Catalogue 142: World's Fairs & International Expositions
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MARC SELVAGGIO, BOOKS & EPHEMERA Catalogue Number 142 WORLD’S FAIRS & EXPOSITIONS To Order Toll-Free 1-800-356-2199 11. 42. 38. 39. 45. 50. 128. 79. 165. 213. 194. 232. 207. 241. 271. 257. 2 MARC SELVAGGIO, BOOKS & EPHEMERA WORLD’S FAIRS & EXPOSITIONS MARC LVAGGIO, Catalogue Number 142 BOOKS & EPHEMERA e2551 Hilgard Avenue Berkeley, CA 94709 S phone: 510-548-8009 email: [email protected] ORDERING INFORMATION: CONDITION: Unless otherwise noted, an item is in the PAYMENT: CWO. Payment can be made by check (in U.S. original binding (as issued), octavo or 12mo in size, and in what funds and drawn on a U.S. bank), or money order. is generally accepted as very good second-hand condition. All Institutions will be invoiced, and can be billed to fit their major defects are noted (although ownership marks such as ordering or fiscal year requirements. California residents who signatures and bookplates may not be noted unless they do not have a resale tax certificate will be charged sales tax. substantially add to or detract from the book’s interest). The Discounts to the trade are offered on a reciprocal basis, and only edition or printing is noted when known or important; no on invoices paid within 30 days of the invoice date. citation of edition usually means that the item is a first printing or first edition. “Wrappers” denotes an item with paper covers. SHIPPING: Shipping charges are extra. Within the U.S. I prefer to ship via Priority Mail, but I will be glad to accommodate HOW TO ORDER: All items are subject to prior sale, and as your preferences, including UPS services or Federal Express. I usually have only one copy in stock of each, I strongly suggest a Shipments outside the U.S. will be at cost. speedy placement of your order. Feel free to order at any time, day or night, via voice mail, or email. Please Note: I no longer Shipping within the U.S. have an 800-number, nor a fax number. $5.00 first item, $1.00 each additional item. TERMS OF SALE: ANY ITEM IS FULLY RETURNABLE Cover Illustration: Item #493 (p.47). FOR ANY REASON WITHIN 7 DAYS OF RECEIPT. I would appreciate it, however, if you could notify me immediately of your return, as it is likely that I will have received a duplicate order. THIS CATALOGUE (142) is my current entry to a series of catalogues that I have compiled which have focused on books and ephemera relating to World’s Fairs and International Expositions. The pedigree began with my Special List 91-A issued in 1991 (under the Schoyer’s Books imprint) followed by a Schoyer’s Books Catalogue No. 27 (1992), and then more recently by Catalogues 123, 126, 132, and 138 issued under my personal moniker. ¶ Travels in Europe in recent years have opened up the field of foreign expositions to me, especially the various Paris and Barcelona expos. And I am fortunate to live in an area that also hosted three international expositions (1894, 1915, 1939-40). I plan to continue exploring this topic—and acquiring material and issuing the occasional catalogue, available in both print and pdf versions. ¶ Regarding the cataloguing style herein, in my search for bibliographical information [such as author or publication date], and for signs of institutional scarcity [or abundance], I checked most titles against the OCLC [World Cat.], as well as an occasional foreign catalogue, and specific institutional catalogues. However, I understand that (1) not all institutions have their catalogues listed therein and (2) much ephemeral material of the kind offered here simply has not been catalogued or completely accessioned. Therefore, “Not located in OCLC” means that I performed a search, usu- ally under a few different parameters [e.g., publisher/publisher location], but did not turned up any holdings. It does not necessarily mean that a copy is not lurking in some folder or phase box—or is, in fact, listed on OCLC. All items, of course, are sent on approval, which allows you to inspect items against those of similar nature or title. —MS Catalogue Number 142 /WORLD’S FAIRS & EXPOSITIONS 3 To Order 510-548-8009 1. [1851 London] ters requiring the attention of State Committees, and of those who Collection 15 advertising intend to become exhibitors,” with “Regulations by the broadsides and flyers from Commissioners in London” on p.2. Light fold marks; small rem- various British firms pro- nant of glue in corner (apparently affixed in a scrapbook or ledger). moting a range of products at Rare—OCLC notes one holding (NJ Historical Society). 