Programme £2

Total Page:16

File Type:pdf, Size:1020Kb

Programme £2 programme £2 Rotherfield St Martin Registered Charity No: 1119458 Memorial Institute, North Street, Rotherfield Providing social facilities and support for senior citizens. Opening Hours Mon 10.00am - 12.30pm Tue - Fri 10am - 12.30pm & 1.30pm - 4pm For information about activities, bookings for therapies and Volunteer Driver Scheme Tel: 01892 853021 Email: [email protected] Website: www.rotherfieldstmartin.org.uk Supported by: Rotherfield Parish Council St Denys’ Church Mayfield Osteopaths Lower Steps, High Street, Mayfield, TN20 6AB 01435 873051 Tim Glynn, BDS Lon. Private & NHS dental care for all the family Now offering Denplan DON’T WAIT TILL YOU LOOK LIKE THIS!!! Hygienists appointments available Treatments for Neck pain, Sciatica, Arthritis, Sports Injuries, Opening : 8.20am - 5.30pm Mon - Thurs, Frozen Shoulder, Tennis Elbow, Headaches, 8.20am - 1.00pm Fri Migraine, Cranial Maternity & more…. Reflexology and Sports Injury Massage Now Available Call for apt on 01435 873659 NO BONES ABOUT IT, We’re on Mayfield High Street opp. Nat West Bank. WE’RE THE BEST AROUND! www.mayfielddentalcentre.com from the chairman and director Andy Miller Becky Syms Chairman Director We find ourselves at another Having been involved with The milestone for The Players – an Rotherfield Players for many extra production in the year, years since joining in 2001, this and this time back to where we production truly marks my operated at the beginning of this incarnation of debut in the 'director's chair'. And what a great Rotherfield Players – the Memorial Institute. And experience it has been. not only that, but a production in the round; a production with minimalist scenery/props, and on When the opportunity arose for me to direct for the Saturday, a supper. The Players, I had already read The Rise and Fall of Little Voice having developed a keen interest in For some of the production team their role is a the work of the playwright Jim Cartwright. I was first for them – a position much welcomed in our lucky enough to take part in a production of his aim to have more people available for those jobs. first play, Road, performed by The Rotherfield As for the cast, we are spoilt by the experience Players in May 2014. and breadth of them all. I was drawn in by his ability to create characters As ever the rehearsals I have seen have been eye capable of portraying such wit and heartbreak opening in the intensity of pathos, humour and simultaneously and subsequently resolved to read singing at various stages in the production. That more of his work. A theme that runs through his bodes very well for the live performances. Little work is that of the desire and power, or lack Voice is a complex offering of all of the above and thereof, of the individual to transform themselves, can be enjoyed at many different levels, often despite external expectations simultaneously. I loved the idea of using The Memorial Institute as So once again, sit back a performance venue and this play seemed a very and enjoy an suitable one to stage in this space. I was excited adventurous production about staging a 'studio' production with focus on by The Players. And if raw acting rather than realistic sets and scenes. I you feel inspired to join hope that by staging it in the round with a us, just get in touch and minimalistic set, you, the audience, will feel both we’ll be delighted to part of the action and 'up close and personal' with welcome you to a the performers. forward-looking and friendly Drama group, I am extremely blessed to have been able to work whether on-stage or off. with a hugely talented and supportive cast and crew. Each and every one of them is pivotal to the development of the production. All crew and actors have shown the utmost dedication. The cast have worked extremely hard to bring their individual characters and thereby, the production, to life. They have all given so much energy, enthusiasm and flair, so I would like to extend my enormous gratitude to them all. The video and/or recording of this performance by any means It only remains for me to lastly thank you, the whatsoever are strictly prohibited. audience, for joining us tonight. I hope you enjoy our production. the cast mari hoff - emma harrison Every production I have been involved with for The Players has presented a fresh challenge - from playing a man (Simple Simon in Goldilocks) to playing a witch (although my family thought I was typecast) - and this production has been no exception. I've really enjoyed getting to grips with the amazing language in 'Little Voice' and working with a great director, actors and crew. Thanks Rotherfield