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Milla Berntsen (Voice) Performance 2A Recital Performance Space, City, University of London 2 June 2021 4:45PM
Milla Berntsen (voice) Performance 2A Recital Performance Space, City, University of London 2 June 2021 4:45PM Keshi, “Drunk” from the album always (2020). Written by Casey Luong (Keshi). Casey Luong, professionally known as Keshi, is a 26-year-old American singer, songwriter, producer, and multi-instrumentalist from Houston, Texas, USA. He began his musical career by sharing his music on Soundcloud, where he eventually gained enough popularity to gain confidence to quit his job as a nurse and fly to New York City to sign with Island Records. He’s best known for his falsetto vocals and textural instrumentals in alternative, indie, and R&B music. This alternative/indie song is about feeling alone and missing being in love. The main character is left by himself while his friends are drunk, which causes him to think about his past lovers. It has a soothing moodiness to it along with a bit of playfulness in its melodramatic kick. I’ve chosen this song because I want to begin this performance by allowing the audience to layback as the song plays with both the high and low register of the voice. Let us take a sip, shall we? The Neighbourhood, “Stargazing” from the album Chip Chrome & The Mono-Tones (2020). Written by Jesse James Rutherford (vocalist), Brandon Fried (drummer), Jeremiah Freedman (guitarist), Micheal Margott (bassist), Zachary Abels (guitarist), and Danny Parra. The Neighbourhood are an American rock band that formed in Newbury Park, California, in 2011. They use the British spelling of “neighbourhood” in order to distinguish themselves from a band already using the American spelling of “neighborhood.” Their musical style is described as alternative rock, indie rock/pop, and some elements of electronic, hip hop, and R&B. -
L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
Fanning the Flames: Fandoms and Consumer Culture in Contemporary Japan
FANNING THE FLAMES Fans and Consumer Culture in Contemporary Japan Edited by William W. Kelly Fanning the Flames SUNY series in Japan in Transition Jerry Eades and Takeo Funabiki, editors Fanning the Flames Fans and Consumer Culture in Contemporary Japan EDITED BY WILLIAM W. K ELLY STATE UNIVERSITY OF NEW YORK PRESS Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data Fanning the f lames : fans and consumer culture in contemporary Japan / edited by William W. Kelly. p. cm. — (SUNY series in Japan in transition) Includes bibliographical references and index. ISBN 0-7914-6031-2 (alk. paper) — ISBN 0-7914-6032-0 (pbk. : alk.paper) 1. Popular culture—Japan—History—20th century. I. Kelly, William W. II. Series. DS822.5b. F36 2004 306'.0952'09049—dc22 2004041740 10987654321 Contents List of Illustrations vii Acknowledgments ix Introduction: Locating the Fans 1 William W. Kelly 1 B-Boys and B-Girls: Rap Fandom and Consumer Culture in Japan 17 Ian Condry 2 Letters from the Heart: Negotiating Fan–Star Relationships in Japanese Popular Music 41 Christine R. -
Top 20 Music Tech Sites and Devices
Top 20 Online Music Websites for 2020 • 6:30pm – 7:30pm log in and participate live online audience Go To: https://kslib.zoom.us/j/561178181 The recording of this presentation will be online after the 18th @ https://kslib.info/1180/Digital-Literacy---Tech-Talks The previous presentations are also available online at that link Presenters: Nathan Carr, IT Supervisor, of the Newton Public Library and Randy Pauls Reasons to start your research at your local Library http://www.districtdispatch.org/wp-content/uploads/2012/03/triple_play_web.png 1. Protect your computer • A computer should always have the most recent updates installed for spam filters, anti-virus and anti-spyware software and a secure firewall. http://cdn.greenprophet.com/wp-content/uploads/2012/04/frying-pan-kolbotek-neoflam-560x475.jpg Types of Music Websites Music Blogs/Magazines/Forums: Talk about music. Formats, Artists, Styles, Instruments, Histories, events etc. Music Databases: Look up information about music related topics Pay Music Download Websites Free Music Download Websites P2P Music Download Websites Music on Demand Sites Online Music Broadcasts Making online music Live Music Event Promotion/Ticket Sales Music Blogs/Magazines/Forums: Talk about music. Formats, Artists, Styles, Instruments, Histories, events etc Blogs Magazines Forums Histories https://www.mi.edu/in-the-know/11-music-blogs-follow-2019/ http://www.tenthousandhoursmusic.com/blog/top-10-music-publications https://www.hypebot.com/hypebot/2019/09/6-great-online-music-forums-to-visit-when-youre-caught-in-a-jam.html -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
