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Martello Towers Research Project
Martello Towers Research Project March 2008 Jason Bolton MA MIAI IHBC www.boltonconsultancy.com Conservation Consultant [email protected] Executive Summary “Billy Pitt had them built, Buck Mulligan said, when the French were on the sea”, Ulysses, James Joyce. The „Martello Towers Research Project‟ was commissioned by Fingal County Council and Dún Laoghaire-Rathdown County Council, with the support of The Heritage Council, in order to collate all known documentation relating to the Martello Towers of the Dublin area, including those in Bray, Co. Wicklow. The project was also supported by Dublin City Council and Wicklow County Council. Martello Towers are one of the most well-known fortifications in the world, with examples found throughout Ireland, the United Kingdom and along the trade routes to Africa, India and the Americas. The towers are typically squat, cylindrical, two-storey masonry towers positioned to defend a strategic section of coastline from an invading force, with a landward entrance at first-floor level defended by a machicolation, and mounting one or more cannons to the rooftop gun platform. The Dublin series of towers, built 1804-1805, is the only group constructed to defend a capital city, and is the most complete group of towers still existing in the world. The report begins with contemporary accounts of the construction and significance of the original tower at Mortella Point in Corsica from 1563-5, to the famous attack on that tower in 1794, where a single engagement involving key officers in the British military became the catalyst for a global military architectural phenomenon. However, the design of the Dublin towers is not actually based on the Mortella Point tower. -
Spring 2011 Catalogue:1 21/10/10 12:09 Page 1
Spring 11 Cat. Cover final_1 21/10/2010 11:26 Page 1 YALE yale spring & summer 2011 spring & summer 2011 London WC1B 3DP • Yale University Press 47 Bedford Square www.yalebooks.co.uk Bolton - McQueen page:1 17/11/10 15:46 Page 1 A stunning overview of the career of designer Alexander McQueen, whose iconic and intricate fashions challenged the conventional parameters of clothing From left to right: ‘Sarabande’, Spring/Summer 2007, ‘It’s Only a Game’, Spring/Summer 2005, ‘The Overlook’, Autumn/Winter 1999. Alexander McQueen JUST ANNOUNCED Savage Beauty Andrew Bolton and Harold Koda With contributions by Tim Blanks and Susannah Frankel Alexander McQueen (1969–2010) was one of the most influential, imaginative and inspirational designers at the turn of the millennium. His fashions both challenged and expanded the conventional parameters of clothing beyond utility to a compelling expression of culture, politics and identity. Focusing on the most iconic and acclaimed designs of his prolific career, this stunning book examines McQueen’s inimitable technical virtuosity and its subversion of traditional tailoring and dressmaking practices. MuseumThe of Art Metropolitan York • New The book also focuses on the highly sophisticated narrative structures found in McQueen’s collections and in his astonishing and extravagant runway presentations, which suggested the most avant-garde installation and performance art. Intended as an assessment of Alexander McQueen’s entire career, the book includes in-depth studies Exhibition of six collections that illustrate and encapsulate thematic chapters as The Metropolitan Museum of Art, well as an interview with Sarah Burton, the new creative director of 04/05/11–31/07/11 Alexander McQueen who had been the designer’s right-hand design aide since 1996. -
Full Press Release
