1 Annotated Bibliography Primary Sources

Total Page:16

File Type:pdf, Size:1020Kb

1 Annotated Bibliography Primary Sources 1 Annotated Bibliography Primary Sources Carlos, John, and David Cline. "John Carlos Oral History Interview Conducted by David P. Cline in New York, New York, 2013 August 18." The Library of Congress , www.loc.gov/item/2015669202/. In this interview, John Carlos discusses some of the struggles he faced as an African-American child growing up in Harlem. He recalls being puzzled as to why White people wanted to leave Harlem and head for the suburbs. He describes the severity of drug addiction among people in his community. According to Carlos, drugs, specifically heroin, tore families apart. Fathers would be addicted to heroin and King Kong, another drug that was popular at the time, and would leave their wives to take care of their families. Carlos also talks about his parents and their lines of work. L'Amcain Tommie SMITH, Vainqueur Du 200 Mes. the Arrival of Tommie SMITH After the 200 Meters Race. (PAR115471). Magnum Photos, New York, 1968. elibrary , https://explore.proquest.com/elibrary/document/1987832459?accountid=176169. This photograph was taken by Magnum Photos. It shows Tommie Smith as he crosses the finish line, victorious. His time, 19.83 seconds, was the second-fastest ever, only behind his world record which he had run on a cinder track at San Jose State two years earlier. His record of 19.5 stood for 44 years, before being broken by Tyson Gay in 2010. 2 "Mexico City Summer Olympics." Discovery Education , Lou Reda Productions, 2007, app.discoveryeducation.com/learn/videos/2c707b5c-daeb-4d04-8e89-342b0e4f95a4. By watching this video, we gained information about violent protests that occurred days before the games. About 50 people were killed, making this one of the bloodiest confrontations between citizens and police. "1968 Olympic 200m Final." YouTube , Justing Lewis, 9 Nov. 2006, www.youtube.com/watch?v=--lzACn0aZ8. This video of the actual race showed us how many people were in attendance for the event. Due to a large number of spectators, many people witnessed the protest and began to pay attention to the way people of color were treated. Also, many members of the media were in attendance, which created a good deal of publicity. “Access Britannica School.” B ritannica School, school.eb.com/levels/high/article/Tommie-Smith/68302. This short biographical entry on Britannica School gives more details on some notable achievements in Tommie Smith’s career. He is the first runner to break the 20 second barrier in the 200 meter dash. The reading also tells us what NFL team he played for, the Cincinnati Bengals. 3 Associated Press. “50 Years after Fists: Who Would Listen, Who Would Care?” T he Mercury News, The Mercury News, 15 Oct. 2018, www.mercurynews.com/2018/10/15/50-years-after-fists-who-would-listen-who-would-car e/. This article by Eddie Pells explains the way in which media coverage has changed sports. He also details the rise of social media. According to Pells, the impact of this protest is still felt today. “Ministers & Members Search - THE HON. JOHN EREN (LARA).” M ember Profile - The Hon. John Eren, 13 Jan. 2020, www.parliament.vic.gov.au/about/people-in-parliament/members-search/list-all-members/ details/22/39. This picture of John Eren was used in the “More Allies” section of our website. “The Nobel Peace Prize 1964.” N obelPrize.org, www.nobelprize.org/prizes/peace/1964/king/biographical/. This short biography of Martin Luther King, a famous advocate against racial segregation, tells us about his education and areas of study. It gives us details on how King became a public supporter of civil rights for people of color. 