AAC, 18 Ableton LIVE, 84 Absorption, 40 Absorption Coefficient, 40

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Index

AAC, 18 A-weighting, 16 Ableton LIVE, 84 azimuth, 48 absorption, 40 absorption coefﬁcient, 40 balancing, 29 abstract algorithms, 78 Barron, Louis and Bebe, 146, 173 ACID, 84 BBCut2, 70 Acousmonium, 90, 104, 188 BEAST, 90 ADAT, 20 Beatles, The, 42 ADAT Lightpipe, 19, 32 Bell Laboratories, 10, 57 additive synthesis, 13, 77 bidirectional, 48 ADSR, 80 Big Bank Hank, 114 AES, 19 bit-depth, 10 AES/EBU, 19 Bliss, Melvin, 111 Afrika Bambaataa, 105, 114 Blu-Ray disc, 59 AIFF, 16, 17 Bongers, Bert, 165 AKAI MPC60, 88, 106, 191 Boulanger, Richard, 160 AKAI S900, 106 bounce, 35 ALESIS, 19 Briscoe, Desmond, 151 ambisonics, 61 Brown, Earle, 173 amplitude, 3 busses, 24, 29 analogue, 7 analogue to digital conversion, 9 Cage, John, 145, 173, 175 aperiodic, 13 Cakewalk, 109 Apple, 17 capacitor, 34 Apple loop, 17, 110 CD quality, 10 Arduino, 106 Chamberlin, 86, 104 artifacts, 18 channel strip, 27 attack transient, 12 Chemical Brothers, 117 audio, 21 Chic, 111 Audio Engineering Society, 63 Chion, Michel, 132 audio sequencers, 27 ChucK, 160 audio signal, 7 CNMAT, 68 audio technology, xiii codecs, 9 automation, 32 codeword, 9 auxiliary channel, 24, 29 coincident pairs, 55 Avraamov, Arsenii, 130 Coldcut, 116

210

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Index 211

Collins, Karen, 136 Eacott, John, 14 Collins, Nicolas, 176 EBU, 19 Collins, Phil, 149 echo, 38 Common Chunk, 17 Eisenberg, Evan, 104 compression, 3 EMS VCS3, 152 compressor, 35, 37 EMU Emulator, 106 control group, 30 Eno, Brian, 121 convolution, 75 envelope, 80 Cook, Nicholas, 132 EQ, 27 Cook, Perry, 160 equalisation, see EQ Creative Commons, 117 Esquivel, Juan Garc´ıa, 122 Csound, 69, 159, 160, 203 expander, 35 Cunningham, Mark, 69 cut-off point, 80 fader, 30 cymatics, 14 Fairlight, 106 Fast Fourier Transform, 13 ‘Da Do Ron Ron’, 45 Feldman, Morton, 173 data bytes, 64 FFT, see Fast Fourier Transform Davis, Miles, 120, 124 file formats, 16 Decca Tree, 55 Fischinger, Oskar, 130, 145 decibel, 6 FLAC, 18 delay, 36, 38 flanger, 37 Derbyshire, Delia, 152 Fletcher-Munson, 15 diaphragm, 7 FM, 63 diegetic, 132 Folmann, Troels B., 136 diffuse field equalisation, 43 Forbidden Planet, 146 diffusion, 40 Ford, Mary, 122 Digidesign, 18 Fourier, 13 Digital Audio Workstations, Freed, Alan, 103 27 free-field equalisation, 43 digital interface, 19 frequency, 3 digital rights management, 19 Frequency Modulation, 77 digital to analogue conversion, 9 frequency-domain, 13 direct current, 99 FrontofHousemixer,94 Direct Injection, 100 distortion, 36 Gabler, Milton, 120 DJ, 103 gain, 27 DJ Babu, 105 Gaylor, Brett, 116 DJ Kool Herc, 105 General Midi, 67 DJ mixers, 23 Gerzon, Michael, 61 DMX, 71 Ghazala, Reed, 176 DMX512-A, 71 Girltalk, 116 Dolby Pro Logic, 141 Gorillaz, 45 Draper, John, 151 Grainer, Ron, 152 DX7, 63 Grand Theodore Wizard, 105 Dynamic effects, 35 Grandmaster Flash, 105

212 Index

granular synthesis, 78 lossy formats, 17 graphic programming environments, 155 loudness, 3, 4 ground loops, 92, 100 loudspeaker, 10 group, 31 Macero, Teo, 120, 124 Haley, Bill, 120 MADI, 20 Harrison, Jonty, 90 Magnusson, Thor, 161 HCI, 171 main eight, 91 headphone mixing, 42 Marclay, Christian, 104 head-related transfer function, 43 Marinetti, Tommaso, 174 Henri, Pierre, 73 Martin, George, 120, 123, 149 Herrmann, Bernard, 174 mashup, 116 hertz, 3, 187 Master Gee, 114 Holman, Tomlinson, 59 mastering, 39 human hearing, 10 Mathews, Max, 62 MaxMSP, x, 61, 69, 71, 153, 155, ID3, 18 167 IDM, 70 Max-MSP-Jitter, 155 Imaginary Landscape No. 1, 146 McCartney, James, 160 Impromptu, 160 McLaren, Norman, 145 inductive coupling, 101 Meek, Joe, 122, 123, 148 input channels, 27 Mellotron, 104 insert, 29 Metasynth, 161 interaural level difference, 41 micro-scoring, 136 interaural time difference, 41 Microsoft, 17 Intonarumori, 175 middle C, 187 iPod, 43 MIDI, 21, 61, 63 Isadora, 69 MIDI Machine Control, 63, 71 ISO 226:2003, 16 MIDI Show Control, 63, 71 ITU-R 468, 16 mixer, 22 IxiQuarks, 161 mixing, 38 MixMaster Mike, 105 Jones, Bessy, 114 MIXXX, 108 Jones, Quincy, 120 Moby, 111 modulate, 75 Kakehashi, Ikutaro, 63 modulation, 9, 83 key-group, 85 modulation effects, 38 Kraftwerk, 86 Moldover, 121 Moog, Robert, 86 Laboratoriya Risovannogo Zvuka, 145 Mooreﬁeld, Virgil, 121 Lessig, Lawrence, 117 MP3, 18 Linn Drum, 88 multicore, 94 logarithm, 5 Murch, Walter, 148 looping, 85 Musique concr`ete, 146 lossless formats, 16 mute, 31