Players. little voice - alice burrell When my mum first sat me down to watch Jane Horrocks in the film adaptation of "The Rise And Fall Of Little Voice" I was desperate to change my name to LV. 9 years on and it's finally happened! Playing LV has been an absolute dream. A challenge, but a dream. It's a pleasure to be back performing with The Players - especially with such a wonderful cast. sadie - lynn lunn I attended the familiarisation night for Little Voice purely to assist as a committee member but was instantly drawn to the part of Sadie May. Well who wouldn't want only twenty words to learn, mostly okay, with a character that is pretty close to my own. It's been a hoot! ray say - graham scott By 'eck, I am so pleased to be doing another Jim Cartwright play, it takes me back to me roots. And it's great to be back with Rotherfield Players again, such a talented and friendly bunch of people. I hope you understand the accents, we have all been working so 'ard on 'em, 'appen... mr boo / phone man - brian wright This will be the second Jim Cartwright play for The Players in which I've had the privilege of performing I don't know whether Cartwright's works are plays or social commentaries - perhaps a bit of both. I just know they're about people far less advantaged than we are here but in spite of their sometimes crushing burdens, the human spirit prevails and shines through, just like Billy's lights in this play. I do hope you enjoy it as I have enjoyed working with a superb cast, crew and director. billy - christian jarvest This is the third play I have done with The Rotherfield Players. I have found them all to be a big commitment and very challenging but always well worth it! I really like the dark, gritty, northern style of Jim Cartwright's plays and have loved being part of Little Voice. backstage Director Becky Syms Costumes Sue Exton Producer Sue Exton Samantha Dahman Stage Manager Heather Campbell Hair and Make Up Annie Darling Assistant Stage Manager Barry Shyvers Prompt Alison Organ Set Design Andy Miller Front of House Judith Hardy Mark Tasker Publicity Brett Seath Set Construction Mark Tasker Programme Gillian Earle David Tasker Advertising Artwork Matt Syms Lighting James Harris Hire Box Office Nicky Dawkins Keith Finch Photography Mark Kennedy Sound James Harris Hire Bar Brett Seath Keith Finch Alan Powell Stage Properties Iona Baily Tickets/Licence/Finance James Gallifant the rise and fall of little voice by Jim Cartwright “Popular entertainment at its best…funny, sentimental, and savage by turns, bursting with compassion and life” - The Daily Telegraph “Like everything Cartwright writes, it is playful, magical and terrifying” - The Sunday Times Jim Cartwright was born in 1958 in Bolton in Lancashire. He wrote The Rise and Fall of Little Voice in 1992, and it was first performed at the Royal National Theatre, before transferring to the Aldwych Theatre in London's West End. The production was directed by Sam Mendes and starred Jane Horrocks as Little Voice and Alison Steadman as Mari. The production was nominated for six Olivier Awards, was winner of The Evening Standard Award for Best Comedy of the Year in 1992 and the Laurence Olivier Award for Best Comedy in 1993. It opened on Broadway in 1995. In 1998 the play was adapted for a film and starred Jane Horrocks, Brenda Blethyn, Michael Caine, Ewan McGregor, Jim Broadbent and Annette Badland. Jim’s plays are consistently performed around the world, where they have won numerous awards and been translated into over 35 languages. He has been made an Honorary Fellow of the University of Bolton, a visiting Professor at Salford University and his old school, Harper Green, have named a building in his honour. next productions The Rotherfield Junior Players Present Into the Woods Jr Swallows directed by Gussie Penny and Amazons with the help of Michael Stanton directed by Alan Powell This will be a sure crowd pleaser when we join th th the characters from your favourite fairy tales on 28 - 30 Jan 2016 a musical adventure as they head into the woods. Great fun for all the family. th th 16 - 17 Oct 2015 7:30pm (and 2:30pm matinee on 17th) Open auditions, Rotherfield Village Hall adults and juniors Tickets £10 Adult £8 Concs welcome For more information available and dates for the from Help Night and Auditions Rotherfield Stores please go to Cuckoo Line Stores [email protected] [email protected] 2015 charity In 2014, The Rotherfield Players raised £1,000 for Taylor-Made Dreams; a charity set up by Suzi Mitchell, in memory of her late son Taylor, to enable children with life limiting illness achieve their dreams and provide the families with support at the most difficult of times.
