Stock Photography Policy
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Film Camera That Is Recommended by Photographers
Film Camera That Is Recommended By Photographers Filibusterous and natural-born Ollie fences while sputtering Mic homes her inspirers deformedly and flume anteriorly. Unexpurgated and untilled Ulysses rejigs his cannonball shaming whittles evenings. Karel lords self-confidently. Gear for you need repairing and that film camera is photographers use our links or a quest for themselves in even with Film still recommend anker as selections and by almost immediately if you. Want to simulate sunrise or sponsored content like walking into a punch in active facebook through any idea to that camera directly to use film? This error could family be caused by uploads being disabled within your php. If your phone cameras take away in film photographers. Informational statements regarding terms of film camera that is recommended by photographers? These things from the cost of equipment, recommend anker as true software gizmos are. For the size of film for street photography life is a mobile photography again later models are the film camera that is photographers stick to. Bag check fees can add staff quickly through long international flights, and the trek on entire body from carrying around heavy gear could make some break down trip. Depending on your goals, this concern make digitizing your analog shots and submitting them my stock photography worthwhile. If array passed by making instant film? Squashing ever more pixels on end a sensor makes for technical problems and, in come case, it may not finally the point. This sounds of the rolls royce of london in a film camera that is by a wide range not make photographs around food, you agree to. -
Photojournalism Photojournalism
Photojournalism For this section, we'll be looking at photojournalism's impact on shaping people's opinions of the news & world events. Photojournalism From Wikipedia, the free encyclopedia Photojournalism is a particular form of journalism (the collecting, editing, and presenting of news material for publication or broadcast) that employs images in order to tell a news story. It is now usually understood to refer only to still images, but in some cases the term also refers to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography (e.g., documentary photography, social documentary photography, street photography or celebrity photography) by complying with a rigid ethical framework which demands that the work be both honest and impartial whilst telling the story in strictly journalistic terms. Photojournalists create pictures that contribute to the news media, and help communities connect with one other. Photojournalists must be well informed and knowledgeable about events happening right outside their door. They deliver news in a creative format that is not only informative, but also entertaining. Timeliness The images have meaning in the context of a recently published record of events. Objectivity The situation implied by the images is a fair and accurate representation of the events they depict in both content and tone. Narrative The images combine with other news elements to make facts relatable to audiences. Like a writer, a photojournalist is a reporter, but he or she must often make decisions instantly and carry photographic equipment, often while exposed to significant obstacles (e.g., physical danger, weather, crowds, physical access). -
Contents Page
‘An evaluation of Flickr’s distributed classification system, from the perspective of its members, and as an image retrieval tool in comparison with a controlled vocabulary’ A dissertation submitted for an MA in: Information Services Management London Metropolitan University September 2008 By Samuel Piker Abstract The profusion of digital images made available online presents a new challenge for image indexing. Images have always been problematic to describe and catalogue due to lack of inherent textual data and ambiguity of meaning. Because professionally- applied metadata is not practical for most open, web-based collections a solution has been sought in the form of tags, simple keywords that can be attached to an image by any web user. Together tags form a flat structure known as distributed classification, or more popularly as a folksonomy. This research follows the debate surrounding folksonomies and aims to fill the gaps in understanding of why people tag and how effective they find them for searching, using the photo-sharing website Flickr as the focus. Open-ended questionnaires were sent out to members of the site who use tags, with the opportunity to post comments to an online discussion space. The other key gap identified in the literature is a systematic comparison between a tag-based system and a more traditional controlled vocabulary, to test out the claims made regarding tagging’s suitability for searching and browsing. For this purpose Flickr has been compared with Getty Images using a series of test themes. The small number of people who replied to the questionnaire gave detailed answers that confirmed several of the assertions made about tags: they are accepted despite their flaws (sloppiness and potential for inaccuracy) because they serve their purpose to a satisfactory level. -
