Teaching Shakespearean Play Hamlet As Revenge Or Sampling - a Postmodern Criticism
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6b The Goodland Star-News / Friday, August 10, 2007 Like puzzles? Then you’ll love sudoku. This mind-bending puzzle will have FUN BY THE NUMBERS you hooked from the moment you square off, so sharpen your pencil and put your sudoku savvy to the test! Here’s How It Works: Sudoku puzzles are formatted as a 9x9 grid, broken down into nine 3x3 boxes. To solve a sudoku, the numbers 1 through 9 must fill each row, col- umn and box. Each number can appear only once in each row, column and box. You can figure out the order in which the numbers will appear by using the numeric clues already provided in the boxes. The more numbers you name, the easier it gets to solve the puzzle! ANSWER TO TUESDAY’S SATURDAY EVENING AUGUST 11, 2007 SUNDAY EVENING AUGUST 12, 2007 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 E S E = Eagle Cable S = S&T Telephone E S E = Eagle Cable S = S&T Telephone Family Family Family Family: Coreys: Wing Two Coreys Confessn Confessions Family Family Flip This House (TV G) Flip This House: The American Justice (TVPG) American Justice: Who Flip This House (TV G) 36 47 A&E 36 47 A&E (R) Montelongo Bunch (N) (R) Whacked Zack? (R) (R) Jewels (R) Jewels (R) Jewels (R) Genetopia Man (R) (TV14) (R) Jewels (R) Jewels (R) aa Extreme Makeover: Desperate Housewives: Brothers & Sisters: All in the KAKE News (:35) KAKE (:05) Lawyer (:35) Paid “Charlie’s Angels: Full Throttle” (‘03) Masters of Science Fiction KAKE News (:35) American Idol Re- (:35) Enter- 4 6 ABC 4 6 ABC Cameron Diaz. -
"Hamlet, Part Eight, the Revenge" Or, Sampling Shakespeare in a Postmodern World Author(S): Kay H
"Hamlet, Part Eight, the Revenge" or, Sampling Shakespeare in a Postmodern World Author(s): Kay H. Smith Source: College Literature, Vol. 31, No. 4, Shakespeare and Popular Culture (Fall, 2004), pp. 135-149 Published by: College Literature Stable URL: http://www.jstor.org/stable/25115232 . Accessed: 15/05/2011 17:12 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=colllit. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. College Literature is collaborating with JSTOR to digitize, preserve and extend access to College Literature. http://www.jstor.org "Hamlet,Part Eight, The Revenge" or, SamplingShakespeare in a PostmodernWorld Kay H. -
I Spent More Time with the Beachcombers As a Kid Than
WesTern TV, eh? the best of the West By diane Wild hoosing the best TV show to of convoluted conspiracy, but the And then there’s the right choice: radio station using a tape recorder come out of Western Cana- mostly-monster-of-the-week sea- SCTV. I can hear you now – does and our best attempt to capture Cda in the last 30 years is al- sons remain a favourite today. Ex- that really qualify as a Western Ca- some of the SCTV spirit. Those most as hard as figuring out wheth- cept Home. I don’t need those kind nadian show, when most seasons tapes didn’t survive for long, but I er Nick or Relic was my favourite of nightmares again. were produced in Ontario? As a don’t think the SCTV writers would beachcomber. I loved them for such APTN’s Blackstone would be my born and bred Edmontonian, where have been quaking in their boots at different and opposing reasons. socially conscious choice. It’s The you can take an SCTV shooting loca- the competition. And that is the obvious nostal- Wire of Canada, equally relegated to tion walking tour, I can definitively It made household names out gia winner if I’m going to make a a cult audience – which in Canada say yes. Just as Gretzky will always of people who are still household choice. I spent more time with The means a cult of a cult audience -- be ours, so too will SCTV. Argue with names 30 years later. Eugene Levy Beachcombers as a kid than I did with and equally willing to delve into me and I’ll send Dave Semenko af- and Catherine O’Hara are still most of my extended family. -
Trinity Times £1
