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Commissioned Orchestral Version of Jonathan Dove’S Mansfield Park, Commemorating the 200Th Anniversary of the Death of Jane Austen
The Grange Festival announces the world premiere of a specially- commissioned orchestral version of Jonathan Dove’s Mansfield Park, commemorating the 200th anniversary of the death of Jane Austen Saturday 16 and Sunday 17 September 2017 The Grange Festival’s Artistic Director Michael Chance is delighted to announce the world premiere staging of a new orchestral version of Mansfield Park, the critically-acclaimed chamber opera by composer Jonathan Dove and librettist Alasdair Middleton, in September 2017. This production of Mansfield Park puts down a firm marker for The Grange Festival’s desire to extend its work outside the festival season. The Grange Festival’s inaugural summer season, 7 June-9 July 2017, includes brand new productions of Monteverdi’s Il ritorno d'Ulisse in patria, Bizet’s Carmen, Britten’s Albert Herring, as well as a performance of Verdi’s Requiem and an evening devoted to the music of Rodgers & Hammerstein and Rodgers & Hart with the John Wilson Orchestra. Mansfield Park, in September, is a welcome addition to the year, and the first world premiere of specially-commissioned work to take place at The Grange. This newly-orchestrated version of Mansfield Park was commissioned from Jonathan Dove by The Grange Festival to celebrate the serendipity of two significant milestones for Hampshire occurring in 2017: the 200th anniversary of the death of Austen, and the inaugural season of The Grange Festival in the heart of the county with what promises to be a highly entertaining musical staging of one of her best-loved novels. Mansfield Park was originally written by Jonathan Dove to a libretto by Alasdair Middleton based on the novel by Jane Austen for a cast of ten singers with four hands at a single piano. -
ROH2 Performances.Qxd 20/9/07 16:55 Page 1
ROH2_performances.qxd 20/9/07 16:55 Page 1 Royal Opera House Performance Review 2006/07 ROH2: Music and Events Visiting Opera Companies D a n c e Visiting Dance Companies ROH2_performances.qxd 20/9/07 16:55 Page 2 Contents 01 ROH2 MU S I C A N D EV E N T S 02 ROH2 VI S I T I N G OP E R A CO M PA N I E S 03 ROH2 DA N C E 04 ROH2 VI S I T I N G DA N C E CO M PA N I E S ROH2_performances.qxd 20/9/07 16:55 Page 3 3 ROH2 MU S I C A N D EV E N T S 2 0 0 6 / 2 0 0 7 01 ROH2 MU S I C A N D EV E N T S ROH2_performances.qxd 20/9/07 16:55 Page 4 4 ROH2 MU S I C A N D EV E N T S 2 0 0 6 / 2 0 0 7 TH E SU N D A Y SE S S I O N Presented by the Royal Opera House in association with BBC Radio 3 Paul Hamlyn Hall NU M B E R O F PE R F O R M A N C E S 1 (7 May 2006) A concert featuring music by Julian Joseph, and a performance of Richard Rodney Bennett’s Jazz Calendar, which was choreographed by Sir Frederick Ashton in 1968. ROH2_performances.qxd 20/9/07 16:55 Page 5 5 ROH2 MU S I C A N D EV E N T S 2 0 0 6 / 2 0 0 7 RO H BRA S S SO L O I S T S CE L E B R AT E TH E RO YA L BA L L E T Paul Hamlyn Hall NU M B E R O F PE R F O R M A N C E S 1 (4 June 2007) DI R E C TO R Eric Crees RO M E O A N D JU L I E T Sergei Prokofiev, arranged by Paul Archibald SU I T E F R O M ‘ C H E C K M A T E ’ Sir Arthur Bliss, arranged by Eric Crees (World Premiere) SY M P H O N Y F O R BRA S S Sir Malcom Arnold SU I T E F R O M ‘ B I L L Y T H E KI D ’ Aaron Copland, arranged by Eric Crees MU S I C I A N S TR U M P E T S Ian Balmain, David Carstairs, Paul Archibald, Chris Deacon, -
Wayne Mcgregor | Random Dance