4 “Olympic Athletes Who Took a Stand.” S mithsonian.com, Smithsonian Institution, 1 Aug. 2008, www.smithsonianmag.com/articles/olympic-athletes-who-took-a-stand-593920/. David Davis tells us about the punishment that Carlos and Smith faced for their protest. It destroyed their athletic careers, but shined light on the issues that African Americans faced. Smith says their protest was, “a cry for freedom and for human rights.” SPORT.SK, s.r.o. & Ringier Axel Springer Slovakia a. s. “Bob Beamon: Skok Od Pouličného Gangu Do Iného Storočia.” Šport.sk, sport.aktuality.sk/c/392635/bob-beamon-skok-od-poulicneho-gangu-do-ineho-storocia/. This website provided us with one of the pictures for the “Allies” section of the website. Smith, Liz, et al. “May 22, 1967 Issue Viewer.” Vault, www.si.com/vault/issue/42989/toc. We used the cover of this issue of Sports Illustrated on our thesis page. We also read the article which detailed his success at San Jose State. “Who Was Elijah Muhammad? Everything You Need to Know.” F acts, Childhood, Family Life of Political & Religious Leader, www.thefamouspeople.com/profiles/elijah-muhammad-9846.php. This bibliography of Elijah Muhammad profiles his childhood, career, and family. He was the leader of the Nation of Islam. 5 Wright, Bruce C.T. “John Carlos' Black Power Olympic Salute 'Planted Seeds' For Kaepernick's National Anthem Protest.” N ews One, News One, 16 Oct. 2017, newsone.com/3753302/john-carlos-black-power-olympic-salute-colin-kaepernick-anthem- protest/. This article explains the effect that the protest has had 49 years later. Carlos expresses his disapproval towards President Trump. The article also compares their protest to Colin Kaepernick and his protest against police brutality. Sharif, Dara. “Olympics to Finally Give Sprinters Tommie Smith and John Carlos Their Props by Inducting Them Into Hall of Fame.” T he Root, The Root, 24 Sept. 2019, www.theroot.com/olympics-to-finally-give-sprinters-tommie-smith-and-joh-1838383567. This “Black Excellence” article from The Root looks back at this historic protest and celebrates their induction into the Hall of Fame. Like other articles we have read, it compares Smith and Carlos’ protest to Colin Kaepernick’s. Vitello, Paul. “John Dominis, a Star Photographer for Life Magazine, Dies at 92.” The New York Times, The New York Times, 31 Dec. 2013, www.nytimes.com/2014/01/01/arts/design/john-dominis-a-star-life-magazine-photographer -dies.html?searchResultPosition=1. Because we do not have a subscription to “The New York Times,” we were not able to complete this annotation. 6 Lewis, Femi. “How Did Elijah Muhammad Become Leader of the Nation of Islam?” T houghtCo, ThoughtCo, 30 May 2019, www.thoughtco.com/elijah-muhammad-leader-of-nation-of-islam-45450. This ThoughtCo article explains how Elijah Muhammad became the leader of The Nation Of Islam. According to the article, after meeting salesman Wallace D. Fard, who showed Muhammad how Islamic principles connected to black nationalism, Elijah converted to Islam. Secondary Sources "African American history timeline." Britannica School , Encyclopædia Britannica, 4 Aug. 2019. school.eb.com/levels/middle/article/African-American-history-timeline/625406#331983.t oc. Accessed 4 Nov. 2019. This timeline provided us with a short summary of the event. From reading this, we learned that Smith and Carlos were suspended for this protest. Boxill, Bernard, and J. L. A. Garcia. "The Heart of Racism." Race & Racism, Introduction & Selection c. Oxford University Press, 2001, 2001, p. 255. EBSCOhost , search.ebscohost.com/login.aspx?direct=true&db=khh&AN=7553806. 