Air Supply to Headline 2019 San Mateo County Fair San Mateo, CA
For Immediate Release: For more information / to request media April 2, 2019 credentials for the 2019 fair: Rorex Marketing Solutions [email protected] (209) 667-7024 Air Supply to headline 2019 San Mateo County Fair San Mateo, CA: Music lovers will be “Lost in Love” when Air Supply takes the stage this summer at the San Mateo County Fair. Air Supply, a rock duo with world-renowned fame, will perform on June 9, opening weekend of the 2019 San Mateo County Fair. All main stage concert general admission seating is free with fair admission, on an open seating, space-available basis. For reserved seating, the fair’s Gold Circle admission includes fair admission plus reserved prime seating in Fiesta Hall (main stage). Gold Circle tickets are just $40 in advance. Gold Circle, discount admission and discount carnival wristbands are on sale now at sanmateocountyfair.com. “The trademark sound of Russell Hitchcock's soaring tenor voice and Graham Russell's simple yet majestic songs create a unique sound we will forever know as Air Supply,” said Dana Stoehr, chief executive officer of the San Mateo County Event Center and Fair. “These hall-of- famers celebrated their 40th anniversary in 2015 and continue to delight audiences all over the world.” Air Supply consists of English singer-songwriter and guitarist Graham Russell and Australian lead vocalist Russell Hitchcock. The duo plays about 130 live concerts a year and performed their 5,000th show last September in Las Vegas. Founded in the 1970s, Air Supply had a succession of hits worldwide. In the early 1980s the group had eight Top Ten hits in the United States. -
The Platformization of the Music Industry
The Platformization of the Music Industry A Case Study of Bandcamp Student name | Tobias Nicolaus Student number | 6508766 E-mail address | [email protected] Supervision | dr. Ingrid Hoofd, assisted by dr. Mirko-Tobias Schäfer Word count | 10017 Date | 10.05.2019 Abstract Today’s landscape of music consumption is increasingly dominated by streaming platforms such as Spotify or Apple Music. Their rise to popularity has not only impacted listening habits of individuals, but also the music industry as a whole. As discussed in popular as well as academic discourse, digital music platforms afford artists and listeners a variety of new opportunities, but can also be restrictive in certain aspects. This study focuses on the platform of Bandcamp which occupies a position on the fringes of the music industry. By outlining the political economy of the music industry and utilizing Actor-Network theory, Bandcamp’s claims of being an alternative platform that values artists and listeners above profit will be critically evaluated. The results of the research show that the platform stays true to its promise in some ways while contradicting it in others. Additionally, insights about the application of Actor-Network theory to the study of digital platforms will be drawn from this study as well. Keywords Creative industries, Music consumption, Bandcamp, Actor-Network Theory, Platformization Table of Content Introduction ............................................................................................................................. -
Various Super Eurobeat Vol. 11 - Extended Version Mp3, Flac, Wma