Recommended publications
  • Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
    1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business.
    [Show full text]
  • PENELOPE KEITH and TAMMY GRIMES Are the Society's Newest
    FREE TO MEMBERS OF THE SOCIETY APRIL 2008 - THE NEWSLETTERCHAT OF THE NOËL COWARD SOCIETY Price £2 ($4) President: HRH Duke of Kent Vice Presidents: Barry Day OBE • Stephen Fry • Penelope Keith CBE • Tammy Grimes PENELOPE KEITH and TAMMY GRIMES are the Society’s Newest Vice Presidents arbara Longford, the Society’s Chairman, was delighted to announce this month that the star of the West End Coward revivals Star Quality and Blithe Spirit, Penelope Keith, has agreed to become our next Vice President. In America the actress Tammy Grimes the star of Look After Lulu, High Spirits and Private LivesBhas also graciously accepted our invitation. Both are known Coward devotees and will provide a strong theatrical presence amongst the Society’s Honorary Officers. Penelope Keith is best known in the UK for her television appearances in two of the most successful situation comedies in entertainment history. She made her first mark as the aspiring upper-class neighbour, Margot Ledbetter, in The Good Life and later as the upper-class lady fallen on hard times, Audrey Fforbes-Hamilton, in To The Manor Born. Apart from Star Quality and Blithe Spirit she has appeared on stage at the Chichester Festival in the premiere of Richard Everett’s comedy Entertaining Angels, which she later took on tour. In 2007 she played the part of Lady Bracknell in The Importance of Being Earnest on tour and is currently appearing in the same role at the Vaudeville Theatre in the West End (booking until 26 April). Her best known theatre appearance was in 1974, playing Sarah in The Norman Conquests opposite her The Good Life co-star Richard Briers.
    [Show full text]
  • Download Publication
    Arts Council OF GREAT BRITAI N Patronage and Responsibility Thirty=fourth annual report and accounts 1978/79 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE fROwI THE LIBRARY Thirty-fourth Annual Report and Accounts 1979 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W 1V OAU Designed by Duncan Firt h Printed by Watmoughs Limited, Idle, Bradford ; and London Cover pictures : Dave Atkins (the Foreman) and Liz Robertson (Eliza) in the Leicester Haymarket production ofMy Fair Lady, produced by Cameron Mackintosh with special funds from Arts Council Touring (photo : Donald Cooper), and Ian McKellen (Prozorov) and Susan Trac y (Natalya) in the Royal Shakespeare Company's small- scale tour of The Three Sisters . Contents 4 Chairman's Introductio n 5 Secretary-General's Report 12 Regional Developmen t 13 Drama 16 Music and Dance 20 Visual Arts 24 Literature 25 Touring 27 Festivals 27 Arts Centres 28 Community Art s 29 Performance Art 29 Ethnic Arts 30 Marketing 30 Housing the Arts 31 Training 31 Education 32 Research and Informatio n 33 Press Office 33 Publications 34 Scotland 36 Wales 38 Membership of Council and Staff 39 Council, Committees and Panels 47 Annual Accounts , Awards, Funds and Exhibitions The objects for which the Arts Council of Great Britain is established by Royal Charter are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects .
    [Show full text]
  • Press Release
    PRESS RELEASE Shakespeare’s Globe announces full casting for Edward II and After Edward 18 December 2018 Shakespeare’s Globe is delighted to announce the full cast for Christopher Marlowe’s Edward II, directed by Nick Bagnall, and for Tom Stuart’s new play After Edward, directed by Brendan O’Hea. Examining ancestral relationships and notions of identity, sexuality and power, Marlowe’s Edward II sees King Edward recall his lover, Gaveston, from banishment, setting in motion a chain of events that culminate in some of the most shocking scenes in early modern theatre. Tom Stuart’s new play After Edward, written specifically for the Sam Wanamaker Playhouse in response to Edward II, sees Edward return to the stage alone, bloodied and confused. He has no idea where he is, or how he got here, but he does have an ominous feeling that something is wrong. Performed by the same cast of actors, Edward II opens in the Sam Wanamaker Playhouse on Thursday 7 February, followed by After Edward on Thursday 21 March. Tom Stuart, writer of After Edward, will play the titular role in both productions. Tom has appeared as an actor at Shakespeare’s Globe in many productions including The Broken Heart, The Changeling (2015), Romeo & Juliet (2009) and Much Ado About Nothing (2007). He performed in the Battersea Arts Centre’s production of Edward II in 2008. His screen credits include Tinker Tailor Soldier Spy, People Just Do Nothing (BBC), Psychobitches (Sky Arts), and A Good Year. Tom has been working in film, television and theatre as an actor for 14 years.
    [Show full text]
  • Mauerblümchen Groß in Form Kinotriumph Für Eine Britische Show-Frau: Jane Horrocks Spielt „Little Voice“
    FILM Mauerblümchen groß in Form Kinotriumph für eine britische Show-Frau: Jane Horrocks spielt „Little Voice“. anche Filme sind nach hundert Mi- nuten gnädig zu Ende, ohne daß Msie die Frage beantwortet hätten, warum es sie überhaupt gibt (oder warum man nun etwas darüber erzählen sollte, außer um einen Text abzuliefern). Bei an- deren, bei „Little Voice“ etwa, stellt sich die Frage nicht, weil Seele und Sinn der Unternehmung sich auf den ersten Blick „Little Voice“-Star Horrocks (r.) mit Annette Badland: Ihr Herz gehört ihrem Daddy offenbaren: Diesen Film gibt es, weil es Jane Horrocks gibt, er ist nur für sie und Fransen kulleräugig in die Welt, ganz Taubenzüchter Billy (Ewan McGregor), der um sie herum zusammengebastelt. scheues Reh, wie es im Buche steht, mit sie für stumm hält, rühren ihre seelentiefen Zu bewundern ist also, wenn man dafür winzigem Stimmchen kaum zu einem Wort blauen Augen so sehr, daß er sich mit einer Sinn hat, eine kindlich zarte, ja schmächti- fähig, doch glücklich versponnen in die Montagebühne vor ihr Dachfenster heben ge britische Schauspielerin und Sängerin Traum- und Erinnerungswelt ihres Dach- läßt, um ihr seine Liebe zu erklären. mit einer verblüffenden Spezialbegabung, boden-Zimmers in dem tristen nordengli- Dem anderen jedoch, Ray Say (Michael einem geradezu chamäleonhaften Stimm- schen Seebad, wo die Geschichte spielt. Caine), einem verkommenen Provinz-Re- Imitationstalent: Wenn sie aus voller Brust Ihr Familienname könnte gut Wingfield vueagenten und Gelegenheitsliebhaber ih- einen Song von Judy Garland,
    [Show full text]
  • ANNUAL REPORT and ACCOUNTS the Courtyard Theatre Southern Lane Stratford-Upon-Avon Warwickshire CV37 6BH
    www.rsc.org.uk +44 1789 294810 Fax: +44 1789 296655 Tel: 6BH CV37 Warwickshire Stratford-upon-Avon Southern Lane Theatre The Courtyard Company Shakespeare Royal ANNUAL REPORT AND ACCOUNTS 2006 2007 2006 2007 131st REPORT CHAIRMAN’S REPORT 03 OF THE BOARD To be submitted to the Annual ARTISTIC DIRECTOR’S REPORT 04 General Meeting of the Governors convened for Friday 14 December EXECUTIVE DIRECTOR’S REPORT 07 2007. To the Governors of the Royal Shakespeare Company, Stratford-upon-Avon, notice is ACHIEVEMENTS 08 – 09 hereby given that the Annual General Meeting of the Governors will be held in The Courtyard VOICES 10 – 33 Theatre, Stratford-upon-Avon on Friday 14 December 2007 FINANCIAL REVIEW OF THE YEAR 34 – 37 commencing at 2.00pm, to consider the report of the Board and the Statement of Financial SUMMARY ACCOUNTS 38 – 41 Activities and the Balance Sheet of the Corporation at 31 March 2007, to elect the Board for the SUPPORTING OUR WORK 42 – 43 ensuing year, and to transact such business as may be trans- AUDIENCE REACH 44 – 45 acted at the Annual General Meetings of the Royal Shakespeare Company. YEAR IN PERFORMANCE 46 – 51 By order of the Board ACTING COMPANIES 52 – 55 Vikki Heywood Secretary to the Governors THE COMPANY 56 – 57 CORPORATE GOVERNANCE 58 ASSOCIATES/ADVISORS 59 CONSTITUTION 60 Right: Kneehigh Theatre perform Cymbeline photo: xxxxxxxxxxxxx Harriet Walter plays Cleopatra This has been a glorious year, which brought together the epic and the personal in ways we never anticipated when we set out to stage every one of Shakespeare’s plays, sonnets and long poems between April 2006 and April 2007.