MARCH 2018 Trinity Times £1 Page 14 Page 11 Page 30 Page 34 Snowdrops All Saints, Luddington Photo: Teresa Kristunas Page 26 Photo: Hilary Newman Address AddressLine 2 Addresine 3 Address ine 4 2 Holy Trinity Team Revd Patrick Taylor Vicar Revd. Steve Jarvis Associate Vicar “Bravo Ursula!” Page 23 Editorial Editor: Steve Newman Assistant Editor: Hilary Newman 01789 296771 Revd. Kay Dyer [email protected] Curate Clergy: Revd Patrick Taylor Features Editor: Judith Dorricott PCC Representative: Ruth Poulten TT online: https://www.stratford-upon-avon.org Photography John Burgess Harry Lomax Phil Harper Advertising Children & Families Minister Steve & Hilary Newman 01789 296771 & 07817167627 [email protected] Subscription & Distribution Geoffrey Lees 01789 268667 with Steve & Hilary Newman 3 Phil Writes... A Glimmer of Light in the Darkness After the depths of winter, it seems that spring is finally on the way. Although as I write there are warnings that “the beast from the east” will mean that the meteorological start of spring, on 1st March, is postponed. But once the beast has passed, we will continue to see signs of nature waking up again. The snowdrops have flowered and daffodils are beginning to poke out their golden trumpets. The lengthening days always help to put a spring in my step, pardon the pun. The way I keep track of the growing light is through Evening Prayer. Every week day Evening Prayer is said in St Peter’s Chapel at 4:15pm. In the Winter months the church closes at 4pm and the majority of the lights in church are switched off. -
Record Dedicated to Serving the Needs of the Music & Record Worldindustry
record Dedicated To Serving The Needs Of The Music & Record worldIndustry May 11, 1969 60c In the opinion of the editors, this week the following records are the WHO IN SINGLE PICKS OF THE WEEK THE WORLD -.A.11111111." LOVE MI TONIGHT TON TOWS Tom Jones, clicking on Young -HoltUnlimited have JerryButlerhas a spicy Bob Dylan sings his pretty stateside TV these days, a new and funky ditty and moodyfollow-up in "I Threw ftAll Away" (Big shouldscoreveryheavily called "Young and Holtful" "Moody Woman" (Gold Sky, ASCAP), which has with"Love Me Tonight" (Dakar - BRC, BMI), which Forever-Parabut, BMI(,pro- caused muchtalkinthe (Duchess, BMI)(Parrot hassomejazzandLatin duced by Gamble -Huff (Mer- "NashvilleSkyline"elpee 40038(. init (Brunswick 755410). cury 72929). (Columbia 4-448261. SLEEPER PICKS OF THE WEEK TELLING ALRIGHT AM JOE COCKER COLOR HIM FATHER THE WINSTONS Joe Cocker sings the nifty The Winstons are new and Roy Clark recalls his youth TheFive Americans geta Traffic ditty that Dave will make quite a name for on the wistful Charles Az- lot funkier and funnier with Mason wrote, "FeelingAl- themselveswith"Color navour - Herbert Kretzmer, "IgnertWoman" (Jetstar, right" (Almo, ASCAP). Denny Him Father"(Holly Bee, "Yesterday,When I Was BMI(, which the five guys Cordell produced (A&M BMI), A DonCarrollPra- Young"(TRO - Dartmouth, wrote (Abnak 137(. 1063). duction (Metromedia117). ASCAP) (Dot 17246). ALBUM PICKS OF THE WEEK ONUTISNINF lUICICCIENS GOLD "Don Kirshner Cuts 'Hair' " RogerWilliams plays "MacKenna's Gold," one of Larry Santos is a newcomer is just what the title says "HappyHeart" andalso the big summer movies, has with a big,huskyvoice I hree Records from 'Hair' withHerbBernsteinsup- getsmuchivorymileage a scorebyQuincy Jones and a good way with tune- plying arrangements and from "Those Were the and singing byJoseFeli- smithing. -
Shakespeare Uncovered Viewing Guide
© 2013 WNET. All rights reserved. Teaching Colleagues, Shakespeare Uncovered, a six-part series airing on PBS beginning on January 25 th , is a teacher’s dream come true. Each episode gives us something that we teachers almost never get: a compelling, lively, totally accessible journey through and around a Shakespeare play, guided by brilliant and plain-spoken experts--all within one hour. I’m not given to endorsements, but oh, I love this series. Why will we teachers love it and why do we need it? • Because, as we learned from the very start of the Folger Library’s Teaching Shakespeare Institute, teachers tend to be more confident, better teachers if they have greater and deeper knowledge of the plays themselves. • Because no matter what our relationship with the plays – we love them, we struggle with them, we’re tired of teaching the same