Getty Images Premium Access
GETTY IMAGES’ PREMIUM ACCESS CONTENT COLLECTIONS LIST (Effective September 21, 2017) STILLS COLLECTIONS RM – House RM – Partner Allsport Concepts ABSODELS Archive Photos ACP Bettmann AFP Creative Corbis All Canada Photos Corbis Documentary Altrendo Corbis Historical amana images Fototrove America 24-7 Hulton Archive arabianEYE Moment Arcaid Images Oxford Scientific Art Images Photographer's Choice RM Asia Images Photolibrary Aurora Retrofile RM AWL Images Stone Axiom Photographic Agency Taxi Biosphoto Taxi Japan Blend Images The Image Bank Bloomberg Creative Photos Canopy Car Culture ® Collection CGIBackgrounds China Span Collection Mix: Subjects Conde Nast Collection Cultura Exclusive DAJ De Agostini Picture Library Discovery Channel Images Dorling Kindersley EyeEM F1online First Light Folio Images Gallo Images Glow hemis.fr Historic Map Works Hola Images Ikon Images Illustration Works ImageBROKER Images Bazaar Imagezoo ImaZinS Johner Images LatinContent Lonely Planet Images LOOK Mayo Clinic Collection Mint Images Nativestock Nature Picture Library Neo Vision Nordic Photos NYonAir Panoramic Images Passage Perspectives Photononstop Picture Press Publisher Mix Refinery29 Riser robertharding RooM SambaPhoto Science Photo Library Sebun Photo Stock4B StockFood Creative SuperStock Topic Images Universal Images Group Untitled X-Ray UpperCut Images View Stock VisitBritain WaterFrame Westend 61 WIN-Initiative Yann Arthus-Bertrand RF – House RF – Partner Corbis ABSODELS Corbis Unreleased Alloy DigitalVision amana images DigitalVision Vectors arabianEYE -
Jpmorgan, Salesforce Join Growing List of Firms Dumping Office Space
4/5/2021 JPMorgan, Salesforce Join Growing List of Firms Dumping Office Space - WSJ This copy is for your personal, non-commercial use only. To order presentation-ready copies for distribution to your colleagues, clients or customers visit https://www.djreprints.com. https://www.wsj.com/articles/jpmorgan-salesforce-join-growing-list-of-irms-dumping-ofice-space-11617096603 PROPERTY REPORT JPMorgan, Salesforce Join Growing List of Firms Dumping Office Space Rise of remote work means demand for ofice space could be permanently lower for some companies JPMorgan started marketing 700,000 square feet of ofice space in lower Manhattan earlier this year. PHOTO: JUSTIN LANEEPASHUTTERSTOCK By Konrad Putzier Updated March 30, 2021 521 pm ET Listen to this article 5 minutes JPMorgan Chase & Co., Salesforce. com Inc. and PricewaterhouseCoopers are among the major firms looking to unload big blocks of office space, the latest sign that remote work is hurting demand for this pillar of commercial real estate. Large companies typically sign office leases for a decade or longer, giving them few options for reducing their footprint beyond trying to sublease floors to other tenants. At the end of 2020, 137 million square feet of office space was available for sublease across the U.S., according to CBRE Group Inc. That is up 40% from a year earlier and the highest figure since 2003. https://www.wsj.com/articles/jpmorgan-salesforce-join-growing-list-of-firms-dumping-office-space-11617096603 1/4 4/5/2021 JPMorgan, Salesforce Join Growing List of Firms Dumping Office Space - WSJ While sublet space increases during every recession as struggling businesses look to cut costs, firms typically add office space when the economy picks up again. -
How to Use Eye-Catching Images Without Paying A
HOW TO USE EYE-CATCHING IMAGES WITHOUT PAYING A FORTUNE OR A LAWYER HELEN SEDWICK AND JESSICA BROWN TEN GALLON PRESS Copyright © 2014 by Helen Sedwick and Jessica Brown www.helensedwick.com www.tengallonpress.com All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without the written permission of the publisher, except where permitted by law. This guide should not be used as a substitute for the advice of competent legal counsel from an attorney admitted or authorized to practice in your jurisdiction. You should never delay seeking legal advice, disregard legal advice, or commence or discontinue any legal action because of information in this guide. Ten Gallon Press Santa Rosa, CA Images Are Important It’s a visual world. Words alone, no matter how insightful, will not draw readers to your blog or books. You will need eye-catching images for your covers, website, social media banners, bookmarks, and book videos. Images communicate tone and pull in readers long before they discover your prose. If you are a speaker or educator, the right image illustrates your points, evokes emotions, and perks up your audience. Finding images is easy. Search the internet and voila, thousands of choices. Finding images has become so easy, many people forget those images result from someone’s hard work and are protected by copyright. Some people still think anything posted on the internet is free to use. Not true. Images, like texts and music, are intellectual property. -
These Works Reflect on the Stock Photography Company Getty's Dominance in the Market, Capitalization, and Control of Images On