    [Show full text]
  • Download Detailseite
    BERLINALE SPECIAL A QUIET PASSION GALA Terence Davies Wer war Emily Dickinson? Was für ein Mensch verbirgt sich hinter der Großbritannien/Belgien 2015 Dichterin, die die meiste Zeit ihres Lebens im elterlichen Anwesen 125 Min. · DCP · Farbe in Amherst, Massachusetts, verbrachte? Das Herrenhaus ist der Schauplatz eines Films, der eine eigenwillige Frau porträtiert, von der Regie, Buch Terence Davies Kamera Florian Hoffmeister nur wenige biografische Fakten bekannt sind. Die 1803 geborene Schnitt Pia Di Ciaula s t Dickinson gilt als begabtes Mädchen, muss aber aufgrund seelischer e o Ton Johan Maertens V n a Leiden das Studium abbrechen. Die menschenscheue Frau zieht sich h o Production Design Merjin Sep J : o t o zurück und schreibt Gedichte. Trotz der Enge ihrer eigenen Welt F Art Director Toon Mariën nimmt sie den Leser mit in die Weite. Kostüm Catherine Marchand Geboren 1945 in Kensington, damals ein Terence Davies imaginiert ihre Biografie und erkundet, wie die Arbeiterstadtteil Liverpools. Fuhr mit 16 Regieassistenz Johan Ivens zur See, danach Studium an der Drama einzigartigen Gedichte der Emily Dickinson entstehen konnten. Casting John Hubbard, Ros Hubbard School in Coventry. Hier entstand sein erstes Behutsam gleitet die Kamera in ein Leben, in dem die Poesie immer Production Manager June Beeckmans Drehbuch, das seinem Debütfilm CHILDREN mehr Raum einnimmt. Mit der Außenwelt korrespondiert Emily Produzenten Roy Boulter, Sol Papadopoulos zugrunde liegt. Studium an der National Film Dickinson in Briefen. Mit ihren Geschwistern und dem Geistlichen Executive Producer Andrea Gibson & Television School in London. Erste Erfolge Charles Wadsworth tauscht sie philosophische und alltägliche Co-Produzenten Peter De Maegd, mit den autobiografischen Filmen DISTANT Beobachtungen aus.
