HC 460 National Maritime Museum

Total Page:16

File Type:pdf, Size:1020Kb

HC 460 National Maritime Museum National Maritime Museum Annual Report and Accounts 2015-2016 HC 460 National Maritime Museum Annual Report and Accounts 2015-2016 Presented to Parliament pursuant to Section 9 (8) of the Museums and Galleries Act 1992 Ordered by the House of Commons to be printed on 13 July 2016 HC 460 © Crown copyright 2016 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open- government-licence/version/3 or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected]. Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at www.gov.uk/government/publications Any enquiries regarding this publication should be sent to us at Park Row, Greenwich, London SE10 9NF, United Kingdom marked for the attention of the Trustees of the National Maritime Museum. Print ISBN 9781474128452 Web ISBN 9781474128469 ID 12021607 07/16 Printed on paper containing 75% recycled fibre content minimum Printed in the UK by the Williams Lea Group on behalf of the Controller of Her Majesty’s Stationery Office TRUSTEES' AND ACCOUNTING OFFICER'S ANNUAL REPORT AND CONSOLIDATED ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2016 CONTENTS i Statutory Background and History 1 ii Mission, Aims and Values 2 1. Chairman's Foreword 3 2. Director's Statement 4 3. Review of activities, achievements and performance 2015–16 5 4. Sustainability report 17 5. Future priorities 22 6. Workforce and Employment 25 7. Remuneration Report 28 8. Reference and administrative details 32 9. Supporters of the National Maritime Museum 2015–16 34 10. Financial Review 37 11. Statement of the Responsibilities of the Board of Trustees and the Director as Accounting Officer 41 12. Governance Statement 42 13. The Certificate and Report of the Comptroller and Auditor General 52 14. Consolidated Statement of Financial Activities 54 15. Charity Statement of Financial Activities 55 16. Balance Sheets as at 31 March 2016 56 17. Consolidated Cash Flow Statement 57 18. Notes to the Consolidated Accounts 58 i MUSEUM BACKGROUND The National Maritime Museum at Greenwich is the largest maritime museum in the world. The Museum was founded by statute in 1934 and it now includes the Queen’s House, the Royal Observatory, Greenwich and the clipper ship Cutty Sark. The collective brand name for the four sites is Royal Museums Greenwich. The four sites are open 362 days a year and in 2015–16 welcomed some 2.5 million visits from Britain and around the world and 4.4 million visits to its website www.rmg.co.uk. The Board of Trustees of the National Maritime Museum is a statutory corporation, is an exempt charity, and is classed as an Executive Non-Departmental Public Body. In 2015–16 it had an annual income of some £29 million and a staff of 476 full-time equivalents, under the Board of Trustees, the Director, and an Executive. The Museum's total income in 2015–16 of £29m constituted £13.5m (47%) from its self- engendered trading activity, donations and sponsorship; and £15.5m (53%) of funding from the taxpayer via Grant-in-Aid through the Department for Culture Media and Sport. Entry to the national maritime collection is free, although admissions charges are made for special exhibitions, the Peter Harrison Planetarium, the Greenwich Meridian Line and the Time Galleries and Cutty Sark. History and Collection The National Maritime Museum was opened to the public by King George VI on 27 April 1937. Previously (1807–1933) its main buildings at Greenwich, including the Queen’s House, accommodated the Royal Hospital School. The Royal Observatory, Greenwich, was added to the Museum’s estate and curatorial remit in 1953. The Museum is unique in the architectural significance and setting of its buildings. The 17th- century Queen’s House, designed by Inigo Jones and probably the most important early classical building in England, is the keystone of the historic ‘park and place’ landscape of Maritime Greenwich, so-designated as a UNESCO World Heritage Site (WHS) in 1997. Flamsteed House (built 1675–76), the original part of the Royal Observatory, was designed by Sir Christopher Wren and was the first purpose-built scientific research facility in Britain. The Museum has a number of storage outstations in south-east London close to its main site which are currently being rationalized and consolidated as part of the Museum's Endeavour project. All the Museum buildings have been subsequently upgraded at various times. Modern redevelopment of the main galleries centres on what is now the Neptune Court. One of the first museum capital projects funded by the Heritage Lottery Fund, this was completed in 1999 and reopened by Her Majesty The Queen. The major Time and Space capital project at the Royal Observatory was opened by Her Majesty The Queen in May 2007. In July 2011 the new Sammy Ofer Wing was opened by the Patron of the Museum, His Royal Highness The Duke of Edinburgh. This major architectural addition provides a new Museum main entrance from the Royal Park, state-of-the-art facilities for our pre-eminent research archive and a custom-built special exhibitions gallery. In April 2012 Her Majesty The Queen reopened the fully conserved Cutty Sark to the public. At that time the Museum had the responsibility for the operational management of the ship under a Service Level Agreement with the then owner of the ship, the Cutty Sark Trust. At the end of July 2015 the ship was generously donated as a gift by the Trustees of the Cutty Sark Trust in to the national maritime collection held by the Museum. 