Press Contacts Patrick Milliman 212.590.0310, [email protected] Sandra Ho 212.590.0311, [email protected] THE MORGAN LIBRARY & MUSEUM TO EXHIBIT NEWLY ACQUIRED PRAYER BOOK MADE FOR QUEEN CLAUDE DE FRANCE TINY BOOK—JUST 2 ¾ BY 2 INCHES—IS AN EXTREMELY RARE MASTERWORK OF RENAISSANCE ILLUMINATION Manuscript to Go on View May 20 New York, NY, May 9, 2008—The Morgan Library & Museum will put on special exhibition beginning May 20 an extremely rare Renaissance illuminated manuscript, the Prayer Book of Queen Claude de France (1499–1524), created around the time of her coronation in 1517. It is the most important single illuminated manuscript acquired by the Morgan in the last twenty-five years and will go on view in the East Room of the historic McKim building. The tiny, jewel-like book, measuring just 2 ¾ by 2 inches, is richly illustrated with 132 scenes from the lives of Christ, the Virgin Mary, the apostles, and numerous saints. The work was created by an artist known as the Master of Claude de France and can be characterized as the pinnacle of delicacy in Renaissance illumination. The artist, named after this prayer book and a companion manuscript, was active in Tours during the first quarter of the sixteenth century. Barely a dozen of his works survive. The prayer book was given to the Morgan by Mrs. Alexandre P. Rosenberg, a long time generous supporter of the Museum. The gift is in memory of her husband Alexandre Paul Rosenberg, who died in Virgin and Child with St. John the Baptist, with the coat of arms of Queen Claude de France in the lower border, illuminated 1987. -
Memoirs of Hydrography
MEMOIRS 07 HYDROGRAPHY INCLUDING Brief Biographies of the Principal Officers who have Served in H.M. NAVAL SURVEYING SERVICE BETWEEN THE YEARS 1750 and 1885 COMPILED BY COMMANDER L. S. DAWSON, R.N. I 1s t tw o PARTS. P a r t II.—1830 t o 1885. EASTBOURNE: HENRY W. KEAY, THE “ IMPERIAL LIBRARY.” iI i / PREF A CE. N the compilation of Part II. of the Memoirs of Hydrography, the endeavour has been to give the services of the many excellent surveying I officers of the late Indian Navy, equal prominence with those of the Royal Navy. Except in the geographical abridgment, under the heading of “ Progress of Martne Surveys” attached to the Memoirs of the various Hydrographers, the personal services of officers still on the Active List, and employed in the surveying service of the Royal Navy, have not been alluded to ; thereby the lines of official etiquette will not have been over-stepped. L. S. D. January , 1885. CONTENTS OF PART II ♦ CHAPTER I. Beaufort, Progress 1829 to 1854, Fitzroy, Belcher, Graves, Raper, Blackwood, Barrai, Arlett, Frazer, Owen Stanley, J. L. Stokes, Sulivan, Berard, Collinson, Lloyd, Otter, Kellett, La Place, Schubert, Haines,' Nolloth, Brock, Spratt, C. G. Robinson, Sheringham, Williams, Becher, Bate, Church, Powell, E. J. Bedford, Elwon, Ethersey, Carless, G. A. Bedford, James Wood, Wolfe, Balleny, Wilkes, W. Allen, Maury, Miles, Mooney, R. B. Beechey, P. Shortland, Yule, Lord, Burdwood, Dayman, Drury, Barrow, Christopher, John Wood, Harding, Kortright, Johnson, Du Petit Thouars, Lawrance, Klint, W. Smyth, Dunsterville, Cox, F. W. L. Thomas, Biddlecombe, Gordon, Bird Allen, Curtis, Edye, F. -
Ickenhamanddistrict Societyofmodelengineers
105 Ickenham and District Society of Model Engineers Spring 2015 Number 105 Spring 2015 105 Contents: 1 Cover Story 13 Who'd Be A Signal 6 Chairman's Chat Engineer 7 Ashpan Notebook 24 IDSME Ditch Water 8 The Model Engineer & Used To Quench London Model Regency London's Engineering Thirst! Exhibitions 32 Clothe To Confusion Ickenham & District Society of Model Engineers was founded on 8th October 1948. Ickenham and District Society of Model Engineers, a company limited by guarantee, was incorporated on 10th September 1999. Registered in England No: 3839364. Website: WWW.IDSME.CO.UK IDSME Members Message Board: http://idsme001.proboards.com Hon. Secretary and Registered Office: David Sexton, 25 Copthall Road East, Ickenham, Uxbridge, Middlesex, UB10 8SD. Ashpan is produced for members of Ickenham and District Society of Model Engineers by Patrick Rollin, 84 Lawrence Drive, Ickenham, Uxbridge, Middlesex, UB10 8RW Email: [email protected] Ashpan Number 105 Cover Story Over the course of the winter progress has been made on a number of projects at IDSME. Our cover photo shows Peter Fitch and Geoff Parry at work laying a paved path alongside the stores building which will finally give proper access to the gardening store section of the building. At the time of going to press this was almost complete. Earlier in the winter Peter was regularly seen up a ladder lopping bits off the tree by the turntable. As he got higher and higher, members of the Health & Safety sub- committee carefully avoided that part of the site while he was working. Demolition of the tree was finally completed on the February working party. -