    [Show full text]
  • Amazon Prime Instant Video Celebrates One Year Anniversary by Bringing US Smash Outlander Home
    Amazon Prime Instant Video Celebrates One Year Anniversary By Bringing US Smash Outlander Home February 26, 2015 The long wait for Outlander fans is almost over as Series 1 premiere date is set for 26th March exclusively on the UK’s largest movie and TV streaming service, Prime Instant Video LONDON – 26 February 2015 - Today, in celebration of Amazon Prime Instant Video’s first anniversary, Amazon announced that Outlander - the smash-hit US show filmed in Scotland -will be available in the UK exclusively to millions of Amazon Prime Instant Video customers for unlimited streaming from 26th March 2015. Outlander was acquired in a deal with Sony Pictures Television, who distributes the series worldwide. The hit drama isfilmed at locations across Scotland, featuring a British & Irish cast, and is the winner of this year’s People’s Choice Awards for Favourite Cable Sci Fi/Fantasy TV Show. The show has an 8.8 out of 10 IMDb rating. Outlander will be joining major exclusive shows on the UK’s largest streaming service including award-winning Transparent, British customers favourite period drama Ripper Street, Roman Coppola’s orchestral comedy Mozart in the Jungle, Norse action-drama Vikings,and the latest Amazon Original Bosch – the most watched Amazon Original series in its opening weekend, with already more than 700 customer reviews averaging at 4.8 out of 5 stars. On 26 February 2014 Amazon Prime Instant Video launched in the UK with the announcement that Amazon had commissioned a third season of the critically-acclaimed British period crime drama Ripper Street. It’s been a landmark first year for Amazon Prime Instant Video, from breaking history as the first streaming service to win a Golden Globe for Best TV Series with Transparent, saving the much loved series Ripper Street from the axe, bringing flagship shows such as Vikings and Black Sails exclusively to its customers and signing up legendary director Woody Allen to deliver his first ever TV series.
    [Show full text]
  • Home Chat) the Sold-Out Engagement Was Quickly Extended
    THE NEWSLETTER OF THE NOËL COWARD SOCIETY - FEBRUARY 2010 Free to members of the Society Price £2 ($4) President: HRH The Duke of Kent, KG, GCMG, GCVO, ADC Vice Presidents: Barry Day OBE • Stephen Fry • Tammy Grimes • Penelope Keith CBE STEPHEN FRY AND JIM DALE - HONOUR THE MASTER LONDON AND NEW YORK CELEBRATE THE 110th ANNIVERSARY ach year the Society celebrates the life and work of Noël Coward at the site of two of the three statues sculpted to celebrate the centenary year of The Master’s birth. In London our Vice President Stephen Fry honoured us with his ‘svelte’ presence and a great speech about Noël who he Econfessed was someone he never met but who had shaped so much of his approach to life. Stephen admits he is a huge admirer of Noël’s diligence - something he endeavours to emulate in his own life. Barbara Longford welcomed Stephen with a resumé of the statue’s history: “ This statue, by Angela Conner, was commissioned at the behest of the late Graham Payn, for the Centenary Celebrations of Coward’s birth, in 1999. It was unveiled by Sir Noël’s friend, Her Majesty, Queen Elizabeth, The Queen Mother, on 8th December, 1998, in the presence of Graham and an illustrious gathering of devotees. Two other casts are situated at Sir Noël’s grave at Firefly in Jamaica and also in the Theater Hall of Fame, at the Gershwin Theatre in New York and every year, on the Saturday nearest to his birthday, members of the Noël Coward Society gather, in London and New York for a flower-laying ceremony.
    [Show full text]
  • Hit a High Note in Savings
    DIME SAVINGS BANK- FLOWERS o Brooklyn Academy of Music ,1,44,i saes (5811 ,S'S mr-Tvitzlp OM?. _ = .mar-zl (Pw/o7R/alssio7 mn. ©w.1 maw pita* "." maw (9')) al I .iEl oi, 1.; 4 as ....- - 7 f _.T. fr r''' t. r' or __, - - .- - VA, Sites ((Sill iS /24 IS Iota Kt9 Cent) A Is ,w,.,t ----- .2=1 0 L.r.Lr-Lzif br f surf scoo./6, (t4f)i lbreL / 0 ./ct_,o4U ,Vve.37VPS51001P4604,$)1 1 1 i / J ,747-1 IT A CrOMIE I i (ec 1 y,) di 2, f,d @I i J m LT r ' F f P f - O' , 6/CiAR-1- 0 Via IdvISRIAta af.) ii,e) ?ME Loop ) 375 3S, / 1 / ,7pril,. --- P ciAe L06r= 105 (42°P BEIM You hear this music when you watch the Dime TV commercials. 0 Ron Lockhart, Inc. used by his permission Hit a high note in savings. I I a THE DIME SAVINGS BANK OF NEW YORK MEMBER FDIC 1 11755, 00114 Program February eleventh through twenty-third/Opera House ABRAHAMc ". ). The Brooklyn Academy of Music by arrangement with the (/) Governors of the Royal Shakespeare Theatre . Ierrrivrkiporovp. Stratford-upon-Avon, England presents the Royal Shakespeare Company in 1 4 William Shakespeare's Loves r Labour's Lost Directed by David Jones Designed by Timothy O'Brien and Tazeena Firth Music by William Southgate STRIPED Lighting by Stewart Leviton UP FOR DOWNHILL RACING... PARKAS FOR BOTH OF YOU Be a standout on the slopes in bright stripes from our toasty parka collection.
