruxelles) Charles Bonn (Un. Lyon 2) Joëlle Gleize (Un. Marseille-Aix-en-Provence) Francisco Lafarga (Un. Barcelona) Marc Quaghebeur (Archives et Musée de la Littérature – Bruxelles) Periodicidade: Anual ISSN 0873-366X Capa de Luís Mendes Sede e redação: Faculdade de Letras da Universidade do Porto Via Panorâmica, s/n – 4150-564 Porto - Portugal Correio eletrónico: [email protected] URL: http://ler.letras.up.pt/site/default.aspx?qry=id05id1184&sum=si Les auteurs des articles publiés dans ce numéro sont tenus pour seuls responsables du contenu de leurs textes. TABLE DES MATIÈRES Éditorial – Littérature en langue française : la parole aux médiateurs universitaires CRISTINA ÁLVARES……………………………………………………………….…...…8
    [Show full text]
  • Studi Francesi, 173 (LVIII | II) | 2014 Marc Dambre (Ed.), Mémoires Occupées
    Studi Francesi Rivista quadrimestrale fondata da Franco Simone 173 (LVIII | II) | 2014 SERVO (serf, servant, valet, serviteur, laquais, servante, soubrette, bonne…) a cura di Daniela Dalla Valle Marc Dambre (ed.), Mémoires occupées. Fictions françaises et Seconde Guerre Mondiale Francesca Forcolin Edizione digitale URL: http://journals.openedition.org/studifrancesi/2011 DOI: 10.4000/studifrancesi.2011 ISSN: 2421-5856 Editore Rosenberg & Sellier Edizione cartacea Data di pubblicazione: 1 settembre 2014 Paginazione: 423-424 ISSN: 0039-2944 Notizia bibliografica digitale Francesca Forcolin, « Marc Dambre (ed.), Mémoires occupées. Fictions françaises et Seconde Guerre Mondiale », Studi Francesi [Online], 173 (LVIII | II) | 2014, online dal 01 septembre 2014, consultato il 18 septembre 2020. URL : http://journals.openedition.org/studifrancesi/2011 ; DOI : https://doi.org/ 10.4000/studifrancesi.2011 Questo documento è stato generato automaticamente il 18 settembre 2020. Studi Francesi è distribuita con Licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 4.0 Internazionale. Marc Dambre (ed.), Mémoires occupées. Fictions françaises et Seconde Guerre M... 1 Marc Dambre (ed.), Mémoires occupées. Fictions françaises et Seconde Guerre Mondiale Francesca Forcolin NOTIZIA MARC DAMBRE (ed.), Mémoires occupées. Fictions françaises et Seconde Guerre Mondiale, Paris, Presses Sorbonne Nouvelle, 2013, pp. 256. 1 È passato più di mezzo secolo dalla fine della Seconda Guerra Mondiale e le riflessioni legate alla tragedia dell’Olocausto e al periodo dell’Occupazione continuano ad alimentare la cultura. I dibattiti sono vivi, accesi: la memoria della guerra è onnipresente, e un paio di anni fa, alla Sorbona, un gruppo di studiosi si è riunito per discuterne. Il tema dell’incontro era «Après Vichy: l’écriture occupée», ed è proprio sul concetto di “scrittura occupata” che si interroga il volume che ne è nato.
    [Show full text]
  • VELIKA NAGRADA FRANCOSKE AKADEMIJE ZA ROMAN (Grand Prix Du Roman De L'académie Française) Je Bila Ustanovljena Leta 1914
    VELIKA NAGRADA FRANCOSKE AKADEMIJE ZA ROMAN (Grand Prix du roman de l'Académie Française) je bila ustanovljena leta 1914. Literarno nagrado podeljuje Francoska akademija. Hkrati s to nagrado, ki jo podelijo v oktobru, tradicionalno odprejo vrata za podeljevanje francoskih literarnih nagrad. Nagrajene knjige, ki jih imamo v naši knjižnični zbirki, so označene debelejše: 2020 Étienne de Montety LA GRANDE ÉRIUM 2019 Laurent Binet CIVILIZATIONS 2018 Camille Pascal L'ÉTÉ DES QUATRE ROIS 2017 Daniel Rondeau MÉCANIQUES DU CHAOS 2016 Adelaïde de Clermont-Tonnerre LE DERNIER DES NÔTRES 2015 Hédi Kaddour LES PRÉPONDÉRANTS Boualem Sansal 2084: LA FIN DU MONDE 2014 Adrien Bosc CONSTELLATION 2013 Christophe Ono-dit-Biot PLONGER 2012 Joël Dicker LA VÉRITÉ SUR L'AFFAIRE HARRY QUEBERT (Resnica o aferi Harry Quebert, 2015) 2011 Sorj Chalandon RETOUR À KILLYBEGS 2010 Éric Faye NAGASAKI 2009 Pierre Michon LES ONZE 2008 Marc Bressant LA DERNIÈRE CONFÉRENCE 2007 Vassilis Alexakis AP. J.