7 This book explained to us what racism is and potential causes of it. According to the article, racism is “a doctrine that one race is superior. The article also tells us that, “racial prejudice may not be racist.” Gregory, Sean. "How Colin Kaepernick Beat the NFL." TIME Magazine , vol. 193, no. 8, Mar. 2019, p. 19. EBSCOhost , search.ebscohost.com/login.aspx?direct=true&db=mih&AN=134839632. This Time Magazine article explains how the NFL is stonewalling Kaepernick. The response he has received is similar to Tommie Smith and John Carlos’. He was one of the better quarterbacks in the league and now teams won’t even let him workout. Layden, Tim. "John Carlos and Tommie Smith, 50 Years Later." Sports Illustrated , Sports Illustrated, 3 Oct. 2018, www.si.com/olympics/2018/10/03/john-carlos-tommie-smith-1968-olympics-black-powe r-salute. This article from Sports Illustrated expanded on the struggles that Smith and Carlos faced after their protest. According to the author, Tim Layden, it is very difficult to contact Smith for interview. The article also includes interviews with John Carlos and Tommie Smith. "The Olympic Protests." 1960-1969 , edited by Cynthia Rose, Detroit, Gale, 2004, pp. 634-38. Gale eBooks, link.gale.com/apps/doc/CX3490201417/GVRL?u=rock50099&sid=GVRL&xid=dfd5151 a. Accessed 12 Nov. 2019. This website was just another short summary of John Carlos’ career. 8 Richard Lewis. "Black Power Salute, Mexico, 1968." Sunday Times, The. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=nfh&AN=7EH3495319069. Accessed 5 Nov. 2019. Link is no longer available. Rosenberg, Michael. "Colin Kaepernick Has a Checklist." Sports Illustrated , vol. 121, no. 8, Sept. 2014, p. 40. EBSCOhost , search.ebscohost.com/login.aspx?direct=true&db=mih&AN=97739814. Link is no longer available. Simkin, John. "John Carlos." Spartacus Educational , Spartacus Educational, spartacus-educational.com/CRcarlosJ.htm. This page from Spartacus Educational gave us details about some of the backlash Carlos and Smith received. It also provided us with information on what John Carlos did after the event. He spent some time playing football and later went on to become a high school track coach. Smith, Jessie Carney. "Carlos, John Wesley (1945-) and Tommie Smith (1944-)." Freedom Facts & Firsts: 400 Years of the African American Civil Rights Experience, Jan. 2009, pp. 339–340. EBSCOhost , search.ebscohost.com/login.aspx?direct=true&db=khh&AN=40074394.
Recommended publications
  • Photo Title: Miss Universe Date Created: Name Of
    http://images.google.com/hosted/life/d6c63818c310ecab.html Photo Title: Miss Universe Date Created: Name of Photographer: Leonard Mccombe Title of Archive: Library, research institution, or collection owner: Time & Life Pictures/Getty Images Archive/collection city: Document identification: Name of the web site: LIFE 1 http://images.google.com/hosted/life/4c9d8c9812b453fb.html Group of boys club little league baseball players putting on their uniforms while sitting in classroom of school prior to playing a game. Photo Title: Date Created: May 1954 Name of Photographer: George Skadding Title of Archive: Library, research institution, or collection owner: Time & Life Pictures/Getty Images Archive/collection city: Document identification: Name of the web site: LIFE 2 http://images.google.com/hosted/life/6d361605bdbe8041.html Photo Title: US Teenagers Date Created: 1948 Name of Photographer: Alfred Eisenstaedt Title of Archive: Library, research institution, or collection owner: Time & Life Pictures/Getty Images Archive/collection city: Document identification: Name of the web site: LIFE 3 http://images.google.com/hosted/life/9faf9356af846689.html A little girl playing with a children's baby tending set. Photo Title: Date Created: October 1953 Name of Photographer: Walter Sanders Title of Archive: Library, research institution, or collection owner: Time & Life Pictures/Getty Images Archive/collection city: Name of the web site: LIFE 4 http://images.google.com/hosted/life/0b79eb48fc29e3c7.html Photo Title: (Modern Living) Fallout Shelter Date Created: Name of Photographer: Francis Miller Title of Archive: Library, research institution, or collection owner: Time & Life Pictures/Getty Images Archive/collection city: Document identification: Name of the web site: LIFE 5 Gold medalist Tommie Smith (center) and bronze medalist John Carlos (right) raise black-gloved fists during the American national anthem at the 1968 Olympics in Mexico City.