ones, we’re afraid of some of them – we almost never have the time to learn more about them. We are teachers, after all: always under a deadline, we’re reading, grading, prepping, mindful of the next deadline. (And then there’s the rest of our lives . ) Shakespeare Uncovered is your chance to take a deep, pleasurable dive into a handful of plays—ones you know well, others that may be less familiar to you. In six episodes, Shakespeare Uncovered takes on eight plays: Macbeth, Hamlet, The Tempest, Richard II, Twelfth Night and As You Like It, Henry IV, Part I, and Henry V . The host of each episode has plenty of Shakespeare cred--Ethan Hawke, Jeremy Irons, Joely Richardson and her mom, Vanessa Redgrave, for example--but each wants to learn more about the play. -
1 | Hudson Valley Shakespeare Festival
1 | HUDSON VALLEY SHAKESPEARE FESTIVAL TABLE OF CONTENTS OUR MISSION AND SUPPORTERS EDUCATION DIRECTOR’S STATEMENT PART ONE: SHAKESPEARE’S LIFE AND TIMES William Shakespeare Shakespeare’s England The Elizabethan and Jacobean Stage PART TWO: THE PLAY Plot Summary Who is Who: The Cast The Origins of the Play Themes A Genre Play: Revenge Tragedy or Tragedy? PART THREE: WORDS, WORDS, WORDS By the Numbers Shakespeare’s Language States, Syllables, Stress Feet + Metre = Scansion Metrical Stress vs. Natural Stress PART FOUR: HVSF PRODUCTION Note from the Director Doubling Hamlet: Full Text Vs. The HVSF Cut What to Watch For: Themes and Questions to Consider Theatre Etiquette PART FIVE: CLASSROOM ACTIVITIES Activities That Highlight Language Activities That Highlight Character Activities That Highlight Scene Work PART SIX: Hamlet RESOURCES 2 | HUDSON VALLEY SHAKESPEARE FESTIVAL HUDSON VALLEY SHAKESPEARE FESTIVAL OUR MISSION AND SUPPORTERS Founded in 1987, the Hudson Valley Shakespeare Festival's mission is to engage the widest possible audience in a fresh conversation about what is essential in Shakespeare’s plays. Both in production and in the classroom, our theater lives in the present moment, at the intersection of the virtuosity of the actor, the imagination of the audience, and the inspiration of the text. HVSF’s primary home is a spectacular open-air theater tent at Boscobel House and Gardens in Garrison, NY. Every summer, more than 35,000 patrons join us there for a twelve-week season of plays presented in repertory, with the natural beauty of the Hudson Highlands as our backdrop. HVSF has produced more than 50 classical works on our mainstage. -
Shakespeare, Madness, and Music
45 09_294_01_Front.qxd 6/18/09 10:03 AM Page i Shakespeare, Madness, and Music Scoring Insanity in Cinematic Adaptations Kendra Preston Leonard THE SCARECROW PRESS, INC. Lanham • Toronto • Plymouth, UK 2009 46 09_294_01_Front.qxd 6/18/09 10:03 AM Page ii Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2009 by Kendra Preston Leonard All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Leonard, Kendra Preston. Shakespeare, madness, and music : scoring insanity in cinematic adaptations, 2009. p. cm. Includes bibliographical references and index. ISBN 978-0-8108-6946-2 (pbk. : alk. paper) — ISBN 978-0-8108-6958-5 (ebook) 1. Shakespeare, William, 1564–1616—Film and video adaptations. 2. Mental illness in motion pictures. 3. Mental illness in literature. I. Title. ML80.S5.L43 2009 781.5'42—dc22 2009014208 ™ ϱ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
Theatre Archive Project: Interview with John Sheppard
THEATRE ARCHIVE PROJECT http://sounds.bl.uk John Sheppard – interview transcript Interviewer: Kate Harris 29 November 2005 John Sheppard on his memories of going to the theatre in Manchester, London and Stratford in the 1950's and 1960's; Memories of Manchester Theatre in the early fifties; Memories of going to The Opera House; Festival of Britain production of Shakespeare's Anthony and Cleopatra and Shaw's Caesar and Cleopatra in 1951; John Gielgud's King Lear; Memories of going to The Library Theatre; Memories of the company, Jeremy Brett, Robert Stephens, Joan Heath, Bernard Warwick; Jessie Evans, dir David Scase; Memories of productions including The Quare Fellow; Audiences at The Library; Memories of Laurence Olivier and John Gielgud; Memories of seeing