The Major Novels
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
“Thoughts on the Idiot by Dostoevsky”1 Hermann Hesse
“Thoughts on The Idiot by Dostoevsky”1 Hermann Hesse 1919 DOSTOEVSKY'S "Idiot", Prince Leo Myshkin, is often compared to Jesus. This is easy enough to do. You can compare to Jesus anyone who has been touched by one of the magical truths, who no longer separates thinking from living and thereby isolates himself in the midst of his surroundings and becomes the opponent of all. Beyond that, the comparison between Myshkin and Jesus seems to me not exactly apt. Only one characteristic in Myshkin, an important one to be sure, strikes me as Jesus-like - his timid chastity. The concealed fear of sex and procreation is a characteristic that could not be wanting in the "historical" Jesus, the Jesus of the Gospels, a trait that is clearly part of his world and is not neglected in even so superficial a portrait of Jesus as Renan's. But it is strange - little though I sympathize with the constant comparison between Myshkin and Christ - that I too see the two images unconsciously related to each other. It only occurred to me belatedly and in connection with a tiny matter. One day when I was thinking about the "idiot" I realized that my first thought of him always seems to be an apparently insignificant one. In the first flash of my imagination I always see him in one particular secondary scene of no importance in itself. I have exactly the same experience with the Savior. Whenever an association calls up the image of Jesus or I hear or see the word "Jesus," what leaps into my mind first is not Jesus on the cross, or Jesus in the wilderness, or Jesus the miracle worker, or Jesus risen from the dead, but Jesus in the garden of Gethsemane, tasting the last cup of loneliness, his soul torn by the woes of impending death and a higher rebirth. -
Dostoevsky's Ideal
Student Publications Student Scholarship Fall 2015 Dostoevsky’s Ideal Man Paul A. Eppler Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Philosophy Commons Share feedback about the accessibility of this item. Eppler, Paul A., "Dostoevsky’s Ideal Man" (2015). Student Publications. 395. https://cupola.gettysburg.edu/student_scholarship/395 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 395 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Dostoevsky’s Ideal Man Abstract This paper aimed to provide a comprehensive examination of the "ideal" Dostoevsky human being. Through comparison of various characters and concepts found in his texts, a kenotic individual, one who is undifferentiated in their love for all of God's creation, was found to be the ultimate to which Dostoevsky believed man could ascend. Keywords Dostoevsky, Christianity, Kenoticism Disciplines Philosophy Comments This paper was written for Professor Vernon Cisney's course, PHIL 368: Reading- Dostoevsky, Fall 2015. This student research paper is available at The uC pola: Scholarship at Gettysburg College: https://cupola.gettysburg.edu/ student_scholarship/395 Dostoevsky’s Ideal Man Paul Eppler Professor Vernon Cisney Reading Dostoevsky I affirm that I have upheld the highest principles of honesty and integrity in my academic work and have not witnessed a violation of the Honor Code. -
Irwin T. and Shirley Holtzman Collection
http://oac.cdlib.org/findaid/ark:/13030/kt5x0nd340 No online items Register of the Irwin T. and Shirley Holtzman collection Finding aid prepared by Olga Verhovskoy Dunlop and David Jacobs Hoover Institution Archives 434 Galvez Mall Stanford University Stanford, CA, 94305-6003 (650) 723-3563 [email protected] © 2007 Register of the Irwin T. and 98074 1 Shirley Holtzman collection Title: Irwin T. and Shirley Holtzman collection Date (inclusive): 1899-2010 Collection Number: 98074 Contributing Institution: Hoover Institution Archives Language of Material: English Physical Description: 157 manuscript boxes, 9 oversize boxes, 1 card file box, 32 cubic foot boxes(111.4 linear feet) Abstract: Printed matter, writings, letters, photographs, and miscellany, relating to the Russian writers Isaak Babel', Boris Pasternak and Joseph Brodsky. Consists primarily of printed matter by and about Pasternak, Brodsky and Babel'. Physical location: Hoover Institution Archives Creator: Holtzman, Irwin T creator: Holtzman, Shirley. Access Box 8 restricted; use copies available in Box 4. Box/Folder 22 : 8-15 closed; use copies available in Box/Folder 20 : 1-7. The remainder of the collection is open for research; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Archives Preferred Citation [Identification of item], Irwin T. and Shirley Holtzman collection, [Box no., Folder no. or title], Hoover Institution Archives Acquisition Information Acquired by the Hoover Institution Archives in 1998, with subsequent increments received through 2004. Additional increments are expected. An increment was added in 2011. Accruals Materials may have been added to the collection since this finding aid was prepared. -