1 The Museum has the most important holdings in the world on the history of Britain at sea, comprising more than two million items, including maritime art (both British and 17th- century Dutch); cartography; manuscripts including official public records; ship models and plans; scientific and navigational instruments; and instruments for time-keeping and astronomy (based at the Observatory). Its British portraits collection is exceeded in size only by that of the National Portrait Gallery and its holdings relating to Nelson and Cook, among many other individuals, are unrivalled. It has the world's largest maritime historical reference library (135,000 volumes) including books dating back to the 15th century. An active loans programme ensures that items from the collection are seen in the UK and abroad. Through its displays, exhibitions and outreach programmes the Museum also explores our current relationship with the sea, and its future as an environmental force and resource. By virtue of its pairing with the Royal Observatory, the Museum enjoys a unique conjunction of subjects (History, Science, Arts), enabling it to trace the movement and accomplishments of people and the origins and consequences of empire. The outcome of the Museum's work is to achieve, for all its public at home and overseas, a greater understanding of British economic, cultural, social, scientific, political and maritime history, and its consequences in the world today. ii MISSION, OBJECTIVE AND AIMS The Museum's Mission is to: illustrate for everyone the importance of the sea, ships, time and the stars, and their relationship to people The Museum's Objective is to: Stimulate people's curiosity – the trigger for discovery and learning The Museum's Aims are to: 1. Put visitors first. Create inspiring experiences that transform people’s understanding of our subjects and collections. 2. Value our heritage. Care for and develop our unique collection and historic sites. 3. Extend our reputation. Maximise our reach to and impact on local, regional, national and international audiences and stakeholders. 4. Strengthen our organization. Grow our expertise, increase revenues, control costs and manage risks. 2 1. CHAIRMAN'S FOREWORD On 20 June 2016 construction work started on site in Kidbrooke for our new collections store and conservation facilities. Funding for this project was enabled by the Department for Culture Media and Sports new loans initiative and we are very grateful for their continued support. This element of the Endeavour project addresses our long-standing needs for collection storage, public access to the reserve collections and conservation studios. Development of our facility in Kidbrooke will not just comprise stores and studios – we will be realising a long-standing ambition to create an open store, to make easily accessible our vast reserve collections to researchers and the general public, and to open up a window for the public to our conservation work. We are honoured to report that HRH The Duke of Edinburgh, our Patron has granted our request that the new facility be named: The Prince Philip Maritime Collections Centre. Prince Philip has been actively engaged with and has given his massive support to this museum for nearly 70 years as Trustee and most recently as Patron. The naming of the collections centre, with its functions, themes and activities makes a very fitting tribute to Prince Philip's unique and continuing involvement with the Museum and to his great interest in and knowledge of the national maritime collection and its ability to tell the nation's story. Last year I was very pleased to be able to record that the Trustees of the Cutty Sark Trust presented Cutty Sark as a gift to the national collection and that the Trustees of the National Maritime Museum warmly accepted this most important donation. The great clipper ship continues to be a very popular attraction and Sir Robin Knox-Johnston, the first person to sail a solo non-stop circumnavigation of the globe, was on board on 12 August 2015 to make a presentation to the ship’s millionth visitor since re-opening to the public in 2012.
