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Newsletter 12/13 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 12/13 DIGITAL EDITION Nr. 335 - Dezember 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 12/13 (Nr. 335) Dezember 2013 editorial Hallo Laserdisc- und DVD-Fans, erlebnis jedoch nicht schmälern!” liebe Filmfreunde! Das IMAX-Kino in Bradford ist noch Man gönnt sich ja sonst nichts. Das eines der wenigen in Europa, das tat- war vermutlich der Leitspruch unseres sächlich noch mit horizontal laufendem Film-Bloggers Wolfram, als er sich 70mm-Film arbeitet. Viele andere spontan dazu entschloss, den zweiten IMAX-Kinos wurden inzwischen be- Teil der HUNGER GAMES Saga im fer- reits digitalisiert. Dort wird mit einer 2K nen England anzuschauen. “Das war Doppelprojektion gearbeitet, die eine mein ganz persönliches Kino-Highlight Leinwand mit einem Bildseiten- 2013!” kam er freudestrahlend von sei- verhältnis von etwa 1:1.78 füllt. Das nem Kurztrip zurück. Wolfram hatte Seherlebnis in den digitalen IMAX- sich natürlich nicht irgendein beliebi- Kinos ist daher leider nicht derart ges Kino ausgesucht, um den Film an- spektakulär wie bei analoger zuschauen, sondern gleich das beste. Projektionstechnik. Seit zwei Wochen Die Rede ist vom IMAX-Kino in hat auch Karlsruhe ein solches digita- Bradford, das dort schon seit über 20 les IMAX-Kino. Es befindet sich im Jahren fester Bestandteil des National Filmpalast am ZKM und war Ziel eines Media Museums ist. “Regisseur kleinen Betriebsausflugs der Laser Francis Lawrence setzte in CATCHING Hotline. -
Italian American Review WINTER 2015 • VOLUME 5 • NUMBER 1
Italian American Review WINTER 2015 • VOLUME 5 • NUMBER 1 ARTICLES 1 Efrem Bartoletti in the Mesabi Range: A Wobbly’s Efforts to Mobilize Immigrant Italian Miners THIERRY RINALDETTI 27 The Afterlife of a Classical Text: Representing Ethnicity in the Stage Productions of Marty JONATHAN J. CAVALLERO BOOK REVIEWS 46 Italoamericana: The Literature of the Great Migration, 1880–1943 (Francesco Durante, editor; Robert Viscusi, editor of American edition) BRUNO RAMIREZ 48 Il voto degli altri: Rappresentanza e scelte elettorali degli italiani all’estero (Guido Tintori, editor) BARBARA FAEDDA 50 The Sopranos: Born under a Bad Sign (Franco Ricci) MICHAEL R. FRONTANI 52 In Search of Sacco and Vanzetti: Double Lives, Troubled Times, and the Massachusetts Murder Case That Shook the World (Susan Tejada) MICHELE FAZIO FILM REVIEWS 55 The Mystery of San Nicandro (Roger Pyke) STUART KLAWANS 57 Texan Italian Stories (Sergio Carvajal-Leoni) GIOVANNA P. DEL NEGRO 60 Way Down in the Hole (Alex Johnston) CAROLINE MERITHEW EXHIBITION REVIEWS 63 It’s in Our Very Name: The Italian Heritage of Syracuse (Dennis Connors, curator) FELICIA R. MCMAHON The Afterlife of a Classical Text: Representing Ethnicity in the Stage Productions of JONATHAN J. CAVALLERO Ernest Borgnine’s performance as Marty Piletti in director Delbert Mann’s Marty- sentation of Italian-American men from the 1950s. Originally a 1953 episode in NBC’s Philco-Goodyear Television Playhouse (1948–1956) with Rod Steiger in the title role, the material was then adapted into a highly successful 1 But Marty’s presence in American popular culture extends beyond its classes. Additionally, two adaptations of Marty have been produced for the stage.2 Marty was performed as a musical play in 2002, and the original television script was later featured as an invitation-only live stage reading at the Academy of Television Arts and Sciences in the summer of 2012. -