Medieval and Renaissance Manuscripts
THE MORGAN LIBRARY & MUSEUM MASTERWORKS FROM THE MORGAN: MEDIEVAL AND RENAISSANCE MANUSCRIPTS Although Pierpont Morgan acquired medieval and Renaissance manuscripts only during the last dozen years of his life, his collection of some six hundred manuscripts was world renowned. His son, J. P. Morgan, Jr., added two hundred more that matched those of his father in terms of quality and importance. The collection currently numbers nearly fourteen hundred books and leaves. Written by hand and often sumptuously painted or illuminated with gold leaf, these manuscripts reflect the religious, intellectual, and artistic life of their time. Often commissioned by leaders of church and state, they were frequently made of rare and precious materials, requiring the combined skills of parchment makers, scribes, editors, illuminators, and binders. Protected by their bindings, the vivid colors of their miniatures have changed little, making them the best preserved of all medieval and Renaissance paintings. The icons of illumination shown here were selected because each, in some way, is the best of its kind and part of the core of masterworks upon which the Morgan’s international reputation is based. Nativity, in an initial P, leaf from a Gradual (I), in Latin. Italy, Florence, 1392–99, illuminated at Santa Maria degli Angeli by Don Silvestro dei Gherarducci for Paolo Venier, abbot of San Michele à Murano. This large historiated initial and four others in the Morgan come from the same two-volume Gradual, a choir book containing the sung portions of the Mass. The initial P begins the Introit for the Christmas Mass, taken from Isaiah (9:6): Puer natus est nobis (A child is born to us). -
TS2-V6.0 08-Cape Obsy
Royal Observatory, Cape of Good Hope, Republic of South Africa Ian Glass 1. Identification of the property 1.a Country/State Party: Republic of South Africa 1.b State/Province/Region: Western Cape 1.c Name: The Royal Observatory, Cape of Good Hope is the original name for the headquarters of the present-day South African Astronomical Observatory. 1.d Location: latitude 33° 56′ 4″ S, longitude 18° 28′ 39″ E, elevation 15m above MSL. 1.e Maps and Plans: Property diagrams and other maps of the Royal Observatory property exist from many epochs. See also Figs 8.1 and 8.13. 1.f Area of the property: 9 hectares 2. Description 2.a Description of the property Introduction The Royal Observatory occupies a small wooded hill about 6 km east of central Cape Town, within a conservation area known as the Two Rivers Urban Park. Its location was originally chosen to be within view of the Table Bay, the anchorage in front of the City, to permit the visual signalling of time to visiting ships. The property is one of the last remaining places close to the city centre where the original ecology of the area is preserved. Its low-lying portions are subject to occasional flooding. Some sixty or more structures occupy the site at present. Many of these date from the nineteenth century. The Greek Revival Main Building of 1825–8 still dominates the hill and faces a lawn to the south which forms an axis along which are many smaller edifices such as domes and dwelling houses, most dating from the Victorian period and forming a pleasant coherent whole. -
First, Unique and Unrepeatable Editions Limited to 987 Copies