Prince Myshkin As a Tragic Interpretation of Don Quixote Slav N
Marshall University Marshall Digital Scholar Modern Languages Faculty Research Modern Languages 2015 Prince Myshkin as a Tragic Interpretation of Don Quixote Slav N. Gratchev PhD Marshall University, [email protected] Follow this and additional works at: http://mds.marshall.edu/languages_faculty Part of the Modern Languages Commons, and the Modern Literature Commons Recommended Citation Gratchev, Slav N. "Prince Myshkin as a Tragic Interpretation of Don Quixote." Cervantes: Bulletin of the Cervantes Society of America, vol. 35, no. 1, 2015, pp. 137-51. This Article is brought to you for free and open access by the Modern Languages at Marshall Digital Scholar. It has been accepted for inclusion in Modern Languages Faculty Research by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. Prince Myshkin as a Tragic Interpretation of Don Quixote _______________________________________S!"# N. G$"%&'(# )$*$+,+-.!/, 0'+!( #+$%)"!!/ -1 one doubts Fyodor Dostoevsky’s profound and direct indebtedness to Miguel de Cervantes in !e Idiot, manifested in the obvious connection between Don Quixote Sand Prince Myshkin, no one yet has fully analyzed both how and why Myshkin—a character more dialogically elaborate and versatile than Don Quixote—turned out to be more limited in literary expressivity than his more “monological” counterpart. 2e essay seeks to remedy this analytical absence but focusing on just how the realness of Dostoevsky’s hero became a weakened version of Cervantes’s monologic character, and thus how this weakened realness negatively a3ects Myshkin’s literary an- swerability. When the 45-year-old Prince Myshkin returns to Russia after spend- ing several years at a Swiss sanatorium, he 6nds himself at the center of attention, an attention that he never intended to have. -
The Struggle for Spiritual Supremacy: Dostoevsky's Philosophy Or History and Eschatology
Western Washington University Western CEDAR WWU Honors Program Senior Projects WWU Graduate and Undergraduate Scholarship Spring 1994 The Struggle for Spiritual Supremacy: Dostoevsky's Philosophy or History and Eschatology Andrew Wender Western Washington University Follow this and additional works at: https://cedar.wwu.edu/wwu_honors Part of the History Commons, and the Philosophy Commons Recommended Citation Wender, Andrew, "The Struggle for Spiritual Supremacy: Dostoevsky's Philosophy or History and Eschatology" (1994). WWU Honors Program Senior Projects. 339. https://cedar.wwu.edu/wwu_honors/339 This Project is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Honors Program Senior Projects by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. The Struggle for Spiritual Supremacy: Dostoevsky's Philosophy or History and Eschatology Andrew Wender Presented to Prof. George Mariz and Prof. Susan Costanzo Project Advisers Honors 490 - Senior Project June 6, 1994 • ............._ Honors Program HONORS fflESIS In presenting this Honors Paper in partial requirements for a bachelor's degree at Western Washington University, I agree that the Library shall make its copies freely available for inspection. I further agree that extensive copying of this thesis is allowable only for scholarly purposes. It is understood that any publication of this thesis for commercial pur:uoses or for financial eain shall not be allowed without my written permission. Bellingham, Washington 98225-9089 □ f2061 676-3034 An Equal Oppartunit_v University Table of Contents Page I. Introduction . 2 II. Historical Context And Intellectual Development or Dostoevsky's Philosophy or History .............................. -
Myshkin's Queer Failure: (Mis)Reading Masculinity in Dostoevsky's The
Doak, C. (2019). Myshkin’s queer failure: (Mis)reading masculinity in Dostoevsky’s The Idiot. Slavic and East European Journal, 63(1), 1- 27. http://u.osu.edu/seej/63-1/doak/ Publisher's PDF, also known as Version of record License (if available): Unspecified Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via Ohio State University at http://u.osu.edu/seej/63-1/doak/. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ SEEJ_63_1_1Y 4/4/2019 8:29 PM Page 1 ARTICLES MYSHKIN’S QUEER FAILURE: (MIS)READING MASCULINITY IN DOSTOEVSKII’S THE IDIOT Connor Doak, University of Bristol “[P]aradise is a difficult thing, Prince, much harder than it appears to your beautiful heart.” Prince Shch., The Idiot (282)1 “Privilege the naïve or nonsensical.” Jack Halberstam, The Queer Art of Failure (12)2 Of all Dostoevskii’s heroes, Prince Myshkin of The Idiot (1868–69) has proved particularly divisive. Some see him as the “wholly good man” (PSS 28.2: 251) whom Dostoevskii described in his notebooks, an embodiment of kindness who ingenuously speaks the truth.3 Yet as others point out, Mysh- kin’s combination of goodness and sincerity not only causes bewilderment in St. -