150.00 this first truly International Expo. With 12 pieces—each 5. [1853 New York] Uncle George. Dear Molly… New about 5.25 x 8 inches— York City, 2 August, 1853. Original four-page handwritten let- including flyers on Crimerian ter, on bifolium sheet featuring large (top third) color lithograph Boots (illus.); Elastic Enameled of the Crystal Palace for the Exhibition of the Industry of All Cloth for Boots; Fred. Brown, Nations: printed by Charles Magnus. Small tears at folds, Haircutter and Wig Maker repaired with archival paper tape. ¶ Chatty letter from a New (illus.); Horsecloth; Harness Hampshire man then living in New York to his niece back home. Hams (illus.); Girth Regulator “That’s a pretty picture, isn’t it?” he begins, referring to the for horses (illus.); Portable Magnus litho of the Palace. “It is a very correct one too, repre- Copying Letter Case; Typo- senting perfectly the form and the proportions of the Palace.” Writing Machine for the Use of George comments on the Exhibition as well as life in the City: the Blind; plus three larger pieces, including 2ff item from John S. “There is such a crowd of people going in all directions, and the Deed, Currier [leather goods]; folio 1f from Henry Urch on his streets are so full of carriages of every kind imaginable. The rich line of saddle and harness products (including the Ladies’ Spring and the poor have to get pretty near together sometimes. In the Saddle); and a bilingual 1f sheet from the French paper-goods streets, you will meet ladies and gentlemen dressed with all the firm, Patererie Marion. Various types of paper stock (some tinted) style and expense you can think of, and right at their elbow may and typography incorporated. 300.00 be the most miserable beggar, asking them for charity.” 150.00 2. [1851 London] Crystal Palace, Sydenham. Length 1800 6. [1857 Paris] Londet, M. Annales de L’Agriculture feet… London: J. T. Wood [1851?]. Engraved card with view of Française ou Recueil Encyclopédique d’Agriculture. 5e Serie— the Palace and fountains; dimensions and printed facts along bot- Tome Neuvième, Janvier a Juin 1857. Paris: Bouchard-Huzard, tom, on glazed stock, 6 x 4 5/8 inches. Verso blank. 50.00 1857. 592pp + 10 plates (seven folding). Contemporary half- leather over marbled boards. ¶ Reports on various advancements 3. [1851 London] in agriculture—drainage, shovels, etc.—as exhibited at the Elkington, Mason & Co. Exposition. Volume covers other related topics as well. Some text Catalogue of the Art wood-cuts throughout. 100.00 Manufacturers, Bronze Sculptures, Artistic & 7. [1867 Barcelona] Academia de Bellas Artes. Informe Decorative Plate, Services, sobre el resultado de la Exposicion Retrospective Celebrada per &c., &c., Comprising la Academia de Bellas Artes de Barcelona en 1867 dado a la Adaptations of Select misma academia por la comision encargada de dicha Examples of Antique and Exposicion. Barcelona: Verdauguer, 1868. Oblong folio. 31pp Medieval Art. [London], letterpress + 35ff of lithographic plates, many tinted (either cop- 1851. 4to. [31]pp + original per or light green) on heavy stock. Some scattered foxing. gilt-stamped flexible cloth, Original leather-backed green cloth boards. ¶ Although focusing soiled. ¶ Catalogue of repro- mostly on religious paintings, this exhibition of Catalan arts and duced classical art work for craftsmanship also included sculpture, tapestries, metalwork, and home or castle, prepared for ceramics—all exhibited in this volume on the lithographs. the Exhibition and on display OCLC notes four institutional holdings, with three in the US therein. Includes a full-page (Miami, Art Institute of Chicago, Univ. of MD). 250.00 with four illustrations of “The Great Exhibition Commemoration Shield, from a design by Luke Limner.” Profusely illustrated with 8. [1867 Paris] Banks, Hon. N[athaniel] P. Speech upon wood-engravings as well as two full-page lithographs. OCLC only the Representation of the United States at the Exhibition of the notes a 17-page catalogue from 1847. 300.00 World’s Industry, Paris, 1867. Delivered in the House of Representatives, March 14, 1866. Washington, DC: Mansfield & 4. [1851 London] Force, Peter. Industrial Exhibition of Martin, 1866. 24pp, self-wrappers, stitched. ¶ Enthusiastic and 1851. CIRCULAR. Washington: DC: United States Executive long-winded speech relating to the question on the floor regard- Committee, 1850. Large square 8vo. Four pages folded (p.4 ing the appropriation of sufficient funds for US involvement, blank, but used for mailing, with address and partial cancellation which Banks enthusiastically supported —especially as he present); partially trimmed, apparently, at top. ¶ US Chairman believed the representation of “American civilization in this grand presents a “summary of information on the most important mat- Exposition… will be money very profitably expended.” Banks 4 MARC SELVAGGIO, BOOKS & EPHEMERA or email: [email protected] goes on to provide a good review of the previous international pers. ¶ Good example of that unusual 19th century fund-raiser: the expositions (especially London 1851 and Hamburg 1863) and an loan exhibition. Here, local swells donate a jumble of artifacts, argument in favor of government, not private nor commercial knick-knacks, art, furniture, and the material detritus of domestic support to such an event.