Index 213

NAMM, 63, 171 potentiometers, 24 near-coincident pairs, 55 Prophet 5, 62 near-ﬁeld monitors, 41 Prophet 600, 63 NIME, 171 psychoacoustic effects, 38 noise, 3, 187 Puckette, Miller, 155 noise-gate, 35 pulse, 9 non-diegetic, 132 pulse code modulation, see PCM normal equal-loudness-level contour graph, 15 pupitre d’espace,90 Nyquist, Harry, 10 Pure Data, 156

Oberheim, Tom, 63 quantisation, 9 octave interval, 3 Ogg-Vorbis, 19 radio frequency interference, omnidirectional, 48 102 onset, see attack transient Radiohead, 134 Open Sound Control, 68 radius, 48 Oram, Daphne, 151 Rainforest IV, 177 OSC, 164 rarefaction, 3 Oswald, John, 63, 104 RCA, 19 recording reference level, 7 PA, 89 ReCycle, 69, 110 Padgham, Hugh, 149 resonance, 80 panning, 29 reverb, 36, 44, 149 pan-pot, 29 ReWire, 30 Parametric EQ, 36 REX2, 110 Pascal, 5 Rhythmicon, 86 Paul, Les, 122 Risset, Jean Claude, 80 PCM, 9 Robinson and Dadson, 15 period, 3, 12 Rodgers, Nile, 63, 103 Petty, Norman, 122 Roland, 63 Pfenninger, Rudolf, 130, 145 Roland JP-6, 63 phantom power,46 Roland R8, 88 phase, 12 Roland TR-808, 87 phase cancellation, 12 roll-off, 80 phasing effect, 12 routing, 75 Phillips, Sam, 122 Rule, Greg, 139 phon, 15 Rumsey and McCormick, 46 Phonogene,` 73 Russolo, Luigi, 174 physical modelling, 78 Pink Floyd, 123 safe hearing level, 45 pinnae,41 sample clock, 9 pitch shift, 37 sampling, 9, 10, 77 plugin, 27 sampling rate, 9 polar diagram, 48 sampling resolution, 9 pole, 48 Schaeffer, Pierre, 73, 104, 146

214 Index

Scott, Raymond, 86, 146, 147 Theisen, Earl, 151 send, 29 Theremin, Leon,´ 86 Sgt. Pepper, 42, 123 THX, 59 Shannon, Claude, 10 THX1138, 129, 148 Sholpo, Evgenii, 130 timbre, 3 Shure, 97 time-based effects, 38 sidechain, 29 time-code, 107 Sieveking, Lance, 150 time-domain, 11 sine wave, 3 tinnitus, 42 Smith III, Julius O., 72 tone generators, 75 Smith, Dave, 62 Toslink, 19 SMPTE, 32 Townsend, Ken, 123 Snow, Mark, 138 TR-808, 88 soniﬁcation, 14 tracking, 34 Sorensen, Andrew, 160 transducer, 7, 46, 91 sound, 1 TRS, 100 Sound Data Chunk, 18 Tudor, David, 177 sound diffusion, 89 turntablism, 105 sound pressure levels, 6 sound projection, see sound diffusion unidirectional, 48 spaced pairs, 55 unity gain, 30 SPDIF, 19 Spector, Phil, 19, 120, 123 Vercoe, Barry, 160 spectral modelling, 78 visual programming languages, standing waves, 40 155 status byte, 64 Vorhaus, David, 152 steady state, 12 STEIM, 176 Wang, Ge, 160 Steinberg, 30 WAV, 16, 17 stems, 30 Wave Field Synthesis, Studer, 22 59 subtractive synthesis, 77 WDR, 147 sub-woofers, 41 White Album, 129 Sugar Hill Gang, 111 Wiener, Norbert, 173 summing, 24 Williams Mix, 146 SuperCollider, 61, 69, 70, 155, 159, Williams, John, 142 160, 161, 167, 169, 185, 190, 196, Wilson, Brian, 120 205, 206 Windows Media Audio, 19, surround sound, 57 59 Synclavier, 106 wiring, 160 Synthi 100, 152 Wolf, Christian, 173 system exclusive, 64 Wolfman Jack, 103 Wonder Mike, 114 talkback, 32 Wood, Chet, 63 Tanaka, Atanau, 71 word clock, 32 Technics 1200, 107 worldizing, 148

Index 215

Xenakis, Iannis, 190 Zappa, Frank, 104, 123 xenochrony, 104 zero-crossing, 12 xwax, 108 Zicarelli, David, 105, 156 Yamaha, 63 Zinoviev, Peter, 152