The Grand Inquisitor,” Is Told by Ivan Karamazov to His Younger Brother Alyosha
Fyodor Dostoevsky (1821-1881), author of such works as Crime and Punishment, The Idiot, and The Possessed, is considered by many to be one of the world’s greatest writers, and the novel The Brothers Karamazov is universally recognized to be one of genuine masterpieces of world literature. Within this novel the story, “The Grand Inquisitor,” is told by Ivan Karamazov to his younger brother Alyosha. The two brothers had just been discussing the problem of evil—the classic problem of Christian theology: if God is really all powerful, all knowing, and truly loving, then why does evil exist? If God could not have prevented evil, then he is not all powerful. If evil somehow escapes his awareness, then he is not all knowing. If he knew, and could do something about it, but chose not to, then how can he be considered a loving God? One solution to this problem is to claim that evil does not really exist, that if we were to see the world Portrait of Fyodor Dostoyevsky, 1872 from God’s perspective, from the perspective of eternity, then everything comes out well in the end. Another response is to claim that it really isn’t God’s fault at all, it is ours. God gave us free-will and evil is the result of our misuse of that gift. Ivan will have none of these arguments. He brings up the particularly troubling case of the suffering of innocent children—how can they be blamed and punished if they are innocent? Ivan cannot accept that the suffering of an innocent child will be justified in the end. -
“Viper Will Eat Viper”: Dostoevsky, Darwin, and the Possibility of Brotherhood
III “Viper will eat viper”: Dostoevsky, Darwin, and the Possibility of Brotherhood Anna A. Berman As Darwinian thought took root across Europe and Russia in the 1860s after the publication of On the Origin of Species (1859), intellectuals wrestled with the troubling implications the “struggle for existence” held for human harmony and love. How could people be expected to “love their neighbors” if that love ran counter to science? Was that love even commendable if it counteracted the perfection of the human race through the process of natural selection? And if Darwinian struggle was supposed to be most intense among those who were closest and had the most shared resources to compete for, what hope did this hold for the family? Darwin’s Russian contemporaries were particularly averse the idea that members of the same species were in competition. As Daniel Todes, James Rogers, and Alexander Vucinich have argued, Russian thinkers attempted to reject the Malthusian side of Darwin’s theory.1 Situated in the harsh, vast expanses of Russia, rather than on the crowded, verdant British Isles, they 1 Daniel Todes, Darwin without Malthus: The Struggle for Existence in Russian Evolutionary Thought (Oxford: Oxford University Press, 1989); James Allen Rogers, “The Russian Populists’ Response to Darwin,” Slavic Review 22, no. 3 (1963): 456–68; Alexander Vucinich, Darwin in Russian Thought (Berkeley: University of California Press, 1988). 84 Anna A. Berman argued that of the three struggles Darwin included under the umbrella of “struggle for existence”—(1) -
Diagnosing Prince Myshkin
Swarthmore College Works Russian Faculty Works Russian Fall 2012 Diagnosing Prince Myshkin Brian R. Johnson Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-russian Part of the Slavic Languages and Societies Commons Let us know how access to these works benefits ouy Recommended Citation Brian R. Johnson. (2012). "Diagnosing Prince Myshkin". Slavic And East European Journal. Volume 56, Issue 3. 377-393. https://works.swarthmore.edu/fac-russian/212 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Russian Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. American Association of Teachers of Slavic and East European Languages DIAGNOSING PRINCE MYSHKIN Author(s): Brian R. Johnson Source: The Slavic and East European Journal, Vol. 56, No. 3 (FALL 2012), pp. 377-393 Published by: American Association of Teachers of Slavic and East European Languages Stable URL: http://www.jstor.org/stable/41698559 Accessed: 19-08-2016 17:49 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. American Association of Teachers of Slavic and East European Languages is collaborating with JSTOR to digitize, preserve and extend access to The Slavic and East European Journal This content downloaded from 130.58.88.100 on Fri, 19 Aug 2016 17:49:43 UTC All use subject to http://about.jstor.org/terms DIAGNOSING PRINCE MYSHKIN Brian Johnson, Swarthmore College Dedicated in memory of James L. -