    [Show full text]
  • Peter Read Miller on Sports Photography
    Final spine = 0.5902 in. PETER READ MILLER ON SPORTS PHOTOGRAPHY A Sports Illustrated® photographer’s tips, tricks, and tales on shooting football, the Olympics, and portraits of athletes P ETER READ MILLER ON SPORTS PHOTOGRAPHY A Sports Illustrated photographer’s tips, tricks, and tales on shooting football, the Olympics, and portraits of athletes PETER READ MILLER ON SPORTS PHOTOGRAPHY A Sports Illustrated ® photographer’s tips, tricks, and tales on shooting football, the Olympics, and portraits of athletes Peter Read Miller New Riders www.newriders.com New Riders is an imprint of Peachpit, a division of Pearson Education Find us on the Web at www.newriders.com To report errors, please send a note to [email protected] Copyright © 2014 by Peter Read Miller Acquisitions Editor: Ted Waitt Project Editor: Valerie Witte Senior Production Editor: Lisa Brazieal Developmental and Copy Editor: Anne Marie Walker Photo Editor: Steve Fine Proofreader: Erfert Fenton Composition: Kim Scott/Bumpy Design Indexer: Valerie Haynes Perry Cover and Interior Design: Mimi Heft Cover Images: Peter Read Miller NOTICE OF RIGHTS All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact [email protected]. NOTICE OF LIABILITY The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it.
    [Show full text]
  • The Timeless Appeal of Tommie Smith, Who Knew a Podium Could Be a Site of Protest in 1968, He and John Carlos Raised Their Fists During an Olympic Medal Ceremony
    _________________________________________________________________________________________________________________ The Timeless Appeal of Tommie Smith, Who Knew a Podium Could Be a Site of Protest In 1968, he and John Carlos raised their fists during an Olympic medal ceremony. Their demonstration still inspires athletes, artists and marginalized people everywhere. Tommie Smith (center) and John Carlos (right) raising gloved fists during the medal ceremony for the 200-meters at the 1968 Olympic Games in Mexico City, on October 16, 1968. Silver medalist Peter Norman of Australia (left) stands by. By Adam Bradley • Aug. 6, 2021 THE STREET VENDORS along 125th Street in Harlem sell all manner of things: perfume and watches, shea butter and cellphone accessories, paperback books and, of course, T-shirts. One memorable shirt shows three athletes on the medal stand: a white man looking straight ahead and two Black men with heads bowed and arms outstretched, their black-gloved fists raised high in the air. It’s a familiar image, even 2 53 years after the 1968 Olympic Games in Mexico City, at which the American sprinters Tommie Smith and John Carlos staged one of the most iconic protests of the last century. On a summer afternoon in 2014, a 70-year-old Smith made his way past the vendors, walking alongside his wife, Delois, and an unlikely second companion, the conceptual artist Glenn Kaino, a fourth-generation Japanese American four years younger than Smith’s eldest son. They were headed to the Studio Museum to see Kaino and Smith’s first collaborative work, “Bridge” (2013), an elevated, undulating pathway forged from gold-painted castings of Smith’s iconic right arm.
    [Show full text]
  • On the Descent of John Owen Dominis, Prince Consort of Queen Liliuokalani
    On the Descent of John Owen Dominis, Prince Consort of Queen Liliuokalani Dr. Ante Kovacevic FOREWORD Before my first trip to the Hawaiian Islands in 1966, I read James Michener's Hawaii. Besides my enjoyment in reading Michener's masterpiece, I was particularly interested in the name of Queen Liliuokalani's husband, John Owen Dominis, because it seemed to me that he might be a countryman of mine, as the name is typical of Dalmatia, a province of the republic of Croatia in Yugoslavia, along the eastern Adriatic coast. I was very much surprised as I had never read or heard anything about that name in connection with the Hawaiian Islands. Meanwhile I received a letter from a friend of mine, who knew that I intended to make that trip, asking me whether I knew that Mark Anthony Dominis, the great theologian, physicist and mathematician of the sixteenth and seventeenth centuries was a king of Hawaii. I answered that the first western man to see the Hawaiian Islands was the great English explorer and navigator Captain James Cook, who discovered them in 1778, and that Mark Anthony Dominis was not a man who would have kept quiet about anything that important. This was the first of many fantastic and impossible stories which I read or heard about and which I will return to later on. I became enthused with the Hawaiian people and Hawaiian scenery, with the lush vegetation and unique climate, so I started to read about Hawaii and Hawaiian history. While reading, I noticed that two men, carriers of a Dalmatian name, Captain John Dominis and his son, John Owen Dominis, played a significant role in Hawaiian history, but that very little was known about the descent of these men, and the information available seemed to be erroneously recorded.