    [Show full text]
  • TED LASSO Episode 101 "Pilot" Story by Jason Sudeikis Bill
    TED LASSO Episode 101 "Pilot" Story By Jason Sudeikis Bill Lawrence Joe Kelly Brendan Hunt Teleplay By Jason Sudeikis & Bill Lawrence Directed By Tom Marshall T12.16351 Final Shooting Script 15 November 2019 Based on the promotional campaign for NBC Sports generally known as ‘Ted Lasso’, including certain characters and other elements therein (source material not to be accorded on-screen credit) © 2019 Warner Bros. Entertainment Inc. This script is the property of Warner Bros. Entertainment Inc. No portion of this script may be performed, reproduced or used by any means, or disclosed to, quoted or published in any medium without the prior written consent of Warner Bros. Entertainment Inc. ii. TED LASSO "Pilot" Episode 101 Final Shooting Script 15 November 2019 CAST LIST TED LASSO ......................................... Jason Sudeikis COACH BEARD ..........................................Brendan Hunt REBECCA WELTON ................................. Hannah Waddingham ROY KENT ......................................... Brett Goldstein JAMIE TARTT ......................................... Phil Dunster KEELEY JONES ......................................... Juno Temple HIGGINS ............................................. Jeremy Swift GUEST CAST NATHAN ............................................. Nick Mohammed SAM OBISANYA ........................................ Toheeb Jimoh COLIN ............................................... Billy Harris ISAAC ............................................... Kola Bokinni OLLIE ...........................................
    [Show full text]
  • 12 March 2010 Page 1 of 7
    Radio 7 Listings for 6 – 12 March 2010 Page 1 of 7 SATURDAY 06 MARCH 2010 Series 1 [Repeat of broadcast at 09:30 today] Holy Water SAT 20:00 Comedy Controller (b007jsmx) SAT 00:00 Voices From the Grave (b007jwn6) The life of a struggling writer with his dysfunctional friends and [Repeat of broadcast at 10:00 today] The Parson a talking geranium. SAT 23:00 Stephen King - Rita Hayworth and Shawshank Back from missionary work abroad, Reverend Martin Stokes A sitcom for the 1990s, written by and starring comedian Nick Redemption (b00m19db) stumbles into a nightmare of biblical proportions abroad. Revell. Episode 4 David Varela's horror stars Mark Bazeley as Rev. Martin With Alistair McGowan, Caroline Gruber, Kate McKenzie and Andy dreams about his freedom and who awaits him beyond Stokes, Lynne Verrall as Mrs Cameron, Geoffrey Beevers as Brian Bowles. the prison wall. Stephen King's novella, read by Clarke Peters. Bishop Millcock, Wayne Foskett as Randall, Stephen Hogan as Special guest star: Brian Johnston and Vince the geranium. SAT 23:30 Ted Lewis - Jack Carter's Law (b00ny6xx) Sid and Gerard McDermott as Joseph. Producer: Jon Magnusson Episode 4 Voices From The Grave is a series of four chilling and intimate First broadcast on BBC Radio 4 in January 1992. Gangland enforcer Jack Carter must pay a visit to one of his dramas, inspired by existing ghost stories from around Britain. SAT 04:30 Desmond Olivier Dingle's Compleat Life and boss's massage parlours in Islington. Thriller read by Phil The writers make these stories more than simply scary - they Works of William Shakespeare (b007k2xh) Daniels.
    [Show full text]