Various Super Eurobeat Vol. 11 - Extended Version mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Super Eurobeat Vol. 11 - Extended Version Country: Japan Released: 1991 Style: Eurobeat, Hi NRG MP3 version RAR size: 1880 mb FLAC version RAR size: 1742 mb WMA version RAR size: 1641 mb Rating: 4.3 Votes: 388 Other Formats: TTA DMF MP4 MP2 AAC WMA MP3 Tracklist Hide Credits Red Fire 1 –The Big Brother 5:56 Producer, Performer – Dave RodgersWritten-By – Pasquini*, Gulinelli* Sexy Boy, Sexy Toy 2 –Annerley Gordon 6:34 Producer – Dave RodgersWritten-By – A.Gioia*, G.Caria*, S.Oliva* Fight For Your Life 3 –Rick Wild 6:34 Producer – Madd-Starr-FerriniWritten-By – Starr*, Cantlay* Experience 4 –Jimmy Mc Foy 6:36 Producer – Dave RodgersWritten-By – A.Contini*, G.Pasquini* Be With You 5 –Alisha Baker 7:12 Producer, Written-By – Michiel Van Der Kuy Now I Know 6 –Kelly Marshall 6:11 Producer – Avex TraxWritten-By – T. Fuyuno*, Y. Hoshino* Call Me 7 –The System Blow 6:03 Producer – Max CoveriWritten-By – Rosellini*, Baldoni*, Falcus, Vangok Animal Man (I.S.D. Remix) 8 –Rick Wild 5:38 Producer – Madd-Starr-FerriniRemix – I.S.D.Written-By – Starr*, Cantlay* I Wanna Be Your Superman 9 –Gino Caria Producer – Dave RodgersWritten-By – A.Contini*, G.Pasquini*, G.Caria*, 5:35 S.Oliva* Companies, etc. Distributed By – SOHBI Corporation Manufactured By – Avex Trax Phonographic Copyright (p) – Rodgers & Contini Records Phonographic Copyright (p) – Alphabet Record Phonographic Copyright (p) – Made Up Records Phonographic Copyright (p) – Avex Trax Phonographic Copyright (p) – Discomagic Pressed By – Memory-Tech Published By – Contini Edizioni Musicali Published By – Musique Folio Inc. -
NEW MUSIC on COMPACT DISC 4/16/04 – 8/31/04 Amnesia
NEW MUSIC ON COMPACT DISC 4/16/04 – 8/31/04 Amnesia / Richard Thompson. AVRDM3225 Flashback / 38 Special. AVRDM3226 Ear-resistible / the Temptations. AVRDM3227 Koko Taylor. AVRDM3228 Like never before / Taj Mahal. AVRDM3229 Super hits of the '80s. AVRDM3230 Is this it / the Strokes. AVRDM3231 As time goes by : great love songs of the century / Ettore Stratta & his orchestra. AVRDM3232 Tiny music-- : songs from the Vatican gift shop / Stone Temple Pilots. AVRDM3233 Numbers : a Pythagorean theory tale / Cat Stevens. AVRDM3234 Back to earth / Cat Stevens. AVRDM3235 Izitso / Cat Stevens. AVRDM3236 Vertical man / Ringo Starr. AVRDM3237 Live in New York City / Bruce Springsteen & the E Street Band. AVRDM3238 Dusty in Memphis / Dusty Springfield. AVRDM3239 I'll be around : and other hits. AVRDM3240 No one does it better / SoulDecision. AVRDM3241 Doin' something / Soulive. AVRDM3242 The very thought of you: the Decca years, 1951-1957 /Jeri Southern. AVRDM3243 Mighty love / Spinners. AVRDM3244 Candy from a stranger / Soul Asylum. AVRDM3245 Gone again / Patti Smith. AVRDM3246 Gung ho / Patti Smith. AVRDM3247 Freak show / Silverchair. AVRDM3248 '60s rock. The beat goes on. AVRDM3249 ‘60s rock. The beat goes on. AVRDM3250 Frank Sinatra sings his greatest hits / Frank Sinatra. AVRDM3251 The essence of Frank Sinatra / Frank Sinatra. AVRDM3252 Learn to croon / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3253 It's all so new / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3254 Film noir / Carly Simon. AVRDM3255 '70s radio hits. Volume 4. AVRDM3256 '70s radio hits. Volume 3. AVRV3257 '70s radio hits. Volume 1. AVRDM3258 Sentimental favorites. AVRDM3259 The very best of Neil Sedaka. AVRDM3260 Every day I have the blues / Jimmy Rushing. -
'And I Swear...' – Profanity in Pop Music Lyrics on the American Billboard Charts 2009-2018 and the Effect on Youtube Popularity
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 02, FEBRUARY 2020 ISSN 2277-8616 'And I Swear...' – Profanity In Pop Music Lyrics On The American Billboard Charts 2009-2018 And The Effect On Youtube Popularity Martin James Moloney, Hanifah Mutiara Sylva Abstract: The Billboard Chart tracks the sales and popularity of popular music in the United States of America. Due to the cross-cultural appeal of the music, the Billboard Chart is the de facto international chart. A concern among cultural commentators was the prevalence of swearing in songs by artists who were previously regarded as suitable content for the youth or ‗pop‘ market. The researchers studied songs on the Billboard Top 10 from 2009 to 2018 and checked each song for profanities. The study found that ‗pop‘, a sub-genre of ‗popular music‘ did contain profanities; the most profane genre, ‗Hip-hop/Rap‘ accounted for 76% of swearing over the ten-year period. A relationship between amount of profanity and YouTube popularity was moderately supported. The