    [Show full text]
  • Situating Rhetorical Agency Within the Tommie Smith and John Carlos 1968 Mexico City Olympic Protest
    San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Summer 2014 Pathway to the Podium: Situating Rhetorical Agency within the Tommie Smith and John Carlos 1968 Mexico City Olympic Protest Andrew Carter San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Carter, Andrew, "Pathway to the Podium: Situating Rhetorical Agency within the Tommie Smith and John Carlos 1968 Mexico City Olympic Protest" (2014). Master's Theses. 4455. DOI: https://doi.org/10.31979/etd.3jqh-9tyv https://scholarworks.sjsu.edu/etd_theses/4455 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. PATHWAY TO THE PODIUM: SITUATING RHETORICAL AGENCY WITHIN THE TOMMIE SMITH AND JOHN CARLOS 1968 MEXICO CITY OLYMPIC PROTEST A Thesis Presented to The Faculty of the Department of Communication Studies San José State University In Partial Fulfillment of the Requirements for the Degree Master of Arts by andrew laurence carter August 2014 © 2014 andrew laurence carter ALL RIGHTS RESERVED The Designated Thesis Committee Approves the Thesis Titled PATHWAY TO THE PODIUM: SITUATING RHETORICAL AGENCY WITHIN THE TOMMIE SMITH AND JOHN CARLOS 1968 MEXICO CITY OLYMPIC PROTEST by andrew laurence carter APPROVED FOR THE DEPARTMENT OF COMMUNICATION STUDIES SAN JOSÉ STATE UNIVERSITY August 2014 Dr. Kathleen McConnell Department of Communication Studies Dr. Anne Marie Todd Department of Communication Studies Dr.
    [Show full text]
  • John Dominis Holt the Watumull Foundation Oral
    JOHN DOMINIS HOLT THE WATUMULL FOUNDATION ORAL HISTORY PROJECT JOHN DOMINIS HOLT (1919 - ) John Dominis Holt IV, well-known writer and publisher, relates some of the family background of his English, Hawaiian, and Tahitian ancestors. He describes a family history that includes prominent shipbuilders of England and alii women of Hawaii. He recalls his life growing up during a period of transition not only for his family but for Hawaii itself. He vividly recounts stories of his parents, grandparents, aunts and uncles, and tells of their attitudes and life styles. Mr. Holt discusses early influences on the Hawaiian culture and changes that occurred, particularly during the nineteenth century, in the Islands. His experiences and studies on the mainland, his return to Hawaii, his reassessment of Hawaii and its culture and his writing and publishing accomplishments are recounted. Mr. Holt includes his genealogy in both narrative and chart form as an addendum. ©1987 The Watumull Foundation, Oral History Project 2051 Young Street, Honolulu, Hawaii 96826 All rights reserved. This transcript, or any part thereof, may not be reproduced in any form without the permission of the Watumull Foundation. INTERVIEW WITH JOHN DOMINIS HOLT In the reception room of his Topgallant Publishing Company, Kakaako, Honolulu, Hawaii October 30, 1986 H: John Dominis Holt S: Alice Sinesky, Interviewer H: Well, it is October 30, Thursday morning, a warmish Thursday morning in Honolulu in old Kakaako. I'm sitting in my reception room where I have conferences down in Kakaako on property that used to be the home of my great-grandparents, Owen Jones Holt and Hanakaulani 0 Kamamalu.