WAYNE MCGREGOR | RANDOM DANCE FEBRUARY 13, 2014 OZ SUPPORTS THE CREATION, DEVELOPMENT AND PRESENTATION OF SIGNIFICANT CONTEMPORARY PERFORMING AND VISUAL ART WORKS BY LEADING ARTISTS WHOSE CONTRIBUTION INFLUENCES THE ADVANCEMENT OF THEIR FIELD. ADVISORY BOARD Amy Atkinson Karen Elson Jill Robinson Anne Brown Karen Hayes Patterson Sims Libby Callaway Gavin Ivester Mike Smith Chase Cole Keith Meacham Ronnie Steine Jen Cole Ellen Meyer Joseph Sulkowski Stephanie Conner Dave Pittman Stacy Widelitz Gavin Duke Paul Polycarpou Betsy Wills Kristy Edmunds Anne Pope Mel Ziegler A MESSAGE FROM OZ Welcome and thank you for joining us for our first presentation as a new destination for contemporary performing and visual arts in Nashville. By being in the audience, you are not only supporting the visiting artists who have brought their work to Nashville for this rare occasion, you are also supporting the growth of contemporary art in this region. We thank you for your continued support. We are exceptionally lucky and very proud to have with us this evening, one of the worlds’ most inspiring choreographic minds, Wayne McGregor. An artist who emphasizes collaboration and a wide range of perspectives in his creative process, McGregor brings his own brilliant intellect and painterly vision to life in each of his works. In FAR, we witness the mind and body as interconnected forces; distorted and sensual within the same frame. As ten stunning dancers hyperextend and crouch, rapidly moving through light and shadow to a mesmerizing score, the relationship between imagination and movement becomes each viewer’s own interpretation. An acronym for Flesh in the Age of Reason, McGregor’s FAR investigates self-understanding and exemplifies the theme from Roy Porter’s novel by the same name, “that we outlive our mortal existence most enduringly in the ideas we leave behind.” Strap in. -
Mario Ferraro 00
City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1. -
Issue 29 | Aug 2017 |
AN INDEPENDENT, FREE MONTHLY GUIDE TO MUSIC, ART, THEATRE, COMEDY, LITERATURE & FILM IN STROUD. ISSUE 29 | AUG 2017 | WWW.GOODONPAPER.INFO GOOD 2017 ON PAPER SPECIAL ISSUE #29 INSIDE: STROUD STROUD GOOD FRINGE BLOCK ON PAPER PREVIEW PARTY STAGE + Joe Magee: The Process | Stroud Fringe Choir | Index Projects: Corridor Burning House Books | Comedy At The Fringe Cover image: Ardyn by Adam Hinks (Original image by Tammy Lynn Photography) Lynn Tammy image by Hinks (Original Adam by image: Ardyn Cover #29 | AUG 2017 EDITOR Advertising/Editorial/Listings: EDITOR’S Alex Hobbis [email protected] DESIGNER Artwork and Design NOTE Adam Hinks [email protected] ONLINE FACEBOOK TWITTER goodonpaper.info /GoodOnPaperStroud @GoodOnPaper_ WELCOME TO THE TWENTY NINTH ISSUE OF GOOD ON PAPER – YOUR FREE MONTHLY GUIDE TO MUSIC CONCERTS, ART EXHIBITIONS, THEATRE PRINTED BY: PRODUCTIONS, COMEDY SHOWS, FILM SCREENINGS AND LITERATURE Tewkesbury Printing Company EVENTS IN STROUD... The fringe returns! And with it our annual Stroud Fringe Special providing a defi nitive guide to the 21st edition of the festival. SPONSORED BY: The team behind the fringe have worked tirelessly throughout the year to bring you another packed programme of events featuring live music, comedy, art, literature, street entertainment and much much more over the course of the last weekend in August. CO-WORKING STUDIO As well as the Bank Gardens, Canal and Cornhill stages the hugely popular Stroud Block Party also returns with a brand new venue, Good On Paper will be taking stroudbrewery.co.uk -
NSF Programme Book 23/04/2019 12:31 Page 1
two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA. -
Adventures Adventures
THEADVENTURESADVENTURES COUNTCOUNT ORYORY Music by Gioachino Rossini CAST: PRODUCTION: Count Ory: Nicholas Sharratt Musical Director: Nicholas Jenkins Raimbaud, a friend of Ory: Benedict Nelson Director: Harry Fehr Ory’s Tutor: Steven Page Designer: Max Dorey Isolier, Ory’s brother: Kate Howden Lighting Designer: Christopher Nairne Two cavaliers, friends of Ory: Benjamin Ellis* Assistant Director: Jack Furness and Guy Elliott* Assistant Musical Director: Jeremy Cooke Countess Adele: Anna Devin Production Manager: Rene (Freddy) Marchal Ragonde , a friend of the Countess: Louise Winter Costume Supervisor: Felicity Langthorne A lady, another friend of