Implementing Modulation Functions in Microwave Frequency Synthesizers

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Implementing Modulation Functions in Microwave Frequency Synthesizers High Frequency Design FREQUENCY SYNTHESIZERS Implementing Modulation Functions in Microwave Frequency Synthesizers By Alexander Chenakin Phase Matrix, Inc. he main function This article reviews the of a frequency syn- typical methods for imple- Tthesizer is to deliv- menting modulation within er a stable and clean sig- a frequency synthesizer nal. However, many instrument or system applications require not only a fixed frequency signal but also various modulation functions ranging from simple pulse, amplitude, fre- quency and phase modulation to complex dig- Figure 1 · Pulse modulation is implemented ital modulation formats. Although modula- by inserting a switch into the synthesizer out- tors are usually realized as external devices, put path. they can also be incorporated into a frequen- cy synthesizer core. Inside any synthesizer there are many circuits that can carry multi- quency (also called rate) can be between DC ple functions and be reused to increase the and several megahertz. Pulse modulation is functionality without a significant increase in practically implemented by inserting a switch cost. This results in a more cost efficient and (or a chain of switches for a higher on/off ratio) versatile design. The most commonly used into the synthesizer output path as depicted in modulation schemes are briefly reviewed in Figure 1. The switch can be built using PIN- this article. Further details on modulation theory and implementation techniques can be found in [1-7]. Pulse Modulation Pulse modulation is probably the simplest modulation form. It is achieved by switching the output signal on and off in accordance with the applied modulating pulses. The result is a sequence of RF pulses that replicate (or tend to replicate) the input modulating signal. The minimum RF pulse width, rise time, fall time and overshoot are important characteristics that define how well the modulating signal is replicated. Typical rise time and fall time num- bers required are in the order of 10 nanosec- onds. Pulse modulation on/off ratio is another critical parameter. A typical specification is Figure 2 · A pulse modulator is integrated 80 dB or higher. The modulating signal fre- into a switched filter bank. 20 High Frequency Electronics High Frequency Design FREQUENCY SYNTHESIZERS diodes or FET devices that support modulation index or depth) is nanosecond switching. A high-pass achieved by setting the output filter follows the switch to sup- power level in the middle of its press the leakage of the modulat- control range. Another important ing signal (called video feed- requirement is linearity because through) to the synthesizer output. the modulator must translate the Alternatively, the pulse modu- modulating signal with minimal lator can be conveniently com- distortion. This may further limit a Figure 3 · Amplitude modulation is real- bined with a switched filter bank realizable modulation depth. ized using a voltage-controlled attenuator. used for harmonic (or subharmon- Various linearization techniques ic) rejection. The idea is to reduce can be applied to minimize AM sig- the design complexity and cost by nal distortion. In some cases, it is utilizing the same devices for desirable to implement not a lin- both functions. Furthermore, no ear but a logarithmic modulating additional loss is introduced that scale, meaning that the output eases requirements for the output power changes in dB per volt. This power amplifier. In this case, the mode is utilized for large power pulse modulator incorporates a variations (e.g., for simulation of digital decoder (as shown in Fig. rotating antenna patterns) and is 2) to control the switches in such called deep AM. a manner that they will provide Alternatively, amplitude mod- the highest possible isolation ulation can be implemented by (on/off ratio) for any given fre- summing the modulating signal quency subband. into the ALC (automatic level con- trol) loop as shown in Figure 5. In Amplitude Modulation general, the ALC-based ampli- Figure 4 · Amplitude modulation is com- Amplitude modulation (AM) tude modulation offers better lin- bined with an open-loop amplitude con- historically has been one of the earity and repeatability charac- trol. most popular methods for carrying teristics. However, the modulation information via RF frequencies. It depth may be limited by the avail- is realized by varying the output able ALC dynamic range, which, signal amplitude in accordance in turn, depends on the utilized with an applied modulating signal. detector. The maximum modulat- The simplest way to implement ing signal rate is also lower com- AM is to control the insertion loss pared to the open-loop alternative of an attenuator inserted into the because of the settling time of the synthesizer output circuit as closed-loop ALC system. depicted in Figure 3. This can be naturally combined with an open- Frequency and Phase loop amplitude control as depicted Modulation in Figure 4. The synthesizer is first Frequency modulation (FM) is commanded