First, unique and unrepeatable editions limited to 987 copies numbered and certifi ed by notary public LIVRE DE CHASSE Binding of the Livre de Chasse, by GASTON PHOEBUS by Gaston Phoebus Bibliothèque nationale de France • Paris First, unique and unrepeatable edition limited to 987 copies numbered and certifi ed by notary public The Livre de Chasse (Book of the Hunt) was written by Gaston Phoebus, count of Foix and expert huntsman. For many years this treatise was famous for both the quality of its hunting lessons and its extraordinary illuminations: a masterpiece of early-fi fteenth- century manuscript production in Paris, and one of the very few educational books to be illustrated as lavishly as a Bible. Besides the lessons it contains, this treatise also presents hunting as a redeeming exercise enabling hunters to go straight to Heaven by endowing them with an upright body and mind. The composition itself of this deeply pondered book links the hunter to the spiritual world. The different artists who worked on this manuscript – skilful mas- ters of medieval canons of illustration such as line dynamics, repeated fi gures, effects of colours, etc – placed their art at the service of Gaston Phoebus’s desire to teach, thereby setting out not merely a lesson of hunting but a lesson of life. Shelf mark: Français 616 Date: early 15th c. Size: 380 x 280 mm 436 pages, 87 illuminations Morocco-bound New! Full-colour commentary volume moleiro.com — f. 57v — 57v — f. — f. 94r — THE HOURS OF HENRY VIII The Morgan Library & Museum • New York First, unique and unrepeatable edition limited to 987 copies numbered and certifi ed by notary public The Hours of Henry VIII, Jean Poyer’s masterpiece, receives its name from King Henry VIII of England, second monarch of the House of Tudor. -
Heritage Sites of Astronomy and Archaeoastronomy in the Context of the UNESCO World Heritage Convention
Heritage Sites of Astronomy and Archaeoastronomy in the context of the UNESCO World Heritage Convention Thematic Study, vol. 2 Clive Ruggles and Michel Cotte with contributions by Margaret Austin, Juan Belmonte, Nicolas Bourgeois, Amanda Chadburn, Danielle Fauque, Iván Ghezzi, Ian Glass, John Hearnshaw, Alison Loveridge, Cipriano Marín, Mikhail Marov, Harriet Nash, Malcolm Smith, Luís Tirapicos, Richard Wainscoat and Günther Wuchterl Edited by Clive Ruggles Published by Ocarina Books Ltd 27 Central Avenue, Bognor Regis, West Sussex, PO21 5HT, United Kingdom and International Council on Monuments and Sites Office: International Secretariat of ICOMOS, 49–51 rue de la Fédération, F–75015 Paris, France in conjunction with the International Astronomical Union IAU–UAI Secretariat, 98-bis Blvd Arago, F–75014 Paris, France Supported by Instituto de Investigaciones Arqueológicas (www.idarq.org), Peru MCC–Heritage, France Royal Astronomical Society, United Kingdom ISBN 978–0–9540867–6–3 (e-book) ISBN 978–2–918086–19–2 (e-book) © ICOMOS and the individual authors, 2017 All rights reserved A preliminary version of this publication was presented at a side-event during the 39th session of the UNESCO World Heritage Committee (39COM) in Bonn, Germany, in July 2015 Front cover photographs: Star-timing device at Al Fath, Oman. © Harriet Nash Pic du Midi Observatory, France. © Claude Etchelecou Chankillo, Peru. © Iván Ghezzi Starlight over the church of the Good Shepherd, Tekapo, New Zealand. © Fraser Gunn Table of contents Preface ...................................................................................................................................... -
Spotlight on Tours
Spotlight on Tours Medieval Books of Hours from Tours at Dr. Jörn Günther Rare Books Basel – Stalden, Switzerland Spotlight on Tours Whereas Paris has so long been France’s ‘capital of the arts’ – around 1500 it had to share this title with Tours on the Loire, favoured by royalty and their entourage. Many of them were avid patrons of the arts and books. Since the second half of the 15th century to the early 16th century, the city of Tours was a renowned centre of manuscript illumination. Four French kings – Louis XI, Charles VIII, Louis XII and Francis I – were served here by the best illuminators. Jean Bourdichon (c. 1457-1521) had been the pupil of Jean Fouquet (c. 1420-1481) in Tours, where both men painted several masterpieces. They inspired the Master of Petrarch’s Triumphs (c. 1490-1510), Jean Poyer (c. 1465–1503), the Master of Claude de France (1498-c.1520) and their circles. But it began even earlier…. THE ‘DE NULLY DE GROSSEVRE’ HOURS ILLUMINATED IN THE CIRCLE OF THE JOUVENEL MASTER AND THE MASTER OF BOETHIUS FRANÇAIS 809. France, Tours (?), c. 1450-1460. Manuscript on vellum, 213 x 148 mm, 183 leaves with 17 large miniatures with full borders, three-sided vine- leaf borders on each page. The provenance is uncertain but some saints (Gatian, Lidorius) in the Litany point to Tours as city of origin. The fine Annunciation is attributed to the Boethius Master. He was also influenced by Jean Fouquet. The ‘De Nully de Grossevre’ Hours illuminated in the circle of the Jouvenel Master and the Master of Boethius Français 809. -