PRESS RELEASE Berlin, September 10, 2019. Property Artwork by Paolo Cirio. These works reflect on the stock photography company Getty’s dominance in the market, capitalization, and control of images on the Internet. The series adopts the semantics of appropriation art through transforming images into compositions of colored shapes and texts, which overlay with the prints of the original photos appropriated from Getty’s websites. Property examines images as a form of capital accumulation, bound by intellectual property laws, trade agreements, legal contracts, and litigations. Getty aggregates images from public archives, agencies, and photographers; then it repackages them with legal terms to exclusively license and sell millions of photos. Images become an asset and a revenue stream, with Getty Inc becoming a monopoly and a gatekeeper of photos (see gettyimages.com, photos.com, images.com, etc). To dominate the economy of images at a time in which the Internet allows easy reproduction and sharing, Getty Images Inc aggressively controls and polices the use of photos through extensive legal threats and litigations. While limiting access, Getty Images Inc, acquires archives and collections by any means and strikes agreements with search engines and publishers to lure viewers to their sites. These often deceptive and aggressive business practices are necessary for Getty to gain control over the market of photos. With the series Property, White House, Cirio found historical photographs of U.S. presidents in the public domain that Getty Images Inc. licenses and sells on their platform. This series questions the use, trading, and ownership of photo archives through utilizing direct evidence of Getty’s deceptive marketing of public domain images. -
Shutterstock to Acquire Premiumbeat, a Leading Provider of Royalty Free Music
Shutterstock to Acquire PremiumBeat, A Leading Provider of Royalty Free Music New York and Montreal– January 15, 2015 – Shutterstock, Inc. (NYSE: SSTK), a leading global provider of commercial digital imagery and music, has entered into a definitive agreement to acquire PremiumBeat, a leading provider of exclusive, high‐quality music and sound effects for use in videos, films, television, apps, games, and other creative projects. Given the rising importance of video and interactive content, creators around the world increasingly seek affordable, high‐quality music to bring their projects to life. Earlier this year Shutterstock set out to make licensable music accessible to any business with the launch of Shutterstock Music; the acquisition of PremiumBeat will help to accelerate this mission. PremiumBeat works with leading composers to offer a high‐quality library of exclusive music to the world’s best businesses, including advertising and media agencies, as well as Fortune 500 companies. “We are excited to add such a complementary business in PremiumBeat, with a fast‐growing customer base and an extraordinary collection,” said Jon Oringer, founder and CEO of Shutterstock. “We understand the intersection between music and video and believe that music licensing will benefit from the same, strong market demand we are capitalizing on with video.” Shutterstock recently surpassed the milestone of more than one million video clips licensed. “We share the same vision as Shutterstock to support video editors, marketers and content creators around the world as they tell engaging stories,” said Francois Arbour, CEO of PremiumBeat. “We are excited to leverage Shutterstock’s global reach and leadership in video licensing. -
The Stock Photography As a Part of Cultural and Creative Industries of the Digital Age
THE STOCK PHOTOGRAPHY AS A PART OF CULTURAL AND CREATIVE INDUSTRIES OF THE DIGITAL AGE Zorislav KALAZIĆ , M.Sc. Ph.D.Student, Faculty of Economics in Osijek, Croatia [email protected] Jasna HORVAT , Ph.D. Faculty of Economics in Osijek, Croatia [email protected] Josipa MIJOČ , Ph.D. Faculty of Economics in Osijek, Croatia [email protected] Abstract Photography of the digital age has lost the properties of a physically tangible product and has become intellectual property. Simultaneously with this process, the process of transition of photography into a mass-produced good has taken place. Market demands towards photography as a product of mass consumption often reduce the aesthetic and artistic standards that have been set by its develop- ment period in the process of photography coming to life as a medium. Despite the negative eff ects that accompany the transition of photography in its process of transformation into a mass-produced good, even such photographic “products” are able to encourage to a particular activity and ultimately generate revenue for numerous industries standing in the background of the “photography-product”. Production and distribution of stock photographs 1 is one of the derivates of the 1 Stock photography derives from the word „stock“ and implies the sale/rent of an already existing pho- tograph, which was not taken according to the customer’s order. On the other hand, the use of stock INTERDISCIPLINARY MANAGEMENT RESEARCH XI 189 digital age in which business in the domain of production of photographs is ex- panded to their distribution to users of websites and/or digital communication channels. -
2013 Annual Report