to set a desired output another popular form of analog power level by programming DAC modulation that offers better sig- (digital-to-analog converter) volt- nal immunity compared to AM. age. Then a modulating voltage is The process of producing a fre- applied over the DAC voltage to quency-modulated signal involves vary the output signal around its the variation of the synthesizer nominal value. Naturally, the out- output frequency in accordance put power cannot be set at its with the modulating signal. The highest (or lowest) level because frequency bandwidth where the certain headroom is needed to synthesized signal fluctuates is allow further power changes. The proportional to the peak ampli- Figure 5 · Amplitude modulation can be maximum power variation (which tude of the modulating signal and realized by summing the modulating signal can also be expressed in terms of is called frequency deviation. FM into the ALC loop. 22 High Frequency Electronics High Frequency Design FREQUENCY SYNTHESIZERS the overage output frequency remains correct. For proper opera- tion, the modulating signal rate has to be well above the loop filter bandwidth. Thus, the PLL filter bandwidth is adjusted (narrowed Figure 6 · Frequency and phase down) to allow lower modulating modulation. Figure 9 · A phase shifter provides a rates. As a result, the phase noise phase modulation function. usually increases when FM is enabled. Typical achievable mod- ulating rates range from a few kilohertz to tens of megahertz. What if we need to apply a lower-frequency modulating sig- nal? Obviously, we have to fur- ther decrease the loop filter bandwidth, which may not Figure 7 · Frequency modulation is always be possible because of realized by modulating the VCO tun- prohibitory high VCO free-run- ing voltage. ning phase noise at low frequen- cy offsets. An alternative solution is to modulate not the VCO but the reference oscillator as shown Figure 10 · Frequency modulation is in Figure 8. If the modulating realized by controlling the DDS output signal rate is sufficiently low, the frequency. PLL will track the reference fre- quency change and, hence, trans- late the modulation to the VCO Figure 8 · A modulating signal is of the phase, it is possible to convert output. This mode is often called nar- applied to the reference oscillator. FM to PM (and vise versa) by adding rowband FM because the modulating an integrator (or differentiator) cir- frequency must be within PLL filter cuit into the modulating signal path. bandwidth. The loop filter bandwidth can also be described by modulation How can we modulate the synthe- should be set as wide as possible to index, which is the ratio of the maxi- sizer output frequency? From first allow higher modulating rates. mum frequency deviation to the fre- glance, it is quite straightforward—we Typical rates start from nearly DC to quency of the modulating signal. can simply modulate (i.e., change) the a few tens of kilohertz. Thus, the nar- Note that we can vary not only the VCO (voltage-controlled oscillator) rowband mode complements its wide- frequency but also the phase of the tuning voltage around the value where band counterpart to extend the over- synthesized signal, thus producing it is settled. The problem, however, is all modulating frequency range. phase modulation (PM). Both process- that the synthesizer’s PLL (phase- A disadvantage of this technique es are quite similar because in both lock-loop) core will tend to correct any is low achievable deviation caused by cases we vary the argument (the voltage change we introduce. Most very low tuning sensitivity of the ref- angle) of the same sine function as likely, we will lose this battle unless we erence oscillator. Although the refer- illustrated in Figure 6. Hence, the change the tuning voltage so fast that ence frequency deviation is multiplied angular modulation is a more general the PLL will not be able to react to the up by the PLL at the 20logN rate, the case that represents both FM and PM. change. This is exactly the idea that synthesizer output deviation may be The difference is not in the output sig- stands behind a so-called wideband insufficient. A higher deviation can be nal waveform but rather in the modu- FM modulation mode. The FM modu- achieved by changing not the refer- lator circuit configuration; that is, lator is built by adding a circuit (e.g., ence frequency but rather its phase as what parameter (frequency or phase) an operational amplifier) that sums an depicted in Figure 9. This represents is directly proportional to the ampli- external modulating signal with the a classical phase modulation; howev- tude of the modulating signal. Because control voltage delivered by PLL as er, both forms are interchangeable. the instantaneous angular frequency depicted in Figure 7. The PLL remains Practical implementation requires a is mathematically the time derivative locked all the time, thus ensuring that phase shifter that can be purchased 24 High Frequency Electronics High Frequency Design FREQUENCY SYNTHESIZERS that this calibration has to be imple- mented at many frequencies across the entire operating range.
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