Recommended publications
  • Board of Trustees of the Royal Armouries Annual Report And
    BOARD OF TRUSTEES OF THE ROYAL ARMOURIES ANNUAL REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2020 HC 807 BOARD OF TRUSTEES OF THE ROYAL ARMOURIES ANNUAL REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2020 Presented to Parliament pursuant to paragraphs 29 (7) and 30 (4) of Schedule 1 to the National Heritage Act 1983. Ordered by the House of Commons to be printed on 24 March 2021 HC 807 © Royal Armouries copyright 2021 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open-government-licence/version/3. Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at https://www.gov.uk/official-documents Any enquiries regarding this publication should be sent to us at [email protected] ISBN 978-1-5286--2144-1 CCS0420500350 03/21 Printed on paper containing 75% recycled fibre content minimum. Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Office. CONTENTS Page Trustees’ and Accounting Officer’s Annual Report 2 Remuneration Report 32 Statement of the Trustees’ and Accounting Officer’s Responsibilities 37 Governance Statement 39 Certificate and Report of the Comptroller and Auditor General 49 Consolidated Statement of Financial Activities 54 Consolidated Balance Sheet 56 Consolidated Statement of Cash Flows 57 Notes to the Financial Statements 58 TRUSTEES’ AND ACCOUNTING OFFICER’S ANNUAL REPORT INTRODUCTION The Royal Armouries is Britain’s national museum of arms and armour, and one of the most important museums of its type in the world.
    [Show full text]
  • UK Seminars on Art, Science, & Exploration Since
    H-Early-America UK Seminars on Art, Science, & Exploration since C18 Discussion published by John Daniel Saillant on Monday, August 25, 2014 Aaron Mulvany Monday, August 25, 2014 H-Asia DEADLINE: 5 September 2014 The Art Fund and Heritage Lottery Fund have generously funded a series of seminars (‘Travellers’ Tails’) at the National Maritime Museum and partner museums around the UK to investigate the histories, practices and interpretation of art, science and exploration from the Enlightenment to the present day. The seminars will bring together scholars, artists, scientists, explorers, members of the public and museum professionals to examine the changing nature, impact and legacies of European exploration since the mid-18th century. The seminars will focus on today’s audiences and discuss the display and interpretation of the material culture of exploration within gallery, heritage and museum environments. Seminars will interrogate the relevance of the subject and issues surrounding its presentation in a post-imperial world. George Stubbs’ iconic paintings of a kangaroo and dingo, recently acquired by the National Maritime Museum, will provide a starting point for wider-ranging papers and discussion within a multi-disciplinary environment. Proposals of no longer than 250 words, for presentations of 20 minutes, should be sent to [email protected] by no later than Friday, 5 September 2014. We welcome submissions for papers and less-formal presentations from academics, curators, artists and other specialists in the fields. Proposals from
    [Show full text]
  • Imagining Outer Space Also by Alexander C
    Imagining Outer Space Also by Alexander C. T. Geppert FLEETING CITIES Imperial Expositions in Fin-de-Siècle Europe Co-Edited EUROPEAN EGO-HISTORIES Historiography and the Self, 1970–2000 ORTE DES OKKULTEN ESPOSIZIONI IN EUROPA TRA OTTO E NOVECENTO Spazi, organizzazione, rappresentazioni ORTSGESPRÄCHE Raum und Kommunikation im 19. und 20. Jahrhundert NEW DANGEROUS LIAISONS Discourses on Europe and Love in the Twentieth Century WUNDER Poetik und Politik des Staunens im 20. Jahrhundert Imagining Outer Space European Astroculture in the Twentieth Century Edited by Alexander C. T. Geppert Emmy Noether Research Group Director Freie Universität Berlin Editorial matter, selection and introduction © Alexander C. T. Geppert 2012 Chapter 6 (by Michael J. Neufeld) © the Smithsonian Institution 2012 All remaining chapters © their respective authors 2012 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2012 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS.