Iluminace Od První Poloviny 15
UNIVERSITA KARLOVA FILOSOFICKÁ FAKULTA ÚSTAV PRO DĚJINY UMĚNÍ DISERTAČNÍ PRÁCE PhDr. Kateřina Průšová Kniha jako klenot Frankoflámské knihy hodinek z pražského Klementina Book as a Jewel, Francoflemish Books of Hours from the National Library in Prague Školitel: PhDr. Hana J. Hlaváčková 2016 2 Prohlašuji, že jsem disertační práci vypracovala samostatně, že jsem řádně citovala všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. V Praze, dne 8. 3. 2016 PhDr. Kateřina Průšová 3 Abstrakt Účelem této disertace je představit první souborný uměleckohistorický katalog frankoflámských knih hodinek ze sbírek Národní knihovny v Praze (NK). Některé rukopisy byly již časopisecky publikovány, jiné dosud publikovány nebyly. Jádrem katalogu je formální a stylová analýza knih hodinek, atribuce jednotlivým mistrům a dílnám, lokalizace a datace založená na srovnání se stylově příbuznými rukopisy. Katalog je pokračováním mé předešlé badatelské práce zaměřené na pařížské knihy hodinek (NK Břevnov 297, NK Osek 70 and NK XXIII G 89, magisterská a rigorózní práce). Šest knih hodinek je uloženo ve sbírkách Národní knihovny (NK XXIII H 22, NK Břevnov 296, NK XXIII F 198, NK XXIII G88, NK Osek 65, NK VI D 25) a jeden rukopis ve sbírce Lobkowiczů na Nelahozevsi, dříve deponován v pražské Národní knihovně (pod sign. VI Fg 67). Katalog pokrývá období největšího rozkvětu flámské iluminace od první poloviny 15. století do počátku 16. století. Knihy hodinek z pražského Klementina pochází převážně ze šlechtických sbírek (Lobkowiczové, Rohanové) pokud je možné sledovat jejich původ. Majitelé knih hodinek v 15. století byli zástupci širokých společenských kruhů, od bohatých obchodníků a měšťanů po členy vysoce postavených šlechtických a královských rodin. -
Bridge Bearings – a Historical Survey
Bridge bearings – A Historical Survey Volker Wetzk (From the German by Barthold Pelzer, Berlin) In: Dunkeld, M. et al. (Ed.): Proceedings of the 2nd International Congress on Construction History, Queens´ College, Cambridge University, March 29-April 2, 2006, vol.3, pp.3333-3355. ISBN 0-7017-0205-2 Abstract The support of early bridge constructions was an unproblematic affair. The arches and pillars of the ancient stone bridges amalgamated thus forming a homogeneous unity. In the case of timber constructions on the other hand neither the material nor the widths spanned caused substantial problems and therefore they did not require any particular solutions. With the introduction of iron, reinforced concrete and finally prestressed concrete as building materials new dimensions in bridge building were achieved. Special bearing technologies had to be employed to allow for movements due to temperature differences and impact of heavy traffic. In the course of time engineers have developed a wide variety of bridge bearings to comply with both the requirements of the design and with those of the structure. The following paper portraying the development of bridge bearings evaluates historical and contemporary research on a systematic basis. It follows the chronological evolution of bearings, commencing with wooden bearings, then deals with plane and rotating bearings made of iron and steel, and finally the employment of plastic for deformation bearings used nowadays. Only the evolution of the major forms of bearings will be presented. INTRODUCTION In the course of the past two centuries bridge bearings evolved as parts of immense sophistication and complexity in modern bridges. The ever-increasing spans went hand in hand with the rapid growth of the loads to be carried.