the Countess: Costume Assistant: Jo Ray Claire Barton* Hair and Make-Up: Maisie Palmer Alice, a villager: Zoe Freedman* Production Assistant: Sophie Horan *Vocal student at Trinity Laban Conservatoire of Music and Dance Senior Stage Manager: Sasja Ekenberg Deputy Stage Manager: Marian Sharkey Blackheath Halls Opera Chorus Assistant Stage Managers: Mimi Palmer-Johnston Blackheath Halls Orchestra and Rosanna Grimes Pupils from Greenvale School Community Stage Manager: Sarah Southerton Pupils from Charlton Park Academy Technical Assistant Stage Manager: Pupils from Year 5 at St Margaret’s Primary School Oliver Ballantyne Pupils from Year 4 at Lee Manor Primary School Project Manager: Rose Ballantyne Assistant Project Manager: Alice Murray BLACKHEATH HALLS TEAM: General Manager: Keith Murray Publicity and Programme Designer: Community Engagement Manager: Rose Ballantyne Colin Dunlop Operations Manager: Hannah Benton TRINITY LABAN PROJECT TEAM: Technical Manager: Malcolm Richards Programme Manager: Anna Wyatt and Marketing and Box Office Co-ordinator:Kyle Jarvis Helen Hendry Development Officer:Helma Zebregs Project Leader: Joe Townsend Bookkeeper: Debra Skeet Administrator: Caroline Foulkes Running time: 2hrs and 30mins We have been staging community operas at Blackheath WELCOME Halls since July 2007. -
LCO Working with Us
LONDON CONTEMPORARY ORCHESTRA WORKING WITH US “...a grass-roots perspective and a wide-eyed enthusiasm that could only exist in an orchestra run by young people for young people.” Classical Music Magazine COLLABORATIONS | CORPORATE EVENTS | PRODUCT LAUNCHES London Contemporary Orchestra Limited 9 Angel Mews, London SW15 4HU, United Kingdom Company No: 6895875 Registered Charity No: 1129768 www.lcorchestra.co.uk www.lcorchestra.co.uk WHAT WE DO DIFFERENTLY • Formed in 2008, the LCO has already established itself as one of the most innovative and DYNAMIC. respected ensembles on the London music scene. CUTTING EDGE. • LCO has worked alongside such distinguished artists as Radiohead’s Jonny Greenwood, Matmos, Biosphere, composers Mark-Anthony Turnage and Anna Meredith, Sound Intermedia, Mira Calix, United Visual Artists, sound artist Simon Fisher Turner and Foals. • At all times we aim to stimulate and enlighten audiences through our fresh approach and breathtaking performances. • LCO draws together London’s brightest young talent – musicians who perform regularly with TALENTED. groups such as the London Symphony Orchestra, BBC Symphony Orchestra, Philharmonia YOUNG PROFESSIONALS. Orchestra and London Sinfonietta. • All our players possess an unrivalled technical facility to meet the demands of session work, and a friendly, open-minded approach crucial for collaborative projects. • Being on that level sets us apart on the London scene, creating events that always feel right and sound exceptional. • We can help with all your needs, including finding a suitable recording studio and liaising with VERSATILE. venues. LCO provides any number of players from a single harpist to a full symphony orchestra. WELL CONNECTED. We’ll also find you a particular soloist or chorus. -
Various Blech II: Blechsdöttir Mp3, Flac, Wma
Various Blech II: Blechsdöttir mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Blech II: Blechsdöttir Country: UK Released: 1996 Style: IDM, Techno, Acid, Ambient, Breakbeat, Abstract, Experimental MP3 version RAR size: 1838 mb FLAC version RAR size: 1665 mb WMA version RAR size: 1507 mb Rating: 4.9 Votes: 339 Other Formats: AU AA DTS DMF VQF MP2 MOD Tracklist Hide Credits Lost 1a –Autechre 2:25 Written-By – Brown*, Booth* Kracht 1b –Disjecta Written-By – Mark Clifford Rotar 2a –Autechre 2:00 Written-By – Brown*, Booth* Flutter 2b –Autechre Written-By – Brown*, Booth* Them 3 –LFO 1:53 Written-By – Mark Bell Abla Eedio (Unreleased Exclusive Mix) 4 –Plaid 3:45 Written-By – Turner*, Handley* Ventolin (Plain-An-Gwaary Mix) 5 –Aphex Twin 3:30 Written-By – Richard D