Newsletter 07/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 07/12 DIGITAL EDITION Nr. 311 - April 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 07/12 (Nr. 311) April 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Herzlich willkommen zur neuen Ausgabe unseres Newsletters, Bericht darüber möchten wir Ihnen natürlich nicht vorenthalten dessen Editorial wir dieses Mal ganz knapp halten. Unser (siehe unten). Das exklusive Video zur Premiere finden Sie wie Filmblogger Wolfram Hannemann hatte nämlich wieder einmal immer auf unserem YouTube-Kanal. Viel Spaß damit! die Gelegenheit, einer Filmpremiere beizuwohnen. Und seinen Ihr Laser Hotline Team Radost will nicht mehr erwachsen sein Von links nach rechts: Anja Jacobs (Regie), Lola Dockhorn (Darstellerin „Radost“), Alexander Funk (Produzent) Bild (c) 2012 Wolfram Hannemann Am 10. April 2012 feierte Anja Jacobs’ Film „Einer wie Bruno“ seine Weltpremiere in Stuttgart Sektempfang, schicke Abendgarderobe, Ka- vorwurfsvoller Frage “Warum kannst Du len die Wahrheit ins Gesicht sagt, spendier- merateams, Blitzlichtgewitter - es ist schon nicht ein ganz normaler Vater sein?” - Anja ten die Gäste spontan Szenenapplaus. Für etwas Besonderes, wenn ein Spielfilm ausge- Jacobs‘ Film versteht sich als ein Plädoyer eine Veranstaltung im Schwabenland gilt so rechnet in der Schwabenmetropole Stuttgart für den richtigen Umgang mit geistig behin- etwas fast schon als eine kleine Sensation. seine Weltpremiere feiert. Im Fall von “Ei- derten Menschen, insbesondere wenn es sich Kräftigen Applaus gab es im Anschluss an die ner wie Bruno” war diese Entscheidung aller- dabei um einen Elternteil handelt. -
Thesis Draft
“I AM NOT THE FINE MAN YOU TAKE ME FOR” THE POSTMORTEM WESTERN FROM UNFORGIVEN TO NO COUNTRY FOR OLD MEN by Brent Strang B.A., The University of Alberta, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2010 © Brent Strang, 2010 ii ABSTRACT The Postmortem Western is so named because, after having been buried for 15 years, the genre reappears with a pronounced self-awareness of its atrophied conventions and ideologies. As Jim Kitses and Alexandra Keller observe, today’s Western is almost entirely revisionist. Chapter One delineates two broad revisionist cycles: those Westerns that re-imagine marginalized histories and those that deconstruct the genre’s problematic influence on subject formation. This thesis is concerned with the latter, which may be likened to a postmortem examination of the Classical Western that reveals a systemic cause of death rooted in the Frontier Myth. While Richard Slotkin researches how the Frontier Myth has become symbolically encoded within American ideology, he does not attend to how it has also functioned as a prescription for masculine subject formation. Building from Michael Kimmel and Stephen Whitehead sociologies of masculinity, I elaborate how the Myth’s perpetual retelling through the Western has worked to justify compulsive masculinities, incite disjunctive gender relations, and foster an illusory lone-hero mythology of mastery and wholeness. Chapter Two is a literature and theory review that contextualizes the Postmortem Western within the genre’s history of adapting to cultural and ideological change. -
An Analysis of Black Female Representation on 2020 Netflix Original Streaming Movies
XULAneXUS Volume 18 Issue 2 Article 1 5-2021 Netflix, Quarantine, and Chill: An Analysis of Black Female Representation on 2020 Netflix Original Streaming Movies Brier Evans Xavier University of Louisiana, [email protected] Follow this and additional works at: https://digitalcommons.xula.edu/xulanexus Recommended Citation Evans, Brier (2021) "Netflix, Quarantine, and Chill: An Analysis of Black Female Representation on 2020 Netflix Original Streaming Movies," XULAneXUS: Vol. 18 : Iss. 2 , Article 1. Available at: https://digitalcommons.xula.edu/xulanexus/vol18/iss2/1 This Article is brought to you for free and open access by XULA Digital Commons. It has been accepted for inclusion in XULAneXUS by an authorized editor of XULA Digital Commons. For more information, please contact [email protected]. Netflix, Quarantine, and Chill: An Analysis of Black Female Representation on 2020 Netflix Original Streaming Movies Cover Page Footnote Faculty Mentor: Dr. Shearon Roberts This article is available in XULAneXUS: https://digitalcommons.xula.edu/xulanexus/vol18/iss2/1 Evans: Netflix, Quarantine, and Chill Netflix, Quarantine, and Chill: An Analysis