    [Show full text]
  • Download Sample Text
    Prologue Now I open my eyes and see them. As soon as the hymn ends, I open my eyes and see them. There are no metal detectors at this stage. Out there somebody can be armed. Or are they all, and they will compete to see who hits the centre? Now, on this podium, I'm the perfect target. I've endured a whole year of threats, including phone calls and threatening letters. People screaming from their cars at our windows, throwing bottles against the entrance to the patio, without caring if they hit me or a mother with a child. "Dirty nigger!" They shouted. "You will not come to Mexico City!" Yet, here I am, a black man, representative of the oppressed people of America and spokesman for the Olympic Human Rights Project. I made it to the finish line. I made it to the podium, because only then can a black man have his say. If you are quick enough, you can say it. And now I hold my fist up, showing my pride in a gesture of defiance. As soon as the hymn ends, I open my eyes and see them. Now I open my eyes and see them. All the guns in the world, pointing at me. First Tommie Smith. Then, after an unmistakable hesitation, John Carlos. As soon as the American anthem begins, they raise their arms with their fists closed, forming two majestic silhouettes. Or maybe it is a single image that reflects itself, doubling. The gesture instantly triggers a buzz, freezing the applause.
    [Show full text]
  • An Analysis of Washington Place a Thesis Submitted To
    A TALE OF TWO DISCOURSES: AN ANALYSIS OF WASHINGTON PLACE A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AMERICAN STUDIES DECEMBER 2014 By Carmen Uluwehi Brito Delos Reyes Thesis Committee: Robert Perkinson, Chairperson Karen Kosasa Roderick Labrador i ACKNOWLEDGMENTS Many wonderful people contributed to the research and writing stages of this paper. I would like to show my appreciation to my committee members – Karen Kosasa, Roderick Labrador, and Robert Perkinson. Each has provided me with unique insight and critiques of my thesis. They have also showed great patience while guiding me through the research and writing process. My chair, Robert Perkinson, encouraged me to apply for the Executive Branch Internship, in which I was placed at Washington Place and developed this unique project. I would like to also extend my gratitude to the docents that were willing to participate in formal and informal interviews. Without their contributions, this paper would have been even more difficult to write. Finally, I thank my friends and family who have provided me with support and encouragement to pursue my goals. Without their support and belief in me, this paper would not have been possible. ii TABLE OF CONTENTS ACKNOWLEDGMENTS ...................................................................................................................ii LIST OF TABLES ..............................................................................................................................iv
    [Show full text]
  • “That's My 15 Minutes in the Sun”
    “That’s my 15 minutes in the sun” An Interview with John Carlos By David Davis Black Power demon- stration after the 200 m race by Tommie Smith (middle) and John Carlos (right). Silver medallist Peter Norman stands at left. They were jeered by the crowd. Editor’s Note: As the 50th anniversary of the 1968 Mexico his favour. He and Smith are now respected and praised City Olympics approaches, the Journal of Olympic History for their courage in using the Olympic platform to express is looking back at some of the key events, athletes, and outrage about racial inequality in America. images from those Games. This interview with sprinter San Jose State University unveiled a statue of the John Carlos was originally published in The Los Angeles podium moment in 2005; John Dominis’s iconic Review of Books in October of 2015. The text has been photograph of the demonstration was included in the edited very slightly for clarity purposes. Life Books anthology 100 Photographs That Changed the John Carlos knows how his obituary will likely begin: World. Smith and Carlos have been feted and honoured “John Carlos, who along with teammate Tommie Smith by several halls of fame. Meanwhile, the National shocked the world with their ‘Black Power’ salute on the Anthem at sporting events in the USA has become victory stand at the 1968 Mexico City Olympics …” a controversial flashpoint for demonstrations and The oft-reproduced image of that moment created counter-demon strations. a powerful, complicated legacy that has evolved over In 2011, with help from The Nation columnist Dave the past 50 years.