James* Rsdio 6 –Autechre 3:05 Written-By – Brown*, Booth* Nautilus 7 –Jake Slazenger 3:08 Written-By – Mike Paradinas Dredd Overboard (DJ Food Lifesaver Mix) 8a –Nightmares On Wax 3:38 Remix – DJ FoodWritten-By – Evelyn*, Harper*, Firth* Cow Cud Is A Twin 8b –Aphex Twin Written-By – Richard D James* Laughable Butane Bob 9 –AFX* 2:53 Written-By – Richard D James* Brieflei 10 –Freeform 3:04 Written-By – Simon Pyke Chase The Manhattan 11 –The Black Dog 1:26 Written-By – Turner*, Handley*, Downie* Inifinite Lites (Primitives Mix) 12 –B12 4:01 Written-By – Golding*, Rutter* Midnight Drive 13a –Elecktroids 2:49 Written-By – Elecktroids Hey Hey Can U Relate 13b –DJ Mink Written-By – Carruthers, Mink*, McDevitt Dextrous 13c –Nightmares On Wax Written-By – Evelyn*, Harper* -
Samedi 23 Septembre London Sinfonietta – Warp Records
NP WARP DEF 15/09/06 15:04 Page 1 Jean-Philippe Billarant, Président du Conseil d’administration Laurent Bayle, Directeur général Samedi 23 septembre London Sinfonietta – Warp Records Dans le cadre du cycle Londres Du mercredi 20 septembre au samedi 7 octobre 2006 | septembre 23 Samedi Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours avant chaque concert, à l’adresse suivante : www.cite-musique.fr London Sinfonietta – Warp Records – Warp Sinfonietta London NP WARP DEF 15/09/06 15:04 Page 2 Cycle Londres DU MERCREDI 20 SEPTEMBRE AU SAMEDI 7 OCTOBRE Londres : la ville de Purcell, de Haydn, de Britten, mais aussi l’un des berceaux MERCREDI 20 SEPTEMBRE, 20h de la pop, des Beatles à Marianne Faithfull et au-delà. Autour de l’intégrale des douze symphonies dites londoniennes de Haydn, Intégrale des Symphonies un instantané musical de la capitale anglaise, entre humour et solennité, londoniennes I tradition et modernité… Joseph Haydn Nombre de symphonies de Haydn portent des titres imagés, donnés après coup Symphonie no 103 par les chroniqueurs en référence à un motif de l’œuvre ou à un événement Symphonie no 102 qui en a marqué l’exécution. Les symphonies londoniennes ne font pas exception. Symphonie no 104 Toutefois, au-delà des anecdotes qu’elles ont pu susciter, c’est au sein de la grande histoire des formes musicales que ces pages ont laissé leur empreinte. Orchestra of the Age C’est de Londres, où il séjourna de 1791 à 1795, que Haydn rapporta un livret of Enlightenment qui avait d’abord été destiné à Haendel. -
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’. -
Tim Joss First Published for Comment on the Web by Mission Models Money September 2008
A better future for artists, citizens and the state Tim Joss First published for comment on the web by Mission Models Money www.missionmodelsmoney.org.uk September 2008 Copyright © 2008 Tim Joss The moral right of Tim Joss to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Designed by Pointsize Wolffe & Co 2 New Flow Contents Prelude 4 Acknowledgements 5 Introduction 6 Chapter 1 UP-RIVER – Changes since the creation of the Arts Council of Great Britain in 1946 11 Chapter 2 THE SWIRL OF NOW – Wider forces in society which touch the arts 26 Chapter 3 POOH-STICKS OVER RAPIDS – Signs of change inside the arts 39 Chapter 4 TODAY’S ARTS FLOTILLA – Artists 59 Chapter 5 TODAY’S ARTS FLOTILLA – The accessibility industry 71 Chapter 6 THAT SINKING FEELING – The pathology of today’s state arts bodies 81 Chapter 7 NEW FLOW – New organisations 97 Chapter 8 NEW FLOW – Five years of travelling down-river 110 Postlude 115 Bibliography 116 3 New Flow Prelude This book’s key message is that artists have an important contribution to make to our society and economy. It is not being properly or fully realised. The task is to release artists’ potential to the full and achieve the most profound and far-reaching impact possible. This book is part arrival, part new departure. It proposes a way forward and invites you to be involved in the next steps. Written in the tradition of political pamphlets, it makes specific, practical proposals.