    [Show full text]
  • London Explorer Pass List of Attractions
    London Explorer Pass List of Attractions Tower of London Uber Boat by Thames Clippers 1-day River Roamer Tower Bridge St Paul’s Cathedral 1-Day hop-on, hop-off bus tour The View from the Shard London Zoo Kew Gardens Shakespeare’s Globe Theatre Tour Westminster Abbey Kensington Palace Windsor Palace Royal Observatory Greenwich Cutty Sark Old Royal Naval College The Queen’s Gallery Chelsea FC Stadium Tour Hampton Court Palace Household Cavalry Museum London Transport Museum Jewel Tower Wellington Arch Jason’s Original Canal Boat Trip ArcelorMittal Orbit Beefeater Gin Distillery Tour Namco Funscape London Bicycle Hire Charles Dickens Museum Brit Movie Tours Royal Museums Greenwich Apsley House Benjamin Franklin House Queen’s Skate Dine Bowl Curzon Bloomsbury Curzon Mayfair Cinema Curzon Cinema Soho Museum of London Southwark Cathedral Handel and Hendrix London Freud Museum London The Postal Museum Chelsea Physic Garden Museum of Brands, Packaging and Advertising Pollock’s Toy Museum Twickenham Stadium Tour and World Rugby Museum Twickenham Stadium World Rugby Museum Cartoon Museum The Foundling Museum Royal Air Force Museum London London Canal Museum London Stadium Tour Guildhall Art Gallery Keats House Estorick Collection of Modern Italian Art Museum of London Docklands National Army Museum London Top Sights Tour (30+) Palaces and Parliament – Top Sights Tour The Garden Museum London Museum of Water and Steam Emirates Stadium Tour- Arsenal FC Florence Nightingale Museum Fan Museum The Kia Oval Tour Science Museum IMAX London Bicycle Tour London Bridge Experience Royal Albert Hall Tour The Monument to the Great Fire of London Golden Hinde Wembley Stadium Tour The Guards Museum BAPS Shri Swaminarayan Mandir Wernher Collection at Ranger’s House Eltham Palace British Museum VOX Audio Guide .
    [Show full text]
  • 21, 2017 Hosted by Harney & Sons Tea + Onward
    HARNEY & SONS TEA IN LONDON A Tea Lover’s Adventure in the United Kingdom September 15 — 21, 2017 Hosted by Harney & Sons Tea + Onward Travel harney & sons tea in london 2017 Join the Harney family for a one of a kind tea-centered tour of greater London. Harney & Sons Tea is served at some of the most important tea drinking destinations in the British capital, including the famous Dorchester Hotel and the Historic Royal Palaces. Speaking about Imagine yourself… Britain, George Orwell once said, “Tea is one of the mainstays of the civilization of this country!” Enjoying champagne high tea at the legendary And Orwell was right: nobody drinks tea like the Brits! They average at least Dorchester Hotel three cups per day, encouraged by a wonderful tea drinking culture that has flourished there since the national beverage was made fashionable by King Charles in the 17th century. Today tea is a part of local custom, vernacular, way of life and pop culture at every level of society. Touring a selection of In London, take a day-long Tea Infusiast Masterclass at the UK Tea Academy, Royal gardens enjoy a historic walking tour including visits to Royal residences, and enjoy the traditional British tea service everywhere from the posh Dorchester Hotel to below the copper hull of The Cutty Sark. We’ll trace the history of tea and the tea industry from China to India to the British table. It’s difficult to Learning from one of the seek out tea history in the UK without taking some time to explore another world’s most celebrated quintessentially British pursuit of pleasure: the garden.