researchers recommended adapting a scale used by the British television regulator Ofcom to measure the gravity of swearing per song. Index Terms: Billboard charts, popularity, profanity, Soundcloud, swearing, YouTube. —————————— —————————— 1 INTRODUCTION Ipsos Mori [7] the regulator of British television said that profane language fell into two main categories: (a) general 1.1 The American Billboard Charts and ‘Hot 100’ swear words and those with clear links to body parts, sexual The Billboard Chart of popular music was first created in 1936 references, and offensive gestures; and (b) specifically to archive the details of sales of phonographic records in the discriminatory language, whether directed at older people, United States [1]. -
How to Share Your Release with the World
MusicNSW’s Industry Essentials How to share your release with the world Prepared by GYROstream for MusicNSW Did you know more than 22,000 songs are uploaded to streaming services every day? Getting your music online can seem like a complicated task. It doesn’t have to be though. Below are some tips and tricks to help you navigate the best distribution path for you and your new tunes. What are digital music aggregators / distributors? Digital aggregators (also known as digital distributors) are companies that provide a means to distribute your music globally through digital music stores and streaming platforms. You can’t just upload a track directly to Spotify or Apple Music and have it streamed globally, you need to use a digital music aggregator. If you’re signed to a label, it’s more than likely they’ll distribute your music to Spotify, Apple, iTunes, YouTube Music and more for you, but if you’re independent, you can have exactly the same access to these platforms by using a digital aggregator. Aggregators make their money by charging upfront fees and/or charging a percentage of revenue earned from the streaming and download purchases of your music. In some cases, aggregators will also charge an ongoing annual fee to keep your content online. Who do they distribute to? Nearly all distributors will get your music to Apple, Spotify, Deezer, Youtube (ie. the major western platforms), which together cover a large portion of music listeners worldwide. Where things might differ is for the highly localised services that cater to their specific regions - eg. -
The Wiki Music Dataset: a Tool for Computational Analysis of Popular Music
The Wiki Music dataset: A tool for computational analysis of popular music Fabio Celli Profilio Company s.r.l. via sommarive 18, 38123 Trento, Italy Email: fabio@profilio.co Abstract—Is it possible use algorithms to find trends in monic and timbral properties that brought changes in music the history of popular music? And is it possible to predict sound around 1964, 1983 and 1991 [14]. Beside these research the characteristics of future music genres? In order to answer fields, there is a trend in the psychology of music that studies these questions, we produced a hand-crafted dataset with the how the musical preferences are reflected in the dimensions intent to put together features about style, psychology, sociology of personality [11]. From this kind of research emerged the and typology, annotated by music genre and indexed by time MUSIC model [20], which found that genre preferences can and decade. We collected a list of popular genres by decade from Wikipedia and scored music genres based on Wikipedia be decomposed into five factors: Mellow (relaxed, slow, and ro- descriptions. Using statistical and machine learning techniques, mantic), Unpretentious, (easy, soft, well-known), Sophisticated we find trends in the musical preferences and use time series (complex, intelligent or avant-garde), Intense (loud, aggressive, forecasting to evaluate the prediction of future music genres. and tense) and Contemporary (catchy, rhythmic or danceable). Is it possible to find trends in the characteristics of the genres? Keywords—Popular Music, Computational Music analysis, And is it possible to predict the characteristics of future genres? Wikipedia, Natural Language Processing, dataset To answer these questions, we produced a hand-crafted dataset with the intent to put together MUSIC, style and sonic features, I.