2013 ANNUAL REPORT THE WORLD’S CREATIVE MARKETPLACE Photo: David Yellen A LETTER FROM OUR CEO Dear Shutterstock stockholders, inside of Shutterstock, and we look forward to watching it grow. Growth. When we talk about Shutterstock’s progress over the last year, that word keeps coming up. In 2013 Within Shutterstock, we introduced Spectrum, a we served more customers and delivered more files search tool designed and built in-house that allows than ever before. We added more than 100 talented customers to search millions of high-quality employees to our team. Our image and video commercially released images by color. collections continued to improve in size and in quality. We explored new areas and introduced two new We serve customers in over 150 countries, and in brands. And we finished the year while putting the 2013 we doubled the number of languages we final coats of paint on our new headquarters in the support on Shutterstock.com from 10 to 20, Empire State Building. with the addition of Turkish, Hungarian, Polish, Czech, Danish, Finnish, Norwegian, Swedish, In everything we do at Shutterstock, we never stop Korean and Thai. learning, testing and optimizing. As we look back on a year of accomplishments, we see so many reasons to To better serve customers on mobile devices, we also be optimistic about the future ahead. added German and Portuguese language support to our popular Shutterstock app for iOS, and introduced Business Overview. For the first time in 2013, we our first Shutterstock app for Android. delivered more than 100 million downloads to our paying customers. -
Image Manipulation
IMAGE MANIPULATION Photo manipulation (i.e.: changing the content of a photograph) is a very serious issue in the editorial photo industry. Acceptable Changes Cropping. Minor color adjustments. Limited lightening or darkening. Limited sharpening. The removal of dust resulting in a dirty lens or sensor. Converting a color image to black & white. Creating a true silhouette effect from an image. Removal of Red Eye (caused by Flash Photography) as long as it does not affect the context of the photography. Unacceptable Changes Any other changes not included in the preceding list of Acceptable Changes, including but not limited to the following: Adding or removing objects or information that weren’t in the photograph to begin with. Extreme color, lightening and darkening adjustments using Photoshop or any other computer software ( i.e., making a gray sky blue, a blue sky orange or a gray subject black. Changing the editorial content of any image is unacceptable. On-camera filters The use of on-camera filters (including Polarizing, graduated, star burst or special effects filter) is acceptable. However, any photographs created by using these filters MUST include the following line at the front of the caption field and special instructions field: Caption example: NASHVILLE , TN - APRIL 09: (EDITOR'S NOTE A special effects camera filter was used for this image): Joe Rightwing #21 of the Nashville Predators skates during warm ups on April 9, 2014 in Nashville, Tennessee. (Photo by Joe Photo/Getty Images) It is the responsibility of the individual Photographer who has taken a photo with a filter to make sure that this Editor Note is clearly written in the main body of the caption on each photo before it is transmitted to the Picture Desk. -
Shutterstock to Acquire Rex Features, Expands Focus on Editorial Imagery
Shutterstock to Acquire Rex Features, Expands Focus on Editorial Imagery London and New York – January 15, 2015 – Shutterstock, Inc. (NYSE: SSTK), a leading global provider of commercial digital imagery and music, has entered into a definitive agreement to acquire Rex Features, the largest independently owned photographic press agency in Europe. Rex offers media companies and advertisers images and videos that capture the world around us, including a live feed of tightly edited celebrity, entertainment, sports and news images and videos, along with access to a multi‐decade archive of iconic images. With Rex’s editorial expertise and Shutterstock’s technical prowess, the combined companies plan to bring a comprehensive offering to market across both editorial and commercial content. “The acquisition of Rex Features marks our substantive entry into editorial imagery — a new market for Shutterstock with significant potential and many opportunities to better serve global media companies,” said Jon Oringer, Shutterstock founder and CEO. With offices in London and Los Angeles, Rex serves thousands of customers, including many of the world’s leading magazines, websites, newspapers, agencies, and broadcasters. “Given Shutterstock’s volume leadership in commercial imagery and Rex’s history of meeting customers’ editorial needs, we are excited about what Rex and Shutterstock can accomplish together,” said Larry Lawson, Managing Director of Rex Features. The purchase price is approximately $33 million, substantially all of which will be paid in cash. The company expects to update its 2015 financial outlook for the impact of this transaction when it reports fourth quarter 2014 earnings. About Shutterstock Shutterstock, Inc. (NYSE: SSTK), is a leading global provider of high‐quality licensed photographs, vectors, illustrations, videos and music to businesses, marketing agencies and media organizations around the world.