    [Show full text]
  • Moon Minerals a Visual Guide
    Moon Minerals a visual guide A.G. Tindle and M. Anand Preliminaries Section 1 Preface Virtual microscope work at the Open University began in 1993 meteorites, Martian meteorites and most recently over 500 virtual and has culminated in the on-line collection of over 1000 microscopes of Apollo samples. samples available via the virtual microscope website (here). Early days were spent using LEGO robots to automate a rotating microscope stage thanks to the efforts of our colleague Peter Whalley (now deceased). This automation speeded up image capture and allowed us to take the thousands of photographs needed to make sizeable (Earth-based) virtual microscope collections. Virtual microscope methods are ideal for bringing rare and often unique samples to a wide audience so we were not surprised when 10 years ago we were approached by the UK Science and Technology Facilities Council who asked us to prepare a virtual collection of the 12 Moon rocks they loaned out to schools and universities. This would turn out to be one of many collections built using extra-terrestrial material. The major part of our extra-terrestrial work is web-based and we The authors - Mahesh Anand (left) and Andy Tindle (middle) with colleague have build collections of Europlanet meteorites, UK and Irish Peter Whalley (right). Thank you Peter for your pioneering contribution to the Virtual Microscope project. We could not have produced this book without your earlier efforts. 2 Moon Minerals is our latest output. We see it as a companion volume to Moon Rocks. Members of staff
    [Show full text]
  • Forstreviere in Nöten? Glosse Halbschlauer Die Sparpolitik Des Bundes Wird Konkret – Die Forstwirtschaft Leidet Fuchs O B E R W a L L I S
    AZ 3900 Brig Dienstag, 13. Januar 2004 Unabhängige Tageszeitung 164. Jahrgang Nr. 9 Fr. 2.— Auflage: 27459 Ex. Redaktion: Tel. 027 / 922 99 88 Abonnentendienst: Tel. 027 / 948 30 50 Mengis Annoncen: Tel. 027 / 948 30 40 Forstreviere in Nöten? Glosse Halbschlauer Die Sparpolitik des Bundes wird konkret – die Forstwirtschaft leidet Fuchs O b e r w a l l i s. – (wb) Es ist Da geht ein junger Walliser nicht ausgeschlossen, dass es in im Baselbiet auf die Jagd. einzelnen Oberwalliser Forstre- Er ist Gastjäger in einem vieren im kommenden Frühjahr Revier. Zur Strecke kom- zur Nichtwiederanstellung von men auch zwei Füchse. Wie Beschäftigten kommt. Auch nun das Zentralorgan der dürfte sich die Zahl der Forstre- Schweizer Patentjäger, der viere in den nächsten Jahren un- «Schweizer Jäger», in sei- ter dem wachsenden Spardruck ner Rubrik «Fehlschuss» zu von heute 19 auf 12 reduzieren. berichten weiss, hat sich Doris Leuthard will nicht Die weiter bestehenden Forstre- der Sportsfreund die Pfoten CVP-Präsidentin werden. viere müssen enger zusammen- dieser Basler Füchse gesi- Foto Keystone arbeiten und weitere Kosten- chert, um damit im Wallis – senkungsmassnahmen ergrei- widerrechtlich – Abschuss- fen. prämien zu kassieren. Leuthard und Diese Massnahmen drängen Halt als typische Walliser sich schon nach dem ersten Ent- Mentalität sei dieser Frick sagen ab lastungsprogramm für die Bun- «Bschiss» von den Mitjä- S c h w e i z. – (wb) Gestern desfinanzen auf. Weitere Spar- gern entrüstet gebrand- gaben die beiden heissest ge- programme des Bundes bei markt worden. Der höchs- handelten Kandidaten auf das gleichzeitigen Steuerermässi- tens halbschlaue Prämien- CVP-Präsidium, die Natio- gungen, wie sie die eidgenössi- erschleicher hat für unse- nalrätin Doris Leuthard und schen Räte beschlossen haben, ren Kanton wirklich ein Bruno Frick, ihren Verzicht dürften den Spardruck weiter schönes Zeugnis abgelegt.