Gielgud performing in A Day by the Sea at The Opera House in Manchester in 1953; Gielgud's arrest; Memories of seeing The Entertainer at The Royal Court in 1957; Olivier's performance; Changing impressions of Terence's Rattigan's work over the period; Separate Tables, The Deep Blue Sea; Kenneth Tynan's reviews; JS view of Tynan's treatment of Vivien Leigh; Changes in the way the media portrays actors; JS impressions of European theatre; Memories of Peter Daubney's World Theatre Seasons in the late 1960's early 70's; Memories of going to see Theatre Workshop at Stratford East; Importance of women in twentieth century theatre; Impressions of Theatre Workshop's production of A Taste of Honey 1958; Memories of going to see the RSC production The Wars of the Roses (1963) and Peter Brook's production of Titus Andronicus (1955). -
George C. Scott Shines As Dickens' Scrooge New Book Explains
COURIER-JOURNAL Wednesday, December 12,1984 14 TELEVISION George C. Scott Shines as Dickens' Scrooge By Henry Herx Scott makes him somewhat enport (Silas Scrooge) and develops between, young New York (NC) — George redeemable and his Edward Woodward (Ghost Daphne Manners (Susan C. Scott portrays Ebenezer transformation in the end of Christmas Present). Wooldridge) and Hari Scrooge in a spirited produc becomes all the more credible Roger O. Hirson's script is Kumar (Art Malik), an tion of Charles Dickens' "A and touching. faithful to the spirit of English-educated Indian. Christmas Carol," airing Dickens' tale, and Clive Scott's performance is but Also courting Daphne is Monday, Dec. 17, 8-10 p.m. Donner directs the produc one of the reasons for the the local police/*'superin EST on CBS. tion with careful attention to success of this new British blending moody fantasy and tendent (played with menac Rather than turning out yet production. Backing him up vibrant realism. ing intensity by %jjin Pigot- another caricature of Scrooge is a fine supporting cast, t-Smith). She turns fern down as misanthropic miser, Scott including such veterans as This adaptation succeeds gently but firmly: 0e is jeal invests the role with some David Warner (Bob Crat- better than most in conveying ous of her friendship with dignity and not a little sym chit), Susannah York (Mrs. Dickens' concern for the Kumar, whom |>e despises pathy. By playing Scrooge as Cratchit), Frank Finlay poor and the importance of because of his independent less than a total monster, (Marley's Ghost), Nigel Dav- our sharing with them. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros. -
The Hamlet Mash-Up1
ASIATIC, VOLUME 6, NUMBER 2, DECEMBER 2012 The Hamlet Mash-Up1 Geoff Klock2 Borough of Manhattan Community College, City University of New York, USA Abstract Shakespeare’s Hamlet is one of the most famous works of art in the world, and has inspired countless interpretations, allusions, references and discussions. The author describes his creation of a video collage of Hamlet material, that shows, rather than claims, the ubiquity of Hamlet, and points toward what Shakespeare could look like after the advent of the Internet. Hamlet’s value as Hollywood shorthand is discussed, and some of the throwaway Hamlet references are seen to be more complex than they may first appear. Projects of a similar nature are discussed and encouraged. Keywords Hamlet, video, collage, multi-media, Shakespeare, theatre The Hamlet Mash Up http://www.youtube.com/watch?v=DDTAn6r4HpQ When I began teaching Hamlet in my British Literature 1 class I told my students that Hamlet was very famous and very influential. I pointed out, for example, that the basic plot of Hamlet is repeated in The Lion King. Some students nodded their heads but I felt like the point needed more illustration. I gave them a handout explaining that the following expressions come from Hamlet: something rotten in the state of Denmark mad north by north west murder most foul to thine own self be true 1 This article was originally presented in a truncated form at the Poetry and Poetics of Popular Culture, University of South Australia, Online Conference, Nov 11, 2011. 2 Geoff Klock received his doctorate in English Literature from The University of Oxford.