Framed: Utilitarianism and Punishment of the Innocent
University at Buffalo School of Law Digital Commons @ University at Buffalo School of Law Journal Articles Faculty Scholarship Fall 2000 Framed: Utilitarianism and Punishment of the Innocent Guyora Binder University at Buffalo School of Law Nicholas J. Smith University of New Hampshire Follow this and additional works at: https://digitalcommons.law.buffalo.edu/journal_articles Part of the Criminal Law Commons, and the Philosophy Commons Recommended Citation Guyora Binder & Nicholas J. Smith, Framed: Utilitarianism and Punishment of the Innocent, 32 Rutgers L.J. 115 (2000). Available at: https://digitalcommons.law.buffalo.edu/journal_articles/285 This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Journal Articles by an authorized administrator of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. FRAMED: UTILITARIANISM AND PUNISHMENT OF THE INNOCENT GuyoraBinder*andNicholas J. Smith" I. INTRODUCTION ......................................................................................116 II. THE DEBATE OVER PUNISHING THE INNOCENT ...................123................. A. The Charge...................................................................................123 B. Five Responses .............................................................................127 1. Acceptance ...............................................................................127 -
The Russian Cinematic Culture
Russian Culture Center for Democratic Culture 2012 The Russian Cinematic Culture Oksana Bulgakova Follow this and additional works at: https://digitalscholarship.unlv.edu/russian_culture Part of the Film and Media Studies Commons, Other Languages, Societies, and Cultures Commons, and the Slavic Languages and Societies Commons Repository Citation Bulgakova, O. (2012). The Russian Cinematic Culture. In Dmitri N. Shalin, 1-37. Available at: https://digitalscholarship.unlv.edu/russian_culture/22 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Russian Culture by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. The Russian Cinematic Culture Oksana Bulgakova The cinema has always been subject to keen scrutiny by Russia's rulers. As early as the beginning of this century Russia's last czar, Nikolai Romanov, attempted to nationalize this new and, in his view, threatening medium: "I have always insisted that these cinema-booths are dangerous institutions. Any number of bandits could commit God knows what crimes there, yet they say the people go in droves to watch all kinds of rubbish; I don't know what to do about these places." [1] The plan for a government monopoly over cinema, which would ensure control of production and consumption and thereby protect the Russian people from moral ruin, was passed along to the Duma not long before the February revolution of 1917. -
Crime and Punishment Timed Write
BBB 1 Crime and Punishment 2004 (Form B): The most important themes in literature are sometimes developed in scenes in which a death or deaths take place. Choose a novel or play and write a well-organized essay in which you show how a specific death scene helps to illuminate the meaning of the work as a whole. Avoid mere plot summary. ______________________________________________________________________________ Student response: Throughout Fyodor Dostoevsky's Crime and Punishment, Raskolnikov constantly struggles between two ideologies: utilitarianism and instinct. Persuaded by the intellectual scene of his time and motivated by utilitarian profit and logic, Raskolnikov concludes himself entitled to kill an old pawnbroker, a "louse" of society. However, during the murder itself, Raskolnikov's convulsive, hysteric disposition exhibits Dostoevsky's idea that cold, utilitarian, nihilistic logic is incompatible with human nature. Throughout Raskolnikov's education and even his disillusioned meanderings through St. Petersburg, Raskolnikov is immersed in the fad of utilitarianism; this very ideology is what enables him to conclude that the murder is a justifiable, even righteous act. When Raskolnikov walks into a bar, he overhears a couple of men complaining about the old pawnbroker, calling her a "louse" and claiming that society would be better off without her. By overhearing this conversation, Raskolnikov is pushed in the direction of concluding likewise. Furthermore, the lack of empathy in the men's conversation influences Raskolnikov to disregard empathy when he receives a letter from his mother stating that his sister Dunya has essentially made herself Luzhin's "concubine" in the hopes of landing Raskolnikov a job. Raskolnikov is outraged.