    [Show full text]
  • The Government Resources and Accounts Act 2000 (Estimates and Accounts) Order 2017
    STATUTORY INSTRUMENTS 2017 No. 310 GOVERNMENT RESOURCES AND ACCOUNTS The Government Resources and Accounts Act 2000 (Estimates and Accounts) Order 2017 Made - - - - 8th March 2017 Laid before Parliament 9th March 2017 Coming into force - - 1st April 2017 The Treasury make the following Order in exercise of the powers conferred by section 4A(3) and (4) of the Government Resources and Accounts Act 2000( a). In accordance with section 4A(8) of that Act the Treasury have consulted, where they think it appropriate, the Scottish Ministers, the Department for Finance and Personnel for Northern Ireland and the Welsh Ministers. Citation and commencement 1. —(1) This Order may be cited as the Government Resources and Accounts Act 2000 (Estimates and Accounts) Order 2017. (2) This Order comes into force on 1st April 2017. Designations 2. A body which is listed in a Part of the Schedule to this Order is a designated body for the purposes of section 4A of the Government Resources and Accounts Act 2000— (a) in relation to the department named in the heading to that Part, and (b) for the financial year which ends on 31st March 2018. Robert Syms Andrew Griffiths 8th March 2017 Two of the Lords Commissioners of Her Majesty’s Treasury (a) 2000 c.20. Section 4A was inserted by section 43(2) of the Constitutional Reform and Governance Act 2010 (c.25). SCHEDULE Article 2 Designated Bodies PART 1 Ministry of Defence Advisory Committee on Conscientious Objectors Advisory Group on Military Medicine Armed Forces Pay Review Body Central Advisory Committee on Pensions
    [Show full text]
  • Royal Armouries Annual Report and Accounts 2014/15
    BOARD OF TRUSTEES OF THE ROYAL ARMOURIES ANNUAL REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2015 Presented to Parliament pursuant to paragraphs 29 (7) and 30 (4) of Schedule 1 to the National Heritage Act 1983. Ordered by the House of Commons to be printed on 16 July 2015 HC 248 © Royal Armouries (2015) The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as Royal Armouries copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries regarding this publication should be sent to us [email protected] This publication is available at https://www.gov.uk/government/publications Print ISBN 9781474117357 Web ISBN 9781474117364 ID 08041502 07/15 50419 19585 Printed on paper containing 75% recycled fibre content minimum Printed in the UK by the Williams Lea Group on behalf of the Controller of Her Majesty’s Stationery Office CONTENTS Page Trustees’ and Accounting Officer’s Annual Report 2 Remuneration Report 32 Statement of the Trustees’ and Accounting Officer’s Responsibilities 37 Governance Statement 38 Certificate and Report of the Comptroller and Auditor General 50 Consolidated Statement of Financial Activities 53 Consolidated Balance Sheet 54 Consolidated Cashflow Statement 55 Notes to the Financial Statements 56 1 TRUSTEES’ AND ACCOUNTING OFFICER’S ANNUAL REPORT INTRODUCTION The Royal Armouries is Britain’s national museum of arms and armour, and one of the most important museums of its type in the world.