-C. 2006 Jonathan Littell LES BIENVEILLANTES (Sojenice, 2010) 2005 Henriette Jelinek LE DESTIN DE IOURI VORONINE 2004 Bernard du Boucheron COURT SERPENT 2003 Jean-Noël Pancrazi TOUT EST PASSÉ SI VITE 2002 Marie Ferranti LA PRINCESSE DE MANTOUE 2001 Éric Neuhoff UN BIEN FOU 2000 Pascal Quignard TERRASSE À ROME (Terasa v Rimu, 2001) 1999 François Taillandier ANIELKA 1999 Amélie Nothomb STUPEUR ET TREMBLEMENTS (S strahospoštovanjem, 2001) 1998 Anne Wiazemsky UNE POIGNÉE DE GENS 1997 Patrick Rambaud LA BATAILLE 1996 Calixte Belaya LES HONNEURS PERDUS 1995 Alphonse Boudard MOURIR
    [Show full text]
  • Program and Guidelines
    PROGRAM AND GUIDELINES Friday-Saturday, October 5-6, 2018 The Tepper Quad, Carnegie Mellon University Pittsburgh, Pennsylvania PRESENTED BY: EVENT SCHEDULE FRIDAY 4:00 p.m. Check-In & Registration October 5 6:00 p.m. Opening Ceremony featuring Thomas Tull, founder and CEO of Tulco Simmons Auditorium 6:40 p.m. Pain Points Presentation 7:00 p.m. Hacking Teams form Mentor Shift 1 begins 7:30 p.m. Hackers begin! 8:00 p.m. Dinner Level 1, Outside Simmons Auditorium Genius Session Sign-ups open 9:00 p.m. Team Registration deadline 10:00 p.m. Mentor Shift 1 concludes 12:00 a.m. Snack SATURDAY Level 1, Outside Simmons Auditorium October 6 8:00 a.m. Mentor Shift 2 begins 9:00 a.m. Breakfast Level 1, Outside Simmons Auditorium 10:00 a.m. Genius Sessions (by appointment) 11:00 a.m. Mentor Shift 2 concludes 11:30 a.m. Mentor Shift 3 begins 12:00 p.m. “The Power of Connection” Presentation by Nick Adkins Level 3, Inside Swartz Center for Entrepreneurship 1:00 p.m. Lunch Level 1, Outside Simmons Auditorium 2:00 p.m. Mentor Shift 3 concludes 3:00 p.m. Hacking ends, submissions due! 4:00 p.m. Semi-final Presentations 6:00 p.m. Final Presentations Simmons Auditorium 7:35 p.m. Awards Announced 8:00 p.m. Networking/Winners’ Circle Photos event updates to be provided at hackthishelpkids.com & via text notifications OUR GENEROUS SPONSORS WELCOME Thank you for putting your skills to the test for the benefit of children’s health.
    [Show full text]
  • Programme Fellowship À Paris 2013
    Programme Fellowship à Paris 2013 e e n n i g t a l n i e s m é e g l r r l A B A Andreas Rötzer Elizabeth Hutnik Elisa Rosa Matthes & Seitz Berlin El Cuenco de Plata Editora Record k s r i e a n n U m g ­ e a s t n p a a s t E D É Julie Paludan­Müller Luis Miguel Solano Katie Dublinski Rosinante & Co Libros del Asteroide Graywolf Press e e d i e n g c r a n l o a n é i r F F G Päivi Koivisto­Alanko Joachim Schnerf Zaza Shengelia Tammi Publishers Gallimard Diogene Publishers e n g a t e r B ­ e d n e i a n l b a a i r t L I G Rowan Cope Lorenza Pieri Azza Tawil Little, Brown Book Group Minimum Fax All Prints Distributors & Publishers e i l n a n a g a u m t w u i r a o o T P R Clara Capitão Ana Antonescu Emily Ching­Chun Chuang Editora Objectiva Nemira Publishing House Emily Publishing Company © Bureau international de l’édition française Allemagne Andreas Rötzer Matthes & Seitz Berlin Göhrener Str. 7 Dirigeant : Dr. Andreas Rötzer 1 0437 Berlin Date de création : Tél. : +49 30 4432 7401 1 977 à Munich ; recréée en 2004 à Berlin Email : [email protected] Domaines : littérature, essais, sciences humaines, Site : www.matthes-seitz-berlin.de philosophie Nombre de titres au catalogue : environ 500 Nombre de titres publiés par an : environ 50 Nombre de titres traduits du français depuis 3 ans : environ 45 Auteurs : Antonin Artaud, Georges Bataille, Valère Novarina, Antoine de Rivarol, Alexandre Dumas, Théophile Gautier, Jules Barbey d’Aurevilly, Léon Bloy, Jean Baudrillard, Henri Bauchau, Jonathan Littell, Emmanuel Carrère, Edouard Levé, Michel Maffesoli n 2003, j’ai recréé les éditions Matthes & Seitz à Berlin.
    [Show full text]