of Black Female Representation on 2020 Netflix Original Streaming Movies Brier Evans Introduction: The COVID-19 pandemic created a national shutdown of businesses and industries in North America, leading to a record number of people staying home and refraining from outside activities. With people unable to leave their homes, the entertainment industry and, in particular, the film industry went through a cinematic halt (Collier, 2021). Theatres and cinemas, alike, shut down and stopped releasing new movies, movie premiers were postponed, film castings and screenings were pushed back indefinitely, and theatrical companies lost millions of dollars in revenue. -
Iron County Team Competes in Dragon Boat Race
Mostly cloudy High: 78 | Low: 55 | Details, page 2 DAILY GLOBE yourdailyglobe.com Monday, August 21, 2017 75 cents ROW! Iron County team competes in dragon boat race By RICHARD JENKINS zler said the top 12 community [email protected] teams went to the finals, where MINOCQUA, Wis. — As was they were seeded based on their the case last year, Iron County results. was represented on the waters of “I think most people had a Minocqua Lake Saturday during really good time, it brought out a the second annual Minocqua lot of spectators. We were just so Dragon Boat Festival. Iron Drag- fortunate because the weather ons were among the 26 teams was so nice. It was 180 degrees competing in the festival’s races. different from last year’s deluge. “It was just a great day. It was It was just horrible last year,” a lot of fun … the weather was Wetzler said. perfect, and the fact our area can While the Iron Dragons fin- collect so many people together ished 16th of the community to be in alignment for a charita- teams and failed to advance to ble cause is really notable,” Iron the finals, Ondresky was pleased Dragons team organizer Gail with the performance, saying the Ondresky said. team was comprised almost Dragon boats feature 20 pad- entirely of retirees and was like- dlers in a boat — along with a ly one of the oldest teams com- drummer to keep tempo and a peting. person steering the boat — rac- “I think it’s spectacular a ing in groups of three on the group of people that age can get lake’s 300-meter course. -
165705030.Pdf
[email protected] Name Persian Name PageYear 1 Subtitle Director Primary Actor Secondary Actor09/04/2013 Stephen Norrington Sean Connery Naseeruddin Shah 2003 انجمن مردان خارق العاده ( T EXTRAORDINARY (The League of Extraordinary Gentlemen 1 Michael Apted Pierce Brosnan Robert Carlyle 1999 دنیا کافی نیست World Is Not Enough 2 Dobleh Ronald Neame Gregory Peck Ronald Squire 1953 اسکناس یک میلیون پوندی (Million Pound Note (+ original sound 7 Alfred Hitchcock Joel Mc Crea Laraine Day 1940 خبرنگارخارجی Foreign Correspondent 8 Dobleh Anatole Litvak Ingrid Bergman Yul Brynner 1956 آناستازیا (ANASTASIA (+ original sound 9 Pietro Germi Marcello Mastroianni Daniela Rocca 1961 ازدواج به سبک ایتالیائی DIVORZIO ALL ITALIANA 10 Akira Kurosawa Toshirô Mifune Misa Uehara 1958 قلعه گمشده Hidden Fortress , The 11 Akira Kurosawa Hideo Aguno 1962 سانجورو Sanjuro 12 Akira Kurosawa Denjirô Ôkôchi Susumu Fujita 1945 مردی درتعقیب ببر Man Who Tread On The Tiger's Tail , The 14 فرشته مست DRUNKEN ANGEL 15 Akira Kurosawa Denjirô Ôkôchi Susumu Fujita 1943 سانشیروسوگاتا Sunshiro sugata 16 Akira Kurosawa Toshiro Mifune 1961 یوجیمبو Yojimbo 17 Akira Kurosawa Yuri Solomin Maksim Munzuk 1975 درسواوزال Dersu Uzala 18 Akira Kurosawa Isao Numasaki Chieko Nakakita 1947 یکشنبه شگفت انگیز One Wonderful Sunday 19 Mervyn LeRoy Robert Taylor Deborah Kerr 1951 کووادیس Qvo Vadis 21 Lux Vides Galatea Elizabeth Taylor Richard Burton 1962 سالواتورجولیاتو Salvatore Giuliano 22 Federico Fellini Federico Fellini Bernardino Zapponi 1972 روم Fellini's Roma 23 Federico Fellini Anthony Quinn Giulietta Masina 1954 جاده La Strada 24 Federico Fellini Franco Interlenghi Alberto Sordi 1953 ولگردها I Vitelloni 25 Federico Fellini Freddie Jones Barbara Jefford 1983 پسربادبان AND THE SHIP SAILSON 26 D.W.