    [Show full text]
  • Y8 Super-Curriculum History
    History Term 1.1 Sept – Oct Half Term Civil War Places to visit: Helmsley Castle, Marston Moor, Skipton Castle, Royal Armouries Leeds, Lichfield Cathedral Documentaries to watch: The English Civil War (BBC), Cromwell: God’s Executioner, (Youtube), To Kill a King. David Starkey’s ‘Monarchy’ episode on the Stuart Succession. A History of Britain’ by Simon Schama episode on ‘The British Wars. o BBC Teach: (Youtube) What was life like during the British Civil Wars? | Hunting for History | BBC Teach o Crash Course: (Youtube) English Civil War: Crash Course European History Books to read: Rebels and Traitors, Children of the New Forest, The English Civil War at First Hand, Tristan Hunt. A Time Traveller’s Guide to Restoration England by Ian Mortimer. A very short introduction: The Industrial Revolution by Robert Allen, A very short introduction: Stuart Britain by John Morrill Websites to visit: http://stuarts-online.com/. http://bcw-project.org/. Things to listen to: Trial of Charles I ‘In Our Time’ Podcast http://www.bbc.co.uk/programmes/b00kpzd6 Great Fire of London http://www.bbc.co.uk/programmes/b00ft63q Restoration of the Monarchy http://www.bbc.co.uk/programmes/p00547bx History Extra (Spotify Podcast) Female Spies of the Civil War Era Tasks to complete: Research the painting below ‘When did you last see your father?’ Write a short historical story about the characters in the painting. Term 1.2 Oct to Christmas Slavery/ Empire Places to visit: Slavery Museum in Liverpool, Harewood House, Wilberforce Museum Hull, Documentaries to watch: Black and British: A Forgotten History (Youtube), Twelve Years a Slave, Mandela: Long Walk to Freedom.
    [Show full text]
  • TRINITY HALL NEWSLETTER SPRING 2005 Newsletter SPRING 2005
    TRINITY HALL CAMBRIDGE TRINITY HALL NEWSLETTER SPRING 2005 Newsletter SPRING 2005 The Trinity Hall Newsletter is published by the College. Printed by Cambridge Printing, the printing business of Cambridge University Press. www.cambridgeprinting.org Thanks are extended to all the contributors and to the Editor, Liz Pentlow Trinity Hall Newsletter SPRING 2005 College Reports ............................................................................ 3 Trinity Hall Association & Alumni Reports............................. 33 Lectures & Research .................................................................. 51 Student Activities, Societies & Sports ...................................... 79 The Gazette .............................................................................. 109 Keeping in Touch & Booking Forms ..................... Cream Section Section One College Reports 3 The Master Professor Martin Daunton MA PhD LittD FRHistS FBA Professor of Economic History, Chair of the School of Humanities and Social Sciences Fellows and Fellow-Commoners Professor John Denton MA PhD FREng FRS Vice Master, Professor of Turbo Machinery Aerodynamics Professor Colin Austin MA DPhil FBA Praelector, Graduate Mentor, Professorial Fellow and Director of Studies in Classics; Professor of Greek David Fleming MA LLB Tutor and Staff Fellow in Law Professor Thomas Körner MA PhD ScD Graduate Mentor, Staff Fellow and Director of Studies in Mathematics; Professor of Fourier Analysis Dr David Rubenstein MA MD FRCP Graduate Mentor, Staff Fellow and Director
    [Show full text]
  • Access Policy
    Access Policy REVISION REVISION DATE OWNER REFERENCE COMMENT 00 October 2013 Director of COL-POL-026 New policy to meet Public Accreditation Engagement requirements 01 May 2017 Visitor Services RA-POL-003 Review following 2016 Manager c/o Access Audit Access Champion Policy Number RA-POL-003 Date 04/06/2019 Owner Visitor Services Printed Manager Revision 01 Page 1 Change Ref. Policy Statement It is part of our ethical duty to do all we can, within the limits of our buildings and affordability, to make our collections, physical or digital, on display and in store, accessible and comprehensible as many people as possible. We recognize that there are many barriers to access at all levels, particularly with a collection of arms and armour, but are committed to removing as many of these barriers as our resources allow, including access to buildings, collections, events, exhibitions, learning; for our staff, volunteers and visitors. This policy will guide the approach of Royal Armouries to the provision of such access; it applies to all staff, volunteers and third party companies operating within our remit. User Needs We understand that different users have different needs and recognises that there are many potential barriers to access. We are committed to offering an inclusive service to all of our users. There are a number of key barriers to access that we aim to overcome: • Physical – we will seek to enable people with physical disabilities, the elderly and those caring for others, to access and enjoy sites, services, collections and information
    [Show full text]