    [Show full text]
  • Co-Creation and Counter-Narrative in Appalachia
    Hillbilly Talkback: Co-Creation and Counter-Narrative in Appalachia by Elon B. Justice B.A. Broadcasting Western Kentucky University, 2017 SUBMITTED TO THE PROGRAM IN COMPARATIVE MEDIA STUDIES/WRITING IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2021 © 2021 Elon Justice. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of author: Elon Justice Department of Comparative Media Studies/Writing May 14, 2021 Certified by: Vivek Bald Associate Professor, Comparative Media Studies/Writing Director of Graduate Studies Thesis Supervisor Certified by: Katerina Cizek Artistic Director, Research Scientist and Co-Founder of Co-Creation Studio at MIT Open Documentary Lab Thesis Advisor Hillbilly Talkback: Co-Creation and Counter-Narrative in Appalachia by Elon B. Justice Submitted to the Department of Comparative Media Studies/Writing on May 14, 2021 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies ABSTRACT The Appalachian region has been systematically stereotyped in popular media representations for over a century, contributing to many of the structural, economic, and psychological challenges faced by those who live there. In order to solve this issue, it is necessary to produce compelling counter-representations which undermine the dominant regime of representation around Appalachia. In this thesis, I explore some of the most common image types used to represent Appalachia in popular media and assess the potential of co-creative documentary practices to create representations which challenge these harmful images.
    [Show full text]
  • Who Shot Sports 29.05.2017 – 19.11.2017
    Visit Guide WHO SHOT SPORTS 29.05.2017 − 19.11.2017 Who Shot Sports Introduction 2 Visit Guide Who Shot Sports A photographic history, from 1843 to the present day This guide is part of a series of documents intended to help teachers prepare for a class visit to the Olympic Museum. It contains suggested itineraries, as well as a number activities you can do in the exhibition. You can also take one of our Museum Coaches with you. Our coaches accompany the students throughout their visit, adapting to the age of the students and the needs of the group. If you want to continue to work on the themes raised by the exhibition, an information sheet, an activity sheet and a video are available online. They contain an overview of sports photography and a series of exercises that can be done in class. For more information, visit: www.olympic.org/education. Who Shot Sports 29.05.2017 – 19.11.2017 Individual visit Coached visit Visit guided by the teacher, with or without tablets, with With or without a workshop, from 10 a.m. to 4 p.m. (last visit): suggested routes and activities inside the exhibitions - Monday to Friday, from May to October (free of charge, subject to reservation and availability). - Tuesday to Friday, from November to April Special student price: Min. 15, max. 18 students /children per group, aged 6 and above ages 6-16 years old CHF 7.- per student / child. Length: 90 minutes 1 accompanying adult obligatory and free of charge per group of 10 students/children.
    [Show full text]
  • Center for Creative Photography, University of Arizona (Tucson, AZ)
    W. Eugene Smith: Early Work Item Type text; Book Authors Johnson, William Publisher Center for Creative Photography, University of Arizona (Tucson, AZ) Rights Center for Creative Photography, University of Arizona, Copyright © 1980 Arizona Board of Regents. All Rights Reserved. Photographs by W. Eugene Smith Copyright © 1980 by The Estate of W. Eugene Smith. “Gene Smith: A Personal Note” by John Morris Copyright © 1980 by John Morris. Photographs by Robert Frank Copyright © 1980 by Robert Frank. “Robert Frank” by Susan E. Cohen Copyright © 1980 by Susan E. Cohen. Download date 09/10/2021 19:06:58 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/641075 CENTER FOR CREATIVE PHOTOGRAPHY THE UNIVE RSITY OF ARIZONA TUCSON 85721 NUMBER 12 JULY 1980 W EUGENE SMITH Early Work Contents Director's Statement 3 W. Eugene Smith: 1938-1951 5 by William Johnson Gene Smith: A Personal Note 21 by John Morris Portfolio A Selection of Photographs by W. Eugene Smith List of Plates 80 The W. Eugene Smith Archive 85 Acquisitions Highlight 86 Robert Frank by Susan E. Cohen Acquisitions 88 January through June 1979 W. Eugene Smith 97 A Chronological Bibliography 1934-1979, Part I by William Johnson CENTER FOR CREATIVE PHOTOGRAPHY is a research publication of previously unpublished or unique mate­ rial from the collections in the archives of the Center for Creative Photography. Subscription and renewal rate: $20 (USA),$25 (foreign) for five issues. Back issues available. Address inquiries and subscriptions to: Center for Creative Photography, University of Arizona, 843 East University Boulevard, Tucson, Arizona 85719.
    [Show full text]